Datasat AP20 Installation And Operating Manual

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AP20 Audio Processor
Operating Guide
Installation and
Version 1.1
Effective Date: June 2010
Document # 9301H39200
Datasat Digital Entertainment
9631 Topanga Canyon Place
Chatsworth, CA 91311
USA
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AP20 Installation and Operating Guide Page 2
Notices
This product contains software proprietary to Datasat Digital Entertainment and protected by US and International copyright law. Unauthorized reproduction or disclosure, in whole or in part, is strictly prohibited.
The software and methods implemented in this product may be protected by one or more of the following patents: US Patent Nos. 5,751,398; 5,450,146; 5,386,255 and other US and International patents, both issued and pending.
WARRANTY/LIMITATION OF LIABILITY
EXCEPT FOR THE LIMITED WARRANTY PROVIDED HEREIN, THIS PRODUCT IS PROVIDED "AS IS" AND WITHOUT WARRANTY OF ANY KIND. DATASAT DIGITAL ENTERTAINMENT EXPRESSLY DISCLAIMS ALL OTHER WARRANTIES, EXPRESS AND IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. DATASAT DIGITAL ENTERTAINMENT DOES NOT WARRANT THAT THIS PRODUCT WILL MEET USER’S REQUIREMENTS, OR THAT THE OPERATION OF THIS PRODUCT WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS IN THIS PRODUCT WILL BE CORRECTED. UNDER NO CIRCUMSTANCES, INCLUDING NEGLIGENCE, SHALL DATASAT DIGITAL ENTERTAINMENT, OR ITS DIRECTORS, OFFICERS, EMPLOYEES OR AGENTS, BE LIABLE TO USER FOR ANY INCIDENTAL, INDIRECT, SPECIAL OR CONSEQUENTIAL DAMAGES (INCLUDING DAMAGES FOR LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, AND THE LIKE) ARISING OUT OF THE USE, MISUSE OR INABILITY TO USE THIS PRODUCT OR RELATED DOCUMENTATION.
Copyright
AP20 Audio Processor Installation and Operating Guide, Version 1.1
© 2010 Datasat Digital Entertainment. All right reserved.
The content of this publication is subject to change without notice. Datasat Digital Entertainment assumes no obligation to notify you of any changes or updates. While Datasat Digital Entertainment believes this publication is accurate, due to ongoing improvements and revisions, Datasat Digital Entertainment cannot guarantee the accuracy of printed material, nor can it accept responsibility for errors or omissions. Datasat Digital Entertainment may periodically publish updates and revisions to this publication as it deems necessary.
DTS is a registered trademark of DTS, Inc. Dolby is a trademark of Dolby Laboratories.
“Dirac Live” is a registered trademark of Dirac Research AB protected by Swedish and international trademark laws and treaties.
All other trademarks are the properties of their respective owners.
Manufactured under license from Dolby Laboratories. This product contains one or more programs protected under international and U.S. copyright laws as unpublished works. They are confidential and proprietary to Dolby Laboratories. Their reproduction or disclosure, in whole or in part, or the production of derivative works therefrom without the express permission of Dolby Laboratories is prohibited. Copyright 1993 - 2002 by Dolby Laboratories. All rights reserved.
Manufactured under license from DTS, Inc. under U.S. Patent #’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,487,535; 7,003,467 & other U.S. and worldwide patents issued & pending. DTS, DTS Digital Surround and Neo:6 are registered trademarks and the DTS logos and Symbol are trademarks of DTS, Inc. © 1996-2008 DTS, Inc. All Rights Reserved.
Document No. 9301H39200
June 2010
AP20 Installation & Operating Guide Document # 9301H39200 Ver. 1.1
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AP20 Installation and Operating Guide Page 3
Record of Changes
Manual Version / Date
1.0 April, 2010 Preliminary version
1.1 June 2010 Version 1.1 release
Description
Regulatory Notices
EMI NOTICE
This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.
Canadian Department of Communications compliance statement:
This equipment does not exceed Class A limits per radio noise emissions for digital apparatus set out in the Radio Interference Regulation of the Canadian Department of Communications. Operation in a residential area may cause unacceptable interference to radio and TV reception requiring the owner or operator to take whatever steps are necessary to correct the interference.
Avis de conformite aux normes du ministere des Communications du Canada:
Cet equipment ne depasse pas les limites de Classe A D'emission de bruits radioelectriques pour les appareils numeriques telles que perscrites par le Reglement sur le brouillage radioelectrique etabli par le ministere des Communications du Canada. L'exploitation faite en milieu residentiel peut entrainer le brouillage des receptions radio et television, ce qui olbigerait le proprietaire ou l'operateur a prendre les dispositions necessaires pour en eliminer les causes.
