This device complies with part 15 of the FCC Rules.
Operation is subject to the condition that this device does
not cause harmful interference.
This device complies with INDUSTRY CANADA R.S.S. 210,
en conformité avec IC: RSS-210/CNR210. Operation is subject to the following conditions: 1) This device may not
cause harmful interference and 2) this device must accept
any interference received, including interference which
may cause undesired operation. Changes or
mod
ifications not expressly approved by Audio-Technica
could void your authority to operate this equipment.
CAUTION! Electrical shock can result from removal of
the receiver cover. Refer servicing to qualified service
personnel. No user-serviceable parts inside. Do not
expose to rain or moisture.
The circuits inside the receiver and transmitter have been
precisely adjusted for optimum performance and compliance with federal regulations. Do not attempt to open the
receiver or transmitter. To do so will void the warranty,
and may cause improper operation.
Notice to individuals with implanted cardiac pacemakers
or AICD devices:
Any source of RF (radio frequency) energy may interfere with
normal functioning of the implanted device. All wireless
microphones have low-power transmitters (less than 0.05
watts output) which are unlikely to cause difficulty, especially
if they are at least a few inches away. However, since a “bodypack” mic transmitter typically is placed against the body, we
suggest attaching it at the belt, rather than in a shirt pocket
where it may be immediately adjacent to the me
Note also that any medical-device disruption will cease whenthe RF transmitting source is turned off. Please contact your
physician or medical-device provider if you have any questions,
or experience any problems with the use of this or any other
RF equipment.
dical device.
Introduction
Thank you for choosing an Audio-Technica professional wireless
system. You have joined thousands of other satisfied customers
who have chosen our products because of their quality,
performance and reliability. This wireless microphone system
is the successful result of years of design and manufacturing
experience.
Each DR-1000 Series professional VHF wireles
a receiver and either a body-pack transmitter or a
handheld microphone/transmitter on a specific crystal-controlled
frequency.
Because DR-1000 Series packaging is designed to hold all
versions of the system, some compartments in the carton are
intentionally left empty.
The DR-R11 receiver includes a space-saving switching power
supply that automatically adapts to changes in mains voltage.
Unlike bulky linear power supplies, this switching powe
is lightweight and compact; it uses only a single outlet space.
The versatile DR-T15 UniPak
high-impedance input for instruments, and a low-impedance
input with bias connection for use with dynamic and electret
condenser microphones. The DR-T16 handheld transmitter
features a unidirectional dynamic microphone element.
Both the body-pack and handheld transmitters use internal
9-volt batteries and have Off/Standby/On sw
(level) adjustments and battery-save switches.
™
body-pack transmitter has both a
s system includes
r supply
itches, input Trim
2
See pages 8-9 for illustrations.
Receiver Installation
Location
For best operation the receiver should be at least 3' (1 m)
above the ground and at least 3' (1 m) away from a wall or
metal surface to minimize reflections. Keep the receiver
antennas away from noise sources such as digital equipment,
motors, automobiles and neon lights, as well as away from
large metal objects. In multi-channel systems, position
receivers at least 3' (1 m) apart and keep operating
transmitters at least 6' (2 m) from the receiv
ers to help assure
maximum RF performance.
Output Connection
The receiver provides unbalanced, aux-level output from a
TS (“mono”) phone jack; an output cable is not included. Use
a shielded audio cable with
1
/4" phone plug to connect the
1
/4"
receiver’s AF Out jack to the mixer/amplifier’s aux-level input.
Power Connection
Connect the DC plug on the included AC power adapter to the
DC power input on the back of the receiver. Secure the cord
over the cord hook on the back of the
receiver, to keep the
plug from being detached by an accidental tug on the cord.
Then plug the adapter into a standard 120 Volt 60 Hz AC power
outlet.
(Note that the receiver has no power Off/On switch. The
receiver will be energized whenever the power adapter is
connected and plugged into the AC outlet. Unplug the power
supply from the AC outlet when the system is not in use –
both for safety, and to conserve energy.)
