Ensoniq Halo User Manual

Operation Manual
© 2002 E-MU / ENSONIQ
All Rights Reserved
FI12326 Rev. B
E-MU World Headquarters Europe, Africa, Middle East E-MU / ENSONIQ E-MU / ENSONIQ
1600 Green Hills Road Suite 6, Adam Ferguson House Scotts Valley, CA USA Eskmills Industrial Park 95066 Musselburgh, East Lothian Telephone: 831-438-1921 Scotland, EH21 7PQ Fax: 831-438-8612 Tel: +44 (0) 131-653-6556 Internet: www.emu.com Fax: +44 (0) 131-665-0473
Important Notice:
In order to obtain warranty service on your Halo unit, the serial number sticker must be intact and you must have a sales receipt or other proof of purchase. If there is no serial number sticker on the Halo, please contact E-MU-ENSONIQ at once.
This product is covered under one or more of the following U.S. patents: 4,404,529; 4,506,579; 4,699,038; 4,987,600; 5,013,105; 5,072,645; 5,111,727; 5,144,676; 5,170,367; 5,248,845; 5,303,309; 5,317,104; 5,342,990; 5,430,244 and foreign patents and/or pending patents. All other trademarks belong to their respective companies. Specifications and features are subject to change without notice.
Halo Operation Manual
i
Table of Contents
Introduction ............................................................................. 1
Product Description .......................................................................................1
Important Safety Instructions .................................................. 3
Safety Instructions - German ................................................... 6
Safety Instructions - French ..................................................... 8
Setup ...................................................................................... 13
Unpacking....................................................................................................13
Connection Instructions..............................................................................14
Basic Setup ..............................................................................................14
Performance Setup ..................................................................................15
Studio Setup ............................................................................................16
Instant Gratification ............................................................... 19
Playing Demo Sequences ........................................................................19
Auditioning Presets .................................................................................20
Selecting and Quick Editing Presets .......................................................20
Exploring Beats Mode .............................................................................22
Exploring the Master Arpeggiator ...........................................................24
Multi-Channel Arpeggiator ....................................................................26
Time to Save? .......................................................................................28
Basic Operations .................................................................... 29
Power Switch ...........................................................................................29
Volume Control ......................................................................................29
Channel +/- Buttons ...............................................................................29
Data Entry Control .................................................................................29
Cursor Buttons ........................................................................................30
Pitch & Mod Wheels ...............................................................................30
ii
ENSONIQ
Edit Section..................................................................................................30
Global Button .........................................................................................30
Controllers Button .................................................................................. 31
Arp/Beats Button ....................................................................................31
MIDI Button ...........................................................................................31
MIDI Panic Button .................................................................................. 31
Audition Button ...................................................................................... 31
Compare Button .....................................................................................31
Save/Copy Button ................................................................................... 32
Preset Edit Button ................................................................................... 32
Home/Enter Button ................................................................................32
Real-time Controller Knobs .........................................................................32
Knob Functions ......................................................................................33
Quick Edit mode .................................................................................33
Screen View Buttons ....................................................................................34
Main ........................................................................................................ 34
Multi ....................................................................................................... 34
Mix Screen .............................................................................................. 34
Demo Mode ............................................................................................35
Command Functions................................................................................... 36
Preset Selection ....................................................................................... 36
Trigger Mode ........................................................................................... 36
Preset Menu Jump Keys ..........................................................................36
Main Screen .................................................................................................37
MIDI Channel Selection ......................................................................... 37
Preset Selection ....................................................................................... 37
Channel Volume ....................................................................................38
Channel Pan ...........................................................................................39
Channel Arpeggiator .............................................................................. 39
Sound Navigator ..........................................................................................40
Preset Category .......................................................................................40
Instrument Category ..............................................................................40
Multisetups ..................................................................................................41
Restoring Multisetups ............................................................................. 41
Multisetup Name ....................................................................................42
Saving Multisetups .................................................................................42
Arp/Beats Menu ......................................................................43
Beats.............................................................................................................44
Beats Mode .............................................................................................. 46
Status ................................................................................................... 46
Beats Channel .....................................................................................46
Trigger Channel ..................................................................................46
Beats Controllers ..................................................................................... 49
Beat Velocity Group 1-4 ...................................................................... 49
Beat Xpose Group 1-4 ......................................................................... 49
Beat Busy ............................................................................................49
Beat Variation ...................................................................................... 50
Halo Operation Manual
iii
Beats Keys Layout ...................................................................................51
1-Bar Trigger Option ...........................................................................51
Beats Keys Offset .....................................................................................52
Beats Part Velocity ..................................................................................52
Beats Part Transpose ...............................................................................53
Beats Part Group .....................................................................................54
Master Riff ...............................................................................................54
Riff Tempo ..............................................................................................55
Riff Controllers .......................................................................................55
MIDI Song Start ......................................................................................56
Arp/Riff MIDI Out ...................................................................................56
Arpeggiators .................................................................................................57
Arp Controllers .......................................................................................58
Arpeggiator Resolution ........................................................................58
Arpeggiator Extension .........................................................................58
Arpeggiator Velocity ............................................................................58
Arpeggiator Gate ..................................................................................58
Arpeggiator Interval ............................................................................58
Master Arpeggiator Parameters ....................................................................58
Status .......................................................................................................59
Mode .......................................................................................................59
Note Value ..............................................................................................60
Arpeggiator Pattern Speed ......................................................................60
Pattern .....................................................................................................60
Velocity ...................................................................................................61
Gate Time ................................................................................................61
Extension Count .....................................................................................62
Extension Interval ...................................................................................62
Sync .........................................................................................................63
Pre-Delay .................................................................................................63
Duration ..................................................................................................64
Post-Delay ...............................................................................................64
Recycle ....................................................................................................65
Keyboard Thru ........................................................................................65