AP20 Installation & Operating Guide Document # 9301H39200 Ver. 1.1
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TABLE OF CONTENTS
INTRODUCTION 6
PART 1: OPERATION 13
1.0 OPERATING AP20 14
1.1 H
1.2 F
1.3 P
1.3.1 N
1.4 T
1.4.1 A
1.4.2 B
1.4.3 M
1.5 T
OW-TO PROCEDURES OPERATIONS 14 RONT PANEL CONTROLS AND INDICATORS 15 OWERING ON THE AP20 PROCESSOR 16
AVIGATING THROUGH THE MENUS 17
HE HOME SCREEN 18
DJUSTING THE FADER 18 OOTH MONITOR VOLUME 19
ANUAL AUTOMATION 20
ROUBLESHOOTING (OPERATION) 21
PART 2: INSTALLATION AND SETUP 22
2.0 INSTALLATION AND SET UP 24
2.1 I
NSTALLATION CHECKLIST 24
2.2 U
2.2.1 P
2.3 I
2.4 AP20
2.5 C
2.5.1 R
2.5.2 P
2.6 A
2.6.1 C
2.7 F
2.7.1 P
2.7.2 D
2.7.3 D
2.8 AP20
2.8.1 E
2.8.2 S
2.8.3 T
2.8.4 A
2.8.5 H
2.8.6 V
2.9 B
2.9.1 S
2.9.2 P
2.10 S
2.11 C
2.12 F
2.13 C
2.14 S
2.15 U
2.16 AP20
NPACKING SYSTEM COMPONENTS 25
RELIMINARY INSPECTION 25
NSTALLATION OVERVIEW 25
REAR PANEL CONNECTIONS 25
HASSIS RACK MOUNTING AND CONNECTION 27
ACK MOUNT RECOMMENDATIONS 27
OWER SUPPLY 27
BOUT FORMATS 28
REATING AN AUDIO FORMAT 29
ACTORY PRESETS 30
RESET FORMATS 30
EFAULT EQ 31 EFAULT CHANNEL PROFILES 31
CONFIGURATION AND SETUP 32
QUIPMENT REQUIREMENTS 32 ETTING AND ADJUSTING AUDIO OUTPUT LEVELS 32 HEATER EQUIPMENT CHECK 32
SSIGN CHANNELS ON AP20 33 EARING IMPAIRED OUTPUT 35 ERIFY CHANNEL ASSIGNMENTS IN AUDITORIUM 35
CHAIN ALIGNMENT USING 1/3 OCTAVE EQ 35
ET LEVELS TO ESTABLISH A BASELINE 37 ERFORM THE EQ 38
UBWOOFER EQ PARAMETRIC EQ 40
OPY EQ SET TO ANOTHER EQ SET 41
INAL ADJUSTMENTS 42
OPY FORMAT 42
ETTING UP MULTIPLE SCREENS 42
SING DIRAC LIVE® TO TUNE THE AUDITORIUM 42
PLAYBACK SOUND CHECK 43
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3.0 HOW-TO PROCEDURES FOR SETUP 43
3.1 E
XAMPLE: CREATING A FORMAT 44
4.0 SETUP MENUS 45
4.1 T
4.2 S
4.2.1 A
4.2.2 U
4.2.3 S
4.2.4 A
4.2.5 V
4.2.6 S
4.2.7 V
4.2.8 S
4.3 F
4.3.1 C
4.3.2 S
4.3.3 E
4.3.4 A
4.3.5 I
4.3.6 F
4.3.7 EQ
4.3.8 C
4.4 N
4.5 A
4.5.1 C
4.5.2 S
4.5.3 A
4.5.4 A
4.5.5 A
HE MENU BUTTON 49 YSTEM SETUP SCREEN 49
SSIGN FADER LEVEL TO A FORMAT 50 PDATING YOUR AP20 SOFTWARE 52
AVING AND RESTORING CONFIGURATION FILES 54
CCESS CONTROL 56 IEW LOG FILE 57
YSTEM INFO 58
ERSION, SERIAL NUMBER, AND MAC ADDRESS 58
YSTEM MONITOR 58
ORMATS 59
URRENT AUDIO FORMAT 59 TARTUP FORMAT 59 DIT FORMATS 60
SSIGN FORMAT BUTTONS 61
NPUT SOURCE 62
ORMAT OPTIONS 63
SETUP 67
HANNEL PROFILE 73
ETWORK 79 UTOMATION 80
REATING A MACRO 80 ERIAL EVENTS 88
UTOMATION BUTTONS 92
UTOMATION TEST SCREEN 93
UTOMATION SERIAL PORT SETUP 94
5.0 MAINTENANCE AND TROUBLESHOOTING 95
5.1 R
5.2 T
5.3 E
5.3.1 S
5.3.2 E
OUTINE MAINTENANCE 95 ROUBLESHOOTING 95 RROR MESSAGES 96
OFTWARE INSTALLATION 96 RROR BOOTING THE AP20 97
PART 3. APPENDICES
A. Connector Pin-outs
B. Interface Wiring Diagrams
C. AP20 Wiring and Block Diagrams
D. Specifications
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Introduction
This manual explains the AP20 Audio Processor setup and operation. It contains full instructions for installing hardware and software, setting up audio playback, configuring the system, performing maintenance and troubleshooting, and setting up and operating optional functions.
How to Use this Guide
The guide is divided into three parts. The first part covers operations for the projectionist or “operator”. The second part covers the installation, setup and other technical functions. The third part consists of appendices with technical details such as connector and wiring diagrams.
NOTE: Technical adjustments should only be performed by a qualified theater technician. The appendices provide detailed information for the theater technician.
Part 1: Operation
Operating the AP20 Audio Processor
How-To Procedures
Troubleshooting – Operations
Part 2: Installation and Setup
Hardware Installation
System Software Setup and Menus
Maintenance and Troubleshooting
Part 3: Appendices
A. Connector Pin-outs
B. Interface Wiring Diagrams
C. AP20 Wiring and Block Diagrams
D. Specifications
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DDE Customer Service 9631 Topanga Canyon Place Chatsworth, CA 91311 U.S.A.
USA +1.818-531-0003 U.K +44(0) 1189.349.199 Fax: +1 886 448-6802
www.datasatdigital.com
Thank you for choosing Datasat Digital Entertainment!
Contact Information
To contact Datasat Digital Entertainment’s Technical Support staff:
Telephone: +1.818.401.4253 or toll free in USA and Canada: 1(888) 428-2268
Customer Service: Technical Support: Technical Support Europe:
customerservice@datasatdigital.com
techsupport@datasatdigital.com
eusupport@datasatdigital.com
Software License Agreement
IMPORTANT: READ THIS SOFTWARE LICENSE ("LICENSE") CAREFULLY BEFORE USING THE DATASAT DIGITAL ENTERTAINMENT SOFTWARE. THE SOFTWARE RESIDING ON THE AP20 AUDIO PROCESSOR AND ANY ACCOMPANYING MATERIALS (COLLECTIVELY, THE “SOFTWARE”) ARE LICENSED, NOT SOLD. BY USING THE AP20 AUDIO PROCESSOR, YOU ARE ACCEPTING AND AGREEING TO THE TERMS OF THIS LICENSE. IF YOU DO NOT AGREE TO THE TERMS OF THIS LICENSE, DO NOT USE THE AP20 AUDIO PROCESSOR.
1. Grant. Subject to your compliance with the terms of this License, Datasat Digital Entertainment hereby grants you a non-exclusive, non-transferable, revocable, limited license to use the Software solely for your internal business purposes and solely in connection with the AP20 Audio processor. All rights not expressly granted to you are reserved by Datasat Digital Entertainment.
