Crate Amplifiers DX-212, DX-112 User Manual

Welcome. Please, Read This:

We at Crate extend our sincere “welcome” into a whole new world: a world where the
legendary performance of a musician-made Crate amplifier combines with the wonders of
digital amp modeling and effects. We bring you the only amplifier you’ll ever need: the
Crate DX-112 / DX-212. The heart and soul of sixteen different amplifiers have been cap­tured through the miracles of digital software engineering and placed into the DX amplifier.
Not only does the amp sound like the originals, it performs like the originals, with the same
tones and character of all your favorites – from vintage British grit to today’s heavy metal –
with a wide variety in between.

Along with digital amp modeling comes sixteen digital effects, all designed to rock your
world from here to Sunday. And, you can tweak each effect to your heart’s content!

Got your own favorite effects? Not to worry – the DX amps have stereo line in and line
out jacks for use as a stereo effects loop, or for connecting to an external stereo power
amp. It’s like having your cake and eating it, too – with extra icing!

The DX amplifier is programmable and can be controlled in a number of ways, including
through the front panel keypad, with the optional Crate Foot Controller, or via MIDI.

Within the pages of this Operating Guide you will find all sorts of per­tinent, useful and sometimes technical information which we at Crate
felt you ought to have. Please indulge us a bit and take the time to
actually read through this Guide at some point. Until then, for those
of you who just can’t wait to plug in and go, we offer you:

QQuuiicckk SSttaarrtt:: PPlluugg IInn aanndd GGoo!!

((ppaaggee 11))

There you’ll find just enough information to get you started. If you run
into any situation that isn’t covered in the Quick Start section, you
might have to – guitar gods forbid – read this guide first.

We at Crate thank you for choosing the DX-112/212 Digital Guitar Amplifier!

DX-112/212 Digital Guitar Amplifier

i

Important Safeguards and Precautions

All Crate products are designed for continuous safe operation, as long as common sense is used and steps
are taken to help avoid certain problems. Abiding by the following rules can help prevent damage to your
amplifier, yourself and others.

• The amplifier is equipped with a three-pronged AC power cord. To reduce the risk of electrical shock,

NEVER remove or otherwise attempt to defeat the ground pin of the power cord.

• Connect the amplifier ONLY to a properly grounded AC outlet of the proper voltage for your pre-

amp.

• Avoid sudden temperature extremes, rain and moisture. Also, avoid sudden and intense impact. (If the
amplifier has been subjected to any of the preceding abuses, have it looked at by an authorized ser­vice center.)

• Unplug the amplifier before cleaning it. NEVER spray liquid cleaners onto the preamp. Wipe it with a
slightly dampened, lint-free cloth to remove dirt and film.

• Don’t use the amplifier if it has sustained damage to the chassis, controls, or power cord. Refer the
unit to an authorized service center for inspection.

• NOTE: Amplifiers capable of producing high volume levels are also capable of inflicting permanent
hearing loss or damage, if the exposure to such levels is prolonged. Such damage is progressive and
irreversible! Caution is advised and ear protection is recommended when playing at extreme-

ly loud levels.

The chart below shows the U.S. Government Occupational Safety and Health Administration (OSHA)
regulations which were in effect at the time of this publication for permissible noise exposure, per
29CRF1910, Table G-16.

According to OSHA, any exposure in excess of those listed above could result in some hearing loss.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER.

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

ATTENTION

RISQUE D'ELECTROCUTION

NE PAS OUVRIR

ATTENTION: POUR REDUIRE D'ELECTROCUTION NE PAS

ENLEVER LE COUVERCLE. AUCUNE PIECE INTERNE N'EST REPRABLE

PAR L'UTILISATEUR. POUR TOUTE REPARATION, S'ADRESSER A UN

TECHNICIEN QUALIFIE.

VORSICHT

ELEKTRISCHE SCHLAGGEFAHR

NICHT OFFENEN

VORSICHT: ZUR MINIMIERUNG ELEKTRISCHER SCHLAGGEFAHR NICHT

DEN DECKEL ABENHMEN. INTERNE TEILE KONNEN NICHT VOM

BENUTZER GEWARTET WERDEN. DIE WARTUNG IS QUALIFIZIERTEM

WARTUNGSPERSONAL ZU UBERLASSEN.

THIS EQUIPMENT HAS BEEN DESIGNED AND ENGINEERED TO PROVIDE SAFE AND RELIABLE OPERATION. IN ORDER TO PROLONG THE LIFE
OF THE UNIT AND PREVENT ACCIDENTAL DAMAGES OR INJURY, PLEASE FOLLOW THESE PRECAUTIONARY GUIDELINES:

WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT OPEN CHASSIS; DO NOT DEFEAT OR REMOVE THE GROUND PIN OF THE
POWER CORD; CONNECT ONLY TO A PROPERLY GROUNDED AC POWER OUTLET.

CAUTION: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE.
CAUTION: NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
CAUTION: OUR AMPLIFIERS ARE CAPABLE OF PRODUCING HIGH SOUND PRESSURE LEVELS. CONTINUED EXPOSURE TO HIGH SOUND

PRESSURE LEVELS CAN CAUSE PERMANENT HEARING IMPAIRMENT OR LOSS. USER CAUTION IS ADVISED AND EAR PROTECTION IS REC­OMMENDED IF UNIT IS OPERATED AT HIGH VOLUME.

"IT IS NECESSARY FOR THE USER TO REFER TO THE INSTRUCTION MANUAL"
"REFERREZ-VOUS AU MANUAL D'UTILISATION"
"UNBEDINGT IN DER BEDIENUNGSANLEITUNG NACHSCHLAGEN"

EXPLANATION OF
GRAPHICAL SYMBOLS:

"DANGEROUS VOLTAGE"
"DANGER HAUTE TENSION"
"GEFAHLICHE SPANNUNG"

=

=

SOUND LEVEL dBA DURATION PER DAY

SLOW RESPONSE IN HOURS

90 8
92 6
95 4
97 3

100 2

SOUND LEVEL dBA DURATION PER DAY

SLOW RESPONSE IN HOURS

102 1-1/2
105 1
110 1/2
115 1/4 or less

DX-112/212 Digital Guitar Amplifier

ii

DX-112/212 Digital Guitar Amplifier

QQUUIICCKK SSTTAARRTT

CCOONNNNEECCTTIIOONNSS

AAMMPP MMOODDEELLSS

EEFFFFEECCTTSS

TTHHEE KKEEYYPPAADD

FFAAVVOORRIITTEESS

Contents

Quick Start: Plug In and Go!

