
??sT
1600,1
USERMANUAL

ST
16()O
SERlES
INTRODUCT
ION
The D e R
have been
sophisticated,
oriented
The
realised:
(1)
By not uslng
connector
wel
one single
(2)
To
set
conso I
(31
By not uslng the
patchbays,
(4)
To
des'lgn.
components
costs,
and
signlflcantly
1600
ST
gned
i
des
cost'effective,
production
cost-effective
a
module construction,
I known
8-channel
front
most advanced american way of console
choose
up in
the
which channel
i da tcd
I n to one
but
use the
latest
lt allows
(so:
i'ncreas'ed
an
an overal
I
bettered
series
be the
to
recordlng
part
very
expenslve often troublesome
master
mos
flexible
console.
the console
of
recordlng
t techno I og i ca | |
and englneer-
but using
in/output construction
panel.
group
and
sections
I npu t/0utput channe |
very cxpenslve telephone
construct our ohrn
to
techniques
ln lntegrated clrcult
a rcductl'on
increas'lng
rellablItty and rcduclng
ln thc number of
patchbay.
sophls'tlcatlon of clrcult
performance
whlch ls unl lkely to
for many
years).
consoles
been
has
our
goldplated
y
on
are
.
deslgn
be
STANDARD FEATURES
-
0n each
equa
-
0verload
I I
sers
channel
OF
wl th constant
l'ndlcators
channe | .
-
Compact slze
complete
centrel
the
-
Hlghly
loglcal
and
mlx to be
I ne of thc
functlons.
-
Del lvered
hlgh'quallty
plugs
The
-
Performance spec
than
those of
ready
Amphenol
are supplled
COilFIGURATION
The console
channel
and
I nput/0utput
nherent
I
-
Tlme spent
varlous
-
Yhcn cheng
advantages:
modes can
systems
remaln
fol
group
channel .
transferrlng
I ng from
THE CONSOLE
parametrlc
two
A.
memory device
th
wl
grouplng
of
made wlthout the need to
consol e.
lay-out
and clearly label led
for I nstant I nstal
multlway
ln advance.
I f I cat lon
any other
equt I to or
deslgn ln
lows amerlcan
sectlons
Thls
are
configuratlon
the console between
almost cl tmlnated.
be
rGcord lng to
avrtlablc
wlthout
overlapplng
every
on
functlons
al low a
to
movs
latlon
plugs
and
wl
th
sockets.
better
thls
practice
price.
ln whlch
consol ldated Into
has
several
the
ovcrdubb I ng,
lcvcl modlficatlon.
eny
from
one
cue
(lI

15OO
ST
-
Permanent fader and cue control
setting
repatch and time
to
control
-
There is
many of which
rrEuropean"
up
s.
to
much le
conf i
the
ss
are
gurat
last
consuming resetting
waste
essential
SERIES
remix
of space and functions,
ion.
al lows
state
ly dupl
without
icated
an
easy
having
of al I the
in
the
great
A
into the
ergonom i
PHYS
I CAL
cs
DESCR I
The gg!:g!g i s extremel
aluminlum
suppl
ied complete
rigid steel
Al I connections
connectors; the
prewi
for
The
dggign
modules,
and the
patchbay.
48 Volts
is standard.
The D s R consoles
using high
clrcult
qual
boards, selected
lty and
Al I components
circuit
avoldlng
so
plug-in
boards whlch
systems.
deal of
lay-out,
the conso I e.
of
PT I ON
thought and design detai
designation of function and
and wood,
wi th
legs.
are made
male connectors are supplled
rlng. lnstal
has
been
Input/0utput
the
Phantom
qual
rel
components,
lty
lable
are
al I the trouble
y
compact, bu i l
finished
producers
wlth mahagony.
table
using
mul
latlon ls then a
consol
ldated into
module, the master module
powering
are
for capacitor microphones
butlt to the highest
glass
lntegrated
swltches
mounted
mounted to the
are
dlrectly to the
associated wfth cheap
I has
gone
t on bol ted
lt ls
and
mounted
on
tipin Amphenol
ln advance
matter
three
mlnutes.
of
basic
standards,
flbre
prlnted
ctrcults and f lrst
prlnted
control comPonents'
I the
Al
each
suppl
other
ies for
powerlng
lnput/output
and
and
functioning.
Al
I
the
power
wel I smoothed
to the master
integrated
the
reed relays
suppl ies
and short
channel
s are
module.
circuits,
are taklng
are
of
ct rcu I
t
wi red directly to
Separate
leds, Phantome
care of cl lck-free
a wel
l-proven design,
protected.
pow'er
(2)

