REC Modes28
PLAY Mode33
Changing the Contents of the Monitor Screen34
Attaching the Strap .................................................... 36
Using the Lens Cap ................................................... 37
Power Requirements ................................................. 37
Using the Rapid Charger37
To load the battery42
To replace the battery46
Power Supply Precautions46
Using AC Power49
Turning the Camera On and Off51
Configuring Power Saving Settings52
Using the On-screen Menus ...................................... 53
Configuring Display Language and Clock Settings ... 56
To configure display language and clock settings57
3
INTRODUCTION
59BASIC IMAGE RECORDING
Recording an Image ................................................... 59
Specifying the Recording Mode59
Aiming the Camera61
Recording an Image62
Using Zoom ................................................................ 66
Optical Zoom66
Digital Zoom67
Using the Flash .......................................................... 69
Flash Unit Status72
Changing the Flash Intensity Setting72
Using Flash Assist73
Using the Self-timer ................................................... 75
Using the Built-in ND Filter ........................................ 90
To turn the ND filter on and off90
Adjusting White Balance ............................................ 91
Configuring the White Balance Setting Manually92
Specifying the Exposure Mode .................................. 94
Using Aperture Priority AE94
Using Shutter Speed Priority AE96
Setting Exposure Settings Manually97
Using Manual Assist On-screen Guidance99
Exposure Mode Recording Precautions100
Using the BEST SHOT Mode .................................. 100
Creating Your Own BEST SHOT Setup102
To delete a BEST SHOT user setup104
Recording a Movie ................................................... 104
Specifying Movie Image Quality105
Recording a Standard Movie (Movie Mode)106
Recording Past Action (Past Movie Mode)107
Recording a Short Movie (Short Movie Mode)108
4
INTRODUCTION
Instant Movie Setups
(MOVIE BEST SHOT Mode) ..................................... 111
Using the Histogram ................................................. 116
REC Mode Camera Settings .................................... 118
Specifying ISO Sensitivity119
Selecting the Metering Mode120
Using the Filter Function121
Specifying Outline Sharpness121
Specifying Color Saturation122
Specifying Contrast122
Turning the On-screen Grid On and Off123
Turning Image Review On and Off123
Using Icon Help124
Assigning Functions to the [] and [] Keys125
Specifying Power On Default Settings125
Resetting the Camera127
Using the Shortcut Menu (EX Menu) ....................... 128
Installing the Lens Hood and a Lens Filter .............. 129
Memory Data ............................................................ 197
DCF Protocol197
Memory Folder Structure197
Image Files Supported by the Camera199
200 USING THE CAMERA WITH A COMPUTER
Using the Camera with a Windows Computer ........ 200
About the bundled CD-ROM200
Computer System Requirements202
Managing Images on a PC204
Retouching, Reorienting, and Printing a Snapshot207
Playing a Movie209
Editing a Movie212
Viewing User Documentation (PDF Files)213
User Registration214
Exiting the Menu Application214
Using the Camera with a Macintosh Computer ....... 215
About the bundled CD-ROM215
Computer System Requirements216
Managing Images on a Macintosh217
Viewing User Documentation (PDF Files)218
To register as a camera user218
219 APPENDIX
Menu Reference ....................................................... 219
• The contents of this manual are subject to change
without notice.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss resulting from
the use of this manual.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any loss or claims by third parties
which may arise through the use of the EX-P505.
• CASIO COMPUTER CO., LTD. shall not be held
liable for any damages or losses suffered by you or
any third party due to the use of Photo Loader and/or
Photohands.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss caused by
deletion of data as a result of malfunction, repairs, or
battery replacement. Be sure to back up all important
data on other media to protect against its loss.
• Note that the example screens and product
illustrations shown in this User’s Guide may differ
somewhat by the screens and configuration of the
actual camera.
• The SD logo is a registered trademark.
• Windows, Internet Explorer, Windows Media, and
DirectX are registered trademarks of Microsoft
Corporation.
• Macintosh is a registered trademark of Apple
Computer, Inc.
•
MultiMediaCard is a trademark of Infineon
Technologies AG of Germany, and licensed to the
MultiMediaCard Association (MMCA).
• Adobe and Reader are either registered trademarks
or trademarks of Adobe Systems Incorporated in the
United States and/or other countries.
• Ulead is a trademark of Ulead Systems, Inc.
• Other company, product and service names used
herein may also be trademarks or service marks of
others.
• Photo Loader and Photohands are the property of
CASIO COMPUTER CO., LTD. Except as stipulated
above, all copyrights and other related rights to these
applications revert to CASIO COMPUTER CO., LTD.
8
INTRODUCTION
■ LCD Panel
The LCD panel is a product of the latest LCD
manufacturing technology that provides a pixel yield of
99.99%. This means that less than 0.01% of the total pixels
are defective (they do not turn on or always remain turned
on).
■ Copyright Restrictions
Except for the purposes of your own personal enjoyment,
unauthorized copying of snapshot files, movie files, and
audio files violates copyright laws and international
contracts.
Distribution to third parties of such files over the Internet
without permission of the copyright holder, whether for
profit or for free, violates copyright laws and international
contracts.
Features
• 5.0 million effective pixels
The CCD provides 5.25 million total pixels of very highresolution for crisp, clear, prints and display images.
• 2.0-inch TFT color LCD swivel monitor screen
• 40X zoom (page 66)
5X optical zoom, 8X digital zoom
• High-resolution movie recording with audio (page 104)
VGA size, 30 fps, MPEG-4 AVI format
• A choice of movie modes (page 104)
Movie modes include a standard Movie mode, a Past
Movie mode (movie starts from five seconds before the
shutter button was pressed), and Short Movie mode
(movie is a preset length that starts before the shutter
button was pressed and ends after it is pressed), and a
MOVIE BEST SHOT mode (instant camera setup based
on MOVIE BEST SHOT sample scenes).
• MOTION PRINT (page 141)
Capture frames from a movie and create still images that
are suitable for printing.
• 7.5MB flash memory
Images can be recorded without using a memory card.
9
INTRODUCTION
• Ex Finder view (page 32)
The Ex Finder view provides you with a wealth of
information on the monitor screen as you compose your
images.
• Ex Menu (page 128)
Ex Menu gives you short-cut menu access to four
frequently-used settings.
• Multi Auto Focus (page 83)
When “Multi” is selected for the Auto Focus area, the
camera takes simultaneous meter readings at seven
different points and automatically selects the best one.
• Movable Auto Focus (AF) Area (page 82)
You can move the focus area to the location you want.
• Manual Assist (page 99)
Follow the on-screen guidance when configuring manual
exposure settings.
• Support for SD memory cards and MMC (MultiMedia
Cards) for memory expansion (page 166)
• BEST SHOT (page 100)
Simply select the sample scene that matches the type of
image you are trying to record and the camera performs
troublesome setups automatically for beautiful pictures
every time.
• Triple Self-timer (page 75)
The self-timer can be set up to repeat three times,
automatically.
• Real-time RGB histogram (page 116)
An on-screen histogram lets you adjust exposure as you
view the effect on overall image brightness, which makes
shooting under difficult lighting conditions easier than
ever before.
• World Time (page 162)
A simple operation sets the current time for your current
location. You can select from among 162 cities in 32 time
zones.
• Audio Snapshot Mode (page 114)
Use this mode to record snapshots that also include
audio.
• After Recording (page 147)
Use this mode to add audio to snapshots after you record
them.
• Selectable Sound Settings (page 157)
You can configure different sounds to play whenever you
turn on the camera, press the shutter button half-way or
all the way, or perform a key operation.
• DCF Data Storage (page 197)
DCF (Design rule for Camera File system) data storage
protocol provides image compatibility between the digital
camera and printers.
10
INTRODUCTION
• Digital Print Order Format (DPOF) (page 174)
Images can be printed easily in the sequence you want
using a DPOF compatible printer. DPOF can also be used
when specifying images and quantities for printing by
professional print services.
• PRINT Image Matching
Images include PRINT Image Matching
setting and other camera setup information). A printer that
supports PRINT Image Matching
adjusts the printed image accordingly, so your images
come out just the way you intended when you recorded
them.
• PictBridge support (page 177)
Connect directly to a PictBridge compatible printer and
you can print images without going through a computer.
• Transfer images to a computer simply by connecting the
camera with a USB cable (pages 183, 200)
• USB 2.0 Hi-Speed protocol support (pages 184, 192)
This camera supports USB 2.0 Hi-Speed protocol.
Though it can be used with a computer that supports only
USB 1.1 protocol, higher speed data transfer becomes
possible when USB 2.0 Hi-Speed is supported.
• Connect the camera to a TV with the AV cable and use
the TV screen for image recording and viewing (page
149)
III
Compatible (page 182)
III
data (mode
III
reads this data and
• Ulead Movie Wizard SE VCD (page 212)
Bundled Ulead Movie Wizard SE VCD software lets you
edit movie files on your computer and create Video CDs.
Software can be upgraded to convert files so they can be
played by a DVD player.
• Bundled with Photo Loader and Photohands (pages 204,
207, 216)
Your camera comes bundled with Photo Loader, the
popular application that automatically loads images from
your camera to your PC. It also comes with Photohands,
and application that makes image retouching quick and
easy.
11
INTRODUCTION
Precautions
General Precautions
Be sure to observe the following important precautions
whenever using the EX-P505.
All references in this manual to “camera” refer to the
CASIO EX-P505 Digital Camera.
• Never try to take pictures or use the built-in display while
operating a motor vehicle or while walking. Doing so
creates the risk of serious accident.
• Never try to open the case of the camera or attempt your
own repairs. High-voltage internal components create the
risk of electric shock when exposed. Always leave
maintenance and repair work up to a CASIO authorized
service center.
• Keep the small parts and accessories of this camera out
of the reach of small children. If swallowed accidentally,
contact your physician immediately.
• Never fire the flash in the direction of a person operating
a motor vehicle. Doing so can interfere with the driver’s
vision and create the risk of accident.
• Never fire the flash while it is too close to the subject’s
eyes. Intense light from the flash can cause eye damage
if it is fired too close to the eyes. This is especially true
with young children. When using the flash, the camera
should be at least one meter (3.3´) from the eyes of the
subject.
• Keep the camera away from water and other liquids, and
never let it get wet. Moisture creates the risk of fire and
electric shock. Never use the camera outdoors in the rain
or snow, at the seashore or beach, in the bathroom, etc.
• Should foreign matter or water ever get into the camera,
immediately turn it off. Next, remove the camera’s battery
and/or unplug the AC adaptor power cord from the power
outlet, and contact your dealer or nearest CASIO
authorized service center. Using the camera under these
conditions creates the risk of fire and electric shock.
• Should you ever notice smoke or a strange odor coming
out of the camera, immediately turn it off. Next, taking
care you do not burn your fingers, remove the camera’s
battery and/or unplug the AC adaptor power cord from the
power outlet, and contact your dealer or nearest CASIO
authorized service center. Using the camera under these
conditions creates the risk of fire and electric shock. After
making sure there is no more smoke coming from the
camera, take it to your nearest CASIO authorized service
center for repair. Never attempt your own maintenance.