Latch .......................................................................................................65
Send MIDI System Exclusive Data ...............................................................66
Editing a User Arpeggiator Pattern ........................................................67
Pattern Step Number ...............................................................................67
Key ..........................................................................................................67
Key Offset ............................................................................................68
Tie ........................................................................................................68
Rest ......................................................................................................68
Skip ......................................................................................................68
End .......................................................................................................68
Velocity ...................................................................................................69
Duration ..................................................................................................69
Repeat ......................................................................................................69
User Pattern Name ..................................................................................70
Multichannel Arpeggiating..........................................................................70
iv
ENSONIQ
Controllers Menu ....................................................................71
Realtime Control Functions ........................................................................72
Keyboard Channel .................................................................................. 72
Keyboard Transpose ................................................................................ 72
Local Control On/Off .............................................................................72
Keyboard Velocity Curve ........................................................................ 73
Channel Aftertouch On/Off ................................................................... 74
Footswitch Function ............................................................................... 74
Foot Pedal Function ................................................................................ 75
Trigger Buttons Function ........................................................................ 75
Trigger Buttons ....................................................................................... 76
Trigger Button Select ........................................................................... 76
Latch on/off ........................................................................................76
MIDI Key ............................................................................................. 76
MIDI Channel .....................................................................................76
Velocity ............................................................................................... 76
Preset Select Buttons ............................................................................... 77
Trigger Button Select ........................................................................... 77
Preset Location .................................................................................... 77
Preset Number ..................................................................................... 77
Preset Name ......................................................................................... 77
Category .............................................................................................. 77
Preset Select Send Buttons ...................................................................... 78
Trigger Button Select ........................................................................... 78
Bank MSB ............................................................................................78
Program Change Number ...................................................................78
Bank LSB .............................................................................................. 78
Knob Preset Quick-Edit ........................................................................... 79
Real-time Controller Assignment ........................................................... 79
MIDI Footswitch Assign .........................................................................80
Calibrate Controllers .............................................................................. 80
Tempo Controller ................................................................................... 81
Base Tempo ............................................................................................. 82
Global Menu ...........................................................................83
Defining Global Parameters......................................................................... 84
Master Transpose/Tune ..........................................................................84
Master Bend Range .................................................................................84
Master Velocity Curve ............................................................................ 85
Mix Output ............................................................................................. 86
Master Effects............................................................................................... 88
Effects Mode ...........................................................................................88
Effects Multi Mode Control .................................................................... 88
Master FXA Algorithm ............................................................................ 89
A Effect Types ...................................................................................... 89
FXA Parameters: Decay/HF Damping FxB -> FxA ..................................90
FXA Send Amounts ................................................................................. 90
Master FXB Algorithm ............................................................................ 90
B Effect Types ......................................................................................91
Halo Operation Manual
v
FXB Parameters: Feedback/LFO Rate Delay Time ...................................91
FXB Send Amounts .................................................................................91
Miscellaneous Parameters ............................................................................92
Edit All Layers Enable .............................................................................92
User Key Tuning .....................................................................................92
Screen Viewing Angle .............................................................................92
MIDI Menu ............................................................................. 93
Keyboard Outputs MIDI .........................................................................94
Knobs Output MIDI ................................................................................94
Transmit MIDI Clock ..............................................................................94
MIDI Enable ............................................................................................94
Receive Program Change ........................................................................95
MIDI Program Change -> Preset .............................................................95
MIDI SysEx ID .........................................................................................96
MIDI SysEx Packet Delay ........................................................................97
Send MIDI System Exclusive Data ..........................................................97
MIDI Mode ..............................................................................................98
Omni ...................................................................................................98
Poly ......................................................................................................98
Multi ....................................................................................................98
Programming Basics .............................................................. 99
Modulation ................................................................................................100
Modulation Sources ...................................................................................101
Random Sources ....................................................................................102
Modulation PatchCords.............................................................................102
Envelope Generators..................................................................................103
Tempo-based Envelopes ....................................................................104
Envelope Repeat ................................................................................104
Low Frequency Oscillators (LFOs) .............................................................105
Clock Modulation ......................................................................................106
Modulation Destinations...........................................................................108
Modulation Processors...............................................................................109
Preset Modulation Processors ....................................................................111
Using the Modulation Processors .........................................................113
More Examples ......................................................................................115
Dynamic Filters ..........................................................................................117
What is a Filter? ....................................................................................118
Parametric Filters ..................................................................................121
The Z-Plane Filter ..................................................................................122
Signal Flow .................................................................................................123
MIDI Channels & Real-time Controls .......................................................124
Bank Select Commands ........................................................................126
Stereo Mix Outputs ....................................................................................127
vi ENSONIQ
Preset Edit Menu ..................................................................129
Preset Name ..........................................................................................130
Four Layer Architecture ............................................................................. 130
Selecting Layers ....................................................................................131
Defining Layer Parameters......................................................................... 132
Selecting an Instrument .......................................................................132
Sound Navigator ...............................................................................132
Defining Key Range ..............................................................................133
Defining the Velocity Crossfade Range ................................................ 135
Defining the Real-time Crossfade Range .............................................. 137
Transposing the Instrument ................................................................. 140
Tuning .................................................................................................. 141
Background: Transpose vs. Coarse Tuning .......................................141
