Echo Darla Owner's Manual

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DARLA

by
®
Owner’s Manual Version 1.6 for PC
Darla is designed and manufactured in the U.S. by Echo Corporation
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Sending in your registration card – or registering online at allows us to register key information so that we may handle problems faster and inform you of advance information on upgrades and other news. Thanks in advance for filling out your registration card and sending it to us. We hope you enjoy your Echo product.
http://www.echoaudio.com/register.html
-

Limited Warranty

Echo Corporation warrants this product, when purchased at an Authorized Echo Dealer in the United States of America, to be free of defects in materials and manufacturing workmanship for a period of one year from the date of original purchase. During the warranty period Echo shall, at its option, either repair or replace any product that proves to be defective upon inspection by Echo. Final determination of warranty coverage lies solely with Echo. Echo reserves the right to update any unit returned for repair, and reserves the right to change or improve the design of the product at any time without notice.
This is your sole warranty. Echo does not authorize any third party, including any dealer or sales representative, to assume any liability on behalf of Echo or to make any warranty for Echo.
Service and repairs of Echo products are to be performed only at the factory (see below) unless otherwise authorized in advance by the Echo Service Department. Unauthorized service, repair or modification will void this warranty.
To obtain factory service:
Contact Echo Corporation at (805) 684-4593, 9AM to 5PM Monday through Friday (Pacific Time). If necessary, you will be given a return authorization number. Products returned without an RA number will be refused. Echo may, at its option, require proof of the original date of purchase in the form of a dated copy of the original authorized dealer’s invoice or sales receipt.
Pack the product in its original shipping carton and attach a description of the problem along with your name and a phone number where Echo can contact you if necessary. Ship the product insured and freight prepaid to:
Echo Corporation
6460 Via Real
Carpinteria, CA 93013
DISCLAIMER AND LIMITATION OF WARRANTY
Echo Corporation makes no other warranties, express, implied, or otherwise, regarding Echo products, and specifically disclaims any warranty for merchantability or fitness for a particular purpose. The exclusion of implied warranties is not permitted in some states and the exclusions specified herein may not apply to you. This warranty provides you with specific legal rights. There may be other rights that you have which vary from state to state.
In no event will Echo Corporation be liable for any lost profits, or for any consequential, direct or indirect damages, however caused and on any theory of liability, arising from this warranty and sale.
©1997 – 1999 by Echo Corporation 6460 Via Real Carpinteria, CA 93013
Echo® is a registered trademark of Echo Corporation
®
,
Gina® and Darla® are trademarks of Echo Corporation
Layla Windows
®
, Windows ‘95®, Windows ‘98®, and Windows NT® are registered trademarks of Microsoft, Inc.
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Table of Contents

Introduction
What You Should Have Received in the Darla Box 5
System Requirements 5
Darla Installation
6
5
Running the Echo Reporter Software 6 The ECHODEL Program 10 System Sounds 11 Installing the Darla Hardware 12 Installing the Darla Software Drivers 13
Darla Audio Input & Output Devices 16
The Echo Console
The File Menu 19
The Edit Menu 19
The Session Menu 20
The Monitors Menu 21
Console Controls 21
Monitor Controls 21
Output Controls 23
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Adjusting Record and Playback Levels 23 Synchronizing Multiple Devices 23 Console Keyboard and Mouse Shortcuts 24 Additional Configuration Settings 25
The Monitor During Playback Control 26 SAW Compatibility Mode 26 Show Echo Console on the Taskbar 26
ASIO Driver Installation


Installing Cool Edit Pro
Special Edition
Cool Edit Pro: Assigning Darla’s Inputs & Outputs
Cool Edit Pro: Optimizing Multitrack Performance
Contacting Customer Service
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29 30 31
33
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Table of Contents
Appendix A: Appendix B: Appendix C: Appendix D: Appendix E:
Index
47
The Reporter Troubleshooting Guide 34
General Troubleshooting Guide
36 Resolving Interrupt Conflicts 37 Introduction to Digital Recording 42
Specifications 46
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Introduction

Thank you for choosing the Darla 20-bit Multitrack Digital Audio Recorder. We think you’ll find Darla to be an extremely flexible, high-performance tool for your computer-based hard disk recording system.

What You Should Have Received in the Darla Box

When you opened the Darla box, you should have found the following:
• A Darla PCI card wrapped in an anti-static cover
• A Darla audio breakout box
• A compact disc containing the Darla Windows 95/Windows 98 Drivers, the Echo Reporter Software’s Cool Edit Pro
and editing software, and demo versions of digital audio recording, editing, and processing software from a variety of manufacturers
• The Darla Owner’s Manual
system analysis software, Syntrillium
Special Edition multitrack recording

System Requirements

In order to use Darla you’ll need the following:
• An IBM-PC or compatible computer with PCI architecture expansion slots (version 2.1 PCI BIOS), a genuine Intel Pentium or faster CPU, a motherboard with an Intel chipset, and minimum 64Mb RAM (more highly recommended) running Windows 95 or Windows 98
• A fast, high-capacity IDE or SCSI hard disk drive
• Peripheral audio equipment, such as a mixer, power amplifier, DAT recorder, musical instruments, etc.
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Darla Installation

Complete Darla installation consists of performing a system check using the Echo Reporter
software, installing the Darla PCI card, connecting the audio interface to the card, installing the Darla Windows drivers into your system and, if necessary, installing a multitrack audio recording/editing application.