12
INTRODUCTION
• Never use the AC adaptor to power any other device
besides this camera. Never use any other AC adaptor
besides the one that comes with this camera.
• Never cover the AC adaptor with a quilt, blanket, or other
cover while it is in use, and do not use it near a heater.
• At least once a year, unplug the AC adaptor power cord
from the power outlet and clean the area around the
prongs of the plug. Dust build up around the prongs can
create the risk of fire.
• If the camera’s case should ever become cracked due to
dropping it or otherwise subjecting it to rough treatment,
immediately turn it off. Next, remove the camera’s battery
and/or unplug the AC adaptor power cord from the power
outlet, and contact your dealer or nearest CASIO
authorized service center.
• Never use the camera inside of an aircraft or in any other
area where its use is prohibited. Doing so creates the risk
of accident.
• Physical damage and malfunction of this camera can
cause the data stored in its memory to be deleted. Always
keep backup copies of data by transferring them to
personal computer memory.
• Never open the battery cover, disconnect the AC adaptor
from the camera, or unplug the AC adaptor from the wall
socket while an image is being recorded. Doing so will not
only make storage of the current image impossible, it can
also corrupt other image data already stored in file
memory.
13
INTRODUCTION
■ Test for proper operation before using the
camera!
Before using the camera to record important images, make
sure you first record a number of test images and check the
results to ensure that the camera is configured correctly
and operating properly.
■ Data Error Precautions
• Your digital camera is manufactured using precision
digital components. Any of the following creates the risk
of corruption of data in file memory.
— Removing the battery or memory card while the
camera is performing a record or memory access
operation
— Removing the battery or memory card while the
operation lamp is still flashing after you turn off the
camera
— Disconnecting the USB cable while a data
communication operation is being performed
— Low battery power
— Other abnormal operations
Any of the above conditions can cause an error message to
appear on the monitor screen (page 229). Follow the
instructions provided by the message to eliminate the
cause of the error.
■ Operating conditions
• This camera is designed for use in temperatures ranging
from 0°C to 40°C (32°F to 104°F).
• Do not use or keep the camera in the following areas.
— In areas subject to direct sunlight
— In areas subject to high humidity or dust
— Near air conditioners, heaters, or other areas subject
to temperature extremes
— Inside of a closed vehicle, especially one parked in the
sun
— In areas subject to strong vibration
14
INTRODUCTION
■ Condensation
• When you bring the camera indoors on a cold day or
otherwise expose it to a sudden change of temperature,
there is the possibility that condensation can form on the
exterior or on interior components. Condensation can
cause malfunction of the camera, so you should avoid
exposing it to conditions that might cause condensation.
• To keep condensation from forming, place the camera
into a plastic bag before moving it into a location that is
much warmer or colder than your current location. Leave
it in the plastic bag until the air inside the bag has a
chance to reach the same temperature as the new
location. If condensation does form, remove the battery
from the camera and leave the battery cover open for a
few hours.
■ Power Supply
• Use only the special NP-40 rechargeable lithium ion
battery to power this camera. Use of any other type of
battery is not supported.
• This camera does not have a separate battery for the
clock. The date and time settings of the camera are
cleared whenever power is totally cut off (from both the
battery and AC adaptor). Be sure to reconfigure these
settings after power is interrupted (page 56).
■ Lens
• Never apply too much force when cleaning the surface of
the lens. Doing so can scratch the lens surface and cause
malfunction.
• Fingerprints, dust, or any other soiling of the lens can
interfere with proper image recording. Never touch the
lens with your fingers. You can remove dust particles
from the lens surface by using a lens blower to blow them
off. Next, wipe the surface of the lens with a soft lens
cloth.
• You may sometimes notice some distortion in certain
types of images, such as a slight bend in lines that should
be straight. This is due to the characteristics of lens, and
does not indicate malfunction of the camera.
■ Other
• The camera may become slightly warm during use. This
does not indicate malfunction.
• If the exterior of the camera needs cleaning, wipe it with a
soft, dry cloth.
15
QUICK START GUIDE
QUICK START GUIDE
First, charge the battery!
1.
Charge the rechargeable lithium ion battery (NP-40)
that comes with the camera (page 37).
• Note that the shape of the rapid charger depends on the
area where you purchased the camera.
• It takes about two hours to achieve a full charge.
1
1
2
2
Power Cord Type
[CHARGE] lamp lights red
during charging.
[CHARGE] lamp turns
green when charging is
complete.
[CHARGE] lamp lights
red during charging.
[CHARGE] lamp turns
green when charging
is complete.
Plug-in Type
16
QUICK START GUIDE
2.
Load the battery into the camera (page 42).
1
2
3
Stopper
17
QUICK START GUIDE
To configure display language and clock settings
• Be sure to configure the following settings
before using the camera to record images.
See page 56 for details.
1
1
2, 3, 4, 5, 6, 7, 8, 9
1.
Open the monitor screen to turn on the camera.
• You can also turn on the camera by pressing the power button.
2.
Press [왖] to select the language you want.
3.
Press [SET] to register the language setting.
4.
Use [왖], [왔], [왗], and [왘] to select the geographical
area you want, and then press [SET].
5.
Use [왖] and [왔] to select the city you want, and then
press [SET].
6.
Use [왖] and [왔] to select the summer time (DST) setting
you want, and then press [SET].
7.
Use [왖] and [왔] to select the date format setting you
want, and then press [SET].
8.
Set the date and the time.
9.
Press [SET] to register the clock settings and exit the
setting screen.
18
QUICK START GUIDE
1920N
2560
05/1212
24
12
38
0.0
To record an image
Snapshot mode icon
Operation lamp
3
1920N
2560
+
–
+
0.0
2
05/
/24
:
38
12
Focus frame
See page 59 for details.
1
3
4,5
Before using a commercially available memory card, be sure
to first format it using the camera’s formatting procedure. For
details about formatting a memory card, see page 169.
1.
Remove the lens cap from the lens.
2.
Open the monitor screen to turn on the camera.
• You can also turn on the camera by pressing the power
button.
3.
Align the mode dial with “” (Snapshot mode).
• This causes “” (Snapshot mode) to appear on the
monitor screen.
4.
Point the camera at the subject, use the monitor
screen to compose the image, and then press the
2
shutter button half way.
• When the camera finishes its Auto Focus operation, the
focus frame will turn green and the operation lamp will light
green.
5.
Holding the camera still, gently press the shutter
button all the way down.
19
B
QUICK START GUIDE
To view a recorded image
See page 130 or details.
1
1
3
1.
Open the monitor screen to turn
on the camera.
• You can also turn on the camera by
pressing the power button.
2.
Align the mode dial with “”
(PLAY mode).
3.
Use [왗] and [왘] to scroll
through the images.
To delete an image
See page 152 or details.
1
1
2
2
3, 4, 5, 6
1.
Open the monitor screen to turn on the camera.
• You can also turn on the camera by pressing the power button.
2.
Align the mode dial with “” (PLAY mode).
3.
Press [왔] ().
4.
Use [왗] and [왘] to display the image you want to delete.
5.
Use [왖] and [왔] to select “Delete”.
• To exit the image delete operation without deleting anything, select
“Cancel”.
6.
Press [SET] to delete the image.
20
QUICK START GUIDE
To turn off the camera
See page 51 or details.
1
1
1.
Position the monitor screen inwards to turn
off the camera.
• You can also turn off the camera by pressing the
power button.
21
GETTING READY
GETTING READY
This section contains information about things you need to
know about and do before trying to use the camera.
About This Manual
This section contains information about the conventions
used in this manual.
■ Terminology
The following table defines the terminology used in this
manual.
This term as used in
this manual:
“camera”
“file memory”
“battery”
“rapid charger”
Means this:
The CASIO EX-P505 Digital
Camera
The location where the camera
is currently storing images you
record (page 62)
The NP-40 Rechargeable
Lithium Ion Battery
The CASIO BC-30L Rapid
Charger
This term as used in
this manual:
“a REC mode”
“digital noise”
Means this:
The currently selected recording
mode (Snapshot, BEST SHOT,
Aperture Priority AE, Shutter
Speed Priority AE, Manual
Exposure, Movie, Short Movie,
Past Movie, MOVIE BEST SHOT)
Tiny flecks or “snow” in a
recorded image or on the
monitor screen, which makes
the image look grainy.
■ Button Operations
Button operations are indicated by the button name inside
of brackets ([ ]).
■ On-screen Text
On-screen text is always enclosed by double quotation
marks (“ ”).
22
GETTING READY
■ Supplementary Information
• IMPORTANT! indicates very important
information you need to know in order to use the camera
correctly.
• NOTE indicates information that is useful when
operating the camera.
■ File Memory
The term “file memory” in this manual is a general term that
refers to the location where your camera is currently storing
the images you record. File memory can be any one of the
following three locations.
• The camera’s built-in flash memory
• An SD memory card loaded in the camera
• A MultiMediaCard loaded in the camera
For more information about how the camera stores images,
see page 197.
General Guide
The following illustrations show the names of each
component, button, and switch on the camera.
: Short Movie mode
: MOVIE BEST SHOT mode
: Movie mode
0 Strap ring
REC modes
A [MENU] button
B [SET] button
C [DISP] button
D [][][][]
E Monitor Screen
24
GETTING READY
P Q
NM
■ Side
F
G
J
K
L
O
N/OFF
I
H
F [ ](Focus) button
G [EX] button
H [ ](Flash) button
I Flash
J [DC IN 4.5V]
(AC adaptor
connector)
K [USB/AV]
(USB/AV port)
L Terminal panel cover
Open Terminal Panel Cover
■ Bottom
M Battery cover
N Tripod screw hole
• Use this hole when attaching to a tripod.
O
O Stopper
P Battery compartment
Q Memory card slot
25
GETTING READY
Using the Monitor Screen
You can position the monitor screen to suit your shooting
or viewing conditions.
Opening the monitor screen automatically turns on the
camera.
IMPORTANT!
• When changing the position of the monitor screen,
grasp the screen on its top and bottom edges. Take
care you do not touch the liquid crystal panel. Also
make sure you never try to force the monitor screen
to move past its normal range of movement. Doing
so can damage the monitor screen.
1 180 degrees left and right
3 90 degrees back
90˚
26
180˚
2 180 degrees forward
180˚
GETTING READY
• Positioning the monitor screen so it is facing the same
direction as the lens causes the recorded image to be
flipped into a mirror image automatically. This makes it
possible to compose a self-portrait with the monitor
screen.
• Position the monitor screen outwards to use it for
composing images.
• Position the monitor screen inwards to turn off the
camera.
NOTE
• You can also turn the camera on and off with the
power button (page 51).
IMPORTANT!
• After you are finished using the monitor screen,
always close the LCD panel. Leaving the monitor
screen facing open exposes the LCD panel to
accidental impact, which creates the risk of breaking,
cracking, etc.
27
GETTING READY
Monitor Screen Contents
The monitor screen uses various indicators and icons to keep you informed of the camera’s status.
• Note that the example screens in this chapter are for illustrative purposes only. They do not exactly match the screen
contents actually produced on the camera.