2. Ownership. All right, title and interest in and to the Software, all physical copies thereof and all intellectual property embodied therein are and shall remain vested in Datasat Digital Entertainment. You do not own the Software, physical copies thereof or any intellectual property embodied therein.
3. Restrictions. You may not (i) copy, distribute, sublicense, lease, transfer or use for external purposes the Software; (ii) reverse engineer, decompile, disassemble, translate, modify, attempt to reveal the source code of the Software, or (iii) create derivative works from the Software.
4. Termination. Datasat Digital Entertainment may terminate this license at any time if you violate the terms of this license. Upon termination, you must destroy the Software and related documentation.
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5. LIMITATION ON WARRANTY. YOU EXPRESSLY ACKNOWLEDGE AND AGREE THAT USE OF DATASAT DIGITAL ENTERTAINMENT SOFTWARE AND HARDWARE IS AT YOUR SOLE RISK. DATASAT DIGITAL ENTERTAINMENT DOES NOT WARRANT THAT THE OPERATION OF THE SOFTWARE OR THE HARDWARE WILL BE UNINTERRUPTED OR ERROR FREE. TO THE MAXIMUM EXTENT PERMITTED BY APPLICABLE LAW, THE DATASAT DIGITAL ENTERTAINMENT SOFTWARE AND HARDWARE PROVIDED “AS IS,” WITH ALL FAULTS AND WITHOUT WARRANTY OF ANY KIND, INCLUDING, WITHOUT LIMITATION, THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSES, AND NON-INFRINGEMENT OF THIRD PARTY RIGHTS, ALL OF WHICH ARE HEREBY EXPRESSLY DISCLAIMED.
6. LIMITATION OF LIABILITY. UNDER NO CIRCUMSTANCES, INCLUDING, WITHOUT LIMITATION, NEGLIGENCE, SHALL DATASAT DIGITAL ENTERTAINMENT OR ITS DIRECTORS, OFFICERS, EMPLOYEES OR AGENTS BE LIABLE FOR PERSONAL INJURY, OR ANY INCIDENTAL, SPECIAL, INDIRECT OR CONSEQUENTIAL DAMAGES WHATSOEVER, INCLUDING, WITHOUT LIMITATION, DAMAGES FOR LOSS OF PROFITS, LOSS OF DATA, BUSINESS INTERRUPTION OR ANY OTHER COMMERCIAL DAMAGES OR LOSSES, ARISING OUT OF OR RELATED TO YOUR USE OF THE DATASAT DIGITAL ENTERTAINMENT SOFTWARE OR HARDWARE, HOWEVER CAUSED, REGARDLESS OF THE THEORY OF LIABILITY AND EVEN IF DATASAT DIGITAL ENTERTAINMENT HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. IN NO EVENT SHALL DATASAT DIGITAL ENTERTAINMENT’S LIABILITY EXCEED THE AMOUNT PAID BY YOU TO DATASAT DIGITAL ENTERTAINMENT. SOME STATES DO NOT ALLOW THE LIMITATION AND/OR EXCLUSION OF LIABILITY FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION OR EXCLUSION MAY NOT APPLY TO YOU.
7. General. This License shall be governed by the laws of the State of California as applied to contracts performed wholly therein. In any action brought by either party arising out of this License, the prevailing party shall be entitled to recover its reasonable attorney’s fees and costs. If any provision of this License is held by a court of competent jurisdiction to be unenforceable or if a provision of this License is waived by either party, the remainder of this License shall remain in full force and effect. You may not assign this License without the prior, express written consent of Datasat Digital Entertainment.
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Touchscreen
port
Power button
1.2 Front Panel Controls and Indicators
Adjustment knob
USB
Figure 1: Front Panel Controls and Indicators
The front panel contains the following controls and indicators for operating AP20.
Power button: Turns the unit on and off
LCD/Touch Screen: Displays theater system configuration and status and allows
configuration changes. Most selections can be made by touching the screen with your finger or by using a stylus.
The LCD screen operates in two modes:
o Home screen. The projectionist can select formats and mute volume from this screen.
They can also change the monitor volume and execute manual automation commands via the popup windows. During playback, the screen displays information about the content currently being played.
o Setup mode. In menu mode, the screen displays menus for viewing and adjusting
operational settings by the cinema technician. The projectionist does not need to enter these menus.
Adjustment knob: Used for fader control and parameter adjustments. On the Home screen,
this knob adjusts the fader level. However, it is used within the setup screens to adjust values, EQ filter faders, and other values. When the setup screen contains many controls, first set the focus by touching the control on the display. Then move the knob clockwise to increase the value, or counterclockwise to decrease the value.
USB port: Use for software updates and loading and saving of configurations. See topic
Update System Software From USB Device on page 54 for more details.
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Home (Main)
Fader (readout)
Mute (Fader)
Monitor
Volume Control and
Mute
Automation
Manual Control
Select Format
8 buttons on bottom of
screen
Figure 4. Home Screen
If no messages appear on the touch screen after you have turned on the power switch, check the following:
Is the power to the sound rack on? Has the circuit breaker to the audio rack been tripped? Is the power cable connected?Is the front panel power switch lighted?
Navigating through the Menus
Since the AP20 is equipped with a touch screen display, you can navigate easily through the menus by touching any button with your finger. A non-abrasive stylus that won’t scratch the screen can also be used if you prefer.
In all screens but the Home screen, you will be presented with a button menu along the bottom of the screen. This menu will take you to any other screen within the menu structure with a few touches of your finger.
Figure 5. Operations Menus
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User-assigned
Names
User-assigned
1.4 The Home Screen
Channel
Audio Formats
Figure 6. Home Screen
When the system has finished booting up, the Home Screen will appear, as shown in the above example. Your Home Screen may look somewhat different, due to user-configurable channel names and audio formats.
The Home Screen of the AP20 provides one-touch access to the following features:
Fader Volume/MuteAudio FormatsBooth Monitor Volume/MuteManual Automation Control Setup MenuVU bars for all output channels associated with the current audio format.
