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Copyright
AP20 Audio Processor Installation and Operating Guide, Version 1.1
The content of this publication is subject to change without notice. Datasat Digital Entertainment assumes no
obligation to notify you of any changes or updates. While Datasat Digital Entertainment believes this publication is
accurate, due to ongoing improvements and revisions, Datasat Digital Entertainment cannot guarantee the accuracy
of printed material, nor can it accept responsibility for errors or omissions. Datasat Digital Entertainment may
periodically publish updates and revisions to this publication as it deems necessary.
DTS is a registered trademark of DTS, Inc.
Dolby is a trademark of Dolby Laboratories.
“Dirac Live” is a registered trademark of Dirac Research AB protected by Swedish and international trademark
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All other trademarks are the properties of their respective owners.
Manufactured under license from Dolby Laboratories. This product contains one or more programs protected under
international and U.S. copyright laws as unpublished works. They are confidential and proprietary to Dolby
Laboratories. Their reproduction or disclosure, in whole or in part, or the production of derivative works therefrom
without the express permission of Dolby Laboratories is prohibited. Copyright 1993 - 2002 by Dolby Laboratories.
All rights reserved.
This equipment has been tested and found to comply with the limits for a Class A digital
device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable
protection against harmful interference when the equipment is operated in a commercial
environment. This equipment generates, uses, and can radiate radio frequency energy and, if not
installed and used in accordance with the instruction manual, may cause harmful interference to
radio communications. Operation of this equipment in a residential area is likely to cause
harmful interference in which case the user will be required to correct the interference at his
own expense.
Canadian Department of Communications compliance statement:
This equipment does not exceed Class A limits per radio noise emissions for digital apparatus
set out in the Radio Interference Regulation of the Canadian Department of Communications.
Operation in a residential area may cause unacceptable interference to radio and TV reception
requiring the owner or operator to take whatever steps are necessary to correct the interference.
Avis de conformite aux normes du ministere des Communications du Canada:
Cet equipment ne depasse pas les limites de Classe A D'emission de bruits radioelectriques
pour les appareils numeriques telles que perscrites par le Reglement sur le brouillage
radioelectrique etabli par le ministere des Communications du Canada. L'exploitation faite en
milieu residentiel peut entrainer le brouillage des receptions radio et television, ce qui olbigerait
le proprietaire ou l'operateur a prendre les dispositions necessaires pour en eliminer les causes.
This manual explains the AP20 Audio Processor setup and operation. It contains full instructions for
installing hardware and software, setting up audio playback, configuring the system, performing
maintenance and troubleshooting, and setting up and operating optional functions.
How to Use this Guide
The guide is divided into three parts. The first part covers operations for the projectionist or “operator”.
The second part covers the installation, setup and other technical functions. The third part consists of
appendices with technical details such as connector and wiring diagrams.
NOTE: Technical adjustments should only be performed by a qualified theater
technician. The appendices provide detailed information for the theater technician.
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Software License Agreement
IMPORTANT: READ THIS SOFTWARE LICENSE ("LICENSE") CAREFULLY BEFORE
USING THE DATASAT DIGITAL ENTERTAINMENT SOFTWARE. THE SOFTWARE
RESIDING ON THE AP20 AUDIO PROCESSOR AND ANY ACCOMPANYING MATERIALS
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AP20 AUDIO PROCESSOR, YOU ARE ACCEPTING AND AGREEING TO THE TERMS OF
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The front panel contains the following controls and indicators for operating AP20.
Power button: Turns the unit on and off
LCD/Touch Screen: Displays theater system configuration and status and allows
configuration changes. Most selections can be made by touching the screen with your finger
or by using a stylus.
The LCD screen operates in two modes:
o Home screen. The projectionist can select formats and mute volume from this screen.
They can also change the monitor volume and execute manual automation commands
via the popup windows. During playback, the screen displays information about the
content currently being played.
oSetup mode. In menu mode, the screen displays menus for viewing and adjusting
operational settings by the cinema technician. The projectionist does not need to enter
these menus.
Adjustment knob: Used for fader control and parameter adjustments. On the Home screen,
this knob adjusts the fader level. However, it is used within the setup screens to adjust values,
EQ filter faders, and other values. When the setup screen contains many controls, first set the
focus by touching the control on the display. Then move the knob clockwise to increase the
value, or counterclockwise to decrease the value.
USB port: Use for software updates and loading and saving of configurations. See topic
Update System Software From USB Device on page 54 for more details.
