3
2
2.3 Correct treatment of the microphone cable
The cable is usually longer t han required for
its actual purpose. Ensure t hat superfluous
cable is wound up in soft loops (preferably
6-8 cm in diameter). Avoid ’kink s’ in the
cable. Exposing the cable to stretching
beyond its specifications or stressing it by
winding it tightly over sharp edges will
reduce the microphone’s operational life
Tip: Handling noise from the cable can be
decreased by up to 30dB by making a loose
loop in the cable, as close to the micro-
phone element as possible. The DMM0008
Miniature Clip, double lock, is designed for
this mounting technique.
Tip: The place where t he cable enters the
MicroDot connector will sometimes be
exposed to excessive stress and af ter long
term heavy-duty use, the cable might show
signs of wear at t his point. As a preventive
maintenance procedure, it may be advis-
able to replace the connector in this
instance. Contact t he nearest DPA
Microphones representative for mainte-
nance advice or assist ance.
2.4 Correct use of adapters and
MicroDot connectors
To provide users wit h safe and compact
mounting of connectors, all Miniature
Microphones from DPA are fitted with t he
MicroDot connector as standard. A broad
Correct way to wind up the cable
of the Miniature Microphone.
Please note the slack af ter the connector.
A connector tightening tool is
supplied with each adapter
1.2 Cleaning the microphone cable
Residue from tape, glue or make-up on the
cable must be removed af ter use. Leaving
these substances on the cable over longer
periods of time may etch into the cable
jacket and will make the cable more suscep-
tible to breaks. The cable can easily be
cleaned using organic oil (e.g. olive oil) or
lukewarm, distilled water.
Do not bend the cable or rub it harshly
since this may stress the inner cores of the
cable and cause them to break over time.
2. Correct use of the Miniature
Microphone
It is important to observe the following
guidelines concerning the daily use of the
microphone.
2.1 Description of presence boost and
frequency response
The type 4071 has a fixed microphone grid
with a typical 5dB soft boost at 4-6kHz.
This so-called “presence area” is the range
where the human ear is most sensitive and
is also the range of speech intelligibility, clar-
ity and definition. When a microphone is
placed on the chest for example, clarity
seems to be lost. Most engineers will com-
pensate for this by having a presence
boost on an equalizer in t he following audio
path, to make the voice “cut through”.
The Type 4071 with presence boost will
make use easier and quicker and will intro-
duce less noise and dis tortion than any EQ
will because the boost is done acoustically, at
the microphone diaphragm. An acoustic lo-
cut has been incorporated in the capsule so
the built-in preamp and the perhaps follow-
ing wireless system will have much larger
headroom. When recording voices, from
microphone placement on the per former’s
body, no frequency below 100 Hz is relevant.
For this reason, the airing vent in the capsule
has been specially designed to make the fre-
quency response 2dB attenuated at 100Hz,
with a 3dB per octave roll off. Outdoor
recordings can introduce unwanted wind
rumble. The lo-cut feature will reduce the low
frequency part of t he wind rumble.
2.2 Correct treatment of the microphone element
The diaphragm in the microphone element
is the most sensitive part of t he unit and as
emphasized earlier, it must be left
untouched to preserve its original charac-
teristics. Do not spray any substances such
as hair spray directly into the microphone
and avoid getting make-up or paint on the
microphone element and housing.
Tip: In lapel or tie placement it is recommend-
ed that the microphone grid point away from
the mouth to decrease breathing noises
caused by the mouth or nose of the per-
former. The microphone element is com-
pletely omnidirectional at all frequencies, so
this method will not colour the sound.