Congratulations, you have just purchased the finest auto stereo amplifier that today´s technology can offer.
DLS offers a series of high quality car audio products for real music lovers, and we are sure that you will
enjoy a high class car sound for many years.
NOTE, read the owners manual first!
To maximize the performance of your system, we recommend that you thoroghly acquaint yourself with it´s
capabilities and features. Please take your time to study this manual before starting the installation. Then
you hopefully know how to do a correct installation avoiding connecting errors that can cause damage to
this fine product. Retain this manual for future reference.
TABLE OF CONTENTS:
Page 21. GENERAL PRODUCT INFORMATION
Page 22. INSTALLATION PREPARATION
Page 22.1 Location
Page 22.2 Power cables
P age 32.3 Signal cab les
P age 3-42.4 Speaker connection, speaker loads, speaker polarity check
P age 42.5 Bridge mode - multimode operation
Page 52.6 Passive crossovers
Page 52.7 Level setting
P age 52.8 Final system setup
P age 52.9 Protection circuits
Page 63. INTERNAL FILTERS
Page 63.1 DS 100
P age 63.2 DQ 200
Page 75. CONNECTION DIAGRAMS DS 100
Page 75.1 DS 100 with one speaker pair in stereo
P age 85.2 DS 100 with two speaker pairs parallel in stereo
P age 85.3 DS 100 with one subwoofer in mono bridge mode
P age 95.4 DS 100 in multimode operation
Page 106. CONNECTION DIAGRAMS DQ 200
P age 106.1 DQ 200 with a front and a rear system in stereo
Page 116.2 DQ 200 with a front system in stereo and a subwoofer in mono bridge
mode
P age 126.3 DQ 200 with a front system in stereo, a rear system in stereo and a
subwoofer in multimode operation.
P age 136.4 DQ 200 with a stereo speaker system connected in bridge mode
P age 146.5 DQ 200 with a 3-way stereo system using the built-in active crossover.
Page 157. SPECIFICATIONS
Page 16For your own notes
CAUTION!
Some of our amplifiers are capable of producing a sound pressure level that can cause permanent
damage to your hearing system. High sound pressure levels combined with long time listening can give
permanent damage to your hearing system. Choose a listening level that is comfortable for your ear.
To establish a safe level:
Start your volume control at a low setting. Slowly increase the volume until you can hear the music
comfortly and clearly, without any distortion. Sudden sound shocks are dangerous.
The following noises can be dangerous with constant exposure:
90 dBSubway, motorcycle, lawn mover4 hours max
100 dBChain saw2 hours max
120 dBRock band liv e concert30 minutes max
140 dBGunshot blast, jet plane0 minutes
- 1 -
GENERAL, POWER CABLING
1. GENERAL PRODUCT
INFORMATION
Thank you for buying a DLS amplifier. The design is
a result of many years of experience and listening
tests.
Only the best components are used in this product.
To ensure maximum performance and reliability,
please follow the instructions and recommendations in the installation section.
2. INSTALLATION PREPARATION
Sections 2 - 4 in this manual are common for both
amplifiers. In section 5 & 6 you will find connection
diagrams f or each amplifier model.
2.1 LOCATION
Careful planning before attempting installation will
repay the small amount of extra time taken. Choose
a location for the amplifier which will allow plenty of
air to circulate around the fins on the top of the case.
Vertical mounting is to prefer. Do not mount the
amplifier upside down under the hat rack.
Mount the amplifier as far aw a y as possible from the
aerial if AM reception is important.
In the amplifier case there are double mounting holes
to make the installation job easier. The screws
supplied in the mounting kit are self drilling when used
in a powerdriver. Should you wish to pre drill the
mounting holes, use a 3,5 mm dr ill. If the hole locations
do not line up with your mounting surface mount a
separate fibre board or similar where you attach the
amplifier. This will also isolate the amplifier chassie
from ground.
NOTE! Bef ore you start drilling, make certain that
there are no fuel or brake lines or wiring looms
behind where you intend to drill.
