DigiDesign D-Command User Manual

D-Command
Version 7.0
Copyright
© 2006 Digidesign, a division of Avid Technology, Inc. All rights reserved. This guide may not be duplicated in whole or in part without the express written consent of Digidesign.
Avid, Digidesign, Pro Tools and Pro Tools|HD are either trademarks or registered trademarks of Avid Technology, Inc. in the US and other countries. All other trademarks contained herein are the property of their respective owners.
Product features, specifications, system requirements, and availability are subject to change without notice.
PN 9106-18919-00 REV A 07/06
Warning
This product contains chemicals, including lead, known to the State of California to cause cancer and birth defects or other reproductive harm.
handling
Wash hands after
Communications & Safety Regulation Information
Compliance Statement
The models D-Command and XMON comply with the following standards regulating interference and EMC:
• FCC Part 15 Class A
• EN55103 – 1, environment E4
• EN55103 – 2, environment E4
• AS/NZS 3548 Class A
• CISPR 22 Class A
• ICES-003 Class A
Canadian Compliance Statement:
This Class A digital apparatus complies with Canadian ICES-003 Cet appareil numérique de la classe A est conforme à la norme NMB-003 du Canada.
CE Compliance Statement:
Digidesign is authorized to apply the CE (Conformité Europénne) mark on this compliant equipment thereby declaring conformity to EMC Directive 89/336/EEC and Low Voltage Directive 73/23/EEC.
Australian Compliance:
Radio and Television Interference
This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules.
Communications Statement
This equipment has been tested to comply with the limits for a Class A digital device. Changes or modifications to this product not authorized by Digidesign, Inc., could void the Certification and negate your authority to operate the product. This product was tested for CISPR compliance under conditions that included the use of peripheral devices and shielded cables and connectors between system components. Digidesign recommends the use of shielded cables and connectors between system components to reduce the possibility of causing interference to radios, television sets, and other electronic devices.
Safety Statement
This equipment has been tested to comply with USA and Canadian safety certification in accordance with the specifications of UL Standards: UL60065 7th /IEC 60065 7th and Canadian CAN/CSA C22.2 60065:03. Digidesign Inc., has been authorized to apply the appropriate UL & CUL mark on its compliant equipment.
Warning
Important Safety Instructions
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11) Only use attachments/accessories specified by the manufacturer.
12) Unplug this apparatus during lightning storms or when unused for long periods of time.
13) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
Do not attempt to service the equipment. There are no user-serviceable parts inside. Please refer all servicing to authorized Digidesign personnel.
Any attempt to service the equipment will expose you to a risk of shock and will void the manufacturer’s warranty.
SPECIAL WARNING REGARDING VENTILATION:
Do not install D-Command anywhere or in any way that blocks free air flow at any time around the back panel of the unit.
SPECIAL WARNING REGARDING AMBIENT TEMPERATURE:
Before powering on the D-Command unit, be sure to allow it to reach room temperature. The unit includes some components that are senstive to cold temperatures, so it is recommended that you unpack the unit and allow it to acclimate before turning it on for the first time.
This symbol on the product or its packaging indicates that this product must not be disposed of with other waste. Instead, it is your responsibility to dispose of your waste equipment by handing it over to a designated collection point for the recycling of waste electrical and electronic equipment. The separate collection and recycling of your waste equipment at the time of disposal will help conserve natural resources and ensure that it is recycled in a manner that protects human health and the environment. For more information about where you can drop off your waste equipment for recycling, please contact your local city recycling office or the dealer from whom you purchased the product.

Contents

Part I Introduction
Chapter 1. Introduction to D-Command
D-Command Features
D-Command System Components
System Expansion Options
Operational Requirements
Connection Requirements
System Requirements
Chapter 2. D-Command Overview
D-Command Main Unit
D-Command Fader Module
D-Command XMON Interface
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Part II Installation
Chapter 3. Setting Up the Fader Module
Assembling an Expanded System
Chapter 4. Connecting D-Command
D-Command Connections
Audio Connections
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Chapter 5. Configuring D-Command
Starting Up and Shutting Down the System
Software Configuration
Setting D-Command Preferences
System Calibration
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Part III Reference
Chapter 6. Channel Strip Controls
Channel Strips
Global Controls Section
Miscellaneous Controls
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Contents
v
Chapter 7. Plug-in Controls
Plug-ins and D-Command
Dynamics Section
EQ Section
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
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Chapter 8. Transport and Navigation Controls
Transport Section
Zoom/Navigate Section
Nudge/Bank Section
Chapter 9. Management Sections
Window Management Section
Session Management Section
Soft Keys Section
Chapter 10. Monitor and Meter Sections
Monitor Section Controls
Meter and Time Code Displays (Main Unit)
Setting D-Command Meters for Different Reference Levels
Chapter 11. Operating Modes
Normal Mode
Custom Fader Modes
Entering Utility Mode
Navigating Utility Mode
Exiting Utility Mode
D-Command System Info Page
D-Command Name Page
D-Command Test Pages
Resetting D-Command to Factory Defaults
D-Command Preferences
25-Pin Female Connector Pinouts
15-Pin Connector Pinouts
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Tech Pubs Style Guide
vi
Part I: Introduction