Amplifier ............................................................................................... 141
Volume Envelope .................................................................................142
Selecting the Mode ............................................................................ 142
Defining the Volume Envelope ........................................................143
Chorusing the Layer .............................................................................144
Sound Start Offset and Delay ............................................................... 144
Non-Transpose Mode ...........................................................................145
Solo Mode ............................................................................................. 145
Assign Group ........................................................................................ 146
Glide ..................................................................................................... 147
Z-Plane Filters .......................................................................................148
Halo Filter Types ................................................................................... 148
Filter Types ........................................................................................148
Filter Parameters ................................................................................ 150
Filter Envelope ...................................................................................... 151
Defining the Filter Envelope ............................................................. 152
Auxiliary Envelope ...............................................................................152
Low Frequency Oscillators (LFOs) ........................................................ 153
Shape ................................................................................................. 153
Sync ................................................................................................... 154
Rate .................................................................................................... 154
Delay ................................................................................................. 156
Variation ........................................................................................... 156
PatchCords ............................................................................................ 157
Modulator Polarity ............................................................................ 158
Pitch Bend Range .................................................................................. 160
Mix Output ........................................................................................... 160
Common Preset Parameters....................................................................... 161
Preset Effects .........................................................................................161
FXA Algorithm ...................................................................................... 163
A Effect Types .................................................................................... 163
FXA Parameters ..................................................................................... 164
FXA Send Amounts ............................................................................... 164
FXB Algorithm ...................................................................................... 164
B Effect Types ....................................................................................164
FXB Parameters ..................................................................................... 165
Halo Operation Manual vii
FXB Send Amounts ...............................................................................165
Preset Patchcords ..................................................................................165
Initial Controller Amount ....................................................................167
Keyboard Tuning ..................................................................................168
Preset Links ...........................................................................................170
Preset Tempo Offset ..............................................................................171
Audition Riff Selection ..........................................................................171
Play Solo Layers ....................................................................................171
Effects ................................................................................... 173
Effects Overview.........................................................................................173
The Effects Sends ..................................................................................173
Effect Types ................................................................................................175
Effect Parameters ...................................................................................175
Decay .................................................................................................176
High Frequency Damping .................................................................176
Feedback ............................................................................................176
LFO Rate ............................................................................................176
Delay ..................................................................................................176
Effects Programmed in the Preset ..............................................................177
Master Effects .............................................................................................178
Effects Mode ..........................................................................................180
Flexible Effects Control .........................................................................180
Using the Effects Channel Settings in Multi Mode ..........................182
Effect B Into Effect A .............................................................................182
General Effect Descriptions........................................................................184
Reverb ...................................................................................................184
Chorus ...................................................................................................185
Doubling ...............................................................................................185
Slapback ................................................................................................185
Stereo Flanger ........................................................................................185
Delay .....................................................................................................186
Stereo Delay ..........................................................................................186
Panning Delay .......................................................................................186
Dual Tap ................................................................................................186
Vibrato ..................................................................................................186
Distortion ..............................................................................................186
viii ENSONIQ
Save/Copy Menu .................................................................. 187
Saving a Preset ......................................................................................187
Copying Information.................................................................................188
Copy Preset ...........................................................................................188
Copy Layer ............................................................................................188
Copy PatchCords ..................................................................................189
Copy Preset PatchCords ........................................................................190
Copy Arpeggiator Settings ....................................................................190
Copy Arpeggiator Pattern .....................................................................191
Copy Preset Bank ..................................................................................191
Sound Authoring ....................................................................................... 192
Rename Flash SIMM .............................................................................193
Duplicate Flash ..................................................................................... 194
Create Random Preset .......................................................................... 195
Preset Programming .............................................................197
Editing Presets............................................................................................ 197
Changing the Instrument .................................................................... 197
Changing the Tuning of an Instrument ..............................................198
Chorus .................................................................................................. 199
Volume Envelope .................................................................................199
Working with Filters ............................................................................. 202
Adding the Filter Envelope ............................................................... 203
Changing Filter Types ....................................................................... 205
Envelope Repeat ................................................................................ 206
Practice Modulating .............................................................................. 206
Troubleshooting ................................................................................... 207
Linking Presets........................................................................................... 208
Appendix ...............................................................................209
Front Panel Knob Functions...................................................................... 209
Knob Controller Descriptions ..............................................................210
Presets ........................................................................................................210
Preset Categories ................................................................................... 210
Jam Presets ............................................................................................ 210
Preset Listing.............................................................................................. 211
Riff Listing.................................................................................................. 216
Instrument Listing .....................................................................................220
Keyboard Velocity Curves.......................................................................... 224
Master Velocity Curves.............................................................................. 227
PatchCord Amount Chart .........................................................................229
Expansion Sound Sets................................................................................ 230
Installing Sound SIMMs............................................................................. 232
MIDI........................................................................................................... 234
Received Channel Commands .............................................................241
Technical Specifications............................................................................. 242
Warranty ....................................................................................................243
Index .....................................................................................245
Halo Operation Manual ix
x
ENSONIQ

