Ebs Fafner Ii-xd User Manual

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Users Manual
FAFNER XD MANUAL
EBS FAFNER II - XD
EXTREME EDITION
MADE IN SWEDEN BY EBS SWEDEN AB
G
RINDSTUVÄGEN 44-46, SE-16733 BROMMA,SWEDEN
+46 8 735 00 10, FAX : +46 8 735 00 05
(
E-
MAIL:
ebs.info@bass.se
www.ebssweden.com
WEB:
August 2010
Contents: Page:
Introduction 2 Getting Started 3 Front Panel Controls 4 Block Diagram 8
Page:
Rear Panel Connections 10 Channel Reference 12 Specifications 14
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INTRODUCTION SPECIFICATIONS
or more than a millennia ago, there was in the Nordic countries a legend
Reidmar Utter
F
about a family consisting of a man named and his three sons, ,
Regin Fafner
and . One day when Utter was at the river taking a bath in his animal form of an otter, he was by mistake killed and devoured by the evil god Loki. At this, Reidmar was of course outraged and demanded a ransom from the Father of all Gods, Odin. The ransom demanded was Utter's otterskin covered by gold to the last whisker. The gods saw no other solution than to comply with this and gave Reidmar what he asked for.
F
afner and Regin became very angry with their father who didn't want to share
his treasure.Finally they decided to kill their father to getthe treasure, and so did.
N
ot long after the two brothers had killed their father, Fafner became so greedy
that he determined to kill his brother Regin to get the treasure for himself.
K
nowing that histreasure would not be safein the family's house, he draggedit to a cave far from the house. After he had assured himself that all the traces were gone he transformed himself into a gigantic snakelike dragon and settled down to guard his treasure.
EFFECTS LOOPS:
REMOTES:
TUNER OUT:
LINE OUT:
AMP INPUT:
POWER AMP:
AUXILIARY INFO:
Specifications are subject to change without notice!
Loop Signal Level nominal -10 dBv Gain Unity (1:1) Output Impedance (Sends) <100 ohms Input Impedance (Returns) 47 kohms // 100 pF
Connection: REMOTE JACK: RING = Mute
Function: Connect to GND
Threshold 0.7 V Current 5 mA suitable for LED
Output Impedance: < 25 kohms Signal Level As Instrument
Output Impedance <100 ohms Nominal Signal Level 0 dBv
Input Impedance 10 kohms Sensitivity 32 dB (40x)
Continuous Output Power >600 W RMS
Power Requirements max 900 W Mains Protection: T6.3A Fuse (230V)
Dimensions (WxDxH): 48 cm x 36 cm x 13 cm
Weight: 16 kg ( 36 lbs.)
TIP = Drive
FILTER JACK: RING = Filter Section
TIP = Character
for bypass.
@ 4 ohms Impedance 750 W RMS @ 2 ohms Impedance
T10A Fuse (100/120V)
19” x 14” x 5.2”(3U)
The raw power and cruelty of Fafner the Dragon, is what EBS Sweden has incorporated in our new Basshead.
The tube armed Fafner Basshead is targeting the sound-conscious Bassplayers
who know what they want; the best possible sound.
