Introduction
The DPA Miniature Omnidirectional Microphones are designed for use with wireless systems in theatre, television and
close-miking instrument applications.
To ensure optimal performance of your DPA Miniature Microphone, please follow the simple care and maintenance
instructions below. Miniature Microphones from DPA are
designed to be very resistant to humidity, moisture and
sweat. Highly resistant materials like gold plated stainless
steel, and features like the double-vent protection system are
used in construction of the microphones, to avoid damage
by hostile fluids. In any case, it is still a good idea to keep
the Miniature Microphones away from any kind of unnecessary exposure to water and cleaning fluids and to keep the
microphone element dry at all times.
Cleaning Guide
The cable and protection grid are the only parts that may
be cleaned if necessary. Do not use any kind of cleaning
fluid other than distilled water. Avoid all kinds of spray or
fluids, which contain chemical components to remove static
electricity on or close to the microphone as this could cause
damage to the electret layer. When mounting the Miniature
Microphone directly on the skin of a performer, care should
be taken to avoid sweat from running directly into the mi-
Cleaning the microphone grid
During use in environments where the microphone is
exposed to make-up or dusty materials, the grid may
get clogged up. Remove the microphone grid from the
microphone element and clean the grid using a soft cloth
and distilled water only. Make sure the grid is dry before
remounting it on the microphone element.
Cleaning the microphone cable
Residue from tape, glue or make-up on the cable must be
removed after use. Leaving these substances on the cable
over longer periods of time may etch into the cable jacket
and will make the cable more susceptible to breaks. The
cable can easily be cleaned using organic oil (e.g. olive oil)
or lukewarm, distilled water. Do not bend the cable or rub
it harshly since this may stress the inner cores of the cable
and cause them to break over time.
Correct use of microphone grids
The two different protection grids that are supplied with the
Miniature Microphones DPA 4060, 4061, 4062, 4063 are for
acoustical equalization, according to the placement on the
body of the performer. When mounted on the head of
the performer, the microphone normally needs a 3 dB soft
boost at 8-20 kHz, provided by the soft boost grid.
crophone. If the microphone gets filled up with water it will
not be damaged, but possibly turn deaf while the water is
captured inside the microphone, behind the protection grid.
Remove the water by shaking the microphone or drying it
with a piece of lint free cloth.
Note: If the microphone has been exposed to sweat it
must be rinsed out in distilled water and left to dry out to
recover its original specifications. Drying out the Miniature
Microphone between exposures to humidity will also help
to extend its lifetime.
The microphone is supplied with the soft boost grid fitted.
This grid must be removed before being replaced by the
high boost grid.
Correct use of the microphone element
The diaphragm in the microphone element is the most
sensitive part of the unit and as emphasized earlier, it
must be left untouched to preserve its original characteristics. Do not spray any substances such as hair spray
directly into the microphone and avoid getting make-up
or paint on the microphone element and housing. The
protection grids are available in four standard colours:
Black, brown, beige and white. Check if a different coloured protection grid will be less visible before painting
or colouring a microphone grid.
Correct treatment of the microphone cable
The cable is usually longer than required for its actual purpose. Ensure that superfluous cable is wound up in soft loops
(preferably 6-8 cm in diameter). Avoid ’kinks’ in the cable.
Correct use of adapters and MicroDot connectors
To provide users with safe and compact mounting of connectors, all Miniature Microphones from DPA are fitted with
the MicroDot connector as standard. A broad range of connection adapters is offered as optional accessories for most
VHF and UHF systems for professional use.
A connector-tightening tool is supplied with each adapter
and should be employed whenever the MicroDot connec-
tor needs to be tightened safely onto the adapter for
long periods of time. Never attempt to loosen or tighten
the connector by the cable or its strain relief! Various
wireless systems require the use of electronic components
inside the adapter to optimise the signal level, the DCoffset filtering and powering of the built-in microphone
preamplifier. Using the adapters from DPA Microphones
ensures the correct electronic circuit with the listed types
of wireless systems at all times. Do not attempt to employ
non-standard adapters or connectors as you might damage the microphone preamplifier.
w w w. d p a m i c r o p h o n e s . c o m
IMK4061 Instrument Microphone Kit
This kit is designed to be used as a close-miking solution
for a wide variety of musical instruments. The condenser microphone offers a very clean, detailed and natural sound
quality, leaving placement up to the user, in order to receive
the desired timbre for studio use or amplification for live use.
Included are holders for strings, universal surface mounts with
double sided tape, magnet mount and foam windscreens.
The 4061 can handle 144 dB SPL before clipping, allowing
the microphone to be used even for snare drums, trumpets, guitar/bass speaker cabinets or other high level sound
sources.
IMK4061 includes:
4061-BM Miniature Microphone
DAD6001 XLR Adapter
MHS6001 Microphone Holder for Strings
DUA0560 Miniature Windscreens
DMM0007 Universal Surface Mounts
DMM0011-B Magnet Mount
See www.dpamicrophones.com for further information
about miking musical instruments.
Download the complete user´s manual at ww w.dpami crophon es.com