Dreamvision provides this manual ‘as is’ without warranty of any kind, either expressed or implied, including but
not limited to the implied warranties or merchantability and tness for a particular purpose. Dreamvision may
make improvements and/or changes to the product(s) and/or the program(s) described in this publication at any
time without notice.
This publication could contain technical inaccuracies or typographical errors. Changes are periodically made to
the information in this publication; these changes are incorporated in new editions of this publication.
Copyright
All right reserved. No part of this document may be copied, reproduced or translated. It shall not otherwise be
recorded, transmitted or stored in a retrieval system without the prior written consent of Dreamvision.
Guarantee
Dreamvision provides a guarantee relating to perfect manufacturing as part of the legally stipulated terms of
guarantee. On receipt, the purchaser must immediately inspect all delivered goods for damage incurred during
transport, as well as for material and manufacturing faults. Dreamvision must be informed immediately in writing
of any complaints. If the purchaser or third party caries out modications or repairs on goods delivered by
Dreamvision, or if the goods are handle incorrectly, in particular if the systems are commissioned operated
incorrectly or if, after the transfer of risks, the goods are subject to inuences not agreed upon in the contract, all
guarantee claims of the purchaser will be rendered invalid. Not included in the guarantee coverage are system
failures which are attributed to programs or special electronic circuitry provided by the purchaser, e.g. interfaces.
Normal wear as well as normal maintenance are not subject to the guarantee provided by Dreamvision either.
The environmental conditions as well as the servicing and maintenance regulations specied in this manual must
be complied with by the customer.
Trademarks
Brand and product names mentioned in this manual may be trademarks, registered trademarks or copyrights
of their respective holders. All brands and product names mentioned in this manual serve as comments or
examples and are not to be understood as advertising for the products of their manufactures.
7.12 Color ............................................................................................................................................. 22
This product has a High Intensity Discharge (HID) lamp that contains a small amount of mercury. It also contains
lead in some components. Disposal of these materials may be regulated in your community due to environmental
considerations. For disposal or recycling information please contact your local authorities, or the Electronics
Industries Alliance: http://www.eiae.org.
Information for Users on Disposal of Old Equipment
This symbol indicates that the electrical and electronic equipment should not be disposed as general
household waste at its end of life. Instead, the product should be handed over to the applicable
collection point for the recycling of electrical and electronic equipment for proper treatment, recovery
and recycling in accordance with your national legislation.
By disposing of this product correctly, you will help to conserve natural resources and will help
prevent potential negative effects on the environment and human health which could otherwise be caused by
inappropriate waste handling of this product.
For more information about collection point and recycling of this product, please contact your local municipal
ofce, your household waste disposal service or the shop where you purchased the product. Penalties may be
applicable for incorrect disposal of this waste, in accordance with national legislation.
1.2 RegionalSpecicInformation
CE mark and Directive 2011/65/EU - ROHS 2 (Europe only)
In accordance with Article 7 and the adoption into national law by 2nd January 2013, this product has been
designed and manufactured in accordance with Article 4. The technical documentation and the written declaration
of conformity that assesses the product conformity can be provided to the competent National Authority upon an
email request to: rohs2@dreamvision.net
Other Countries outside the European Union:
If you wish to dispose of this product, please do so in accordance with applicable national legislation or other rules
in your country for the treatment of old electrical and electronic equipment.
FCC Information (USA only)
Changes or modication not approved by Dreamvision could void the user’s authority to operate the equipment.
Note: This equipment has been tested and found to comply with the limits for Class B digital devices, pursuant to
Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference
in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, may cause harmful interference to radio communications.
However, there is no guarantee that interference will not occur in a particular installation.
About the installation place
Do not install the projector in a place that cannot support its weight securely. If the installation place is not sturdy
enough, the projector could fall or overturn, possibly causing personal injury.
To reduce the risk of electric shock, do not remove cover. Refer servicing to qualied service personnel.
This projector is equipped with a 3-blade grounding type plug to satisfy FCC rule. If you are unable to
insert the plug into the outlet, contact your electrician.
To prevent re or shock hazards, do not expose this appliance to rain or moisture. This apparatus must
be earthed.
1.3 Important Safeguards
Electrical energy can perform many useful functions. This unit has been engineered and manufactured to
assure your personal safety. IMPROPER USE CAN RESULT IN POTENTIAL ELECTRICAL SHOCK OR FIRE
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SAFETY INSTRUCTIONS
HAZARD. In order not to defeat the safeguards incorporated into this product, observe the following basic rules
for its installation, use and service.
The power input is auto-ranging from 100 to 240 VAC.
Please read these Important Safeguards carefully before use.
• All the safety and operating instructions should be read before the product is operated.
• All warnings on the product and in the operating instructions should be adhered to.
• All operating instructions should be followed.
• Place the projector near a wall outlet where the plug can be easily unplugged.
• Unplug this product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners. Use
a damp cloth for cleaning.
• Do not use attachments not recommended by the product manufacturer as they may be hazardous.
• Do not use this product near water. Do not use immediately after moving from a low temperature to high
temperature, as this causes condensation, which may result in re, electric shock, or other hazards.
• Do not place this product on an unstable cart, stand, or table. The product may fall, causing serious injury
to a child or adult, and serious damage to the product. The product should be mounted according to the
manufacturer’s instructions, and should use a mount recommended by the manufacturer.
• When the product is used on a cart, care should be taken to avoid quick stops, excessive force, and uneven
surfaces which may cause the product and cart to overturn, damaging equipment or causing possible injury
to the operator.
Slots and openings are provided for ventilation must not be blocked or covered. Do not place this unit
on a bed, sofa, rug or other similar surface.
• This product should be operated only with the type of power source indicated on the label. If you are not sure
of the type of power supply to your home, consult your product dealer or local power company.
• This product is equipped with a three-wire plug. This plug will t only into a grounded power outlet. If you are
unable to insert the plug into the outlet, contact your electrician to install the proper outlet. Do not defeat the
safety purpose of the grounded plug.
• Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed
upon or against them. Pay particular attention to cords at doors, plugs, receptacles, and the point where they
exit from the product.
• For added protection of this product during a lightning storm, or when it is left unattended and unused for long
periods of time, unplug it from the wall outlet and disconnect the cable system. This will prevent damage to
the product due to lightning and power line surges.
• Do not overload wall outlets, extension cords, or convenience receptacles on other equipment as this can
result in a risk of re or electric shock.
• Never push objects of any kind into this product through openings as they may touch dangerous voltage
points or short out parts that could result in a re or electric shock. Never spill liquid of any kind on the product.
• Do not attempt to service this product yourself as opening or removing covers may expose you to dangerous
voltages and other hazards. Refer all service to qualied service personnel.
• Unplug this product from the wall outlet and refer service to qualied service personnel under the following
conditions:
a) When the power supply cord or plug is damaged.
b) If liquid has been spilled, or objects have fallen on the product.
c) If the product has been exposed to rain or water.
d) If the product does not operate normally by following the operating instructions. Adjust only those controls
that are covered by the Operation Manual, as an improper adjustment of controls may result in damage
and will often require extensive work by a qualied technician to restore the product to normal operation.
e) If the product has been dropped or damaged in any way.
f) When the product exhibits a distinct change in performance - this indicates a need for service.
• When replacement parts are required, be sure the service technician has used replacement parts specied
by the manufacturer or with same characteristics as the original part. Unauthorized substitutions may result in
re, electric shock, or other hazards.
• Upon completion of any service or repairs to this product, ask the service technician to perform safety checks
to determine that the product is in proper operating condition.
• The product should be placed more than one foot away from heat sources such as radiators, heat registers,
6
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INSTALLATION GUIDELINES
stoves, and other products (including ampliers) that produce heat.
• When connecting other products such as VCR’s, and personal computers, you should turn off the power of
this product for protection against electric shock.
• Do not place combustible behind the cooling fan. For example, cloth, paper, matches, aerosol cans or gas
lighters that present special hazards when over heated.
Do not look into the inside of this unit through vents (ventilation holes). Do not look at the illumination
lamp directly by opening the cabinet while the illumination lamp is turned on. The illumination lamp also
contains ultraviolet rays and the light is so powerful that your eyesight can be impaired.