ST
16OC
SERIES
GENERAL
aspects
has been
engineer
as
these
-
-
-
RECORD
FEATURES
Mention
of the console
to examine
performs
much as
The
console
normal ly:
are
reco rd
rep I ay / sync.
rem i x
Al I channels
slgnals.
group.
or
The
Ful I equal
headphones
post
Rout i
swi
tchabl
ng to
master i s selected
The multltrack
way of the
by
post
patchbay
AND EASE
has
been
poss
i b I e wl
has basically
are
channel
cue and
€.
other
patchbay,
to the
OF USE
made
each of
and to
tsation
4 aux
channels or
by the
pot
earl ier of
design. The
the
design
th each of them.
to accept mlc
set
mode
select ls
ls aval lable,
sends,
rotery
feeds. the
and VU-meters are
mul
titrack
the ergonomic
guiding
functions
the console
three
major
pF€,
al I
directly
routing control
multltrack
inputs.
principle
a recording
to help
states,
or I ine
set to
stereo
mute
to the
machlne
connected
level
channel
or
s.
The
a selected
cue
sends
The
output and
coming out
can stlll be
The
Purposes.
REPLAY
/
The
mode selector
channel
start
All cues
panpot
rotary
channel can
a reed relay,
of
master
at the
solo
switch
gives
channel in lsolation
or other
mute swltch
ma I n channel
performs
main channel slgnal
of the channel
actlvated.
channe
I fader sets the
SYNC.
only
or to
already
thing
to
to sync
switch
building
are keeplng
needs
a I terat
routlng controls
also be set into the sync.
whlch
module,
same
when
tlme.
the
do is
of
i
the
up
the
nor
I on
are
ls remote
many
channels
abll ity
wlthout
lnputs.
both
path
however
I evel
to
$wi'tch
already
the
nF,ut
the
selector to
remix
same
channe I
the
to the
set
to I isten to
on
the
so no
the solo
for
the
recorded
state.
level
neither
mHster.
mode
control
are
to be recgrded
disturblng
mul
tl
track
signal
switch
mon I tor I ng
channel
multltrack
remix
the
fader.
The
The
means
by
led
ln the
ls
to
(3)

IX
REM
ST
16OO
SERIES
mode
control
REI{IX
wel
of
mtddle
to
again
sync.
follows:
-
-
-
-
-
I
Al
the
selectors
When no
s are
+
RECORD
A mixing
I el ther
a sudden
of
changed
be
ilost of
mode
Connect
of the
Set
the
level
overdub
the
multltrack
control.
Actlvate
relays
as the
tn the
englneer
slgnal.
glvlng the
are
n rep
I
I ay
As soon
glve the
that
it
record
and
When
comes
next
-
englneer
the
out
drop-
nput sel
i
channel.
to
subgroupl
selected
sesslon
before
change
a sesslon.
from
already
the
channe
the
on
artist3
the
channel.
channel
modc aelector
machlne
the sync.
master
can
(Almost
all
tnput
or sync.
as the
sync.
point
lts
multltrack
slgnal
the
Input
can
thc
Pol
button
nt.
record
of
| n
ectors
I s necessary
ng
l'{aster.
to
remix
mlnd
ln
such
often
to
very
the
of
remlx
recorded
I s.
microphone
6y
remote
module
I lltcn
to-days
stgnal
modc)-.
untlll
machlnc
slgnal
monltor
ls
I tor
mon
are
set
to
the
involves
ls
started
by the
a ca3e
producer
the console
record state
channels
The s I tuat
to the
channel,
on
of the
way
swltch
and
to thc
of
the
new
multltrack'
at the
machlne
the
glves
at the
new
the
starts
point
-
when
output
recordcd
released the
aga I n
cue
and
remlx and
rotary rout
overdubs
or because
In the
and
are
I on I s
mlc Input
and feed
multltrack
the sync.
arti st
lncomlng
recordcrr
outPut
when
lt
drop-ln,
9f
lt
qoel
and thc
slgnal'taPe
unt I
chanhel
as
has
back
In the
a3
re?9
wel
as
not
wlll
slgnal
I the
I
I ng
I
Into.
artlst
Another
-
When
sync.
or
Input
-
Coirnect
I s own
h
signal,
chinnei
-
I t I
llu
multltrack
!{ay
the
slgnal.
ifre
cue
and
whlch
track
mul
at
I evcl
level
do lt
to
track
tl
outPut
its
artlst
s lgna
route
has
I
machlne
a spere
to
I and
new slgnal
thc
be
to
to
has
control.
es f ol
s
lows:
only
termlnals,
channel,
lneer
eng
the
ln the
be set
group
correct
glvcs
not
and
hl s
to thc
mode.
the
the
glve
mon i
overdub
y
I
by
replay
thc
tor
the
artl3t
(4)