Chapter 1: Introduction to D-Command

Welcome to the D-Command™ worksurface for Digidesign® ICON systems.

D-Command System Components

D-Command provides hands-on control of Pro Tools®, and offers powerful options for customizing the Pro Tools mix en­vironment.

D-Command Features

The D-Command system provides controls for most Pro Tools recording, editing and mixing tasks, and a versatile re­mote-controlled audio monitoring system.

Control Features

• Touch-sensitive, motorized 100mm faders
• Touch-sensitive, multi-purpose rotary controls
• Dedicated controls for assignment and activation of inputs, outputs, inserts and sends
• Flexible display of pan, insert, send, plug-in and mic pre controls
• Dedicated EQ and dynamics plug-in control sections
• Dedicated controls for all channel strip functions including recording and input monitoring modes, mute, solo, and channel select
• Dedicated controls for automation mode, enable and safe status
• Custom Fader Mode for flexible channel and parameter mapping
• Full transport and navigation controls, including location commands and scrub/shuttle capability

Monitoring Features

• 6-channel control room monitoring system supports mono through 5.1 surround monitoring, with up to 5 possible in­put sources and 3 selectable output paths
• 2-channel cue system with 4 separate outputs and selectable talkback feed
• Built-in talkback microphone and external talkback mic In­put
• Standalone mode for monitoring without Pro Tools
• External source metering
The following components are included in a D-Command 8-channel or 24-channel system:

Main Unit

• D-Command Main Unit
• AC power cord
• Ethernet cable
• Ethernet “crossover” cable (for direct connection to CPU without a hub)
• Ethernet loopback plug (for Ethernet testing)
• 9/64-inch hex driver (for removing side panels)
• 5/32-inch hex driver (for connecting Main Unit and Fader Module)

Fader Module

(Required for 24-Channel System)
• D-Command Fader Module unit
• AC power cord
• Ethernet cable

XMON Monitoring System

• XMON Interface
• AC power cord
• XMON cable

System Expansion Options

An additional 16-channel Fader Module can be added to D-Command, for a total of 24 faders. For details on D-Com­mand expansion and customization options, visit the Digide­sign Web site (www.digidesign.com).
Chapter 1: Introduction to D-Command
3

Operational Requirements

Temperature and Ventilation

D-Command should be installed and operated in a cli­mate-controlled environment, away from heat sources, and with adequate ventilation. D-Command should be operated at an ambient temperature that does not exceed 100 degrees F (35 degrees C).
The back panel and the front half of the bottom panel of each unit should be exposed to ambient air. Blocking or partially blocking the back panel or bottom panel of a D-Command unit may cause the unit to malfunction and may void your warranty.
Audio Connections
All external analog audio inputs and outputs for control room monitoring and studio communication are connected to the XMON interface. D-Command connects to the XMON inter­face with a single 15-pin cable (included). All analog inputs and outputs on the XMON use DB-25 connectors.
Audio Cables for D-Command Monitoring
Digidesign offers a range of DigiSnake cabling options for con­necting Digidesign interfaces and external sources to the XMON monitoring system. For details, visit the Digidesign Web site (www.digidesign.com).

Water and Moisture

D-Command units should be operated away from sources of moisture or humidity and should be protected from liquid spills.

Cleaning and Maintenance

If you need to clean the D-Command top surface, apply a non-chlorine bleach based cleaning solution to a cloth or pa­per towel, then carefully wipe the surface. Do not use abra­sives, cleaning solutions with chlorine bleach, or spray clean­ers.

Connection Requirements

Power Connections
Each unit (D-Command Main Unit, Fader Module, and XMON Monitor Interface) requires its own power connection.
Make sure your power source is correctly rated for the number of units you are connecting. A surge protected power source (not included) is highly recommended.