REC Modes
123 465
C
B
A
78
Flash mode indicator
1
(page 69)
None Auto
9
0
Flash Off
Flash On
Red Eye Reduction
• If the camera detects that flash
is required while auto flash is
selected, the flash on indicator
will appear when the shutter
button is pressed half way.
(pages 63, 231)
(Remaining number of storable
images)
• Movies: Remaining recording
time (page 106)
9 Image quality
• Snapshots (page 79)
F : Fine
N : Normal
E : Economy
• Movies (page 105)
HQ: High Quality
NORMAL : Normal
LP: Long Play
0 Date and time (page 159)
A Battery capacity
(page 45)
B Histogram (page 116)
C Focus frame (page 81)
• Focused: Green
• Unfocused: Red
NOTE
• Changing the setting of any one of the following
functions will cause Icon Help text to appear on the
monitor screen. You can turn off Icon Help if you
want (page 124).
Recording mode, flash mode, focus mode, white
balance, self-timer, metering mode
29
GETTING READY
D
I
D
Digital zoom indicator (page 67)
E ISO sensitivity (page 119)
F ND filter (page 90)
G Aperture value (pages 63, 94)
H Shutter speed value (pages 63, 96)
I Zoom indicator (page 67)
• Left side indicates optical zoom.
• Right side indicates digital zoom.
NOTE
• An out of range ISO sensitivity, aperture, or shutter
speed setting causes the corresponding monitor
screen value to turn amber.
E
F
G
H
■ Exposure Panel
The exposure panel is an area in the lower right corner of
the REC modes monitor screen that shows various
adjustable parameters. You can also use the exposure
panel to adjust exposure settings.
• The following explains the items that appear on the
exposure panel. Note that the current REC mode
determines which items appear.
1 ND filter (page 90)
Turns the ND filter on and off.
• The exposure panel appears on the
monitor screen when “A” (Aperture
Priority AE) or “M” (Manual Exposure)
is selected with the mode dial.
30
Exposure Panel
ND filter
GETTING READY
2 Aperture value (pages 63, 94)
Use this item to adjust the aperture.
• The aperture value is displayed in the
exposure panel when the mode dial is
set to “A” (aperture priority AE) or “M”
(manual exposure).
3 Shutter speed (pages 63, 96)
Use this item to adjust the shutter
speed.
• The shutter speed is displayed in the
exposure panel when the mode dial is
set to “S” (shutter speed priority AE) or
“M” (manual exposure).
Aperture value
Shutter speed
4 EV shift (exposure compensation value)
(page 88)
Use this item to adjust the exposure
compensation (EV shift) value.
• The EV shift value appears in the
exposure panel when the mode dial is
set to “A” (aperture priority AE) or “S”
(shutter speed priority AE). The EV
shift value also appears when the
mode dial is set to any setting other
than “M” (manual exposure) when “EV
Shift” is assigned as the “L/R Key”
function (page 125).
5 Manual Focus (MF) setting (page 86)
Use this item for adjust focus
manually.
• The manual focus setting item is
displayed in the exposure panel when
manual focus is selected (indicated by
“” on the monitor screen) using [ ].
31
EV shift
MF setting
GETTING READY
■ Ex Finder View
435
6
7
2
1
8
9
@
A
C
B
1 Focus distance scale
• This scale indicates the focus distance range. Note
that this scale is not intended for precision
measurement. It is provided as a general guide only.
• This scale appears when you press the shutter button
half way.
• This icon is displayed only when “MF (Manual Focus)”
is selected as the focus mode.
• If you use [] and [ ] to move the cursor to “ ” and
then press [] or [], the Ex Finder view will
disappear and the manual focus position indicator
(page 86) will appear. After a few moments, the Ex
Finder view will reappear.
8 Color change icon
• Use [] and [ ] to move the cursor to “ ” and then
press [] or [] to change the color of the Ex Finder
view.
9 ND filter (page 90)
: Aperture value (pages 63, 94)
A Shutter speed (pages 63, 96)
• ISO sensitivity, aperture, and shutter speed values on
the monitor screen will turn amber when you press the
shutter button half way if the image is over-exposed or
under-exposed.
B EV shift (exposure compensation value) (page 88)
C Histogram (page 116)
32
GETTING READY
PLAY Mode
F
E
D
C
1 PLAY mode file type
Snapshot
Movie
Past Movie
Short Movie
MOVIE BEST SHOT
Audio Snapshot
12 3
4
5
6
7
8
9
0AB
2 Image protection indicator
(page 155)
3 Folder name/File name
(page 154)
Example : When a file named
CIMG0023.JPG is stored in a
folder named 100CASIO
• Movies: Image quality
(page 105)
HQ: High Quality
NORMAL : Normal
LP: Long Play
6 ISO sensitivity (page 119)
7 Aperture value
(pages 63, 94)
8 Shutter speed value
(pages 63, 96)
9 Date and time (page 159)
33
0 White balance indicator
(page 91)
Auto
AWB
Daylight
Cloudy
Shade
Fluorescent 1
1
Fluorescent 2
2
Tungsten
Flash
Manual
A Flash mode indicator
(page 69)
Flash On
Flash Off
Red-eye reduction
C
GETTING READY
B Recording mode
(page 59)
Snapshot
BEST SHOT
Aperture Priority AE
Shutter Speed Priority AE
Manual Exposure
C Battery capacity
(page 45)
D Metering mode indicator
(page 120)
E Histogram (page 116)
F EV value (page 88)
Changing the Contents of the Monitor
Screen
Each press of the [DISP] button changes the contents of
the monitor screen as shown below.
■ REC Modes
Indicators on
Indicators offHistogram on
Ex Finder view on
34
C
GETTING READY
■ PLAY Mode
Indicators onHistogram/Details on
Indicators off
35
IMPORTANT!
• The Ex Finder view cannot be displayed in the
following modes: PLAY, Movie, Past Movie, Short
Movie, MOVIE BEST SHOT.
• Pressing [DISP] will not change monitor screen
contents during movie recording, or during standby
or recording of an audio snapshot.
C
GETTING READY
Attaching the Strap
Attach the strap to the strap ring as shown in the
illustration.
Buckle
Strap ring
IMPORTANT!
• To avoid dropping the camera while operating it, be
sure to wear the strap around your wrist. Use the
buckle to ensure that the strap is fastened snugly
around your wrist.
• The supplied strap is intended for use with this
camera only. Do not use it for any other purpose.
• Never swing the camera around by the strap.
36
GETTING READY
Using the Lens Cap
Always keep the lens cap on the lens whenever you are not
using the camera.
Cap holderSmall loop
Large loop
Attach the lens cap holder to the strap. This protects
against accidental loss of the lens cap.
Power Requirements
Your camera can operate on either battery power or AC
power.
• Battery
One NP-40 rechargeable lithium ion battery
The battery is not fully charged when you use the
camera for the first time after purchasing it. You
need to charge the battery before using the camera
for the first time.
• Household AC Power
AC Adaptor: AD-C40 (Option)
Using the Rapid Charger
[CHARGE] lamp
37
Contacts
B
GETTING READY
■
Loading the Battery into the Rapid Charger
Making sure that the positive and negative contacts are
aligned correctly, load the battery into the rapid charger.
Note that the battery will not charge properly if it is not
positioned correctly in the rapid charger.
-
T
+
■ To charge the battery
1.
Correctly positioning the positive and
negative terminals of the battery, load the
battery into the rapid charger.
Power Cord Type
38
○○○○○○○○○○○○○○○○○○
Plug-in Type
GETTING READY
2.
Plug the rapid charger into a household
power outlet.
• This will cause the [CHARGE] lamp to turn red.
• Charging will take about two hours.
• Note that the shape of the rapid charger depends on
the area where you purchased the camera.
[CHARGE] lamp
Rapid Charger
AC power cord
NOTE
• The power cord type rapid charger is designed for
operation with any power supply in the range of 100V
to 240V AC. Note, however, that the shape of the AC
power cord plug varies according to country or
geographic area. If you plan to use the rapid charger
in a geographic area where the power receptacle
shape is different from that in your area, replace the
AC power cord with one of the other ones that come
with the camera, or purchase a commercially
available AC power cord that is compatible with the
power outlets in that area.
39
GETTING READY
Plug
[CHARGE] lamp
Rapid Charger
NOTE
•
The plug-in type rapid charger is designed for
operation on power ranging from 100V AC to 240V
AC. Note, however, that the shape of the power plug
varies according to country or geographic area. When
traveling abroad, it is up to you to find out if the shape
of the
rapid
local power outlets and to purchase any required
adaptors.
charger power plug is compatible with
3.
The [CHARGE] lamp turns green when
charging is complete.
4.
After charging is complete, unplug the rapid
charger from the power outlet, and remove
the battery from it.
• Always unplug the rapid charger from the power
outlet and remove the battery whenever you are not
charging.
40
GETTING READY
IMPORTANT!
•
If the battery or
you start charging or if it becomes hot during charging,
the
rapid
indicated when its [CHARGE] lamp is lit amber.
Charging will resume when the temperature returns to
the allowable charging temperature range, which is
indicated when the [CHARGE] lamp turns red.
• Charging
after removing it from the camera can result in only
partial charging. Give
charging it.
• Battery discharges slightly even when it is left
without loading it into the camera. Because of this, it
is recommended that you charge
immediately before you need to use it.
• The battery used with this camera is specifically
designed for use with digital cameras. If you want to
try to use it to power another type of device, you
should first check the user documentation that
comes with the device to see if the battery is
compatible.
• Though the actual service life of the battery depends
on the environment under which it is used, you can
expect to be able to recharge it about 500 times
before it needs replacement.
rapid
charger is very hot or cold when
charger will enter a standby state, which is
the
battery while it is still warm immediately
the
battery time to cool before
the
battery
• Charging the battery may cause interference with TV
and radio reception. If this happens, plug the charger
into an outlet that is further away from the TV or
radio.
• Dirty charger contacts and/or battery terminals can
make proper charging impossible. Be sure to wipe
contacts and terminals occasionally with a dry cloth
to keep them clean.
41
GETTING READY
To load the battery
1.
Slide the battery cover on the bottom of the
camera in the direction indicated by the
arrow, and then swing it open.
2.
Aligning the () marks on the camera and
battery as shown in the illustration, press
down on the stopper in the direction indicated
by the arrow and slide the battery into the
camera.
Stopper
NP-40
() marks
• Push the bottom of the battery, and make sure that
the stopper securely locks the battery in place.
42
GETTING READY
3.
Swing the battery cover closed, and then slide
it in the direction indicated by the arrow.
IMPORTANT!
• Use only the special NP-40 rechargeable lithium ion
battery to power this camera. Use of any other type
of battery is not supported.
■ If the camera does not work normally
This can mean there is a problem with how the battery is
loaded. Remove the battery from the camera and check the
battery contacts for dirt. If the contacts are dirty, wipe them
clean with a dry cloth.
43
GETTING READY
■ Battery Life Guidelines
The battery life guideline values given below indicate the
amount of time under the conditions defined below the
table, until power automatically turns off due to battery
failure. They do not guarantee that the battery will provide
the amount of service indicated. Low temperatures and
continued use reduce battery life.
