Table B-2 IEC 61937 Specified Latency, with Respect to
Beginning of Dolby Digital (AC-3) burst payload......................................................B-3
Table B-3 Additional Latency in Silent Switch Mode ................................................................B-3
vi
DP564 Multichannel Audio Decoder
Regulatory Notices and Fusing Information
FCC
This equipment has been tested and found to comply with the limits for a Class A digital device,
pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection
against harmful interference when the equipment is operated in a commercial environment. This
equipment generates, uses, and can radiate radio frequency energy and, if not installed and used
in accordance with this instruction manual, may cause harmful interference to radio
communications. Operation of this equipment in a residential area is likely to cause harmful
interference, in which case the user will be required to correct the interference at his or her own
expense.
Canada
This Class A digital apparatus complies with Canadian ICES-003.
UL
WARNING: Troubleshooting must be performed by a trained technician. Do not
attempt to service this equipment unless you are qualified to do so.
Check that the correct fuses have been installed. To reduce the risk of fire,
replace only with fuses of the same type and rating.
Exposed portions of the power supply assembly are electrically “hot.” To reduce the risk of
electrical shock, the power cord must be disconnected before the power supply assembly is
removed.
The ground terminal of the power plug is connected directly
to the chassis of the unit. For continued protection against
electric shock, a correctly wired and grounded (earthed) threepin power outlet must be used. Do not use a ground-lifting
adapter and never cut the ground pin on the three-prong plug.
WARNING: Before applying power, check the main fuse, using the procedure
on page ix.
UK
The power cord supplied for use in Europe (Dolby Part No. 92021) is not suitable for use in the UK.
To use the cord in the UK cut off the CEE7/7 plug and replace with an approved BS 1363 13A plug:
• The core that is coloured green and yellow must be connected to the terminal in the
plug identified by the letter E or by the earth symbol
and yellow.
• The core that is coloured blue must be connected to the terminal that is marked with
the letter N or coloured black.
or coloured green or green
• The core that is coloured brown must be connected to the terminal that is marked with
the letter L or coloured red.
• This apparatus must be earthed.
vii
DP564 Multichannel Audio Decoder
EU
This equipment complies with the EMC requirements of EN55103-1 and EN55103-2 when operated in an E2
environment in accordance with this manual.
IMPORTANT SAFETY NOTICE
This unit complies with the safety standard EN60065. The unit shall not be exposed to dripping or splashing and no objects filled with liquids,
such as coffee cups, shall be placed on the equipment. To ensure safe operation and to guard against potential shock hazard or risk of fire, the
following must be observed:
o Ensure that your mains supply is in the correct range for the input power requirement of the unit.
o Ensure fuses fitted are the correct rating and type as marked on the unit.
o The unit must be earthed by connecting to a correctly wired and earthed power outlet.
o The power cord supplied with this unit must be wired as follows:
Ce materiel est conforme à la norme EN60065. Ne pas exposer cet appareil aux éclaboussures ou aux gouttes de liquide. Ne pas poser d'objets
remplis de liquide, tels que des tasses de café, sur l'appareil. Pour vous assurer d'un fonctionnement sans danger et de prévenir
tout choc électrique ou tout risque d'incendie, veillez à observer les recommandations suivantes.
o Le selecteur de tension doit être placé sur la valeur correspondante à votre alimentation réseau.
o Les fusibles doivent correspondre à la valeur indiquée sur le materiel.
o Le materiel doit être correctement relié à la terre.
o Le cordon secteur livré avec le materiel doit être cablé de la manière suivante:
Dieses Gerät entspricht der Sicherheitsnorm EN60065. Das Gerät darf nicht mit Flüssigkeiten (Spritzwasser usw.) in Berührung kommen; stellen
Sie keine Gefäße, z.B. Kaffeetassen, auf das Gerät. Für das sichere Funktionieren des Gerätes und zur Unfallverhütung (elektrischer Schlag,
Feuer) sind die folgenden Regeln unbedingt einzuhalten:
o Der Spannungswähler muß auf Ihre Netzspannung eingestellt sein.
o Die Sicherungen müssen in Typ und Stromwert mit den Angaben auf dem Gerät übereinstimmen.
o Die Erdung des Gerätes muß über eine geerdete Steckdose gewährleistet sein.