1600 sERlEs
sr
-
The
sync.
-
As
on
remote
overdub
the
soon
wlll
It
button
the
i
s
is released
cue
polnt.
This
that the
track
way of
artlst
machine
When thls
that
always
not I n the
level
the nelt
ls lnevltable
to
The only
mu I t i track
down on
the
@:
At I the
no
there
that
ls
the
remlx
sync.
gna
I comes
switch has
channel.
as the
machlne
record the
mon
and
making overdubs
can
in the sYnc.
is
set-up
glves
replay/
be
way to
mach
sPare
other
lts lnput rlgnal
sfnc.
recorded
overcome
I ne or to
channel
channe
danger
has
on the
cue and the
goes
new slgnal
the
and
i toring
monltor
used with
ls
sync.
unt i
himself
mode,
Eecause
lnput
the
slgnal
this
turn the
at the
I s have
of chang€3,
been
altered
to be actlvated, and
into
the
until
slg.nal
I
the
has the
mon
record
record
the
comes again
next
drop- I n
advantage
whlle the
i tor
state
multl-
i ng I n
mode.
a
a r i
se
machlne
ls to
I eve I of the
multitrack
at the output
of
3
also
in
thc
change the
machlne
when
In
cue
dB
glves
cue system.
cuc
moment of drop-in.
I
been
comp
mlstakes
ln
some
or the
way.
I y unaffected
ete
feel
the
Ing
NG
SUBGROUP
one
a
of
I
occasion
0n
or
g
roup .
do
To
patchfree
When the
channel
the
and can
situated
The
in this
mode selector
routing
subgroip
f rec
to
ttrt
process the
It is
completely
located,
patchbay
the
it
busses
two
thls
the
audio
rotary
freed
I s
routed
be
flrst
the
ln
fader
Dray
on each
becomes
is set
controls
to
this subgroup
outputs
-gain
slgnal
also
possible
tsoiated
output
tire
ag well,
desirahle
is
process
to
R console
6
D
subgrouPing.
lng
rout
thc
of the
to
from
any
l6 channels
channel
subgroup
a
ln the
master.
agaln
rom.the
f
further
use
to
the
the
ErouP
from
of
When
to
subgroup
the sound
the
has
control s
are
master stereo
grouP
16
In
that
has been
fader when
group
Whcn
state
lt
tt ls only
stereomaster
grouP
the
channel
amps
thls
9ro,uP
inPuts
further
que
un i
to
3et
busses,
amplifiers
stereo
or
routed
channel
the
and the
ls desl
rable
necessary
busses
ampllflcrs
on whlch
i t
are connected
outPut
ls
onto
as
I
I
f ac
group
mono.
to
rotary/
to
to
ls
patched
I tY
and
to
(5)

I
into the
directly to
number
any
ine amp of a spare channel
sr 1600
the multitrack inputs,
channels anywhere
of
sERtEs
patched
or
you
in the console.
can
group
This
The main features of the
should by now
0n
described ln detail.
self explanatory as can
but
INPUT SECT
A
to al low exact sterco
logarlthmtc crrors.
al lows the
and
The
tch allowlng
swl
o r tape/
allows enormous flexlbllity
be clear.
the next
there
contlnuously
resculng of mlgrccordcd mul tltracks.
are a number of
ION
lnput
sync .
pages
matchlng of non strndard Input dcvlccs
to the channel
connecti'on to a mlcrophone, I
re tu
of
desk
the individual modules
Their lay-outs
be
seen from
poi
verlrblc mlc
fadcr I
A
conttnuous I lnc
ls
rn
.
and its
make
nts
that
galn
lne-up cltmlnatlng
control
control
controll
advantages
them largely
the i
deserve
galn
I lustratlons
control
led
by a
are
expans
provlded
ls
rteppcd
lne
lon.
devlce
preampl
mlc
The
with no
wi
th
20 dB
as a
The
standard
true RllS 20
The nom i na I output I eve
the
enough
pad
less than
pad
phase
preampl
preampl
fn thls
in the clrcult
provlded.
is
reverse switch.
200 ohm tnput
Hz
lfler ls
lfier
0,1
t
lfler
-
20,000
crltlcal stage.
wil I accept slgnals
and del lver
til distortion typlcal. A
for aEnormally hlgh inputs a3
noise
28 dB
figure,
load, is
Flz).
I i
s
above
measured wlth a
-127,5
-5
dBm. The
-6
them at
dB
dBm;
of 0
swltchable
(measured
hcad room
more than
dBm
+22
dBm
well
of
(6)