Antennas
A novel “dipole” antenna system on the receiver improves
operation by providing a “ground” element in addition to the
usual “si
gnal” element. Position the two antennas at 90° in the
form of a “V,” or position the left (“signal”) antenna vertically
and the right (“ground”) antenna horizontally, in the shape of
an “L” (Fig. A). Use the position that performs better in your
operating environment. Be certain to extend both antennas to
their full 15" (38 cm) length by holding them at their bases and
pulling out on their caps. Both antenna elements may be
swiveled to the left and right, but do not attempt to rot
ate them
in a screwing/unscrewing motion. To do so may damage the
antenna and/or receiver. For best performance, locate the
receiver so its antennas are in direct line-of-sight to the
transmitter's likely operating position.
Receiver Controls and Functions
Front Panel Controls and Functions (Fig. B)
1.ANTENNAS: Positio
“ground” antenna (1b) as shown in Figure A.
2. POWER INDICATOR: Lights when power is supplied to
the receiver.
3. RF INDICATOR: Lights to show presence of transmitter
signal.
4. AF PEAK INDICATOR: Only lights when audio distortion
is present at maximum modulation. Not affected by
position of Volume control.
n the “signal” antenna (1a) and
Rear Panel Controls and Functions (Fig. C)
5. AUDIO OUTPUT JACK:
1
/4" TS (Tip-Sleeve) or “mono”
phone jack. Use a shielded cable to connect to an
unbalanced aux-level input of a mixer or amplifier.
6. VOLUME CONTROL: Adjusts the audio level at the
1
/4"
output jack. Does not affect AF Peak indicator.
7.CORD HOOK: Loop the cord around the cord hook to keep
the DC plug from pulling out accidentally.
8. POWER INPUT JACK: Connect the DC plug from the
in
cluded AC adapter.
3
Transmitter Setup
Battery Selection and Installation
An alkaline 9-volt battery is recommended. Make certain the
transmitter power switch is Off before installing or changing
batteries.
When inserting the battery, observe correct polarity as
marked inside the battery compartment. The transmitter
housings are designed to prevent incorrect installation of the
battery; do not force the battery in. Reversed batteries may
cause damage to the transmitter.
™
UniPak
1. Slide off the battery cover as shown in Figure D.
2. Carefully insert a fresh 9V alkaline battery, observing polarity
3. Replace the battery cover (Fig. E).
Handheld Transmitter Battery Installation
1. While holding the upper part of the transmitter body just
2. Lift the white “battery keeper” arm until it sticks straight out
Transmitter Battery Installation
markings.
below the ball-screen, unscrew the lower body cover and
slide it downward to expose the battery compartment
(Fig. F). Do not attempt to pull the lower body farther
down, or t
o gain access to the electronics.
from the mic body (no higher). Then carefully insert a fresh
9V alkaline battery, observing polarity markings.
™
UniPak
Connect an audio input device (microphone
Transmitter Input Connection
or guitar cable) to
the input connector on the bottom of the transmitter. The
cable connector latches automatically when inserted into the
transmitter jack. To unlatch and remove the connector, simply
pull up on the connector’s knurled metal collar.
A number of Audio-Technica professional microphones and
cables are available separately, pre-terminated with a UniPak
™
input connector (see “Optional System Accessories” on
page 7).
Transmitting Antenna
The UniPak
™
nsmitter includes a permanently attached
tra
flexible antenna. For best results, allow the antenna to hang
freely and full length from the bottom of the transmitter. If the
received signal is marginal, experiment with different transmitter
positions on your body or instrument; or try repositioning the
receiver. Do not attempt to remove, replace or change the
length of the transmitting antenna.
3. Screw the body back together. Do not overtighten.
Battery Condition Indicator
The red battery condition indicator (Fig. H/I) should light strongly
with a fresh battery. As the battery weakens, the indicator will
grow dimmer. When the indicator becomes very di
m or goes
out, there is little life left in the battery. Replace it at once for
continued operation of the transmitter.
All transmitters feature battery-save switches (Fig. D/F). As
supplied, the switch is set in the High position for maximum
range. Switching to the Low position increases battery life by
reducing power. (Note: Effective range decreases when the
switch is set in Low position.)
