COBALT
™
WIRED
MICROPHONES
General Product Description
Designed to yield outstanding performance in applications
requiring the miking of acoustic and electric instruments,
as well as vocal performances. Excellent for stage or studio,
the Co4’s versatility will make it a “must have” in any
microphone mix.
Microphone Use and Placement
Please note that miking techniques are a matter of personal
preference. These are merely guidelines to assist in the
placement of the microphone to gain optimal performance.
Usage Optimal Placement
Electric Guitar Place microphone approximately 1-2" from and at
and Bass a 90° degree angle to the speaker cone.
Guitar Amplifier To reduce boominess,move the microphone off
axis to the cone from 90° to 45°, or move mic
from center of cone to either edge.
Tom-Toms On double headed Toms place mic over the top of
drum 1-3" and at a 45° angle to the drum surface
and 1-2" in from the drum edge. On single headed
Toms use above method or place mic inside Tom
from underneath at a 90° angle from the center of
head, 3-5",away.
Snare Drum Place mic 1-3" above the heads, 1-2" in from the
rim.Aim each mic at the top heads angled down
about 45°. If the drum rings, tape deadening
material to the head or use damping rings.
For more “snare”sound place a 2nd mic
underneath aimed up at the bottom of head.
Cymbals Place microphone one to two feet above the
top of cymbals.
High-Hat Place 5 inches above outside edge at a
45° do wn angle.
Brass 6-24" away,and on axis with the bell of
the instrument.
Acoustic Guitar Place mic 6-12" from where finger board
joins the body.
Cobalt™Co
4
Instrument Microphone
Cobalt™Co
4
Instrument Microphone
Standard Placement & Use Guidelines
1. Always point the microphone at the desired source of
sound, and away from any unwanted sources.
2.The microphone should be located close to the sound
source to minimize interference from other potential
sound sources.
3. Use the 3-to-1 rule when using multiple microphones.
Place each microphone three times farther from other
microphones as from the desired sound source.
4. Minimize over-handling of the microphone to reduce
unwanted mechanical noise.
5.Working close to the microphone will increase the bass
tone and also provide increased gain-before-feedback.
Specifications
Element Dynamic
Neodymium magnet structure
Frequency Response 50 Hz to 18 kHz
Polar Pattern Cardioid
Impedance Low-Z balanced (600 Ohms)
Sensitivity
Open Circuit Voltage 2.8 mV/Pa (-51dBV) re 1 Pa*
Microphone Connector 3-pin, XLR-type
Polarity Pin 2 positive, referenced to pin 3
with positive pressure on diaphragm
Finish Durable polyurethane paint
Materials Die cast zinc housing
Dimensions
Length 5.8 in. (148 mm)
Diameter .92 in.(23 mm)
Shank .46 in. (12 mm)
Weight
Net 12 oz. (340 grams)
Accessories included Stand adaptor (black)
12000 Portland Avenue South, Burnsville, MN 55337
Phone: 952/884-4051, Fax: 952/884-0043
www.electrovoice.com
© Telex Communications, Inc. 9/2003
Part Number 38109-907 Rev. B
U.S.A. and Canada only. For customer orders, contact Customer Service at:
800/392-3497 Fax: 800/955-6831
Europe, Africa, and Middle East only. For customer orders, contact Customer Service at:
+ 49 9421-706 0 Fax: + 49 9421-706 265
Other International locations. For customer orders, contact Customer Service at:
+ 1 952 884-4051 Fax: + 1 952 736-4212
For warranty repair or service information, contact the Service Repair department at:
800/553-5992 or 402/467-5321
For technical assistance, contact Technical Support at:
800/392-3497 or 952/736-4656
Specifications subject to change without notice.