Doepfer A-100NT5 User Manual

SYSTEM A - 100
Owner’s Manual
doepfer Musikelektronik Gmbh
Important safety notes System A - 100
doepfer
E
Inside the A-100 power supply are dangerous vol­tages. It is essential to take careful note of the following safety instructions:
All empty spaces in the rack must be filled with
Before use, the top and bottom covers must also be
The instrument must never be operated outdoors but only in dry, closed rooms. Never use the instrument in a humid or wet environment nor near inflammables.
Warning:
blanking panel, always take the mains power supply plug out. This applies equally to removing
or replacing any panel or module.
blanking panels.
properly fixed in place. If modules are permanently fixed (eg. built into a 19” rack case) then the top of the highest of the rack systems and the bottom of the lowest must have their covers properly fitted.
A
Whenever electrical equipment is used, several basic precautions need to be taken, including the following:
Before using any part of the instrument, read the
The instrument may only be used for the purpose
The instrument may only be operated with the
Before opening the case disconnect the power plug.
All eventual modifications must only be carried out
The instrument must never be operated outdoors
Important safety notes.
instructions and notes carefully.
described in this operating manual. Due to safety reasons, the instrument must never be used for other purposes not described in this manual. If you are not sure about the intended purpose of the instrument please contact an expert.
voltage written on the power input on the rear panel.
by a qualified person who will follow the valid safety instructions. Every modification should becarried out only at the manufacturer or an authorized ser­vice company. Any modification not released by the manufacturer leads to the extinction of the opera­tion permission.
but only in dry, closed rooms. Never use the instru-
ii
doepfer
System A - 100 Important safety notes
ment in a humid or wet environment nor near inflammables.
Do not use this instrument in damp environments, or close to water.
No liquids or conducting materials must get into the instrument. If this should happen the instrument must be disconnected from power immediately and be examined, cleaned and eventually be repaired by a qualified person
Do not use this instrument in close proximity to heat sources such as radiators or ovens. Don’t leave it in direct sunlight.
This instrument must be assembled or installed in a 19” rack in a way that guarantees sufficient ventila­tion and air circulation.
The instrument must not be exposed to temperatu­res above 50°C or below -10 °C. In use, the instrument must be at a minimum temperature of 10 °C.
Keep the top side of the instrument free in order to guarantee proper ventilation, otherwise the instru­ment could be overheated. Never place heavy ob­jects on the instrument.
This instrument can, without any external amplifica­tion or in combination with a headphone or speaker amplifier, produce sound levels which can damage your hearing. Don’t work at high sound levels for prolonged periods of time, and don’t ever use levels which cause discomfort.
The instrument’s mains power supply lead should be disconnected if it is not used for any substantial period. If there is any damage the cables must be repaired or replaced by an authorized person
Do not tread on the mains supply lead.
In disconnecting the lead, pull the plug, not the
cable.
If this instrument is connected to others, check in their manuals for connection instructions.
Make particularly sure that no object falls into the instrument, and that no liquid gets into it.
Transport the instrument carefully, never let it fall or overturn. Make sure that during transport and in use the instrument has a proper stand and does not fall, slip or turn over because persons could be injured
The instrument must be checked and serviced by a qualified technician in the following cases: a. the power supply lead or connector is damaged
in any way,
b. an object or fluid has somehow got into the
instrument, c. the instrument was exposed to rain, d. the instrument stops working properly or starts
to behave erratically, e. the instrument is knocked over or dropped and/
or its case is damaged.
As stated above, there are no user-serviceable parts in the instrument. Refer all repairs to qualified service personnel.
iii
Contents System A - 100
Contents
Important safety notes .......................................... ii
Contents ................................................................. iv
About this manual ................................................... v
Introduction ............................................................ vi
4. A-100 BS Basic Systems
5. Accessories
doepfer
....................
..............................................
13
15
1. Important notes .................................
1.1 Connecting to the electricity supply ........ 1
1.2 Installation .............................................. 1
1.3 Care and maintenance ........................... 1
2. Overall design
2.1 Introduction ............................................ 3
2.2 Installing modules .................................. 4
2.3 Interconnecting modules ........................ 6
3. Signal flow in the A-100
3.1 The principles of voltage control ............ 7
3.2 Signals in the A-100 ............................... 8
3.3 The System Bus in the A-100 ................ 9
3.4 Integrating the A-100 with MIDI ........... 11
iv
............................................ 3
........................
7
6. Items included as standard
1
7. Further reading
8. Module overview
.......................................
.....................................
...............