1.4.1 Adjusting the Fader
Adjust the fader volume by using the control knob on the front panel. To mute the fader, touch the Mute button. The button label and fader display will turn red. The button label will also change to “Muted”.
Unmute the AP20 by touching the mute button again, changing format level, or changing formats.
Touch it again to un-mute the fader.
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Figure 7. Fader Muted
1.4.2 Booth Monitor Volume
When an external powered speaker is connected to the AP20, the level can be controlled using the monitor volume. To adjust the booth monitor volume, touch the Monitor button. The screen shown in Figure 7 will appear. Touch the + or – buttons or the control knob to raise or lower the volume.
Touch the Mute button to mute/un-mute the booth monitor.
Touch the Mix button to select a channel and adjust the volume from 0 to 10. See Figure 9,
below.
Touching the Close button will close this screen. The Monitor Volume window will close if
not used within 5 seconds.
Figure 8. Monitor Volume
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Touch the small button
to select a channel for monitoring
Figure 9. Monitor Mix
Select channel(s), then touch the + or button to adjust volume from 0 to 10.
Touch the small button next to a channel to select it for monitoring.
Touch Close to close the Mix window. It also closes automatically after 5 seconds of
inactivity.
1.4.3 Manual Automation
The Automation button opens the automation manual control screen.
Figure 10. Automation Manual Control screen
This screen allows for direct control of automation events in any order, at any time. Once your theater technician has linked automation events to macros, and macros have been assigned to buttons, you can trigger any macro by pressing its button on this screen. A maximum of twenty buttons can be assigned. If no buttons are visible, or there is a need for additional buttons, please contact your theater service technician.
For details about using macros see the topic Creating a Macro, page 80.
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1.5 Troubleshooting (Operation)
The following table provides troubleshooting data for the AP20.
PROBLEM SOLUTION
AP20 will not power ON Press and release the power button on the front panel. If the
unit will not power up, be sure the rear panel power switch is ON and the unit is plugged into a working AC outlet protected by a surge protector. See Powering ON the AP20 Processor, page 16.
If the AP20 is mounted in a rack and a breaker is used for the rack, make sure the breaker is ON.
Verify the surge protector is powered and is working.
Try changing the AP20 power cord.
If power is getting to the AP20 but it still will not power ON, maybe the fuse above the AC In connector (on the rear panel) is blown. Call a theater technician to check it.
AP20 front panel display is too dim
No sound in auditorium On the front panel display, verify the Mute button is not muted.
Volume is too low or high in the auditorium
Volume is too low or high in the booth
No sound in booth Verify the Monitor is not muted (red). To unmute, touch the
Wrong sound in auditorium Verify the AP20 is in correct format. (The current format is
The front panel display automatically dims when not touched for a few seconds. Gently touch the display screen to brighten it.
If it is muted, touch it to unmute it.
Be sure the fader level is not zero (0) or red. If it is zero, then turn the knob to increase the volume. If it is red, then unmute the AP20 by touching the Muted button.
Verify the AP20 is in the correct format.
Turn the fader knob to achieve proper volume.
Touch the Monitor button to open the Monitor window, then touch the + or – to adjust the monitor volume.
Monitor button, then touch the red Muted button.
Verify a powered speaker is connected to the AP20 rear panel.
Verify the speaker’s power is ON.
Adjust the monitor volume (see previous entry).
highlighted in the bottom row of the display.) Touch a different format to select. If the format you want is not listed, it has not been set up – contact your theater technician.
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Part 2: Installation and Setup
This part of this manual contains information the theater technician needs to set up and configure the AP20 Audio Processor.
2.0 INSTALLATION AND SET UP 24
2.1 I
NSTALLATION CHECKLIST 24
2.2 U
2.2.1 P
2.3 I
2.4 AP20
2.5 C
2.5.1 R
2.5.2 P
2.6 A
2.6.1 C
2.7 F
2.7.1 P
2.7.2 D
2.7.3 D
2.8 AP20
2.8.1 E
2.8.2 S
2.8.3 T
2.8.4 A
2.8.5 H
2.8.6 V
2.9 B
2.9.1 S
2.9.2 P
2.10 S
2.11 C
2.12 F
2.13 C
2.14 S
2.15 U
2.16 AP20
NPACKING SYSTEM COMPONENTS 25
RELIMINARY INSPECTION 25
NSTALLATION OVERVIEW 25
REAR PANEL CONNECTIONS 25
HASSIS RACK MOUNTING AND CONNECTION 27
ACK MOUNT RECOMMENDATIONS 27
OWER SUPPLY 27
BOUT FORMATS 28
REATING AN AUDIO FORMAT 29
ACTORY PRESETS 30
RESET FORMATS 30
EFAULT EQ 31 EFAULT CHANNEL PROFILES 31
CONFIGURATION AND SETUP 32
QUIPMENT REQUIREMENTS 32 ETTING AND ADJUSTING AUDIO OUTPUT LEVELS 32 HEATER EQUIPMENT CHECK 32
SSIGN CHANNELS ON AP20 33 EARING IMPAIRED OUTPUT 35 ERIFY CHANNEL ASSIGNMENTS IN AUDITORIUM 35
CHAIN ALIGNMENT USING 1/3 OCTAVE EQ 35
ET LEVELS TO ESTABLISH A BASELINE 37 ERFORM THE EQ 38
UBWOOFER EQ PARAMETRIC EQ 40
OPY EQ SET TO ANOTHER EQ SET 41
INAL ADJUSTMENTS 42
OPY FORMAT 42
ETTING UP MULTIPLE SCREENS 42
SING DIRAC LIVE® TO TUNE THE AUDITORIUM 42
PLAYBACK SOUND CHECK 43
3.0 HOW-TO PROCEDURES FOR SETUP 43
3.1 E
XAMPLE: CREATING A FORMAT 44
4.0 SETUP MENUS 45
4.1 T
4.2 S
4.2.1 A
4.2.2 U
4.2.3 S
4.2.4 A
4.2.5 V
4.2.6 S
AP20 Installation & Operating Guide Document # 9301H39200 Ver. 1.1
HE MENU BUTTON 49 YSTEM SETUP SCREEN 49
SSIGN FADER LEVEL TO A FORMAT 50 PDATING YOUR AP20 SOFTWARE 52
AVING AND RESTORING CONFIGURATION FILES 54
CCESS CONTROL 56 IEW LOG FILE 57
YSTEM INFO 58
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4.2.7 VERSION, SERIAL NUMBER, AND MAC ADDRESS 58
4.2.8 S
4.3 F
4.3.1 C
4.3.2 S
4.3.3 E
4.3.4 A
4.3.5 I
4.3.6 F
4.3.7 EQ
4.3.8 C
4.4 N
4.5 A
4.5.1 C
4.5.2 S
4.5.3 A
4.5.4 A
4.5.5 A
YSTEM MONITOR 58
ORMATS 59
URRENT AUDIO FORMAT 59 TARTUP FORMAT 59 DIT FORMATS 60
SSIGN FORMAT BUTTONS 61
NPUT SOURCE 62
ORMAT OPTIONS 63
SETUP 67
HANNEL PROFILE 73
ETWORK 79 UTOMATION 80
REATING A MACRO 80 ERIAL EVENTS 88
UTOMATION BUTTONS 92
UTOMATION TEST SCREEN 93
UTOMATION SERIAL PORT SETUP 94
5.0 MAINTENANCE AND TROUBLESHOOTING 95
5.1 R
5.2 T
5.3 E
ROUBLESHOOTING 95 RROR MESSAGES 96
5.3.1 S
5.3.2 E
OUTINE MAINTENANCE 95
OFTWARE INSTALLATION 96 RROR BOOTING THE AP20 97
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2.0 Installation and Set Up
2.1 Installation Checklist
This checklist summarizes the installation and setup procedures for the AP20.