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SPECIFICATIONS GETTING STARTED
INPUT:
GAIN:
CHARACTER:
COMP/LIMIT:
FILTER SECTION:
DRIVE SECTION:
BALANCED OUTPUT:
Input Impedance 2 Mohms // 100 pF
Gain Range min/max -oo/ +30 dB Gain Peak LED +10 dBv Frequency Response +0 / -3 dB 20 - 20.000 Hz
Filter: Type Shelving High/Low Pass Gain: Lo +9 dB @ 40 Hz
Hi +6 dB @ 8 kHz
Compressor Gain 0 dB Attenuation max 24 dB Compression Ratio max 3:1 Attack (80%) typ <10 ms Release (80%) typ 100 ms
Bass Filter: Type 12 dB/oct. Shelving
Gain Range +/- 18 dB @ 80 Hz
Hi Middle Filter: Type Bandpass Filter
Frequency Range 100 - 4.500 Hz Q - Normal 0.7 Q - Hi-Q mode 1.8 Gain Range +/- 15 dB
Treble Filter: Type Shelving
Gain Range +/- 15 dB @ 10 kHz
Gain Range min/max 0 / 34 dB Low End Compensation (Boost off) < 350 Hz Modes Solid State / Tube Tube Type ECC83 (European type) Tube Heating DC
Middle Filter: Type Bandpass Filter
Frequency Range 50 - 2.000 Hz Q 1.0 Gain Range +/- 15 dB
Edge Filter: Type Bell Filter
Gain Range +/- 12 dB@6kHz
Output Level Nominal/Padded +4 dBm / -30dBm Output Impedance < 10 ohms current lim. Frequency Response +0/-3 dB 10 - 20k Hz Dynamic Range: linear/A-w. 102/105 dB typ. XLR Connections 1-GND, 2-Hot, 3-Cold Options GND Lift, Pad
Congratulations on your choice of the
bass head !EBS Fafner
EBS Fafner II XD
The is the most powerful, versatile and complete bass head ever built. With two separate channels, extensive routing possibilities, built in compressor, tube section, dual balanced outputs and super powerful EQ sections, the amp offers an extremely wide range of sound possibilities.
GETTING STARTED...
1. Carefully unpack the bass head.
2. Check that all knobs are set fully counter clockwise besides the EQ controls marked BASS, HI MID, TREBLE, MIDDLE and EDGE which should be set to mid position. Make also sure all push switches are set to their outer positions. Now the EBS Fafners settings are "zeroed" and ready to be personalized.
3. Turn on the POWER switch. Wait for approx. 15 seconds before switching on the STANDBY switch to allow the tube to warm up.
4. Plug in your bass. While plucking the strings as hard as you would during your hardest playing, gradually increase the GAIN knob unit the peak LED starts to flash at peaks.
5. Move over to the VOLUME knob and adjust for the desired output volume.
BUILDING THE SOUND...
6. The first tonal shaping circuitry are the
Character Filters
next to the GAIN control. These filters provide for a preshape EQ prior of further fine tuning of your sound.
7. Enable the filters by pressing the
Active
pushbutton and explore the filter
Filter
section.
8. The clean channel also features the use of a tube buffer for adding those extra harmonics by pressing the
Tube Mode
switch.
9. If you need to refine your dynamics, adjust the COMP/LIMIT knob to your needs.
10.Engage the drive channel by pressing the
Drive Active
button. Now you have full control of the drive circuitry with its’ EQ. Turn up the LEVEL to the desired level compared with the level from the clean channel.
11.Now, press the button. This mode
Serial
enables you to serial the two channels, so now you can dial in your drive sound with the aid of the filters and options of the clean channel.
This was a brief introduction of .As
EBS Fafner
you go on further in this manual, you will learn how to use and utilize all of the useful features that the offers you.
EBS Fafner
GOOD LUCK !
FAFNER XD MANUAL
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FRONT PANEL CONTROLS
7 9 10 14
DRIVE CHANNEL IN PARALLEL MODE:
RIVE CHANNEL IN SERIAL MODE:
D
1
345
2
6 8 12 13 15 1611
FUNCTIONAL DESCRIPTION FRONT PANEL CONTROLS:
13
GAIN
INPUT
instrument input that will interface with passive and active instruments perfectly.
- A low noise, high impedance
2
CHARACTER FILTERS
provides two filter, and , which operate independently from the other preamp functions. This gives the user the opportunity to preshape the sound before the final processing with the other features of thepreamp..
When pressed to their's innerposition, boost is achieved in bass and treble ranges respectively. These filters can be contolled remotely. Please refer to the rear panel description of the remote jacks.
preshape Hi Lo
Lo
- The EBS Fafner
Hi
- Controlto adjust the instruments' signal strength to the right operating level in the EBS Fafner.
For optimum basic signal level, turn up the GAIN knob until the PEAK led starts flashing from the strongest signal from theinstrument.