• Do not drop, hit, or damage the light-source lamp (lamp unit) in any way. It may cause the lightsource lamp
to break and lead to injuries. Do not use a damaged light source lamp. If the lightsource lamp is broken, ask
your dealer to repair it. Fragments from a broken light-source lamp may cause injuries.
• The light-source lamp used in this projector is a high pressure mercury lamp. Be careful when disposing of the
light source lamp. If anything is unclear, please consult your dealer.
• Do not ceiling-mount the projector to a place which tends to vibrate; otherwise, the attaching xture of the
projector could be broken by the vibration, possibly causing it to fall or overturn, which could lead to personal
injury.
• The power supply voltage rating of this product is AC120 V, AC100 V – AC240 V, the power cord attached
conforms to the following power supply voltage. Use only the power cord designated by our dealer to ensure
Safety and EMC.
• When it is used by other power supply voltage, power cable must be changed. Ensure that the power cable
used for the projector is the correct type for the AC outlet in your country. Consult your product dealer.
• Caution: Do not allow any unqualied person to install the unit. Be sure to ask your dealer to install the unit
(e.g. attaching it to the ceiling) since special technical knowledge and skills are required for installation. If
installation is performed by an unqualied person, it may cause personal injury or electrical shock.
2.0 INSTALLATION GUIDELINES
2.1 Introduction
This product is powered by a three-chip LCoS light engine and uses three Full-HD panels to project a picture of
up to 3840 x 2160 pixels (Ultra HD, 4K). It supports both Standard and High Denition video formats up to 4K
inputs (Ultra HD 4K: 3840x2160 pixels) on one of the two available HDMI inputs.
The THX-3D Display certication aim to reproduce faithfully images at home
according to the intentions of the lm director during playback of 2D and 3D
images, and they are the proof of high denition and high quality, indicating
that Siglos 2&3 have cleared more than 400 rigorous image quality tests
including accuracy of color reproduction, cross-talk, viewing angle and video
processing performance. The THX certication features by using THX picture mode:
• Correct Gamma and Color Temperature
• No Overscan or Scaling
• Correct High Denition color Gamut
The Best in Class Parameters also include ANSI and Sequential contrast, luminance and color Uniformity, color
tracking with gray scale, optimum brightness, deinterlacing performance, jaggie and countouring.
Supported 3D signals
This unit is compatible with 3D playback. The source can be connected using one of the two available HDMI
inputs. This unit is compatible with the following 3D formats:
• 1080p @ 23.98/24Hz - Frame Packing, Top & Bottom and Side-by-Side
• 720p @ 50 or 59.94/60Hz - Frame Packing, Top & Bottom and Side-by-Side
• 1080i/p @ 50/60Hz - Side-by-Side
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INSTALLATION GUIDELINES
A
A
2.3 Environment of Use
This unit makes use of a light source lamp that reaches a high temperature during projection. Do not allow
projection under the following conditions:
• Projection with the unit laid on sides.
• Projection at a location that blocks the air inlets or exhaust vents.
• Projection at a place exposed to air blasts from an air conditioner.
Allowed Inclination during operation
Due to the lamp position and operating angle, this unit cannot operate with more than 5° angle horizontally and
15° angle vertically. This unit cannot be operated on the side
15°
5°
2.4 Air-Flow and Space Requirements
This unit can be installed in table, ceiling, rear table or rear ceiling position. Make sure that the unit is installed
within the space requirements described below (A: air inlets, B: air outlets). This unit needs at least 20cm of nonobstructed space on each side to allow a sufcient air ow.
A
BB
A
B
A
Air ow.
A
2.5 Ceiling Mounting the Unit
When mounting of this unit is required, make use of the 4 screw holes (M5x20 screws) at the bottom of this unit
indicated by the letter A. Allow sufcient space around the air inlets to avoid blocking them.
Precautions for Ceiling-mount
• To ceiling-mount this unit, special expertise and techniques are
necessary. Be sure to ask your dealer or specialist to perform
mounting.
• Do not mount at places that may be subjected to vibration and
8
shock.
• Depth of the screw holes (A) is 23 mm. Use at least 13mm long
screws but not longer than 23mm as you may damage inside the
projector.
• Install at a safe place in case this unit or a part of it may drop. If the
light-source lamp is broken, small pieces of glass from the mesh of
the lter may appear outside the unit.
• Regardless whether the unit is still under guarantee, Dreamvision
d
A
D
R699850 - Siglos User Manual
A
Page 9
is not liable for any product damage caused by mounting the unit with third party ceiling mount or when the
Horizontal Shift
environment is not suitable for ceiling-mount.
Dimensions
• Distances between left and right holes is D = 337 mm.
• Distances between front and back holes is d = 290 mm.
2.6 Projection Distance
INSTALLATION GUIDELINES
Projection Screen
Diagonal Size
(Aspect Ratio 16:9)
50” (127 cm)43.6” (111 cm)24.5” (623 cm)151 cm - 305 cm
60” (152 cm)52.3” (133 cm)29.4” (747 cm)178 cm - 366 cm
70” (178 cm)61.0” (155 cm)34.3” (872 cm)209 cm - 428 cm
83” (211 cm)72.3” (184 cm)40.7” (103 cm)251 cm - 507 cm
100” (254 cm)87.2” (221 cm)49.0” (125 cm)301 cm - 613 cm
110” (279 cm)95.9” (244 cm)53.9” (137 cm)331 cm - 675 cm
138” (350 cm)120.3” (306 cm)67.7” (172 cm)418 cm - 843 cm
150” (350 cm)130.7” (332 cm)73.5” (187 cm)453 cm - 860 cm
180” (457 cm)156.9” (306 cm)88.2” (224 cm)545 cm - 1107 cm
200” (508 cm)174.3” (443 cm)98.1” (249 cm)606 cm - 1230 cm
• The projection screen sizes and projecting distances in the table above are provided only as a guide. Please
use them as reference during installation.
• The distances are calculated for a projection image of 16:9 aspect ratio
Projection Screen
Base Size
(Aspect Ratio 16:9)
Projection Screen
Height
(Aspect Ratio 16:9)
Siglos
Projection Distance
2.7 Setting the Lens and using Lens Memories
Adjust the picture position
The optimum image can be obtained when the centre of this projector’s lens and the screen are placed
perpendicular to each other. Take note of the projection angle when placing them. You can also use up to +/- 15°
up and down position and congure trapezoidal correction.
+/- 34%
Vertical Shift
Screen Height
(H)
Screen Base
(H)
This unit comes with a vertical and horizontal shift to suit most installations. Make sure that your installation
does not exceed 80% vertical offset and 34% horizontal offset to avoid trapezoidal correction.
This unit comes with a optical shift that features vertical and horizontal adjustment of the projection screen
+/- 80%
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INSTALLATION GUIDELINES
position
Adjust the picture to your screen.
• The Vertical Shift level is between -80% and 80% of the Screen Height (0.80 x H).
• The Horizontal Shift level is between -34% and 34% of the Screen Base (0.34 x B).
• If the projector is not installed perpendicularly to the screen, use keystone correction to fulll your screen.
Note that using keystone correction, may be disabled by 3D projection. If you want the best possible 3D
pictures, It is not recommended to use trapezoidal correction.
• If you plan to use the vertical and horizontal shifts without keystone correction, make sure to not exceed the
values contained in the tab below:
Left / Right shift0%5%10%15%20%25%30%34%
max. up / down shift80%74%66%57%47%34%18%0%
•Adjust the picture position
The Siglos projector has motorized vertical and horizontal shifts. Browse into the Menu to the [Lens Control]
setting into the Installation menu, select the shift adjustment. Or use the direct access button on the Remote
Control Unit [Lens Control] to make the lens adjustment. You can use self-generated test pattern of the projector
or an external pattern, from a calibration DVD by example, by setting the Adjust pattern option to Off.
•Adjust the picture Zoom
Into the [Lens Control] menu, press the [Ok] button to access the Zoom adjustment. Use the up and down buttons
to adjust the picture size until the screen is completely lled.