Making Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1

A Look at the Front Panel Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

A Look at the Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5

Making the Right Connections

The Input Jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7

The Stereo Line In and Line Out Jacks . . . . . . . . . . . . . . . . . . . . . . . . . . .7

Using a MIDI Footswitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

Using the Crate Foot Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

The MIDI Out/Thru Jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

The Stereo Headphones Jack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9

The Amp Models

Descriptions of the Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Equalization and Channel Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

The Digital Effects

Descriptions of the Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Effects Selection and Adjustment . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

The Keypad

Recalling The Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

Saving New Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19

The Tap Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

The Manual (“MAN”) Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Restoring Factory Default Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Playing Favorites

Factory Presets 1–10 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

User Presets 1–100 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Appendices

A. Designer’s Note: Amplifier Modeling . . . . . . . . . . . . . . . . . . . . . . .43

Block Diagrams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44

B. MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

C. Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

iii

QQUUIICCKK SSTTAARRTT

DX-112/212 Digital Guitar Amplifier

1

QQuuiicckk SSttaarrtt:: PPlluugg IInn aanndd GGoo!!

MMaakkiinngg SSoouunndd::

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

PRESET PARAMETERS EFFECTSINPUT/OUTPUT

LOW
GAIN

MASTER GAIN BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Connect

your

guitar

Start low,

turn up

as desired

Try out the

different

amp models

Choose a

digital effect

Modify

the chosen

effect

Adjust for

more or
less gain

Change the

tone and

volume

HIGH
GAIN

Change

reverb amount

and depth

Top Mount

Tube Rectifier

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod Fuzzbox

High Power

Studio Tweed

Large Tweed

Black Face

70s Era UK

60s Era UK

Touch Wah

Rotating Spkr

Cmp/Cho/Echo

Cmp/Vib/Echo

Cmp/Flg/Echo

Flange/Echo

Chor/Echo

Comp/Chorus

Comp/Echo

Compressor

Tremolo

Chorus

Vibrato

Delay

Flanger

Echo

QQUUIICCKK SSTTAARRTT

DX-112/212 Digital Guitar Amplifier

2

MMaakkiinngg SSoouunndd::

• You may want to start out with the Master
control turned down low, since this amp
can get LOUD.

• Connect your guitar, plug in the amp and
turn it on.

• Select the manual mode by pressing the
MAN button on the keypad.

• Adjust the Gain control to get the amount
of gain you want.

• Try out the amp models by turning the
Amp Selector knob.

• Use the Bass, Mid, Treble and Channel
Level controls to change the tone and vol­ume. The EQ settings will vary depending
on the amp model you choose.

• Choose a digital effect by turning the
Effects Selector knob.

• Modify the chosen effect by turning the
Effect Adjust control.

• Adjust the reverb by turning the Reverb
Level and Depth controls.

• Try out the factory presets by pressing the
numbered buttons and the A/B button on
the Keypad.

•When first turned on, the A/B button is

not lit, and the numbered buttons recall
presets 1-5 (bank A). When you press the
A/B button it lights up, and the numbered
buttons recall presets 6-10 (bank B).

POWER

Try out the
factory presets
(bank A,1 – 5;

bank B, 6 – 10)

(If you need

to ask, ...)

QQUUIICCKK SSTTAARRTT

DX-112/212 Digital Guitar Amplifier

3

QQuuiicckk SSttaarrtt:: PPlluugg IInn aanndd GGoo!!

AA LLooookk aatt tthhee FFrroonntt PPaanneell CCoonnttrroollss::

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

PRESET PARAMETERSINPUT/OUTPUT

HIGH
GAIN

LOW
GAIN

MASTER GAIN BASS MID TREBLE CHANNEL

LEVEL

1 2 3 4 5 6 7 8 9

EFFECTS POWER

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

10 11 12 13 14 15

Top Mount

Tube Rectifier

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod Fuzzbox

High Power

Studio Tweed

Large Tweed

Black Face

70s Era UK

60s Era UK

Touch Wah

Rotating Spkr

Cmp/Cho/Echo

Cmp/Vib/Echo

Cmp/Flg/Echo

Flange/Echo

Chor/Echo

Comp/Chorus

Comp/Echo

Compressor

Tremolo

Chorus

Vibrato

Delay

Flanger

Echo

QQUUIICCKK SSTTAARRTT

DX-112/212 Digital Guitar Amplifier

4

TThhee FFrroonntt PPaanneell ::

1, 2. Inputs: Use High Gain for standard
pickups, Low Gain for “hot” pickups and/or
on-board active electronics.

3. Master: Sets the overall output level. The
Master volume is the only non-programma­ble setting on the amplifier.

4. Amp Selector: Chooses the desired amp
model.

5. Gain: Adjusts the input gain.

6, 7, 8. Bass, Mid, Treble: Adjusts the sig-

nal tone.

9. Channel Level: Sets the output level of
the current preset.

10. Effects Selector: Chooses the effect
applied to the signal.

11. Effects Adjust: Changes one or more
parameter of the current effect.

12. Reverb Level: Sets the amount of rever­beration applied to the signal.

13. Reverb Depth: Changes the depth and
high-frequency damping of reverberation,
from a very small room (fully counter-clock­wise) to a very large hall (fully clockwise).