Note: A correctly set GAIN is vital for the signal processing to work properly in the.EBS
Fafner
4
COMP/LIMIT
pressor/limiter that works fast and effectively, tightening up the sound and preventing the bass head from saturatingat peaks whenapproaching the headroom limit. A string may be plucked very hard and fast, without any greater differencein level or side effects.
The COMP/LIMIT knob sets the compression ratio, i.e. The signal strength relation between the input and output; the higher ratio the more compression.
- A low noise com-
RIVE CHANNEL IN SERIAL MODE,FILTERS ACTIVE:
D
D
RIVE CHANNEL IN SERIAL/PARALLEL MODE:
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à
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QUICK CHANNEL REFERENCE FUNCTIONAL DESCRIPTION
C
LEAN CHANNEL IN BYPASS:
The LED intensity dynamically indicates the amount of compression during play.
Hi Mid
CLEAN CHANNEL FILTERS ACTIVE:
Hi Mid HiQ
5
D
RIVE CHANNEL ACTIVE:
LEAN CHANNEL IN DRIVE ACTIVE,BYPASS:
C
LEAN CHANNEL IN DRIVE ACTIVE,FILTERS ACTIVE:
C
FILTER ACTIVE
filter section described under point 6. This function can becontrolled remotely.Please refer to the rear panel description oftheremotejacks.
– This switch actives the
6
FILTERS
hanced performance filters:
BASS
compensated bass filter with a widegainrange.
HI MIDDLE
Hz. This filter facilitates total control over the mids, with a wide bandwidth giving a natural and non-peaking result. The switch selects higher gain and a narrow band for precise control of the mids.
TREBLE
the higher mids and treble registers, giving presence and ambience to the sound.
- The filter section contains three en-
is a 'shelving' type 12dB/oct slopephase
has an frequencyrange of 100-4k
Hi-Q
is a shelving type filter controlling
Bass
Treble
7
TUBE MODE - This switch actives a pure tube buffer providing a touch of the distinguished warmth and depth of tubes. While reaching the headroom limit, this buffer will provide a true tube soft clip limitingfunction,useful for adding those extra true tube harmonics.
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FRONT PANEL CONTROLS FUNCTIONAL DESCRIPTION
8
DRIVE ACTIVE
drive section with all of it’s features. This function can also be controlled remotely. Please refer to the rear panel description of the remote jacks.
– This switch actives the
9
DRIVE
in the tube stage, and provides an extra gain all the way up to 34 dB. This control also com­presses the sound when turning up the level of the knob up to maximum, producing pure tube limitation.
- This knob controls the amount of gain
10
POST DRIVE EQ
two high performancefiltersfor fine tuning your drive channel sound:
MIDDLE
and facilitates total control all from the bass timbres up to the mids, controlling with precision the difinition of the mids.
EDGE
higher mids for setting definition, presence and ambience to the sound.
is “bell” type filter controlling the
- This filter section contains
has a frequency range of 50-2k Hz
Middle
à
Edge
11
LEVEL
drive
activated for this control to work.
CLEAN LVL
the channel to be mixed in with the channel sound. The drive channel must be activated for this control to work.
- This knob controls the level of the
channel. The drive channel must be
- This knob controls the level of
clean drive
12
DRIVE CHANNELOPTIONS:
BOOST
choice of two different overdrive types. When this switch isin its' inner positiona flat, or linear, gain is achieved with the knob. However, when this switch is in the outer position, the frequencies below 350 Hz is bypassed, producing a warmer distortion without saturation, allowing the player adding more low bass than withconventional bass amps. Thebass is compensated over the tube stage, giving the same bass response up to middistortedsounds.
SERIAL
for the drive channel. In outer position the source is taken directly after the gain and preshape filters. In inner position, the source is taken after the clean channel, includingall of the clean channel features; filters, compresssor and tube buffer.
– The boost switch makes possible a
drive
- The serial switch selects the source
8
REMOTES –The EBS Fafner is equipped with two remote jacks for controlling with foot switches the ,
active
function.