•Adjust the Picture Focus
From the [Lens Control] menu, press the [Ok] button to access the Focus adjustment. Use the up and down
buttons to adjust the picture focus
Using Lens Memories
You can save the current picture position, zoom and focus in up to 5 different Lens Memories (10 for Siglos 2&3).
Each memory stores the current position, zoom, focus of the lens and you can also set a custom name of 10
characters or less.
•Saving current lens setup
Fist step is to set the lens to ll the desired screen. Then go into the Menu > Installation > Lens Control, Select
Lens Memory Save and choose a free slot available. You can call back anytime later this current lens setup using
the direct access button [Lens Mem]ory on the RCU.
•Limitations of use
Each memory can store a different picture size and position, but there are limitations on the possible pictures
sizes and positions because of the projector being at a xed location. In order to calculate the best position of the
projector toward the screen, the installer has to make sure that among the different desired pictures, the smaller
one with the smaller zoom, is within the offset limits (horizontal and vertical shifts) of the projector. Once the
position of the projector is determined by the smallest possible picture, double check that the larger one does not
exceed the zoom capacity.
10
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REMOTE CONTROL UNIT (RCU)
3.0 REMOTE CONTROL UNIT (RCU)
Stand by
Selects an [Input]
[Lens Control]
Focus, Zoom, Shift
Switches, edits [Lens Memory]
M.P.C. (4K picture Settings)
[Hide] the current display
Display [Menu]
INPUT
Power [On]
Displays [3D Setting] menu
INFO.
Sets the [Lens ap.]erture
Turns on/off the analysis screen
Displays the effects applied to the
picture (MPC or Color Prole)
Backlight button
Conrm button
[Back] to previous menu
Siglos 1
Displays [Info] menu
Displays [Env. Setting] menu
Selects a Picture Mode
Selects a Picture Mode
Gamma Adjust
Color Temp. Adjust
The remote control unit can be used by having the signal reected off a screen, as the effect of signals
reected differs with the type of screen used, operable distance may decrease.
If the remote control has to be brought closer to the projector to operate, it means that the batteries are
wearing out. When this happens, replace the batteries. Always insert the batteries according to the +
and - marks.
PHOTO
Selects [3D Format]
Displays [3D Setting] menu
CMD Clear Motion Drive
Basic Picture Adjust
Color Prole Adjust
Siglos 2&3
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GETTING STARTED
Optical Lens*
Front IR receiver
Input Panel
Lamp trap
Air Outlets
4.0 GETTING STARTED
4.1 General View
Front side
Operating LEDs
(*) Optical Lens: On the Siglos 2&3 models, the optical lens is protected by a motorized lens cover.
Rear side
Air Inlets
Navigation buttons
Main Power
• Input Panel: connect your video source to the correct input.
• Main Power: connect the power cord as shown below.
• Lamp trap: see “15.3 Replacing the Lamp”, page 31 for more details about lamp replacement.
4.2 Connecting the Power Cord
• Before plugging in the Power Cord, ensure that all devices have been
connected to their respective inputs of this unit.
• Connect the power cord to the power input terminal of the projector.
12
When in Cool Down mode, do not pull out the plug from the outlet. Also, do not block the air inlets or
exhaust vents by standing the projector on its end or laying it on its side.
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Page 13
4.3 Operating and Navigation Buttons
Power button
STANDBY/ON
CONNECTIONS
Input source
OK button
Directional keys
Menu
Back
ButtonDescription
PowerTo turn ON or OFF the projector.
Input sourceTo switch input source between HDMI 1 and HDMI 2.
OK buttonTo select or to conrm action.
Directional keysTo navigate into On Screen Display (OSD) Menu.
MenuTo display On Screen Display (OSD) Menu.
BackTo return to previous menu or cancel action.
INPUT
OK
MENU BACK
5.0 CONNECTIONS
5.1 Caution when connecting a Device to HDMI Input
Prior to connecting any device to this unit, switch the projector in standby mode. Never connect a HDMI
source to this unit when the projector is in operate mode. The HDMI termination is a self-powered
connection and can cause electric discharges.
If a HDMI input is locked to a xed resolution or cannot be synchronised correctly, switch OFF this unit,
UNPLUG the main power cord for a few minutes before powering it up again.
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Page 14
CONNECTIONS
HDMI 1
HDMI 2
Emitter
LAN to rooter
5.2 Connecting a Video Source to the Projector
RF Dongle
or
3D syncro
Audio/Video ConnectionDevice to connect
HDMI 1, HDMI 2
(DVI compatible)
RF Dongle or 3D Synchro
Emitter
HDMI or DVI-D sources: Blu-ray Disc player, DVD-player equipped with HDMI
output, Game Console, Computer with DVI-D output.
Connect the RF Dongle emitter to control the active 3D shutter glasses or any
other 3D Synchro apparel. 3-PIN mini-DIN interface, 12V.
5.3 Connecting an Automation or Control device
This unit supports up to 4Kp60 inputs, make sure to use high quality HDMI cables rated for 4K HDMI 1.4
or HDMI 2.0 standards.
for Automation
RS-232C
for Automation
ConnectionDevice to connect
RS-232 CAutomation Device, Control Device or Computer with RS-232 capability.
12V TriggerDC power supply output 12V@140-300mA to control either a screen or an
anamorphic lens motorization.
LANAutomation Device, Control Device or Computer with RJ-45.
12V Trigger
14
CONNECTING AN AUTOMATION/CONTROL DEVICE
This unit can control or be controlled by using several input/output terminals. Each terminal is ruled by
specic protocols. Please refer to Appendix for more information.
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6.0 MENU STRUCTURE
MAIN MENUSUBMENUAVAILABLE OPTIONS
Picture AdjustPicture Mode
(5+4 User)
Picture Modes (Siglos 2&3)
(total of 12 + 4 User)
(*) for expert users, require
individual calibration
Advanced Picture Mode
(press OK)
Color Proles
the list varies upon current
Picture Mode
Clear Black Off, Low, High
Lamp Power Low, High
Lens Aperture
(standard) Auto 1
(more contrasted) Auto 2
Manual -15 +0
User Name Edit (if f User 1 - 4 selected)
edit name 10 char. max
(HDTV) Standard
(Digital Cinema standard) Cinema
(Animations) Animation
(TV, sports) Natural
(Live concerts) Stage
(3D movies) 3D Cinema
(3D animations) 3D Animation
(3D broadcasts, 3D TV) 3D Videol
(Live 3D concerts) 3D Stage
(available only with User P.Mode) x.v.Color
Custom 1 - 5(*)
(Eastman Kodak movies) Film1
(Fujilm movies) Film2
(Technicolor movies) Film3
(HDTV) Standard
(Movies) Cinema1
(Digital Cinema standard) Cinema2
(Animations) Anime1
(Richer colors than Anime1) Anime2
(TV, sports) Video
(Computer inputs) AdobeRGB
(Live concerts) Stage
(THX) THX
(3D lms) 3D Film
(3D movies) 3D Cinema
(3D TV programs, sports) 3D Video
(3D animations) 3D Animation
(3D photo materials) 3D Photo
(3D concerts) 3D Stage
(3D THX) 3D THX
(available only with User P.Mode) x.v.Color
Custom 1 - 5(*)
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Page 16
MENU STRUCTURE
Picture AdjustAdvanced Color ProleColor Management: Off / On
(**) cannot be adjusted for
x.v.Color input
Input SignalInput levelAuto
Color selection
Axis Position -30 +30
Hue -30 +30
Saturation -30 +30
Brightness -30 +30
Reset Conrm
Advanced Color TempIf Custom 1-3, choose Correction Value
Gain and Offset settings
Reset Conrm
GammaIf Color Prole is Film1 to 3
(standard) Film1
(more contrasted) Film2
Custom1 to 3
If Color Prole is not Film
(xed for x.v.Color) Normal
Brightness Priority
Contrast Priority
Gradation Priority
Custom1 to 3
If Color Prole is THX THX
Advanced GammaIf Custom1-3, choose Gamma Corr. Value
Normal
Brightness Priority
Contrast Priority
Gradation Priority
1.8 to 2.6
Import
Color Selection White / Red / Green / Blue
Picture Tone -16 +16
Dark Level -7 +7
Bright Level -7 +7
Reset Conrm
(16 - 235) Standard
(0 - 255) Enhanced
(16 - 255) Super White
16
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MENU STRUCTURE
Input SignalColor Space
(xed to YCbCr(4:2:0) with
4Kp50/60 input)
Control with HDMI (CEC)On, Off
Aspect (Video only)
if 3D, only 16:9 is available
Aspect (PC only)Auto
Progressive (480i, 576i, 1080i)Auto, Off
Mask5%, 2.5%, Off
3D Setting3D format
Picture PositionHoriz., Vert.