14. Keypad: Recalls and saves presets, using
the numbered buttons and the A/B button.

15. Power: Up is on!

RReeffeerr ttoo SSeeccttiioonn // PPaaggee::

“The Input Jacks” – page 7,8

“Descriptions of the Models” – page 11,12

“Equalization and Channel Level” – page 13,14

“Equalization and Channel Level” – page 13,14

“Equalization and Channel Level” – page 13

“Descriptions of the Effects” – page 15,16

“Effects Selection and Adjustment” – page 17,18

“Description of the Effects” – page 15,16

“The Keypad” – page 19,20

((TThheessee aarree tthhee bbaarreesstt ooff tthhee bbaarree--bboonneess ddeessccrriippttiioonnss –– eennoouugghh ttoo ggeett yyoouu ssttaarrtteedd.. PPlleeaassee cchheecckk oouutt tthhee sseeccttiioonnss aanndd
ppaaggeess nnootteedd ffoorr mmoorree iinnffoorrmmaattiioonn –– tthhiiss ggooeess ffoorr tthhee rreeaarr ppaanneell,, ttoooo..))

QQUUIICCKK SSTTAARRTT

DX-112/212 Digital Guitar Amplifier

5

QQuuiicckk SSttaarrtt:: PPlluugg IInn aanndd GGoo!!

AA LLooookk aatt tthhee RReeaarr PPaanneell::

MODEL

SERIAL#

D-112/212

FUSE

MADE IN THE U.S.A.

BY SLM ELECTRONICS

1400 FERGUSON AVENUE

ST. LOUIS. MO 63133

CAUTION

RISK OF ELECTRIC

SHOCK – DO NOT OPEN

AVIS:

RISQUE DE CHOC ELECTRIQUE
NE PAS OUVRIR

TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT EXPOSE THIS EQUIPMENT TO RAIN
OR MOISTURE.

DX-212
AEIOU1269

CAUTION:

TO REDUCE THE RISK
OF FIRE, REPLACE FUSE WITH SAME TYPE
AND RATING.

ATTENTION:

UTILISER UN FUSIBLE DE RECHANGE DE
MEME TYPE.

220-240V220-240VAC:C:

T.75A 250V.75A 250V

100-120V100-120VAC:C:

T1.5A 250VT1.5A 250V

220-240V220-240VAC:C:

T1A 250VT1A 250V

100-120V100-120VAC:C:

T2A 250VT2A 250V

DX-212DX-112

CAUTION:

CHASSIS

SURFACE HOT.

ATTENTION:

SUPERFACIE

DE CHASSIS EST

CHAUDE.

16 17

STEREO

HEAD

PHONES

STANDARD

MIDI

CRATE
FOOT

CONTROLLER

STEREO

LINE

OUT

STEREO

LINE

IN

MIDI

THRU/

OUT

MIDI IN/

FOOT

SWITCH

18 19 20 21 22 23

QQUUIICCKK SSTTAARRTT

DX-112/212 Digital Guitar Amplifier

6

TThhee RReeaarr PPaanneell ::

16. AC Line Cord:

Plug the male end of this

cord into a properly grounded AC outlet of
the correct voltage. DO NOT DEFEAT THE

GROUND PIN OF THE AC PLUG!

17. Fuse:

The fuse protects the amplifier
against damages caused by overload condi­tions in the unit. If the fuse blows, replace it
only with the same size and type as indicat­ed on the rear panel.

18. Stereo Headphones:

For those private
moments, plug a pair of stereo headphones
into this jack. The internal speaker(s) is (are)
muted when headphones are used. (Can also
be used for recording.)

19. Stereo Line Out:

Connect this output to a

stereo amplifier or effects unit.

20. Stereo Line In:

Connect the output of an

external effects unit here.

21. Standard MIDI/Crate Footswitch
Controller:

This switch lets you choose how
you control your DX-112/212 – via MIDI or
with the optional Crate Foot Controller.

22. MIDI Thru/Out:

Connect to another
MIDI device you wish to control with the
foot controller.

23. MIDI In/Foot Switch:

This jack either
accepts a standard MIDI input or lets you use
the Crate Foot Controller.

RReeffeerr ttoo SSeeccttiioonn // PPaaggee::

“Stereo Headphones Jack” – page 9,10

“The Stereo Line In and Line Out Jacks” – page 7,8

“The Stereo Line In and Line Out Jacks” – page 7,8

“Using the Crate Foot Controller” – page 9,10

“The MIDI Thru/Out Jack” – page 9,10

“Using a MIDI Footswitch” – page 9,10

((TThhaatt’’ss aallll wwee’’rree ggoonnnnaa ggiivvee yyoouu ffoorr nnooww!! TToo lleeaarrnn aa wwhhoollee lloott mmoorree,, rreeaadd tthhee rreesstt ooff tthhiiss gguuiiddee!!))

CCOONNNNEECCTTIIOONNSS

DX-112/212 Digital Guitar Amplifier

7

MMaakkiinngg tthhee RRiigghhtt CCoonnnneeccttiioonnss

TThhee IInnppuutt JJaacckkss::

TThhee SStteerreeoo LLiinnee IInn aanndd LLiinnee OOuutt JJaacckkss::

α

ΩαΩ

αΩαΩα

Ω

α

ΩαΩ

α

Ω

α

Ω

PRESET PARAMETERS EFFECTSINPUT/OUTPUT POWER

HIGH
GAIN

LOW
GAIN

MASTER GAIN BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Top Mount

Tube Rectifier

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod Fuzzbox

High Power

Studio Tweed

Large Tweed

Black Face

70s Era UK

60s Era UK

Touch Wah

Rotating Spkr

Cmp/Cho/Echo

Cmp/Vib/Echo

Cmp/Flg/Echo

Flange/Echo

Chor/Echo

Comp/Chorus

Comp/Echo

Compressor

Tremolo

Chorus

Vibrato

Delay

Flanger

Echo

MODEL

SERIAL#

D-112/212

STEREO

HEAD

PHONES

STANDARD

MIDI

CRATE
FOOT

CONTROLLER

STEREO

LINE
OUT

STEREO

LINE

IN

MIDI

THRU/

OUT

MIDI IN/

FOOT

SWITCH

FUSE

MADE IN THE U.S.A.

