DAPAudio GIG-6, D2260 User Manual

GIG-6
ORDERCODE D2260
Congratulations!
You have bought a great, innovative product from DAP Audio. The DAP Audio GIG-6 brings excitement to any venue. Whether you want simple plug-&-play action or a sophisticated show, this product provides the effect you need.
You can rely on DAP Audio, for more excellent audio products. We design and manufacture professional audio equipment for the entertainment industry. New products are being launched regularly. We work hard to keep you, our customer, satisfied. For more information: iwant@dap-audio.info
You can get some of the best quality, best priced products on the market from DAP Audio. So next time, turn to DAP Audio for more great audio equipment. Always get the best -- with DAP Audio !
Thank you!
1
DAP Audio
DAP Audio GIG-6 Product Guide
Warning ..........................................................................................................................................................................2
Unpacking Instructions ...........................................................................................................................................2
Safety-instructions ...................................................................................................................................................2
Operating Determinations ....................................................................................................................................3
Return Procedure ....................................................................................................................................................4
Claims ........................................................................................................................................................................4
Description .....................................................................................................................................................................5
Features ....................................................................................................................................................................5
Overview ...................................................................................................................................................................5
Front panel ...............................................................................................................................................................6
Back panel ...............................................................................................................................................................8
Installation ......................................................................................................................................................................8
Function ..........................................................................................................................................................................9
Set up and operation ................................................................................................................................................ 13
Connection Cables ................................................................................................................................................... 13
Maintenance .............................................................................................................................................................. 14
Replacing the Fuse .............................................................................................................................................. 14
Troubleshooting ......................................................................................................................................................... 14
Product Specifications .............................................................................................................................................. 15
Appendix 1: GIG-6 block diagram ........................................................................................................................ 16
2
WARNING
CAUTION!
Keep this system away from rain and moisture!
CAUTION! Be careful with your operations.
With a dangerous voltage you can suffer
a dangerous electric shock when touching the wires!
FOR YOUR OWN SAFETY, PLEASE READ THIS USER MANUAL CAREFULLY
BEFORE YOUR INITIAL START-UP!
Unpacking Instructions
Immediately upon receiving this product, carefully unpack the carton and check the contents to ensure that all parts are present, and have been received in good condition. Notify the dealer immediately and retain packing material for inspection if any parts appear damaged from shipping or the carton itself shows signs of mishandling. Save the carton and all packing materials. In the event that a fixture must be returned to the factory, it is important that the fixture be returned in the original factory box and packing.
Your shipment includes:
• DAP GIG-6
1X AC/AC adapter 2x15Vac 350mA
• User manual
SAFETY INSTRUCTIONS
Every person involved with the installation, operation and maintenance of this system has to:
- be qualified
- follow the instructions of this manual
Before you initial start-up, please make sure that there is no damage caused by transportation. Should there be any, consult your dealer and do not use the system.
To maintain perfect condition and to ensure a safe operation, it is absolutely necessary for the user to follow the safety instructions and warning notes written in this manual.
Please consider that damages caused by manual modifications to the system are not subject to warranty.
This system contains no user-serviceable parts. Refer servicing to qualified technicians only.
IMPORTANT:
The manufacturer will not accept liability for any resulting damages caused by the non­observance of this manual or any unauthorized modification to the system.
Never let the power-cord come into contact with other cables! Handle the power-cord and all
connections with the mains with particular caution!
Never remove warning or informative labels from the unit. Never use anything to cover the ground contact. Never leave any cables lying around.
3
Do not insert objects into air vents. Do not connect this system to a dimmerpack. Do not switch the system on and off in short intervals, as this would reduce the system’s life. Do not open the device and do not modify the device. Do not drive the inputs with a signal level bigger, than required to drive the equipment to full
output.
Do not plug Mics into the console (or stagebox) while Phantom Power is on. Also mute the monitor
/ Pa system when turning Phantom Power on or off. Allow the system to adjust for a couple of seconds, before setting the input gains.