• Zoom operation between full wide to full telephoto
every 30 seconds, during which two images are
recorded, one image with flash; power turned off and
back on every time 10 images are recorded.
*2 Continuous Recording Conditions
• Temperature: 23°C (73°F)
• Monitor screen: On
• Flash: Off
• Image recorded every 12 seconds, alternating full
wide-angle and full telephoto zoom
*3 Continuous Snapshot Playback Conditions
• Temperature: 23°C (73°F)
• Scroll one image about every 10 seconds
*4 Approximate time for continuous movie recording,
without using zoom.
44
GETTING READY
• The above values are based on a new battery starting
from a full charge. Repeated charging shortens battery
life.
• Battery life is greatly affected by how much you use flash,
zoom and auto focus, and how long you leave power
turned on.
■ Tips to Make the Battery Last Longer
• If you do not need the flash while recording, select
(flash off) for the flash mode. See page 69 for more
information.
• Enable the Auto Power Off and the Sleep features (page
52) to protect against wasting battery power when you
forget to turn off the camera.
• Using Manual Focus (page 86) or Pan Focus (page 85)
during movie recording extends battery life.
■ Low Battery Indicator
The following shows how the battery capacity indicator on
the monitor screen changes as battery power is used. The
indicator means that remaining battery power is low.
Note that you will not be able to record images while the
battery indicator is . Charge the battery immediately
whenever either of these indicators appears.
Battery LevelHighLow
Indicator
45
B
GETTING READY
To replace the battery
1.
Open the battery cover.
2.
Press down on the stopper in the direction
indicated by the arrow.
• This will cause the battery to come part way out of
the slot.
Stopper
3.
Release the stopper and pull the battery from
the camera.
• Take care so you do not drop the battery.
4.
Load a new battery into the camera (page 42).
Power Supply Precautions
Note the following precautions when handling or using the
battery and the rapid charger.
■ Battery Handling Precautions
● SAFETY PRECAUTIONS
Be sure to read the following Safety Precautions before
using the battery for the first time.
NOTE
• The term “battery” in this manual refers to the CASIO
NP-40 Rechargeable Lithium Ion Battery.
• Use only the rapid charger (BC-30L) to charge the
special NP-40 rechargeable lithium ion battery.
Never use any other charging device.
46
B
GETTING READY
• Failure to observe any of the following precautions
while using the battery creates the risk of overheating,
fire, and explosion.
— Never try to use the battery to power any device
other than this camera.
— Never use or leave the battery near open flame.
— Never place the battery in a microwave oven, throw
it into fire, or otherwise expose it to intense heat.
— Make sure the battery is oriented correctly when you
load it into the camera or attach it to the rapid
charger.
— Never carry or store the battery together with items
that can conduct electricity (necklaces, pencil lead,
etc.)
— Never try to take the battery apart, modify it in any
way, or expose it to strong impact.
— Do not immerse the battery in fresh water or salt
water.
— Do not use or leave the battery under direct
sunlight, in an automobile parked in the sun, or in
any other area subject to high temperatures.
• Should you ever notice any of the following conditions
while using, charging, or storing a battery, immediately
remove it from the camera or rapid charger, and keep it
away from open flame:
— Fluid leaking
— Emission of a strange odor
— Heat emission
— Battery discoloration
— Battery deformation
— Any other battery abnormality
• If the battery does not achieve full charge after the
normal charging time has passed, stop charging.
Continued charging creates the risk of overheating, fire,
and explosion.
• Battery fluid can damage your eyes. Should battery
fluid get into your eyes accidentally, immediately rinse
them with clean tap water and then consult a physician.
• If the battery is to be used by young children, make
sure that a responsible adult makes them aware of the
precautions and proper handling instructions and make
sure that they handle the battery correctly.
• Should fluid from the battery accidentally get onto
clothing or your skin, immediately rinse it off with clean
tap water. Prolonged contact with battery fluid can
cause skin irritation.
47
GETTING READY
● PRECAUTIONS DURING USE
• Charge the battery in a location where the temperature
is in the range of 5°C to 35°C (41°F to 95°F). Charging
outside this temperature range can cause charging to
take longer than normal or even cause charging to fail.
• Very limited operation following a full charge indicates
that the battery has reached the end of its service life.
Replace the battery with a new one.
• Never wipe the battery with thinner, benzene, alcohol,
or other volatile agents or chemically treated rags.
Doing so can cause deformation of the battery and lead
to malfunction.
• Always make sure that the rapid charger is on a level
surface when using it for charging.
● BATTERY STORAGE PRECAUTIONS
• Make sure you remove the battery from the camera
when you do not plan to use it for a long time. A battery
left in the camera discharges very small amounts of
power even when power is turned off, which can lead to
a dead battery or the need for longer charging before
the next use.
• Store the battery in a cool, dry place (20° C (68 °F) or
lower).
● USING THE BATTERY
• When transporting a battery, keep it either loaded in
the camera or stored in its case.
48
GETTING READY
■ Rapid Charger Precautions
• Never plug the rapid charger into an outlet whose voltage
rating is different from that marked on the rapid charger.
Doing so creates the risk of fire, malfunction, and electric
shock.
• Never plug in or unplug the rapid charger while your
hands are wet. Doing so creates the risk of electric shock.
• Do not plug the rapid charger into an outlet or extension
cord that is shared by other devices. Doing so creates the
risk of fire, malfunction, and electric shock.
• The rapid charger becomes slightly warm during
charging. This is normal and does not indicate
malfunction.
• Unplug the rapid charger from the power outlet whenever
you are not using it.
• Never use the rapid charger with a voltage converter.
Doing so can damage it. The rapid charger can be used
where the power supply is in the range of 100V to 240V
AC.
Using AC Power
You need to purchase the optionally available AC adaptor
(AD-C40) in order to be able to power the camera using AC
power.
1.
Connect the AC power cord to the AC
adaptor.
2.
Open the camera’s terminal panel cover and
connect the AC adaptor to the port marked
[DC IN 4.5V].
49
GETTING READY
3.
Plug the AC power cord into an electrical
outlet.
[DC IN 4.5V]
Terminal panel cover
AC adaptor
Plug
AC power cord
■ Using AC Adaptor In Another Geographic
Area
• The AC adaptor can be used with any power source rated
from 100V to 240V AC. If you plan to use the AC adaptor
in another country, it is up to you to purchase the
applicable AC power cord that matches the configuration
of power receptacles in that country.
50
GETTING READY
■ AC Adaptor Precautions
• Be sure to turn off power before connecting or
disconnecting the AC adaptor.
• Always turn camera power off before disconnecting the
AC adaptor, even if the camera has a battery installed. If
you don’t, the camera will turn off automatically when you
disconnect the AC adaptor. You also run the risk of
damaging the camera whenever you disconnect the AC
adaptor without first turning power off.
• The AC adaptor may become warm to touch after
extended periods of use. This is normal and is not cause
for alarm.
• After using the camera, turn it off and unplug the AC
adaptor from the AC outlet.
• The camera automatically switches over to AC adaptor
powered operation whenever the AC adaptor is plugged
into the camera.
• Use of the AC adaptor to power the camera is
recommended when connected to a computer.
• Never place a blanket or any other cover on the AC
adaptor. Doing so creates the risk of fire.
Turning the Camera On and Off
Press the power button to turn on the camera, which
causes the operation lamp to light green momentarily.
Press the power button again to turn off the camera.
Opening the monitor screen also turns on the camera, and
closing the screen turns it off.
Operation lamp
Monitor Screen
IMPORTANT!
• If camera power is turned off by the Auto Power Off
feature, press the power button to turn it back on
again.
Power button
51
GETTING READY
Configuring Power Saving Settings
You can configure the settings described below to
conserve battery power.
Sleep: Automatically turns off the monitor screen
Auto Power Off : Turns off power if you do not perform any
1.
Turn on the camera.
2.
Press [MENU].
3.
Use [] and [] to select the “Set Up” tab.
4.
Use [] and [] to select the feature whose
setting you want to configure, and then press
[].
if no operation is performed for a specified
amount of time in a REC mode.
Performing any button operation causes
the monitor screen to turn back on.
operation for a specified amount of time.
● See “Using the On-screen Menus” (page 53) for
information about how to use menus.
To configure this feature:Select this setting:
SleepSleep
Auto Power OffAuto Power Off
5.
Use [] and [] to change the currently
selected setting, and then press [SET].
• Available Sleep settings are: “30 sec”, “1 min”, “2 min”,
and “Off”.
• Available Auto Power Off settings are: “2 min” and
“5 min”.
• Note that the Sleep feature does not operate in the
PLAY mode.
• Pressing any button while the camera is in the Sleep
state immediately turns the monitor screen back on.
52
GETTING READY
• The Auto Power Off and Sleep features are disabled
in the following cases.
— While the camera is connected to computer or TV
via its USB/AV port
— While a slideshow is in progress
— While a movie is being recorded
— While playing back a movie
— During Short Movie standby
— During Past Movie standby
Using the On-screen Menus
Pressing [MENU] displays menus on the monitor screen
that you can use to perform various operations. The menu
that appears depends on whether you are in a REC mode
or the PLAY mode. The following shows an example menu
procedure in the Snapshot mode.
1.
Turn on the camera,
and then align the
mode dial with “”.
• If you want to enter the
PLAY mode instead,
you would align the
mode dial with “”.
53
Mode dial
GETTING READY
2.
Press [MENU].
[][
[MENU]
SET
][][
Selection cursor (indicates
the currently selected item)
Tab
[SET]
]
Settings
● Menu Screen Operations
When you want to do this:
Move between tabs
Move from the tab to the
settings
Move from the settings to
the tab
Move between the settings
Display the options
available for a setting
Select an option
Apply the setting and exit
the menu screen
Apply the setting and return
to tab selection
Exit the menu screen
Do this:
Press [] and [].
Press [].
Press [].
Press [] and [].
Press [] or press [SET].
Press [] and [].
Press [SET].
Press [].
Press [MENU].
54
GETTING READY
3.
Press [] or [] to select the tab you want,
and then press [SET] to move the selection
cursor from the tab to the settings.
4.
Use [] and [] to
select the feature
whose setting you
want to configure,
and then press [].
• Instead of pressing [],
you could also press
[SET].
5.
Use [] and [] to change the currently
Example: To select the
“Self-timer” item.
selected setting.
6.
Perform one of the following operations to
apply the setting you configured.
To do this:
Apply the setting and exit
the menu screen.
Apply the setting and
return to feature selection
in step 4.
Apply the setting and
return to tab selection in
step 3.
• See “Menu Reference” on page 219 for more
information about menus.
Perform this key operation:
Press [SET].
Press [].
1. Press [].
2. Use [] to move back up to
tab selection.
55
GETTING READY
Configuring Display Language and Clock
Settings
Be sure to configure the following settings before using the
camera to record images.
• Display language
• Home city
• Date Style
• Date and time
Note that the current date and time settings are used by
the camera to generate the date and time that are stored
along with image data, etc.