BY SLM ELECTRONICS

1400 FERGUSON AVENUE

ST. LOUIS. MO 63133

CAUTION

RISK OF ELECTRIC

SHOCK – DO NOT OPEN

AVIS:

RISQUE DE CHOC ELECTRIQUE
NE PAS OUVRIR

TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT EXPOSE THIS EQUIPMENT TO RAIN
OR MOISTURE.

DX-212
AEIOU1269

CAUTION:

TO REDUCE THE RISK
OF FIRE, REPLACE FUSE WITH SAME TYPE
AND RATING.

ATTENTION:

UTILISER UN FUSIBLE DE RECHANGE DE
MEME TYPE.

220-240V220-240VAC:C:

T.75A 250V.75A 250V

100-120V100-120VAC:C:

T1.5A 250VT1.5A 250V

220-240V220-240VAC:C:

T1A 250VT1A 250V

100-120V100-120VAC:C:

T2A 250VT2A 250V

DX-212DX-112

CAUTION:

CHASSIS

SURFACE HOT.

ATTENTION:

SUPERFACIE

DE CHASSIS EST

CHAUDE.

CCOONNNNEECCTTIIOONNSS

DX-112/212 Digital Guitar Amplifier

8

The Input Jacks:

The DX-112/212 has two input jacks – High Gain (straight) and Low Gain (padded) – to accom­modate a wide range of pickups and playing styles. The jack you use depends on your type of
pickups and the sounds you’re after.

For example, most players will plug their guitars into the High Gain jack. These players include those
with “normal output” pickups and some players with “hot” pickups who are looking for some
added distortion.

Some players will choose the Low Gain jack. These players are mostly those with “hot”/active
pickups who want a cleaner sound, with more headroom for the Gain control.

When nothing is plugged into either jack, the DX-112/212 mutes its internal speaker(s).

The Stereo Line Out/In Jacks:

The DX-112/212 has a Stereo Line In and Line Out jack (rear panel), for use as a stereo effects
loop, or to send a preamplified signal to an external stereo power amp.

To use an effects loop, connect the Line Out jack to the input of the effects device, then connect
the output of the device to the Line In jack.

To send a preamplified signal, connect a stereo signal cable from the Line Out jack to the input of
the stereo power amplifier.

The jacks are wired as follows: TIP = left channel, RING = right channel, SLEEVE = ground.

The Line Out jack signal is post master, post eq, and post effects.

•If you want to connect a DX-112 to
another guitar amplifier for stereo
sound, you’ll need to make a custom
patch cable like the one shown to the
right. Use this cable to connect your
DX-112 Line Out jack to the Line In
jack of the second guitar amp AND
the DX-112 Line In jack.

to DX-112
Line Out jack

to DX-112
Line In jack

TIP

TIP

RING

SLEEVE

SLEEVE

SLEEVE

to second guitar amp's Line In jack

TIP RING SLEEVE

2T, 2R 3T 2S,3S

1T, 2R 2T 1S,3S

1R (N/A) 1S,2S

TIPRING

12

3

1

2

3

CCOONNNNEECCTTIIOONNSS

DX-112/212 Digital Guitar Amplifier

9

MMaakkiinngg tthhee RRiigghhtt CCoonnnneeccttiioonnss

UUssiinngg aa MMIIDDII FFoooottsswwiittcchh::

UUssiinngg tthhee CCrraattee FFoooott CCoonnttrroolllleerr::

TThhee MMIIDDII TThhrruu//OOuutt JJaacckk::

TThhee SStteerreeoo HHeeaaddpphhoonneess JJaacckk::

MODEL

SERIAL#

D-112/212

STEREO

HEAD

PHONES

STANDARD

MIDI

CRATE
FOOT

CONTROLLER

STEREO

LINE

OUT

STEREO

LINE

IN

MIDI

THRU/

OUT

MIDI IN/

FOOT

SWITCH

FUSE

MADE IN THE U.S.A.

BY SLM ELECTRONICS

1400 FERGUSON AVENUE

ST. LOUIS. MO 63133

CAUTION

RISK OF ELECTRIC

SHOCK – DO NOT OPEN

AVIS:

RISQUE DE CHOC ELECTRIQUE
NE PAS OUVRIR

TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT EXPOSE THIS EQUIPMENT TO RAIN
OR MOISTURE.

DX-212
AEIOU1269

CAUTION:

TO REDUCE THE RISK
OF FIRE, REPLACE FUSE WITH SAME TYPE
AND RATING.

ATTENTION:

UTILISER UN FUSIBLE DE RECHANGE DE
MEME TYPE.

220-240V220-240VAC:C:
T.75A 250V.75A 250V

100-120V100-120VAC:C:
T1.5A 250VT1.5A 250V

220-240V220-240VAC:C:

T1A 250VT1A 250V

100-120V100-120VAC:C:

T2A 250VT2A 250V

DX-212DX-112

CAUTION:

CHASSIS

SURFACE HOT.

ATTENTION:

SUPERFACIE

DE CHASSIS EST

CHAUDE.

OUT

MODEL

SERIAL#

D-112/212

STEREO

HEAD

PHONES

STANDARD

MIDI

CRATE
FOOT

CONTROLLER

STEREO

LINE
OUT

STEREO

LINE

IN

MIDI

THRU/

OUT

MIDI IN/

FOOT

SWITCH

FUSE

MADE IN THE U.S.A.

BY SLM ELECTRONICS

1400 FERGUSON AVENUE

ST. LOUIS. MO 63133

CAUTION

RISK OF ELECTRIC

SHOCK – DO NOT OPEN

AVIS:

RISQUE DE CHOC ELECTRIQUE
NE PAS OUVRIR

TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT EXPOSE THIS EQUIPMENT TO RAIN
OR MOISTURE.

DX-212
AEIOU1269

CAUTION:

TO REDUCE THE RISK
OF FIRE, REPLACE FUSE WITH SAME TYPE
AND RATING.

ATTENTION:

UTILISER UN FUSIBLE DE RECHANGE DE
MEME TYPE.