System Requirements

D-Command requires the following system components:
• Pro Tools|HD® system (which includes at least one Pro Tools|HD audio interface)
An expanded Pro Tools|HD system is required for higher track counts.
For complete system requirements, visit the Digidesign Web site (www.digidesign.com).
Compatibility Information
Digidesign can only assure compatibility and provide support for hardware and software it has tested and approved. For a list of Digidesign-qualified computers, operating systems, and third-party devices, refer to the Digidesign Web site (www.digidesign.com).
Ethernet Connections
Each D-Command unit communicates with Pro Tools using Ethernet. A single Main Unit can be connected to the host computer without an Ethernet hub. To connect multiple D-Command units to the host computer, a 10-BaseT Ethernet hub (not included) is required.
D-Command Guide
4

Chapter 2: D-Command Overview

D-Command Main Unit

Main Unit Top Panel
Meter
section
Rotary Encoder
section
Channel Strip
Display controls
Channel Strip
Mode controls
Talkback Microphone
Dynamics Section
EQ Section
Main Time Scale display
Monitor Section
Miscellaneous controls
Soft Keys section
Channel
faders
Modifier
keys
Figure 1. D-Command Main Unit top panel
Global controls
Automation Mode controls
Transport
Section
Custom Fader controls
Window Management section
Session Management section
Zoom/Navigation section
Nudge/Bank section
Chapter 2: D-Command Overview
5

Meter Display

Soft Keys Section

The Meter display on the D-Command Main Unit can be set to show the output levels, or levels associated with a track or plug-in. See “Meter and Time Code Displays (Main Unit)” on page 87.

Main Time Scale Display and Location Indicator

The Main Time Scale display and Location indicator mirrors the Main Time Scale in Pro Tools. See “Meter and Time Code Displays (Main Unit)” on page 87.

Dynamics and EQ Sections

The D-Command Main Unit provides dedicated Dynamics and EQ sections for plug-ins that support Dynamics and EQ plug-in mapping. See “Plug-ins and D-Command” on page 45.

Monitor Section

The Monitor section on the D-Command Main Unit includes a full set of controls for the control room, headphone/cue, and talkback/listenback sections of D-Command. See “Moni­tor Section Controls” on page 79.

Zoom/Navigation Section

The Zoom/Navigate section on the D-Command Main Unit is used to control navigation, display, and selections in the Pro Tools Edit window. See “Zoom/Navigate Section” on page 67.

Nudge/Bank Section

The Nudge/Bank section on the D-Command Main Unit is used to control the display of Pro Tools tracks on the control surface. See “Nudge/Bank Section” on page 67.
The Soft Keys section on the D-Command Main Unit provides access to a wide range of Pro Tools commands directly from the control surface. It also provides access to preferences and settings specific to D-Command. See “Soft Keys Section” on page 71.

Transport Section

The Transport section on the D-Command Main Unit in­cludes a full set of transport controls, switches for setting the transport mode, scrub/shuttle controls, as well as advanced audition and locate controls. See “Transport Section” on page 63.

Global Controls

The Global controls are a set of channel-related controls in the center of the D-Command Main Unit, allowing easy access to powerful assignment, display, and channel function controls. See “Global Controls Section” on page 35.

Custom Fader Controls

The Custom Fader mode switches on the D-Command Main Unit invoke a special set of D-Command modes, called
tom Fader modes
nel strips for display and editing of a variety of functions. See “Custom Fader Controls” on page 39.
, which let you set aside and customize chan-
Cus-

Automation Mode Controls

The Automation Mode controls mirror the function of the on-screen Automation Mode selector for each track, and let you change automation modes during playback. See “Auto­mation Mode Controls” on page 40.

Window Management and Session Management Sections

The Window Management and Session Management sections on the D-Command Main Unit include controls for opening and closing Pro Tools windows, and managing and saving Pro Tools sessions. See “Window Management Section” on page 69 and “Session Management Section” on page 70.
D-Command Guide
6
Main Unit Back Panel

Power switch

AC Power

Figure 2. D-Command Main Unit back panel connectors
AC Power
The AC Power connector accepts a standard AC power cable. The D-Command Main Unit is auto power-selecting (100V to 240V) and automatically works with a standard modular power cord when connected to an AC receptacle in any country.
Power Switch
The Power switch applies power to the D-Command Main Unit.

Footswitch Jack

The footswitch jack on the back panel of the D-Command Main Unit is a 1/4-inch TRS jack that supports two footswitch connections. See “Footswitch Connections” on page 16.
Footswitch jack

Ethernet connector

XMON Monitoring System
connector
Ethernet Connector
The Ethernet connector on the back panel of the D-Command Main Unit provides communication to Pro Tools. See “Ether­net Connections” on page 15.