Running the Echo Reporter Software

The Reporter is designed to provide you with an analysis of your computer system’s audio capabilities and its ability to work successfully with Darla. The program looks at such things as your BIOS version, your interrupt assignments, and your hard disk’s transfer rate. The Reporter will perform a limited series of compatibility tests.
will work with Darla.
The only way to be sure is to install the card in your system and see if it works. Please note that we only support Intel CPUs and motherboards with an Intel chipset. Your system may or may not work with other CPUs or chipsets.
Be sure to run the program before attempting to install Darla
help you avoid installation problems down the road. To run the Reporter, simply double-click on
Install Reporter
the Darla CD-ROM. This will install the program onto your hard disk. The Reporter will then show up under the
Utilities
. Select The Echo Reporter to launch the program.
Once the program launches, you’ll see the screen. Press the
Proceed
button to initiate the disk speed test. This test will tell you if your hard disk is fast enough to support multitrack digital audio and, if so, approximately how many tracks of record and playback you’ll be able to achieve.
It cannot guarantee that your system
as it can
icon in the
Start
menu,
Hard Disk Performance
Reporter
directory of
Programs, Echo Audio
test
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After the test is completed you’ll see a results screen. Many of the parameters on the screen are interactive; you can change them to see how your disk performs under different conditions.
For example, in the upper right corner of the screen you can see how large your hard disk is and how many minutes of recording time it will provide for a mono track recorded at 44.1kHz with 16-bit resolution. (Times are expressed in Hours: Minutes: Seconds.) Change the
Number of Tracks
field to “2” and you’ll see the maximum length available for a stereo track. Change the field to “8” and you’ll see the maximum length you’ll have for an eight-track opus. Naturally, these multitrack readouts presume uninterrupted, linear tracks. Your music is likely to contain numerous snippets of data (e.g., the background vocals will only appear at specific moments in time, not continuously throughout the whole tune), so, generally speaking, you’ll be able to create longer pieces than the readout indicates.
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You can adjust the parameters on the Hard Disk Performance screen to view your disk’s record and playback capabilities at various sample rates and bit-resolutions.
You can also change the
Number of Tracks
fields. Though the original test was performed with
Size
(bit-resolution),
Rate
(sample rate), and
default values of 16-bit 44.1kHz, you can easily see your disk’s performance reading and writing, say, 24-bit 48kHz data simply by selecting those values in the appropriate fields.
About the
Tracks
heading:
Playback:
Record:
and
fields under the
Max Simultaneous
At the basic level, these two fields show you how many simultaneous
tracks of playback and recording your system will support. For example, if the readout was “15” for the
Playback:
field and “8” for the
Record:
field, that means your system is capable of playing back 15 tracks while simultaneously recording 8 tracks. Note, however, that the Playback: and Record: fields are interrelated: as you change the value in one field, the value in the other field is affected. In other words, the values are dynamic. You can get a feel for how much overall read/write bandwidth you have by adjusting the values in the two fields. By lowering the number of record tracks, you’ll see the number of simultaneous playback tracks increase.
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Similarly, by lowering the number of playback tracks, you’ll see the number of record tracks increase.
The readouts will generally show that you have fewer record tracks
available than playback tracks. This is because writing data to a hard disk is a slower process than reading it back (due to the verify routines used when writing to disk).
The values you see should not be taken as absolute. There are numerous
conditions that come into play when determining overall performance, from operating system overhead to the audio application you’re running (different programs use different file management schemes, with some more efficient than others). The readouts you get from the Reporter are meant to be taken as general guidelines. When you’re actually running your audio software, you may get better results than the Reporter tells
youso don’t run out and buy new hardware just because the Reporter tells you your system seems a bit on the weak side. Use your audio application in real-world conditions, then make the determination if your system can keep up with your needs.
(Conversely, if the Reporter tells you things look really bad, don’t waste your time trying to do any serious work. If your hard disk is too slow or too small, you’ll save yourself a lot of frustration by upgrading to a big fast disk
right out of the chutethat is, unless you like random skipping and hiccups in your music. And don’t skimp on RAM: we suggest a minimum of 64 MB, and load up from there. When it comes to multitrack digital audio, there’s no such thing as too much RAM.)
When you’re finished playing around with the disk test parameters, click
Done
to get to the Summary screen. There you’ll see a complete analysis of the results of the tests, an explanation of those results, and recommended actions (if any are required). If the Reporter alerted you to any problems, you should check the appendixes at the back of the Darla Owner’s Manual for help in isolating the cause of your difficulty and finding a solution.
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The Summary screen tells you if your system can support multitrack audio recording as well as alerting you to potential problems.
If your system passed the Echo Reporter test, it’s time to move on to the next phase of installation.

The ECHODEL Program

If you have previously installed an Echo audio card, such as a Darla, Gina, or Layla, it will be necessary to remove the old drivers before adding your Darla. If you are uncertain as to whether any of these cards have ever previously been installed in your computer, it might be wise to go ahead and perform the remainder of this step anyway. It will not harm any of your existing system files, and doing so will ensure that you are performing a “clean” installation. On the CD that accompanied your Darla is a program called ECHODEL.EXE. Simply run this program, following the program’s instructions. It will make the appropriate deletions and update your Windows system files. (NOTE: It is necessary to run the ECHODEL
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program anytime you add an Echo audio card to your system, even if you are merely exchanging one card for an identical one (such as during a warranty exchange). Be sure to restart Windows after you run the ECHODEL program.

System Sounds

There is one final step to perform before installing the Darla hardware. We suggest that you turn off your Windows system sounds prior to installing Darla. Because most system sounds are sampled at very low sample rates, typically 8 to 11 KHz, each time they are played it will cause the sample rate clock on Darla to reset to the slower speed.
To turn off the system sounds, first go to the Windows which can be found under panel you will find an icon titled “
Settings
from the
Sounds
icon, you will see a window labeled “
Schemes
Start
”. After double clicking on this
” near the bottom of the
Control Panel
,
button. On the control
screen. Click on the small down arrow to the right of the combo-box and select the “
No Sounds
” option. Then click on the Ok button.
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Installing the Darla Hardware

Once you have run the Reporter software, have verified that there are no problems with your system, and have removed any old driver software with the ECHODEL program, it is time to install Darla into your computer.
IMPORTANT - Unplug your computer and detach all peripherals before proceeding with the following steps.
1. Remove your computer’s cover. This operation differs from computer to
computer. Refer to your computer’s manual for a further explanation of this step if necessary.
2. Select the slot into which you will install the Darla card. The Darla card
is PCI architecture. Inside your computer you will likely find two types of expansion slots, ISA and PCI. The PCI slots will be shorter and have a higher connector pin density than the ISA slots. You may use any of the available PCI slots in your computer for Darla. Unscrew and remove the bracket covering the expansion slot where you would like to install Darla. Place the screw in a safe place, as you will need it later to complete installation.
3. Insure that you have fully discharged all static electricity from your body
before handling the Darla card. This can be done through the use of a grounding strap or, more simply, by touching your bare hand to the metal casing of the computer’s power supply. (For this latter method to work, the computer must be plugged in, though not turned on. After you’ve discharged your static, unplug the computer before proceeding to the next step.)
4. Remove the Darla card from its protective anti-static bag. Handle the card
carefully by its edges and insert it into the selected expansion slot. Insure that the card’s edge connector (the protruding edge with the gold leads) is seated firmly into the slot. Centering the card over the slot and using a gentle rocking motion while pushing downward into the slot generally works well. Be careful not to force the card into the slot, or bend or twist it while it is being inserted, as this could result in the card being damaged.
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5. Use the screw removed earlier from the protective backplate to attach the
metal bracket at the back of the Darla card to the computer’s rear panel.
6. Replace the computer’s cover and secure it. Reattach its power supply
cord and reconnect any peripherals that you may have removed prior to beginning the Darla installation.
7. Locate the Darla audio breakout box. Align the box with the connector on
the Darla card that now protrudes through the back panel of your computer, being certain that the breakout box is properly oriented (the two red connectors toward the top of the card). Plug the box into the Darla card, and secure the box using the built-in screws located on both sides of the connector.
8. You can now attach external audio devices to the breakout box. Darla can
accommodate two analog input signals and can generate eight independent analog output signals.
All of the analog inputs and outputs on Darla are simultaneously active, allowing you to record up to two channels of audio while playing back eight channels.