InstallationLens ControlFocus
Pixel AdjustAdjust Off, Memory1, Memory2
Installation StyleFront
Keystone (vertical)-16 +16
Pincushion0 +16
AnamorphicOff
High Altitude Mode(900m or higher) On / Off
Environment SettingAdjust On, Off
Auto
YCbCr(4:4:4)
YCbCr(4:2:2)
RGB
4:3
16:9
Zoom
1:1
Full
Custom Top 0 - 28
Bottom 0 - 28
Left 0 - 48
Right 0 - 48
Auto / Side-by-Side / Top & Bottom / 2D
2D to 3D Conversion On, Off
Parallax -15 +15
Crosstalk Cancel -8 +8
Zoom
Shift
Image Pattern On, Off
Lock On, Off
Lens Memory Select
Lens Memory Save
Lens Memory Name Edit 10 char. max
Lens Center Conrm
Lens Cover (Siglos 2&3) Auto, Open
Adjust Area Whole, Zone
Adjust Color Red, Blue
Adjust Pattern Color White - Cyan/Yellow
Adjust (Pixel)
Adjust (Fine)
Reset
Ceiling Mount (Front)
Rear
Ceiling Mount (Rear)
(vert. stretch) A
(hor. squeeze) B
Screen Adjust (Color Prole is not Off) On, Off
Screen No. 001 - 106
Screen Size (inch diag.) 60 - 200
Viewing Distance 1m - 10m
Wall Color Light - Dark
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PICTURE ADjUST
Display SetupBack ColorBlue, Black
FunctionTriggerOff
InformationInput
Menu Positionselect position
Signal Display (active input)On, Off
LogoOn, Off
Languageselect between 13 languages
On (Power)
On (Anamorphic)
Off Timer (in hours)1H, 2H, 3H, 4H, Off
ECO ModeOn, Off
NetworkDHCP Client On, Off
IP Address 192.168.0.2
Subnet Mask 255.255.255.0
Default Gateway 192.168.0.254
Mac Address Display MAC
Set
Remote CodePress [Menu] + [Back] A, B
Lamp ResetConrm
Source
Deep Color
Color Space
Lamp Time
PS Version
7.0 PICTURE ADJUST
7.1 PictureModesandColorProles
The preset Picture Modes are available and they can be applied to any input. A picture mode retains the picture
adjustments. When adjusting the Picture Mode, you can also select pre-congured Color Proles.
3D Film3D Cinema3D Anime3D Video3D Photo3D Stage3D THX
Digital
Cinema
or HDTV
Animation,
vivid movies
Animation
vivid
movies
Dramas
or Videos
Dramas
or Videos
Live concerts
or Spectacles
PhotosLive
concerts,
Spectacles
sources
THX
18
x.vColor inputs may be correctly decoded when using on of the four available User “Picture Mode” and
selecting x.v.Color “Color Prole”. The User Picture modes can be renamed to a more convenient name.
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PICTURE ADjUST
There are 12 Color proles for 2D inputs and 7 for 3D inputs, depending on the selected picture mode, you may
choose an available color prole preset:
• Film1 available with Film Picture Prole, uses the Xenon lter and adjusted to Eastman Kodak lm tone
• Film2 available with Film Picture Prole, uses the Xenon lter and adjusted to Fujilm lm tone.
• Film3 available with Film Picture Prole, uses the Xenon lter and adjusted to Technicolor lm tone.
• Standard will bring rich and saturated colors found in HDTV, available with almost any selected Picture Mode.
• Cinema1 available with Cinema Picture Prole and adjusted to HDTV standards
• Cinema2 available with Cinema Picture Prole and adjusted to DCI standards.
• Anime1 best suited to Hollywood animes.
• Anime2 best suited to Japanese animes.
• Video color prole is best suited to TV and Sport programs.
• AdobeRGB color prole adjusted to Adobe RGB standard.
• Stage best suited to live concert.
• x.v.Color matches the color space of x.v.Color standard.
7.2 Advanced Picture Mode
Clear Black
Smooth out the black areas to obtain clear zone by eliminating electronic white noise in these areas. Turn it Off
or set the correction to Low for a mild effect or High for a strong effect.
Lamp Power
Set the lamp power used by the current Picture Prole:
Low: lamp is set to 180W
High: lamp is set to 230W.
To avoid any damage to the lamp, you shouldn’t change the lamp power within 90 seconds from the
projector startup or 60 seconds after lamp power change.
Lens Aperture
The lens is equipped with a variable electronic aperture. This function is used with a real time analysis of the
video picture projected that optically adjusts the light output depending on the viewing conditions by controlling
the aperture dynamically: when set to Auto 1, the iris will automatically be set to the optimal opening. Auto 2, the
curve is altered so that the gradation is more visible. The Manual setting lock the iris to a xed position, adjust to
the best aperture from partially closed (-15) to fully opened (0).
User Name Edit
You can edit the picture modes names User1 to 4 using a maximum length of 10 characters. You can use
alphabet letters, numbers and symbols:
Picture Adjust
>
>
User Name Edit
Name
Select cursor
User 1
Input cursor
Character list
Exit
SPACE
MENU
Clear
Select
All ClearOK
Operate
BACK
a) Select the user name you want to edit from User1 to User5. Press [OK] to enter the edit mode.
b) The input cursor displays the place where the new character will be insert. It moves automatically as a
character is selected. Use [UP], [DOWN], [LEFT] or [RIGHT] to select a character and press [OK] to insert.
c) Press [BACK] to exit edit mode.
Clear: To delete a character: Move the cursor to the desired location and press [OK] to delete the specic
character.
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PICTURE ADjUST
All Clear: To delete all characters. OK: To save the current name, a save conrmation will appear.
7.3 AdvancedColorProle
Expert Calibration is accessed only by using a programmable IR-RCU, RS-232C or LAN control. Two additional
sets of Picture Modes can be activated. Each set designated as THX and ISF proles have to be calibrated. Once
done, these proles are stored and displayed in the picture mode menu list but will not be modiable. Additionally
the Calibrator can certify his action by setting in the Information Menu his name or company name.
Color Management (TSL adjustments)
The Color Management gives the installer an unique calibration ease with the integrated Color Adjustment menu:
each primary, secondary colors and orange can be independently calibrated to obtain a precise color balance in
a snap. Adjust the Red, Green, Blue, Yellow, Cyan, Magenta and Orange Tints, their saturations and luminances
and store them into Custom proles.
7.4 Color Temperature
Color temperature stands for the spectral properties of a light source. Low color temperature implies warmer
ambiance (more yellow/red) while high color temperature implies a colder light (more blue). Depending on the
Picture Prole selected, this setting can be set to:
• Preset: from 5500K / warm colors, up to 9500K / cold colors in steps of 500K.
• Xenon1(*) uses the Xenon lter and color compensation to reproduce a lm projector
• Xenon2(*) uses the Xenon lter and color compensation to reproduce a digital cinema projector
• Xenon3(*) same as Xenon2, but within a cooler temperature.
• High Bright used for maximum brightness output available.
• Custom1, Custom2 and Custom3 can be used to adjust color temperature to specic environment.
A Custom setting allows a ne adjustment of a Color Temperature by selecting it in the Correction Value menu.
Adjust the Gain values (bright part) and Offset values (dark part) for each color Red, Green and Blue.
Accurate color temperature may require professional tools such as dedicated software and colormeter.
Wait at least 15 minutes after startup before modifying the picture settings.
(*) Xenon Modes are exclusive to Siglos 2&3 models.
7.5 Advanced Color Temperature
When selecting a Color temperature, you can set the Gains and Offsets of each primary color: red, green and
blue to nely adjust the color balance.