XMON Monitoring System Connector

The 15-pin connector on the back panel of the D-Command Main Unit provides remote control of all audio monitoring functions from the D-Command Monitoring section. See “XMON Monitoring System Connection” on page 17.
Chapter 2: D-Command Overview
7

D-Command Fader Module

Fader Module Top Panel
Meter
section
Rotary Encoder
section

Channel Strip

Mode controls
Channel Strip
Function controls
Channel faders

Modifier keys

Figure 3. D-Command Fader Module top panel

Meter Section

The Meter section on the D-Command Fader Module can dis­play track levels, plug-in meters, and other parameters de­pending on D-Command metering preferences.
Channel Strip
Each channel strip on the D-Command Fader Module has identical channel controls, including two touch-sensitive ro­tary encoders, display and mode controls, and a touch-sensi­tive fader. See “Channel Strips” on page 29.
Modifier Keys
Each D-Command Fader Module has a set of four switches in its lower left corner that duplicate the function of the Pro Tools computer keyboard modifiers. See “Modifier Key Switches” on page 34.
Channel Strip
Fader Module Back Panel

AC Power

The AC Power connector accepts a standard AC power cable. The D-Command Fader Module is auto power-selecting (100V to 240V) and automatically works with a standard modular power cord when connected to an AC receptacle in any country.

Power Switch

The Power switch applies power to the Fader Module.

Ethernet Connector

The Ethernet connector on the back panel of the D-Command Fader Module provides communication to Pro Tools. See “Ethernet Connections” on page 15.
D-Command Guide8

D-Command XMON Interface

XMON
D-Command monitoring is based on the XMON analog interface, which is remotely controlled from the D-Command monitoring section.
XMON Front Panel
XMON
Power
Figure 4. XMON front panel
switch

Mute indicator

Mute button

MIDI Receive indicator

Power Switch

The Power switch applies power to the XMON Interface.
Mute Indicator
The Mute indicator shows the mute status of XMON.
MIDI Receive Indicator
The MIDI Receive indicator shows MIDI activity between XMON and D-Command.
Mute Button
The Mute button mutes all XMON outputs. It is not possible to unmute XMON with this button. The XMON mute state can only be cleared from the D-Command Monitor section (see “Monitor Section Controls” on page 79).
Chapter 2: D-Command Overview 9
XMON Back Panel
The back panel of the XMON interface includes connectors for all external analog audio inputs and outputs for D-Command. See “Audio Connections” on page 17.
Cue Inputs
Cue Outputs
Figure 5. XMON back panel
Main Inputs Surround Inputs Stereo Inputs
Main Outputs Alt Outputs Talkback/ Meter Calibration Control Surface AC Power
Listenback/ Utility
Screws
D-Command Guide10
Part II: Installation

Chapter 3: Setting Up the Fader Module

Front bracket Center bracket Rear bracket
10-32 x 3/4-inch socket cap screw
6-32 x 3/8-inch
Philips pan head screw
This chapter explains how to add the Fader Module to the D-Command Main Unit.
Placement of D-Command Fader Module
When placing the D-Command Fader Module in studio furni­ture or on a table top, make sure to account for the dimen­sions of the assembled system, allowing for at least 1 inch (2.5 cm) of open space behind the finished unit. This meets the ventilation requirements for the D-Command units.
When bracketing together your system, you will need addi­tional clearance on either side of the unit to push the Fader Module and the Main Unit together, as well as sufficient clear­ance in front and behind the units to allow you to attach the brackets. You will also need access to the rear of the unit to make cable connections.
The Fader Module is designed to be attached to the left of the D-Command Main Unit.