Installing the Darla Software Drivers

Now that you have completed the hardware installation, you need to install the software drivers that allow Darla to interact properly with Windows 95/98 and your audio recording application.
Turn on the power to your computer’s CPU.
Caution: Lower the volume on your outboard mixer prior to rebooting. The Darla hardware can produce a loud pop when power is first applied to the computer.
After Windows 95/98 starts up, it will automatically sense the newly installed Darla card and indicate, via a pop-up Install Wizard window, that new hardware has been found. At this point, you should insert the Darla CD-ROM disc.
If you are using original Windows 95:
Within the Install Wizard window are several options. Select the option
Driver from disk provided by hardware manufacturer
. The computer
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will now prompt you for the location of the driver files. These files are located in the root directory of the Darla CD-ROM. Click the button in the Install Wizard; this will cause the window to appear. In the field labeled enter the path
D:\
(depending on your system configuration, your CD-ROM
“Copy manufacturer’s files from:”,
drive may use a letter other than “D”). Click on
“Install From Disk”
OK
to complete the
Browse
installation. Now turn to page 15.
If you are using Windows 95 OSR2:
After you have inserted the Darla CD-ROM disc and clicked
Next
, you’ll see the message, “Windows found the following updated driver for this device, Darla by Echo.” Click on the
Finish
button and Windows will attempt to locate the drivers on a disk labeled “Echo Install Disk.” Unfortunately, no such disk exists. So what you’ll see is a not-so-nice error message marked with a big red X. Ignore Windows’ rude behavior and click on the OK button. This will bring you to the Within the window is a field labeled
Copy Files From:
Copying Files . . .
into which you’ll
window.
need to enter the path name for the Darla drivers. Type in the letter name of your CD-ROM drive followed by :\ (for example,
D:\
). Click on
OK
, and
Windows will complete the driver installation routine. Now turn to page 15.
If you are using Windows 98:
After you have inserted the Darla CD-ROM disc and clicked
next
, you’ll see the message, “What do you want Windows to do?” Below that are two radio buttons. If it isn’t already selected, select the one labeled “Search for the best driver for your device (Recommended)”. Click on the
Next
button and a dialog will appear with several check boxes indicating places where Windows will look. If you are installing from a CD-ROM drive or from a floppy disk, click on the appropriate box. Be sure all others are unchecked. Click on the disk and show you the
Next
button and Windows will locate the drivers on the install
Copying Files . . .
window as it completes the driver
installation.
After the drivers are installed, you should verify that Windows recognizes them. You can do this by checking in the Windows Control Panel as follows:
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Begin by clicking on the Windows followed by At the top of the
Manager Game Controllers
Control Panel
System
. Now double-click on the icon labeled
window, you will see a tab labeled
; click on the tab. Now locate the line labeled
. Double-clicking on the “+” to the left of the line’s
Start
associated icon should reveal the line
button. Then select
Darla by Echo
; double-click on that
Sound, Video, and
Settings
Device
,
System
.
line. The “Holy Grail” that we’re searching for is a message that, if everything is in working order, should now appear on your screen. In the center of the Darla Properties window will be a section called “Device Status.” Look for a message that reads “This device is working properly.” If you see it, give yourself a hearty pat on the back for a job well done!
Proper installation of the Darla drivers will result in the message, “The device is working properly.”
If the message does not appear, check Appendices A, B and C for help in isolating the cause of your difficulties.
You can now exit back to the audio input and output devices that are available. In the
Control Panel
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window to check the Darla
Control Panel
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window, locate the bring the multimedia to see a list of available playback and recording devices in the
Device
fields.
Multimedia
Properties
icon and double-click on it. This will
window into view. Select the
Audio
Preferred

Darla Audio Input & Output Devices

The Darla driver installs into your computer as a series of stereo .WAV devices. Pulling down the
Panels/Multimedia/Audio Playback
Preferred Device
section will reveal the available Darla
devices. You will be able to select from:
Darla 1/2 Analog Playback Darla 3/4 Analog Playback Darla 5/6 Analog Playback Darla 7/8 Analog Playback
In the
Recording
section, the following choice will be available:
Darla 1/2 Analog Record
menu in the
Control
tab
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You can view the Darla input and output devices in the Multimedia Properties/Audio windo
w.
You’ll find these same input and output options available when using your audio record/editing software, with the devices assignable on a per-track basis. See your software owner’s manual for details on how to make these device assignments. Instructions for making these assignments in Cool Edit

Pro
Special Edition can be found on page 29 of this manual.
This completes the installation of the Darla hardware and software.
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The Echo Console

Included with your Darla is a “
virtual control surface
The Echo Console. The Console allows you to control the audio I/O and clocking functions of Darla, and it brings these controls to a single easy-to­use location. From the console you can control input and output levels as well as adjust input monitoring.
The Echo Console software was automatically installed at the same time that you installed the Darla drivers for Windows 95/98. If installation was successful, you should see a capital letter D in your Windows ‘95/98 taskbar (typically in the bottom right-hand corner of your screen). Clicking on the “D” will activate the console program. It should look like this:
” application called
The console functions are grouped into three areas: inputs (in the upper left corner), monitors (directly below the inputs that are being monitored), and outputs (on the right hand side). The controls for a particular function/stereo pair are then further grouped into a box that contains
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selection buttons, a slider, and other controls and displays as determined by the function.

The File Menu

At the top left of the Console window you will find the
File
menu. By selecting the File menu, several configuration options become available to you. The first menu option is “
New Console”
. The
New Console
option allows you to create an additional iteration of the console program. In this way, multiple devices (Laylas, Ginas or Darlas) may be controlled using their own dedicated console.
The second option under the File menu is “
Exit”
which closes the current
instance of the console.

The Edit Menu

“Appearance”
The look of your console. You can change the color of each of the console elements, change the fonts used, or choose to abbreviate labels. You may even want to produce multiple color schemes to help recognize the device that is being controlled. A number of preset color schemes are included.
The second option on the Edit menu is available on the Darla card.
The third option under the Edit menu is “ option lets you choose the device that the current iteration of the Console program controls. So, if you have more than one device (Layla, Gina or Darla) attached to your system, you can use the same console to control them all using the selected.
option, first on the Edit menu, lets you customize the
Mixer Device
“Input Levels.”
Mixer Device.”
option to control which device is currently
This option is not
Mixer Device
The
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The Session Menu

Users now have the ability to save and restore any number of different console states. A console state contains the state of each user-selectable console setting excluding color scheme and font.
“Open”
The saved session.
“Save”
The made to the current session.
“Save As…”
The changes made to the current session under a different name.
“Delete…”
The session.
“Select Default Settings”
The change to default session settings. This is not the same as opening the default session! Rather it is a set of pre-defined settings.
“Auto Save Default Session”
The automatically saves any changes made to the default session whenever the console is closed or a new session opened without prompting the user with:
option, first on the Session menu, lets you open a previously
option, second on the Session menu, lets you save any changes
option, third on the Session menu, lets you save any
option, fourth on the Session menu, lets you delete any
option, fifth on the Session menu, lets you
option, sixth on the Session menu,
This option insures that any changes you make to the default session will never be lost. When a check appears on this menu item, the feature is enabled.
The last option on the Session menu is a list of the last sessions opened. You can quickly open a previous session by simply clicking on its name in
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the list. For those who like using the keyboard, pressing the corresponding number (displayed with an underline before the session name) also works.