2.2 POWER CABLES
The DC power wiring is extremely important. It is
essential that the amplifier at all occassions gets all
the power it needs without voltage drop, otherwise
both the dynamics and the good sound will be lost.
A poor battery can also cause a bad sound
reproduction, escpecially in the bass range. Sometimes it is necessary to mount an extra battery.
All cable connections requires a 2 mm hexagon key
to connect the terminals.
In the table below you will find suitable cable areas
and fuse sizes for different cable lenghts.
The gold plated terminals will directly recieve
power cables up to 16 mm2 (5AWG).
Mount a fuse holder (DLS FH 1 or similar) on the DC
-cable near the positive battery terminal. Use the
same cable siz e from the negative amplifier terminal
and connect to the nearest earth point.
Make sure to ha ve a good earth contact, if necessary
clean the metal from paint etc. A poor earth contact
can cause damage to other parts in the system, for
example the head unit if the earth current is f orced to
pass through the shield of the signal cable .
Recommended cable size for the DC-feed.
Cab le length: < 1,5 m1,5 - 5 m> 5 m
Amplifier:
DS 100 10 mm216 mm
DQ 200 16 mm221 mm
Recommended main fuse for the amplifier s:
AmplifierFuse valueFuse holder
DS 100AGU 40 AFH1/FH1B
DQ 200AGU 60 AFH1/FH1B
A cable of a certain size can´t have to large fuse,
then the cable gets too warm before the fuse blow s.
Max fuse values for different cable sizes:
6 mm2 (9 AWG)25 A
10 mm2 (7AWG)40 A
16 mm2 (5AWG)60 A
21 mm2 (4AWG)100 A
33 mm2 (2AWG)140 A
42 mm2 (1AWG) 200 A
If you have more than one amplifier in the system
you must increase the cab le size and fuse compared
to the table . When connecting tw o or more amplifiers
use some of the DLS Fuse blocks with built in fuses
to split the power to each amplifier. The short cable
from the Fuse bloc k to the amplifier can have a smaller size f or easier installation.
Don´t connect to battery before you have double
checked all connections.
Fuse
Fuse block
2
21 mm
2
33 mm
2
2
In most cases a so called ”P ower Cap” can be useful.
It is an energy storage capacitor designed to supplement audio amplifiers during high current demand.
The overall bass response of your audio system will
be enhanced with the use of this due to it´s ability to
store a large amount of current and discharge it in a
short period of time.
- 2 -
Battery 12 V
Two amplifiers
CABLING, SIGNAL CABLES, SPEAKER CONNECTION
2.3 SIGNAL CABLES
DS 100 has one gold plated phono socket pair
provided to recieve the signal from the head unit.
DQ 200 has two phono socket pairs. One for each
amplifier part.
When the amplifier is being operated in bridge mode
both inputs must recieve an input for full power output.
Use high quality interconnects like the DLS SL5 PR O
or similar with an effective shielding that prevents
interference from the engine or alternator. When
using this cable you m ust run a separate wire f or the
remote.
When you run the signal cables remember to keep
them well spaced from the wiring loom and the power
feed to the amplifier to a v oid picking up interf erence.
Lay the power cables and signal cables separated
on each side of the car. Any extra cable must be laid
in zig-zag style and definitely not coiled. Or cut it to
correct lenght.
REMOTE WIRE
Some signal cables include a thin wire for remote
amplifier start. High quality cables normally requires
a separate wire for this. Connect between the head
units remote cable (often the same cable that´s used
for automatic power antennas) and the REM-terminal on the amplifier.
NOTE! If you want to star t more than one amplifier
using the remote output, the current load might be
too high for som head units. High currents may
damage the head unit, check in the manual for the
head unit. Sometimes you must add a relay to the
remote circuit that takes care of the higher current. If
you are uncertain of how to connect the relay, ask
your local DLS dealer for advice.
2.4 SPEAKER CONNECTION
The gold plated terminals will directly recieve
speaker cables up to 6 mm2 (9AWG). Always
use high quality speaker cables such as DLSSC 2x1,5, SC 2x2,5 or SC 2x4. Subwoofer
connection requires 2 x 4 mm2 cable.