17
19
21
9. Appendix .......................................... 29
9.1 Adding a 5 V power supply ................... 29
9.2 Installing the AD5 low-cost 5V adaptor 31
9.3 Using the Mini power supply/bus .......... 33
10. Using the modules
H Because the A-100 is a modular system,
each module has its own separate manual, which can be inserted into this ring-binder.
doepfer
System A - 100 About this manual
About this manual
This user manual describes the A-100 modular synthe­sizer system, and explains how to use each section of it.
If this is your first time using the A-100, please make sure you are familiar with all the safety in­structions (eg. pages ii - iv) and important notes (chapter 1).
Because of the modular nature of the A-100, this manual is also designed to be modular.
Chapter 2 (Overall design) describes the physical make-up of the system - and particularly how to install the individual modules into the 19” rack.
Chapter 3 (The A-100 signal flow) details the A-100’s signal path: the basic principles of voltage control, how to bring MIDI into the equation, and the possibilities for voltage-controlled modulation.
Chapter 4 describes the A-100 Basic System. Chapter 5 details accessories. Chapter 6 explains the standard items included. Chapter 7 suggests further reading.
Chapter 8 (Module overview) gives a run-down of the
individual modules presently available, and an idea of their potential uses.
Chapter 9 (Appendix) deals with installing an extra 5V power supply, for modules such as the A-190 and A-191.
Detailed descriptions of the individual modules fol­low, in self-contained chapters, with descriptions, user examples, and patching aids. W hen buying indi­vidual modules, the relevant manual chapters which are included should be inserted into this ring binder.
In the manual, you’ll find various symbols used:
A
H
P
important user and safety advice
note
... diagram numbering of module controls
... diagram numbering of module in / outputs
next step in a list of instructions
practical hint or tip
v
Introduction System A - 100
doepfer
Introduction
In the A-100, Doepfer have produced a capable and versatile analog modular synthesizer, built in the style of the classic modular systems of the seventies.
The renaissance of analog synthesis in the last few years shows that analog sound production has a vital place alongside sampling and digital synthesis, and can produce sounds that are unobtainable by any other means. In addition to the unique sounds of its oscilla­tors, filters, amplifiers, phasers, frequency shifters, wave-modifiers, different control sources, and so on, analog synthesis can provide almost unbounded mo­dulation opportunities, conventional and unconventio­nal - limited only by the number and variety of modules available.
In designing the A-100, our priorities were: good sound quality; ease of integration into a MIDI system; diversity of modules available; and, maybe most important of all, affordability.
Of course, a modular system doesn’t just have advan­tages. Creative work with an audio construction kit like this takes time and practice, especially to start with.
Anyone who wants to be able to check out all its available sounds at the press of a button will be very disappointed with a modular system. Each unique sound has to be puzzled out, and may never be exactly repeated.
Nor are there any fixed rules for connecting the various modules. A modular is an open system, in which practically anything is possible, and that’s where the fun really starts. Diversity and experimentation - and sometimes lateral thinking - are the keys to its power.
Although the user manuals for each module are very comprehensive, they can’t substitute entirely for a ge­neral overview and knowledge of analog synthesis. Some very good specialised books have been written on the subject, and although some may be out of print, it’s crucial to find one or two of them, and learn from them. With that, the whole world of modular systems will open up to you, and you’ll suddenly appreciate their fascination and sheer sonic power.
We hope your A-100 brings you serious pleasure!
July, 2009
doepfer musikelektronik gmbh
vi
doepfer
System A - 100 1. Important notes
1. Important information
A
1.1 Connecting to the electricity supply
As well as the important safety notice (see ii - iii) please also read and take
note of the following points.
The system A-100 must only be connected to the mains voltage that is specified at the back of the A-100 frame (220 V to 240 V / 50 Hz or 110 to 120 V / 60 Hz). If the fuse has to be replaced only the type of fuse specified at the back of the A-100 frame is allowed. If another fuse is used the warranty is void and the A-100 may be damaged. The fuse is located at the mains inlet on the back of the A-100 frame (exception: suitcase version with mains inlet at the front). To replace the fuse one has to disconnect the mains cable and remove the fuse holder (e.g. with the aid of a screw driver). The fuse holder is a small black plastic part that is inserted into the mains inlet. Do not connect the A-100 to a socket or outlet which is also being used by equipment such as electric motors, lighting dimmers, etc, which can cause interference. Use a separate outlet for the A-100.
1.2 Installation
Do not expose the A-100 to rain or moisture.
Operation is allowed only in a dry environment in a closed room but not in the open country.
The installation near a large amplifier or other equipment which uses powerful mains transfor­mers may cause hum.
Do not install the A-100 in close proximity to equip­ment which produces an electromagnetic field (monitors, computers, etc.), to avoid the possibility of mutual interference.
Use in a dusty environment should be avoided.
1.3 Care and maintenance
Apart from cleaning the instrument, no other user­maintenance is recommended, of the modules or system busses. Internal maintenance should be carried out only by qualified technicians (see pages ii - iii: "Important safety notice").