Only use system indoor, avoid contact with water or other liquids. Avoid flames and do not put close to flammable liquids or gases. Always disconnect power from the mains, when system is not used. Only handle the power-cord
by the plug. Never pull out the plug by tugging the power-cord.
Always operate the unit with the AC ground wire connected to the electrical system ground. Make sure you don’t use the wrong kind of cables or defective cables. Make sure that the signals into the mixer are balanced, otherwise hum could be created. Make sure you use DI boxes to balance unbalanced signals; All incoming signals should be clear. Make sure that the available voltage is not higher than stated on the rear panel. Make sure that the power-cord is never crimped or damaged. Check the system and the power-
cord from time to time.
Please turn off the power switch, when changing the power cord or signal cable, or select the
input mode switch.
Extreme frequency boosts in connection with a high input signal level may lead to overdriving
your equipment. Should this occur, it is necessary to reduce the input signal level by using the INPUT control.
To emphasize a frequency range, you don’t necessarily have to move its respective control
upward; try lowering surrounding frequency ranges instead. This way, you avoid causing the next piece of equipment in your sound path to overdrive. You also preserve valuable dynamic reserve (“headroom”)
Avoid ground loops! Always be sure to connect the power amps and the mixing console to the
same electrical circuit to ensure the same phase!
If system is dropped or struck, disconnect mains power supply immediately. Have a qualified
engineer inspect for safety before operating.
If the system has been exposed to drastic temperature fluctuation (e.g. after transportation), do
not switch it on immediately. The arising condensation water might damage your system. Leave the system switched off until it has reached room temperature.
If your Dap Audio device fails to work properly, discontinue use immediately. Pack the unit
securely (preferably in the original packing material), and return it to your Dap Audio dealer for service.
Repairs, servicing and electric connection must be carried out by a qualified technician. For replacement use fuses of same type and rating only. WARRANTY: Till one year after date of purchase.
OPERATING DETERMINATIONS
This system is not designed for permanent operation. Consistent operation breaks will ensure that the system will serve you for a long time without defects.
If this system is operated in any other way, than the one described in this manual, the product may suffer damages and the warranty becomes void. Any other operation may lead to dangers like short-circuit, burns, electric shock, etc.
You endanger your own safety and the safety of others!
Improper installation can cause serious damage to people and property !
4
Connection with the mains
International
EU (including UK)
From April 2004
North America
Pin
L
Brown
Black
Phase
N
Blue
White
Neutral
Green/Yellow
Green
Protective Earth
Connect the device to the mains with the power-plug. Always pay attention, that the right color cable is connected to the right place.
Make sure that the device is always connected properly to earth!
Return Procedure
Returned merchandise must be sent prepaid and in the original packing, call tags will not be issued. Package must be clearly labeled with a Return Authorization Number (RMA number). Products returned without an RMA number will be refused. Highlite will not accept the returned goods or any responsibility. Call Highlite 0031-455667723 or mail aftersales@highlite.nl and request an RMA prior to shipping the fixture. Be prepared to provide the model number, serial number and a brief description of the cause for the return. Be sure to properly pack fixture, any shipping damage resulting from inadequate packaging is the customer’s responsibility. Highlite reserves the right to use its own discretion to repair or replace product(s). As a suggestion, proper UPS packing or double-boxing is always a safe method to use.
Note: If you are given an RMA number, please include the following information on a piece of paper inside the box:
1) Your name
2) Your address
3) Your phone number
4) A brief description of the symptoms
Claims
The client has the obligation to check the delivered goods immediately upon delivery for any short­comings and/or visible defects, or perform this check after our announcement that the goods are at their disposal. Damage incurred in shipping is the responsibility of the shipper; therefore the damage must be reported to the carrier upon receipt of merchandise. It is the customer's responsibility to notify and submit claims with the shipper in the event that a fixture is damaged due to shipping. Transportation damage has to be reported to us within one day after receipt of the delivery. Any return shipment has to be made post-paid at all times. Return shipments must be accompanied with a letter defining the reason for return shipment. Non-prepaid return shipments will be refused, unless otherwise agreed in writing. Complaints against us must be made known in writing or by fax within 10 working days after receipt of the invoice. After this period complaints will not be handled anymore. Complaints will only then be considered if the client has so far complied with all parts of the agreement, regardless of the agreement of which the obligation is resulting.