Introduction

Product Description

Upgradable Sounds
Halo contains a new collection of presets designed for music composition in a wide variety of styles.These sounds are rich in harmonic texture and a perfect complement to the Z-plane filters. Halo contains three additional, user-upgradable sound SIMM sockets, allowing you to mix and match sound sets according to your needs. New sounds can be added as easily as plugging in a new 16MB or 32MB SIMM module. Each sound set has been meticulously crafted to be the finest of its kind. Samples are expertly matched across the keyboard and perfectly looped to create realistic instru­ments which form the exceptionally playable presets.
1024 Presets & more
Halo contains 512 user presets and 512 factory ROM presets, but it can be expanded with literally thousands of ROM presets. (ROM presets are
automatically added when sound SIMMs are installed. As an example, a 32 MB SIMM may contain up to 1024 ROM presets.) Halo’s Sound Navigator makes it
easy to find the exact sound you want. It’s powerful, yet simple to use.
Velocity & Pressure Sensitive Keyboard
The five-octave, velocity sensitive keyboard with aftertouch allows you to perform live or record via MIDI into an external computer/sequencer. The keyboard action is extremely responsive, capturing all the subtle nuances of your performance.
Multi-Function Controllers
Multi-function buttons allow you to trigger arpeggiators and notes inter­nally or on any of your other MIDI devices. They can act as preset select buttons or Beats Mute or MIDI Trigger buttons (latched or unlatched).
Four real-time controller knobs are also multi-function controls. These knobs make it a snap to edit and modify internal preset parameters. The controllers are fully programmable and can control internal preset or other MIDI equipment. They can also be programmed to adjust multiple internal parameters at once, allowing complex levels of control. For example, a single knob can simultaneously turn up filter cutoff, while detuning one
Halo Operation Manual 1
Introduction Product Description
2
sample, and adjusting the release time of the volume envelope. Virtually every synth parameter in the Halo is controllable using the real-time knobs or by any internal or external control source.
SuperBeats
Beats Mode is a whole new way to create dynamic, original music. With Beats, you trigger, latch and unlatch synced loops and grooves from the sixteen trigger keys. Simply select a bts: preset and go. Then use Halo’s perfomance controls to alter and mutate the rhythm or the sound itself.
Multi-Channel Arpeggiators
Halo’s Rhythmic Pattern Generator/Arpeggiator can play up to 16 synchro­nized arpeggiator patterns at once using a different sound for each! Patterns can be edited using pattern flow commands such as: delay for 2 bars, play for 4 bars, hold for 2 beats and repeat. You can program or download 100 user patterns in addition to the 200 factory patterns.
Ultra Powerful Synthesizer
The extremely flexible yet easy to use synthesizer makes it easy to build sounds of any kind. Up to 4 four layers can be switched or crossfaded using key position, velocity, real-time controllers or any modulation source. 64 voice polyphony ensures that you can play and sequence the most complex material. Halo also contains 50 different 2nd to 12th order resonant & modeling filters which are used to shape and modify over 1200 waveforms contained in 32 megabytes (MB) of ROM.
Sixty-four modulation sources include three multistage envelopes and two LFOs per layer, as well as full MIDI control over virtually every parameter. The digital patch bay, with 24 cords per layer, (and 12 more cords per preset) lets you connect modulation sources to 64 destinations in any imaginable way. The patch bay also contains a set of arithmetic modifiers, allowing you to create complex synthesis models. Synth parameters as well as arpeggiator and BEAT tempos can be controlled from Halo’s internal clock (or an external MIDI clock). Up to 8 LFOs and 12 envelopes can be perfectly synchronized at different rates.
24-bit Effects
Once you have created your preset, you can add richness to your sound using Halo’s 24-bit stereo effects. You can choose a different effects setup for each preset from over 60 algorithms. Halo’s effects section is actually two separate effects processors with control over each wet/dry mix level on four effects sends. Effects Processor “A” contains primarily ambiance algorithms like reverb and delays, while effects processor “B” contains primarily spectral algorithms such as chorus, flange, phase, distortion, and delay. Effects can be linked to each preset or used globally for increased flexibility.
ENSONIQ
Other features include multiple solo, voice assignment and performance modes for expressive control, 12 user-definable alternate tunings, and, of course, an extensive MIDI implementation.