Assembling an Expanded System

The D-Command Main Unit can be attached to the D-Com­mand Fader Module, using the front, middle, and rear brack­ets included with the D-Command Fader Module.
Assembly Hardware
The following hardware is provided with the D-Command Fader Module (spare pieces may be included).
Brackets
• Front Bracket
• Center Bracket
• Rear Bracket
Figure 2. D-Command expanded system connecting brackets
Screws
• (10) 10-32 x 3/4-inch socket cap screw
• (4) 6-32 x 3/8-inch Philips pan head screw
Front bracket Center bracket Rear bracket
Figure 1. D-Command with Fade Module (bottom view)
Figure 3. Screws for D-Command connecting brackets
Chapter 3: Setting Up the Fader Module 13
Attaching the Units
D-Command
To attach the D-Command Fader Module to the Main Unit:
1 Remove the plastic end cap from the left end of the Main
Unit.
2 Place the Fader Module to the left of the Main Unit, and
press the D-Command units together.
3 Slide both units forward far enough to have complete access
to the front bracket screw holes.
4 Attach the front bracket, using four 10-32 3/4-inch socket
cap screws.
When bracketing together a D-Command system, leave all screws on the Fader Module loose enough to allow you to ad­just the position of the units relative to each other. After all three brackets are installed, and the units are pressed fully together, you will fully tighten the Fader Module screws.
5 Slide the connected units backwards far enough to have
complete access to the rear screws.
6 Remove the four Philips head screws indicated in Figure 4.
Fader Module
Remove screws
Figure 4. Rear view of D-Command and Fader Module
7 Attach the rear bracket, using four 10-32 3/4-inch socket cap
screws and four 6-32 x 3/8-inch Philips pan head screws.
8 Carefully slide the connected units forwards far enough to
have complete access to the center bracket screw holes.
9 Attach the center bracket, using two 10-32 3/4-inch socket
cap screws.
10 Press the D-Command units together. If necessary, use a
ratcheting nylon strap to press the units together by running the strap around the two units. Make sure the nylon strap does not contact any switches or encoders on the surface.
11 Tighten the bracket screws on the Fader Module.
12 Attach the plastic end cap to the Fader Module.
D-Command Guide14

Chapter 4: Connecting D-Command

D-Command Connections

D-Command units require power and Ethernet connections to operate with Pro Tools. An optional footswitch connection is also available on the Main Unit. The connectors on the back panel of the D-Command Main Unit are shown in Figure 5.
Be sure to make all connections with your D-Command units and computer turned off.
Ethernet connector
Footswitch jack
Figure 5. D-Command Main Unit back panel connectors
Power Connections
Each D-Command unit (Main Unit and Fader Module) and the XMON Monitor Interface requires its own power connec­tion. D-Command Main Units, Fader Modules, and XMON In­terfaces are auto power-selecting (100V to 240V) and automat­ically work with a standard modular power cord when connected to an AC receptacle in any country. A power cable is provided with each D-Command unit and the XMON interface.
To make D-Command power connections:
For each D-Command unit and the XMON Interface, con-
nect the included AC power cord the unit and to a power source.
XMON Monitoring System connector
Ethernet Connections
Each D-Command unit communicates with Pro Tools using Ethernet. An Ethernet cable is included with each D-Com­mand unit.
A 10-BaseT Ethernet hub (not included) is required to connect multiple D-Command units to the host computer.
To connect a single D-Command unit:
Connect one end of the supplied crossover Ethernet cable to
the port on the back of the D-Command unit, and the other end to the Ethernet port on the computer.
To connect multiple D-Command units:
1 Install the Ethernet hub according to its instructions, apply
power to it, and verify that it is functioning properly.
2 Connect the Ethernet hub to the Ethernet port on your
computer.
3 For each D-Command unit, connect one end of the supplied
Ethernet cable to a port on the Ethernet hub, and the other end to the Ethernet port on the back of the unit. Do not use any port labelled for LAN connections.
Connection sequence to the Ethernet hub does not mat­ter, because the order of the units can be configured from within Pro Tools.
Chapter 4: Connecting D-Command 15

Using D-Command on an Ethernet Network

Footswitch Connections
You can purchase a combined 10/100-BaseT Ethernet hub that can simultaneously support D-Command over 10-BaseT and other network traffic over 100-BaseT. This will let you use D-Command over a local area network.
Moderate network traffic (such as e-mail) should not affect communication between D-Command and the computer. If your network experiences heavy traffic, you may want to cre­ate a dedicated Ethernet network for D-Command.

Controlling Pro Tools Systems Over a Network

When D-Command is connected to an Ethernet network, it will be available to be declared by any Pro Tools system on that network. This lets you control different Pro Tools systems on the network with a single D-Command console. (You can only control one Pro Tools system at a time.)
You can connect two SPST (single-pole, single-throw) foot­switch units to the D-Command Main Unit to control any of the following functions:
• Starting and stopping Pro Tools playback
• Starting Pro Tools recording
• Toggling Talkback on and off
The footswitch connector is a single 1/4-inch TRS jack on the back panel of the D-Command Main Unit.
To wire a TRS connector for the D-Command footswitch jack:
Use the following wiring convention: Tip = Footswitch 1,
Ring = Footswitch 2, Sleeve = Ground.
D-Command Guide16