Table 3: AP20 Installation and Setup
Completed Task Description Refer to:
Install AP20 in Equipment Rack Chassis Rack Mounting and Connection,
pg. 27
CONNECT CABLING:
Power Cable
Audio input cables to AP20 (Depends on audio sources)
Audio output cable from AP20 Analog Out to Audio Power Amps
Automation cabling Appendix B, Interface Wiring Diagrams.
ADJUST AND TEST
Theater Equipment Check Check speakers, amplifiers, auditorium
Assign channels On AP20: Menu > Format > Channel
Verify channel assignments Listen in auditorium
Set levels to establish a baseline Set levels to establish a baseline, pg. 37
Perform the EQ Perform the EQ, pg. 38
Perform Subwoofer Parametric EQ Subwoofer EQ – Parametric EQ, pg. 40
Final Adjustments (fine tuning) Final Adjustments, pg. 42
Verify Sound Performance Listen in auditorium
Set up macros for automation Creating a Macro, pg. 80
Appendix B, Interface Wiring Diagrams.
conditions
Theater Equipment Check, pg. 32
Profile > Channel Names
Assign Channels on AP20, pg. 33
Verify Channel Assignments in Auditorium, pg. 35
SYSTEM SECURITY
Save AP20 configuration to USB flash drive
Set Password to Prevent Unauthorized Access, if Appropriate.
AP20 Installation & Operating Guide Document # 9301H39200 Ver. 1.1
Saving and Restoring Configuration Files, pg. 54
Access Control, pg. 56
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AP20 Installation and Operating Guide Page 26
ITEM
DESCRIPTION
ITEM
DESCRIPTION
22 9 11
12
10
13
14
15
23 1 2 3 5 6 8 4 7
21
18
20
19
16
17
Figure 11. AP20 Rear Panel
Table 4. AP20 Rear Panel Connections
1 Power Entry Module/Power Switch 12 Digital Audio In (CH 1 – 8) – DB25F
2 Option Card Slots (3) 13 Digital Audio In (CH 9 – 16) – DB25F
3 Automation GPIO – DB25F (sends/receives
pulses to/from automation system)
4 HDMI In (4) 15 Digital Audio Out (CH 9 – 16) – DB25M (for use in
5 Control (RS232) – DB9F (serial automation
control)
6 Service Port (RS232)– DB9F (used for
production tests)
7 Ethernet – RJ45F (Network connection for
VNC and software updates when connected to the internet)
8 HDMI Out (1) 19 Monitor Out – RCA (connect to externally-powered
9 S/PDIF In - RCA Female (connect a DVD
player or play station, etc. in a home theater environment)
10 Audio In (A) – Optical TOS Link (connect a
DVD player or play station, etc. in a home theater environment)
11 Audio In (B) – Optical TOS Link(connect a
DVD player or play station, etc. in a home theater environment)
23 Microphone In – XLR F (connect microphone for
14 Digital Audio Out (CH 1 – 8) – DB25M (for use in
environments with amplifiers that can handle digital out – see note below this table)
environments with amplifiers that can handle digital out – see note below this table)
16 Analog Audio Out (CH 1 – 8) – DB25M (connect to
amplifiers)
17 Analog Audio Out (CH 9 – 16) – DB25M (connect to
amplifiers)
18 Stereo Input 1 – RCA (could be used for pre-show,
intermission music, etc.)
amplified speaker in projection booth)
20 Hearing Impaired Audio Out – RCA
21 Stereo Input 2 – RCA same as 18
22 Analog Audio In – DB25F
auditorium audio output tuning during setup or for public address announcements)
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A note about Digital Out
Most theaters use ANALOG OUT because there are no amplifiers (at this time) that take
digital audio inputs. It is possible to have DIGITAL IN to the AP20 and ANALOG OUT. DIGITAL OUT capability may be implemented only in some high-tech recording studios, mixing stages, etc.
2.5 Chassis Rack Mounting and Connection
The AP20 chassis requires 3U of standard rack space for proper mounting.
Caution: Because power line surges can damage the AP20, we require the use of a
properly functioning computer-grade surge /spike suppressor. We also recommend using an uninterruptible power supply (UPS).
1. Install the AP20 into the audio rack, securing it properly with rack screws.
2. Connect the AP20 to other equipment (see appendices: A Connector Pin-outs, B Interface
Wiring Diagrams, and C AP20 Wiring and Block Diagrams).