If no messages appear on the touch screen after you have turned on the power switch, check
the following:
Is the power to the sound rack on? Has the circuit breaker to the audio rack been tripped?
Is the power cable connected?
Is the front panel power switch lighted?
Navigating through the Menus
Since the AP20 is equipped with a touch screen display, you can navigate easily through the menus by
touching any button with your finger. A non-abrasive stylus that won’t scratch the screen can also be
used if you prefer.
In all screens but the Home screen, you will be presented with a button menu along the bottom of the
screen. This menu will take you to any other screen within the menu structure with a few touches of your
finger.
When the system has finished booting up, the Home Screen will appear, as shown in the above
example. Your Home Screen may look somewhat different, due to user-configurable channel
names and audio formats.
The Home Screen of the AP20 provides one-touch access to the following features:
Fader Volume/Mute
Audio Formats
Booth Monitor Volume/Mute
Manual Automation Control
Setup Menu
VU bars for all output channels associated with the current audio format.
1.4.1 Adjusting the Fader
Adjust the fader volume by using the control knob on the front panel. To mute the fader, touch the Mute
button. The button label and fader display will turn red. The button label will also change to “Muted”.
Unmute the AP20 by touching the mute button again, changing format level, or changing formats.
When an external powered speaker is connected to the AP20, the level can be controlled using the
monitor volume. To adjust the booth monitor volume, touch the Monitor button. The screen shown in
Figure 7 will appear. Touch the + or – buttons or the control knob to raise or lower the volume.
Touch the Mute button to mute/un-mute the booth monitor.
Touch the Mix button to select a channel and adjust the volume from 0 to 10. See Figure 9,
below.
Touching the Close button will close this screen. The Monitor Volume window will close if
Select channel(s), then touch the + or – button to adjust volume from 0 to 10.
Touch the small button next to a channel to select it for monitoring.
Touch Close to close the Mix window. It also closes automatically after 5 seconds of
inactivity.
1.4.3 Manual Automation
The Automation button opens the automation manual control screen.
Figure 10. Automation Manual Control screen
This screen allows for direct control of automation events in any order, at any time. Once your theater
technician has linked automation events to macros, and macros have been assigned to buttons, you can
trigger any macro by pressing its button on this screen. A maximum of twenty buttons can be assigned.
If no buttons are visible, or there is a need for additional buttons, please contact your theater service
technician.
For details about using macros see the topic Creating a Macro, page 80.
The following table provides troubleshooting data for the AP20.
PROBLEM SOLUTION
AP20 will not power ON Press and release the power button on the front panel. If the
unit will not power up, be sure the rear panel power switch is
ON and the unit is plugged into a working AC outlet protected
by a surge protector. See Powering ON the AP20 Processor,
page 16.
If the AP20 is mounted in a rack and a breaker is used for the
rack, make sure the breaker is ON.
Verify the surge protector is powered and is working.
Try changing the AP20 power cord.
If power is getting to the AP20 but it still will not power ON,
maybe the fuse above the AC In connector (on the rear panel)
is blown. Call a theater technician to check it.
AP20 front panel display is too
dim
No sound in auditorium On the front panel display, verify the Mute button is not muted.
Volume is too low or high in the
auditorium
Volume is too low or high in the
booth
No sound in booth Verify the Monitor is not muted (red). To unmute, touch the
Wrong sound in auditorium Verify the AP20 is in correct format. (The current format is
The front panel display automatically dims when not touched for
a few seconds. Gently touch the display screen to brighten it.
If it is muted, touch it to unmute it.
Be sure the fader level is not zero (0) or red. If it is zero, then
turn the knob to increase the volume. If it is red, then unmute
the AP20 by touching the Muted button.
Verify the AP20 is in the correct format.
Turn the fader knob to achieve proper volume.
Touch the Monitor button to open the Monitor window, then
touch the + or – to adjust the monitor volume.
Monitor button, then touch the red Muted button.
Verify a powered speaker is connected to the AP20 rear panel.
Verify the speaker’s power is ON.
Adjust the monitor volume (see previous entry).
highlighted in the bottom row of the display.) Touch a different
format to select. If the format you want is not listed, it has not
been set up – contact your theater technician.
Most theaters use ANALOG OUT because there are no amplifiers (at this time) that take
digital audio inputs. It is possible to have DIGITAL IN to the AP20 and ANALOG OUT.
DIGITAL OUT capability may be implemented only in some high-tech recording studios,
mixing stages, etc.
2.5 Chassis Rack Mounting and Connection
The AP20 chassis requires 3U of standard rack space for proper mounting.
