DYNAUDIO P4-LCR50, P4-C80, P4-DVC65, P4-C65 Встраиваемая акустика Dynaudio P4-C80.pdf

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Custom Install
Architectural loudspeakers
Engineered to entertain
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Introduction
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Easy specication, tool-free installation, plug-and-play operation. Here’s everything you need to know about Dynaudio Custom
Introduction
4
Performance series
10
Studio series
14
Studio LCR
20
Outdoor
22
About Dynaudio
They’re all but invisible, but you’ll know they’re there. Dynaudio Custom
takes everything we know about speaker design… and tailors it just for you.
It shouldn’t be hard to get great sound. When we set out to design our custom-install architectural speakers, we knew they had to be simple to understand, neat and easy to install, and exible enough to work in even the most challenging listening environments.
Most importantly, our range of in-ceiling and in-wall speakers had to sound every bit as good as our acclaimed free-standing hi- and pro-audio kit. There was no room for compromise – and we didn’t stop until we’d nailed it.
The whole Dynaudio Custom range harnesses the same core technology, expertise and fanatical attention to detail that’s made our hi-, professional studio and in-car speakers so celebrated. It’s the same stuff – it’s just inside the walls instead of in front of them.
It’s a system that works around you, too. Pick between our in-wall or in-ceiling speakers, or even combine the two. The frames can then be pre-installed during renovation and decorating, or retrotted into existing cavities. You can even paint their magnetic grilles to suit your décor. And then, when it’s time, ne-tune the speakers’ positions – so everything’s exactly right, rst time.
When you hear Dynaudio Custom, you’re hearing decades of research, care and pride. Only this time, it’s tailored just for you.
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Performance series
Dynaudio Custom Performance series
The right t for high-res listening and distributed audio.
It’s as simple as that.
The Custom Performance series brings true Dynaudio hi- performance to the tightest cavities in ceilings and walls. No more having to choose between deep and shallow versions of in-wall and in-ceiling speakers when specifying your system. No more having to choose between performance and t. And no more ddly install processes: just twist and lock into place.
We’ve developed ingenious ways of packing everything that makes our speakers legendary – soft-dome tweeters, MSP drivers, large voice-coils and powerful magnets – into a form that lets you work around the nasty surprises you nd behind the drywall. And the sound? Simply jaw-dropping. Naturally.
Don’t compromise. Just t, nish and enjoy.
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P4-W80 P4-W80
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Performance series
P4-W65 P4-W80 P4-LCR50
Model P4-W65 P4-W80 P4-LCR50
Type Two-way in-wall Two-way in-wall Two-way in-wall
Drivers
Tweeter: 25mm (1in); mid/bass: 165mm (61⁄2 in)
Tweeter: 25mm (1in); mid/bass: 200mm (8in)
Tweeter: 25mm (1in); mid/bass: 2x130mm (5in)
Frequency response (+/- 3 dB) 46Hz – 20kHz 46Hz – 20kHz 48Hz – 20kHz
Impedance (nominal/minimum) 8Ω / 5Ω 8Ω / 5Ω 4Ω / 3.2Ω
Sensitivity (dB SPL [2.83 V/1 m]) 87.5dB 89dB 89dB
Continuous power* 40W 50W 50W
Long term power* 80W 160W 100W
Tweeter level options -3dB, 0dB, +3dB -3dB, 0dB, +3dB +3dB, 0dB, -3dB
Dimensions (W x H x D)
198 x 296 x 63mm
3
4 x 1111⁄16 x 21⁄2 in)
(7
237 x 392 x 77mm (95⁄16 x 153⁄8 x 3 in)
360 x 195 x 77mm (141⁄4 x 73⁄4 x 3 in)
Cut-out dimensions
* Measured according to IEC 60268-5 using a pink noise input signal. ‘Continuous’ is 100 hours of operation. ‘Long-term’ is 10 cycles of one minute on and two minutes off.