3. Connect the supplied power cable between the AP20 unit and the AC mains source.
2.5.1 Rack Mount Recommendations
Follow these recommendations if the AP20 unit will be installed in a closed or multi-unit rack assembly.
Determine the maximum and ambient temperatures within the rack, since they may be greater
than the maximum and ambient temperatures in the room. The maximum temperature for the equipment in a closed or multi-rack assembly is 40°C (104F°)
Ensure adequate airflow for cooling purposes on all sides of rack-mounted equipment. Make
sure that the ventilation fan is not blocked.
Check nameplate ratings to ensure there is no overloading of supply circuits that could have
an effect on over-current protection and supply wiring.
Maintain reliable grounding of the equipment. Give particular attention to supply connections
when connecting to power strips, rather than direct connections to the branch circuit.
Using a properly functioning quality surge protector is required to protect the unit. Using an
uninterruptible power supply is also recommended.
2.5.2 Power Supply
The AP20 power supply automatically switches itself to accommodate AC input between 110 VAC and 220 VAC.
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EQ SETUP
DIRAC OPTIMIZATION
3RD OCTAVE EQ
PARAMETRIC EQ
BASS/TREBLE
CHANNEL LEVEL
CHANNEL PROFILE
INPUT CHANNEL NAMES
INPUT CHANNEL DELAY
CROSSOVER CONFIGURATION --
OUTPUT ROUTING, HIGH/LOW
PASS FILTERS
INPUT SOURCE
SOURCES
FORMAT OPTIONS
GLOBAL DELAY
NONSYNC INPUT LEVEL
CHANNEL ROUTING FOR
MICROPHONE
SYSTEM NETWORK AUTOMATION
FORMAT
GLOBAL SETTINGS
DISCRETE SETTINGS
CHANNEL ROUTING FOR
2-CH INPUTS
EXTENDED SURROUND
CHANNEL OPTIONS
HDMI OPTIONS
2.6 About Formats
The AP20 facilitates the process of creating customized audio formats, in addition to providing
a set of pre-build formats that are ready to use.
The buttons along the bottom of the AP20 Home screen are the default formats or formats that
have been created by the installation technician for a particular application. Each format
consists of a set of discrete settings: an Input Source, Format Options, EQ settings, and Channel
Profile, as illustrated below (Figure 12).
System setup, Network and Automation are global settings that affect all formats.
Figure 12. Global Settings and Format Discrete Settings
Menu > Formats
In the Audio Format Setup screen, four options appear along the bottom: Input Source, Format
Options, EQ Setup, and Channel Profile.
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Figure 13. Audio Format Setup Screen
2.6.1 Creating an Audio Format
This is an overall summary of the procedure for creating an audio format.
Under Audio Format Setup screen: assign the format to a button.
Input Source screen: select the audio input.
Format Options screen: set global delay and other options, depending on format.
Channel Profile screen: set channel names, audio levels, and crossover settings.
EQ Setup screen: set up Third Octave EQ, Dirac, or Parametric EQ.
The following is an example of a format configuration.
Audio Format:
Home screen button name: Digital Cinema
Audio format name: Digital Cinema
Input source: Digital Ch: 1 – 16
Options: Global Delay, setting 000ms, Extended Surrounds, setting Ls, Rs
Audio Profile:
Channel Names: Ch1 L, Ch2 R, Ch3 C, Ch4 LFE, Ch5 Ls, Ch 6 Rs
Crossover: Ch1 – Ch 6 settings done during setup – calibration, if needed
Audio EQ:
Dirac: Enabled or disabled depending on setup and calibration
Audio Levels: Ch1 – Ch6 settings done during setup – calibration, if needed
Third Octave EQ: Calibrated adjustment made by qualified technician
Parametric Equalization: Calibrated adjustment made by qualified technician
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2.8 AP20 Configuration and Setup
This section describes procedures for AP20 audio level adjustment and sound performance
verification.
B-Chain alignment will be performed differently depending on whether the (optional) Dirac
Live®Theater Setup application or the AP20 1/3 Octave EQ room tuning function is used. In
fact, Dirac Live
is used to tune the room and then the 1/3 Octave EQ is used afterwards to make some changes
to specific frequencies.
2.8.1 Equipment Requirements
Complete checkout and adjustment of the AP20 unit requires the following equipment (not
provided by Datasat Digital Entertainment unless otherwise noted):
a single microphone or multiplexed microphones, connected to an RTA SPL meter Real Time Analyzer (RTA)Laptop computer running VNC for wireless communication with AP20 (Optional) Datasat AP20 Dirac Live(Optional) Wireless router such as the Linksys WRT54GL or similar installed on AP20
Ethernet port (if connecting to laptop in auditorium). NOTE: Wired connection to the network will work as well, if the physical connection can be made.
®
can be used in conjunction with 1/3 Octave EQ, in a case where Dirac Live®
®
configuration software
2.8.2 Setting and Adjusting Audio Output Levels
The AP20 Audio Processor is designed to accommodate remote operation. For this reason, we
highly recommend the use of a laptop computer for adjusting room EQ. The laptop computer
must be equipped with a wireless network card in order to take advantage of the remote
operation feature. You will also need a wireless router (not supplied by Datasat) such as the
Linksys WRT54GL or similar. This device should be connected to the Ethernet connector on
the AP20.
The laptop computer uses a Virtual Network Connection (VNC) to communicate with the
AP20. The front panel touch-screen display of the AP20 will appear on the laptop screen, but
will not function as a touch-screen. Use the laptop’s cursor and arrow keys to make selections.
2.8.3 Theater Equipment Check
Prior to adjusting the EQ, please check all of the components in the audio system for proper installation and operation.
2.8.3.1 Speakers
Check that all speakers are properly mounted and secured. Ensure there are no loose parts
or mounting hardware left around the speakers that could be a source of noise or rattles.
Check the aiming of all speakers. Verify there are no obstructions in front of the speakers.
For stage channels, ensure that the masking, screen frame, and sound wall do not block the speakers.
Speaker cables are correctly secured to the speakers and are of a suitable gauge. Verify each speaker has no missing or open drivers.Check that all speakers are connected to the correct channel.