Connect the speaker + (marked with + or a red
dot) to the amplifier + terminal, and the speaker
- to the amplifier -.
When fitting the cables to the terminals, remo ve
only 10 mm of the insulation. Twist the wire
strand together and insert the wire after
loosening the terminal screw . Do not over tighten
as this can cut the cable strands. Use a 2 mm
hexagon key to the ter minals.
PROTECT YOUR CABLES!
To prev ent the cable insulation from beeing damaged
over sharp metal edges we recommend the use of
cable protection tubes or similar. A damaged cable
insulation could cause serious damage to the amplifier
not covered by any guarantee.
SPEAKER POLARITY CHECK.
All speakers in a car audio system should be
connected in phase (the same polarity). All speaker
cones must mov e in the same direction. Out of phase
speakers will cause a lack of bass, and a poor stereo
soundstage.
Checking polarity:
Hold the - connection of the speaker wire to the terminal of a 1,5 Volt flashlight battery. Tap the + wire
on to the + terminal of the battery, and observe the
movement of the cone. The cone should move
outwards when the wire touches the battery, and
inwards when the battery is remov ed. If it is the other
way around, the speaker has been connected
backwards and it must be removed and connected
correctly.
If your system also has a subwoofer connected
through a passive 6 or 12 dB crossov er, try to connect
this with v arious polarity and judge what sounds best.
The phase shift in passive crossovers sometimes
makes it necessary to change polarity.
+
Battery
1,5
Volt
+
-
-
NOTE! Tweeters can not be tested this way, doubl e
check the connections instead.
SPEAKER LOADS
Most car audio speakers have a 4 ohm impedance.
DLS amplifiers can be loaded down to 2 ohm on each
stereo channel.
In mono bridge mode operation the speaker load must
never be less than 4 ohm. If you are using more than
one driver they must be connected in a way so the
impedance still is 4 ohm when connected to the
amplifier . When you run the amplifier in mono bridge
mode it sees a 4 ohm load as 2 ohm. On page 4 you
find different speaker wiring e xamples.
Don´t forget that the output power from a multimode
connected amplifier is more than double the normal
power. The speakers m ust be able to handle this
power.
If you want an extra high class speaker cable
choose any of the DLS SCP, SCK, SC 4x1 or
SC 4x1,5 cables.
- 3 -
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1
7
1
7
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SPEAKER LOAD, BRIDGE MODE OPERATION
SPEAKER CONNECTION EXAMPLES
TWO 4 OHM SPEAKERS IN PARALLEL.
++
2 ohm
-
NOTE ! Not for bridge mode operation.
TWO 4 OHMS SPEAKERS IN SERIES.
+
8 ohm
-
Not a recommended way to connect, the pow er is
only half.
+
--
+
-
+
MULTIMODE OPERATION
Multimode operation means that you connect one or
two systems in normal stereo mode and then add
one or more subwoof ers in mono bridge mode to the
same speaker terminals. A center channel can be
connected in the same way.
To avoid amplifier overload you must ALWAYS use
passive filters in multimode operation. The subw oofer
needs a 12 dB lowpass crossover and the stereo
system needs a 6 or 12 dB highpass crossover.
MULTIMODE OPERATION SCHEMATIC
-
Left
channel
+
C1
23456
23456
L
C2
-
+
+
SERIES / PARALLEL TO 4 OHM.
++
+
Each
4 ohm
-
speaker
is 4 ohm
-
+
-
-
+
-
CAUTION!
In mono bridge mode the
speaker impedance must
never be less than 4 ohms.
The amplifiers sees a 4 ohm speaker
as a 2 ohm load.
2.5 BRIDGE MODE OPERATION
Subwoofers are normally connected in mono bridge
mode to the amplifier. This is done by connecting
the speaker + to the amplifiers LEFT+ terminal,
and the speaker - to the amplifiers RIGHT- terminal.
Now the speaker will recie ve a signal that is the sum
of the signals from each channel.
-
-
-
Mono connected
Right
channel
C1
+
+
Right systemLeft system
This drawing shows a mono multimode connected
subwoofer together with a normal stereo system.