You may use the RM-4 pedal from EBS, or any standard footswitch pedal making connection to ground for each of the remote functions. In addition, thesejacks provide current suitable for LED indication.
Note: Each of the functions switches on the front panel needs to be set to inner position inorderto be remotely controlled.
character filters filter active drive
functions on the front panel plus a mute
,
9
SPEAKER OUTPUTS
speakers here. Care should be taken when connecting speakers so that the minium total impedance is not lower than 2ohms.
Note: Lower impedance than 2 ohms may cause permanent damage to the amp.
EBS will not take responsibility for eventual hearing damages caused by the powerful EBS Fafner.
Connect your
10
AC INPUT
voltage. If the mains fuse blow, replace only with the same type.
– Connect only to the indicated AC
11
SYSTEM FAN
ture controlled fan and will increase the speed according to the temperature and poweroutput.
IMPORTANT: Make sure not to cover the ventilation opening!
– The system fan is a tempera-
SOMETHING ABOUT TUBES…
Although the ECC83 (12AX7) is a long life tube, it is recommended replacing the tube once a year to guarantee perfect operation.
In order to replace the tube, please follow the instruction below:
1) Power off and unplug the amplifier from the mains.
2) Let the amplifier fully discharge for at least five (5) minutes.
3) Remove the top cover by removing the four bolts at the amps left at right side, and the two bolts on the top cover nexttotherearpanel.
4) Locate the tube at the poweramp board and carefully remove the tube.
5) Place the new tube in place. Be sure that no tube pins are damaged.
6) Place the top cover inplace.
Done!
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REAR PANEL CONNECTIONS AND CONTROLS FUNCTIONAL DESCRIPTION
13
234685
1
VOLUME
volume in the unit, controlling the poweramp and LINE output. The balanced outputs (XLR) are not affected by the setting of thisknob.
- The VOLUME knob controls all
14
9710
11
FUNCTIONAL DESCRIPTION REAR PANEL:
15
POST LOOP
the VOLUME control. Use the for connecting to another poweramp or to another Fafners for connecting two amps together.
- This serial loop is situated after
LINE OUT
POWERAMP INPUT
2
CLEAN CHANNEL LOOP
channel serial loop and is only active for the clean channel.
- This is the clean
3
DRIVE CHANNEL LOOP
channel serial loop and is only active for the drive channel.
- This is the drive
FX MIX
for the common , from 0% (off) to 50% (parallel), to 100% (serial).
6
LO-Z INPUT
input suitable for connecting wirelesssystemsor other sources without the need of using theinput on the front panel. When connecting to the input on the front panel, this inputisdisabled.
7
TUNER OUT
suitable for driving tuners. The signal from this output is identical to the instruments'signal.
– This control controls the mix level
EFFECTS LOOP
– This input is a low impedance
- This low impedance output is
BALANCED OUTPUTS
functions as a high quality line box for connecting to PA mixingconsoles or to studio or broadcast recording units, with high noise immunity.
The EBSFafner is equipped with two balanced outputs, in order to be able to monitor both the input signal and the signal from the entire preamp.
PRE EQ
The output is a direct copy of the signal present at the input jack, so no controls effect this output.
POST EQ
The outputs the signal after the entire preamp and is not dependent of the output volume.
Lifting ground is a great aidin many occasions. When required, set the switch at the front panel to inner position to disconnect the ground from the outputs.
The switch sets the option of either studio
Pad
standard leve, in outer position, or when pressed microphone level.
- A balanced output
Gnd Lift
15
STANDBY
poweramp from the speaker outputs, mutes the line output and the balanced outputs. The mute function can also be remotely controlled. refer to the rear panel description of the remote jacks.
- This switch disconnects the
Please
4
EFFECTS LOOP
loop available for both channels and is situated after the individual channel loops.
FAFNER XD MANUAL
- This is the common effects
16
- Switches the amp on oroff.POWER
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BLOCK DIAGRAM
FAFNER XD MANUAL
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