The Monitors Menu

“Group Mode”
The
option, first on the Monitors menu, is not available for
Darla.
“In-Line”
The
option, second on the Monitors menu, is not available for
Darla.

Console Controls

Let’s take a look at the control surface. The input controls are located in the upper left portion of the console surface. In the center of each input control is a pair of level meters.
Above the meters at the top of each input control is the “LED” which is a button as well. It is used to enable (green) or disable (yellow) the level meter for this channel pair.

Monitor Controls

Below the input channels are the input monitor controls. The input monitor controls allow you to monitor the record input signal via any of the available outputs on your Darla. Each input channel pair has a corresponding monitor output pair directly below it on the console. The monitor controls look similar to the controls for input. The mute (M) and solo (S) buttons are found at the top, and the gang (G) selection button is at
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the bottom. In addition, a pair of slider controls is available for setting the levels of the monitor signals. Instead of level meters, the monitor control has a series of numbered buttons. These buttons allow you to select which output channel pair controls are displayed, so you can adjust them.
The monitors are one of the most powerful functions of the console. When you are recording, these controls allow you to set the level at which each input signal will be monitored at each of the outputs, independent of the main output level control.
When setting a monitor level, you must first select the input that will be monitored, and then select the output for which you will set the monitor level. Selection of the input is really just a matter of using the correct monitor control box. A monitor setting will always affect the input pair that is directly above it. To set the monitor for inputs 1/2, for example, simply go to the monitor control directly below inputs 1/2 and click on one of the four buttons found in the center of the control.
Let’s say you want to set the level at which input pair 1/2 is monitored for each of the four stereo analog output pairs on Darla. You would first find the monitor control that corresponds to inputs 1/2 (the control on the far left, directly below the input control for channels 1/2). Clicking on the button within this box labeled “1/2” causes the control box to display the currently selected levels at which inputs 1/2 are being monitored at outputs 1/2. Clicking on the button labeled “3/4” would cause the control box to display the currently selected levels at which inputs 1/2 were being monitored at outputs 3/4. You can move through the remaining buttons, setting the level at which inputs 1/2 are monitored at each of the four output pairs. The console program remembers any settings that you make, and all settings for all outputs are maintained independently.
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Remember that all of the inputs are continuously monitored by all of the outputs at some level. The degree of attenuation (or muting) of that level is set by the monitor controls. The console program constantly maintains a level setting for each of the 8 monitor paths it controls. Clicking on an output selection button simply selects the settings that are displayed.

Output Controls

The right hand side of the console is dedicated to the controls for output channels one through eight. The available controls are: Gang, Mute, Solo, meter on/off and volume slider.

Adjusting Record and Playback Levels

Darla’s output volume adjustments are made in the digital domain. When you lower a volume slider; you are actually decreasing the number of available bits, thereby taking away from the potential dynamic range of the system. To avoid this, we suggest that whenever possible you leave the output sliders set to their maximum positions, and perform any necessary attenuation on your external mixer. When the Darla playback volume controls are set to maximum and the input signal approaches the maximum pre-clipping level, you can achieve the full 20-bit dynamic range of the system.

Synchronizing Multiple Devices

Darla is designed to work alongside other audio equipment within a complete Windows system. If you are planning on using Darla with other audio equipment, please note the following:
The Darla Windows drivers (echogals.drv and echogals.inf) included in this package supports multiple Darlas within the same system. In addition, your new Darla will operate with Layla and Gina. Darla can also peacefully coexist with audio equipment from other manufacturers, but be aware that operating
alongside
Darla does not support external synchronization. In order for accurate synchronization to occur, all audio products in your system must support some form of synchronization such as Midi Time Code, S/PDIF or Word
another product is not the same as operating
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with
it.
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Clock. Without such synchronization, the individual pieces of equipment will act independently of each other. This scenario may be fine for some musical applications; however, it is not appropriate for situations where sample-accurate synchronization is required.

Console Keyboard and Mouse Shortcuts

To navigate between control groups:
Ctrl + Tab Ctrl + Shift + Tab
To navigate between controls within a control group:
Tab
Move to next control.
Shift + Tab Ctrl + S Ctrl + M Ctrl + A Ctrl + T Ctrl + G Enter
Toggles the state of any selected control.
To control volume sliders:
Right mouse click Ctrl + left mouse click Ctrl +
Raise volume of selected control about 1 dB.
↑↑↑↑
↑↑↑↑
Ctrl + Alt + Ctrl +
Lower volume of selected control about 1 dB.
↓↓↓↓
↓↓↓↓
Ctrl + Alt +
Individual channel titles are customizable. To change the text of a channel title (i.e., In 1/2, Mon 3/4, Out 5/6, etc.), title and type in the desired text.
Move to next control group.
Move to previous control group.
Move to previous control.
Toggles between left & right Solo buttons.
Toggles between left & right Mute buttons.
Toggles between left & right Trim buttons.
Toggles between left & right +10/-4 buttons.
Select the Gang button.
Allows user to type in the desired level.
Set volume level to zero.
Raise volume of selected control about 5 dB.
Raise volume of selected control about 0.004 dB.
↑↑↑↑
Lower volume of selected control about 5 dB.
Lower volume of selected control about 0.004 dB.
↓↓↓↓
right mouse click
on the channel