IMPORTANT!
• Recording images without configuring the clock
settings causes incorrect time information to be
registered. Be sure to configure the clock settings
before using the camera.
• A built-in backup battery retains the date and time
settings of the camera for about two days if the
camera is not supplied with power. Date and time
settings will be cleared when the backup battery
goes dead. The following are the conditions when
power is not being supplied to the camera.
— When the rechargeable battery is dead or
removed from the camera
— When using the AC adaptor to power the camera,
disconnecting the AC adaptor
• The date and time setting screen will appear on the
monitor screen the next time you turn on the camera
after the date and time settings have been cleared.
If this happens, reconfigure the date and time
settings.
• If you make a mistake when setting the language or
clock with the following procedure, you will need to
use the camera’s menu to individually change the
language (page 163) or clock (page 159) settings.
• You will not be able to edit time data stored with
images that are recorded while the camera’s time
setting is wrong.
• Even if you configure date and time settings, the
date and time are not stamped into the images
themselves. Note, however, that you can specify
inclusion of the date inside of an image when printing
(page 181).
56
GETTING READY
To configure display language and clock
settings
1.
Open the monitor screen to turn on the
camera.
• You can also turn on the camera by pressing the
power button.
2.
Use [], [], [], and
[] to select the
language you want,
and then press [SET].
: Japanese
English: English
Français : French
Deutsch : German
Español : Spanish
Italiano: Italian
Português : Portuguese
: Chinese (Complex)
: Chinese (Simplified)
: Korean
3.
Use [], [], [], and
[] to select the
geographical area
where you live, and
then press [SET].
4.
Use [] and [] to
select the name of the
city where you live,
and then press [SET].
5.
Use [] and [] to select the summer time
(DST) setting you want, and then press [SET].
When you want to do this:
Keep time using summer time
(Daylight Saving Time)
Keep time using standard time
Select this setting:
On
Off
57
GETTING READY
6.
Use [] and [] to
select the date format
setting you want, and
then press [SET].
7.
Set the current date
and the time.
Example: December 24, 2005
To display the date like this:
05/12/24
24/12/05
12/24/05
Select this format:
YY/MM/DD
DD/MM/YY
MM/DD/YY
58
To do this:
Change the setting at the current
cursor location
Move the cursor between settings
Toggle between 12-hour and 24hour timekeeping
8.
Press [SET] to register the settings and exit
Do this:
Press [] and [].
Press [] and [].
Press [DISP].
the setting screen.
BASIC IMAGE RECORDING
BASIC IMAGE RECORDING
This section describes the basic procedure for recording an
image.
Recording an Image
Specifying the Recording Mode
Your CASIO digital camera has nine recording modes,
each of which is described below. Before recording an
image, use the mode dial to select the recording mode that
suits the type of image you are trying to record.
Snapshot mode
BEST SHOT mode
Aperture Priority AE mode
Shutter Speed Priority AE
mode
Manual Exposure mode
Past Movie mode
Mode dial
Short Movie mode
MOVIE BEST SHOT mode
Movie mode
PLAY mode
• (Snapshot mode)
Use this mode to record still images. This is the mode you
should normally use for image recording.
• (BEST SHOT mode)
This mode makes camera setup as easy as selecting the
applicable sample scene. Simply select one of 22 sample
scenes, and the camera will automatically be configured
with the settings required to record a similar image (page
100).
• (Aperture Priority AE mode)
In this mode, you select the aperture, and other settings
are adjusted accordingly (page 94).
• (Shutter Speed Priority AE mode)
In this mode, you select the shutter speed, and other
settings are adjusted accordingly (page 96).
• (Manual Exposure mode)
This mode gives you total control over aperture and
shutter speed settings (page 97).
• (Past Movie mode)
Pressing the shutter button starts recording from five
seconds prior to the point the button is pressed. Use this
mode when you want to make sure you do not miss fastmoving action (page 107).
59
BASIC IMAGE RECORDING
1920N
2560
05/1212
24
12
38
0.0
• (Short Movie mode)
Each press of the shutter button in this mode records a
short movie that starts before the button is pressed and
ends after the button is pressed (page 108).
• (MOVIE BEST SHOT mode)
This mode makes camera setup as easy as selecting the
applicable sample scene. Select one of the MOVIE BEST
SHOT scenes and the camera automatically configures
itself with the setup for that scene (page 111).
• (Movie mode)
Use this mode for general movie recording (page 106).
60
NOTE
• The icon of the currently
selected recording mode
(like for the Snapshot
mode) is displayed on the
monitor screen.
Snapshot mode icon
1920N
2560
+
–
0.0
05/
12
3
/24
:
38
B
BASIC IMAGE RECORDING
Aiming the Camera
Use both hands to hold the camera still when shooting an
image. Holding the camera with one hand increases the
chance of movement, which can blur your images.
• HorizontalHold the camera
still in both
hands, with your
arms firmly
against your
sides.
• Vertical
IMPORTANT!
• Make sure your fingers and the strap do not block
the flash, stereo microphones or lens.
FlashStereo microphones
Lens
NOTE
• Moving the camera as you press the shutter button
or while the Auto Focus operation is being performed
(when you press the shutter button half way) can
cause blurring of the image. Press the shutter button
carefully, taking care to avoid camera movement.
This is especially important when available lighting is
low, which slows down the shutter speed.
61
BASIC IMAGE RECORDING
Recording an Image
Your camera automatically adjusts shutter speed in
accordance with the brightness of the subject. Images you
record are stored in the camera’s built-in memory, or to a
memory card if you have one loaded in the camera.
• When an optionally available SD memory card or
MultiMediaCard (MMC) is loaded in the camera, images
are stored on the card (page 166).
After purchasing a memory card, be sure to load it into
the camera and format it before trying to use it (page
169).
1.
Remove the lens cap from the lens.
Lens cap
2.
Open the monitor screen or press the power
button to turn on the camera.
• This causes an image or a message to appear on
the monitor screen.
Monitor screen
3.
Align the mode dial
Power button
with “” (Snapshot
mode).
• This enters the Snapshot
mode for image
recording.
Mode dial
62
B
BASIC IMAGE RECORDING
1920N
2560
05/1212
24
12
38
0.0
4.
Compose the image
on the monitor screen
so the main subject is
within the focus
frame.
• The focusing range of
the camera depends on
focus mode you are
using (page 80).
5.
Press the shutter button half
way to focus the image.
• When you press the shutter
button half way, the camera’s
Auto Focus feature
automatically focuses the
image, and displays the
shutter speed and aperture
values.
• You can tell whether
the image is focused
by observing the
focus frame and the
operation lamp.
Focus frame
Shutter button
Operation lamp
2560
05/
+
–
1920N
0.0
/24
:
38
12
3
● Operation Lamp and Focus Frame Operation
When you see this:
Green focus frame
Green operation lamp
Red focus frame
Flashing green operation lamp
It means this:
The image is in focus.
The image is not in focus.
• The monitor screen uses various indicators and
icons to keep you informed of the camera’s status.
White balance
Self-timer
Recording Mode
Focus mode
Metering mode indicator
Memory capacity
Flash
mode
Image quality
Image size
EV shift
Date and time
ISO sensitivity
Aperture value
Shutter speed value
63
1
*
2
*
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BASIC IMAGE RECORDING
*1 The size of the opening (aperture) that allows light
passing through the lens to reach the CCD. A larger
aperture value indicates a smaller opening for light to
pass through.
*2 The amount of time the shutter remains open, allowing
light passing through the lens to reach the CCD. A
larger shutter speed value indicates that the shutter
remains open longer, which means more light reaches
the CCD.
6.
After making sure that the
image is focused properly,
press the shutter button the
rest of the way down to
record.
• The number of images you can
record depends on the image
size and the image quality setting
you are using (pages 77, 79,
231).
Shutter button
■ Recording Precautions
• Never open the battery cover or unplug the AC adaptor
while the operation lamp is flashing green. Doing so not
only causes the current image to be lost, it can also
corrupt images already stored in file memory and even
lead to malfunction of the camera.
• Never remove the memory card while an image is being
recorded to the memory card.
• Fluorescent lighting actually flickers at a frequency that
cannot be detected by the human eye. When using the
camera indoors under such lighting, you may experience
some brightness or color problems with recorded images.
• When “Auto” is selected for the ISO sensitivity setting
(page 119), the camera automatically adjusts its
sensitivity in accordance with the brightness of the
subject. This can cause some digital noise (graininess) to
appear in images of relatively dark subjects.
• When recording a dimly lit subject while “Auto” is selected
for the ISO sensitivity setting (page 119), the camera
increases sensitivity and uses a faster shutter speed.
Because of this, you need to guard against camera
movement if you have flash turned off (page 69).
• Bright light shining on the lens can cause images to
appear “washed out”. This tends to happen when
recording images outdoors in bright sunlight. To protect
against this, use your free hand to shade the lens from
the light.
64
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BASIC IMAGE RECORDING
■ About Auto Focus
• Proper focus may be difficult or even impossible when
shooting the following types of subjects.
— Solid color walls or subjects with little contrast
— Strongly backlit subjects
— Very shiny objects
— Venetian blinds or other horizontally repeating patterns
— Multiple subjects that are varying distances from the
camera
— Subjects in poorly lit areas
— Moving subjects
— Subjects outside the shooting range of the camera
• Note that a green operation lamp and focus frame do not
necessarily guarantee that the resulting image will be in
focus.
• If Auto Focus does not produce the results you want for
some reason, try using focus lock (page 87) or manual
focus (page 86).
■ About the REC Mode Monitor Screen
• The image shown on the monitor screen in a REC mode
is a simplified image for composing purposes. The actual
image is recorded in accordance with the image quality
setting currently selected on your camera. The image
saved in file memory has much better resolution and
detail than the REC mode monitor screen image.
• Certain levels of subject brightness can cause the
response of the REC mode monitor screen to slow down,
which causes some digital noise (graininess) in the
monitor screen image.
• Very bright light inside of an image can cause a vertical
band to appear in the monitor screen image. This is a
CCD phenomenon known as “vertical smear”, and does
not indicate malfunction of the camera. Note that vertical
smear is not recorded with the image in the case of a
snapshot, but it is recorded in the case of a movie (page
104).
65
BASIC IMAGE RECORDING
Using Zoom
Your camera is equipped with two types of zoom: optical
zoom and digital zoom. Normally, the camera automatically
switches over to digital zoom after you reach the maximum
limit for optical zoom. You can, however, configure the
camera to disable digital zoom, if you want.
Zoom outZoom in
Optical Zoom
The optical zoom range is 1X to 5X.
• The optical zoom range when Macro is selected as the
focus mode (page 84) is 1X to 2.25X.
1.
In a REC mode, move the
zoom controller left or
right to zoom.
• Moving the zoom
controller as far as it
goes in either direction
will zoom at high speed.
To do this:
Zoom out
Zoom in
Move the zoom controller in this direction:
(Wide Angle)
(Telephoto)
Zoom controller
66
2.
Compose the image, and then press the
shutter button.
NOTE
• The optical zoom factor also affects the lens
aperture.
