Crest audio IPRO ONE SPECIFICATIONS

SERIES
Features
Description
• Mic/line inputs on front and rear of unit
• Mic includes polarity switch, +48 V phantom power, 20 dB pad
• Two full featured parametric EQ's
• Full featured expander/compressor/limiter
• Switchable I/O LED metering
• Independent headphone out
• Multicolor LED meters
• Balanced and unbalanced I/O
• Internal power supply
Applications
Recording processor (channel strip)
Location broadcasting
Ducking
De-essing
Monitor or main mix enhancement
In ear monitor processor
60 cycle hum removal
Vocal and instrument enhancement
Dynamics processor
The IProOne is a microphone or line input processor that is especially designed to optimize audio signals (low or high impedance) for recording or live applica­tions. It is an improvement over a standard mixer’s channel strip for direct recording of a microphone or line instrument since it has functions not found in other ana­log signal processors.
The IPro One has separate mic and line inputs. The line input has level control.The mic input has polarity, 20 dB pad, +48 V phantom power, on/off switch, and an adjustable low cut filter with gain control.
The parametrics section have two adjustable EQ's. Both have on/off switches, and the second has a switch to side change into the dynamics section.
The compand/limit section has an on/off switch, external side change enable, expander with ratio and threshold controls, and compressor with Ratio and Threshold con­trols. there is also a makeup gain and limiter threshold.
SmarTubeenhancer has adjustable frequiproency and amount. This adds tube-like characteristics to the signal.
The Main Section has a dry/wet blend control and a main output level control. There is an independent headphone out with level control.
The metering section has gain reduction dB and output level dB with the output switchable to preamp in.
IPro
TM
One
Dynamics: CONTROL ADJUSTMENT RANGE
Expander Threshold <-80 dBu to +10 dBu Expander Ratio 1:1 (off) to 1:5 (gate) Expander Attack (to gate open) 2 msec (fixed) Expander Release (to gate closed) 175 msec (fixed) Compressor Threshold -40 dBu to +20 dBu Compressor Ratio 1:1 (off) to infinite:1 (limit) Compressor Attack 5 msec (fixed) Compressor Release 200 msec (fixed)
Limiter Threshold 0 dBu to +22 dBu Limiter Attack 5 msec (fixed) Limiter Release 175 msec (fixed) Makeup Gain 0 dB to +20 dB
Equalization:
Low Cut Freq (XLR only) 10 Hz to 350 Hz Parametric (1&2) Cut/Boost -24 dB to +12 dB, detent = flat Parametric 1 Freq 40 Hz to 4K Hz Parametric 2 Freq 150 Hz to 15K Hz Bandwidth (1&2) 2 oct to 1/6 oct
Specifications
IProTMOne
Crest Audio Inc.
16-00 Pollitt Dr. Fair Lawn, NJ 07410 USA
TEL: 201.909.8700 FAX: 201.909.8744
www.crestaudio.com
Crest Audio reserves the right to make improvements in manufacturing or design which may affect specifications.
9/4/01
v.1.5
Architects’ & Engineers’ Specifications: INPUTS:
There will be one microphone and one line input, each with a front and a rear panel jack connected in parallel. The low impedance microphone input will be a female XLR con­nector, and will have switchable 48V phantom power (with LED indication), and 20 dB pad, and polarity switches. Its pre-amp will be adjustable from +10 to +56 dB of gain by a potentiometer and have an EIN of 128 dBu @150 ohms. A mic enable switch (also with LED indication) will be provided. The line input will be TRS balanced and high impedance, suitable for use with an electric guitar (200K ohms), and have 1/4" jacks. It will have a gain adjustment range from off to +20 dB. There will be a TRS insert jack that functions for both inputs on the rear panel with a front panel enable switch with LED indication.
EQUALIZATION:
In series with the microphone pre-amp only will be an adjustable second order high pass filter with a corner frequency range of 10 Hz to 350 Hz. Two fully adjustable parametric equalizers will be provided with a –24dB to +12dB boost/cut range and a bandwidth adjustment of 2 octaves to 1/6 octave. The low band will have
a frequency range of 40 Hz to 4 KHz, the high band will have a frequency adjust range of 150 Hz to 15 KHz. Each parametric will have an enable switch with LED indication. The high band parametric filter will additionally have a switch that will move its position out of the main audio path and into the compressors side­chain (after the side-chain insert jacks return).
DYNAMICS:
The IPro One will have an adjustable dynamics section that will have a compressor, an expander, and a limit function. The expander will have threshold (-80 dBu to +10 dBu) and ratio (1:1 to 1:5) controls. The compressor will have threshold (-40 dBu to +20 dBu), ratio (1:1 to infinite:1), and makeup gain (0 dB to +20 dB) controls. Both will be soft knee circuitry. The limit will have only a threshold (0 dBu to +22 dBu) control with a red "active" LED. A twelve step gain reduction LED array will indi­cate for all three dynamic functions. There will be a side-chain TRS insert jack at the rear with a front panel enable switch with yellow LED. The side-chain insert will be connected before the high band parametric EQ when it is switched into the detector path so that external signals may benefit from it. There will be a dynamics enable switch (with
green LED) on the front panel which allows all dynamics functions to be bypassed.
SMARTUBE:
Included in the IPro One is a high frequency enhancement circuit that adds transtube har­monics to improve definition and add presence to the signal. There will be a tuning control with an adjustment range of 2kHz to 10kHz, and a level control.
OUTPUTS:
There shall be a master output level control with a gain range of OFF to +10dB. Independent of this control will be a head­phone level control with the same gain range, and a front panel headphone jack. A blend control will pan between the dry preamp signal and the wet post processing signal to allow a compressed frequency shaped signal to be blended with the original input to fatten the bass or add a high frequency sheen. A twelve segment LED output meter array will be includ­ed. It will monitor either the pre-amp signal (to assist in setting the mic input gain or line level), or the main output, determined by a selector switch. The output jacks will consist of a 1/4" unbalanced and an XLR balanced jack on the rear panel. The mains input will be an IEC con­nector.
Frequency Response:
Total Harmonic Distortion plus Noise (THD+ N):
Signal to Noise (all functions enabled, all levels at
nominal, mic input at min gain):
MIC Equivalent Input Noise (EIN):
Common Mode Rejection Ratio (Mic Input):
Meters:
Dimensions:
Weight:
Power Requirements:
Mic Input to Output: 20Hz to 35KHz +0dB / -1dB
Line Input to Output: 10Hz to 35KHz +0dB / -1dB
< 0.005% 20Hz to 20KHz Mic to Output (10Hz - 80KHz BW, dry)
< 0.03% 20Hz to 20KHz Mic to Output (10Hz - 80KHz BW, dynamics enabled)
88 dBu
-129 dBu (Input terminated with 150 Ohms)
77dB typ @ 1kHz, max gain
12 segment gain reduction indication
12 segment peak reading output (0dB = 0dBu @ 1/4" out, +4dBu @ XLR out)
19" W x 9.5" D x 3.5" H
8.5 lbs
DOM: 120VAC 60Hz 15 Watts Nominal
EXP: 230VAC 50/60Hz 15 Watts Nominal
*A4500013*
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