Additional Configuration Settings

In addition to those settings that can be made using the Console program, there are a number of other configuration options you can access. These are
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found on the Windows Control Panel. To access these controls, begin by pressing the Windows
Start
button. Select In the Control Panel window, locate the icon for on it. Click on the tab titled
Sound, video and game controllers by Echo
, and double-click. This will bring up the Darla Properties window,
Device Manager
. Finally, locate the line titled
Settings
System
, then
Control Panel
, and double-click
. Now locate the line titled
Darla
which we saw briefly at the conclusion of Darla installation.
We have previously seen the “General” screen, so let’s move on to the “Settings” screen by clicking on the tab labeled
Settings
.
.
The Settings panel is where you turn Monitoring During Playback on or off, set the SAW Compatibility Mode on or off and enable/disable the console on the taskbar.
The “Monitor During Playback” Control
In the default mode, Darla allows you to monitor your input signal whether you are recording, playing back, or simply idle. In some situations, such as
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when performing punch-in recording, it may be desirable to have the input signal muted until Record is enabled. In the appears you’ll see a checkbox labeled
Monitor During Playback
Darla Properties
window that
. Uncheck the box to disable input monitoring; recheck it to once again enable input monitoring. Monitoring controls are also available on the Echo Console.
SAW Compatibility Mode
When using Darla with the Software Audio Workshop (SAW) program from Innovative Quality Software, there are some special considerations that must be accommodated by the Darla driver. SAW expects an equal number of inputs and outputs on Darla. For SAW compatibility, the driver creates a non-functional mirror of input channels 1 and 2 (making an equal number of ins and outs). To insure that Darla will operate properly with SAW, check the box labeled option should
be checked when Darla is being used with the SAW
only
SAW Compatibility Mode
. (Note: This
application.)

Show Echo Console on the Taskbar

The last selection on the the Echo Console program will occupy a space on the Windows taskbar (the “D” in the bottom right-hand corner of the Windows desktop).
Settings
screen allows you to determine whether
Checking this option enables this feature, unchecking it disables it.
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ASIO Driver Installation

The ASIO driver is automatically installed on your system at the same time the Echo Layla/Gina/Darla driver is installed. To use it:
1. If you already own a copy of Steinbergs’ VST program, skip to step 3.
2. On the installation CD, run the program:
\Audio Software Demos\Steinberg\CubaseVST demo\VSTdemo.exe
which will install a fully functional demo of this program. What fully functional means is that all of the features are in place so you can really put the program through its paces. The only thing disabled is the ability to save. If you want save your work, you must buy the program. That's the way it works.
3. Start CubaseVST or CubaseVST demo
4. Go into menu
Gina/Darla/Layla
5. Click the OK button.
6. It is best to load or create a song and verify that the driver is functioning.
7. The default latency is about 187 milliseconds using an 8k buffer. This
may be changed in the dialog box found in menu select the and 64K. The smaller the buffer, the lower the latency. At 1K, the latency is 25 milliseconds.
8. You can change the data and buffer sizes in the ASIO Control panel
without leaving VST provided you respond consistently to the dialog boxes. In other words, if you change the buffer size in the ASIO Control panel and select the Ok button, you must also press the Ok button in the next dialog which says: "
Change ASIO Device: All Fx and Bus Settings will be lost!
Choosing the Cancel button will result in no more sound until you exit VST and restart it.
9. When using the ASIO driver with more than one card, you must be sure
they are synched using either the Word Clock (Layla only) or S/PDIF (Layla & Gina). This involves the appropriate cabling and enabling the clocks in the console(s). See section “ or Layla manual for details. If you fail to do this, the driver will now display a warning dialog. You will not be able to continue until the
Audio - System
" option in the
ASIO Control panel
. Select the "
ASIO device
button. Choose a buffer size between 1K
ASIO Echo
combobox.
Audio - System
The Clocks Settings
then
".
” in the Gina
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problem has been corrected. Therefore, you cannot use VST with multiple Darlas because they do not support external synchronization.
10. When running VST selecting menu
Options - Reset
pressing the Play button results in no sound. Simply press the
Devices followed by
Stop
button twice to reset the position pointer to the beginning of the buffer. Then press Play and sound will resume.
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Installing Cool Edit Pro
Included with your Darla system is a special version of Syntrillium Software’s Cool Edit Pro, a powerful multitrack audio recording and editing application. To install the software:
1. Insert the Darla CD-ROM.
2. Press the
Browse…
labeled drives to appear. Select your CD-ROM drive. On the CD-ROM is a folder called Syntrillium; double-click on this directory to open it. Now locate the file in the Syntrillium directory called SETUP.EXE. Select this program and run it.
Start
button, and select
At the top of the window that appears, you will see a box
Look In:
. Clicking on this box will result in a list of your disk

Special Edition
Run…
from the menu. Now select
The SETUP program will copy all of the necessary files to your hard drive. It will also add a program group called “Cool Edit Pro  Special Edition” to the
Cool Edit Pro  Special Edition comes with very thorough on-line manual/help, so you’ll be able to get up and running with a minimum of hassles (hopefully none at all!). We do, however, suggest that you familiarize yourself with the items under the the program’s Help menu.
Program
listings available from the
Start
button menu.
Quick Reference
heading in
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Cool Edit Pro: Assigning Darla’s Inputs & Outputs
Darla’s inputs and outputs are assigned to tracks in two different ways, depending on the viewstereo waveform or multitrackin which you are working. In the stereo waveform view, select the window that appears you can define the
Waveform Record
devices. Simply highlight the Darla inputs and outputs you wish to use in the appropriate fields. These settings will apply for all files that you play or record when in the stereo waveform view. These device settings are saved as Cool Edit Pro preferences; as such, they will be used for all subsequent sessions until you change them.
In the multitrack view, the inputs and outputs are assigned on a per-track basis. Before making assignments, however, you’ll need to set up the
Preferred Multitrack Devices
. To do this, click on either of the small
numeral 1s at the far left of the track display; doing so will bring up the
Playback Device
Preferred Multitrack Devices
of
window. Click on the
. In the
Device List
analog playback devices 1/2, 3/4, 5/6, and 7/8 into the 1 fields, respectively. In the Record fields, assign to the first. Click
Okay
on each window to back out to the multitrack view screen. These device assignments are saved as Cool Edit Pro preferences, and will be used each time you open a new session.
To make the playback and record device assignments for a specific track, click anywhere in the track’s blue-gray area at the far left of the track display. This will open the
Playback Device
outputs
.
and
Track Info
Record Device
window. Click on the arrows in the
fields to select the desired inputs and
Options/Settings/Devices
Waveform Playback
button; you’ll see a list
Playback
fields, assign Darla
st
, 2nd, 3rd, and 4th
Darla 1/2 Analog Record
; in
and
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Cool Edit Pro: Optimizing Multitrack Performance