• Use of a tripod is recommended to protect against
hand movement when using the telephoto setting
(zoom in).
• Whenever you perform an optical zoom operation, a
value will appear on the monitor screen to tell you
the focusing range (pages 82, 84, 87).
BASIC IMAGE RECORDING
Digital Zoom
Digital zoom digitally enlarges the part of the image at the
center of the image screen. The range of digital zoom is 5X
to 40X (in combination with optical zoom).
IMPORTANT!
• When you perform a digital zoom operation, the
camera manipulates the image data to enlarge the
center of the image. Unlike optical zoom, an image
enlarged with digital zoom appears coarser than the
original.
■ To record an image using digital zoom
1.
In a REC mode, hold
Digital zoom indicator
the zoom controller
towards (telephoto)
/ side.
• This causes the zoom
indicator to appear on the
display.
2.
When the zoom pointer reaches the optical/
digital zoom switch over point, it will stop.
Optical Zoom range
1X5X40X
Optical/digital zoom switch over point
• The above shows what the zoom indicator looks like
when digital zoom is turned on (page 68). The digital
zoom range is not displayed when digital zoom is
turned off.
Zoom range
Zoom pointer
67
Zoom indicator
Digital
C
BASIC IMAGE RECORDING
3.
Release the zoom controller momentarily, and
then slide it towards (telephoto) / side
again to move the zoom pointer into the
digital zoom range.
• The zoom pointer will also stop when you move the
pointer back to the switch over point to re-enter the
optical zoom range. Release the zoom controller and
then slide it towards (wide angle) / side again
to move into the optical zoom range.
4.
Compose the image, and then press the
shutter button.
■ To turn digital zoom on and off
1.
In a REC mode, press [MENU].
2.
Use [] and [] to select the “REC” tab.
3.
Use [] and [] to select “Digital Zoom”, and
then press [].
4.
Use [] and [] to select the setting you
want, and then press [SET].
To do this:
Turn on digital zoom
Turn off digital zoom
• Only the optical zoom range is displayed in the zoom
level indicator when digital zoom is turned off.
Select this setting:
On
Off
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BASIC IMAGE RECORDING
Using the Flash
Perform the following steps to select the flash mode you
want to use.
• The approximate effective range of the flash is shown
below.
Approximately 0.4 to 3.0 meters (1.3´ to 9.8´)
(ISO Sensitivity: Auto)
* Depends on zoom factor.
1.
In a REC mode, press [ ].
• Each press of [ ] cycles through the flash mode
settings described below on the monitor screen.
[ ]
Flash mode indicator
69
To do this:
Have the flash fire automatically when
required (Auto Flash)*
Turn off the flash (Flash Off)
Always fire the flash (Flash On)
Fire a pre-flash followed by image
recording with flash, reducing the
chance of red-eye in the image (Redeye reduction)
In this case, the flash fires automatically
when required
Select this setting:
None
* When using Icon Help (page 124), select “ Auto
Flash”.
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BASIC IMAGE RECORDING
2.
Record the image.
• If the camera senses
that the flash is
necessary, the flash
unit will pop up
automatically if you
press the shutter
release half way or all
the way down.
• Note that the flash unit
does not close
automatically. After you
are finished using it,
you need to close it by
hand.
Flash unit
70
IMPORTANT!
• The flash unit of this camera fires a number of times
when you record an image. The initial flashes are
pre-flashes, which the camera uses to obtain
information that it uses for exposure settings. The
final flash is for recording. Make sure that you keep
the camera still until the shutter releases.
• Using the flash while “Auto” is selected for the ISO
Sensitivity setting increases sensitivity, which can
cause large amounts of digital noise to appear in the
image. You can reduce digital noise by using a lower
ISO Sensitivity setting. Note, however, that this also
has the effect of shortening the flash range (the
range that is covered by the light from the flash)
(page 119).
B
BASIC IMAGE RECORDING
■ Flash On
Select (Flash On) as the flash mode when backlighting
causes your subject to appear dark, even though there is
enough light to keep the flash from firing automatically.
This will cause the flash to fire and illuminate your subject
whenever you press the shutter button (daylight synchro
flash).
■ About Red-eye Reduction
Using the flash to record at night or in a dimly lit room can
cause red spots inside the eyes of people who are in the
image. This happens because the light from the flash
reflects off of the retina of the eye.
IMPORTANT!
Note the following important points when using redeye reduction.
• Red-eye reduction does not work unless the people
in the image are looking directly at the camera during
the pre-flash. Before pressing the shutter button, call
out to the subjects so they all look at the camera
while the pre-flash operation is performed.
• Red-eye reduction may not work very well if the
subjects are located far away from the camera.
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BASIC IMAGE RECORDING
Flash Unit Status
You can find out the current flash unit status by pressing
the shutter button half way and checking the monitor
screen and operation lamp.
The indicator is also shown on the
monitor screen when the flash unit is
ready to fire.
* Operation lamp
When the operation
lamp is doing this:
Flashing red
Lit red
Operation lamp
It means this:
Flash unit is charging
Flash unit is ready to fire
*
Changing the Flash Intensity Setting
Perform the following steps to change the flash intensity
setting.
1.
In a REC mode, press [MENU].
2.
Use [] and [] to select the “REC” tab.
3.
Use [] and [] to select “Flash Intensity”,
and then press [].
4.
Use [] and [] to select the setting you
want, and then press [SET].
To make flash intensity:
Stronger
Normal
Weaker
IMPORTANT!
• Flash intensity may not change if the subject is too
far or too close to the camera.
Select this setting:
+2
+1
0
–1
–2
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BASIC IMAGE RECORDING
Using Flash Assist
Recording a subject that is outside the flash range can
cause the subject to appear dark in the resulting image,
because not enough of the flash reaches the subject. When
this happens, you can use flash assist to correct the
brightness of the recorded subject, so it appears as if the
flash illumination was sufficient.
disp
Flash assist usedFlash assist not used
1.
In a REC mode, press [MENU].
2.
Use [] and [] to select the “REC” tab.
3.
Use [] and [] to select “Flash Assist”, and
then press [].
disp
4.
Use [] and [] to select “Auto”, and then
press [SET].
• Selecting “Off” disables flash assist.
IMPORTANT!
• Flash assist may not produce the desired result for
some types of subjects.
• Flash assist may have little effect on your image if
you changed any of the following settings when you
recorded it.
• Using flash assist can cause an increase of digital
noise in recorded images.
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BASIC IMAGE RECORDING
■ Flash Precautions
• Take care that your fingers
do not block the flash when
you hold the camera.
Covering the flash with your
finger can greatly reduce its
effectiveness.
• Make sure your fingers do
not interfere with operation
of the flash unit. Positioning
your finger over the flash
unit can prevent it from
opening and cause the flash
to fail to fire.
• You may not be able to achieve the desired results using
the flash if the subject is too close or too far away.
• The flash takes anywhere from a few seconds to as long
as 12 seconds to attain full charge after being fired. The
actual time required depends on the battery level,
temperature, and other conditions.
• The flash does not fire in the modes listed below. The
(Flash Off) icon on the monitor screen indicates that flash
is turned off.
Movie mode, Past Movie mode, Short Movie mode,
MOVIE BEST SHOT mode
Flash
• The flash unit may not be able to charge when camera
battery power is low. If this happens, the flash will not fire
properly and you will not be able to obtain the desired
exposure. Be sure to charge the camera’s battery as
soon as possible when power goes low.
• When the flash is turned off (), mount the camera on a
tripod to record images in an area where available lighting
is dim. Recording images under dim lighting without the
flash can cause digital noise, which makes images
appear coarse.
• When red-eye reduction () is selected, flash intensity
is adjusted automatically in accordance with the
exposure. The flash may not fire at all when the subject is
brightly lit.
• Using flash in combination with another light source
(daylight, fluorescent light, etc.) can result in abnormal
image colors.
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BASIC IMAGE RECORDING
Using the Self-timer
The self-timer lets you select either a 2-second or 10second delay of the shutter release after you press the
shutter button. A Triple Self-timer feature lets you perform
three consecutive self-timer operations to record three
images.
1.
In a REC mode, press [MENU].
2.
Use [] and [] to select the “REC” tab.
3.
Use [] and [] to select “Self-timer”, and
then press [].
4.
Use [] and [] to select the self-timer type
you want to use, and then press [SET].
• Selecting “Off” in step 4 disables the self-timer.
75
To do this:
Specify a 10-second self-timer
Specify a 2-second self-timer
Specify Triple Self-timer
Disable the self-timer
• This causes an
indicator identifying the
selected self-timer type
to appear on the
monitor screen.
• With the Triple Self-timer,
the camera records a
series of three images in
the sequence described
below.
Select this setting:
10 sec
10
s
2 sec
2
s
X3
x3
Off
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BASIC IMAGE RECORDING
1. The camera performs a 10-second countdown
and then records the first image.
2. The camera prepares to record the next image.
The amount of time required for preparation
depends on the camera’s current “Size” and
“Quality” settings, the type of memory (built-in or
card) you are using for image storage, and
whether or not the flash is charging.
3. After preparation is complete, the indicator “1sec”
appears on the monitor screen, and another
image is recorded one second later.
4. Steps 2 and 3 are repeated once more to record
the third image.
76
5.
Record the image.
• When you press the
shutter button, the selftimer lamp flashes and
the shutter releases
after the self-timer
reaches the end of its
countdown (about 10
seconds or two
seconds).
• You can interrupt an ongoing self-timer countdown
by pressing the shutter button half way while the selftimer lamp is flashing. Pressing the shutter button all
the way restarts the countdown from the beginning.
Self-timer lamp
BASIC IMAGE RECORDING
NOTE
• The “2 sec” self-timer setting is best when shooting
with a slow shutter speed, because it helps to avoid
blurring of images due to hand movement.
• The following functions are not available for use in
combination with the self-timer.
Past Movie mode, Short Movie mode
• The following functions are not available for use in
combination with the Triple Self-timer.
Movie mode, Past Movie mode, Short Movie mode,
MOVIE BEST SHOT mode
Specifying Image Size
“Image size” is the size of the image, expressed as the
number of vertical and horizontal pixels. A “pixel” is one of
the many tiny dots that make up the image. More pixels
provide finer detail when an image is printed, but a higher
pixel count also causes the image’s file size to be larger.
You can select an image size to suit your needs for greater
detail or smaller file size.
Note that this setting is valid for snapshots only. For
information about movie image size, see page 105.
1.
In a REC mode, press [MENU].
2.
Use [] and [] to select the “REC” tab.
3.
Use [] and [] to select “Size”, and then
press [].
77
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BASIC IMAGE RECORDING
4.
Use [] and [] to select the setting you
want, and then press [SET].
• When selecting the image size, the image size value
(pixels) will alternate on the display with a
corresponding print size. The print size indicates the
optimum paper size when you print an image that is
the image size you select.