7.6 Gamma
Gamma is the relationship between the color values of the data and the color values displayed. The Gamma
coefcient makes it possible to adjust the brightness of the midtones only without affecting the very bright and
very dark areas. If gamma is set too high, middle tones appear too dark. If it’s set too low, middle tones appear
too light.
Depending on the current active Picture mode, the Gamma setting can be set to:
• Normal: Standard setting for normal viewing.
• Brightness Priority: Places more emphasis on the brightness than the Normal setting.
• Contrast Priority: Places more emphasis on the contrast than the Normal setting.
• Gradation Priority: Places more emphasis on the gradation than the Normal setting.
• Custom1 to Custom3: ne tune the gamma setting according to the user’s preference.
• NB: when Color Prole is set to x.v.Color, gamma setting is xed to Normal.
The Custom data can be set to:
Correction Value: a unique value that will act as a gamma coefcient between 1.8 and 2.6, Normal, Brightness
Priority, Contrast Priority, Gradation Priority, 1.8-2.6 or Import.
Color Selection
Select the color to which the Picture Tone, Dark / Bright Level settings would apply. Choose between White, Red,
Green and Blue.
Picture Tone
It allows a ne adjustment steps of the global picture brightness while maintaining the correct contrast level to
keep good black and bright levels. Sets the overall exposure from -16 (under-exposed, darker) up to +16 (overexposed, brighter)
Dark / Bright Level
This setting modies the gamma curve locally in the dark and bright areas.
• Dark Level adjust gamma curve between 0IRE and 15IRE, each color can be adjusted from -7 to +7.
• Bright Level adjust gamma curve between 85IRE and 100IRE, each color can be adjusted from -7 to +7.
Reset Gamma
Prompt a conrmation to reset the current Gamma settings to default.
7.8 Multiple Pixel Control Level (MPC Level)
4k e-shift
• On: sets this unit to display the video content in 4K resolution.
• Off: sets this unit to display the video content in Full-HD resolution.
Resolution
Set the resolution according to the content your are viewing between : 1080p, 1080i/720p or 480p. The best
setting is Auto. By selecting the Auto setting, this unit will automatically detect and select the correct resolution.
Enhance
Enhance: enhances the sharpness of foreground objects detected in the picture.
Dynamic Contrast
Dynamic Contrast: enhances the general contrast of the picture.
Smoothing
Smoothing: enhances the blurriness of backgrounds for increased the global sense of depth.
Noise Reduction
Noise Reduction: reduces the digital noise of the video picture.
Analysis screen
Analysis screen:
You can enlight the different areas processed by the 4K-Interpolation by pressing [Analysis Screen]
button or twice the [MPC Level] button on the RCU when browsing the MPC Level sub menu.
-Areas affected by the Enhance parameter are colored Blue and Green.
-Areas affected by the Dynamic Contrast parameter are colored Red and Yellow.
-Areas affected by the Smoothing parameter are colored Black.
Pressing the [Before/After] button enables you to toggle between the state before adjustment and after adjustment.
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INPUT SIGNAL
7.9 Clear Motion Drive (400Hz)
The Clear Motion function uses a 400Hz video processing to render a smooth and clear motion for movies shot
at 24Hz or HD movies at 60Hz. Set the correct level between:
• Off: Frame interpolation is disable.
• Low: light frame interpolation with reduced artifacts.
• High: strong interpolation
• Inverse Telecine: dedicated interpolation for 60i and 60p sources originally shot in 24p.
7.10 Contrast
The contrast function is used to adjust the contrast between the light and dark areas of the displayed image. A
correct contrast setting is important for good image reproduction. Adjust the Contrast value between -50 and 50.
7.11 Brightness
The brightness function is used to adjust the overall light output. Adjust the Brightness value between -50 and 50.
7.12 Color
The Color function (or Saturation) is used to adjust the saturation levels. Adjust the Color value between -50 and
50.
7.13 Tint
The hue function is used to adjust the color tint to obtain true color reproduction. Adjust the Tint value between
-50 (more red) and 50 (more green).
8.0 INPUT SIGNAL
8.1 Input Level
Sets the dynamic rang of the video input:
• Auto: The input dynamic range is automatically detected and congured.
• Standard: Force dynamic range to 16-235.
• Enhance: Force dynamic range to 0-255.
• Super White: Force dynamic range to 16-255.
8.2 Color Space
Sets the color space of the input signal.
• Auto: The source color space is automatically detected and congured.
• YCbCr(4:4:4): Set color space to YCbCr 4:4:4.
• YCbCr(4:2:2): Set color space to YCbCr 4:2:2.
• RGB: Set color space to RGB 4:4:4.
The color space setting is xed to YCbCr(4:2:0) for 4K50/60p inputs. Use preferably a video source of 4K24/25p
if available to obtain rich colors.
8.3 Control with HDMI (CEC*)
• Off: By default the CEC(*) communications are disabled.
• On: Enables CEC(*) communications to be sent to the projector through HDMI cable.
(*) CEC stands for Consumer Electronic Control
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3D CONTENT AND 3D PROjECTION
8.4 Aspect Ratio
When watching a movie or video program, you can manually set the desired aspect ratio to ll your screen. Select
the correct aspect ratio depending on your source:
For Video sources
a) 4:3. The original source is considered as 4:3 format. Generally SDTV broadcasts.
b) 16:9. The picture size is 16:9, generally most recent DVDs, Blu-Ray discs or HDTV broadcasts.
c) Zoom. The zoom function is useful to zoom in the picture and eliminate black bars.
When watching 3D content, only 16:9 aspect ratio is available.
For PC sources
a) Auto. Zoom the picture to ll either the screen height or the screen base which ever happens rst.
b) 1:1 mode, pixel to pixel mapping, no scaling.
c) Full. Stretch the picture full screen
8.5 Progressive (only 480i, 576i, 1080i)
Interlaced signals are converted to progressive signals using video images from the surrounding. This function is
only available for interlaced input signals: 480i, 576i and 1080i.
8.6 Mask
Depending on your source, you may enable or disable this feature to hide the outer area of the picture. The Mask
function can hide the unexpected scaling artefacts found in broadcast program. You can set it to Off, 2.5% or 5%
globally or for each side of the screen.
8.7 Picture Position
Depending on your source, you may nd that the picture should be adjusted into the screen, adjust the horizontal
and vertical position of the picture into the screen. Some signals may not be fully displayed, adjust this setting
properly when necessary.
9.0 3D CONTENT AND 3D PROJECTION
9.1 General Information about 3D playback
Comfort and Caution with 3D Content
The closer one looks at stereoscopic images, the greater the binocular disparity, which means greater perception
of outward projection. At the same time, the spectator must focus on these outward objects on the screen. The
projecting image and the real focus distance cause a great contradiction, this strain contributes to fatigue and
discomfort.
Please stop watching if you do not feel well and consult a physician if necessary. People who already
have a kind of photosensitivity, sufferers from heart disease, and people in poor physical condition should
not watch 3D stereoscopic images. It is also recommended that you take a break periodically.
Prevent child under 5 years old to watch 3D
The comprehensive brain function to judge stereoscopic vision which includes the feeling for real distances,
develops while growing up by touching and seeing real objects, but in early childhood, it is still in an underdeveloped
state. Even though there are individual differences, children under 5 are still developing. Letting them frequently
watch virtual 3D video images can be an obstacle for the development of a comprehensive three-dimensional
feel. Additionally, younger children may suddenly become sick, because they continue watching without realizing
symptoms like 3D sickness or deterioration of health. Please accompany your child while it watches 3D programs.
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INSTALLATION
9.2 Projector 3D Settings
3D Formats
Use this function to choose the correct 3D input format. Some input signals may contain 3D data such as 1080p
Side-by-Side but encoded as if they were in 2D. This unit may treat them as standard 2D signals and will not
project correctly. In such cases, congure the signal manually between Side-by-Side, Top & Bottom and 2D. In
other cases, you may select Auto setting.
2D to 3D Conversion
You can use the 2D to 3D Conversion to convert 2D pictures into a quasi-3D picture. The quality of the result may
differ from quality of original 2D picture. Turn it On or Off.