Background mixingthe process Cool Edit Pro uses to allow a large number of tracks to play simultaneouslyrequires significant processing
power from your computer. With larger sessions, your computer may become so occupied with mixing that you experience audio dropouts in multitrack playback. This will usually happen because the background mixing is not sufficiently complete (watch the is initiated. There are a few things you can do to help remedy this; however, be aware that if you have a slower machine, you may still have to wait for a time before hitting the
Play
button when working with very large sessions.
The settings in
Options/Settings/Multitrack
the background mixing processes. In particular, pay attention to the
Playback Buffer Size
and the
Background Mixing Priority Level
key to determining how to adjust these settings is to watch the As a general guideline, if you notice dropouts occurring even though the
Mix Gauge
filled), try reducing the
Mixing Priority Level
seems reasonably complete (the meter is beyond ¾ of the way
Playback Buffer Size
(higher values reduce the priority level). Conversely, if you notice dropouts and see that the around the bottom “empty”), try increasing the lowering the
Background Mixing Priority Level
The goal in adjusting these settings is to achieve a balance between values large enough for the program to work properly and low enough to conserve the computer’s resources. The
Background Mix Priori
enough (lower settings produce a higher priority) to keep the mix ahead of playback, but not be so high as to adversely affect performance (by consuming too much of your computer’s resources). In short, the lower you can keep this setting while still keeping the the better. Raising the buffer size consumes more of your computer's memory, so setting this too high can negatively affect performance.
When adjusting these settings, do so by small amounts, using decimal increments/decrements. Also, note that the settings will produce different results from session to session. As the number of tracks and the number of
Mix Gauge
) before playback
play a big part in optimizing
. The
Mix Gauge
, and raising
Mix Gauge
Playback Buffer Size
the Background
is hovering
and
.
ty must be high
Mix Gauge
reasonably filled
.
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output devices vary, so may the settings you’ll need to use to maximize performance.
Use the Multitrack Settings shown above as a starting place when adjusting your system to optimize the performance of Cool Edit Pro.
Cool Edit Pro will take more time performing background mixing when you have your tracks assigned to multiple sets of Darla’s outputs. In this scenario, Cool Edit Pro creates a separate mix for each output device (each Darla channel-pair). This additional mixing demands more processing power from your computer, resulting in longer mix times and possible skipping during playback. If your system is performing sluggishly, you can temporarily assign all tracks to a single channel-pair while monitoring to speed things up. When doing so, it is recommended that you check
Pre-mixes
mode in the
multiple output devices,
Settings/Multitrack
16-bit Pre-mixes
is the recommended mode.
screen. When monitoring to
32-bit
Note that the 16-bit and 32-bit modes are playback settings only; that is, the data on your disk remains at the resolution at which it was recorded.
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Contacting Customer Service

If you experience any trouble with your Darla system please go to the
support area of our website at www.echoaudio.com
and check out the
troubleshooting FAQ’s we have there. If you can’t find a solution to your
problem there, please fill out the provided technical support email form.
This form will be sent to our technical support staff and they will respond to
you quickly.
Please fill out the form completely.
We will not respond to
you unless you fill out the form in its entirety. We cannot help you unless
you give us the required information.
We do ask you to please read through this manual and the support area of
our website before contacting us. You may find an answer to your problem
using the Appendices in the Darla owner’s manual and/or Cool Edit Pro’s
on-screen help.
Thank you for buying Darla!
Note, too, that all Cool Edit Pro  Special Edition support issues are handled solely by Echo Corporation.
Software for technical support.
Please do not call Syntrillium
If you do, they will simply refer you to
Echo Corporation for help.
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Appendix A: The Echo Reporter Troubleshooting Guide

After you run the Reporter program, your summary may contain one or more of the following problem/error messages. Consult the table below for suggestions on interpreting the messages and finding solutions.
Message...
Problem... What to do...
* The Echo line of sound cards require Windows 95 or Windows 98
* The Echo Reporter has found that your system does not have a PCI BIOS. To alleviate this problem, please purchase a PCI system, version 2.1 or later
* The Echo line of sound cards require PCI version
2.1 or later. To alleviate this problem, please purchase a PCI system, version 2.1 or later ` *The Echo Reporter has determined that your system has no free interrupts. The Echo line of sound cards require one interrupt to be available for use. To alleviate this problem, try removing unnecessary or infrequently-used peripheral devices
Your computer is using a Windows 3.xx or Windows NT operating system
Your computer does not have an operational PCI Bios
Your computer has a PCI BIOS, but it is version 2.0 or earlier
Your computer has no free interrupts. Interrupts 0-15 are either being used or are reserved by other applications or drivers
The Echo Reporter and Darla will only operate in Windows 95 or Windows
98. You must update to one of these operating systems.
Upgrade to a PCI computer with BIOS version 2.1 or higher
Upgrade to a PCI BIOS version 2.1 or higher
There is no single direct solution to this problem. Generally, you will need to free an interrupt by eliminating a peripheral device. Consult Appendix C for suggestions on making an interrupt available for Darla
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*The Echo Reporter has found that none of the hard drives that were tested meet minimum performance standards with respect to transfer rate. Though your system supports the Echo line of sound cards, we recommend that you upgrade your hard drive(s), as your existing drive(s) are not capable of sustaining the minimum transfer rates required for reasonable performance
*The Echo Reporter has found that your system may not be equipped with a Pentium (or faster) processor. The algorithm we are using for processor detection is known to return faulty values for many of the AMD, Cyrix, and other non-Intel chips, so be sure to double-check this warning against processor identification that your machine displays each time you boot up. It is essential that your machine be equipped with an Intel Pentium or Pentium II processor.
Your computer has no physical hard drives that test at a transfer rate better than 500Kb/second. This will seriously hinder the performance of Darla and will greatly limit the activities that you can perform.
Your computer appears to have a microprocessor that is not fast enough to properly carry out the necessary operations. If your computer’s microprocessor is characterized as “Pentium­class,” you may want to go ahead and try working with Darla to see if your results are satisfactory.
First, verify that 32-bit disk access is enabled. This is done under the heading
Performance Properties
in
System
. The only other solution is to add a faster hard disk to your system.
The only way to fix this problem is to upgrade your microprocessor to an Intel Pentium or Pentium II processor.
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Appendix B: General Troubleshooting Guide

Problem:
longer functions properly.
Solution
interrupt conflict was created. Please see
Interrupt Conflicts
Problem
indicates that it has found new hardware and wants you to install a driver for it. This hardware was working perfectly well before you installed Darla and the driver for this hardware was already installed.
Solution:
existing card from one slot to another. Windows keeps track of installed devices, not only by peripheral type, but also by physical location. In moving a card from one slot to another, Windows will no longer recognize the card as one for which a driver is installed. You must re-install the driver for the card that was moved.
After installing Darla, one or more of your peripheral devices no
: During the installation of your Darla, it is possible that an
Appendix C: Resolving
for more information on this topic.
: You installed Darla and restarted Windows. Now Windows
It is possible that during the installation process you moved an
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Appendix C: Resolving Interrupt Conflicts

While Plug-and-Play is often called “Plug-and-Pray,” it actually works quite well most of the time. We estimate that 95% of Darla installations will
go without a hitchthat Plug-and-Play will properly assign resources to your card without any conflicts. The other 5% of you will likely experience interrupt problems caused by older, non-Plug-and-Play cards that are installed in your system. These problems can manifest themselves by causing your new Darla to not function properly; in some instances, devices will fail that were previously working just fine.
If you are having problems with your computer after installing a new Darla card (or if you are unable to successfully install the card at all), please read the sections below describing what interrupts are, how they are assigned, and how to work around interrupt conflicts. Hopefully, we’ll be able to help you solve your problem without too much trouble.