5
Description of the device
Features
The DAP GIG-6 is an 6 channel compact versatile mixer with 16 build-in DSP echo presets. The USB port gives you the possibility to connect a PC or MAC and record your mix or use as external input source. It is an ideal mixer for small venues where ultimate performance and advanced features are needed.
Overview
Fig. 1
6
Frontpanel
1. Balanced mic input (mono channel 1-2)
2. Balanced line input mono (mono channel 1-2)
3. Left line input (stereo channel 3-6)
4. Trim control
5. Right line Input (stereo channel 3-6)
6. EQ high control, range -15 / +15 dB
7. EQ mid control, range -15 / +15 dB
8. EQ low control, range -15 / +15 dB
9. Aux/eff level
10. Mono channel 1-2: panorama Stereo channel 3-6: balance
11. Peak LED
12. Channel level control
7
13. Aux return control
14. Phantom power Switch
15. Tape/rec to control switch
16. Tape/rec to master switch
17. Send control
18. Return control
19. Level control
20. Aux send control
21. Display
22. Up button
23. Down button
24. Headphones/ control room level
25. Power on LED
26. Phantom power LED
27. LED VU meter
28. Main mix level
8
29. Stereo aux return left/mono
30. Stereo aux return right
31. Aux send
32. Stereo unbalanced out L/R
33. Tape in L/R
34. Rec out L/R
35. Control room out L/R
36. Phones out
Backpanel
37. AC-adapter input
38. USB connector
39. Power on/off
Installation
Remove all packing materials from the GIG-6. Check that all foam and plastic padding is removed. Connect all cables.
Always disconnect from electric mains power supply before cleaning or servicing. Damages caused by non-observance are not subject to warranty.
9
Functions
1.Mic
Electronically balanced XLR-type inputs for connecting low­ impedance microphones. The input provides extremely low noise and low hum signal processing. When connecting a microphone make sure that the pin assignment is correct. Always make sure to read the manual of the microphone you want to connect. The XLR­ inputs are not suitable for connecting line level signals like an additional mixing console, FX-unit, etc. You have to use the LINE­ inputs, when connecting this kind of equipment.
2. Line
Electronically balanced inputs for connecting a keyboard, CD player, mixer, etc. You can connect balanced or unbalanced signal sources to the Line input. Do not connect signal devices to a channel’s MIC and LINE input at the same time. This will cause mutual interference, which results in level reduction.
Note: When connecting signal sources, please make sure that the corresponding channel faders and the master faders are at their minimum settings. Otherwise plug-in noise can occur.
3/ 5. LINE in
Unbalanced stereo inputs for connecting a keyboard, CD player, mixer, etc. You can connect unbalanced signal sources to the Line input. When using a mono device, always connect it to the Left (mono) input.
Note: When connecting signal sources, please make sure that the corresponding channel level controls and the master mix control are at their minimum settings. Otherwise plug-in noise can occur.
4. Trim
Mic Channel input level is determined by the Gain control. With the Gain control you can adjust the MIC or LINE input-sensitivity, while optimally matching the incoming signals to the mixer’s internal operation level. The high gain of this mixer is ideal when dealing with very low input levels (i.e. vocal recordings or distant sound sources).
How to set the Input level:
1) Set the trim control and the corresponding level control to their minimum setting.
2) Connect the desired sound source (CD player, microphone, etc.) to the corresponding mic or line input.
3) Play the sound source at its highest volume setting; respectively, sing or speak as loud as possible directly into the microphone.
4) While doing so, adjust the input level using the gain control, so that during the loudest passages the peak LED (11) only blinks occasionally.