Important Safety Instructions

Grounding Instructions
Important Safety Instructions
Use in countries other than the U.S.A. may require the use of a different line cord or attachment plug, or both. Refer all servicing to qualified service personnel. There are no user serviceable parts or adjustments inside the unit. There are no user serviceable parts inside the power supply enclosure.
WARNING: To reduce the risk of fire or electric shock, do not expose this
product to rain or moisture.
Grounding Instructions
Danger!
User Maintenance Instructions
This product must be grounded. If it should malfunction or break down, grounding provides a path of least resistance for electric current, reducing the risk of electric shock. This product is equipped with a cord having an equipment-grounding conductor and a grounding plug. The plug must be plugged into an appropriate outlet properly installed and grounded in accordance with all local codes and ordinances.
Improper connection of the equipment’s grounding conductor can result in the risk of electric shock. Check with a qualified electrician or service personnel if you are in doubt as to whether the product is properly grounded. Do not modify the plug provided with this product. If it will not fit the outlet, have a proper outlet installed by a qualified technician.
The Halo (Model Number 3725) should be kept clean and dust free.
1.
Periodically wipe the unit with a clean, dry, lint free cloth. Do not use solvents or cleaners.
There are no user lubrication or adjustment requirements.
2.
Caution -
the risk of electric shock, do not perform any servicing other than that contained in these operating instructions unless you are qualified to do so. Refer all servicing to qualified service personnel.
Servicing instructions are for use by qualified personnel only. To reduce
Halo Operation Manual 3
Important Safety Instructions User Maintenance Instructions
This symbol is intended to
alert you to the presence of
important operating and
maintenance (servicing)
instructions in the literature
accompanying the unit.
This symbol is intended to
alert you to the presence of
uninsulated dangerous
voltage within the product’s
enclosure that may be of
sufficient magnitude to
constitute a risk of electric
shock to persons.
4
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS
READ THESE INSTRUCTIONS: When using electric products, basic precau-
tions should always be adhered to, including the following:
Read all instructions before using Halo.
1.
To reduce the risk of injury, close supervision is necessary when using
2.
Halo near children. Do not use Halo near water — for example near a bathtub, washbowl,
3.
kitchen sink, in a wet basement, on a wet bar, or near or in a swimming pool.
Do not expose the unit to drips or splashes. No liquid-filled objects,
4.
such as vases, shall be placed on the Halo. The Halo should be situated so that its location or position does not
5.
interfere with its proper ventilation. The Halo should be located away from heat sources such as radiators,
6.
heat registers, fireplaces, stoves, or ovens. No open flame sources, such as lit candles, should be placed on the
7.
Halo. The Halo is designed for use in moderate climates.
8.
The Halo should be connected only to a power supply of the type
9.
described in the operating instructions and marked on the product. Care should be taken so that objects do not fall and liquids are not
10.
spilled into the enclosure of Halo through openings. This Halo is equipped with a grounding-type plug (a grounding plug has
11.
two blades and a third grounding prong) . This is a safety feature. If you are
unable to insert this plug into the outlet, do not defeat the safety purpose of the plug. Contact an electrician to replace your obsolete outlet.
Protect the power cord from being walked on or pinched, particularly at
12.
plugs, convenience receptacles, and the point where they exit from the unit.
Unplug the Halo from the power outlet during lightning storms or
13.
when left unused for a long period of time. This product, in combination with an amplifier and headphones and
14.
speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, consult an audiologist.
Only use attachments and accessories specified by ENSONIQ.
15.
Refer all servicing to qualified service personnel. The Halo should be
16.
serviced by qualified service personnel when: A. The power supply cord or plug has been damaged; or B. Objects have fallen, or liquid has been spilled into the unit; or
ENSONIQ
Important Safety Instructions
Radio and Television Interference
C. The unit has been exposed to rain or moisture; or D. The unit has been dropped or damaged in any way; or E. The Halo does not operate normally or exhibits a marked change in
performance.
Save These Instructions
Heed All Warnings
Follow All Instructions
Radio and Television Interference
The equipment described in this manual generates and uses radio­frequency energy. If it is not installed and used properly —that is, in strict accordance with our instructions— it may cause interference with radio and television reception.
This equipment has been tested and complies with the limits for a Class B computing device in accordance with the specifications in Subpart J of Part 15 of the FCC rules. These rules are designed to provide reasonable protection against such interference in a residential installation. However, there is no guarantee that the interference will not occur in a particular installation, especially if a “rabbit ear” TV antenna is used.