ST
16OO
SERIES
EQUAL
ISER
The
2 band
high
The
variable
frequencies
The
of
300
1600
to
These
the
Continuously
boost
for
The
variable
shelving
The equal
to the
even
every
on
module
parametri
and
high
mi
to
hz.
band
mid
or
I mos t
a
low
aimost
used
he
incorporates
frequency
low
frequencY
boost
optional)
gh
d hi
10,600
sweeP
two
in
of
cut
anY
requency
f
boost
curve
isation
equivalent
to
channel
c equal
cul
or
Parametr
and
hz
equa
tone
the
variable
18 dB
des I
red
cut
or
(other
provlde
of
control
can
the
a
i ser
controls
control
of
with
as
18 dB
a
i c equa
mtd-low
the
I
i
sers
controle
frequency
provides
effec t .
18 dB
of
requencies
f
range
notch
of
flanging
console.
highly sophisticated
I as
wel
pr.oven
of
gives
at
a continuously
15
shelving
I i
ser
f
are
ul
stage.
se'lection
proper
gives
from t!e
at
optiona
effects
a
50
f ilters.
Khz
curve.
has
equal
ly overlaPPing
equal i sation
cont
hz
standard
the
design.
(other
range
a
lser
and
nuous
w
most
a
th
).
gentle
lt
lndependentl:y
80 hz
y
I
can
An
equal
the
design,
performance.
Headroom
below
is
CHANNEL
The
(l)
Channel
Ti.TFT;
channe
(z)
Svnc.
ln
shritch
signal
(3)
Group
equal
iser
del
-100
STATUS
channel
I
this
this
n
circuit
n
coming
s
iser
lverlng
on
clrcuit.
above
dB tY'Plcal.
mode
te
s ta
.
state
only
is
outPut
state
to
from
f sw'ltch
/of
The
best
the
nominal
ectorq
sel
who I
the
clrcuit
the
output
i
multitrack
every'th
ln
of
everything
process
the
pr:ovi ded
i
s
equal
level
isgr
posstEle noi
28
is
hare three
channe
e
ng
s
situated
the
I ac
ted
tua
i
to
Process
si'gnal
the
of
to
ls ofan
se
dB and
'states:
ts as
ow
Ee I
the
machi'ne.
below
further
group
bypass
unity
headroom
and
nolse
a norma
i s
th
sYnc.
onlY
is
which
amplif
gain
l'
iers.
(7')

CUES
sr
1600
sERtEs
There
separate foldback mixes
Stereo cue
with
Al
state in
ROUT I NG
When
master
goes
t{hen
ls
It
to the
The Pan-pot
are
six Cue
I s
panning.
I cues
posltion
dl
rectly to the
are
mlddle.
the
the two
I t ls
necessary
swi tchable
rotary
the slgnal, coming
only necessary
des
i red subg roup.
pans
numbered and any
the rout i ng
Both routing
swi tches.
swltches
sends, allowing
or
four echo
a permanent
rout I ng
master
stereo headphones
pre
or
swl tches
stereo
to subgroup
to swttch the routlng
the
slgnal between
even numbered
have a
busses choosen
mute
up
sends
post
from
busses.
the s
state.
to
four
at
wi
th a mute
are
I n the
pan-pot
the
Ignal
controls
any
odd
once.
feed
by
I,1
ULTITRACKS
The
ilultitrack
machlne
selector.
. it
ls
wl
th
a signal
is
lt
connected
level
wired to the
Input on the multipo.le and
l,lhen.it is necessary
to another channel
VU meter
For ease
the lnput
from
control again.
it only
goes
with it.
of
stgnal
multitrack because thls level
the
is confusing.
or
use
the
and
l,lostly
pot
feeds
comtng from
the
the channel
patchbay
to the corresponding
VU
meter.
repatch
to
group
output
mu I t i track
not the
is
it
correctly recorded
output
the multitrack
the correspond
meter
VU
signal comlng
multitrack
mode
post-patchbay
and
multitrack
y
on I
doesnrt need
and
lnput
i ng
reads
(8)

SOLO
f.
MUTE
The
to
a
di
sturbing
The
output
processed
activated.
OVERLOAD
The
The
un
faci I
Because
confident
overload
CHANNEL
aud
when
dB
FADER
The
iolog
it
scale.
solo
selected
mute
and
overload
switch
channel
any
swi
channel
only
signal
tch
the
indicator
i t incorporates
i
ty,
so that
of
these features
that
at
channel
instrument
moved
ls
any
there
point
fader
along
gives
in
processing.
performs
fader,
solo
a
even
very fast
is
in
is
with
tts
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