Danelectro CHORUS cc-1, transparent overdrive cto-1, metal cm-1, tremolo ct-1, drive co-1 Instructions

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Instructions
EFFECTS
EEC Agent: John Hornby Skewes & Co., Ltd. Salem House, Parkinson Approach, Garforth, Leeds LS25 2HR UK
© Cool Cat 2008
Printed in China
CHORUS CC-1 TRANSPARENT
OVERDRIVE CTO-1 METAL CM-1 TREMOLO CT-1
A QUICKLOOKAT YOUR NEW COOL CAT!:
HERE ISAN OVERVIEW OF FEATURES COMMON TOALLCOOL CAT MODELS:
CONGRATULATIONS!
You nowown THE VERY COOLEST
gearever made.Enjoy!
IN
Insert guitar cablehere.
DC 9V
Insert ACadaptorhere. Makesurethe adaptoris 9 Volts, CenterNegative + -( Danelectroadaptor is recommended.
Note: You can usebatteryor 9 Volt adaptor to power your “Cat”. ForCV-1model, we recommendusingadaptor power only due to thehighcurrentdraw ofthis circuit.
EFFECT KNOBS
Seefeatures for each model.
– - andatleast 300mA.
OUT
Insert amp cablehere.
STACKED KNOB
Available on some models.
LED
Indicates that effect is ON.
FOOTSWITCH
Activatesthe effect.
SETTING THECONTROLS::
Some Cool Catmodels have “stacked”controls.To setthose controls, move theentirecontrolset (top and bottom knobs) together, until you haveset thelower knob to desiredposition, then adjustthe topknobtowhere youwant it.
NOTE: Theterms “Clockwise” and“Counterclockwise”mean themovement ofthe controlsfromthis view:
Clockwise Counter-
Nowturnto the“Features” pagesforyour modelofCoolCat!
clockwise
CHORUS CC-1
Features
TheCoolCat Chorus gives youall of the classic chorussounds, andmore-with more control than you’ve hadbefore.
CONTROLS:
DEPTH: Controlsthe intensityof theChorus, from minimum (fullycounter-clockwise) to maximum (fullyclockwise). The Depthcontrolinteractswith theSpeedcontrolin thisfashion: slower speed settingscan takehigherdepth settings.As Speed increases,Depth mayneedtobe reduced.
Higher settings maycause light-headedness!
SPEED: Controls the speed of the Chorus, from minimum (fullycounter-clockwise) to maximum (fully clockwise). This control willhaveno effectunless the Depthcontrolis sethigher than minimum (off).
MIX/EQ: These controlsare stacked, the innercontroladjusts mixand the outer control adjusts chorus eq.(These controlshave no effect unlessthe pedal ison.) Turning the Eqknobcan be tricky, here’s howto do it:turnbothknobs at thesametimeuntil theEq iswhere youwant it, then adjustthe Mixcontrol.
When theMix control isfullycounter-clockwise, thereisno chorus effect– it’s100% dry. When theMix control isset to
CHORUS FEATURES CONTINUED:
maximum,all you’ll hear is theeffected signal–100% wet. By setting this control in-betweenminimumand maximum you can choosethe perfect drytowetratio. A normal setting wouldbe at 12:00 (50% dry, 50% wet).Lowering theMix control makes theChorusmoresubtle;raising theMix takes thesoundtowards vibrato.
TheEq control adjusts to tone ofthe chorusonly, leaving your drysignalunaffected. Think ofitas a highfrequencyroll-off for thewetsignal.If theChorus soundstoo “sparkle-y”, tryturning down theEq control.
BYPASS: Thetruebypassfootswitch engages anddisengages thepedal.
SAMPLESETTINGS: (Remember, these are just starting points.)
ForaClassicChorus sound, simplyset allcontrols to 12:00. This maycause complaints from your band,as theClassicChorus sound has beenusedto extremes.Let’sbea bit more creative:
“Sky BlueSky” (Great forrhythm players, so subtlethe band mightlet youleave it on allnight…) Depth–9:30 Speed – 10:30 Mix/Eq – 9:30/ Min. (7:00)
“Spin-Cycle”
Depth–9:00, mayneedto be reduced athighest speed setting Speed – 4:30 to Maximum (5:00) Mix/Eq – 12:00/ Wide open (Bonus: change theMix setting to maximum andyou get Vibrato, otherwiseknown as the difference between a trombone and a lawnmower.)
(Like a rotatingspeaker on “fast”,227 poundslighter.)
TRANSPARENT OVERDRIVE CTO-1
Features
TheTransparent Overdrive letsmore of your guitar’s voice shine through,evenat highoverdrivesettings.Very useful for everything from modern Country to Americanand British Rock.
CONTROLS:
GAIN: Sets theamount ofoverdrive appliedtothe signal, counter-clockwise is minimum overdrive, turnclockwise to increaseoverdrive. Asoverdriveincreases, lowfrequencieswill“bloom”slightly.
TREBLE / BASS:Adjusts thetoneof the overdrive sound. Thetwo controlsare stacked;the inner control is for Treble,the outerfor Bass.Thesecontrols cut and boost – theyare flat (noeffect)at 12 o’clock. Tuning theTreblecontrolcounter­clockwisefrom12:00 cuts the treble, advancingthe Treble control beyond 12:00booststhe Treble. The Bass control operates inthe same fashion. Turning theBassknobcan be tricky, here’s how to do it: turnboth knobs at the same timeuntil theBassiswhere youwant it, then adjustthe Treble control.Don’t besurprised if youleave thesecontrols setnearlyflat.
VOLUME: This control adjusts overall volume when the Transparent Overdrive isturned on.Usually, the Volume control is
TRANS.OVERDRIVEFEATURES CONTINUED:
setto be a little louder than thebypassed signal,orloudenough to serveas a solosetting. There islotsof volume boost available, so you canget even lowgain settingsloudenough.Withhigh gain settings, theVolume control adds anotherdimension of gain that will generate even more overdrive.Becareful – thispedal goes way beyondeleven!
BYPASS: Thetruebypassfootswitch engages anddisengages thepedal. HINT:Don’t forget to trysettingyour guitar’svolume andtonecontrols lowerthantheir maximum: theTransparent Overdrive won’t “collapse” on you likeother pedals.
SAMPLESETTINGS: (Remember, these are just starting points.)
“Country’Tude”(singlecoilpickups; addthree chords andthe truth, goeswell with friedchicken – andchicken pickin’) Gain:9:30 Treble / Bass: 12:00 (flat)/ 12:00 (flat) Volume: 1:30
“Leeds Crunch” (use with bridge pickupand play some big windmill chords - how high canyou leap?) Gain – 1:30 Treble / Bass–12:00 (flat) / 12:00 (flat) Volume – 11:30
“WomanTone” (usewith your neckpickup, roll offyourguitar’s tone control andfollow your soul; greatwith humbuckers) Gain – Wide open! Treble / Bass–Wideopen!/ wideopen! Volume – Wideopen!(or as much as your ampcan handle–WARNING:Startwith your ampturned down,thissetting isLOUD!)
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