are
registered trademarks of Crown International, Inc. Other trademarks are the
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9/96
Page 2
P.I.P.–ATNB
B
ATN
Programmable
Input Processor (P.I.P.)
+––
ATTENUATIONATTENUATION
9
8
11
12
7
14
6
5
16
18
21
24
30
4
3
2
1
.5
50
0
∞
dB
14
16
18
21
24
30
50
11
12
∞
dB
+
9
8
7
6
5
4
3
2
1
.5
0
CH-2 INPUTCH-1 INPUT
BABA
Fig. 1.1 Front View
S2S1
FLAT
50 Hz
100 Hz
OFF / ON
EQ2
300 Hz
OFF / ON
OFF
ON
EQ1
Page 2
D
DC
Fig. 1.2 Bottom View
Page 3
P.I.P.–ATNB
1 Welcome
Thank you for purchasing the Crown
P.I.P.–ATNB
accessory.
grammable Input Processor) modules are designed to quickly install in
the rear panel of Crown
Macro-Tech
®
or
Studio Reference
ries amplifiers. Their versatile features expand the capabilities of your
amplifier and enable you to customize it for your particular needs.
Y ou should find these items when you
unpack:
P.I.P.–ATNB Module
Two 8-32 Phillips Machine Screws
Two Lock Washers
Two Quick-Disconnect Barrier
Blocks
This Reference Manual
Features
❏ Balanced inputs with 1:1 isolation
transformers to minimize input noise.
❏ RFI filter for attenuation of unwanted
ultrasonic frequencies. The RFI filter
is a 12 dB/octave, Bessel-tuned lowpass filter with a 3 dB roll-off point at
33 kHz.
❏ Switchable subsonic/bass filter with
the following settings: flat, 50, 100, or
300 Hz roll-off.
❏ Switchable constant-directivity horn
equalization network.
❏ Calibrated 21 position attenuators
give accurate level control of the input signal.
❏ Removable barrier block connectors
provide greater wiring flexibility and
easy installation.
®
P.I.P.
(Pro-
Com-Tech
se-
Facilities
A. Balanced Input
These removable barrier-block connectors (Figure 1.1) make it quick
and easy to attach an input cable
®
with just three screws. Once the
,
cable is attached, the connector can
be quickly unplugged and, if desired,
moved to a different amplifier.
B. Input Attenuators
Each channel has a calibrated attenuator (Figure 1.1) for accurate
level adjustment. They have 21
detented positions which “click” into
place for ease of use.
C. Subsonic/Bass Switch
A 4-position slide switch for each
channel (Figure 1.2) controls the subsonic/bass filter. This filter is an 18
dB/octave Butterworth high-pass filter which can be selected to attenuate frequencies below 50 Hz, 100 Hz
or 300 Hz. It can also be switched off
(FLAT). The switch positions are labelled on the circuit board between
the two switches.
D. Horn Equalization Jumper
A jumper is provided for each channel (Figure 1.2) to enable/disable the
constant-directivity horn equalization.
The jumper for channel 1 (EQ1) is
shown in the ON position while the
channel 2 jumper (EQ2) is shown in
the OFF position. This equalization
circuit is a 6 dB/octave shelving network with a 3 dB rise at 3.2 kHz and
a peak boost of 12.5 dB at 24 kHz.
Page 3
Page 4
P.I.P.–ATNB
(Hz)
2 Installation
Before installing this
will need to be configured. The first
two steps in the installation procedure focus on this. A phillips screwdriver is required.
CAUTION: Before installing this or
P.I.P.
any
in your amplifier , it is important to turn down the amplifier’s level
controls, turn off the amplifier and disconnect the AC power. Even though
the amplifier is off, there could still be
enough energy in the circuitry to
cause electric shock.
Please note: The RFI filter is always
on—it cannot be switched off.
1. Adjust the constant-directivity equal-
ization jumper of each channel to be
ON or OFF (see Figure 1.2). Figure
2.1 shows the frequency response
through the
ter is on.
+12
+6
dB
0
–6
1001 K10 K 20 K
Fig. 2.1 Constant-Directivity Horn
Equalization (with RFI filter)
2. Select the desired position for the
Subsonic/Bass filter switch for each
channel. Sliding the switch to the
FLAT position switches off the filter.
The switch positions are identified on
the circuit board between the two
switches (see Figure 1.2). Figure 2.2
shows the frequency response
through the
P.I.P.
P .I.P.–ATNB
FREQUENCY (Hz)
P .I.P.–ATNB
module, it
when this fil-
HORN EQ
NO HORN EQ
when this fil-
ter is set in each of its four modes
(Flat, 50 Hz, 100 Hz, 300 Hz).
0
FLAT
–6
dB
–12
–18
50 Hz 100 Hz 300 Hz
101001 K
FREQUENCY
Fig. 2.2 Subsonic/Bass Filter Settings
3. Turn the Attenuator controls of the
P.I.P.–ATNB
full counterclockwise to
∞ (full or infinite attenuation).
