Dynaco ST-35 Service Manual

INSTRUCTIONS FOR THE ASSEMBLY AND USE OF
DYNAKIT STEREO 35 POWER AMPLIFIER
SERIAL NUMBER
14635013
This number must be men­tioned in all communica­tions concerning Dynakit.
Price $1.00
046414
3916 POWELTON AVE
CONTENTS
Description 3
General Wiring Practice 4
Mechanical Assembly 5
Wiring instructions 6
240-Volt Transformers 9
Installation 9
In Case of Trouble 10
Part List 11
Schematic Diagram Back Cover
SPECIFICATIONS
Power Output:
Frequency Response:
Power Response:
Intermodulation Distortion:
Hum and Noise:
Sensitivity:
Input Impedance:
Output Impedance:
Damping Factor:
Minimum Channel Separation:
Power Consumption:
Tube Complements:
Size:
Shipping Weight:
35 watts continuous, 45 watts IHFM Music Power (both channels)
±1db from 10 cps to 40,000 cps.
20 cps to 20,000 cps without exceeding 1% distortion within 1 db of 17,5 watts each channel.
Less than 1% at 17,5 watts each channel. Less than 0.1% at average listening levels.
Inaudible; more than 80 db below rated output.
1 volt input for 17.5 watts out­put (each channel).
500,000 ohms.
8 and 16 ohms.
10 from 20 cps to 20,000 cps.
80 db.
100 watts, 50/60 cycle a.c.
7247 (2), 6BQ5/EL84/7189 (4), silicon diodes (2).
4" high, 13" wide, 5½" deep.
16 lbs.
INSTRUCTIONS FOR ASSEMBLY AND USE OF
THE DYNAKIT STEREO 35 POWER AMPLIFIER
DESCRIPTION
The Stereo 35 is a dual power amplifier of deceptively simple appearance and circuitry. Behind its seemingly conventional design is an extremely sophisticated circuit configuration representing the most recent advances in power amplifier engineering and construction. This high degree of technical refinement, combined with the conserva tive use of premium-grade components, has resulted in a typical Dynakit design offering superb performance at low cost.
Each of the two channels in the Stereo 35 is rated as a 17,5-watt amplifier. Although not evident from this simple rating, the power stated is available on a continuous basis at any frequency from 20 to 2,000 cycles per second. A "music power" rating would make the Stereo 35 a 45-watt amplifier, although even this rating would non disclose that full power is available at low distortion throughout the audio spectrum. Nor would such a rating indicate that the Stereo 35, even when driven to power output levels beyond its rating, is able to handle these overloads gracefully, with minimum detriment to the sound. As a result, the Stereo 35 can, if necessary, duplicate the sound intensity of amplifiers with much higher power ratings when called upon to do so.
The heart of the Stereo 35 is the special Dynaco Z-565 output transformer, a patented design tailored specifically to this circuit. The transformer is free of resonances, has extended frequency response (from 6 to over 60,000 cycles), and is wound by special techniques on a carefully designed core to insure low distortion over a wide fre­quency spectrum. Transformers of this caliber have never previously been used in low-cost equipment of moderate power rating.
The transformer provides an optimum match between the loud speaker load and the output tubes used. These tubes are supplied as a matched group with the kit, and are used in a circuit configuration which gives low inherent dis­tortion and high stability of their d.c. operating point.
The output stage is preceded by a composite voltage amplifier and cathodyne phase inverter (a 7247 tube with direct coupling between sections). The phase inverter used is unique; its operations is independent of the age of con­dition of the tube. The phase inverter stage is therefore able to maintain its capabilities permanently with no need for adjustment or balancing. Gain in this part of the ampli­fier is augmented by a feedback connection from cathode to cathode.
Two negative feedback loops, one mostly resistive and the other purely capacitive, are carried over the amplifier to provide 20 db of negative feedback. This provides low
distortion and noise, a high damping factor, and further benefits. The feedback loop is unconditionally stable under all load arrangements, so that the Stereo 35 is suitable for use with any loudspeaker, including electrostatic types
The values of components selected for the Stereo 35 have been carefully determined, to be certain that the operating conditions for each stage have been set at the center of the optimum range. The use of close tolerance parts provides additional assurance that these settings will not shift, and will remain accurate, so that every amplifier will meet its specifications. This is very important to the kit builder, as it gives immunity from the variations to which much electronic equipment is subject. Heavy-duty circuit boards give additional stability and reproducibility of characteristics, assuring a level of performance which takes full advantage of the capabilities of the design. The con­servatively rated power transformer, after testing, is com­pletely sealed in a special encapsulating material which prevents core vibration and also serves to dissipate heat effectively.