Parallax
Use this function to adjust the amount of misalignment of the left and right 3D video images. Adjust settings
according to your preference between -15 and +15.
Parallax is an important parameter for 3D movies that directly affects comfort during 3D projection.
Because the parallax value changes with the screen size, it is important to set this parameter to a value
with which everyone feels comfortable with the 3D effect. In general, women and children will feel better
with a smaller parallax value. Do not hesitate to alter this settings if you feel eye-strains or headaches.
Due to the large screens used in home theaters compared to at screen TVs, we recommend a negative value
of -6 for computer sources and video games in native 3D with large parallax. This setting is best at 0 for Blu-Ray
movies aimed for Digital-Cinema audience.
Crosstalk Cancel
Can be adjust with a 3D signal input but not when 2D to 3D Conversion is On. This function is to lessen the
residual cross-talk found between 3D video images. Adjust the Parallax value and then the Cross-talk settings in
order to cancel the residual cross-talk without loosing picture quality.
Adjustments White, Red, Green and Blue: -8 +8
Negative values reduce visible Crosstalk, positive values bring a brighter 3D picture at the cost of more
Crosstalk.
10.0 INSTALLATION
10.1 Lens Control
Focus
Adjust the lens focus to obtain a clear picture.
Zoom
Adjust the lens zoom to ll the screen with the picture.
Shift
Adjust lens shift to center the picture into the screen.
Image Pattern
If set to On, an internal pattern will be generated to adjust the current setting. If you want to use an external
generator, turn this option to Off.
Lock
Once the Lens is correctly set, you may lock this setting menu by turning the Lens control Lock to On. Any attempt
to access the Lens control menu will lead to the display of a warning message.
Lens Memory Select
Call up saved lens adjustment data to congure the lens to the save settings.
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INSTALLATION
Lens Memory Save
Store into an available memory the lens focus, zoom and shift conguration. There are 5 memories for Siglos 1
model and 10 memories for the Siglos 2&3.
Lens Memory Name Edit
You can edit the Lens Memory Name within the limit of 10 characters. Same procedure as section “User Name
Edit”, page 19.
Lens Center
Reset the lens position to the original, central position.
Lens Cover (Siglos 2&3)
Control the behavior of the Lens Cover:
• Auto: the lens cover opens or closes when the projector switches On or Off.
• Open: the lens cover is always open.
10.2 Pixel Adjust
The pixel adjustment is extremely ne: each color can be adjust within 1/16 pixel steps on 121 individual
adjustment zones.
Adjust
Enable the pixel adjustment on Memory 1, Memory 2 or Off.
Adjust Area
Whole: the entire screen is selected for adjustment.
Zone: the screen is divided into 121 adjustment zones.
Adjust Color
Select the color to adjust: Red or Blue.
Adjust Pattern Color
Select a pattern to help the pixel alignment. Settings: White or Green+adjusting Color. Yellow for red, Cyan for
blue.
Adjust (Pixel)
This function is enable when the Adjust Area is set to Zone only. You can adjust the selected color position
horizontally and vertically by 1-pixel steps.
• H settings: -2 +2
• V settings: -2 +2.
Adjust (Fine)
Use this function to move the selected color within smaller steps.
• H settings: -31 +31
• V settings: -31 +31
Reset
Reset all pixel adjustments to default factory settings.
RCU SHORTCUTS DURING PIXEL ADJUSTMENT:
[GAMMA] button on the RCU switches adjust color parameter between Red and Blue.
[PIC. ADJ.] button on the RCU switches the adjust area parameter between whole and zone. At the same
time, the zone cursor will appear on the adjust pattern.
[COLOR SPACE] button on the RCU changes the adjust pattern from white to green+adjust color.
Use the [COLOR TEMP] button on the remote control to change adjustment method from Pixel to Fine
tune and switch to the ne tune window.
[BACK] button will exit the Pixel Adjust mode.
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INSTALLATION
Installation Style
Flip the image to the left or right, up or down according to the projection state of the projector:
Front, Ceiling Mount (F), Rear or Rear Ceiling mount (R)
10.3 Keystone (Vertical)
Compensate for trapezoidal distortion caused by installation. Independently to the screen orientation, make sure
that the projector is not tilt more than 5% up/down.
• Vertical Keystone from -16 to +16.
10.4 Pincushion
Compensate distortions that may appear with curved screens or anamorphic setups.
NB: When a 3D signal is fed or when Keystone is used, the Pincushion correction cannot be set.
10.5 Anamorphic (works with 3D signal)
• Off: No modication to original picture.
• Mode A: The picture is vertically stretched to t an installation with anamorphic lens. A cinemascope picture
is stretched to completely ll the panels without black bands, using the optimum resolution and brightness.
Anamorphic Mode A.
• Mode B: This setting squeezes horizontally the picture to t a 16:9 image into cinemascope screen. This
setting is to be used with an anamorphic installation where the lens is permanently xed in front of the unit
and to watch 16:9 content in its original format.
Anamorphic Mode B
10.6 High Altitude Mode
Select this when the projector is in a location of low atmospheric pressure. On or Off
10.7 Environment Setting
Turn On or Off the Environment setting. If set to On and to nely tune the picture, you may change the environment
settings so that they match your installation:
• Screen Adjust: This setting corrects the color balance derived from the reective characteristics of the screen
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DISPLAY SETUP
without altering the global picture settings. You may select the best template available in the Screen No.
a) 001 - 009: select a prole between 001 and 009 when watching 3D content with 3D shutter glasses. Prole
001 is recommended when using Dreamvision’s active IR 3D-glasses.
b) 010 to 106: select the best compensation prole depending on your screen and environment.
• Screen size: diagonal size in inches set this setting between 60” and 200”.
• Viewing distance is the distance to the screen of the nearest seat in meters, set it between 1m and 10m.
• Wall color, select “Dark” if the walls are black or similar, for any lighter shades select “Light”.
11.0 DISPLAY SETUP
Back Color
Congures the screen color displayed when there is no active input. Set to Blue or Black.
Menu Position
Upper left, Upper right, Center, Lower right, Lower left.
Signal Display
On: Display the source of the input signals after input selection.
Off: Don’t display.
Logo
On: Display D-ILA logo during startup for 5 seconds.
Off: Don’t display.
Language
Choose the OSD language between: English, Japanese, German, Spanish, Italian, French, Portuguese, Dutch,
Swedish, Norwegian, Russian and Chinese.
12.0 FUNCTION
12.1 Trigger
The 12V trigger output can be used to control any compatible devices such as motorized screens or anamorphic
kits: The 12V trigger output is 12Vcc, 100mA. Select the trigger output behavior:
• Off: 12V trigger voltage state is always low.
• On (Power):12V trigger state is high when the projector is powered ON. To be used with motorized screens.
• On(Anamo): 12V trigger is high only when Anamorphic Mode A or Mode B is engaged. To be used with
motorized anamorphic kits.
12.2 Off-Timer
You can congure this automatic power Off function that will switch off the projector when there is no operation
or after a determined timer. Choose the duration of the timer between: Off, 1 hour, 2 hours, 3 hours and 4 hours.
12.3 ECO Mode
This setting when set to On will minimizes the power consumption in the Standby Mode. Additionally, this product
will automatically switch Off whenever the input signal is interrupted for 20min. The power consuption is reduced
from 4.8W down to 0.4 in Standby Mode when Eco Mode is activated.
12.4 Network
When the Communication Terminal selected is LAN, this unit will be visible on the local Network and the following
parameters need to be congured. Refer to section “16.2 LAN protocol”, page 37 for more details.
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INFORMATION MENU
12.5 Remote Code A or B
Select in the projector menu the code A or B according to the code selected on the RCU. You can change
the code used by the RCU to communicate with the projector from A to B. To do so, press and hold for 3 sec
simultaneously [MENU]+[BACK] buttons on the RCU. All the buttons on the RCU will blink.
• Two blinks indicate that B code is used.
• Three blinks indicate that A code is used.
12.6 Lamp Reset
Resets the lamp use time to “0” during the lamp replacement procedure. See Section “15.3 Replacing the Lamp”,
page 31 for more details.
13.0 INFORMATION MENU
Input Terminal
Displays the active video input.
Input Source
Displays the type of the current video input signal.