o Das mitgelieferte Netzkabel muß wie folgt verdrahtet werden:
Questa apparecchiatura è stata costruita in accordo alle norme di sicurezza EN60065. Il prodotto non deve essere sottoposto a schizzi, spruzzi e
gocciolamenti, e nessun tipo di oggetto riempito con liquidi, come ad esempio tazze di caffè, deve essere appoggiato sul dispositivo. Per una
perfetta sicurezza ed al fine di evitare eventuali rischi di scossa êlettrica o d'incendio vanno osservate le seguenti misure di sicurezza:
o Assicurarsi che il selettore di cambio tensione sia posizionato sul valore corretto.
o Assicurarsi che la portata ed il tipo di fusibili siano quelli prescritti dalla casa costruttrice.
o L'apparecchiatura deve avere un collegamento di messa a terra ben eseguito; anche la connessione rete deve
avere un collegamento a terra.
o Il cavo di alimentazione a corredo dell'apparecchiatura deve essere collegato come segue:
Esta unidad cumple con la norma de seguridad EN60065. La unidad no debe ser expuesta a goteos o salpicaduras y no deben colocarse sobre el
equipo recipientes con liquidos, como tazas de cafe. Para asegurarse un funcionamiento seguro y prevenir cualquier posible peligro de descarga o
riesgo de incendio, se han de observar las siguientes precauciones:
o Asegúrese que el selector de tensión esté ajustado a la tensión correcta para su alimentación.
o Asegúrese que los fusibles colocados son del tipo y valor correctos, tal como se marca en la unidad.
o La unidad debe ser puesta a tierra, conectándola a un conector de red correctamente cableado y puesto a tierra.
o El cable de red suministrado con esta unidad, debe ser cableado como sigue:
Denna enhet uppfyller säkerhetsstandard EN60065. Enheten får ej utsättas för yttre åverkan samt föremål innehållande vätska, såsom
kaffemuggar, får ej placeras på utrustningen." För att garantera säkerheten och gardera mot eventuell elchock eller brandrisk, måste följande
observeras:
o Kontrollera att spänningsväljaren är inställd på korrekt nätspänning.
o Konrollera att säkringarna är av rätt typ och för rätt strömstyrka så som anvisningarna på enheten föreskriver.
o Enheten måste vara jordad genom anslutning till ett korrekt kopplat och jordat el-uttag.
o El-sladden som medföljer denna enhet måste kopplas enligt foljande:
Deze unit voldoet aan de EN60065 veiligheids-standaards. Dit apparaat mag niet worden blootgesteld aan vocht. Vanwege het risico dat er
druppels in het apparaat vallen, dient u er geen vloeistoffen in bekers op te plaatsen. Voor een veilig gebruik en om het gevaar van electrische
schokken en het risico van brand te vermijden, dienen de volgende regels in acht te worden genomen:
o Controleer of de spanningscaroussel op het juiste Voltage staat.
o Gebruik alleen zekeringen van de aangegeven typen en waarden.
o Aansluiting van de unit alleen aan een geaarde wandcontactdoos.
o De netkabel die met de unit wordt geleverd, moet als volgt worden aangesloten:
Live—Brown Neutral—Blue Earth—Green/Yellow
IMPORTANT – NOTE DE SECURITE
Phase—Brun Neutre—Bleu Terre—Vert/Jaune
WICHTIGER SICHERHEITSHINWEIS
Phase—braun Nulleiter—blau Erde—grün/gelb
NORME DI SICUREZZA – IMPORTANTE
Filo tensione—Marrone Neutro—Blu Massa—Verde/Giallo
AVISO IMPORTANTE DE SEGURIDAD
Vivo—Marrón Neutro—Azul Tierra—Verde/Amarillo
VIKTIGA SÄKERHETSÅTGÄRDER!
Fas—Brun Neutral—Blå Jord—Grön/Gul
BELANGRIJK VEILIGHEIDS-VOORSCHRIFT:
Fase—Bruin Nul—Blauw Aarde—Groen/Geel
F
D
I
E
S
NL
viii
Fusing Information
WARNING: To reduce the risk of fire, replace fuses only with the same type
The DP564 uses a universal switching power supply that handles the full range of
nominal mains voltages between 90 and 264 VAC and any frequency between 50
and 60 Hz.
Main Fuse
The main fuse rating is:
T 1A L (1 amp, 250 V, 20 mm, time-lag, low breaking capacity) for all operating
voltages.
The power cord must be removed from the rear-panel connection to inspect or replace
the fuse.
and rating.
DP564 Multichannel Audio Decoder
To inspect or replace the main fuse:
1. Slide open the fuse compartment in the AC power input housing by placing
the tip of a small screwdriver in the notch.
2. Carefully pull out the fuse carrier.
3. Either replace the fuse with a new one, or check that the current fuse has the
correct rating.
