Earthquaker Devices Pyramids User Manual

OPERATION MANUAL
You hold in your hands the instruction manual for the EarthQuaker Devices® Pyramids™ Flanger. Well, a reproduction, actually. The original dates to 138 BC and lives behind layers of bulletproof glass in the Ark of the Covenant Jamie Stillman keeps in his basement. Pyramids is built upon
the same proprietary DSP architecture as the Avalanche Run, only this time it’s way angier.
Pyramids is a stereo anging Device with ve presets, eight anger modes, tap tempo, tap
subdivision via the Rate & Tap mini-toggle, a multifunction Modify control, positive and negative Feedback, and a variable Mix control, which is something you don’t see on a anger every day.
Pyramids has six knobs, three switches, two footswitches, and ve jacks.
The knobs are Manual, Rate, Width, Mix, Feedback, and Modify. We’re going to tell you what they do more than once, because while they generally affect similar parameters, they react differently in each mode, so please pay attention. There will be a test.
<<< Controls >>>
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Manual: Controls the delay time of the
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modulated signal. Turn it clock wise for a
shorter delay time and a higher-pitched ange
sound. Turn it counter clockwise for longer
This parameter may be controlled by an expression pedal. When using an expression pedal, the Manual control is defeated.
Rate: Controls the speed of the LFO as well
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as the rise time in “Trigger Up” mode and fall time in “Trigger Down” mode. Turn it up for faster modulation or turn it down for slower modulation. The Rate control has three ranges of operation: Slow, Normal and Fast. These modes are selected by the Rate & Tap toggle switch.
Width: Controls the frequency range of the
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LFO sweep. You might also think of it as a depth control for the LFO.
Mix: This is the volume control for the
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modulated signal. The modulated signal gets louder when you turn it clockwise and quieter when you turn it counterclockwise.
Activate Footswitch: The activate switch
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features our Flexi-Switch™ technology! This relay-based true-bypass switch allows for momentary or latching operation.
• For standard latching operation, tap the footswitch once to activate the effect and tap again to bypass.
• For momentary operation, hold down the footswitch for as long as you’d like to use the effect. Release to bypass.
Feedback: Regeneration control for the
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modulated signal. There is a center-detent for zero feedback. Increasing this control from noon introduces positive feedback for a lush “whooshing” sound. Decreasing this control from noon produces negative feedback, which has a hollowed-out tubular sound.
Rate & Tap Toggle Switch: “Normal” (center
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position) is 1:1. The tempo you tap in is the tempo Pyramids will spit out. When set to “Slow” (left position), the tempo you tap is divided for a slower sweep. When set to “Fast” (right position), the tempo you tap is multiplied and delivers a faster sweep.
Modify: The behavior of this control depends
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upon which mode you’re using.
Classic: Tone control for the modulated signal. Clockwise from center is a high pass
lter. That means it cuts the low end and
allows the high frequencies to pass through. Counterclockwise from center is a low pass
lter. That means it cuts the high end and
allows bass frequencies to pass through.
Through-Zero: Delay time for the unmodulated dry signal. This controls where in the LFO cycle the through-zero point occurs, which is where you’ll hear the most drastic cancellation. Clockwise Modify settings lower the frequency of the cancellation. Counterclockwise Modify settings produce higher frequency cancellation. This is probably backwards from what you’d expect, but let’s roll with it.
Barber Pole Up: Tone control for the modulated signal. Clockwise from center
is a high pas s l ter. Counterclo ck wis e from center is a low pass lter.
Barber Pole Down: Tone control for the modulated signal. Clockwise from center
is a high pas s l ter. Counterclo ck wis e from center is a low pass lter.
Trigger Up: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack. Clockwise is higher sensitivity, counterclockwise is lower sensitivity.
Trigger Down: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack. Clockwise is higher sensitivity, counterclockwise is lower sensitivity.
Step: Adjusts the glide between steps. Low Modify settings produce sharp, stair­stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.
Random: Adjusts the glide between steps. Low Modify settings produce sharp, stair­stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.
Tap / Trigger Footswitch: In Classic,
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Through-Zero, Barber Pole Up, Barber Pole Down, Step, and Random modes, this footswitch is a tap tempo control. In Trigger Up and Trigger Down modes, this footswitch triggers the effect whenever it is pressed.
Presets Rotary Switch: Selects between
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Live mode and one of ve presets. Pyramids
comes with our favorites programmed in, but you’re allowed to re-write them if you want. We don’t mind. Setting this switch to Live will give you the sound which corresponds to Pyramids’ current setting.
Mode Rotary Switch: Selects between
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Pyramids’ eight anger modes (see the
following Modes section.)
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