For regular cleaning, use a soft, dry, or slightly damp cloth. To remove dirt, if necessary, use a cloth slightly moistened with a very diluted mild detergent. This should be more than sufficient to clean the instrument. Never use solvents like petrol, alcohol, or thinners.
1
System A -100
Fuse values for different mains voltages and power supplies
Type of power supply
doepfer
2
A-100NT12
Mains voltage
115V 250 mA time lag (slow blow)
230V 125 mA time lag (slow blow)
(standard power supply, 650 mA output
current)
A-100PSU2
(power supply with ring core/toroid
transformer and 1.2A output current)
630 - 800 mA time lag (slow blow)
315 - 400 mA time lag (slow blow)
doepfer
System A - 100 2. Overall design
2. Overall design
2.1 Introduction
The A-100 modular system is based on a standard 19” rack system A-100 G into which individual Modules
can be fitted in any chosen layout.
The rack system (see Fig. 1) conforms to the 19” standard, and consists of two sections each 3U high, tied together by 6U side panels. It contains two system
1
busses ( main electrical supply socket (
), the internal power supply (2) , and the
3
).
4
1
2
1
84 HP
3
3 HU
Module front panels are all 3U high. Their width is measured in HP (1 HP = 5.08 mm). The rack system has a usable width of 84 HP (see Fig. 1). If the modules you install don’t use up the entire 84 HP, then you must cover up the spaces with blanking panels.
In each rack system there are two system bus bars (one for each section), to each of which up to 14 modules can be connected, using ribbon cable. The bus bar serves to supply power to the modules, and also to send control voltages etc. to some of the modules (see Chapter 3).
Fig. 1: A look inside the A-100 G rack system
The rack system power supply produces voltages of +12 V and -12 V and can put out a maximum current of 650 mA. In setting up a modular system, make sure that the total current required by all the modules does­n’t exceed this maximum. If it does, then a second power supply (see Accessories) will need to be instal-
led (at position power supply should be sufficient for a rack system.
4,
Fig.1). As a rule, though, one
3
2. Overall design System A - 100
doepfer
2.2 Installing modules
A
Important:
Before you install a module into the rack system:
D
Calculate the total current requirement of existing modules plus the new mo-
dule/s.
D
Check that this total is less than 1200mA.
D
If it is, the existing power supply is fine.
D
But if the total current requirement is more than 1200 mA, you must install a
second power supply (see Accessories) before installing the module/s. Follow the installation notes that come with the se­cond power supply.
H
Once you’ve checked that there is sufficient current in reserve for the extra module/s, there’s nothing to stop you going ahead and installing them. Read on!
D
D
Ignoring this warning can result in damage to your system, and will void your guarantee!
First of all, take the A-100’s plug out of the wall socket.
Plug the supplied ribbon cable into the module’s
1
bus socket (see 16-way, but some modules only have a 10-way cable. Look carefully at the cable, and then press the appropriate connector onto the module’s bus
2
pins (see
A
in Fig. 2).
Check very carefully that it is connected so that the coloured marking on the ribbon cable is at the bottom of the module’s connector (see connection is perfect, and pushed fully home, not at a slight angle. Failure to check this may result in the module’s instant destruction as soon as the power is turned back on.
in Fig. 2). As a rule, the cable is
3
in Fig. 2), and that the
4
doepfer
System A - 100 2. Overall design
Bus Board
Fig. 3: Connecting the ribbon cable to the bus
board.
Fig. 2: Connecting the ribbon cable to the module
D
Now join the free end of the ribbon cable (see Fig. 3) to the nearest available position on the
1
system bus board (see
A
Check very carefully that it is connected so that the coloured marking on the ribbon cable is at the bottom of the bus connector
3
(see home, not at a slight angle. Failure to check this may result in the module’s instant destruction as soon as the power is turned back on!
in Fig. 3), and it is pushed fully
in Fig. 3).
2
in
H
D
D
D
When you’re installing extra modules, it may be necessary to take another module or two out, to allow you easier access to the bus board.
Place the module carefully into the space in the rack, and fasten it firmly in place with the supplied screws. Put back any covers or blanking plates, and screw them in firmly.
Now plug the system A-100 back into the main power supply, and switch it on.
Test out the newly installed module.
If it doesn’t seem to be working as expected, im- mediately disconnect the system from the power supply again.
5
2. Overall design System A - 100
VCO
A-110
STANDARD VCO
In this case, double-check the connections, making completely sure that the ribbon cable is the right way round where it connects to the module and the bus.
Once your system is assembled and operational, you should make use of the the patch sheets which come with each module.