4. Slide the fuse compartment back into place, then snap the fuse compartment
closed.
Internal Fuse
The switching power supply contains a separate fuse. Most fault conditions should be
protected by the main fuse.
If you find it necessary to replace the internal fuse, be certain to replace it with a fuse
of the same type and rating as printed on the switching power supply board.
ix
Virtual Dolby Technologies Test DVD Track List
iv
DP564 Multichannel Audio Decoder
Chapter 1
Introduction
The DP564 Multichannel Audio Decoder gives studio professionals unparalleled
ability to monitor different audio programs in a variety of listening modes.
Critical monitoring is essential to ensure that the highest quality audio reaches your
listeners at home. The DP564 Multichannel Audio Decoder, the next generation
reference decoder from Dolby Laboratories, is the perfect tool for monitoring and
quality control applications in DTV broadcast, postproduction, and DVD authoring.
The DP564 enables decoding and monitoring of programs with Dolby® Digital,
Dolby Surround Pro Logic®, or regular PCM soundtracks, as well as Dolby Digital
Surround EX™ and Pro Logic II decoding, making the DP564 the ideal digital
reference decoder for both Dolby Digital and Dolby Surround audio.
With the DP564, you can easily monitor all of Dolby Digital’s unique downmixing
capabilities. This means content producers and providers can verify how material
delivered in a 5.1-channel format will sound on systems that offer only Dolby
Surround, two-channel stereo, or mono playback.
By switching between listening modes using the front-panel controls, it is possible to
monitor how any multichannel program will sound when played on fully configured
multichannel surround systems, as well as surround systems with no Center channel
(Phantom) or even systems with no Surrounds (3 Stereo). Compression modes can
also be selected from the front panel to easily monitor Dolby Digital’s dynamic range
control and dialogue normalization features. These features are tailored to
professional users to allow you to hear how your audio will sound on any set-top box,
DVD player, or home theater receiver.
To set up and control the monitoring environment, the DP564 offers comprehensive
monitoring functions—including a master volume knob on the front panel, channel
mutes, reference monitoring level, individual channel level trims, center and surround
channel delays, bass management, and both full and band-limited pink noise for quick
and accurate room calibration. The headphone output has its own volume control, as
well as Dolby Headphone processing, which provides surround sound monitoring
over standard headphones. This allows more accurate QC monitoring and reduced
listener fatigue for headphone listeners.
Figure 1-1 shows the DP564 system block diagram.
1-1
DP564 Multichannel Audio Decoder Introduction
Note: The processing sequence is not identical to that of a consumer decoder. To efficiently
deliver all the available features, downmixing is separated from the decoding block.
Timecode Output
None, RF, Line,
AES1
(AES3 BNC)
AES2
(AES3 BNC)
Optical
(TOSLINK)
Streaming
(RTP 100BASE-T)
Input Select
Dolby
Digital
Bitstream
Detect
Dolby
Digital
Decoder
PCM
Custom
Cut scaling
Boost scaling
Compression
Selection
LoRo / LtRt
LFE Monitor Mode:
Auto / On / Off
Decoder
Downmix
L
PCM
R
PCM
On / Off
Manual / Auto
Pro Logic/ Pro Logic II
On / Off
L
DEC
R
DEC
Mono
Sum
Pro Logic
Decode
Ls
C
DEC
DEC
Rs
DEC
LFE
DEC
DH1, DH2, DH3, or
Off (stereo bypass)
Dolby Headphone
Processor
L
DH
R
DH
Mode
D/A
Volume
Control
IFE
Front-Panel
Headphone Volume
Control
Bypass
Test Noise
C speaker On/Off
S speakers On/Off
L/R Large/Small
C Large/Small
S Large/Small
SW On/Off
L/R Delay
C Delay
LsRs Delay
Bs Delay
L
LM
R
LM
L
BM
R
BM
L
SD
R
SD
Output Select
Listening Modes
C
LM
Bass Management
C
BM
Speaker Delays
L/R, C, Ls/Rs, Bs
C
SD
D/A
Optional
Level
Control
Ls
LM
Ls
LM
Ls
BM
Rs
BM
Dolby
Surround EX
Decoder
Ls
EX,RsEX
Bs
EX
Ls
SD,RsSD
Bs
SD
Bs Speaker
Split
Ls
SS,RsSS
Bsl
Bsr
SS,
SS
Level
Control
Master Volume Control,
Channel Trims, and Dim
SW
BM
Manual / Auto
SW
None / 1 / 2
Analogue Output
Digital Output
On / Off
Headphone
Amplifier
Headphone Output
1-2
DP564 Multichannel Audio Decoder Introduction
Figure 1-1 DP564 System Block Diagram
The 2-U rack-mount unit features multiple inputs including two AES3 inputs, a
Toslink optical input, and an Ethernet port for RTP-streaming Dolby Digital audio.