Audio Connections

D-Command monitoring is based on the XMON analog interface, which is remotely controlled from the D-Command monitor­ing section. All external analog audio inputs and outputs for control room monitoring and studio communication are connected to the XMON interface.
XMON provides 18V phantom for its three external mic inputs (External Talkback Mic, Listen Mic 1, Listen Mic 2).
All audio connections are made with standard DB-25 connectors. The back panel of the XMON is shown in Figure 6.
Cue Inputs
Cue Outputs
Figure 6. XMON back panel
Main Inputs Surround Inputs Stereo Inputs
Main Outputs Alt Outputs Talkback/ Meter Calibration Control Surface AC Power
Listenback/ Utility
Screws
XMON Monitoring System Connection
D-Command connects to XMON with a single 15-pin XMON cable. A 50-foot (15.25 m) cable is included with the D-Command Main Unit. The system supports up to an 80-foot (24.5 m) cable.
To connect the XMON to D-Command:
1 Connect the included AC power cord to the back panel of the XMON and to a power source. A surge protected power source
is highly recommended.
2 Connect one end of the included XMON cable to the Control Surface port on your XMON unit, and the other end to the 15-pin
XMON Monitoring System connector on the back panel of the D-Command Unit.
Chapter 4: Connecting D-Command 17
Control Room Monitoring Connections
AFL/PFL
Input
(2 channels)
Main Input
(6 channels)
Surround
Input
(6 channels)
Stereo 1
Input
(2 channels)
Stereo 2
Input
(2 channels)
Stereo 3
Input
(2 channels)
Listen
Mic 1
Level
AFL/PFL
Level
Input Source Select
Pro Tools Solo Command
Σ
Level, Dim, Solo, Mute, Trim + Cal
Mono
Summing
Control Room Output Select
[To Cue System]
Main Output (6 channels)
Alt Output (6 channels)
Mini Output (2 channels)
Listen
Mic 2
Figure 7. Control room monitoring system block diagram
Level

Inputs

• Main Inputs (6 channels), balanced, +4 dBu (from Pro Tools)
• Surround Inputs (6 channels), balanced, +4 dBu
• Stereo 1 Inputs (2 channels), balanced, +4 dBu/–10dBV
• Stereo 2 Inputs (2 channels), balanced, +4 dBu/–10dBV
• Stereo 3 Inputs (2 channels), balanced, +4 dBu/–10dBV
• AFL/PFL Inputs (2 channels), balanced, +4 dBu
• Listen Mic 1 (external), mic level (XMON provides 18V phantom power)
• Listen Mic 2 (external), mic level (XMON provides 18V phantom power)

Outputs

• Main Control Room Outputs (6 channels), balanced or unbalanced, +4 dBu
• Alt Control Room Outputs (6 channels), balanced or unbalanced, +4 dBu
• Mini Control Room Outputs (2 channels), balanced or unbalanced, +4 dBu
D-Command Guide18
Headphone/Cue System Connections
Main Monitor
Input
(2 channels)
[from Control Room System]
Cue 1
Input
(2 channels)
Cue 2
Input
(2 channels)
Σ
Σ
Σ
Talkback/Slate Out (1 channel)
Cue 1 Out (2 channels)
Cue 2 Out (2 channels)
HP Out (2 channels)
Internal
Internal
Talkback
Input
External
Talkback
Input
Figure 8. Headphone/Cue system block diagram
Talkback
Level
External
Talkback
Level
Talkback
switch Talkback
Σ

Inputs

• Main Monitor Input (2 channels)
• Cue 1 Input (2 channels), balanced, +4 dBu
• Cue 2 Input (2 channels), balanced, +4 dBu
• Internal Talkback Mic (from internal mic)
• External Talkback Mic, mic level (XMON provides 18V phantom power)

Outputs

• Cue 1 (2 channels), +4 dBu
• Cue 2 (2 channels), +4 dBu
• Headphone (2 channels), to internal headphone jack
• Studio Loudspeaker (2 channels)
• Talkback/Slate Output (1 channel)
Assign
Σ
Studio LS (2 channels)
Chapter 4: Connecting D-Command 19
D-Command Guide20
Chapter 5: Configuring D-Command