If Halo does cause interference to radio or television reception, you can try to correct the interference by using one or more of the following measures:
Turn the television or radio antenna until the interference stops. Move Halo to one side or the other of the television or radio. Move Halo farther away from the television or radio. Plug Halo into an outlet on a different circuit than the television or
radio.
Consider installing a rooftop antenna with a coaxial lead-in between the
antenna and television set.
Copyright Information
It is the policy of E-MU / ENSONIQ to allow all users free, complete and unrestricted use to all of the presets, beats, riffs, patterns, and audition files contained in our products. However, we are unable to grant you a license to re-use, modify, create derivative works from, sell or redistribute the demon­stration files (demos). In most cases, these compositions are copyright protected by their respective authors and are licensed to E-MU / ENSONIQ for product demonstration purposes only. Please contact E-MU / ENSONIQ with additional questions.
Halo Operation Manual 5
Safety Instructions - German Wichtige Sicherheitsvorschriften
6

Safety Instructions - German

Wichtige Sicherheits­vorschriften
Erdungsin­struktionen
Gefahr
In Ländern ausserhalb den U.S.A. können andere Kabel oder Stecker notwendig werden. Zur Verminderung des Risikos von Feuer oder eines elektrischen Schlages übergebe man den Service an qualifizierte Fachleute. Das Gerät niemals Regen oder Nässe aussetzen.
Das Gerät muss geerdet sein. Bei einem Defekt oder Ausfall bietet Erdung dem elektrischen Strom den Weg des geringsten Widerstandes und reduziert das Risiko eines Schlages. Dieses Gerät ist mit einem geerdeten Kabel und Stecker ausgerüstet. Der Stecker muss in eine passende, einwandfrei montierte und geerdete Steckdose in Übereinstimmung mit den örtlichen Vorschriften eingeführt werden.
Unvorschriftsgemässer Anschluss des Gerätes kann zum Risiko eines elektrischen Schlages führen. Im Zweifelsfalle über die ordnungsgemässe Erdung soll ein qualifizierter Elektriker oder eine Serviecestelle beigezogen werden. Ändern Sie den mitgelieferten Stecker nicht. Sollte er nicht in die Steckdose passen, soll die einwandfreie Installation durch einen qualifi­zierten Techniker erfolgen.
Unterhaltsin­struktionen für anwender
Vorsicht
ENSONIQ
Halo (Modell Nummer 3725) soll sauber und staubfrei gehalten werden.
1.
Das Gerät mit einem sauberen und säurefreien Tuch periodisch abreiben. Keine Lösungs- oder Reinigungsmittel anwenden.
Schmieren und Justieren sind nicht notwendig.
2.
Bei weiteren Servicefragen wende man sich an eine qualifizierte Service-
3.
stelle.
Diese Gebrauchsanweisungen sind nur für qualifizierte Techniker beabsichtigt. Um die Gefahr eines elektrischen Schlages zu vermeiden, sollen Sie keine Arbeit unternehmen, die nicht in diesen Instruktionen vorgeschrieben ist. Wenden Sie Sich bei weiteren Servicefragen an eine qualifizierte Servicestelle.
Dieses Symbol weist den
Anwender auf wichtige
Gebrauchs- und Service-
Vorschriften in den beilieg-
enden Drucksachen.
Dieses Symbol verweist auf
nicht-isolierte Stromspan­nungen im Geräte-Innern,
welche zu einem elektrischen
Schlag führen könnten.
INSTRUKTIONEN BETR. FEUERRISIKO, ELEKTROSCHOCK ODER VERLETZUNG VON PERSONEN
WARNUNG; Beim Einsatz elektrischer Geräte sollten folgende Vorsichtsmassregeln stets beachtet werden:
Lesen Sie vor dem Einschalten des Halo alle Instruktionen.
1.
Zur Vermeidung von Verletzungsrisiken müssen Kinder bei einge-
2.
schaltetem Halo sorgfältig überwacht werden. Halo nicht in der Nähe von Wasser in Betrieb nehmen -- z.B. in der
3.
Nähe von Badewannen, Waschschüsseln, auf nassen Gestellen oder am Swimmingpool.
Halo stets so aufstellen, dass seine Belüftung nicht beeinträchtigt wird.
4.
Halo nicht in der Nähe von Hitze aufstellen, wie Heizkörper, offenem
5.
Feuer, Öfen oder von Backöfen. Halo ausschliesslich mit einem Netzgerät gemäss Bedienungsanleitung
6.
und Gerätemarkierung verwenden. Dieses Gerät kann bei Verwendung von Kopfhörern und Verstärkern
7.
hohe Lautpegel erzeugen, welche zu bleibenden Gehörschäden führen. Arbeiten Sie nicht während längerer Zeit mit voller Lautstärke oder hohem Lautpegel. Stellen Sie Gehörverlust oder Ohrenläuten fest, wenden Sie sich an einen Ohrenartz.
Halo kann mit einem polarisierten Kabelstecker (mit ungleichen
8.
Stiften) ausgerüstet sein. Das geschieht für Ihre Sicherheit. Können Sie den Stecker nicht in die Steckdose einführen, ändern Sie nicht den Stecker ab, sondern wenden Sie sich an einen Elektriker.
Das Netzkabel des Halo bei längerem Nichtgebrauch aus der Steckdose
9.
ziehen. Vermeiden Sie sorgfältig das Eindringen von Gegenständen oder
10.
Flüssigkeiten durch die Gehäuseöffnungen. Das Gerät soll durch qualifizierte Serviceleute gewartet werden, falls:
11.
A. das Netzkabel beschädigt wurde, oder B. Gegenstände oder Flüssigkeit in das Gerät gelangten, C. das Gerät Regen ausgesetzt war, oder D. das Gerät nicht normal oder einwandfrei arbeitet, oder E. das Gerät stürzte oder sein Gehäuse beschädigt wurde.
Vorsicht
Servicearbeiten sollten nur qualifizierten Fachleuten anvertraut werden.
12.
Halo Operation Manual 7
Safety Instructions - French Instructions de Sécurité Importantes