The inputs are easily selected with dedicated front-panel buttons.
The front panel also incorporates a display screen, featuring high contrast and a wide
viewing angle. In addition to providing an intuitive interface for menu access and
setup, the display is easy to read and offers clear graphic status menus for all Dolby
Digital metadata settings and metering of output levels and dynamic range control.
The rear panel includes the main audio output connections for both digital AES3 and
analog +4 dBu balanced outputs. A linear timecode (LTC) output generates timecode
from a Dolby Digital bitstream, allowing DVD facilities to check A/V sync between
encoded Dolby Digital audio files and uncompressed video. Front- and rear-panel
serial interfaces and an Ethernet port enable remote control and software updates; a
remote control software application is included to configure and control the DP564
from a PC via Ethernet or serial connection. Remote control is also possible from an
optional dedicated hardware controller—either the Dolby Cat. No. 549 GPIO
Controller or another system using the general-purpose I/O connector (
GP I/O).
1-3
Virtual Dolby Technologies Test DVD Track List
iv
DP564 Multichannel Audio Decoder
This chapter covers the physical connections necessary to operate the DP564.
2.1 Mounting
The DP564 occupies 2U of rack space. The unit operates at ambient temperatures up
to 122° F (50° C) and vents from front to rear.
Caution: Do not mount the DP564 directly above heat-generating equipment.
Ensure adequate ventilation. The temperature inside a poorly ventilated
rack can be considerably higher than ambient room temperature.
Chapter 2
Installation
2.2 Rear-Panel Connections
The rear-panel connections include BNC inputs and outputs, an optical input, serial
ports, analog audio outputs, and the power supply. It is best to make all other
connections before connecting the power supply.
2.2.1 BNC Connectors
Figure 2-1 shows the BNC connectors. These are compliant with the AES3-ID
standard.
Digital InDigital In
C/Sw
Digital OutDigital Out
AES Ref
AES Ref
AES 1AES 1AES 2AES 2
Figure 2-1 Connection Ports for Digital Signals
LTC Out
LTC Out
Ls/RsL/RBsl/Bsr
The AES Ref connectors are for an AES3 external reference. Connect an AES3
reference signal to either port. The other connector may be used to pass the reference
2-1
DP564 Multichannel Audio Decoder Installation
signal on to another unit; if pass-through is not necessary, this connector should be
fitted with a 75-ohm terminator.
The Digital In connectors, AES 1 and AES 2, can receive both Dolby
PCM signals. The decoder recognizes each signal type and processes the signal
appropriately. Digital inputs can also be received using the
inputs shown in Figure 2-2.
The
LTC Out connector provides a SMPTE 12M linear timecode output signal.
Timecode is extracted from the timestamp embedded in a SMPTE 337M bitstream
that may be present in a Dolby Digital signal.
Digital Out connectors provide a digital output signal for connection to a digital
The
monitoring system. Each connector is labeled according to the channel pair it
contains.
2.2.2 Optical In and Serial Ports
Figure 2-2 shows the Optical In and the serial connections.
Optical InOptical In
100BASE-T
Remote RS-485Remote RS-485
®
Digital and
Optical In and 100BASE-T
19
37
GP I/O
1
20
Figure 2-2 Connection Ports for Optical, Ethernet, Remote, and GPI/O
The Optical In connection can receive both Dolby Digital and PCM signals. The
decoder recognizes each signal type and processes the signal appropriately.
The 100BASE-T port can connect to a 100Base-T or 10Base-T network. The
connection can then be used for streaming audio, and to enable the DolbyRemote 564
remote control application. See Chapter 8, Streaming Server and Remote Software,
for details.
The Remote RS-485 port can connect to a computer running DolbyRemote 564. The
DolbyRemote 564 application is far more efficient, however, when connected via the
100BASE-T port. For details, see Chapter 8, Streaming Server and Remote Software.
The GP I/O port connects to the Dolby Cat. No. 549 GPIO Controller (sold separately)
or to a separate remote control device, which must be configured according to the
pinout information under GPI/O Configuration in Section 4.4.4, I/O Control.