Starting Up and Shutting Down the System

Your D-Command-based system must be started up and shut down in a specific order.
Start your D-Command-based system in this order :
1 Turn on external hard drives first. Wait 10 to 15 seconds for
them to come up to speed.
2 Turn on the D-Command units.
3 If you plan to work with MIDI equipment, turn on MIDI in-
terfaces and other MIDI devices.
4 Turn on all Pro Tools audio interfaces.
5 Turn on the computer.
6 Turn on the XMON interface.
7 Turn on monitor amplifiers or self-powered speakers.
Shut down your D-Command-based system in this order:
1 Turn off monitor amplifiers or self-powered speakers.
2 Turn off the XMON interface.
Software Configuration
All D-Command software is included when Pro Tools software is installed. The Pro Tools software installer places the D-Com­mand Personality folder on the system drive.
Refer to the Getting Started Guide that came with your system for instructions on installing or updating Pro Tools software.
Updating System Firmware
Each release of Pro Tools software includes the most current D-Command firmware. When you declare a D-Command unit in the Pro Tools Peripherals dialog, Pro Tools compares the firmware of all connected units to the version available in Pro Tools software, and prompts you if an update is available.
If you are prompted to update firmware, follow the on-screen instructions to load the latest firmware to each D-Command unit.
Declaring D-Command Units in Pro Tools
Communication between D-Command and Pro Tools is con­figured from Pro Tools.
3 Turn off all Pro Tools audio interfaces.
4 Shut down the computer.
5 If using MIDI equipment, turn off MIDI interfaces or con-
trollers.
6 Turn off the D-Command units.
7 Turn off external hard drives.
To declare D-Command units in Pro Tools:
1 Choose Setups > Peripherals, and click Ethernet Controllers.
Ethernet Controllers display in the Peripherals dialog
2 Select Enable. Pro Tools scans the Ethernet connection for
any Ethernet controllers connected to the system.
Chapter 5: Configuring D-Command 21
3 Select the units in the order you want them arranged left to
right.

Setting D-Command Preferences

It is not necessary to declare units in the same sequence as they are physically arranged.
As each unit is selected, Pro Tools scans it and brings it online. The current status of each unit is indicated in the Peripherals dialog in the following ways:
• Bold indicates a connected unit.
• Italics indicate an offline or disconnected unit.
• Underlining indicates that the selected unit is in use by another Pro Tools system.
4 After declaring one or both units, click OK to close the Pe-
ripherals window.
When communication is established, Pro Tools displays col­ored outlines identifying each bank of Pro Tools tracks.
The colors in each unit row are used to identify controller fo­cus on-screen in Pro Tools. The bank, track, insert, send, or other element currently the focus of D-Command is outlined in the color associated with each unit.
Naming D-Command Units in Pro Tools
You can set the names for D-Command units from Pro Tools.
This section describes the settings and preferences for D-Com­mand that are set directly from the control surface. For details on preferences that are set from Pro Tools, refer to the Pro Tools Reference Guide.
Fader and Switch Preferences
The following settings and preferences affect operation of the faders and switches on D-Command.
Bank Justification
The Bank Justification preference determines whether banks of channels in Normal mode are left-, center-, or right-justi­fied on the control surface.
To set bank justification:
1 Press the Operation switch in the Console Prefs Soft Keys
section.
2 Press the Soft Key that corresponds to “BnkJus” to choose
between the “Left,” “CentrL,” “CentrR,” and “Right” settings.
3 Press the Operation Console Prefs Soft Key switch twice to
exit.
To name D-Command units in Pro Tools:
1 Choose Setup > Peripherals, and click Ethernet Controllers.
2 Click Name Units.
Naming D-Command units
3 Enter the names for the units and click OK.
You can also set the names for D-Command Main Units and Fader Modules directly from the units themselves, by using Utility mode. For details on naming D-Command units in Utility mode, see “D-Command Name Page” on page 102.
Custom Fader Justification
The Custom Fader Justification preference determines whether channels in Custom Fader mode are left-, center-, or right-justified on the control surface.
To set Custom Fader justification:
1 Press the Operation switch in the Console Prefs Soft Keys
section.
2 Press the Soft Key that corresponds to “CF Jus” to choose be-
tween the “Left,” “CentrL,” “CentrR,” and “Right” settings.
3 Press the Operation Console Prefs Soft Key switch twice to
exit.
D-Command Guide22

Maximum Custom Fader Bank Size

Encoder Preferences
The Maximum Custom Fader Bank Size preference determines the number of channels to be used when displaying channels in the Custom Fader modes. Options are 4 and 8 faders for a Main Unit, and 4, 8, 16 and 24 faders for an expanded system.
To set the maximum Custom Fader bank size:
1 Press the Operation switch in the Console Prefs Soft Keys
section.
2 Do one of the following:
• To increment the maximum number of channel strips used by the Custom Fader modes, press the Soft Key that corresponds to “Max CF.”
• To decrement the maximum number of channel strips used by the Custom Fader modes, hold Shift and press the Soft Key that corresponds to “Max CF.”
3 Press the Operation Console Prefs Soft Key switch twice to
exit.