220-240V220-240VAC:C:

T.75A 250V.75A 250V

100-120V100-120VAC:C:

T1.5A 250VT1.5A 250V

220-240V220-240VAC:C:

T1A 250VT1A 250V

100-120V100-120VAC:C:

T2A 250VT2A 250V

DX-212DX-112

CAUTION:

CHASSIS

SURFACE HOT.

ATTENTION:

SUPERFACIE

DE CHASSIS EST

CHAUDE.

IN

MODEL

SERIAL#

D-112/212

STEREO

HEAD

PHONES

STANDARD

MIDI

CRATE
FOOT

CONTROLLER

STEREO

LINE
OUT

STEREO

LINE

IN

MIDI

THRU/

OUT

MIDI IN/

FOOT

SWITCH

FUSE

MADE IN THE U.S.A.

BY SLM ELECTRONICS

1400 FERGUSON AVENUE

ST. LOUIS. MO 63133

CAUTION

RISK OF ELECTRIC

SHOCK – DO NOT OPEN

AVIS:

RISQUE DE CHOC ELECTRIQUE
NE PAS OUVRIR

TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT EXPOSE THIS EQUIPMENT TO RAIN
OR MOISTURE.

DX-212
AEIOU1269

CAUTION:

TO REDUCE THE RISK
OF FIRE, REPLACE FUSE WITH SAME TYPE
AND RATING.

ATTENTION:

UTILISER UN FUSIBLE DE RECHANGE DE
MEME TYPE.

220-240V220-240VAC:C:

T.75A 250V.75A 250V

100-120V100-120VAC:C:

T1.5A 250VT1.5A 250V

220-240V220-240VAC:C:

T1A 250VT1A 250V

100-120V100-120VAC:C:

T2A 250VT2A 250V

DX-212DX-112

CAUTION:

CHASSIS

SURFACE HOT.

ATTENTION:

SUPERFACIE

DE CHASSIS EST

CHAUDE.

MODEL

SERIAL#

D-112/212

STEREO

HEAD

PHONES

STANDARD

MIDI

CRATE
FOOT

CONTROLLER

STEREO

LINE
OUT

STEREO

LINE

IN

MIDI

THRU/

OUT

MIDI IN/

FOOT

SWITCH

FUSE

MADE IN THE U.S.A.

BY SLM ELECTRONICS

1400 FERGUSON AVENUE

ST. LOUIS. MO 63133

CAUTION

RISK OF ELECTRIC

SHOCK – DO NOT OPEN

AVIS:

RISQUE DE CHOC ELECTRIQUE
NE PAS OUVRIR

TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT EXPOSE THIS EQUIPMENT TO RAIN
OR MOISTURE.

DX-212
AEIOU1269

CAUTION:

TO REDUCE THE RISK
OF FIRE, REPLACE FUSE WITH SAME TYPE
AND RATING.

ATTENTION:

UTILISER UN FUSIBLE DE RECHANGE DE
MEME TYPE.

220-240V220-240VAC:C:

T.75A 250V.75A 250V

100-120V100-120VAC:C:

T1.5A 250VT1.5A 250V

220-240V220-240VAC:C:

T1A 250VT1A 250V

100-120V100-120VAC:C:

T2A 250VT2A 250V

DX-212DX-112

CAUTION:

CHASSIS

SURFACE HOT.

ATTENTION:

SUPERFACIE

DE CHASSIS EST

CHAUDE.

CCOONNNNEECCTTIIOONNSS

DX-112/212 Digital Guitar Amplifier

10

UUssiinngg aa MMIIDDII FFoooottsswwiittcchh::

You can store and recall a total of 100 presets when using a MIDI footswitch. These presets are
accessed by MIDI program numbers 0 through 99. (Also, see the MIDI Implementation Chart,
Appendix B, page 45.)

WARNING: The MIDI In/Crate Foot Controller button must be in the OUT position

for MIDI operation. (The IN position applies power to the Crate Foot Controller

which could cause damage to another type of MIDI footswitch.)

UUssiinngg tthhee CCrraattee FFoooott CCoonnttrroolllleerr::

The optional Crate Foot Controller (model DX-FC) lets you store and recall a total of 100 presets and
allows foot control of the tap tempo function. The controller gets its power straight from the amplifier,
so no external power source or batteries are needed!

Plug the connecting cable into the MIDI In/Foot Switch jack and set the MIDI In/Crate Foot Controller
button to the IN (foot controller) position. This applies the power needed for the Crate Foot Controller.

(See the Foot Controller’s User’s Guide for more complete information-when you get one!)

TThhee MMIIDDII TThhrruu//OOuutt JJaacckk::

The MIDI Out/Thru jack lets you control other MIDI devices with the Foot Controller. Connect this
jack to the MIDI In jack of the device you wish to control.

The MIDI Thru works with either a standard MIDI input (footswitch) or with the Crate Foot Controller
plugged into the MIDI In jack, since the Crate Foot Controller sends standard MIDI messages.

TThhee SStteerreeoo HHeeaaddpphhoonneess JJaacckk::

Plug a pair of stereo headphones into this jack, for private listening. The internal speaker(s) is (are)
disconnected when headphones are used. The headphones signal is speaker compensated for a
realistic sound even without a guitar speaker cabinet. Since this amp can play LOUD, be careful
when using headphones – prolonged exposure to those high dB levels can wreak havoc on your
eardrums!

• The Headphones Jack can also be used as a stereo direct out for recording.

DX-112/212 Digital Guitar Amplifier

11

The DX-112/212 is actually 16 different amplifiers in one! The software inside the amplifier con­vinces the signal that it’s going through the electronic components of the original amplifier, giving it
all of the characteristics of that amp! (More or less – it’s really a lot more technical than that, but
you get the picture. For a slightly more technical description, see Appendix A on page 43.)

Use the amp selector knob to choose which amp model you want. The chart on the following
page lists the name we gave the amp model, the “make and model” of the amp we emulated, and
a brief description of the original amp.