2-2
DP564 Multichannel Audio Decoder Installation
2.2.3 Analog Outputs
The +4 dBu balanced Analog Audio Outputs connect directly to your monitoring
system. Each connector is labeled according to the channel signal it sends.
If your system includes a single speaker for Back Surround, use only the
and leave the
2.2.4 Power
The main fuse rating is:
T 1A L (1 amp, 250 V, 20 mm, time-lag, low breaking capacity) for all operating
voltages.
WARNING: Before applying power, check the main fuse using the procedure on
There is no power switch on the DP564. To apply power, connect the power cord to a
live outlet.
Bsl output,
Bsr output open.
page ix.
2-3
Virtual Dolby Technologies Test DVD Track List
iv
DP564 Multichannel Audio Decoder
Chapter 3
Front-Panel Controls
Every function of the DP564, except control of streaming audio, is accessible using
the front-panel buttons in combination with the information on the display screen.
This chapter covers
• Front-panel layout
• Button functions
• LED indicators
• The RS-232 connection
Streaming audio can be controlled using the DolbyRemote 564 software. See Chapter
8, Streaming Server and Remote Software, for details.
3.1 Front-Panel Layout
The left-hand side of the front panel includes the screen display and LED indicators.
The screen displays information on the current status, or setup menus that you
navigate using the buttons described in Section 3.2, Button Functions. The LED
indicators are defined in Section 3.3, LED Indicators.
The front-panel controls are shown in Figure 3-1.
EX
Decode
Listening
Mode
Custom
Full
3 Stereo3 Stereo
Phantom
Listening
Line
RF
Compression
Navigation
Status
Bypass
Shift
e
e
t
t
o
o
m
m
e
e
R
R
Esc
Enter
Setup
Pro Logic II
Mono
Pro Logic II
Pro Logic
Pro Logic
Stereo
Stereo
(Lo/Ro)
B
B
s
s
(Lo/Ro)
r
r
i
i
g
g
h
h
t
t
n
n
e
e
s
s
Lt/Rt
Downmix
Figure 3-1 Front-Panel Controls
AES11
AES2
Optical
Streaming
Input
2
3
4
Preset
Output Level
DimRef
Master VolumeMaster Volume
Remote
Remote
RS-232
RS-232
The navigation buttons control selection of menu items on the screen display. The
listening mode buttons are for selection of specific monitoring configurations. This
allows monitoring of a program in all the different ways a consumer may listen to it.
The Input buttons are for choosing the source for the DP564. Preset buttons are for
one-touch recall of a complete set of parameter settings previously stored as a preset.
Output-level controls set the volume level for your listening environment. Detailed
explanations of each button function follow.
3.2 Button Functions
Each button on the front panel controls a function or functions in the DP564. These
functions are defined in this section.
Any time a feature is active, the front-panel button associated with that feature is lit.
This is true whether the feature is activated or deactivated manually, or controlled by
program metadata, GPI/O, or a preset configuration.
3.2.1 Navigation
The primary function of each button in this group is printed on the button. To perform
Shift
the alternate function (printed on the panel above or beside the button in yellow text),
press Shift, then the button associated with the desired function. When you press
Shift, that button stays lit until you press another button, or press Shift again to disable
the alternate-function selection.
Bypas
Esc
Enter
Status
Setup
In this group of buttons, there is one function that goes beyond navigation: Bypass. If
the DP564 receives a PCM signal while in bypass mode, it passes the signal straight
to the Left and Right channel outputs with no processing. If the DP564 receives a
Dolby® Digital signal, it decodes the signal, but all further processing is disabled.
This includes dialogue normalization, dynamic range control, and downmixing, as
well as all surround formats, bass management, and channel delays. Channel level
trims and master volume continue to function. When you select Bypass (Shift, then
Esc), bypass mode remains in effect until you disable it by using the same button
combination. When you disable bypass mode, the unit returns to the settings in effect
when you entered bypass mode.
The navigation buttons work in combination with the display screen menus. In setup
menu screens and the Metadata Status, Error Status, and SystemStatus screens, pressing
pressing Esc returns to the next higher menu level. If you are at the top of a menu
Enter enters the submenu for the highlighted selection, and
structure, Esc has no effect. If you change a value for a parameter in the setup menu,
Enter activates the new value and returns to the next higher menu level, and Esc
discards the new value and returns to the next higher menu level. For details on menu
structure, see Chapter 4, Menus.