What is an Interrupt?

A computer has two ways of telling when a device, such as an audio card, is ready to exchange data with a program. One way is to have the computer periodically ask or “poll” the device to see if it’s ready to transfer new data. Since it is important to do the transfer as soon as it is ready, the program must poll the card quite often, which wastes the computer’s resources.
The other method is to have the card “interrupt” the program when it is ready to transfer data. It does this by sending a signal over one of the many interrupt wires connected to the slot into which it is plugged. PC’s have 16 possible interrupts (0 to 15), five of which are reserved by the motherboard for the keyboard, system timer, etc.

ISA and PCI Interrupts

There are two types of expansion connectors found on today’s computers. The older style connectors are called ISA (for Industry Standard Architecture) connectors. ISA connectors have 11 of the 16 PC interrupts
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wired to them. Older ISA cards (also called “legacy” cards) have you select which interrupt is used by configuring jumpers on the card. Newer Plug­and-Play ISA cards have their interrupts selected by either the computer’s BIOS (the built-in program that starts the computer) or by Windows 95/98.
The newer PCI (Peripheral Connect Interface) bus transfers data faster than ISA and was designed to support Plug-and-Play from the start. PCI connectors have only four interrupts wired to them (A, B, C, and D). However, these interrupts can be shared by more than one PCI connector slot and each connector’s interrupt can be assigned or “steered” to one of the 11 available PC interrupts by either the BIOS or Windows 95/98. As far as the user is concerned, PCI interrupts use the same numbers and are assigned the same way as Plug-and-Play ISA interrupts. Note, however, that a PCI card can share an interrupt with another PCI card but not with an ISA card.

Plug-and-Play and Interrupts

When your computer first starts up, the BIOS will check each connector slot to see if a Plug-and-Play card is installed. Each Plug-and-Play card has built into it a list of what resources it requires including how many interrupts it needs and which ones it can use. The BIOS will then configure each card and, if needed, assign an appropriate interrupt. It does this for both ISA and PCI Plug-and-Play cards. Windows 95/98 will also check for and configure Plug-and-Play cards, possibly changing some of the settings to suit its needs.

Legacy Cards and Interrupt Conflicts

Problems can arise when the system contains older “legacy” cards with their jumper-configured (or possibly hard-wired) interrupts. The computer’s BIOS and Windows 95/98 have no automatic way to detect these cards and determine which interrupts, if any, are being used. For example, you may have a MIDI card installed with its jumpers configured to use IRQ 9. Since the BIOS cannot detect the legacy card it will consider IRQ 9 to be a free interrupt. Consequently, it may assign IRQ 9 to Darla. The next time you try
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and use your MIDI card or play back audio via Darla, neither device will function properly.
Or, maybe you have a SCSI card that had previously been assigned to IRQ
10. The BIOS may now decide to assign IRQ 10 to Darla, and move the SCSI card to IRQ 9. An interrupt conflict now exists between the SCSI card and the older MIDI card. In this case, you’re probably cursing at your new
card (and possibly us) for messing with your SCSI interfaceafter all, everything worked fine before the new card was installed. Since we’re quite sensitive about being yelled at, we want to help you resolve any conflicts (of the interrupt variety) you may be having.

Resolving Interrupt Conflicts

Although there is no way to automatically detect legacy interrupts, Windows 95/98 and some BIOS’s allow you to reserve specific interrupts for legacy use. Once an interrupt is reserved it will not be assigned by Plug­and-Play to another card.
The first thing to do if you think you have an interrupt conflict is to determine which interrupt and which legacy card is causing the problem. To do this, run the Reporter software that came with your Darla card. For now, you can skip over the hard disk performance test since it has nothing to do with interrupts. Once the Reporter has finished the diagnostic routine, it will provide you with a list of all of the interrupts that Windows 95/98 recognizes are in use and the cards or resources to which they are assigned. Write down the interrupts that are listed and the devices that are assigned to them. Pay particular notice to the interrupt to which Darla is assigned.
Once you know which interrupt your Darla is trying to use; you need to locate which legacy card is potentially causing the conflict. To do this you will need to dig out the manuals for whatever cards are installed and examine the jumper settings to determine which interrupts, if any, are used. Hopefully, at this point you will find an offending card that was not listed by the Reporter software but is using an interrupt assigned by Windows to another device.
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If you have lost your manuals and are having trouble figuring out which card may be causing a problem, you can try the brute force approach. Remove all legacy ISA cards from your system and then re-install them one at a time until the system quits working. The card that makes the computer stop working correctly will be the one that needs to be dealt with.
Once the offending card has been identified you have a few different options. One option is to simply remove the card from your system. However, you’ve likely got the card in there for a reason, so unless it’s an old sound card you don’t care about keeping, you’ll probably want to use an approach to remedying the problem that allows the card to remain in the system.
Another option is to change the IRQ on the legacy card to an IRQ that isn’t currently being used as reported by the Reporter program. While this may fix the problem at hand, the next time you add another new Plug-and-Play card you may wind up with another conflict. If you choose this option it is still a good idea to reserve the IRQ as described below.

Reserving an IRQ within the BIOS

Other than removing the offending legacy card, the next most effective method is to reserve the IRQ for legacy use within your BIOS. To do this you will need to enter the BIOS configuration screen when your computer first starts up. This is usually done by pressing the right after the memory test during the boot-up routine. Once you’re in the BIOS control panel, check to see if you are given the option of manually configuring your interrupts. Some BIOS’s, such as those from Award, allow you to choose between “Plug-and-Play” and “legacy ISA” for each interrupt. If you select “legacy ISA” for the interrupt that is being used by your legacy card, the BIOS will know not to assign that interrupt to a Plug-and-Play card.
Unfortunately, many BIOS’s don’t support this capability. If your BIOS is one of those, don’t worry: You still have another option.
Delete
key or F1 key
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Reserving an IRQ within Windows 95/98

Windows 95/98 also allows you to reserve interrupts for legacy use. In most cases this works just as well as reserving the IRQ in the BIOS. However, you may still have problems if you boot up an older version of DOS from a floppy where Windows 95/98 can’t do its Plug-and-Play magic. To reserve an IRQ within Windows 95/98 do the following:
1. Click on the
Start
button and select
option.
2. Double click on the icon labeled
3. Select the tab labeled
4. Select the tab labeled
Request
5. Click on the legacy card.
is selected.
Add
Device Manager Reserve Resources
button and enter the IRQ that is being used by your
6. Windows may prompt you that the IRQ is currently in use by another device. Click on
Details
to see which device Windows currently thinks is using this IRQ. It should be Darla or whatever device is currently conflicting with your legacy card. If that is the case, go ahead and reserve the IRQ.
7. When Windows asks, reboot your machine. When Windows restarts your Plug-and-Play cards will not be assigned to the reserved IRQ.
Hopefully, your system will now be functioning properly. If not, please refer to the “Contacting Customer Service” section of this manual. We’ll do our best to help you solve your problem.
Control Panel
System.
and click the
and make sure that
under the
Properties
Settings
button.
Interrupt
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Appendix D: An Introduction to Digital Recording