Resolution
If the active input is PC input., its resolution is displayed.
H. Frequency
In the case of PC signal, the horizontal frequency is displayed.
V. Frequency
In the case of PC signal, the vertical frequency is displayed.
Deep Color Depth
Displays the color bit depth of the input video signal.
Color Space
Displays the color space of the input signal.
Lamp Time
Displays the accumulated hours of usage of the lamp.
Calibrator
Stores up to 18 ASCII characters set by the Calibrator. Shown only if set during ISF prole adjustment.
14.0 CINEMASCOPE SETUPS
14.1 Lens Zoom or 2.35 Theater System kit
The Siglos centralizes the controls and automation commands for a unique, versatile and unexpectedly simple to
operate 2.35:1 theatre experience using Lens Zoom or Anamorphic Lens.
• Up to 10 lens position memories
• Integrated Constant Image Width (CIW) scaler with anamorphic mode A and mode B.
• Dedicated commands to control the 2.35 Theater System kit and picture size on a 2.35:1 screen.
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CINEMASCOPE SETUPS
14.2 Cinemascope setup with Lens Zoom
Select “Menu => Installation => Lens Memory 1”
Zoom in, until the left and right borders of the picture ts the 2.35:1 screen borders. Save the lens position in the
lens memory 1. You can also edit the memory 1 name to “Cinemascope”.
Select “Menu => Installation => Lens memory 2”
Make sure to project a 16:9 picture, zoom out until the picture top and bottom t the top and bottom of the screen.
Adjust the focus and offset if required, then save this position into the memory 2. You can additionally edit the
memory name to “Standard”.
Switch format using the Remote Control Unit.
You can now switch between Cinemascope and standard formats easily by using the [Lens Mem]ory button on
the RCU and selecting the correct lens memory according to the source format.
Because of the nature of the lens motorization, the precision overtime is not enough to perpetually
maintain the correct zoom / focus / position after several zoom in and out. It is required to periodically
alter the lens setting.
14.3 Installing a 2.35:1 screen with the 2.35 Theater System kit
Plug the 12V Trigger output of the projector to the Anamorphic motorization
12V Trigger
to anamorphic
motorization
Connect the lens motorization to the 12V Trigger output.
The “Function => Trigger” menu determines the 12V Trigger output located in the panel input at the rear of this
unit. This is a global parameter (for all inputs. Set the 12V Trigger to “On (Anamo)“ mode so that it is most of the
time Off and switches On when the picture is in Cinemascope format and Anamorphic mode A is selected. The
picture is then vertically stretched and the lens is needed.
• Set 12V Trigger to: “Function => Trigger => On (Anamo)”.
Video source is 16:9: set [Anamo]rphic to Off
When you select a 16:9 input choose the anamorphic OFF to obtain move the anamorphic lens out. Menu
“Installation => Anamorphic => Off”
Video source is Cinemascope: set [Anamo]rphic to Mode A
Select Anamorphic mode A for this input in the menu Input “Installation => Anamorphic => Mode A”.
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MAINTENANCE
[Anamo]rphic modes
OFFAnamo Mode AAnamo Mode B
When you press sequentially the [Anamo]rphic button, you change the mode from OFF, Mode A and Mode B.
• Mode A is intended to be used with an anamorphic lens to watch 2.35:1 content on a 2.35:1 screen.
• Mode B is intended to be used to quickly switch to 16:9 content without moving the anamorphic lens.
The Anamorphic Lens is automatically placed in front of the projector to restore the correct picture aspect ratio.
Appearance on
2.35 screen
16:9 on 2.35 screen
OFF
16:9 format
2.35:1 format
2.35 on 2.35 screenMode A
When the source switches format....
... press [Anamo] button to obtain the correct anamorphic mode.
15.0 MAINTENANCE
15.1 Cleaning and Replacing the Dust Filters
The lters must be cleaned regularly to allow an efcient air intake. Otherwise, dirt may enter the unit and appear
on the screen, preventing you from enjoying the video fully. If dirt has entered the unit or if you need information
about the lter, please consult your authorized dealer. A lter cleaning warning appears every 500 hours.
Cleaning procedure
• Pull out the power plug from the outlet while the projector is in standby mode.
• Push up and lift the claw of the lters, pull out the lters.
• Clean the lters with water and dry them, avoiding direct sunlight. In extremely soiled cases, use of a neutral
detergent is recommended. Insert the lters in their original positions and make sure that the claws are rmly
inserted.
30
Dust Filter
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MAINTENANCE
15.2 Dirt on the Lens
The lens shall be cleaned using commercial blowers or lens cleaning papers (for cleaning glasses and cameras).
Do not use uid-type cleaning agents. This may lead to peeling of the surface coating lm. The lens surface is
fragile. Avoid rubbing it hard or knocking.
15.3 Replacing the Lamp
Light-source Lamp and Lamp Usage Time
The life of light-source lamps used for this unit is about 4000 hours when running this unit in low lamp mode.
• When the lamp power is set to Low, the lamp life is approximately 4000 hours. This average lamp life is not
guaranteed and may not reach 4000 hours depending on the operating conditions. Deterioration progresses
rapidly when the remaining lamp usage time is short. Get ready or replace with a new lamp when the
accumulated usage time exceeds 4000 hours. Depending on the operating conditions, the lamp may have
to be exchanged earlier. If the image is dark or if the color tone is abnormal, replace the lamp as soon as
possible.
• You can also check the accumulated hours of usage. Please refer to Lamp Time in the Information menu.
When the lamp usage time exceeds 2900 hours.The Lamp replacement message will be displayed on the
screen the next three projection starts.
• Press the [BACK] button to clear the display.
ABOUT LAMP REPLACEMENT
If this unit is installed in a constricted place, attempting to replace the lamp in that place may cause injury.
Move this unit to a place large enough to perform work.
Use only genuine replacement parts for the lamp unit. Otherwise, malfunction may occur. Also, never
attempt to reuse an old lamp unit. This may cause marked performance deterioration or lamp blowout,
thus leading to unit malfunction. Broken pieces of the lamp outside this unit may also cause injuries
during lamp unit exchange.
Do not replace the lamp immediately after this unit has been used. The temperature of the lamp is still
high and this may cause a burn. Allow a cooling period of 1 hour or more before replacement.
Before replacing the lamp unit, pull out the power plug from the outlet and wait until the STANDBY/ON
led is still light red. Replacing a lamp with the plug connected to the outlet may cause injuries or electric
shocks.
Procedure for Lamp Replacement
During the lamp replacement process, you may have access to sensitive parts of the projector.
• Loosen the screw on the lamp trap at the rear of this unit.
• Open the lamp Cover and loosen the 2 screws on the lamp unit to release it.
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MAINTENANCE
WARNING
• Pull out the lamp unit using the handle.
• Insert the new lamp unit until it is rmly in place.
• Tighten the screws of the lamp unit.
• Attach the lamp cover and fasten the lamp trap screw.
Resetting Lamp Time
After installing a new lamp, reset the lamp time using the OSD menu
Turn On the unit.
b) Browse into the menu Function => Reset Lamp Time.
c) Conrm time reset.
15.4 Troubleshooting
CAUTION DURING LAMP RESET
Reset the lamp time only when you have replaced the lamp.
Never reset it when the lamp is still in use. Otherwise, the approximate standard for gauging replacement
time may be inaccurate, lamp performance may deteriorate and lamp blowout may occur.
(orange/red LED)
LAMP (orange LED)
STANDBY/ON
(green/red LED)
When the projector is running for more than 1 minute, the Standby/ON LED will automatically switch
OFF.
Operating LED
IDWARNING
(orange/red)
1--redUnit is in standby mode.
2--greenUnit is in operate mode.
3--blinking green
4--blinking redUnit is in cooldown mode (switching off).
5/6-orange-
LAMP
(orange)
STANDBY/ON
(green or red)
Description
Unit is in operate mode but HIDE is ON. Press again the
HIDE button to obtain a picture.
Lamp time has reached 2900 hours, prepare to replace the
lamp soon. If used in low power mode, replace the lamp
before 4000 hours.