175 x 275mm
7
8 x 107⁄8 in)
(6
215 x 370mm (81⁄2 x 141⁄2 in)
175 x 340mm (67⁄8 x 133⁄8 in)
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Fit and nish
The low-prole magnetic grilles snap into place in exactly the correct position. You can also paint them to
Performance series
match the room’s décor
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P4-C65
Performance series
P4-C80
P4-DVC65
Model P4-C65 P4-DVC65 P4-C80
Type Two-way in-ceiling Two-way in-ceiling Two -way in-ceiling
Drivers
Tweeter: 25mm (1in); mid/bass: 165mm (61⁄2 in)
2x tweeter: 25mm (1in); mid/bass: 165mm (61⁄2 in)
Tweeter: 25mm (1in); mid/bass: 200mm (8in)
Frequency response (+/- 3 dB) 46Hz – 20kHz 46Hz – 20kHz 48Hz – 20kHz
Impedance (nominal/minimum) 8Ω / 5Ω 2x 4Ω / 2x 3.2Ω 8Ω / 5Ω
Sensitivity (dB SPL [2.83 V/1 m]) 87.5dB 87.5dB 89dB
Continuous power* 40W 2x 20W 50W
Long-term power* 80W 2x 40W 160W
Tweeter-level options -3dB, 0dB, +3dB -3dB, 0dB -3dB, 0dB, +3dB
Tweeter orientation Pivoting 360* Fixed Pivoting 360*
Dimensions/depth
Ø 232mm / 72mm
1
8 / 27⁄8 in)
(9
Cut-out dimensions Ø 210mm (8
Ø 232mm / 76mm (91⁄8 / 3 in)
1
4 in) Ø 210mm (81⁄4 in) Ø 260mm (101⁄4 in)
Ø 280mm / 90mm (11 / 31⁄2 in)
* Measured according to IEC 60268-5 using a pink noise input signal. ‘Continuous’ is 100 hours of operation. ‘Long-term’ is 10 cycles of one minute on and two minutes off.
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Accessories
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Performance series
Fire-rated back-box (shallow)
Accessories
Safety rst if the temperature rises
The Dynaudio Fire-rated back-box is a shallow-depth metal enclosure for use with all our Performance series in-ceiling and in-wall speakers.
The enclosure is lled with Morgan Superwool Plus lining for temperature resistance up to 1200˚C for one hour in accordance with local building regulations.
It mounts in standard 16-inch-on-centre stud-bays – no cutting required.
455mm
7
(17
/8 in )
446mm (171/2 in)
Model Dynaudio FRBB-S
Type
Dimensions (W x H x D)
Internal volume 18L
89mm (31/2 in)
Fire-rated back-box (Shallow)
446 x 455 x 89mm (171/2 x 177/8 x 31/2 in)
435mm (17
359mm (14
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1
/8 in)
1
/8 in)
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Studio series
Dynaudio Custom Studio series
Hair-raising quality for active listening, media rooms,
home cinema and more.
When you want audio to grab your audience, stop them in their tracks and captivate them, you need a special-sounding system. The Studio range is that system.
We’ve used elements taken directly from our award-winning home hi- and pro studio products and engineered them into a form that ts discreetly into in-wall and in-ceiling specications without making the compromises you might nd elsewhere. They’re a breeze to install thanks to their clever frame-locking system, and they’re easy to ne-tune in place using their innovative rotating speaker/tilting tweeter assembly.
Quality sound, installed where you need it – and focussed where your client wants it.
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S4-W65
S4-W80
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Studio series
Model S4-W65 S4-W80
Type Two-way in-wall Two-way in-wall
Drivers
Tweeter: 28mm (1in); mid/bass: 165mm (61⁄2in)
Tweeter: 28mm (1in); mid/bass: 200mm (8in)
Frequency response (+/- 3 dB) 55Hz – 20kHz 45Hz – 20kHz
Impedance (nominal/minimum) 8Ω / 5Ω 8Ω / 5Ω
Sensitivity (dB SPL [2.83 V/1 m]) 87.5dB 89.0dB
Continuous power* 50W 100W
Long-term power* 125W 140W
Tweeter level options -3dB, 0dB, +3dB -3dB, 0dB, +3dB
Dimensions (W x H x D)
Cut-out dimensions
235 x 213mm / 90mm (91⁄4 x 83⁄8in / 31⁄2in)
198 x 296mm / 90mm
3
(7
4 x 1111⁄16in / 39⁄16in)
395 x 213mm / 90mm (151⁄2 x 83⁄8in / 31⁄2in)
237 x 392mm / 99mm (95⁄16 x 153⁄8in / 315⁄16in)
Grille material Painted steel Painted steel
Grille options
Rectangular Rectangular
Grille attachment Magnetic Magnetic
Grille nish White (paintable) White (paintable)
* Measured according to IEC 60268-5 using a pink noise input signal. ‘Continuous’ is 100 hours of operation. ‘Long-term’ is 10 cycles of one minute on and two minutes off.