Select Switch Latch Mode

The Select Switch Latch mode determines whether channel Select buttons follow latching or non-latching (exclusive-or) behavior when in Select mode.
To set the Select switch mode:
1 Press the Operation switch in the Console Prefs Soft Keys
section.
2 Press the Soft Key that corresponds to “Select” to toggle the
setting between the “Latch” and “ExclOr” (non-latching) set­tings.
3 Press the Operation Console Prefs Soft Key switch twice to
exit.
The following preferences affect operation of the rotary en­coders on D-Command.

Rotary Encoder Mode

The Rotary Encoder mode affects responsiveness of rotary en­coder knobs. Fixed mode is at normal resolution. The velocity modes set different rates of encoder acceleration. In Fine mode, response is fixed and at fine resolution.
To set the Rotary Encoder mode:
1 Press the Operation switch in the Console Prefs Soft Keys
section.
2 Press the upper Soft Key that corresponds to “Rotary” to step
through the “Fixed,” “Vel-Sl” (velocity-sensitive, slow), “Vel-Md” (velocity-sensitive, medium), “Vel-Fa” (velocity-sen­sitive, Fast), and “Fine” settings.
3 Press the Operation Console Prefs Soft Key switch twice to
exit.

Encoder Order

The Encoder Order preference determines whether inserts, sends, and pan controls will be displayed in order from top-to-bottom or bottom-to-top on D-Command rotary en­coders.
To set the Encoder Order preference:
1 Press the Operation switch in the Console Prefs Soft Keys
section twice.
2 Press the Soft Key that corresponds to “Encod” to toggle the
setting between “Bot-Tp” (bottom-to-top ordering) and “Tp-Bot” (top-to-bottom ordering).

Faders On/Off

The Faders On/Off preference lets you temporarily turn off D-Command faders to prevent fader movement when moni­toring a mix.
To toggle D-Command faders on and off:
1 Press the Operation switch in the Console Prefs Soft Keys
section twice.
2 Press the Soft Key that corresponds to “Faders” to toggle all
faders on and off.
3 Press the Operation Console Prefs Soft Key switch to exit.
3 Press the Operation Console Prefs Soft Key switch to exit.
Chapter 5: Configuring D-Command 23
Display Preferences
Meter Preferences
The following preferences affect the interaction of D-Com­mand with on-screen display of elements in Pro Tools.

Target Track from Application

The Target Track from Application preference determines whether selecting an Insert or Send on-screen makes its track the focused track on the D-Command Main Unit. For details on focusing a track on D-Command, see “Focusing a Track” on page 91.
To set the Target Track from Application preference:
1 Press the Operation switch in the Console Prefs Soft Keys
section twice.
2 Press the Soft Key that corresponds to “ApTrgt” to toggle the
setting between “Yes” and “No.”
3 Press the Operation Console Prefs Soft Key switch to exit.

Channel Window Display

The Channel Window display preference determines whether displaying plug-in or send pan parameters (by pressing an en­coder Select switch) on D-Command opens the corresponding plug-in or send window on-screen in Pro Tools.
This preference also determines whether the Channel Select switches in the Dynamics or EQ sections change the channel display of multi-mono plug-ins.
When this preference is set to “Yes,” the on-screen display
of plug-in and send windows changes to reflect the state of the control surface.
When this preference is set to “No,” the on-screen display of
plug-in and send windows does not change to reflect the state of the control surface.
The following preferences affect operation of the meters on D-Command.

Send Meters On/Off

The Send Meters On/Off preference toggles send metering on and off. Send levels are displayed on the LED rings surround­ing the D-Command rotary encoders. This metering follows Send pre- or post-metering settings in Pro Tools.
To toggle send meters on and off:
1 Press the Meters switch in the Console Prefs Soft Keys sec-
tion.
2 Press the Soft Key that corresponds to “SndMtr” to toggle
the setting On and Off.
3 Press the Meters Console Prefs Soft Key switch to exit.

Insert Meter On/Off

The Insert Meters On/Off preference toggles insert metering on and off. This preference applies when inserts are displayed on the LED rings surrounding the D-Command rotary encod­ers.
To toggle insert meters on and off:
1 Press the Meters switch in the Console Prefs Soft Keys sec-
tion.
2 Press the Soft Key that corresponds to “InsMtr” to toggle the
setting On and Off.
3 Press the Meters Console Prefs Soft Key switch to exit.
To set the Channel Window display preference:
1 Press the Operation switch in the Console Prefs Soft Keys
section.
2 Press the Soft Key that corresponds to “ChanWn” to toggle
this setting between “Yes” and “No.”
3 Press the Operation Console Prefs Soft Key switch twice to
exit.
D-Command Guide24
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