One of the outstanding aspect of the design of the Stereo 35 is the attention which as been paid to the repro­duction of transient signals. Specifications commonly quoted for amplifier refer only to performance with pure sine­waves as the signal content; however, music and speech are actually composed of non-repetitive sounds which are non-sinusoidal in character. It is this irregular, or transient type of waveform which the amplifier will usually be called upon to reproduce. Pulse tests and square wave measure­ments help to evaluate the transient performance of cir­cuits, and these have been applied to derive the correct operating parameters for the Stereo 35. The success of this approach is particularly evident in listening tests where the source material includes percussive sounds-drums, tam­bourines, piano, cymbals, etc. The Stereo 35 reproduces these sounds with a transparency and absence of blurring which is only obtained when an amplifier has extended frequency response, without bounce, flutter or overshoot. In addition, the Stereo 35 recovers almost immediately from overload, so that the tones immediately following are not affected by the overload signals. Thus, even whit low-efficiency speaker systems, where an occasional peak signal might overload the amplifier, reproduction of every­thing except the highest peak of the heaviest passage is effortlessly reproduced.
It is this characteristic subtlety of design approach which distinguishes the Stereo 35 from other equipment with superficially similar specifications. These differences provide a perceptible improvement in clarity and natural­ness of sound; this was the design objective of the Stereo 35, and it has been achieved in a unit of remarkably low cost.
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GENERAL WIRING PRACTICE
Assembly of the Stereo 35 is exceptionally simple when compared to that the other kits. The circuit board are sup­plied with all components mounted, and the remaining parts arranged on the chassis in an open, uncluttered way that makes wiring quick and easy. The construction of the Stereo 35 should take no more than few hours.
When you unpack the kit, check the components against the parts list first. You can identify unfamiliar components by matching them to parts illustrated in the pictorial diagram supplied.
Have the proper tools at hand before beginning to build your kit. You will need a pencil-type soldering iron of 30­to 60-watt rating; a long-nosed pliers; diagonal cutters; and a screwdriver. If you have a soldering gun, it should be used with care, especially when working on the circuit board, because of its higher than necessary heat output. Although not essential, a wire-cutting and stripping tool will help considerably; these are available for less than a dollar.
The only procedure involved in building a Dynakit which requires a bit of technique is soldering, and this is quite easy to master. There are four steps to making a good solder connection:
1. Make a good mechanical connection.
2. Heat both parts of the connection with the iron.
One of the best ways to make a good mechanical connection is to bend a small hook in the end of the wire, and then to crimp this hook onto the terminal to be connected. The amount of bare wire exposed at the end need to be exactly
¼-inch; however, if it is too long, there is danger of the excess touching another terminal or the chassis. There is no need to wrap the wire around the terminal more than one time, as this makes a connection that is much more difficult to remove if an error has been made
3. Apply solder to the connection until it melts and runs.
4. Allow the connection to cool undisturbed.
ALL SOLDERING MUST BE DONE WITH ROSIN
CORE SOLDER.
There is no warranty on any equipment in which acid core solder has been used. Make sure that the solder you use is plainly marked "Rosin Core". If you have solder on hand of doubtful origin, it is wise to obtain a new roll of 50/50 or 60/40 rosin core solder.
Whenever a connection is to be soldered, the instructions indicate this by the symbol (S). If this symbol is not shown after a step, further connections must be made to the same point before soldering.
A number of steps in the instructions begin,"Connect one end of a wire...", with the length of the wire specified. In each case, first cut a piece of wire to the correct length from the roll supplied with the kit and then remove about ¼" of insulation from each end before making the connec­tion. The leads on components should be trimmed as they are used, the length chosen being that nection to be made from point to point without strain on terminals or components. The lead "dress", that is the manner in which the wiring is arranged as it goes from one point to another, should follow that shown in the pictorial diagram as closely as possible. Care must be exercised to see that uninsulated wires do not touch each other, and cannot do so through vibration or sagging, unless of course, they are connected to the same point. It is especially impor­tant that uninsulated wires and component leads or ter­minals do not touch the chassis or bottom plate accidentally.
Check your work after each step, and, when you are sat­isfied that it has been correctly done, mark the space pro­vided and go on to the next step. Examine the pictorial diagrams often; if you check your work methodically, your amplifier should work as soon as the wiring is complete.
which permits a con-
To transfer heat from the iron to the wire and terminal, the tip of the iron should be kept brightly tinned with solder. If this is properly done the first time the iron is used, the tinning may be maintained by wiping the tip with a cloth or sponge every few minutes while soldering. When correctly tinned, the tip will heat both parts of the con­nection almost immediately. Solder should then be applied directly to the parts to be soldered. as shown in the middle illustration above, and both iron and solder removed as soon as the solder flows freely.
The circuit boards of the Stereo 35 are supplied with all components (resistors and capacitors) already mounted and soldered in place. The circuit boards are connected to the other sections of the amplifier channels by soldering wires to eyelets on the boards. These eyelets, which are numbered for identification, are filled with solder already. To solder a wire to them, they are first heated with the tip of the iron, and the end of the wire inserted as soon as the solder in the eyelet flows. A correctly made connection looks like the illustration at the right, above, which shows a smooth transition from eyelet to wire.
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