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Studio series
Total control
The speaker unit can rotate in its frame to direct the woofer to the listening position, and the tweeter tilts for even more focus
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S4-C65
S4-C80
S4-DVC65
Model S4-C65 S4-DVC65 S4-C80
Type Two-way in-ceiling Two-way in-ceiling Two-way in-ceiling
Drivers
Tweeter: 28mm (1in); mid/bass: 165mm (61⁄2in)
2x tweeter: 28mm (1in); mid/bass: 165mm (61⁄2in)
Tweeter: 28mm (1in); mid/bass: 200mm (8in)
Frequency response (+/- 3 dB) 55Hz – 20kHz 50Hz – 20kHz 45Hz – 20kHz
Impedance (nominal/minimum) 8Ω / 5Ω 2x 4Ω / 2x 3.2Ω 8Ω / 5Ω
Sensitivity (dB SPL [2.83 V/1 m]) 87.5dB 83.5dB 89dB
Continuous power* 50W 2x 50W 100W
Long-term power* 125W 2x 100W 140W
Tweeter level options -3dB, 0dB, +3dB -3dB, 0dB -3dB, 0dB, +3dB
Tweeter orientation Three tilt angles Three tilt angles Three tilt angles
Mid/bass orientation 18° x 360° 18° x 360° 18° x 360°
Dimensions/depth
Ø 232mm / 155mm
1
8in / 61⁄8in)
(Ø 9
Cut-out dimensions Ø 210mm (8
Ø 232mm / 167mm (Ø 91⁄8in / 65⁄8in)
1
4in) Ø 210mm (81⁄4in) Ø 260mm (101⁄4in)
Ø 280mm /163mm (Ø 11in / 67⁄16in)
Grille material Painted steel Painted steel Painted steel
Grille options Round (supplied) / square Round (supplied) / square Round (supplied) / square
Grille attachment Magnetic Magnetic Magnetic
Grille nish White (paintable) White (paintable) White (paintable)
* Measured according to IEC 60268-5 using a pink noise input signal. ‘Continuous’ is 100 hours of operation. ‘Long-term’ is 10 cycles of one minute on and two minutes off.
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Studio series
Dynaudio Custom Studio LCR
The modular custom install system that places quality
front and centre.
No stud-cutting. No restrictions. No hassle. The Custom Studio LCR system lets you create personalised vertically or horisontally oriented left, centre and right three-way speaker channels while allowing simplied installation – even between stud bays.
That means you can meet exact SPL requirements with ease, including THX and Dolby reference levels at up to 4m from the listening area.
The system’s intelligent modular design means incredible exibility: the S4-LCR65MT mid/tweeter and S4-LCR65W woofer modules t around standard 16in studs (so you don’t have to cut them away).
You can position the tweeter either way up and at any height in the array (so the listener gets total focus). And the modules are easily connected using speaker wire, with their frames either connected together and installed in a single cut-out, or spaced apart in multiple cut-outs to create a single channel.
Each module uses a passive crossover with a three-position switch, pre-congured to typical LCR channel congurations that use one or two connected woofer modules. There’s also a bypass position to enable an unlimited number of fully active and completely customized S4-LCR65 system setups with external DSP processing and a dedicated amp channel for every driver in each channel.
And, like the rest of the Dynaudio Custom range, all the modules mount into their frames without any tools required.