Caution: Because power line surges can damage the AP20, we require the use of a
properly functioning computer-grade surge /spike suppressor. We also recommend using an
uninterruptible power supply (UPS).
1. Install the AP20 into the audio rack, securing it properly with rack screws.
2. Connect the AP20 to other equipment (see appendices: A Connector Pin-outs, B Interface
Wiring Diagrams, and C AP20 Wiring and Block Diagrams).
3. Connect the supplied power cable between the AP20 unit and the AC mains source.
2.5.1 Rack Mount Recommendations
Follow these recommendations if the AP20 unit will be installed in a closed or multi-unit rack assembly.
Determine the maximum and ambient temperatures within the rack, since they may be greater
than the maximum and ambient temperatures in the room. The maximum temperature for the
equipment in a closed or multi-rack assembly is 40°C (104F°)
Ensure adequate airflow for cooling purposes on all sides of rack-mounted equipment. Make
sure that the ventilation fan is not blocked.
Check nameplate ratings to ensure there is no overloading of supply circuits that could have
an effect on over-current protection and supply wiring.
Maintain reliable grounding of the equipment. Give particular attention to supply connections
when connecting to power strips, rather than direct connections to the branch circuit.
Using a properly functioning quality surge protector is required to protect the unit. Using an
uninterruptible power supply is also recommended.
2.5.2 Power Supply
The AP20 power supply automatically switches itself to accommodate AC input between 110 VAC and
220 VAC.
This section describes procedures for AP20 audio level adjustment and sound performance
verification.
B-Chain alignment will be performed differently depending on whether the (optional) Dirac
Live®Theater Setup application or the AP20 1/3 Octave EQ room tuning function is used. In
fact, Dirac Live
is used to tune the room and then the 1/3 Octave EQ is used afterwards to make some changes
to specific frequencies.
2.8.1 Equipment Requirements
Complete checkout and adjustment of the AP20 unit requires the following equipment (not
provided by Datasat Digital Entertainment unless otherwise noted):
a single microphone or multiplexed microphones, connected to an RTA
SPL meter
Real Time Analyzer (RTA)
Laptop computer running VNC for wireless communication with AP20
(Optional) Datasat AP20 Dirac Live
(Optional) Wireless router such as the Linksys WRT54GL or similar installed on AP20
Ethernet port (if connecting to laptop in auditorium). NOTE: Wired connection to the
network will work as well, if the physical connection can be made.
®
can be used in conjunction with 1/3 Octave EQ, in a case where Dirac Live®
®
configuration software
2.8.2 Setting and Adjusting Audio Output Levels
The AP20 Audio Processor is designed to accommodate remote operation. For this reason, we
highly recommend the use of a laptop computer for adjusting room EQ. The laptop computer
must be equipped with a wireless network card in order to take advantage of the remote
operation feature. You will also need a wireless router (not supplied by Datasat) such as the
Linksys WRT54GL or similar. This device should be connected to the Ethernet connector on
the AP20.
The laptop computer uses a Virtual Network Connection (VNC) to communicate with the
AP20. The front panel touch-screen display of the AP20 will appear on the laptop screen, but
will not function as a touch-screen. Use the laptop’s cursor and arrow keys to make selections.
2.8.3 Theater Equipment Check
Prior to adjusting the EQ, please check all of the components in the audio system for proper installation
and operation.
2.8.3.1 Speakers
Check that all speakers are properly mounted and secured. Ensure there are no loose parts
or mounting hardware left around the speakers that could be a source of noise or rattles.
Check the aiming of all speakers. Verify there are no obstructions in front of the speakers.
For stage channels, ensure that the masking, screen frame, and sound wall do not block the
speakers.
Speaker cables are correctly secured to the speakers and are of a suitable gauge.
Verify each speaker has no missing or open drivers.
Check that all speakers are connected to the correct channel.
In the auditorium, confirm that all amplifiers are ON, mute is OFF, and masking and
curtains are opened.
Use a high-quality, calibrated SPL meter in the auditorium.
Menu > Format > Channel Profile > Analog Output Levels
Set the Fader to 7.0. That’s the standard reference level.
Run Pink Noise on each channel, one by one.
First, by adjusting the amplifiers, try to achieve the baseline levels. Set the SPL levels
according to the chart below.
Note that SPL readings for screen and surroundings should be measured un-weighted, or Cweighted, with the meter set to slow.
Use an RTA to calibrate the proper level setting of the subwoofer.
