Empress Effects ECM-519 User Manual

ECM-519
compressor
Introduction
We've strived to design a feedback FET compressor with
personality, that can excel where plug-ins fall short and
seamlessly integrate with your DAW to add some often needed
analog warmth. The pleasing FET harmonic distortion, and
some transformer saturation options really help to add that
This compressor is extremely versatile. It's great on aggressive
time settings and applying a lot of gain reduction, but can also
be extremely transparent. The auto modes engage two
completely separate side-chain circuits that change the way the
compressor behaves, giving you sounds that aren't possible with
conventional attack and release settings.
True bypass switching makes meaningful comparisons against
the original signal quick and easy, and parallel compression is
only a knob twist away. Happy squishing!
- Jason Fee
The Basics of Compression
Compression works by narrowing the difference between high and low audio levels by reducing the gain of any signal over the threshold. By doing this at specific time constants, compression can add consistency, sustain, punch, detail, definition and personality to your tracks.
The ratio determines how much gain reduction will be applied to the signal once it crosses the threshold. At a 3:1 ratio, for every 3dB of input signal above the threshold, there will be 1dB of output signal. A 12:1 ratio would output 1dB for every 12dB of input signal, etc.
Attack controls how quickly the gain reduction will begin after a
signal has crossed the threshold. Release controls how long it
takes for the compressor to return to its initial level after the signal drops below the threshold.
Quick Start Settings
Vocal Tracking
Drum Buss Smashing
This setting is great for
controlling the dynamics while
tracking. The auto mode
handles the attack and release
times, so setup is super fast.
This adds a ton of character to your drum buss. Set the input
level for 25dB of reduction.
Mixing in some dry signal
keeps transients intact.
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