This basic channel setting leaves you at least 8dB headroom. This means, you have at least 8dB before signal clipping. If you want to make further adjustments to the channel’s EQ setting, you should repeat step 3 and 4 again.
10
6 / 7 / 8. Equalizer SECTION (High / Mid / Low)
The mixer’s Equalizer section allows shaping of the incoming audio signal. All mono input channels are fitted with 3-band EQ. The upper (High (6)) and lower (Low (8)) shelving controls have their frequencies fixed at 12 KHz and 80 Hz respectively. The Mid range control (Mid (7)) has a peaking response frequency at 2.5 KHz. All 3 bands have up to 15 dB cut and boost, with a centre detent. Turning the Equalizer to the right amplifies the frequency range, turning to the left attenuates the signal. Minor changes to the Equalizer control usually produce the best results. Try to avoid excessive enhancement of the MID band.
9. AUX The aux control allows you to adjust the aux level in the main mix.
10. Pan (Mono Channels) By using the panorama control you can change the input signal’s position within the stereo image. When the panorama control is set to center position, the audio signal is equal for both the left and right output.
Bal (stereo channels)
By using the balance control you can adjust the balance between the left and the right channel. If you use a mono source (input left mono) the control works as a panorama control and lets you change the
input signal’s position within the stereo image.
11. Peak LED
The peak indicator shows peak levels in a channel’s incoming signal level. If the red peak LED frequently blinks or constantly lights, the corresponding channel is likely to enter clipping and you have to reduce the input’s amplification using the gain control. The peak LED lights at a level of 8 dB below clipping. Make sure that the Peak LED lights only briefly during dynamic peaks.
12. Level The level control allows you to control the volume of a single channel.
13. Aux return
This control allows you to control the aux level in the
main mix.
14. Phantom Power Switch Press this button to turn the phantom power +48V on. Do not connect any unbalanced microphones with the phantom power switched on. The red Phantom LED (26) will light if the phantom power is activated.
15. Tape/rec to control
Use this button to assign the tape in (33) input to the Phones/Control bus. The level of the tape in (33) input is fixed.
16. Tape/rec to master
Use this button to assign the tape in (33) input to the
master bus. The level of the tape in (33) input is fixed.
17. Send
This control allows you to adjust the input for the built in DSP echo effect. Make sure not to overload the DSP input.
18. Feedback
This control allows you to control the effect feedback level of the built in echo effect. The number of times the delay sound is repeated, increases if the knob is turned clockwise.
11
19. Level
This control allows you to adjust the echo level in the main mix.
20. Aux send
This control controls the level of the aux send (31) output.
21. Display FX program
The display indicates the selected effect program number.
22. Effect preset up
Pressing this button increases the effect preset number (0-F).
23. Effect preset down
Pressing this button decreases the effect preset number (0-F).
24. Phones/ Control room
This control allows you to adjust the control room/phones output
volume.
25. Power LED
The red power LED lights when the GIG-6 is turned on. If after switching the device on, the LED does not light, make sure that the
AC adapter is connected properly. If the LED still doesn’t light up
after everything is connected right, please contact your DAP audio dealer.
26. Phantom Power LED
This LED indicates when the phantom power is switched on for the mic (1) inputs. After switching on the mixer, the red LED should not light up. So both balanced and unbalanced microphones can be connected. Unbalanced microphones may be damaged if the Phantom power is activated however unbalanced microphones are rarely to be found these days.
27. LED VU meter
28. Master mix
This control allows you to adjust the main mix level.
29. Left/mono aux return jack
Connect this input with the Left output of a connected effect device. In case the effect device only has a mono output, use this return input.
12
30. Right aux return jack
Connect this input to the right output of a connected effect device.
31. Aux send jack
Connect this output to the input of your effect device.
32. Stereo out L/R jacks
Connect a powered monitor or external amplifier to this output.
33. Tape in stereo RCA
RCA Input, connect the output of your recording device to this input.
34. Rec out stereo RCA
RCA Output, connect the input of your recording device to this input.
35. Control room out L/R jacks
Connect a powered monitor or external amplifier to this output.