AAMMPP MMOODDEELLSS

TThhee AAmmpp MMooddeellss

DDeessccrriippttiioonn ooff tthhee MMooddeellss::

α

ΩαΩ

αΩαΩα

Ω

α

ΩαΩ

α

Ω

α

Ω

Top Mount

Tube Rectifier

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod Fuzzbox

High Power

Studio Tweed

Large Tweed

Black Face

70s Era UK

60s Era UK

PRESET PARAMETERS EFFECTSINPUT/OUTPUT POWER

HIGH
GAIN

LOW
GAIN

MASTER GAIN BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Touch Wah

Rotating Spkr

Cmp/Cho/Echo

Cmp/Vib/Echo

Cmp/Flg/Echo

Flange/Echo

Chor/Echo

Comp/Chorus

Comp/Echo

Compressor

Tremolo

Chorus

Vibrato

Delay

Flanger

Echo

Top Mount

Tube Rectifier

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod Fuzzbox

High Power

Studio Tweed

Large Tweed

Black Face

70s Era UK

60s Era UK

DX-112/212 Digital Guitar Amplifier

12

AAMMPP MMOODDEELLSS

Model Name Modeled After the... Brief Description

Top Mount Vox AC 30 Bright with a great clean sound at low gain, distorts smoothly at high gain

settings – an early 60’s amp with lots of 2nd and 3rd order harmonics,
favored by the Beatles for the rhythm and lead tracks in their early days

High Power Hi Watt DR An early 60’s “upmarket” alternative to the popular Marshall amp – loud-

er and cleaner than most

Studio Tweed Fender Deluxe 5E3 The sound from which Rock ‘n’ Roll was born – Fender’s early 50’s claim

to fame

Black Face Fender Deluxe Reverb AA763 The classic tube amp – one of the first amps with reverb, a mid-60’s sta-

ple to the rock and roll diet (considered by some to be one of the best
amps ever made)

Large Tweed Fender Bassman 5F6-A Originally designed for bass, favored by guitarists for its big sound – a late

50’s classic

60s Era UK Marshall 1959 The renowned “brown sound” – a softer, smoother Marshall than the

more modern creations

70s Era UK Marshall JCM 800 The sound of ROCK! – loud and powerful with a definitive edge

Fuzzbox Dallas-Arbiter Fuzz Face Jimi would be proud – the classic stomp box distortion of his day

Tube Rectifier Mesa-Boogie Dual Rectifier Barre chord Heaven – the beginning of the modern high-gain amp era

Calif Mod Mesa-Boogie Mark IIC+ Tons of overdrive and sustain; the sound of Santana! – the hot-rodded

powerhouse Simul-Class amplifier

Ampeg VL Ampeg VL-501 A hot-rodded Marshall-style amp – powerful, lots of distortion and multi-

ple gain stages

Flexwave Crate GX-140C The massively overdriven, solid state Crate sound preferred by Metal-

Heads everywhere – a solid-state competitor for most classic tube amps
due to Crate’s proprietary FlexWave circuitry

Vintage Club Crate VC-60 A unique combination of both modern high-gain and classic tube amps

– bringing back the “vintage” sound of the early days of rock

Blue Voodoo Crate BV-60 Awesome modern high-gain tone – smooth, clean, and powerful

Acoustic Boss AC-1 Acoustic Simulator Makes your electric guitar sound like an acoustic

Clean Crate GX-140C Clean Jazz sound – just enough of a an edge to get your message across

All-important, legal, “cover-our-rear-ends” blurb!

Vox, Hi Watt, Fender, Marshall, Dallas-Arbiter, Mesa-Boogie, Boss, and the names of their respective products are all trademarks of their

respective companies, and have no affiliation with Crate and/or SLM Electronics, or with the DX-112/212 amplifier. These companies and

their products are acknowledged herein because we listened to their stuff and modeled some of their sounds into our amplifier.

Also, the above descriptions are paraphrased synopses of many of our own experiences with the amplifiers, along with information from the

“The Tube Amp Book, 4th Edition.”

DX-112/212 Digital Guitar Amplifier

13

AAMMPP MMOODDEELLSS

Each DX-112/212 amp model has its own specifications and placement in the signal chain for its
Gain, Bass, Mid, and Treble. (In other words, the controls affect the signal the same in the amp
model as they do on the original amplifier.)

Use the Preset Parameter controls (Gain, Bass, Mid, Treble, Channel Level) to change the gain, eq
and volume of the selected amp model. The chart on the following page lists the model name and
the specifications/placement for the Drive and EQ controls.

TIP! When using the Acoustic or Clean amp models, set the Channel Level to maximum
and use the Gain control for your volume level.

TThhee AAmmpp MMooddeellss

EEqquuaalliizzaattiioonn aanndd CChhaannnneell LLeevveell::

α

ΩαΩ

α

ΩαΩαΩ

αΩα

ΩαΩ

α

Ω

Top Mount

Tube Rectifier

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod Fuzzbox

High Power

Studio Tweed

Large Tweed

Black Face

70s Era UK

60s Era UK

Touch Wah

Rotating Spkr

Cmp/Cho/Echo

Cmp/Vib/Echo

Cmp/Flg/Echo

Flange/Echo

Chor/Echo

Comp/Chorus

Comp/Echo

Compressor

Tremolo

Chorus

Vibrato

Delay

Flanger

Echo

PRESET PARAMETERS EFFECTSINPUT/OUTPUT POWER

HIGH
GAIN

LOW
GAIN

MASTER GAIN BASS MID TREBLE CHANNEL

LEVEL

EFFECT
ADJUST

REVERB

LEVEL

REVERB

DEPTH

α

Ω

α

Ω

Top Mount

Tube Rectifier

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod Fuzzbox

High Power

Studio Tweed

Large Tweed

Black Face

70s Era UK

60s Era UK

GAIN

(Use as volume

control)

CHANNEL

LEVEL

DX-112/212 Digital Guitar Amplifier

14

AAMMPP MMOODDEELLSS

Name Amplifier Modeled Simplified Representation of EQ Position in Signal Chain

Top Mount Vox A C 3 0

High Power Hi Watt DR

Studio Tweed Fender Deluxe 5E3

Black Face Fender Deluxe Reverb AA763

Large Tweed Fender Bassman 5F6-A

60s Era UK Marshall 1959

70s ERA UK Marshall JCM 800

Fuzzbox Dallas-Arbiter Fuzz Face

Tube Rectifier Mesa-Boogie Dual Rectifier

Calif Mod Mesa-Boogie Mark IIC+

Ampeg VL Ampeg VL-501

Flexwave Crate GX-140C

Vintage Club Crate VC-60

Blue Voodoo Crate BV-60

Acoustic Boss AC-1 Acoustic Simulator

Clean Crate GX-140C

All-important, legal, “cover-our-rear-ends” blurb! Again!