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IDWARNING
(orange/red)
Operating LED
LAMP
(orange)
STANDBY/ON
(green or red)
MISCELLANEOUS
Description
7
continuous
8
9
10
11
12
13
14
15
16
17
red
blinking
orange
blinking red
CAUTION: When in Cool Down mode, do not pull out the plug from the outlet. Also, do not block the air
inlets/exhaust vents by standing the projector on its end or laying it on its side.
blinking
orange
--
blinking
orange
-
-
16.0 MISCELLANEOUS
blinks 1 time: the lamp failed to ignite, restart the projector
after a complete cooldown cycle.
blinks 2 times: lamp has shut down during ptojection,
restart the projector after a complete cooldown cycle.
blinks 3 times: lamp cover is open. Check that the lamp
cover is rmly closed.
blinks 1 time: Startup or drive circuits failed.
blinks 2 times: Communication with drive circuit failed.
blinks 3 times: Scaler circuit failed.
blinks 4 times: Electrical lens cover failure.
16.1 RS-232C protocol
Serialcommunicationspecications
Control of this unit is possible using a computer or automation device connected with a RS-232 cross cable
(female - female D-sub 9 pins cable) or LAN/ RJ-45 cable. Communication specications for this unit are as
follows:
Baud Rate19200 bps
Data FormatBinary
ModeAsynchronous
ParityNone
Start Bit1 bit set to high
Stop Bit1 bit set to low
X on/offNone
Flow ControlNone
RS-232C pin assignation
PinSignalFunctionSignal Direction
1
6
5
9
2RxDreceive dataPC -> Projector
3TxDtransmit dataProjector -> PC
5GNDground-
1, 4, 6-9NC--
Command Format
Header 1Header 2CommandCommand DataEnd of Data
21h89h 01h2 - 4 bytesvariable0Ah
Header 1 : 21h for operating commands or 3Fh for reference command.
Header 2 xed to 89h 01h
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MISCELLANEOUS
Commad: from 2 to 4 bytes length
Command Data: variable length
End of Data xed to 0Ah
Available Operating commands
FunctionCommandCommand DataDescription
Connection RS-23200h 00hnoneCheck the serial connection
Power50h 57h31hSwitch the unit On.
Inputs49h 50h36hSwitch active input to HDMI1
RCU code53h 55h 52h 43h30hSet unit to receive commands from code A
Power /w conrm52h 43h37h 33h 30h 35hSwitch this unit On.
Switch input52h 43h37h 33h 30h 38hSwitch to next input
The network settings may have to be modied in the projector’s network menu to match your current LAN
network.
• DHCP Client: When set to ON, the projector’s IP address will be automatically set by the DHCP server. on
the LAN.
• IP Address: Sets the IP (Internet Protocol) address of the projector. A valid address must be set for this unit.
• Subnet Mask: Sets the Subnet Mask
• Default Gateway: Sets the Default IP Gateway of the projector.
• MAC Address: A 6 byte hex number that uniquely identies the projector on the LAN. The value is unique to
each individual unit on the LAN network.
Sending a LAN Control Command
In order to send a Remote Control compatible command to this unit, you must open a TCP connection on port
20554. and send a command immediately as the connection will be dropped within 5 sec of inactivity. If for any
reason you have to change the TCP connection port, you may use the following RS-232c/LAN command.
[4Ch 53 50h 54h] + 4 ASCII chars as new port address in hexa
You want to set TCP port to 10000Command to send
Send 10000 as new TCP port value:
10000 is 2710h in hexa, converted in
ASCII characters: 32h 37h 31h 30h
6. receive conrmation: 06h 89h 01h 49h 4Eh 56h 53h 0Ah
after 5 sec, TCP connection is closed.
16.3 Infra Red, long hex-pronto compatible RCU
The infrared command must be sent using NEC 5 protocol in ASCII format.
In the following example, Power ON command is 37h 33h 30h 35h, this command has to be converted as ASCII,
it becomes 73 05.
To send this command using long hex Pronto compatible, convert the ASCII code as two hexadecimal numbers
as follow:
Code A: 73h = 115 (for code B: 63h = 99, replace 115 by 99)
05h = 5
Then program the Pronto RCU using the Device number 115 and Function 5:
Device Code: 115 (0x73) Function: 5 (0x05):
0000 006D 0001 0011 0141 00A0 0014 003C 0014 003C 0014 0014 0014 0014 0014 003C 0014 003C 0014
A complete device/function chart with their corresponding long hex commands is available, ask your dealer if
required.
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MISCELLANEOUS
16.4 Specications
Overview
Overview
The Siglos uses the latest technology developed to provide the ultimate video-projection experience. LCoS
(Liquid Crystal on Silicon) technology based on a reective principle features an extremely high-denition
picture and seamless color gradations.
Emission methodLCoS (Reective Active Matrix Principle)
Display panel size0.7” LCoS panels
Display Resolution3840 x 2160 pixels (3D video is rendered in 1920 x 1080)
Contrast ratio60,000:1, 120,000:1 and 150,000:1
Projection lensThrow ratio 1.4:1 - 2.8:1 with 2x Zoom
Electronic zoom, focus and shift.
Electronic aperture control (16x steps Aperture)
Brightness1300 ANSI Lumens
Screen size60” to 250” (Aspect ratio 16:9)
Distance rangefrom 150cm to 1200cm
Inputs:
HDMI 1 inputwith HDCP and CEC
HDMI 2 inputwith HDCP and CEC
Color ManagementAdvanced color settings (7-axis: primaries, secondaries and orange)
Video ProcessingMPC v2.0 with Detail Enhancement, BG Blur and True-4K rendition.
2x Full HD frames per picture with advanced 1/16 pixel alignment
Light source lamp230W NSH
Power Requirements100V - 240V AC, 50Hz/60Hz
Power Consumption<360W (0.4W in standby mode when eco mode is activated)
Unit size (W x D x H)46 x 51 x 22 cm - 18.1" x 20.1" x 8.7" (excluding feet)
Net Weight14,3 Kg - 31.5 lbs for Siglos 1
15,1 Kg - 33.3 lbs for Siglos 2&3
Box size (W x D x H)58 x 61 x 41cm - 22.8" x 24.0" x 16.1"
Gross Weight20 Kg - 44.1 lbs for Siglos 1
21 Kg - 46.3 lbs for Siglos 2&3
Operation EnvironmentTemperature: 5°C to 35°C (Storage Temperature: -10°C to 60°C)
Humidity: 20% to 80% without condensation
• Design and specications are subject to change without prior notice.
• Please note that some of the pictures and illustrations may have been abridged, enlarged or contextualized
in order to aid comprehension. Images may differ from the actual product.
3-CHIP LCOS SYSTEM
LCoS is the abbreviation of Liquid Crystal on Silicon. The 3-Chip LCoS systems feature dedicated panels
for each color channel and render seamless color graduations without any ickering or rainbow effect
artifacts
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MISCELLANEOUS
18.1”
Dimensions
22 cm
8.7”
51 cm
20.1”
46 cm
18.1”
46 cm
51 cm
20.1”
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Indicating LED (1)
Optical lenses (4)
Operating the 3D-Glasses
(2) Power button
Indicating LED (1)
Optical lenses (4)
1. Charging the 3D-Glasses
The 3D-Glasses come with a USB-rechargeable battery (5) that is charged using the USB to micro-USB
cable. Connect the cable to the micro-USB slot. The indicating LED (1) will light On red continuously during
the charge. The Glasses are fully charged when the indicating LED (1) switches OFF.
2. Turning On your 3D-Glasses
a. Press the Power Button (2) once.
b. The indicating LED (1) will light ON red and the 3D-Glasses are ready to synchronize with the projector.
3. Turning O your 3D-Glasses
To turn O the glasses, press the Power Button (2) during 3 seconds until the indicating LED (1) switches
o.
(2) Power button
(3) 3-positions button
(5) micro-USB slot and
rechargeable battery
4. 3D-Glasses battery power
The battery allows up to 75 hours of continuous power. When the battery power is low, the lenses (4) will
ash slowly (1 second) when the 3D-Glass is powered On.
5. Eciency
The 3D-Glasses are programmed to automatically stop functionning after 5 minutes of immobilization. To
turn them back On, just press the Power Button (2) once.
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