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2.9.1 Set levels to establish a baseline
In the auditorium, confirm that all amplifiers are ON, mute is OFF, and masking and
curtains are opened.
Use a high-quality, calibrated SPL meter in the auditorium.
Menu > Format > Channel Profile > Analog Output Levels
Set the Fader to 7.0. That’s the standard reference level.
Run Pink Noise on each channel, one by one.
First, by adjusting the amplifiers, try to achieve the baseline levels. Set the SPL levels
according to the chart below. Note that SPL readings for screen and surroundings should be measured un-weighted, or C­weighted, with the meter set to slow. Use an RTA to calibrate the proper level setting of the subwoofer.
Table 10: SPL levels
Channel Description SPL
1 Left 85 dB
2 Right 85 dB
3 Center 85 dB
4 Sub bass 91 dB*
5 Left Surround 82 dB
6 Right Surround 82 dB
7 Back Surround 82 dB
8 Left Center 85 dB
9 Right Center 85 dB
* Subwoofer should be set to 10 dB of in-band gain (see SMPTE RP-200), which equates to approximately 91 dBC (slow).
If not possible to achieve the baseline, use the AP20 (Analog Output Levels) to make minor
adjustments.
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2.9.2 Perform the EQ
If using Dirac Live, please refer to the Dirac Live Theater Setup manual. For an overview, see
Using Dirac Live® to Tune the Auditorium, page 42.
The AP20 contains a full suite of 1/3 Octave EQ filters that are “traditional” cinema processor
filters. If using AP20 1/3 Octave EQ, complete the following steps.
Menu > Formats > EQ Setup > Third Octave EQ
Figure 17. Third Octave EQ Screen
NOTE: Touching a green bar in the EQ section (lower panel) will select that frequency
and allow you to adjust the dB level of that frequency by rotating the fader knob. (On the
laptop running AP20 Proxy, use the up/down arrow keys.)
Use a single or multiplex microphone arrangement in the auditorium. A typical scenario is
four mics feeding into a multiplexer.
Use the RTA on the AP20 (Third Octave EQ screen) with the mic or multiplexer plugged into
the AP20 rear panel, or use a separate RTA (in the auditorium) with the mic or multiplexer plugged into the RTA, which plugs into your laptop.
Using a separate RTA in the auditorium avoids the necessity of running cables through the
projection booth port and down into the theater. Use a third-party VNC software application on your laptop to establish a wireless connection with the AP20, and perform the EQ as described in the steps below.
If the microphone is connected to the AP20, select Input Mic in the Third Octave EQ screen.
If the microphone is connected to the RTA in the auditorium, select Input LineIn.
1. Select a channel to start with (for example: the L channel).
2. Turn ON Pink Noise.
3. Turn ON 1/3 Octave EQ.
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4. Examine the response on the RTA (whichever RTA the microphone is attached to).
5. Turn on XCurve Display. Try to tune the frequency pattern to the XCurve. If the pattern does not conform – there is a hole or a peak or other variance – then select the frequency that needs adjusting, and push it down or pull it up.
6. Select a frequency in the lower panel by touching the yellow bar for the specific frequency.
7. Use the adjustment knob to adjust the frequency up or down.
8. Repeat the above for each channel except the subwoofer (LFE).
2.9.2.1 A note about XCurve
XCurve is the roll-off; it is how theaters are supposed to be tuned. The XCurve is flat all the way out to 2K, and then there is a 3dB roll-off per octave. The Third Octave EQ screen offers three ways to look at the XCurve. XCurve is appropriate for both film playback and digital cinema.
XCurve Off is just the natural display that gives you a flat response.
XCurve Offset adds the 3dB per octave roll off starting at 2K. When in this mode you
should adjust the response flat.
XCurve Display (shown below) shows the guidelines. The two narrow lines are the plus
and minus range of 3dB that is allowable. The heavier center line is the optimal level.
The scale (y-axis) on the left edge of the RTA is adjustable. Touch the scale and it will cycle through several different scales. You can also adjust the scale by touching the RTA Options button, which displays a control dialog.
Menu > Formats > EQ Setup > Third Octave EQ > XCurve Display
Figure 18. XCurve Display at +/- 6dB Scale
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2.16 AP20 Playback Sound Check
After installing and setting up the unit—or doing a maintenance check—it is a good idea to play content and stand in the theater while listening to the first few minutes of the movie. Check for the following
The overall sound level is comfortable and balanced.
The soundtrack quality is excellent and does not include extraneous noise.
The dialog is in sync with the picture being projected.
The surround speakers are heard at the correct level. (Please note that not all scenes will
have surround material.)
To adjust the overall sound level in the theater, adjust the main fader on the audio processor.
3.0 How-To Procedures for Setup
This table provides a list of setup activities and provides instructions or a link to instructions elsewhere in this manual.
Table 11. Setup Procedures
ACTIVITY INSTRUCTIONS
Assign a Format button See 4.3.4 Assign Format Buttons, page 61.
Unassign / delete a Format button
Configure power-on Format (Startup Format)
Assign fader level to a Format or set global fader for all Formats
Create a Format See 3.1 Example: Creating a Format, below.
Assign Channel Names and Vu meters
Set Non-sync Level and Non­sync Routing
USB Save / Restore / Load See 4.2.3 Saving and Restoring Configuration Files, page 54.
Load a personalized screen saver
See 4.3.4 Assign Format Buttons, page 61 – select the button and assign a “blank” format to it.
See 4.3.2 Startup Format, page 59.
See 4.2 System Setup Screen, page 49 topic “Fader Control”, and see 4.2.1 Assign Fader Level to a Format, page 50.
For detailed information about Formats, see 2.6 About Formats, page 28.
See 4.3.8.3 Channel Names, page 75.
See 4.3.6.3 NonSync Level and Routing, page 65.
See also 4.2.1 Assign Fader Level to a Format, page 50.
See 4.2.3 Saving and Restoring Configuration Files, page 54. To set screensaver time and mode, see 4.2 System Setup Screen, page 49.
Set up Global Audio Delay for a format
Set up Multiple Surround Channels
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See 4.3.6.1 Global Delay, page 64.