Vox, Hi Watt, Fender, Marshall, Dallas-Arbiter, Mesa-Boogie, Boss, and the names of their respective products are all trademarks of their

respective companies, and have no affiliation with Crate and/or SLM Electronics, or with the DX-112/212 amplifier. These companies and

their products are acknowledged herein because we listened to their stuff and modeled some of their sounds into our amplifier.

GAIN EQ GAIN

GAIN EQ GAIN

EQ GAIN GAIN

GAIN EQ GAIN

GAIN EQ GAIN

GAIN GAIN EQ

GAIN GAIN EQ

GAIN GAIN EQ

GAIN GAIN EQ

GAIN GAIN EQ

EQ GAIN GAIN

EQ

(TREBLE)

GAIN

EQ

(MID/BASS)

GAIN EQ

GAIN EQ

EQ GAIN

EQ GAIN

DX-112/212 Digital Guitar Amplifier

15

EEFFFFEECCTTSS

The DX-112/212 has 16 built-in digital effects, each with one or more adjustable parameters. The
chart on the following page lists the name of the effect and gives a brief description.

NOTE: The DX-112/212 has built-in noise reduction to ensure a more quiet operation. This circuit
is always active when the amp is on.

TThhee DDiiggiittaall EEffffeeccttss

DDeessccrriippttiioonn ooff tthhee EEffffeeccttss::

α

ΩαΩ

α

ΩαΩαΩ

αΩα

ΩαΩ

α

Ω

Top Mount

Tube Rectifier

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod Fuzzbox

High Power

Studio Tweed

Large Tweed

Black Face

70s Era UK

60s Era UK

Touch Wah

Rotating Spkr

Cmp/Cho/Echo

Cmp/Vib/Echo

Cmp/Flg/Echo

Flange/Echo

Chor/Echo

Comp/Chorus

Comp/Echo

Compressor

Tremolo

Chorus

Vibrato

Delay

Flanger

Echo

PRESET PARAMETERS EFFECTSINPUT/OUTPUT POWER

HIGH
GAIN

LOW

GAIN

MASTER GAIN BASS MID TREBLE CHANNEL

LEVEL

EFFECT
ADJUST

REVERB

LEVEL

REVERB

DEPTH

Touch Wah

Rotating Spkr

Cmp/Cho/Echo

Cmp/Vib/Echo

Cmp/Flg/Echo

Flange/Echo

Chor/Echo

Comp/Chorus

Comp/Echo

Compressor

Tremolo

Chorus

Vibrato

Delay

Flanger

Echo

DX-112/212 Digital Guitar Amplifier

16

Effect Stereo? Description

Touch Wah Functions as an Auto-Wah (Touch Wah) or normal wah-wah when used

with an expression pedal and the optional Crate Foot Controller

Compressor Limits the dynamic range of the signal – increases the apparent sustain

of the signal (applied pre-amplifier model)

Tremolo Modulates the amplitude of the signal

Vibrato Modulates the pitch of the signal

Chorus Yes Thickens the original signal with slowly pitch-modulated and delayed

versions of the original signal

Flanger Adds a slowly time-varying version of the original signal

Delay Adds a delayed version of the signal

Echo Adds a delayed signal with regeneration

Rotating Speaker Yes Reproduces the classic sound of a Leslie rotating speaker

Chorus/Echo Yes A combination of chorus and echo

Flange/Echo A combination of flange and echo

Compressor/Vibrato/Echo A combination of compressor (pre-amplifier model) and vibrato and

echo (post-amplifier model)

Compressor/Chorus/Echo Yes A combination of compressor (pre-amplifier model) and chorus and

echo (post-amplifier model)

Compressor/Flange/Echo A combination of compressor (pre-amplifier model) and flange and

echo (post-amplifier model)

Compressor/Chorus Yes A combination of compressor (pre-amplifier model) and chorus (post-

amplifier model)

Compressor/Echo A combination of compressor (pre-amplifier model) and echo (post-

amplifier model)

Reverb Level and Depth Yes Reproduces the sound of a reverberant room
(separate from the
Effects Selector knob)

Yet another important legal blurb!

Leslie is a registered trademark of Hammond Suzuki USA, Inc.

EEFFFFEECCTTSS

DX-112/212 Digital Guitar Amplifier

17

EEFFFFEECCTTSS

Each of the digital effects has one or more parameters you can change by using the Effects
Adjust control. All of the effects (except the compressor and the Touch Wah) can also be
changed by using the Tap function – either through the Keypad, or with the Crate Foot
Controller. The chart on the following page lists the effects along with the parameter(s) affected
by the Effects Adjust knob and the Tap button.

NOTE: On multi-effects, modulation speed and echo time are set simultaneously by the Tap button.

• To bypass effects, turn the Effect Adjust control fully counter-clockwise and select the
Compressor effect. (Notice the chart on page 18: There is no compression with the Effect Adjust
knob full counter-clockwise, therefore no effects are applied to the signal – thus, “effects bypass.”)