The default menu at startup is the status menu. The status and setup menus have
separate functions and structures, detailed in Chapter 4, Menus. If you are in a status
menu, Setup changes the display to a setup menu. If you used the setup menu within
the previous five minutes, it returns you to the last setup menu you saw. If you have
not used a setup menu within that time, pressing Setup displays the top-level setup
menu. If you are in a setup menu, Status changes the display to a status menu. If you
are in a setup menu,
Setup brings up the top-level setup menu. If you are in a status
menu, Status brings up the main status menu.
▲ moves the item selection in the display to the next item up. In the setup menu, if
the current menu designates a numerical value, ▲ increases the value to the next
higher increment.
► navigates within and between menus. In the setup menu, ► enters that item’s
B
r
i
g
submenu, unless there is no submenu. In the status menu, ► scrolls to the next
h
t
n
e
s
available menu.
s
Brightness takes you directly to the menu where you can adjust the
intensity of the display.
▼ moves the item selection in the display to the next item down. In the setup menu,
if the current menu designates a numerical value, ▼ decreases the value to the next
lower increment.
e
t
o
m
e
R
◄ navigates between menus. In a multi-layer menu, ◄ returns to the next-higher
menu (same as
Esc). In the top-level status menu, ◄ scrolls to the adjacent menu, (in
the opposite scrolling direction as ►).
DolbyRemote 564 software. When the DP564 is under remote control, Remote ends
remote control and re-activates all front-panel controls.
Note: When the DP564 is under remote control, most front-panel controls are
inactive. In this mode, the Master Volume knob is active, and you can scroll
through the status menus, or press Remote, which ends remote control and reactivates all front-panel controls.
3.2.2 Listening Modes
By reproducing the wide variety of consumer listening environments, listening mode
selections enable you to make sure the audio program is optimized for every listening
situation. The selections are divided into four categories: Downmix, Decode,
Stereo
(Lo/Ro)
Lt/Rt
Listening
Downmix
Use the Downmix buttons to select the downmix you monitor. Lo/Ro downmixes to a
stereo output. Lt/Rt downmixes to a Dolby Surround Pro Logic
output. Lo/Ro and Lt/Rt are unavailable if the Dolby Digital input signal is in audio
coding mode 2/0, 1/0, or if the input signal is PCM.
, and Compression.
Remote invokes remote control by the
®
compatible stereo
Mono
Mono summing is available only if the input is PCM, a Dolby Digital signal in audio
coding mode 2/0, or any other Dolby Digital signal downmixed to Lt/Rt or Lo/Ro.
Decode buttons to select a specific surround-decoding mode.
Note: Dolby Digital decoding is applied whenever a Dolby Digital signal is
received. The Decode buttons offer additional processing options.
EX activates Dolby Digital Surround EX
™
decoding. It is available only when
decoding Dolby Digital bitstreams with stereo surround channels. You must also have
back surround (Bsl, Bsr) speakers selected in the Monitor Configuration
menu.
Pro Logic and Pro Logic II activate those decoding modes, respectively. The
Pro Logic modes are available only if the input is PCM, a Dolby Digital signal in
audio coding mode 2/0, or any other Dolby Digital signal downmixed to Lt/Rt.
Note: To quickly access the display screen to adjust Pro Logic II settings, hold down
the Pro Logic II button for two seconds.
Listening
Use the
systems.
outputs to emulate a speaker system with no center channel.
Listening buttons to simulate different consumer multichannel speaker
Phantom mixes the Center channel signal to the Left and Right channel
3 Stereo mixes the Ls
and Rs channel signals to the front-channel outputs to emulate speaker systems with
no surround speakers. (Ls routes to L, and Rs routes to R.) Full maps all channel
signals directly to the associated outputs. Only one of these modes is active at a time.
Custom
Line
RF
Compression
The Compression buttons can apply the dynamic range control profiles available to
consumers when decoding Dolby Digital audio. Only one of these modes is active at
a time; to disable compression, press the active button.
RF applies the strongest profile available, equivalent to an RF connection to a TV set
or small PC speakers.
Line applies what appears on some consumer decoders as
“light” compression; this is usually the default setting in DVD players and set-top
boxes. Custom allows scaling of the Line profile. The factory setting for Custom is 0
percent. At that setting, selecting
Custom turns off dynamic range compression. To
access the display screen to adjust the percentage setting for custom scaling, hold
down
Custom for two seconds.
Note: When downmixing, the DP564 automatically applies compression at peak
moments to prevent potential signal overload from combining multiple
channels, regardless of whether a compression mode is selected.
Use the Input buttons to select the source for the input signal. Only one of these
buttons is lit at a time, indicating the selected source: AES1, AES2, Optical, or
Streaming. If the selected source receives an invalid signal, the Error LED turns red.