4
See pages 8-9 for illustrations.
System Operation
Turn down the receiver volume control and the mixer/amplifier
level before starting up the wireless system. Do not switch on
the transmitter yet.
Receiver on...
Plug the power supply into an AC power source. The green
Power indicator on the front panel will light.
Transmitter on...
When the transmitter is switched on, the receiver’s yellow RF
signal indicator will light. The transmitters have a 3-position
power switch. When t
he switch is set to “Standby” (ST or
ST.BY), the transmitter produces RF with no audio signal. When
the switch is “On,” the transmitter produces both RF and audio.
Excessive audio input to the transmitter will cause the receiver’s red AF Peak indicator to light.
Receiver Volume
Under typical operating conditions, the receiver's volume
control should be turned all the way up, with overall system
audio gain adjusted at the mixer or amplifier.
Input Level Adjustment
Input tr
immer controls in the transmitters enable you to
maximize performance for a particular microphone or guitar
sensitivity, or to adjust for different acoustic input levels.
Adjusting Input Level - UniPak
™
Transmitter
Slide the battery cover off the top part of transmitter and
remove the screwdriver from its clip (Fig. D). Gently turn both
the “MT” (Mic Trimmer) and “GT” (Guitar Trimmer) controls to
their full counterclockwise positions (toward “LO”).
• Microphone: Adju
sting input level
Gently turn only the “MT” (Mic Trimmer) control all the way
up (clockwise, toward “Hi”). Check for excessive gain by speaking/singing into the microphone at typically loud levels while
watching the receiver’s AF Peak indicator. If the AF Peak indicator does light, turn the MT control slightly counterclockwise
until the AF Peak indicator no longer lights with maximum audio
input to the transmitter.
• Guitar/Instrument: Adjusting input level
Gently t
urn only the “GT” (Guitar Trimmer) control all the way
up (clockwise, toward “Hi”). Check for excessive gain by
playing at typically loud levels while watching the receiver’s AF
Peak indicator. If the AF Peak indicator does light, turn the GT
control slightly counterclockwise until the AF Peak indicator no
longer lights with maximum instrument input to the transmitter.
After adjusting input level, return the screwdriver to its clip
and reinstall the battery cover. No fur
ther transmitter gain
adjustments should be needed, as long as the input device
and the acoustic input level are not changed.
Adjusting Input Level - Handheld Transmitter
Unscrew the lower body cover and slide it downward, exposing
the screwdriver and Gain Trimmer control (Fig. G). Remove the
screwdriver from its clip. Gently turn the control to its full
clockwise position (toward the side marked “H”), the factory
setting. Check for excessive gain by speaking/singing in
to the
microphone at typically-loud levels while watching the receiver’s
AF Peak indicator. If the AF Peak indicator does light, turn the
Gain Trimmer control slightly counterclockwise until the AF Peak
indicator no longer lights with maximum audio input to the
mic/transmitter.
Return the screwdriver to its clip and close and secure the
lower body. No further transmitter gain adjustments should
be needed, as long as the acoustic input does not change
significantly.
CAUTION! The small trimmer controls are delicate; use
only the supplied screwdriver. Do not force the trimmers
beyond their normal 190
o
range of rotation.
Return the screwdriver to its storage clip when not in use.
1. Use only fresh alkaline batteries. Do not use “general purpose”
(carbon-zinc) batteries.
2. Position the receiver so that it has the fewest possible
obstructions between it and the normal location of the transmitter.
Line-of-sight is best.
3. The transmitter and the receiver should be as close together as
conveniently possible, but not less than 6' (2 m).
4. Do not place the receiver antennas within 3' (1 m) of another
receiver or antenna.
5. The receive
6. A receiver cannot receive signals from two transmitters at the
same time.
7. In the UniPak
in use should be set to minimum.
r antennas should be kept away from any metal.