4. T urn down the amplifier level controls
(fully counterclockwise), turn off the
amplifier, and unplug it from the AC
power source.
5. Remove the existing
panel (two screws). For
ers, this may involve disconnecting
the
P.I.P.
from a
(see Figures 2.4 and 2.5). If a
input adapter is already present, do
not remove the ribbon cables from
the adapter . Otherwise you will have
to reconnect them in the next step.
6.
Standard P.I.P. Amplifiers:
edges of the
card rails and firmly push the unit in
until it is seated against the mounting bracket (see Figure 2.3).
Fig. 2.3 Installation into a
Standard P.I.P. Amplifier
P .I.P.
PIP2
input adapter
P .I.P.–A TNB
BACK PANEL
OF AMPLIFIER
module or
PIP2
amplifi-
Align the
in the
P.I.P .
MODULE
PIP2
P.I.P.
Page 4
Page 5
P. I.P.–ATNB
PIP2 Amplifiers:
ADAPTER.) Connect the
(Requires the
PIP2
PIP2
input
adapter to the two input cables of the
amplifier (see Figure 2.4). Notice the
PIP2
input adapter should be posi-
tioned with the
P .I.P.
edge connector
on top and facing away from the amplifier. The 20 pin cable (A) is connected first, then the 18 pin cable (B)
is connected. Both ribbon cables
should extend below the
PIP2
input
adapter .
FROM AMPLIFIER
PIP2 ADAPTER
B
A
18 PIN (B)
B
20 PIN (A)
A
Fig. 2.4 PIP2 Input Adapter
Connection
Next, insert the edge connector of
the
P.I.P.–ATNB
into the
PIP2
input
adapter (see Figure 2.5) and insert
the assembly into the
P.I.P.
opening
in the back of the amplifier .
BACK PANEL
OF PIP2
AMPLIFIER
PIP2 ADAPTER
P.I.P.
MODULE
7. Secure the
P.I.P.–ATNB
with the two
screws and lock washers provided.
The lock washers are important because they bond the
P.I.P.
to amplifier chassis ground to ensure
electrical and mechanical integrity
for safety and performance.
8. Reconnect the amplifier to the AC
power and turn it on.
9. Connect the audio signal wiring to
the XLR connectors of the
ATNB
according to the instructions in
your amplifier’s
Reference Manual
P.I.P.–
.
10 .Adjust the amplifier level controls to
the maximum desired level. This
should be the maximum setting you
ever want the amplifier to use in case
the Attenuation controls on the
A TNB
are ever set to 0 (zero) dB at-
P .I.P.–
tenuation.
11. Use the Attenuator controls on the
P.I.P.–ATNB
signal level.
. to adjust the input audio
Note: If you do not want
to use the Attenuator controls on the
P.I.P., turn them to 0 dB (full clockwise) and use the amplifier level controls to adjust the input audio signal
level.
Do NOT change the circuitry. Unauthorized circuit modifications, void
the warranty .
Remember: Crown is not liable for
damage resulting from overdriven
components in your sound system.
Fig. 2.5 Installation into a
PIP2 Amplifier
Page 5
Page 6
Electronic image for this figure
were not included due to quality
considerations. Please refer to
the printed documentation.
P.I.P.–ATNB
Page 6
Only one
channel shown
Page 7
P. I.P.–ATNB
Electronic image for this figure
were not included due to quality
considerations. Please refer to
the printed documentation.
J0723-7 Rev. A
Notes:
1. All resistors are in ohms, 0.25W, 1%, unless specified otherwise.
2. All capacitors are in microfarads unless specified otherwise.
Page 7
Page 8
3 Specifications
Note: All specifications referenced to
a 0.775 V input signal.
Signal to Noise: Better than –85 dB
(equivalent input noise) from 20 Hz to
20 kHz.
Common Mode Rejection: Better
than 60 dB at 1 kHz.
Crosstalk: –82 dB at 1 kHz.
Input Impedance: Nominally 10
kohm.
Recommended Source
Impedance: 1 kohm or less.
Maximum Input Level: +20 dB at 1
kHz.
Nominal Gain: Unity.
Frequency Response: ±1 dB from
20 Hz to 20 kHz when filters set flat
P.I.P.–ATNB
and horn equalization off. High-pass
(subsonic/bass) filter has selectable
–3 dB roll-off points of 50, 100 or 300
Hz (see Figure 2.2). Constant-directivity horn equalization network has 3
dB rise at 3.2 kHz with 12.5 dB peak
at 24 kHz (see Figure 2.1). Both these
filters can be switched off if desired.
A permanent RFI filter with a –3 dB
roll-off at 33 kHz also affects the response.
Attenuation: 21 position attenuator
for each channel. The attenuation
settings are: 0, .5, 1, 2, 3, 4, 5, 6, 7, 8,
9, 11, 12, 14, 16, 18, 21, 24, 30, 50