Crate Amplifiers GFX-65 User Manual

USER’S GUIDE
Congratulations!
You are now the proud owner of the Crate GFX-65 guitar amplifier. This rugged amplifier delivers serious clean and distorted sounds through its premium 12” Crate Custom speaker. An easy to operate DSP section lets you dial in a variety of digital effects such as delay, flange, chorus and reverb – with separate level control. Channel selection and Crate’s exclusive Shape circuit are controllable by the supplied two-button footswitch. An insert jack allows virtually noise-free connection of your favorite effects.
Like all Crate products, your GFX-65 is designed by musicians and built using only the best components. Extensive testing at the hands (and ears) of skilled technicians and musicians insures you that this amplifier is the absolute best it can be.
In order to get the most out of your new amplifier, we strongly urge you to read this user’s guide before you begin playing.
And thank you
for choosing
GFX-65
GUITAR AMPLIFIER WITH
DIGITAL SIGNAL PROCESSING
1: INPUT: Connect your guitar here by means of a shielded instrument cable.
OVERDRIVE CHANNEL: A high gain channel designed to give you sounds from a slight edge to serious overdrive.
2: GAIN 1: Use this control to adjust the amount of moderate compression and distortion for the Overdrive channel. With the control rotated fully counter clockwise the sound will have a thick compressed quality. As you rotate the control clockwise the amount of distortion increases. Gain 1 produces less intense distortion than Gain 2 and is active when the Gain Select switch (#5) is in the out position.
3: GAIN 2: Use this control to adjust the amount of intense compression and distortion for the Overdrive channel. With the control rotated fully counter clockwise the sound will have a thick compressed quality. As you rotate the control clockwise the amount of distortion increases. Gain 2 produces more intense distortion than Gain 1 and is active when the Gain Select switch (#5) is depressed.
4: SHAPE: Working in conjunction with the Gain 2 control, rotate the Shape control until you find the sound you’re looking for. Rotating the control counter clockwise enhances the mid frequen­cies. Rotating the control clockwise enhances the low and high frequencies. (Only affects Gain 2 when active.)
5: GAIN SELECT: Use this switch to select Gain 1 (switch in the out position) or Gain 2 (switch depressed). A footswitch (#18) overrides this switch.
6: LOW: Use this control to adjust the low fre­quency output level of the Overdrive channel. This control allows an adjustment range of 11dB at 80Hz.
7: HIGH: Use this control to adjust the high fre­quency output level of the Overdrive channel. This control allows an adjustment range of 10dB at 10kHz.
8: LEVEL: Use this control to adjust the output volume level of the Overdrive Channel. Use this control along with the Gain and Shape controls (#2, 3 & 4) to create a wide variety of sounds.
9: CHANNEL SELECT: Use this switch to select the Clean channel (switch in the out position) or the Overdrive channel (switch depressed). A footswitch (#18) overrides this switch. The adja­cent LEDs indicate which channel is selected.
CLEAN CHANNEL: A normal gain channel designed to give you crystal clear sounds.
10: LEVEL: Use this control to adjust the output volume level of the Clean Channel.
11: LOW: Use this control to adjust the low fre­quency output level of the Clean channel. This control allows an adjustment range of 22dB at 80Hz.
12: MID: Use this control to adjust the mid fre­quency output level of the Clean channel. This control allows an adjustment range of 14dB at 600Hz.
13: HIGH: Use this control to adjust the high fre­quency output level of the Clean channel. This control allows a range of 28dB at 10kHz.
14: DSP LEVEL: Use this control to adjust the amount of digital signal processing. With the control rotated fully counter clockwise the output signal is “dry” (no effect). As you rotate the con­trol clockwise the amount of effect increases.
15: DSP MODE: Use this control to select thedesired digital effect(s). Each category and its central location is called out (delay, flange, etc.) by the markings around the control..
GFX-65 Amplifier
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