Image Size
2560 × 1920
2560 × 1712
(3:2)
2048 × 1536
1600 × 1200
1280 × 960
640 × 480
Print Size
A3 Print
A3 Print (3:2 horizontal-tovertical ratio)
A4 Print
3.5˝ × 5˝ Print
• More detail than 1280 × 960
3.5˝ × 5˝ Print
E-mail (optimum size when
attaching image to e-mail)
Larger
Smaller
• The above print sizes are all approximate values when
printing at a resolution of 200 dpi (dots per inch). Use a
larger setting when you want to print at a higher
resolution or when you plan to produce a larger size print.
• Selecting the “2560 × 1712 (3:2)” image size will record
images with a 3:2 (horizontal : vertical) aspect ratio, which
is optimal for printing on paper with an aspect ratio of 3:2.
78
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BASIC IMAGE RECORDING
Specifying Image Quality
Compressing an image before storage can cause a
deterioration of its quality. The more an image is
compressed, the greater the loss of quality. The image
quality setting specifies the compression ratio to be used
when an image is stored in memory. You can select an
image quality setting to suit your needs for higher quality or
smaller file size.
Note that this setting is valid for snapshots only. For
information about movie image quality, see page 105.
1.
In a REC mode, press [MENU].
2.
Use [] and [] to select the “REC” tab.
3.
Use [] and [] to select “ Quality”, and
then press [].
4.
Use [] and [] to select the setting you
want, and then press [SET].
79
To get this:
High image quality, large file
size
Normal image quality and
normal file size
Low image quality, small file
size
IMPORTANT!
• Actual file size depends on the type of image you
record. This means that the remaining image
capacity noted on the monitor screen may not be
exactly accurate (pages 29, 231).
Select this setting:
Fine
Normal
Economy
Higher
Quality
Lower
Quality
OTHER RECORDING FUNCTIONS
OTHER RECORDING FUNCTIONS
Selecting the Focus Mode
You can select one of five different focus modes: Auto
Focus, Macro, Pan Focus, Infinity, and Manual Focus.
1.
In a REC mode, press [ ] .
• Each press of [ ] cycles
thorough the focus mode
settings in the sequence
shown below.
Focus mode indicator
[ ]
80
To set up the camera to do this:
Focus automatically (Auto Focus)*
Perform close-up focus (Macro)
Fix the focal distance (Pan Focus)*
Perform infinity focus (Infinity)
Focus manually (Manual Focus)
Select this setting:
1
None
2
*1 When using Icon Help (page 124), select “ Auto
Focus”.
*2 “” (Pan Focus) can be selected in a movie mode
(Movie, Past Movie, Short Movie, MOVIE BEST
SHOT) only.
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OTHER RECORDING FUNCTIONS
Using Auto Focus
As its name suggests, Auto Focus focuses the image
automatically. The automatic focus operation starts when
you press the shutter button down half way. The following
is the Auto Focus range.
Range: Snapshots: 40cm to ∞ (1.3´ to ∞)
Movies: 10cm to ∞ (0.3´ to ∞)
• Using optical zoom causes the above ranges to change.
1.
Press [ ] to cycle through the focus mode
settings until there is no focus mode indicator
on the display.
• When using Icon Help (page 124), select “ Auto
Focus”.
2.
Compose the image so the main subject is
within the focus frame, and then press the
shutter button half way.
• You can tell whether the image is focused by
observing the focus frame and the operation lamp.
Operation lamp
Focus frame
When you see this:
Green focus frame
Green operation lamp
Red focus frame
Flashing green operation lamp
3.
Press the shutter button the rest of the way to
It means this:
The image is focused.
The image is not
focused.
record the image.
81
OTHER RECORDING FUNCTIONS
NOTE
• When proper focusing is not possible because the
subject is closer than the Auto Focus range, the
camera automatically switches to the Macro mode
range (page 84).
• Whenever you perform an optical zoom operation
(page 66) while recording with Auto Focus, a value
will appear on the monitor screen as shown below to
tell you the focusing range.
Example: AF 40cm - ∞
■ Specifying the Auto Focus Area
You can use the following procedure to change the Auto
Focus area used in the Auto Focus mode and the Macro
mode. Note that the configuration of the focus frame
changes in accordance with the Auto Focus area you
select.
1.
In a REC mode, press [MENU].
2.
On the “REC” tab, select “AF Area”, and then
press [].
3.
Use [] and [] to select the Auto Focus area
you want, and then press [SET].
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OTHER RECORDING FUNCTIONS
For this type of Auto Focus area:
Very limited range in the center of the
screen
• This setting works well with focus lock
(page 87).
Automatic selection of the focus area where
the subject closest to the camera is located
• With this setting, a wide focus frame,
which contains seven focus points,
appears on the monitor screen first. When
you press the shutter button half way, the
camera automatically selects the focus
point where the subject closest to the
camera is located, and a focus frame
appears at that point.
• This setting works well for group photos.
Free movement of the focus point location
you want.
• Selecting this setting initially displays the
focus point in the center of the monitor
screen. Then you can use the [], [],
[], and [] keys to move it to the location
you want. Finally, press [SET] to select
the current focus point location.
Select this:
Spot
Multi
Free
• Spot• Multi
• Free
[SET]
Focus point
83
Focus frameFocus frame
Focus frame
OTHER RECORDING FUNCTIONS
Using the Macro Mode
Use the Macro mode when you need to focus on close up
subjects. The following shows the approximate focus range
in the Macro mode.
Range: 1cm to 50cm (0.4˝ to 19.7˝)
• Using optical zoom causes the above range to change.
1.
Press [ ] to cycle through the focus mode
settings until “” is shown as the focus
mode indicator.
2.
Record the image.
• The focus and image recording operations are
identical to those in the Auto Focus mode.
NOTE
• When the Macro mode cannot focus properly
because the subject is too far away, the camera
automatically switches to the Auto Focus range
(page 81).
• Whenever you perform an optical zoom operation
(page 66) while recording with the Macro mode, a
value will appear on the monitor screen as shown
below to tell you the focusing range.
Example: 1cm - 50cm
84
IMPORTANT!
• Use of the flash along with the Macro mode can
cause the light of the flash to become blocked, which
can produce unwanted shadows in your image.
B
OTHER RECORDING FUNCTIONS
Using Pan Focus
Pan Focus can be used in a movie mode (Movie, Past Movie,
Short Movie, MOVIE BEST SHOT) to focus on a particular
subject and record without using Auto Focus. Pan Focus
comes in handy when recording under conditions where Auto
Focus is difficult for some reason, or in cases where Auto
Focus operation noise is too noticeable in the movie audio.
1.
Enter a movie mode (page 59).
• You can perform this procedure in the Movie, Past
Movie, Short Movie, or MOVIE BEST SHOT mode.
2.
Press [ ] to scroll through settings until “”
is displayed.
3.
Press the shutter button to record the movie
with Pan Focus.
IMPORTANT!
• Pan Focus can be used in a movie mode (Movie,
Past Movie, Short Movie, or MOVIE BEST SHOT)
only. It is disabled in all other modes.
NOTE
• Whenever you perform an optical zoom operation
(page 66) while recording with pan focus, a value will
appear on the monitor screen as shown below to tell
you the focusing range.
Example: PF 0.4m - ∞
Using the Infinity Mode
The Infinity mode fixes focus at infinity (∞). Use this mode
when recording scenery and other faraway images.
1.
Press [ ] to cycle through the focus mode
settings until “” is shown as the focus
mode indicator.
2.
Record the image.
85
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OTHER RECORDING FUNCTIONS
Using Manual Focus
With the Manual Focus mode, you can adjust the focus of
an image manually. The following shows focus range in the
Manual Focus mode.
Range: 1cm (0.4˝) to infinity (∞)
• Using optical zoom causes the above range to change.
1.
Press [ ] to cycle
through the focus
mode settings until
“” is shown as the
focus mode indicator.
• At this point, a
boundary also appears
on the display,
indicating the part of the
image that will be used
for manual focus.
Boundary
2.
While watching the
image on the monitor
screen, use [] and
[] to focus.
Manual focus position
To do this:
Focus in on the subject
Focus out on the subject
• Pressing [] or [] causes the area inside of the
boundary displayed in step 1 to fill the monitor
screen momentarily to aid in focus. The normal
image will reappear a short while later.
3.
Press the shutter button to record the image.
IMPORTANT!
• In the Manual Focus mode, the [] and [] keys
adjust focus, even if you used key customization to
assign other functions to them (page 125).
Do this:
Press [].
Press [].
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OTHER RECORDING FUNCTIONS
1920N
2560
05/1212
24
12
38
0.0
NOTE
• Whenever you perform an optical zoom operation
(page 66) while recording with manual focus, a value
will appear on the monitor screen as shown below to
tell you the focusing range.
Example: MF 1cm - ∞
Using Focus Lock
Focus lock is a technique you can use to focus on a
subject that is not located within the focus frame when you
record an image. You can use focus lock in the Auto Focus
mode and the Macro mode ().
1.
Using the monitor
Main subject
screen, compose the
image so the main
subject is within the
focus frame, and then
press the shutter
button half way.
• This locks the focus on
the subject that is
currently within the
focus frame.
Focus frame
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2560
05/
+
–
1920N
0.0
/24
:
38
12
3
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OTHER RECORDING FUNCTIONS
ISO 50
F3.3
1/1000
2.
Keeping the shutter
Main subject
button pressed half
way down, recompose the image
as you like.
3.
When the image is composed the way you
want, press the shutter button the rest of the
way to record it.
• The focus and image recording operations are
identical to those in the Auto Focus mode.
NOTE
• Locking the focus also locks the exposure.
ISO 50
F3.3
1/1000
Exposure Compensation (EV Shift)
Exposure compensation lets you change the exposure
setting (EV value) manually to adjust for the lighting of your
subject. This feature helps to achieve better results when
recording a backlit subject, a strongly lit subject indoors, or
a subject that is against a dark background.
EV Shift Range: –2.0EV to +2.0EV
Steps: 1/3EV
1.
In a REC mode, press [MENU].
2.
Select the “REC” tab,
select “EV Shift”, and
then press [].
Exposure compensation
value
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OTHER RECORDING FUNCTIONS
3.
Use [왖] and [왔] to
change the exposure
compensation value,
and then press [SET].
• Pressing [SET] registers
the displayed value.
EV value
[왖] : Increases the EV value. A higher EV value is best
used for light-colored subjects and backlight
subjects.
[왔] : Decreases the EV value. A lower EV value is best
for dark-color subjects and for shooting outdoors
on a clear day.
89
• To cancel EV Shift, adjust the value until it becomes
0.0.
4.
Record the image.
IMPORTANT!
• When shooting under very dark or very bright
conditions, you may not be able to obtain satisfactory
results even after performing exposure
compensation.
NOTE
• Performing an EV shift operation while using multipattern metering (page 120) will cause the metering
mode to switch automatically to center weighted
metering. Returning the EV shift value to 0.0 causes
the metering mode to change back to multi-pattern
metering.
• You can use key customization (page 125) to
configure the camera to perform exposure
compensation whenever you press [왗] or [왘] while in
a REC mode. This comes in handy when adjusting
exposure compensation while viewing the on-screen
histogram (page 116).
C
OTHER RECORDING FUNCTIONS
Using the Built-in ND Filter
An ND filter reduces the amount of light entering the lens.