Photocopy the patch sheets for each of your modules, cut these out, and stick them onto a sheet of paper in the order in which they occur in your system (see Fig.
4). Then photocopy this sheet, and use the copies to note down good settings and patches.
2.3 Interconnecting modules
For connecting modules to each other, you need
3.5 mm) patch leads. You can
mono mini-jack (∅∅∅
obtain patch leads from us (see Accessories in chap­ter 5) in different lengths.
SYNC
CV 1
CV 2
PW CV 1
PW CV 2
A-110
SYNC
CV 1
CV 2
PW CV 1
PW CV 2
0
0
0
010
VCO
STANDARD VCO
0
0
0
0
-2
Range
0
+2
Tune
10
CV 2
10
PW
10
PW CV 2
-2
Range
0
+2
Tune
10
CV 2
10
PW
10
PW CV 2
10
NOISE /
A-118
RANDOM
Whit e
0
Colored
0
0
0
Rand om Control
-
+ Random Output
A-145
Reset In
LFO
0
Frequ. Range
L
M
H
Blue
10
Red
10
Rate
10
Leve l
10
Frequ.
10
A-120
LOW PASS FILTER
CV 1
CV 2
CV 3
Audio I n
Audio Out
A-140
Gate
Retrig.
Output
Output
Invers e Output
HLM
Time
Range
VCF 1
Freq.
10
0
CV 2
10
0
CV 3
010
Lev.
10
0
Res.
10
0
ADSR
A
0
10
D
10
0
S
0
10
R
10
0
ADSR
Control
doepfer
VCA-LIN.
A-130
CV 1
CV 2
Audio In 1
Audio In 2
Audio Out
A-13 8
Input 1
Input 2
Input 3
Input 4
Output
lin
0
0
0
0
0
MIXER
0
0
0
0
0
Gain
10
CV 1
10
In 1
10
In 2
10
Out
10
exp
In 1
10
In 2
10
In 3
10
In 4
10
Out
10
Fig. 4: Example of a personal patch sheet.
6
doepfer
System A - 100 3. A-100 signal flow
3. Signal flow in the A-100
3.1 The Principles of Voltage Control
What makes analogue synthesizers (and modular sy­stems in particular) special is that the important para­meters of the sound sources (VCO, noise, etc.) and modifiers (VCF, VCA, etc.) can be altered not just by hand, but by voltage control.
This principle was turned into reality by the “father of the analogue synthesizer”, Robert Moog, who produ­ced the first commercially available synthesizer in the sixties. It gives vast flexibility and the potential to make sounds that have never been made before.
Fig. 5 shows the principle of voltage control, with examples of control voltages affecting a filter (VCF) and an oscillator (VCO).
In the case of the VCF, the parameter which is being voltage-controlled is the Cut-Off Frequency f amount of control voltage input present changes the cut-off frequency, and thus the frequency of the signal that the VCF lets through - see the shaded area in the diagram.
. The
c
Input
CV
Out
Low Pass Filter
CV Input
f
c
Fre q . Fre q .
Output
f
c
f
c
CV
tt
VCO
Pit ch
CV Input
Output
Fig. 5: The principles of voltage control
In the case of the VCO, it’s the pitch which is control- led by a voltage: an increase of 1 volt corresponds to an increase of one octave in the pitch.
With a sudden change of voltage, the pitch changes suddenly, while with a smoother, continuous change, portamento is created.
7
3. A-100 signal flow System A - 100
doepfer
As well as modules which can be affected by voltage control, there are other modules like the ADSR and LFO which themselves produce voltages to control other modules.
Usually, these modules need a Trigger Signal to bring them into action. For instance, a GATE Signal, corre- sponding to a key being pressed on a keyboard, can set off an ADSR, which then puts out its variable voltage “envelope” to affect other modules (see Fig.
6).
GAT E
ADSR
CV O ut
GAT E
+ 5 V
0 V
CV Out
On
Off
Fig. 6: The envelope generated by an ADSR
3.2 Signals in the A-100
In the System A-100 there are three types of signal:
Audio Signals
Control voltages
Trigger voltages
Audio Signals are produced by the sound source Modules (such as VCO or NOISE), and lie in the range from -5 V to +5 V (10 V let you use external Audio Signals (e.g. Microphone, Electric Guitar, Keyboard).
H
t
To interface satisfactorily, the level of exter­nal Audio Signals must be brought up to the
A-100’s operating level. Module A-119 (External Input), is ideal for this job, having among other things an inter­nal pre-amp, and two inputs of different sen­sitivity.
t
Control voltages, as produced by modulation sources
like the LFO and ADSR, are typically from -2.5 V to +2.5 V (5 V
) for the LFO, and from 0 V to +8 V for
SS
the ADSR.
). The System A-100 can also
SS
8
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