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S4-LCRMT
S4-LCR65W
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Studio series
Model S4-LCRMT S4-LCR65W
Type
Drivers
Two-way in-wall mid/tweeter module
Tweeter: 28mm (1in); mid/bass: 100mm (4in)
Twin-driver in-wall bass module
2x 165mm (6
1
2 in)
Frequency response (+/- 3 dB) 250Hz – 20kHz 35 – 300Hz
Impedance (nominal/minimum) 8Ω / 5Ω 4Ω / 3.2Ω
Sensitivity (dB SPL [2.83 V/1 m]) 89±3dB (250Hz-20KHz) 86±3dB (40Hz-250Hz)
Continuous power* 50W 50W
Long-term power* 150W 200W
Tweeter level options +3dB, 0dB, -3dB N/A
Dimensions (W x H x D)
Cut-out dimensions
235 x 213 / 90mm (91⁄4 x 83⁄8 / 31⁄2 in)
190 x 213mm
1
(7
2 x 83⁄8 in)
395 x 213mm / 90mm (151⁄2 x 83⁄8 / 31⁄2 in)
190 x 373mm (71⁄2 x 1411⁄16 in)
Grille material Painted steel Painted steel
Grille options 5in 5in
Grille attachment Magnetic Magnetic
Grille nish White (paintable) White (paintable)
* Measured according to IEC 60268-5 using a pink noise input signal. ‘Continuous’ is 100 hours of operation. ‘Long-term’ is 10 cycles of one minute on and two minutes off.
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Studio series
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Studio series
Custom grille
Want more? You’ve got it. Just cut it to t and install the end-caps for a seamless appearance. All grilles are 230mm (9in) in height
1x S4-LCRMT + 2x S4-LCR65W
We’ve got the ultimate LCR system covered
1x S4-LCRMT + 1x S4-LCR65W
Want to combine a woofer module with a midrange? There’s a grille for that too
1x S4-LCR65W
Rectangular grille for the twin-woofer module
1x S4-LCRMT
Square grille for the midrange/ tweeter module
1319mm
15
(51
16 in)
985mm
3
(38
4 in)
614mm
3
16 in)
(24
424mm
11
16 in)
(10
264mm
3
(10
8 in)
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Outdoor
Dynaudio Custom Outdoor
Quality doesn’t need to stop at the door. The Outdoor
family brings Dynaudio’s trademark audio reproduction
to a new environment.
Relaxing outside is always better with music. These two-way surface-mount speakers are IP65-rated for resistance to dust and protection from everyday water (such as sprinklers, rain and water-balloon ghts). They have a UV-resistant nish and they’ve been subjected to salt-spray testing too – so they’ll stand up to regular use whatever the weather throws at them.
The Outdoor range can be used in passive 8ohm mode, or linked in a 70/100V system with their built-in transformers, if you want to spread them out to a larger area.
OW-8 OW-6
Cables are kept safe with the Phoenix connector and cover
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Outdoor
Using the speakers in a high-voltage 70/100V system? Set-up is simple
Model OW-6 OW-8
Type Two-way on-wall Two-way on-wall
Drivers
Tweeter: 25mm (1 in); mid/bass: 165mm (61⁄2 in)
Tweeter: 25mm (1in); mid/bass: 200mm (8in)
Performance frequency response (+/- 3 dB) 78Hz – 20kHz 70Hz – 20kHz
Impedance (nominal/minimum) 8Ω / 5Ω 8Ω / 5Ω
Sensitivity (dB SPL [2.83 V/1 m]) 87dB 87dB
Continuous power* 60W 60W
Long term power* 300W 300W
Input selector 8Ω / 70V / 100V 8Ω / 70V / 100V
Dimensions (W x H x D)
180 x 285 x 175mm
1
8 x 111⁄4 x 67⁄8 in)
(7
210 x 340 x 196mm (81⁄4 x 133⁄8 x 73⁄4 in)
Weight 4.5kg 5kg
Temperature range -33ºC to +40 ºC (-27.4ºF to 111.2ºF)
IP rating
IP65
IP44
* Measured according to IEC 60268-5 using a pink noise input signal. ‘Continuous’ is 100 hours of operation. ‘Long-term’ is 10 cycles of one minute on and two minutes off.