The subwoofer crossover frequency is 95 Hz
(12 dB lowpass filter).
The stereo system crossover frequency is 140 Hz
(6 dB highpass filter).
Components with 4 ohm speakers:
C1 = 200 µF
C2 = 300 µF
L = 10 mH with low resistance, 0,5 - 0,7 ohm
Do not use the amplifiers internal lowpass crossover .
Use only the amplifiers internal highpass crossover
as a SUBSONIC filter adjusted to approx. 30 Hz.
subwoofer
- 4 -
PASSIVE FILTERS, LEVEL SETTING, FINAL SYSTEM SETUP
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8
8
8
2.6 PASSIVE CROSSOVERS
12 dB highpass crossover:
+
For maximum use of the DLS amplifiers it´s useful to
know a little about passive crosso ver design. Passive
crossovers are often used for conncting subwoofers
-
in multimode operation or f or center channel speak ers.
To remov e frequencies ov er a certain frequency (the
crossover frequency) use a filter with a 6 or 12 dB
slope. This type of crossover is often used in
combination with a subwoofer.
X-over freq.CoilCapacitor
95 Hz10 mH300 µF
140 Hz6,3 mH200 µF
190 Hz4,7 mH150 µF
All valid for 4 ohm speakers.
6 dB lowpass crossover:
Consists of a coil connected in series with the driver.
NOTE! All DLS amplifier s are equipped with internal
low- and highpass crossovers. External passive
cr ossov ers are used only in multimode operation.
This table shows the crossover frequency of a 6 dB
lowpass filter at different impedances and frequencies .
12 dB lowpass crossover:
Consists of a coil in series and a bipolar capacitor
connected in parallel with the driver.
234567
+
234567
-
X-over freq.CoilCapacitor
62,5 Hz14 mH450 µF
95 Hz10 mH300 µF
140 Hz6,3 mH200 µF
Valid for 4 ohm speakers only.
This type is normally used for subwoofers.
If you w ant to limit the lower frequency response, for
example to a stereo system in multimode operation,
a 6 dB slope crossover is perfect. Just connect a
bipolar capacitor in series with the driver.
6 dB highpass filter:
2.7 LEVEL SETTING
To adapt the amplifier to all kind of signal sources
with varying levels there are gain controls provided
on the amplifier next to the phono sockets. They
should not be used as volume controls.
Start with a ”12 o clock” setting of the le vel controls. I f
you set the head unit volume to 75% of maximum
you should achieve a good sound without distortion.
Find a point of the lev el setting where the distortion is
just discernible. At this point slightly reduce the control
to eliminate the distorsion.
On a multi channel amplifier like the DQ 200 it´s
necessary to adjust the levels indiviually to achie v e a
good sound balance between the different speak ers,
different speakers have different sensitivity. When
using two of the channels for subwoofer operation,
start the level adjustment on these channels. After
having adjusted the bass le v el for good performance,
adjust the level to the front system for a good sound
balance. In multimode operation you can´t adjust the
subwoofer level separately.
2.8 FINAL SYSTEM SETUP
Before connecting the amplifier to the batte y , rechec k
all connections. When you connect the main fuse
you will see a little spark, this is normal. But if the
fuse blows at this moment, something is wrong.
Recheck the cabling.
Turn on your head unit, the amplifier starts and the
red LED is lit. Increase the volume and make sure
all speaker works. Readjust levels and crossover
settings if necessary. The level settings might need
to be readjusted after 25 - 30 hours of use.
This table shows the crossover frequency of a 6 dB
highpass filter at different impedances and frequencies .
The amplifiers hav e an internal high current protection
circuit shutting down the amplifier if the current draw is
too high. It is indicated with a yello w LED . The protection
circuits will reset by turning the head unit off and on
again. There are two 25 Amp fuses on the front.
Disconnect the main fuse bef ore replacing any of these.
Always replace with the same type and v alue.
The amplifiers also have a thermal protection that turns
off the amplifier at 95 C. It will resume operation after
cooling down. If necessary install an external cooling
fan.
- 5 -
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