™
transmitter, the “MT” or “GT” input control not
Ten Tips To Obtain The Best Results
8. If the receiver output is set too low, the overall signal-to-noise ratio
of the system may be reduced. Conversely, if the volume control
of the receiver is set too high, it may over-drive the input of the
mixer/amplifier, causing distortion. Adjust the outpu
receiver so the highest sound pressure level going into the
microphone (or the loudest instrument playing level) causes no
input overload in the mixer, and yet permits the mixer level
controls to operate in their “normal” range (not set too high or
too low). This provides the optimum signal-to-noise for the
entire system.
9. Turn the transmitter off when not in use. Remove the battery if
the transmitter is not to be used for a period of time.
10. Unplug the receiver
in use.
t level of the
from the AC outlet when the system is not
5
System Operating Frequencies
Frequency Selection
Each transmitter/receiver system operates on a single factory
aligned, crystal-controlled frequency. Available frequencies are
shown in the chart below.
Operating frequency is specified by a two character code,
such as “T2,” in addition to the actual frequency in MHz. The frequency of each transmitter appears on a label on the outside of
the unit. The frequency of each receiver appears on a label on
the rear panel of th
appears on the outer carton. For future reference, please record
them in the space provided below.
e unit and the frequency of each system
ApplicationFreq. CodeFreq. (MHz)
• Traveling frequencies:T2169.505
(Normally work anywhere in the U.S.A. andT3170.245
Canada.)T8171.905
RF Interference
Please note that wireless frequencies are shared with other
radio services. According to Federal Communications
Commission regulations, “Wireless microphone operations are
unprotected from interference from other licensed operations
within the band. If any interference is received by any
Government or non-Gove
microphone must cease operation...”
If you need assistance with operation or frequency selection,
please contact your dealer or the A-T professional division.
Extensive wireless information also is available on the A-T Web
site at www.audio-technica.com.
rnment operation, the wireless
Systems on these frequencies may be combined for up to three simultaneous
operating channels.
For future reference, please record your system information here (the serial numbers
appear near the screwdriver clip in each transmitter, and on the bottom of
each receiver):
Operating Frequency
Freq. CodeFrequency•MHz
Receiver
Model DR-R11Serial Number
Transmitter
Model DR-T1Serial Number
5/6
6
Specifications
OVERALL SYSTEM
Operating FrequencyVHF high band, 169 MHz to 172 MHz
Frequency Stability±0.005%
Modulation ModeFM
Maximum Deviation±15 kHz
Operating Range200' typical
Operating Temperature Range40° F (4° C) to 110° F (43° C)
Frequency Response80 Hz to 13 kHz
RECEIVER
Receiving SystemNon-diversity, single-channel,
Image Rejection50 dB minimum
Signal-to-noise Ratio80 dB at 10 kHz deviation (IEC-weighted),
Total Harmonic Distortion≤1% (10 kHz deviation at 1 kHz)
Sensitivity20 dBµV for 60 dB S/N (IEC-weighted)
Audio Output350 mV (1 kHz modulation, 10 kHz
Output Connector
Power Supply100-240V AC (50/60 Hz) to 12V DC 1A
Dimensions7.48" (190.0 mm) W x 1.65" (42.0 mm) H x
Net Weight11.0 oz (311 grams)
Accessory IncludedPower supply
dual antenna system
maximum modulation 15 kHz
deviation, 100k ohm load)
1
/4" TS (“mono”) phone jack
(center positive) switched mode external
power supply
5.12" (130.0 mm) D
†
UNIPAK™TRANSMITTER
RF Power OutputHigh: 10 mW; Low: 2 mW, typical
Spurious EmissionsUnder Federal Regulations
Dynamic Range≥90 dB, A-weighted
Input ConnectionsHigh impedance, low impedance, bias
Battery (not included)9V (NEDA type 1604) alkaline
Current Consumption30 mA typical
Battery LifeApproximately 15 hours (High);
20 hours (Low), depending on battery type
and use pattern
Dimensions2.56" (65.0 mm) W x 4.33" (110.0 mm) H
x 1.00" (25.4 mm) D
Net Weight (without battery)2.8 oz (78 grams)
HANDHELD TRANSMITTER
RF Power OutputHigh: 10 mW; Low: 2 mW, typical
Spurious EmissionsUnder Federal Regulations
Dynamic Range≥90 dB, A-weighted
Microphone ElementDynamic unidirectional
Battery (not included)9V (NEDA type 1604) alkaline
Current Consumption30 mA typical
Battery LifeApproximately 15 hours (High);
20 hours (Low), depending on battery type
and use pattern
Dimensions9.50" (241.3 mm) long, 2.10" (53.3 mm)
maximum diameter
Net Weight (without battery)12.7 oz (360 grams)
Accessory IncludedAT8456a Quiet-Flex™stand clamp
†
In the interest of st andards development, A.T.U.S. offers full details on its test methods to
other industry professionals on request.
