Terminal
™
Congratulations on your new Terminal™! Are you ready to take the stairs
to the top of the tallest tower of fuzz? You are now.
The Terminal is our take on the elusive vintage JAX fuzz. These units are
increasingly hard to come by, and are better known by most of us as the
Shin-Ei Companion Fuzz. We love the Companion Fuzz’s unique buzzy
sound, but the lack of output volume and EQ controls really got us down.
So, we’ve taken the Companion Fuzz design three steps further, adding
“Voice” and “Treble” controls, along with twenty stories’ worth of output
volume to erect the Terminal.
The “Voice” control adjusts the Terminal’s midrange focus and overall
frequency response. Clockwise you’ll hear vertigo-inducing upper mids
with an almost nasal, cocked-wah quality. Counter-clockwise you’ll nd
enough low-mid thickness to make even your wildest Siamese Dreams
come true.
The “Treble” knob controls the Terminal’s biting top end. This control is
especially interactive with the “Voice” knob, so it’s anything but “set and
forget.” At the low end of the dial, you’ll nd muted, subdued fuzz tones
that sit back in the mix and play nice. Crank it up, and you’ll hear searing
blown-out buzz-saw treble sharp enough to cut glass.
“Fuzz.” That’s why we’re here today, isn’t it? The Terminal’s “Fuzz”
control has a wide sweep for causing all sorts of mayhem. Keep the
“Fuzz” low and you’ll nd “separated, ”spitty garage tones, and plenty of
“satisfaction,” as the Terminal just wants to be your dog. Take the “Fuzz”
all the way to the top oor, and you’ll hear a thick, searing grind with
a unique attack envelope and loads of sustain. Between these three
interactive controls, you’ll nd a wide range of fuzz tones at your disposal.
The Terminal is true-bypass, uses archaic all-analog audio circuitry,
futuristic digital switching circuitry and is built one-at-a-time by a team of
basketball champions in rubbery Akron, Ohio, USA.
Controls
Volume: Controls the output volume.
Voice: Controls the midrange character, clockwise for more mids,
counter-clockwise for less.
Treble: Controls the treble content of the fuzz tone. Clockwise for more
bite, counter-clockwise for more warmth.
Fuzz: Controls the fuzz intensity. Clockwise for more blow-outs, counterclockwise for less.
Power
The Terminal should be powered by a standard 9-volt DC power supply
with a 2.1mm negative center barrel. We always recommend pedal-
specic, transformer-isolated wall-wart power supplies or multiple
isolated-output supplies. Pedals will make extra noise if there is ripple
or unclean power. Switching-type power supplies, daisy chains and non-
pedal specic power supplies do not lter dirty power as well and let
through unwanted noise. Do not run at higher voltages!
Current Draw: 10mA, Input impedance: 22K, Output impedance: <1K
Switching
This device is true bypass and uses electronic relay based switching.
Audio will not pass without power.
Questions? Comments? Concerns?
Send an email to info@earthquakerdevices.com and we’ll help you out.
This device is guaranteed for life (or at least the life of EarthQuaker Devices).
© 2017 EarthQuaker Devices LLC. | www.earthquakerdevices.com | info@earthquakerdevices.com