Table 10: SPL levels
Channel Description SPL
1 Left 85 dB
2 Right 85 dB
3 Center 85 dB
4 Sub bass 91 dB*
5 Left Surround 82 dB
6 Right Surround 82 dB
7 Back Surround 82 dB
8 Left Center 85 dB
9 Right Center 85 dB
* Subwoofer should be set to 10 dB of in-band gain
(see SMPTE RP-200), which equates to approximately 91 dBC (slow).
If not possible to achieve the baseline, use the AP20 (Analog Output Levels) to make minor
If using Dirac Live, please refer to the Dirac Live Theater Setup manual. For an overview, see
Using Dirac Live® to Tune the Auditorium, page 42.
The AP20 contains a full suite of 1/3 Octave EQ filters that are “traditional” cinema processor
filters. If using AP20 1/3 Octave EQ, complete the following steps.
Menu > Formats > EQ Setup > Third Octave EQ
Figure 17. Third Octave EQ Screen
NOTE: Touching a green bar in the EQ section (lower panel) will select that frequency
and allow you to adjust the dB level of that frequency by rotating the fader knob. (On the
laptop running AP20 Proxy, use the up/down arrow keys.)
Use a single or multiplex microphone arrangement in the auditorium. A typical scenario is
four mics feeding into a multiplexer.
Use the RTA on the AP20 (Third Octave EQ screen) with the mic or multiplexer plugged into
the AP20 rear panel, or use a separate RTA (in the auditorium) with the mic or multiplexer
plugged into the RTA, which plugs into your laptop.
Using a separate RTA in the auditorium avoids the necessity of running cables through the
projection booth port and down into the theater. Use a third-party VNC software application
on your laptop to establish a wireless connection with the AP20, and perform the EQ as
described in the steps below.
If the microphone is connected to the AP20, select Input Mic in the Third Octave EQ screen.
If the microphone is connected to the RTA in the auditorium, select Input LineIn.
1. Select a channel to start with (for example: the L channel).
4. Examine the response on the RTA (whichever RTA the microphone is attached to).
5. Turn on XCurve Display. Try to tune the frequency pattern to the XCurve. If the pattern does
not conform – there is a hole or a peak or other variance – then select the frequency that needs
adjusting, and push it down or pull it up.
6. Select a frequency in the lower panel by touching the yellow bar for the specific frequency.
7. Use the adjustment knob to adjust the frequency up or down.
8. Repeat the above for each channel except the subwoofer (LFE).
2.9.2.1 A note about XCurve
XCurve is the roll-off; it is how theaters are supposed to be tuned. The XCurve is flat all the
way out to 2K, and then there is a 3dB roll-off per octave. The Third Octave EQ screen offers
three ways to look at the XCurve. XCurve is appropriate for both film playback and digital
cinema.
XCurve Off is just the natural display that gives you a flat response.
XCurve Offset adds the 3dB per octave roll off starting at 2K. When in this mode you
should adjust the response flat.
XCurve Display (shown below) shows the guidelines. The two narrow lines are the plus
and minus range of 3dB that is allowable. The heavier center line is the optimal level.
The scale (y-axis) on the left edge of the RTA is adjustable. Touch the scale and it will cycle
through several different scales. You can also adjust the scale by touching the RTA Options
button, which displays a control dialog.
Menu > Formats > EQ Setup > Third Octave EQ > XCurve Display
After installing and setting up the unit—or doing a maintenance check—it is a good idea to
play content and stand in the theater while listening to the first few minutes of the movie.
Check for the following
The overall sound level is comfortable and balanced.
The soundtrack quality is excellent and does not include extraneous noise.
The dialog is in sync with the picture being projected.
The surround speakers are heard at the correct level. (Please note that not all scenes will
have surround material.)
To adjust the overall sound level in the theater, adjust the main fader on the audio processor.
3.0 How-To Procedures for Setup
This table provides a list of setup activities and provides instructions or a link to instructions elsewhere
in this manual.
Table 11. Setup Procedures
ACTIVITY INSTRUCTIONS
Assign a Format button See 4.3.4 Assign Format Buttons, page 61.
Unassign / delete a Format
button
Configure power-on Format
(Startup Format)
Assign fader level to a Format
or set global fader for all
Formats
Create a Format See 3.1 Example: Creating a Format, below.
Assign Channel Names and Vu
meters
Set Non-sync Level and Nonsync Routing
USB Save / Restore / Load See 4.2.3 Saving and Restoring Configuration Files, page 54.