3.2.4 Preset
Preset buttons 1, 2, 3, and 4 recall and store those preset configurations. To recall any
one of those presets, press the associated button and release the button quickly. To
store the current configuration as one of those four presets, pick a preset button and
hold it down for two seconds or more before releasing. This saves the current
configuration and keeps the existing preset name. To rename the preset, use the
menus as described in Section 4.4.3, User Presets.
Caution: When recalling presets 1–4 by pressing the Preset buttons, you must
release the button in less than two seconds, or that preset will reconfigure
to store the current settings.
When you recall preset 1, 2, 3, or 4, the associated button is lit. When you alter any
parameter setting, the button light turns off, because the configuration is no longer
that of the preset.
3.2.5 Output Level
You can control the DP564 output level with the Master Volume knob and the Ref and
Dim buttons. The headphone output has its own dedicated volume-control knob.
Rotate Master Volume to raise and lower the output level incrementally, within a
range of –95 to +10 dB.
output level is 0 dB, Ref is lit, whether the level was set via button or by Master
Volume
menu, as discussed in Section 5.4, One-Touch Output Level Adjustment.
The headphone output volume knob controls the output level to the headphone jack
only, and is not affected by Master Volume, Ref, or Dim.
When any adjustment is made to the master volume, the middle of the screen
momentarily shows the current master volume level.
adjustment. Dim adjusts the output by the amount set in the Dim Gain
Ref resets the output level to 0 dB at one touch. Any time the
Under certain conditions, you may need to reset the DP564. Table 3-1 shows the
button combinations to use in those cases.
Table 3-1 Special Button Functions
Function Action; Result
Press
Hardware Reset
Shift + Esc + ► simultaneously; the DP564 reboots.
Firmware Upgrade
During reboot, press and hold
gives you the option of upgrading the unit firmware or
completing the boot sequence.
Factory Reset
During reboot, press and hold
gives you the option of restoring factory defaults or
completing the boot sequence.
Note: Restoring factory defaults includes all presets and
3.3 LED Indicators
Figure 3-2 shows the LED lights on the front panel. Table 3-2 provides definitions of
the LED indicators.
LED StatusMeaning
Off Not decoding Dolby Digital.
Blue Decoding Dolby Digital.
Off AES reference input is not selected.
Green AES reference input is selected and valid.
Red AES reference input is selected but valid signal is not
Off Remote control is disabled.
Green Remote control is enabled and operating with no errors.
Red Remote control is enabled, but there is a serial
Off All clear.
Red Hardware error.
Off System is passing or decoding audio.
Red An error is preventing the system from passing or
The Remote RS-232 connection port can be used to connect for software updates, or to
a computer running DolbyRemote 564. The DolbyRemote 564 application is far more
efficient, however, when connected via the 100BASE-T port. For details, see Chapter
8, Streaming Server and Remote Software.
3-7
Virtual Dolby Technologies Test DVD Track List
iv
DP564 Multichannel Audio Decoder
Much of the versatility and power of the DP564 lies in its menu structure. This
chapter covers:
• Menu basics
• Hot-key function
• Status menu
• Setup menu
4.1 Menu Basics
Chapter 4
Menus
The screen shows information on the current operating status via the status menu, and
lets you adjust operational settings using the setup menu. In either menu structure, the
title of a menu appears centered above a line at the top of the screen, and information
or menu choices display below the line, as shown in the example in Figure 4-1.
Operating Mode
Decode FormatAuto
DetectionNormal
Stream SelectAuto
AES3 Ch SelAuto
Figure 4-1 Operating Mode Menu
In a menu with more options than lines available on the screen, an arrow appears in
the title bar to indicate that you can see more by scrolling up or down past the visible
items. If menu items are available both above and below the current display, the title
bar displays both up and down arrows, as shown in Figure 4-2.
Metadata Status
LFE Ch Enabled
Data Rate 448 kbps
BSMode Main Comp
Center Dwnmx –3.0dB
Srnd Dwnmx –3.0dB
Dolby Srnd Not Ind
Figure 4-2 Menu Showing Scrolling Options Available Both Above and Below Current Visible Choices
4-1
DP564 Multichannel Audio Decoder Menus
4.2 Hot-Key Functions
Certain front-panel buttons activate a special function when you press and hold the
button for two seconds. We refer to that function as the hot-key function.