Safety Instructions - French

8
Instructions de Sécurité Importantes
Instructions de Mise à la Te r r e
Danger
Une utilisation dans des pays autres que les U.S.A. peut nécessiter l’usage d’un cordon d’alimentation différent. Afin de réduire les risques d’incendie ou d’électrocution, référez-vous à un personnel de service qualifié, et n’exposez pas cet appareil à la pluie ou à l’humidité.
Cet appareil doit être relié à la terre. Dans le cas d’une malfonction éventuelle, la terre fournit un passage de moindre résistance pour le courant électrique, réduisant ainsi les risques d’électrocution. Le Halo est équipé d’un cordon muni d’un conducteur et d’une fiche devant être branchée dans une prise appropriée et reliée à la terre en conformité avec les normes locales.
Une connexion incorrecte peut résulter en des risques d’électrocution. Vérifiez avec un technicien qualifié si vous avez des doutes quant à la connexion. Ne modifiez pas vous-même le cordon d’alimentation livré avec cet appareil; s’il ne rentre pas dans la prise, faites-en installer un autre par un technicien qualifié.
Instructions de Maintenance
ENSONIQ
Le Halo (Model 3725) doit être maintenu propre et sans poussière.
1.
Nettoyez-le périodiquement à l’aide d’un chiffon propre et non­pelucheux. N’utilisez pas de solvants, ou d’autres produits de nettoyage.
Aucune lubrification et aucun réglage ne sont nécessaires de votre part.
2.
Pour tout autre service, référez-vous à un personnel qualifié.
3.
Instructions Concernant les Risques d’Incendie, d’Electrocution, ou de Blessures Corporelles.
ATTENTION: Lorsque vous utilisez des appareils électriques, certaines précautions élémentaires doivent toujours être prises, incluant les suivantes:
Ce symbole vous alerte de la
présence d’instructions
importantes d’opération et
de maintenance dans la
notice accompagnant
l’appareil.
Ce symbole vous alerte de
la présence d’un voltage
non-isolé dangereux à
l’intérieur de l’appareil,
pouvant être d’une
magnitude suffisante pour
constituer un risque
d’électrocution.
Safety Instructions - French
Instructions de Maintenance
Ces instructions de dépanage sont destinées uniquement aux personnes qualifiées. Afin d’éviter les risques d’électrocution, n’effectuez que les opéra­tions décrites dans ce manuel, à moins que vous ne soyez qualifiê pour cela. Faites effectuer toute r’eparation par une personne qualifié.
Lisez bien toutes les instructions avant d’utiliser le Halo.
1.
Afin de réduire les risques de blessures, une attention particulière est
2.
nécessaire en la présence d’enfants en bas âge. N’utilisez pas le Halo dans ou près d’endroits humides - par exemple
3.
près d’une baignoire, d’un lavabo, dans les toilettes, dans une cave humide, sur un bar fréquenté, en présence d’un bull-dog en rut, ou dans une piscine pleine. Protégez cet appareil de tout liquide, éclaboussure ou fuite.
Le Halo doit être placé de façon à ce que sa position n’interfére pas avec
4.
sa propre ventilation. Le Halo doit être placé loin de sources de chaleur telles que des radia-
5.
teurs, cheminées, fours, ou groupies en chaleur. Le Halo doit uniquement être connecté à une alimentation du type
6.
décrit dans les instructions d’opération et tel qu’indiqué sur l’appareil. Une attention particulière doit être observée quant aux objets pouvant
7.
tomber et aux liquides pouvant être versés sur et à l’intérieur de le Halo. Le Halo peut être équipé d’une fiche secteur polarisée (avec une broche
8.
plus large que l’autre). C’est une mesure de sécurité. Si vous ne pouvez pas brancher cette fiche dans une prise, ne neutralisez pas cette sécurité. Contactez plutôt un électricien pour remplacer la prise obsolète.
Evitez de marcher sur le cordon d’alimentation ou de le coincer,
9.
particuliêrement prês des prises de courant, des boitiers ‘electriques dt du point de sortie de l’appareil.
Le cordon d’alimentation de le Halo doit être débranché lorsque ce
10.
dernier n’est pas utilisé pendant une longue période. Cet appareil, combiné avec un amplificateur, des haut-parleurs, et/ou
11.
un casque, est capable de générer des niveaux sonores pouvant occasionner une perte de l’ouïe permanente. Ne travaillez pas trop longtemps à un volume trop élevé ou même inconfortable. Si vous observez une perte de l’audition ou un bourdonnement dans les oreilles, consultez un O.R.L.
N’utilisez que les accessoires sp’ecifi’es par ENSONIQ.
12.
Halo Operation Manual
9
Safety Instructions - French Interférences Radio et Télévision
Cet appareil doit être examiné par un personnel qualifié lorsque:
13.
A. Le cordon d’alimentation a été endommagé, ou B. Des objets sont tombés, ou du liquide a été versé sur/à l’intérieur
de l’appareil, ou C. Le Halo a été exposé à la pluie, ou D. Le Halo est tombé, ou E. Le Halo ne fonctionne pas normalement, ou affiche un
changement radical de performance.
Tout service doit être effectué par un personnel qualifié.
14.
SAUVEGARDEZ CES INSTRUCTIONS
Interférences Radio et Télévision
L’appareil décrit dans cette notice génére et utilise une énergie de fréquence-radio. S’il n’est pas installé et utilisé correctement - c’est à dire en suivant strictement nos instructions - il peut occasionner des interférences avec la réception d’une radio ou d’une télévision.
Cet appareil a été testé et est conforme aux normes de Classe A en accord avec les spécifications du paragraphe J de la section 15 des lois FCC. Ces lois sont désignées pour fournir une protection raisonnable contre de telles interférences dans une installation résidentielle. Toutefois, il n’est pas garanti qu’aucune interférence n’apparaisse dans des installations particulières, et plus spécialement lorsqu’une antenne de télévision en «oreilles de lapin» est utilisée.
Si le Halo occasionne des interférences , vous pouvez essayer de les corriger en utilisant une ou plusieurs des mesures suivantes:
Tournez l’antenne de la télé ou de la radio jusqu’à ce que les inter­férences disparaissent.
Déplacez le Halo d’un côté ou de l’autre de la télé ou de la radio.
Eloignez le Halo de la télé ou de la radio.
Branchez le Halo sur une prise différente que la télé ou la radio.
Installez une antenne sur le toit munie d’une connexion coaxiale entre
elle et le poste de télévision.
10
ENSONIQ
Declaration of Conformity
Declaration of Conformity
Manufacturer:
E-MU / Ensoniq 1600 Green Hills Road Scotts Valley, CA 95067-0015 USA
We hereby declare that the equipment listed herin conforms to the harmonized standards of the following European Commission Directives: 89/336/EEC and 72/23/EEC.
Trade Name: Halo
Model Number: 3725
Under 89/336/EEC as amended by 92/31/EEC, and 93/68/EEC
In accordance with EN 55103-1:1996, Emission Environments E4
In accordance with EN 55103-2:1996, Immunity Environments E4
Test information is contained in a report by Atlas Compliance and Engineering, Inc.
Dated July 5, 2001
Report No.: 0126EMUx17_103
Under 73/23/EEC as amended by 93/68/EEC
In accordance with EN 60950 with amendments A1, A2, A3, A4, A11
This Declaration is made July 5, 2001
Halo Operation Manual 11
Safety Instructions - French
12 ENSONIQ

Setup

This section thoroughly describes how to set up your new Halo for use. Setup includes unpacking instructions, how to hook up the unit to your sound system and, most importantly, how to turn the thing on and off.

Unpacking Carefully remove Halo from the packaging material. Take care to save the

packing materials in case you need to transport the unit. Check to make sure all components are included and in good condition. If there are missing or damaged components, contact ENSONIQ immediately for replacement or repair.
The Halo box should include the following components:
Halo unit
Power cable
This operation manual
Halo Operation Manual 13

Connection Instructions

Basic Setup

Setup
Basic Setup
The Right Main output jack carries a mono mix of the left and right channels when the Left Main plug is not plugged in.
The Left Main output jack is a stereo jack carrying both channels when the right output jack is empty.
14 ENSONIQ
Power Switch & AC Receptacle
The AC power switch is located on the rear panel. There is no 110/220 Volt power selector switch since Halo utilizes an auto-switching power supply which accepts from 100V-250V, 50-60Hz.
MIDI Output
The Halo can control other MIDI instruments by connecting a MIDI cable between the MIDI out of Halo and the MIDI Input of the other instrument.
Outputs
In order to reproduce Halo’s wide dynamic range and frequency response, use a high quality amplification and speaker system and a stereo setup is highly desirable The headphone output is the same as the Main output signal. The headphone jack is located on the left side of the front panel.
Footswitch & Footpedal
Connect a momentary footswitch and a Control Pedal for additional control. Halo auto-senses either normally-open or normally-closed switches See page 15 for information about how the footpedal should be wired.