Load a personalized screen
saver
See 4.3.4 Assign Format Buttons, page 61 – select the button
and assign a “blank” format to it.
See 4.3.2 Startup Format, page 59.
See 4.2 System Setup Screen, page 49 topic “Fader Control”,
and see 4.2.1 Assign Fader Level to a Format, page 50.
For detailed information about Formats, see 2.6 About Formats,
page 28.
See 4.3.8.3 Channel Names, page 75.
See 4.3.6.3 NonSync Level and Routing, page 65.
See also 4.2.1 Assign Fader Level to a Format, page 50.
See 4.2.3 Saving and Restoring Configuration Files, page 54. To
set screensaver time and mode, see 4.2 System Setup Screen,
page 49.
For digital cinema format, see 4.3.6.2 Extended Surround
Options, page 65.
Page 27
AP20 Installation and Operating Guide Page 44
Set up HDMI option For digital cinema format, see 4.3.6.4 HDMI Options, page 66.
View AP20 System information See 4.2.6 System Info, page 58.
Update AP20 software See 4.2.2 Updating Your AP20 Software, page 52.
3.1 Example: Creating a Format
Prior to creating a format, it is necessary to identify the following:
Input source
Format option
EQ set up
Output channel profile name
The following example describes how to create “non-sync 2” format, with stereo input, global delay of 0
ms, assignment of eq and audio profile.
1. Open the Audio Format Setup screen.
Menu > Formats
2. Next select Edit Formats. The Audio Format Edit screen displays.
3. On the left side choose the Copy Format radio button.
4. Under Copy Format From select Nonsync.
5. Touch the blank box under to Format. A keyboard will appear.
Type in Nonsync 2, then select OK. The Audio Format Edit screen will return.
6. Touch the Copy button.
The screen will now change to Audio Format Setup.
7. Select Assign Buttons and the Format Button Assignments screen will display. Select an
unused button number from the Buttons drop down menu. In this example select button 3.
8. Next from the Assign drop down list, select Nonsync 2. Then touch the Assign button on the
right side of the screen. In the Current Assignments listing on the screen, Button 3 will now be
assigned to Nonsync 2.
9. At the bottom of the screen, touch the Formats button to return to the Audio Format Setup
screen.
10. Select the Input Source button. This will open the Input Select screen.
The right side of the screen should display “Current Format: Nonsync2”.
If it is not displayed, return to the Audio Format Setup screen by selecting the Format button
and selecting Nonsync 2 in the Current Audio Format drop down menu. Return to the Input
Select screen by touching the Input Source button.
11. In the Analog input section, touch the NonSync1 L/R option to change it to NonSync2 L/R.
Then touch the Formats button to return to the Audio Format Setup screen.
12. In the Audio Format Setup screen, select the Format Options button to go to the Format
Options screen.
13. In the Format Options screen, you can (if necessary) set the Global Delay for the selected
format.
Select the Nonsync Level and Routing button to change input gain and routing of the Nonsync
signal.
Touch the Formats button to return to the Audio Format Setup screen.
4.0 Setup Menus
On the next three pages, you will find a menu diagram for the AP20. This chapter contains a
detailed of all the screens under the "Menu" selection of the home page. Refer to section 1.4 for
all operations under the "Home" screen.
For information on AP20 System Setup configurations, see section 4.2.
For information on Audio Format setup and changes, see section 4.3.
For information on Network connections and changes, see section 4.4.
For information on Automation events, cues, macros and assigning buttons, see section 4.5.
The full menu structure of the AP20 is shown on the next three pages.
The Menu Button is intended to be used by theater technicians only. Password protection is highly
recommended.
Selecting the button will cause one of the following screens to appear, based upon last use:
to Setup Menus
Figure 23. The Setup Menu Bar
This menu bar will always be available near the bottom of every screen in the AP20, with the exception
of the Home screen. The active screen button is displayed in a different color from the others.
In the next section, we will discuss in detail the options available through the menu bar.
Pressing the Home button will take you back to the Home or Main screen.
4.2 System Setup Screen
Menu > System Setup
knob to adjust
brightness
Figure 24. System Setup Screen
The following options are available directly from this screen.
ScreenSaver Time - Options include a 10 second delay, 1 minute delay, or 5 minute delay
before screen saver initiates.
ScreenSaver Mode - Disabled, Dim Screen, or Graphic.
Disabled will turn off the screen saver.
Dim Screen will reduce the LCD brightness after the time specified in the ScreenSaver
Time drop-down menu. Touching the screen or turning the adjustment knob will restore
the brightness.