Crate Amplifiers GFX-65T User Manual

Owner ’s Manual
Congratulations!
Y ou are now the proud owner of the Crate GFX-65Tamplifier. This rugged amplifier combines outstanding features with serious clean and distorted sounds. An easy to operate DSPsection lets you dial in a variety of digital effects including reverbs, delays, octave and wah-wahs – with a sepa­rate level control. Crate’s unique Channel T racking feature means that as you switch between channels and gains, the DSP automatically “tracks” the changes - your DSP settings for each channel are stored and automatically recalled! The supplied three-button footswitch allows you to select channels, change the overdrive gain, and turn the DSPon and off by “remote control.” The top-mounted electronic tuner lets you get tuned and stay in tune any time the amplifier is on.
Like all Crate products, your GFX-65T is designed by musicians, and built using only the best components. Extensive testing confirms that this amplifier is the absolute best it can be.
In order to get the most out of your new amplifier, we strongly urge you to read the informa­tion contained in this manual before you begin playing.
And thank you
for choosing
TABLE OF CONTENTS:
The Digital Signal Processor . . . . . . . . . . . . . . . . . . . . .3
Channel Tracking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
The Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4, 5
Suggested Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
System Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . .7
Technical Specifications . . . . . . . . . . . . . . . . .back cover
GFX-65T Guitar Amplifier with DSP & Channel Tracking
IMPORTANT SAFETY INSTRUCTIONS
READ, FOLLOW, HEED, AND KEEPALL INSTRUCTIONS AND WARNINGS.
DO NOT OPERATE NEAR ANY HEATSOURCE AND DO NOT BLOCK ANY VENTILATION OPENINGS ON THIS APPARATUS.
DO NOT USE THIS APPARATUS NEAR SPLASHING, FALLING, SPRAYING, OR STANDING LIQUIDS.
CLEAN ONLY WITH LINT-FREE DAMP CLOTH AND DO NOT USE CLEANING AGENTS.
ONLY CONNECT POWER CORD TO A POLARIZED, SAFETY GROUNDED OUTLET WIRED TO CURRENT ELECTRICAL CODES AND
COMPATIBLE WITH VOLTAGE, POWER, AND FREQUENCY REQUIREMENTS STATED ON THE REAR PANEL OF THE APPARATUS.
PROTECT THE POWER CORD FROM DAMAGE DUE TO BEING WALKED ON, PINCHED, OR STRAINED.
UNPLUG THE APPARATUS DURING LIGHTNING STORMS OR WHEN UNUSED FOR LONG PERIODS OF TIME.
ONLY USE ATTACHMENTS, ACCESSORIES, STANDS, OR BRACKETS SPECIFIED BYTHE MANUFACTURER FOR SAFE OPERA-
TION AND TO AVOID INJURY.
THIS APPARATUS DOES NOT OPERATE NORMALLY AND REQUIRES SERVICE WITH ANY PHYSICAL DAMAGE FROM IMPACT OR
ANY EXPOSURE TO MOISTURE.
SERVICE MUST BE PERFORMED BY QUALIFIED PERSONNEL.
OUR AMPLIFIERS ARE CAPABLE OF PRODUCING HIGH SOUND PRESSURE LEVELS. CONTINUED EXPOSURE TO HIGH SOUND
PRESSURE LEVELS CAN CAUSE PERMANENT HEARING IMPAIRMENT OR LOSS. USER CAUTION IS ADVISED AND EAR PRO­TECTION IS RECOMMENDED IF UNIT IS OPERATED AT HIGH VOLUME.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOIS­TURE. TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
"IT IS NECESSARY FOR THE USER TO REFER TO THE INSTRUCTION MANUAL" “ES NECESARIO QUE EL USUARIO SE REFIERA AL MANUAL DE INSTRUCCIONES.” "REFERREZ-VOUS AU MANUAL D'UTILISATION"
EXPLANATION OF GRAPHICAL SYMBOLS: EXPLICACION DE SIMBOLOS GRAFICOS: EXPLICATION DESSYMBÔLES GRAPHIQUES:
"DANGEROUS VOLTAGE" “VOLTAJE PELIGROSO” "DANGER HAUTE TENSION"
=
=
PRECAUCION
RIESGO DE CORRIENTAZO
NO ABRA
ADVERTENCIA: REDUCIR EL RIESGO DE FUEGO O CHOQUE ELÉCTRI­CO, NO LE EXPONE DE ESTE APARATO A LLUVIA O HUMEDAD. PARA DISMINUOIR EL RIESGO DE CORRIENTAZO. NO ABRA LA CUBIERTA. NO HAY PIEZAS ADENTRO QUE EL USARIO PUEDO REPARAR DEJE TODO MANTENIMIENTO A LOS TECHNICOS CALIFICADOS.
ATTENTION
RISQUE D'ELECTROCUTION
NE PAS OUVRIR
ATTENTION: POUR REDUIRE D'ELECTROCUTION NE PAS ENLEVER LE COUVERCLE. AUCUNE PIECE INTERNE N'EST REPRABLE PAR L'UTILISATEUR. POUR TOUTE REPARATION, S'ADRESSER A UN TECHNICIEN QUALIFIE.
The Digital Signal Processor:
Crate’s Digital Signal Processing offers 16 exciting digital effects, accessible through the DSP Mode control. The effects are described below .
3
GFX-65T Guitar Amplifier with DSP & Channel Tracking
Channel T
racking:
Your Crate GFX-65T gives you the power of Channel Tracking! Once you select a DSP setting for each channel, Channel Tracking recalls those DSP settings automatically – without changing the DSP controls! For example:
Select the Clean channel. Set the DSP Mode to “FLNG 1”
(slow flange + reverb)
Select the Overdrive channel, Gain 1. Set the DSP Mode to “CHO 1”(slow chorus + reverb) (the set-
ting for the Clean channel is now saved to memory)
Select the Overdrive channel, Gain 2. Set the DSP Mode to “T-WAH” (touch wah-wah) (the setting
for the Overdrive channel, Gain 1 is now saved to memory)
• Reselect the Clean channel (the setting for the Overdrive channel, Gain 2 is now saved to memory)
Now when you go back to the Clean channel, even though the DSP Mode was last set to “T-WAH,” Channel Tracking automatically recalls the last setting for the Clean channel – in this example, “FLNG 1.” Change to the Overdrive channel, Gain 1, and “CHO 1” is recalled. Change to the Overdrive channel, Gain 2, and “T-WAH” is recalled. That’s the power of Channel Tracking!
(Note: Even when the power is turned off, Channel T racking still retains the settings – until you change them!)
1 REV 1 small room reverb 2 REV 2 medium room reverb 3 REV 3 large room reverb 4 REV 4 concert hall reverb 5 DLY 1 short slapback + small room reverb 6 DLY 2 medium delay + plate reverb 7 DLY 3 long delay + large room reverb 8 FLNG 1 slow deep flange + reverb
9 FLNG 2 flange + reverb + delay 10 CHO 1 slow tremolo chorus + reverb 11 CHO 2 chorus + reverb + delay 12 RTRY simulated rotating speaker effect 13 OCTV DN adds a signal one octave lower than input 14 T-WAH touch sensitive wah-wah effect 15 I-WAH inverse wah-wah effect 16 DBLR simulated second track, slightly out-of-sync
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