Performance Setup

Rear Panel
Computer
MIDI
Interface
Out In
Out
Additional
MIDI
Devices
Setup
Performance Setup
MIDI In
FootPedal Wiring
Ground Tip
Ring
R
Mixer
SUB 1 MAIN
L OUTPUTS
Amp
R
L
IN
OUT
THRU
MIDI
SWITCH PEDAL
Footswitch
FOOT
Foot Pedal
MIDI In/MIDI Out
Halo can be connected to a computer/sequencer via the MIDI In and MIDI Out ports. Halo to playback complex multitimbral sequences.
Audio Outputs
Two pairs of programmable stereo outputs (Main and Sub 1) are provided. The internal effects are available only on the Main outputs. Specific presets (or MIDI channels) can be routed to one of these stereo pairs in order to be processed further or mixed separately.
Tip
Ground
Ring
Footswitch & Footpedal
The footswitch input accepts either a normally-open or normally-closed momentary footswitch. The footpedal input can sense either 0-5 volts on the ring of a stereo jack or a pedal with the potentiometer wired as shown at left. The footswitch and Pedal inputs are programmable in the Controllers, Footswitch menu and the Preset Edit, PatchCord menu.
Halo Operation Manual 15

Studio Setup

MIDI Controller
(MIDI Keyboard or Sequencer)
REAL TIME CONTROLLERS
ASSIGNABLE KEYS
PRESET
SAMPLE
SEQUENCER
EMULATOR
Rear Panel
Setup
Studio Setup
LEVEL
EXIT
ENTER
PAGE
PRESET SELECT
RETURN
0.987654321
MIDI Out
Computer
Additional
MIDI
Devices
MIDI In
SUB 1 MAIN
L
R
OUTPUTS
Send/Return
Effect Device
L
R
Main Outs to Mixer In
IN
OUT
THRU
MIDI
Sub Output
Return (To Main Output)
Tip Ring
To Effect From Effect
FOOT
PEDAL
FOOT
SWITCH
SEND/RETURN CABLE
Signal is sent out on tip of plug and
returned to main outputs via ring of plug.
MIDI In
In this setup, Halo is additionally controlled by another MIDI keyboard.
MIDI Thru
MIDI Thru transmits an exact copy of the messages received at the MIDI In jack. It does NOT send keyboard or controller information generated from Halo (Use the MIDI Out port to send Halo data to another instrument.)
16 ENSONIQ
Audio Outputs
The Sub 1 output jacks are stereo jacks. The tip of each jack (accessed when a standard phone plug is inserted) connects to the left or right output of that group.
If you insert a stereo plug into one of the Sub Outputs, the ring of the plug serves as a signal Return which sums into the Main outputs.
Setup
Studio Setup
Therefore, the Sub 1 jacks can serve as effect sends and returns in order to further process selected instruments and then return them to the main mix.
You can use the Sub 1 jacks as send/returns in order to further process selected Halo presets without using the effects bus on the mixing board. In a pinch, the effect returns can be used to sum additional instruments into the main outputs. It’s like having an extra line mixer when you need more inputs!
Output Section
Effects
Processors
L Bus
R Bus
Tip
You can use the Sub 1 jacks as effect returns to the Main Outputs.
Note that the Effects Processors are only routed to the Main Outputs.
Tip
Ring
Ring
RL
SUB 1
RL
MAINS
Halo Operation Manual 17
Setup
Studio Setup
18 ENSONIQ
Instant Gratification
This section presents step-by-step instructions for the most fundamental operations to get you up and running as quickly as possible.

Playing Demo Sequences

Halo has several factory demonstration sequences that let you hear what this incredible machine can do. The actual number of demo sequences depends on which ROM sounds sets are installed. You can play these demo sequences by accessing the Demo Sequence page.
DEMO SEQUENCES HALO
Uncanny 1
To Play a Demo Sequence:
1. Press and hold the Main and Mix buttons at the same time to enter the
Demo Sequence page. The screen shown above appears.
2. Select a sequence using the data entry control. The Enter LED will be
flashing.
3. Press the Enter button to begin playing the selected sequence. The
following screen appears.
PLAYING: UNCANNY 1
Press ENTER to stop
4. Press the Enter button again to stop playing the sequence.
5. When a demo sequence plays to the end, the next demo will automati-
cally begin playing. The screen will display the new demo name.
6. With the sequence stopped, press any other button to Exit demo
sequence mode.
Halo Operation Manual 19
Instant Gratication

Auditioning Presets

Auditioning Presets The front panel audition button allows you to hear any preset in Halo
without even playing a note! When the Audition button is pressed, the button’s LED will illuminate and a short “Riff” (programmed as part of the preset) will play. The Riff is latched on and plays continuously until the button is pressed again. Presets can be changed while Audition is latched.
OO
OO
To audition presets with their programmed effects, switch to Omni or Poly mode (located in the MIDI menu).
The top line of the Main display changes to show the MIDI Bank Select controller values needed to select the preset being auditioned. This is an extremely handy feature when sequencing.
Bank MSB:008 LSB:2 HALO
1
252 key: SynhissOrgan
To Audition a Preset:
1. Select a preset by turning the data entry control while the cursor is
anywhere on the lower line of the main screen (shown below).
2. Select a preset by turning the data entry control while the cursor is
anywhere on the lower line. The preset number field (shown above) is the normal position of the cursor and pressing the Enter button will return the cursor to this position.
3. Press the Audition button on the front panel. The Audition LED will
illuminate and a short riff will play the selected preset.
4. Continue to select and audition presets.
5. Press the Audition button again to turn Audition mode off. The LED
will extinguish.
6. Play the keyboard.
7. Be sure to check out the Pitch Wheel, controller knobs and Mod Wheel.

Selecting and Quick Editing Presets

20 ENSONIQ
The first thing you’ll do with the Halo is select and play the factory provided presets. Halo comes standard with 8 banks containing 128 presets each. See “Main Screen” on page 37.
Channel
Number
Initial Volume Setting
Initial
Pan
Setting
Arpeggiator
Setting
Preset
Location
C01 V127 P01R A:off User
252 key: SynhissOrgan
1
Blinking
Cursor
Preset
Number
Bank
Number
Preset Category
Preset Name
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