For digital cinema format, see 4.3.6.2 Extended Surround Options, page 65.
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Set up HDMI option For digital cinema format, see 4.3.6.4 HDMI Options, page 66.
View AP20 System information See 4.2.6 System Info, page 58.
Update AP20 software See 4.2.2 Updating Your AP20 Software, page 52.
3.1 Example: Creating a Format
Prior to creating a format, it is necessary to identify the following:
Input source
Format option
EQ set up
Output channel profile name
The following example describes how to create “non-sync 2” format, with stereo input, global delay of 0 ms, assignment of eq and audio profile.
1. Open the Audio Format Setup screen.
Menu > Formats
2. Next select Edit Formats. The Audio Format Edit screen displays.
3. On the left side choose the Copy Format radio button.
4. Under Copy Format From select Nonsync.
5. Touch the blank box under to Format. A keyboard will appear. Type in Nonsync 2, then select OK. The Audio Format Edit screen will return.
6. Touch the Copy button.
The screen will now change to Audio Format Setup.
7. Select Assign Buttons and the Format Button Assignments screen will display. Select an unused button number from the Buttons drop down menu. In this example select button 3.
8. Next from the Assign drop down list, select Nonsync 2. Then touch the Assign button on the right side of the screen. In the Current Assignments listing on the screen, Button 3 will now be assigned to Nonsync 2.
9. At the bottom of the screen, touch the Formats button to return to the Audio Format Setup screen.
10. Select the Input Source button. This will open the Input Select screen. The right side of the screen should display “Current Format: Nonsync2”. If it is not displayed, return to the Audio Format Setup screen by selecting the Format button and selecting Nonsync 2 in the Current Audio Format drop down menu. Return to the Input Select screen by touching the Input Source button.
11. In the Analog input section, touch the NonSync1 L/R option to change it to NonSync2 L/R. Then touch the Formats button to return to the Audio Format Setup screen.
12. In the Audio Format Setup screen, select the Format Options button to go to the Format Options screen.
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13. In the Format Options screen, you can (if necessary) set the Global Delay for the selected format. Select the Nonsync Level and Routing button to change input gain and routing of the Nonsync signal. Touch the Formats button to return to the Audio Format Setup screen.
4.0 Setup Menus
On the next three pages, you will find a menu diagram for the AP20. This chapter contains a detailed of all the screens under the "Menu" selection of the home page. Refer to section 1.4 for all operations under the "Home" screen.
For information on AP20 System Setup configurations, see section 4.2. For information on Audio Format setup and changes, see section 4.3. For information on Network connections and changes, see section 4.4. For information on Automation events, cues, macros and assigning buttons, see section 4.5.
The full menu structure of the AP20 is shown on the next three pages.
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System
Setup
Home (Main)
Fader (readout)
Mute (Fader)
Monitor
Volume Control and
Mute
Automation
Manual Control
Menu
Select Format
Formats
Network Automation
Screensaver
Time
Screensaver
Mode
Digital Out Clock
Rate
Output Mapping
Fader Control
LCD Brightness
Update System
Software
USB Save/
Restore
Access Control
View Log file
System Info
Update from Network
or from USB Device
Save/Load AP20
Configuration
NetCmd Password
Setup Password
AP20 software version, circuit board temps,
board ID info, board voltage levels
See next page See 3rd page See 3rd page
10 buttons on bottom
of screen
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Home (Main)
Menu
Formats
Current Audio Format
(select)
Edit Formats
Copy Format
Copy Preset to Format
Rename
Delete
Assign Buttons
Format Button Assignm ent
Input Source
Select from digital or analog
audio sources
Modify parameters for
current format
Format Options
Global Delay
Extended Surround Options
EQ Setup
Current audio format
Current Audio EQ
Edit EQs Copy EQ
Copy Preset to EQ
Rename
Delete
Dirac Optimization
(if installed)
Third Octave EQ
Parametric
Equalization
Channel Select
Pink Noise On/Off
1/3 Oct Eq On/Off
Input LineIn / LineOut / Mic
XCurveOff / Offset /
Display
RTA Options
Range, Leveraging,
Mic Level / Power
Level Slider
Bass Slider
Treble Slider
Channel Select
Pink Noise On/Off
Input LineIn / LineOut / Mic
XCurveOff / Offset /
Display
RTA Options
Range
Averaging
Mic Level /
Power
Filter
1, 2, or 3
Filter Enabled
Freq
Q
Gain
Channel Profile
See 3rd page
Startup Format
Graphical 3rd
Octave EQ
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Home (Main)
Menu
Network
Network Mode Current IP Address Other IP addresses
Automation
Macros, Macro Edit,
Events, Buttons, Serial
Output Channel Profile
Current Audio
Profile Select
Edit Profiles
Copy Profile
Copy Default to Profile
Rename
Delete
Channel Names
Vu Meter Selection
Analog Output
Levels
Channel Mute
Analog Output Level
Output Invert Output Delay Monitor Level
Digital Volume
Routing /
Crossovers
Formats
Output Channel Routing
High / Low Pass Filters
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Turn adjustment
Provides access
4.1 The Menu Button
The Menu Button is intended to be used by theater technicians only. Password protection is highly recommended.
Selecting the button will cause one of the following screens to appear, based upon last use:
to Setup Menus
Figure 23. The Setup Menu Bar
This menu bar will always be available near the bottom of every screen in the AP20, with the exception of the Home screen. The active screen button is displayed in a different color from the others.
In the next section, we will discuss in detail the options available through the menu bar. Pressing the Home button will take you back to the Home or Main screen.
4.2 System Setup Screen
Menu > System Setup
knob to adjust brightness
Figure 24. System Setup Screen
The following options are available directly from this screen.
ScreenSaver Time - Options include a 10 second delay, 1 minute delay, or 5 minute delay before screen saver initiates.
ScreenSaver Mode - Disabled, Dim Screen, or Graphic.
Disabled will turn off the screen saver.
Dim Screen will reduce the LCD brightness after the time specified in the ScreenSaver
Time drop-down menu. Touching the screen or turning the adjustment knob will restore the brightness.
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