No matter what menu you are viewing, there are three front-panel buttons that display
the setup menu for that function when you press and hold the button for two seconds:
Pro Logic II, Custom, and Dim. Holding Custom down is the only way to define the
parameters for custom compression scaling using the front-panel controls, but those
parameters are also adjustable using the DolbyRemote 564 software.
The Preset buttons have a different hot-key function. Holding down any Preset
button for two seconds saves the current configuration but keeps the existing preset
name. To rename the preset, use the menus as described in Section 4.4.3, User
Presets.
Caution: When recalling presets 1–4 by pressing the Preset buttons, you must
release the button in less than two seconds, or that preset will reconfigure
to store the current settings.
4.3 Status Menu
The status menu includes these displays:
• Main status menu
• Output level meters
• Compression meters
• Monitor status
• Metadata status
• Input status
• AES reference input status
• Timecode status
• Error Statistics
• System Status
4.3.1 Main Status Menu
At power-up, the DP564 displays the main status menu. If there is no valid input, the
main status screen shows No Input.
4-2
DP564 Multichannel Audio Decoder Menus
If the selected input is receiving a valid Dolby® Digital signal, the display conveys
important information about the input stream and the decoding status, as shown in
Figure 4-3.
Dolby Digital
48kHz
Dialog
Level
Data Rate 448
Chan Mode 3/2L
-27
00:00:00:00 29ND
PL EX
Preset 1 EB DH
Figure 4-3 Main Status Menu with a Valid Dolby Digital Input
The main box displays the type of input, sample rate, data rate (in kbps), channel
mode, and timecode. Dialogue level displays in the upper right-hand corner.
Timecode information displays according to the option selected in the TimecodeDisplay menu. Timecode information continually updates with the input signal. In the
display mode shown here, the timecode display is hours:minutes:seconds:frames. 29 indicates the frame rate—in this case, 29.97 fps. ND indicates non-drop frame
status. In a drop-frame condition, those letters read DF, and semicolons separate the
timecode units: hours;minutes;seconds;frames. Other options for the timecode
information in the main status menu are the timestamp delay word, or blank.
Complete timecode information is always available in the Timecode Status
menu.
If a preset is in use, the preset number and name display in the bottom left-hand
corner. On the right-hand side, any of the four abbreviations shown in Figure 4-3 may
appear—these indicate metadata parameters in the Dolby Digital stream. All four will
never appear together, as they do in Figure 4-3, because some of those bitstreams are
mutually exclusive. The abbreviations are:
• PL (indicating a 2/0 bitstream is flagged “Dolby Surround encoded”)
• EX (indicating a 5.1, 5.0, or 2/2 bitstream is flagged “Dolby Surround EX
encoded”)
• EB (indicating a bitstream includes extended bitstream information)
• DH (indicating a 2/0 bitstream is flagged as a pre-encoded Dolby Headphone
mix)
If there is a valid PCM signal, the display appears as shown in Figure 4-4.
™
4-3
DP564 Multichannel Audio Decoder Menus
PCM Audio
44.1 kHz
20 Bit
Consumer
Preset 1
Figure 4-4 Main Status Menu with a Valid PCM Input
The space above the line displays the type of input, sample rate, bit depth, and mode
(Professional or Consumer) of the stream. The DP564 accepts inputs up to
96 kHz, downsampling higher sample rates for processing at 48 or 44.1 kHz. Below
the line, you can still see the preset name and number, but the two-letter abbreviations
do not apply to a PCM stream.
4.3.2 Output Level Meters
The output level meters screen displays the level of each audio output signal after all
decoding, downmix, listening-mode, compression-mode, and bass-management
signal processing, but before any channel-level trims or delays.
4.3.3 Compression Meters
The compression meters give a clear visual representation of the way in which the
dynamic range control is working on a Dolby Digital program. This display shows
dynamic range activity for both Line and RF profiles regardless of your Compression
selection. This screen also shows the current dialogue level value in the Dolby Digital
bitstream.
4.3.4 Monitor Status
The Monitor Status menu shows the settings for your current monitor setup,
including speaker configuration, subwoofer presence, crossover frequency (for bass
management), extended bitstream emulation status, and headphone output mode
(stereo or Dolby Headphone profile).
4.3.5 Metadata Status
The Metadata Status menu displays the settings for metadata parameters
received in the Dolby Digital bitstream. Use ▲ or ▼ to select any parameter, and
Enter to view the unabbreviated parameter name and status. You can view extended
bitstream parameter status by scrolling to the bottom of the Metadata Status
menu to select Extended Bitstream, then pressing
about Dolby metadata, see Appendix A, Dolby Metadata.
Enter. For more information
4-4
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