for use between guitar and UniPak™transmitter. 38" long.
OTHER ACCESSORIES
AT8114Foam windscreen for handheld transmitter.
AT8390Premium instrument cable with
Available in a variety of lengths.
AT8456aQuiet-Flex
™
microphone stand clamp for handheld
1
/4" to1/4" phone plugs.
transmitter,5/8"-27 threads.
AT8634Rack-mount adapter kit mounts one ATW-R250 in a single
19" rack space.
ATW-VP10Vinyl UniPak™pouch with belt clip to hold UniPak™transmitter.
7
Figure A (p. 3)
Antennas
Receiver Controls and Functions
Figure B - Front panel controls and functions
Figure C - Rear panel controls and functions
1a
5
234
6
1b
7
8
8
Transmitter Controls and Functions
BAT T.
ONOFF
ST.BY
INPUTPOWER BATT. ANT
OFF
ONST
Microphone
Trimmer (MT)
Guitar Trimmer
(GT)
�
Battery-Save Switch
(under screwdriver clip)
Figure DFigure E
Battery Polarity
Diagram
Battery Polarity
Diagram
�
Figure F
Figure G
Power Switch
Off/Standby/On
Battery Condition
Indicator
Screwdriver
Battery-Save
Switch
Gain Trimmer
Battery Condition
Indicator
Input
Connector
Figure H
Antenna
Figure I
Power Switch
On/ Standby/Off
9
Two (2) Year Limited Warranty on Wireless System Components
Digital Reference®brand wireless system components (receivers, transmitters, microphones, cables) made by Audio-Technica, purchased in the
U.S.A., are warranted for two years from the date of purchase by Audio-Technica U.S., Inc. (A.T.U.S.) to be free of defects in materials and
workmanship, including implied warranties of merchantability or fitness for a particular purpose, subject to normal use and ser
to the original owner from the date of purchase. In event of such defect, product will be repaired promptly without charge or, at our option, replaced
a new product of equal or superior value if delivered to A.T.U.S. or an Authorized Service Center, prepaid, together with the sales slip or other proof
of purchase date. Prior approval from AT.U.S. is required for return. This warranty excludes defects due to normal wear, abuse, shipping damage, or
re to use product in accordance to instructions. This warranty is void in the event of unauthorized repair or modification, or removal or defacing of
failu
the product labeling.
Except to the extent precluded by applicable state law, A.T.U.S. will have no liability for any consequential, incidental, or special damages; any
warranty of merchantability or fitness for a particular purpose expires when this warranty expires.
Retailer and manufacturer shall not be liable for dam
or commercial loss or any other incidental or consequential damages including but not limited to lost profits, downtime, goodwill, damage to or
replacement of equipment and property, and any costs of recovering, reprogramming, or reproducing any program or data stored in equipment that
is used with Digital Reference
Some states do not allow limitations on how long an implied warranty lasts, so the above limitation may not apply to you.
For return approval and shipping information, contact the Service Department:
Audio-Technica U.S., Inc.
1221 Commerce Drive
Stow, Ohio 44224
Outside the U.S.A., please contact your local dealer for warranty details.
®
products.This guarantee gives you specific legal rights: you may have other legal rights which vary from state to state.
ages based upon inconvenience, loss of use of product, loss of time, interrupted operation
vice, for two (2) years
Consumer Alert
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone
system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at
a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device.
Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules
are subject to change. For more information, call the FCC at 1-888- CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC’s wireless
microphone website at www.fcc.gov/cgb/wirelessmicrophones