36. Phone out
You can connect a pair of headphones with a minimum impedance of 32 Ohm to this stereo 1/4” jack should be wired as Tip=left, Ring=right and sleeve=ground.
Caution: Depending on the type of headphones connected to the phones jack, the Powermix is capable of producing very high output levels on the headphones output. Therefore, make sure to turn the control all the way down (minimum setting) before connecting the headphones.
Listening to loud sound pressure levels over a longer period of time leads to hearing damage!
37. Remote Power Supply Input Socket
This is the remote AC power supply input socket for the Sessionmix 6. It is a special three core socket. Please use the supplied DAP audio adapter only.
38. USB slot
The USB Slot can be used to connect the GIG-6 to your PC/ laptop. You can use this connector for playback or recording with suitable software installed. Make sure the length of the USB cable does not exceed 3m.
39. Power On/Off
Do not supply power before the whole system is set up and connected properly.
13
Set Up and Operation
Before plugging the unit in, always make sure that the power supply matches the product specification voltage. Do not attempt to operate a 120V specification product on 230V power, or vice versa.
Connection Cables
Take care of your cables, always holding them by the connectors and avoiding knots and twists when coiling them: This gives the advantage of increasing their life and reliability. Periodically check your cables. A great number of problems (faulty contacts, ground hum, discharges, etc.) are caused entirely by using unsuitable or faulty cables.
Headphones Unbalanced mono Balanced mono Insert
14
Compensation of interference with balanced connections
Maintenance
The DAP Audio GIG-6 requires almost no maintenance. However, you should keep the unit clean. Disconnect the mains power supply, and then wipe the cover with a damp cloth. Do not immerse in liquid. Do not use alcohol or solvents. Keep connections clean. Disconnect electric power, and then wipe the connectors with a damp cloth. Make sure connectors are thoroughly dry before linking equipment or supplying electric power.
Troubleshooting
DAP Audio GIG-6 This troubleshooting guide is meant to help solve simple problems. If a problem occurs, carry out the steps below in sequence until a solution is found. Once the unit operates properly, do not carry out following steps.
1. If the device does not operate properly, unplug the device.
2. Check power from the wall, all cables, the fuse, etc.
3. If all of the above appears to be O.K., plug the unit in again.
4. If nothing happens after 30 seconds, unplug the device.
5. Return the device to your DAP Audio dealer.
15
Product Specification
Input channels: 2 x Mic balanced
2 x Line mono 2 x Line stereo 1 x Aux stereo return 1 x CD/Tape stereo input Output channels: 1 x Main Stereo out by 2x 1/4" Jack 1 x Ctrl room stereo out by 2 x 1/4" Jack 1 x Aux send by 1 x 1/4" Jack 1 x Rec stereo output by RCA 1 x Phones stereo by 1 x 1/4" Jack
USB Port: Audio in- & output interface for PC & MAC
Input impedance: Mic inputs, 4,6K Ohm
Line inputs, 20K Ohm Stereo inputs, > 10K Ohm Aux stereo return, > 10K Ohm CD/Tape stereo input, 10K Ohm
Gain control: Mono channels 30 dB
Stereo channels 10 dB Aux & FX 10 dB
T.H.D.: < 0.005% (Any output, 1Khz @ + 14dBu, 20Hz to 20Khz, channel inputs) S/N: > 90 dB Frequency Resp.: 20Hz - 30 Khz (+/-1dB) Crosstalk: >80 dB Output levels: 20 dB
Channel EQ: Low, 80Hz +/- 15 dB
Mid, 2,5KHz +/- 15 dB High, 12KHz +/- 15 dB
Phantom power: + 48 V
Power supply: 2x 15 Vac Power consumption: 8 Watt Measurements: 50 x 235 x 242 mm Weight: 1,3 Kg
Design and product specifications are subject to change without prior notice.
Website: www.Dap-audio.info
Email: service@highlite.nl
16
Appendix 1: GIG-6 block diagram
2011 Dap Audio.
Loading...