The built-in ND filter of this camera reduces light by 2.0
Exposure Values (EV). The ND filter is available in the
following modes.
A Mode: Aperture Priority AE (page 94)
Using the ND filter in this mode increases the
shutter speed value by two steps (making
shutter speed slower). Use the ND filter in this
mode when lighting is bright and you want to
use a wide aperture in order to blur the
background, etc.
M Mode: Manual Exposure (page 97)
Using the ND filter in this mode results in
exposure that is 2.0 EV darker than the
unfiltered setting. Because of this, you should
readjust aperture and shutter speed to obtain
appropriate exposure.
To turn the ND filter on and off
Example: M Mode (manual exposure)
1.
Use [] and [] to
select the ND filter
value in the exposure
panel, and then use
[] and [] to change
the setting.
NOTE
• The ND filter is turned on or off automatically in the
following modes.
Snapshot (Auto), S Mode (Shutter Speed Priority
AE), BEST SHOT Mode, Movie, Short Movie, Past
Movie, MOVIE BEST SHOT
• Pressing the shutter
button half way while
the ND filter is turned
on causes the ND
indicator to appear on
the display.
90
Indicates ND filter is on.
OTHER RECORDING FUNCTIONS
Adjusting White Balance
The wavelengths of the light produced by various light
sources (daylight, light bulb, etc.) can affect the color of a
subject when it is recorded. White balance lets you make
adjustments to compensate for different lighting types, so
the colors of an image appear more natural.
1.
In a REC mode, press [MENU].
2.
Select the “REC” tab,
select “White
Balance”, and then
press [].
3.
Use [] and [] to select the setting you
want, and then press [SET].
When shooting under these conditions:
Normal conditions
Outdoor daylight on a clear day
Outdoor daylight on an overcast or
rainy day, in the shade of a tree, etc.
In the shade of a building or any other
area where the color temperature is
high
Under white or daylight white
fluorescent light
(suppresses color fogging)
Under daylight fluorescent light
(suppresses color fogging)
Under incandescent lighting
Other multiple light sources that cause
a bluish tinge to appear in areas
covered by the flash
Difficult lighting that requires manual
control (See “Configuring the White
Balance Setting Manually” (page 92).)
Select this setting:
Auto
1
2
Manual
91
OTHER RECORDING FUNCTIONS
NOTE
• When “Auto” is selected for the white balance
setting, the camera automatically determines the
white point of the subject. Certain subject colors and
light source conditions can cause problems when the
camera tries to determine the white point, which
makes proper white balance adjustment impossible.
When this happens, use daylight, cloudy, or one of
the other fixed white balance settings to specify the
type of lighting available.
• You can use the key customization feature (page
125) to configure the camera so the white balance
setting changes whenever you press [] or [] while
in a REC mode.
• If you have key customization configured to control
white balance and you have Icon Help turned on
(page 124), select “
white balance mode to auto.
Auto WB” to change the
AWB
Configuring the White Balance Setting
Manually
Certain complex light sources or other environmental
conditions can make it impossible to obtain good results
when “Auto” or one of the fixed light source settings is
selected for white balance. Manual white balance lets you
configure the camera for a particular light source and other
conditions.
Note that you must perform manual white balance under
the same conditions you will be shooting under. Have a
sheet of white paper on hand before starting the following
procedure.
1.
In a REC mode, press [MENU].
2.
Select a “REC” tab, select “White Balance”,
and then press [].
92
B
OTHER RECORDING FUNCTIONS
3.
Use [] and [] to
select “Manual”.
• This causes the object
you last used to adjust
manual white balance to
appear on the monitor
screen. If you want to use
the same settings you
configured during a
previous manual white
balance setting
operation, skip step 4
and perform step 5.
4.
Point the camera at a white paper or similar
object under the lighting conditions for which
you want to set the white balance, and then
press the shutter button.
White paper
93
• This starts the white balance adjustment procedure.
The message “Complete” appears on the monitor
screen after white balance adjustment is complete.
5.
Press [SET].
• This registers the white balance settings and returns
to the currently selected recording mode.
NOTE
• After you adjust white balance manually, the setting
remains in effect until you change it or until you turn
off the camera.
OTHER RECORDING FUNCTIONS
Specifying the Exposure Mode
You can use the mode dial to select the exposure mode,
which controls the aperture and shutter speed settings
used during image recording.
A mode : Aperture Priority AE
S mode : Shutter Speed Priority AE
M mode : Manual Exposure
Using Aperture Priority AE
When A mode (aperture priority AE) is selected as the
exposure mode, the camera adjusts the shutter speed
automatically in accordance with a fixed aperture value
specified by you. A wider aperture (a lower aperture value)
provides a shallow depth of field, while a small aperture (a
higher aperture value) provides a greater depth of field.
The shutter speed range in this mode is 1/2000 to 1/8
second.
94
Wide Aperture
1.
Align the mode dial
with “A” (Aperture
Priority).
Small Aperture
EV shiftAperture valueND filter
OTHER RECORDING FUNCTIONS
2.
Use [] and [] to select the aperture value
(page 31) in the exposure panel, and then use
[] and [] to change the setting.
Aperture value
Depth of Field
* The above values are full wide angle optical zoom.
Aperture values are different at other optical zoom
settings.
• Use [] and [] to select “ND”, and then use [] and
[] to turn the ND filter on or off (pages 30, 90).
• You could also use [] and [] to select “EV Shift”
here, and then use [] and [] to specify an
exposure compensation value (pages 31, 88).
•
If you are using manual focus
also use [] and [] to select “FOCUS” (manual focus
adjustment), and then use [] and [] to focus
manually.
*
Wide Small
F3.3 ‚ 3.7 ‚ 4.4 ‚ 5.2 ‚ 6.2 ‚ 7.4
Shallow
Deep
(pages 31, 86)
, you can
3.
Press the shutter button half way.
• This causes the camera to configure shutter speed
automatically in accordance with the aperture value
you selected. Then it focuses the image.
• The shutter speed and aperture values on the
monitor screen will turn amber when you press the
shutter button half way if the image is over-exposed
or under-exposed.
4.
When the image is focused, press the shutter
button all the way down to record.
95
OTHER RECORDING FUNCTIONS
Using Shutter Speed Priority AE
When S mode (shutter speed priority AE) is selected as the
exposure mode, the camera adjusts the aperture
automatically in accordance with a fixed shutter speed
specified by you. You should specify a shutter speed in
accordance with how much your subject is moving.
1.
Align the mode dial
with “S” (Shutter
Speed Priority).
SlowFast
96
2.
Use [] and [] to select the shutter speed
value (page 31) in the exposure panel, and
then use [] and [] to change the setting.
Shutter speed
Movement
• You could also use [] and [] to select “EV Shift”
here, and then use [] and [] to specify an
exposure compensation value (pages 31, 88).
•
If you are using manual focus
also use [] and [] to select “FOCUS” (manual focus
adjustment), and then use [] and [] to focus
manually.
SlowFast
60 seconds1/2000 second
Blurred
Stopped
(pages 31, 86)
EV shiftShutter speed
, you can
C
OTHER RECORDING FUNCTIONS
3.
Press the shutter button half way.
• This causes the camera to configure the aperture
value automatically in accordance with the shutter
speed you selected. Then it focuses the image.
• The shutter speed and aperture values on the
monitor screen will turn amber when you press the
shutter button half way if the image is over-exposed
or under-exposed.
4.
When the image is focused, press the shutter
button all the way down to record.
Setting Exposure Settings Manually
In the M mode (manual exposure), you can adjust shutter
speed and aperture manually.
1.
Align the mode dial
with “M” (Manual).
Aperture valueND filter
Shutter speed
2.
Use [] and [] to select “ND”, and then use
[] and [] to turn the ND filter (pages 31, 90)
on or off, if you want.
97
OTHER RECORDING FUNCTIONS
3.
Use [] and [] to select the aperture value
(page 31) in the exposure panel, and then use
[] and [] to change the setting.
Aperture value*
Depth of Field
* The above values are full wide angle optical zoom.
Aperture values are different at other optical zoom
settings.
4.
Use [] and [] to select the shutter speed
Wide Small
F3.3 , 3.7 , 4.4 , 5.2 , 6.2 , 7.4
Shallow
Deep
value (page 31) in the exposure panel, and
then use [] and [] to change the setting.
5.
Press the shutter button half way.
•
This causes the camera to adjust focus automatically.
6.
When the image is focused, press the shutter
button all the way down to record.
Shutter speed
Movement
• If you are using manual focus (pages 31, 86), you
can also use [] and [] to select “FOCUS” (manual
focus adjustment), and then use [] and [] to focus
manually.
SlowFast
60 seconds1/2000 second
Blurred
Stopped
98
OTHER RECORDING FUNCTIONS
Using Manual Assist On-screen Guidance
Pressing [SET] while in the A mode (aperture priority AE),
S mode (shutter speed priority AE), or M mode (manual
exposure) causes on-screen guidance and exposure indicators
(aperture and shutter speed) to appear on the display.
Guidance images
Aperture indicator
Shutter speed indicator
• In the A mode, you can use [] and [] to change the
aperture value setting. Pressing a button causes the
Guidance images to disappear from the display.
• In the S mode, you can use [] and [] to change the
shutter speed setting. Pressing a button causes the
Guidance images to disappear from the display.
• In the M mode, you can use [] and [] to switch the
Guidance images between the aperture value and shutter
speed settings. After displaying the screen you want, you
can use [] and [] to change the setting.
• If the Guidance images disappear from the monitor
screen, you can display them again by pressing [DISP].
IMPORTANT!
• The shutter speed displayed in the A mode and the
aperture value displayed in the S mode are rough
approximations only. Because of this, these settings
may be slightly different from the settings that appear
when you press the shutter button half way (which
are more precise).
99
OTHER RECORDING FUNCTIONS
Exposure Mode Recording Precautions
• You may not be able to achieve the brightness you want
when recording an image that is very dark or very bright.
If this happens, use the M mode (manual exposure) to
adjust the aperture or shutter speed manually.
• Using slow shutter speeds can cause digital noise
(graininess) to appear in the image. Because of this, the
camera automatically performs a digital noise reduction
process whenever the shutter speed is 1/8 second or
slower. The slower the shutter speed, the greater the
possibility that digital noise will be generated in an image.
If you notice digital noise in your images at very slow
shutter speeds, try using a shutter speed setting that is
faster than four seconds. Also note that the digital noise
reduction process can cause it to take longer (about
double the shutter speed setting or more) to record each
image.
• At shutter speeds slower than 1 second, the brightness of
the recorded image may not be the same as the
brightness of the image that appears on the monitor
screen.
Using the BEST SHOT Mode
Selecting one of the 22 BEST SHOT scenes automatically
sets up the camera for recording a similar type of image.
Scene Number
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
Scene Name
Portrait
Scenery
Portrait With Scenery
Children
Sports
Candlelight Portrait
Party
Pet
Flower
Natural Green
Soft Flowing Water
Splashing Water
Sundown
Night Scene
Night Scene Portrait
Fireworks
Food
Text
Collection
Monochrome
Retro
100
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