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About Dynaudio
About Dynaudio hi- right from the start
Back in 1977 Dynaudio’s founder, Wilfried Ehrenholz, decided that the off-the-shelf speakers available at the time weren’t telling the whole truth. He and his colleagues started out by putting drivers made by other companies into tweaked cabinets, with crossovers designed and built in-house. But they still weren’t right: it wasn’t all made in-house. And we all know there’s only one way to get something right if no one else can do it…
But it wasn’t just a dive-straight-in job. They did their homework. Dynaudio was reaching for the next level; a level its established competitors – some of whom were leviathans of the hi- industry – either couldn’t get to, or hadn’t even realised existed. The goal? To stop picking apart frequencies and just… sit. Listen. Enjoy. “If a musician expresses what’s in the music, when you listen to it you aren’t analysing it, it’s just emotion,” Wilfried says.
That philosophy – that pursuit of truth through emotion – permeates the entire company. There’s always another level to hit. “I’m very proud that we kept all our principles from the beginning; we didn’t have to change anything. Most concepts we started are still valid after more than 40 years,” Wilfried says.
The drivers sit at the heart of it all. We develop and manufacture them ourselves – right down to magnetising the magnets and winding the voice-coils. Winding is an automated process these days (although even the robots we built can’t escape the eagle eyes or ears of our quality-control people), but at one point even this was done by expert pairs of hands.
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We kept all our principles from the beginning.
Most of our voice-coils are aluminium instead of copper. It’s lighter, which lets us double the coil diameter for any given weight. It also lets us use longer windings for longer driver excursion and better heat dissipation. (In English, that means we have tighter control over the sound.) Others are made from copper when we need extra power. We use the best material for the job… which means you get the best performance we can deliver.
Most concepts we started are still valid after more than 40 years.
There are some details you won’t even see – like the spider. That’s the springy piece of material that acts as the voice-coil’s suspension. It controls how much the voice-coil moves back and forth, and how much air there is behind the speaker cone. We’ve improved its symmetry by measuring, simulating and, ultimately, listening. It all sits in the basket. That’s the physical housing for the whole driver motor. We’ve spent just as much time rening it as we have every other part of our speakers. It’s made to reduce turbulence behind the driver, which, again, helps them sound their best.
Then there’s our signature soft-dome tweeters. We’ve been rening our designs ever since we started the company: geometry, shape, materials, stiffness… even the precision coating. Because Dynaudio tweeters aren’t made of metal, they have a atter, more linear frequency response – which means more honest performance.
But, in the end, it all comes down to our people. They’re fanatical about what they do, and they’re incredibly proud of what they produce. We hope you’ll be proud to specify our speakers in your projects, too.
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About Dynaudio
Home
We’ve been making jaw-dropping high-end hi- speakers since the beginning – listen to them and nd something new in your music
About Dynaudio
Home, car, studio and beyond
You’ll nd Dynaudio products in homes, recording studios and cars
all over the world. We’ve built an audio ecosystem like no other
When you listen to a Dynaudio speaker, wherever you’re playing it, you’re listening to more than 40 years of experience. But more than that, you’re listening to everything the artist who recorded the track wants you to hear. In many cases you can even draw a line right from the original recording to your listening space – our studio speakers are used all over the world, outputting nothing but the artists’ raw emotion. And that shines through when you’re sitting in your living room, your home cinema or even your car listening to our speakers, too. They tell the truth; nothing more, nothing less.
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We are Dynaudio, and we’ve been making quality loudspeakers since 1977.
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Car
We make high-end audio systems for Volkswagen – so you can feel more relaxed when you get out of the car than you were when you got in
About Dynaudio
Pro
Think of your favourite record. Chances are, Dynaudio pro speakers were used in its production
Dynaudio Labs
We don’t leave anything to chance. Our R&D department, Dynaudio Labs, is full of brilliant minds and cutting-edge technology… including Jupiter, our massive 13 x 13 x 13m robotic measuring facility
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Dynaudio A/S
8660 Skanderborg
Denmark
dynaudio.com
All text and image copyrights reserved.
Subject to change without notice.
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