Converting Sound into Numbers

In a digital recording system, sound is represented as a series of numbers, with each number representing the voltage, or amplitude, of a sound wave at a particular moment in time. The numbers are generated by an
digital converter
, or ADC, which converts the signal from an analog audio source (such as a guitar or a microphone) connected to its input into numbers. The ADC reads the input signal several thousand times a second, and outputs a number based on the input that is read. This number is called a
sample.
The number of samples taken per second is called the
On playback, the process happens in reverse: The series of numbers is played back through a
digital-to-analog converter
, or DAC, which converts the numbers back into an analog signal. This signal can then be sent to an amplifier and speakers for listening.
In computers,
binary numbers
are used to store the values that make up the samples. Only two characters, 1 and 0, are used. The value of a character depends on its place in the number, just as in the familiar decimal system. Here are a few binary/decimal equivalents:
BINARY
DECIMAL 0000000000000000 0 0000000000000001 1 0000000000000010 2 0000000000000100 4 0000000000001000 8 1111111111111111 65,535
Figure A. Binary numbers and their decimal equivalents
Each digit in the number is called a
, so the numbers in
bit
sixteen bits long, and the maximum value which can be represented is 65,535.
analog-to-
sample rate
Figure A
.
are
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Sample Size

The more bits that are used to store the sampled value, the more closely it will represent the source signal. In an 8-bit system, there are 256 possible combinations of zeroes and ones, so 256 different analog voltages can be represented. A 16-bit system provides 65,535 possible combinations. A 16­bit signal is capable of providing far greater accuracy than an 8-bit signal.
Figure B
shows how this works.
Figure B. The more bits there are available, the more accurate the representation of the signal and the greater the dynamic range.
Darla’s analog inputs use 20-bit ADCs, which means that the incoming signal can be represented by any of 1,048,576 possible values. The output DACs are also 20-bit; again, 1,048,576 values are possible. Darla processes signals internally with 24-bit resolution to insure that there is no degradation to the audio signal as it is processed through the system.
The number of bits available also determines the potential dynamic range. Moving a binary number one space to the left multiplies the value by two (just as moving a decimal number one space to the left multiplies the value by ten), so each additional bit doubles the maximum value that may be represented. Each available bit provides 6dB of dynamic range. For example, a 20-bit system can theoretically provide 120dB of dynamic range.
Sample Rate
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The rate at which the ADC generates the numbers is equally important in determining the quality of a digital recording. To get a high level of accuracy when sampling, the sample rate must be greater than twice the frequency being sampled. The mathematical statement of this is called the
Nyquist Theorem. When dealing with full-bandwidth sound (20Hz−20kHz), you should sample at greater than 40,000 times per second (twice 20kHz). Darla allows you to sample at rates up to 48,000 times per second.
If the sampling rate is lower than the frequency you are trying to record, entire cycles of the waveform will be missed, and the result will not resemble the proper waveform. When the sample rate is too low, the resulting sound has diminished high frequency content.
Figure C. Increased sample rates yield a more accurate reproduction of the source signal.
By the way, the circuits that generate the sample rate must be exceedingly accurate. Any difference between the sample rate used for recording and the rate used at playback will change the pitch of the recording, just as with an analog tape playing at the wrong speed. Also, any unsteadiness, or jitter, in the sample clock will distort the signal as it is being converted from or to analog form.
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Storing Digital Data

Once the waveform has been transformed into digital bits, it must be stored. When sampling in stereo at 48kHz using a 20-bit word size, the system has to accommodate 1,920,000 bits per second. Though this is a lot of data, it is well within the capabilities of personal computers.
Most computer-based digital recording systems record the data directly to the computer’s hard disk. Today’s hard disks are capable of storing large amounts of data, though the performance of hard drives can vary substantially. The Echo Reporter program (included on the Darla CD-ROM) will give you a general idea what the capabilities of your hard disk are and how much information it can successfully store and retrieve. The speed and size of your hard drive will be a major determining factor in how many tracks of audio you will be able to simultaneously record and playback.
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Appendix E:
Specifications
Audio Performance
Analog in to analog out

Frequency Response: 10Hz – 22kHz,

Dynamic Range: 98dB

THD+n: <0.005%, 20Hz–22kHz, A-weighted
±
0.5dB
Hardware

Two RCA analog inputs with precision 20-bit 128x oversampling
analog-to-digital converters

Eight RCA analog outputs with high-performance 20-bit 128x
oversampling digital-to-analog converters

On-board 24-bit Motorola 56301 DSP (66 MIPS)

24-bit data resolution maintained throughout internal signal path

Support for 11025Hz, 22050Hz, 32000Hz, 44100Hz and 48000Hz
sample rates
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Index

A
adjusting record and playback
levels analog resolution analog-to-digital converter appearance command ASIO available devices
B
Background Mixing
· 23, 24
· 43
· 42
· 19, 20, 21
· 3, 27
· 16
· 31
Background Mixing Priority Level
· 31
BIOS version
C
compact disk, contents · contacting customer service contents Cool Edit Pro installation
· 6, 34
5
· 33
· 5
· 29
H
hardware installation
I
input controls
· 21
interrupt conflicts
L
legacy legacy cards
M
· 41
· 38, 39, 40
mixer device command monitor controls Monitor During Playback
N
new console command
· 12
· 36, 37, 38, 39
· 19
· 21
· 26
· 19
D
Darla installation
· 6
digital-to-analog converter driver installation
E
Echo Console Echo Console controls Echo Reporter ECHODEL.EXE
· 13
· 18
· 21
· 5, 6, 34, 35, 45
· 10, 12
· 42
O
output controls
P
· 23
PCI card, installation PCI slots
· 12
Playback Buffer Size Playback Device Plug-and-Play
· 30
· 37, 38, 39, 40, 41
Preferred Multitrack Devices
· 31
47
Priority
· 12
· 31
· 30
Page 48
R
Record Device
· 30
REPORTER program errors resolving interrupt conflicts
S
sample rate sample size
· 42, 44
· 43
· 34
· 37
SAW compatibility mode selecting a slot
· 12
software Installation
· 26
· 13
static electricity, discharging summary screen system requirements
T
troubleshooting guide
· 9
· 5
· 34, 36
· 12
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