TThhee DDiiggiittaall EEffffeeccttss

EEffffeeccttss SSeelleeccttiioonn aanndd AAddjjuussttmmeenntt::

α

ΩαΩ

α

ΩαΩαΩ

αΩα

ΩαΩ

α

Ω

Top Mount

Tube Rectifier

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod Fuzzbox

High Power

Studio Tweed

Large Tweed

Black Face

70s Era UK

60s Era UK

Touch Wah

Rotating Spkr

Cmp/Cho/Echo

Cmp/Vib/Echo

Cmp/Flg/Echo

Flange/Echo

Chor/Echo

Comp/Chorus

Comp/Echo

Compressor

Tremolo

Chorus

Vibrato

Delay

Flanger

Echo

PRESET PARAMETERS EFFECTSINPUT/OUTPUT POWER

HIGH
GAIN

LOW

GAIN

MASTER GAIN BASS MID TREBLE CHANNEL

LEVEL

EFFECT
ADJUST

REVERB

LEVEL

REVERB

DEPTH

DIGITAL

α

Ω

Touch Wah

Rotating Spkr

Cmp/Cho/Echo

Cmp/Vib/Echo

Cmp/Flg/Echo

Flange/Echo

Chor/Echo

Comp/Chorus

Comp/Echo

Compressor

Tremolo

Chorus

Vibrato

Delay

Flanger

Echo

EFFECT

ADJUST

DX-112/212 Digital Guitar Amplifier

18

Effect Effect Adjust knob controls: Tap button controls: See Note(s)

Touch Wah Sensitivity (Auto-Wah only) ——

Compressor Ratio (See Below

*

) ——

Tremolo Depth of Amplitude Modulation Speed: 2 cycles/tap

Vibrato Depth of Pitch Modulation Speed: 2 cycles/tap

Chorus Level of Chorused Signal Speed: 1 cycles/tap

Flanger Max. Time Delay: 0–5ms Speed: 1/4 cycle/tap 1

Delay Level of Delayed Signal Time: .033–1.12 sec 2

Echo Regeneration Time: .033–1.12 sec 2

Rotating Speaker Depth of Amplitude/Pitch Mod’n Speed: 2 cycles/tap

Chorus/Echo Chorus Level, Echo Regeneration Chorus Speed: 1 cycle/tap, 2

Echo Time: .033-1.12 sec

Flange/Echo Echo Regeneration Flange Speed: 1/4 cycle/tap, 1,2

Echo Time: .033-1.12 sec

Compressor/Vibrato/Echo Vibrato Depth, Echo Regeneration Vibrato Speed: 2 cycles/tap, 2,3

Echo Time: .033-1.12 sec

Compressor/Chorus/Echo Chorus Level, Echo Regeneration Chorus Speed: 1 cycle/tap, 2,3

Echo Time: .033-1.12 sec

Compressor/Flange/Echo Echo Regeneration Flange Speed: 1/4 cycle/tap, 1,2,3

Echo Time: .033-1.12 sec

Compressor/Chorus Chorus Level Chorus Speed: 1 cycle/tap 2,3

Compressor/Echo Echo Regeneration Echo Time: .033-1.12 sec 2,3

Note 1: Mix fixed at 50%
Note 2: Tap periods exceeding 1.12 seconds are automatically adjusted to an allowable echo/delay time that fits the current tempo
Note 3: Compression ratio fixed at 10:1

*

The table to the right shows how the Effect
Adjust control changes the compression ratio
when the Compressor ONLY is chosen.

approx rotation of compression

Effect Adjust control (%) ratio

0 1:1
30 2:1
40 3:1
50 4:1
60 6:1
70 10:1
80 20:1
90 100:1

100

∞

:1

(no compression)

EEFFFFEECCTTSS

DX-112/212 Digital Guitar Amplifier

19

TTHHEE KKEEYYPPAADD

The DX-112/212’s Keypad has many uses – aside from recalling presets (as mentioned in the
QuickStart part of this guide):

Recalling the Presets:

There are ten presets accessible from the keypad, in two banks of five per bank: with the A/B but­ton off (not lit), the numbered buttons to recall presets 1–5 (bank A); with the A/B button lit, the
buttons recall presets 6–10 (bank B). Each preset stores its own set of parameters (amp selection,
tones, level, effect, etc.). Once a preset is selected, turning a knob will change that knob’s setting
only – the other settings will electronically remain at their virtual positions until you change them.

“What’s a virtual position?” (Good Question!) It’s the setting that the amp remem­bers for each knob when a preset is stored. Example: Let’s say the Gain control
was at 10:00 when preset 1 was saved, then changed to the 3:00 position. The
actual setting for the knob is 3:00. Recall preset 1 and even though the knob is
physically pointing to 3:00, the amp acts as if the knob were set to the 10:00 posi­tion – because that’s the virtual position for that knob in preset 1. (Got it?)

Saving New Presets:

Once you get a sound setting you want to keep, assigning it to a preset button is easy: press and
hold the desired button (1–5, bank A; 6–10, bank B) until the keypad flashes (about 3 seconds).
The settings are now stored at that preset location.

(NOTE: The charts on pages 23 through 42 give you a place to record the settings for your presets.
Presets 1–10 are accessible through the keypad, presets 11–100 are accessible by use of the
optional Crate Footswitch Controller)

TThhee KKeeyyppaadd

α

ΩαΩ

α

ΩαΩαΩ

αΩα

ΩαΩ

α

Ω

Top Mount

Tube Rectifier

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod Fuzzbox

High Power

Studio Tweed

Large Tweed

Black Face

70s Era UK

60s Era UK

Touch Wah

Rotating Spkr

Cmp/Cho/Echo

Cmp/Vib/Echo

Cmp/Flg/Echo

Flange/Echo

Chor/Echo

Comp/Chorus

Comp/Echo

Compressor

Tremolo

Chorus

Vibrato

Delay

Flanger

Echo

PRESET PARAMETERS EFFECTSINPUT/OUTPUT POWER

HIGH
GAIN

LOW

GAIN

MASTER GAIN BASS MID TREBLE CHANNEL

LEVEL

EFFECT
ADJUST

REVERB

LEVEL

REVERB

DEPTH

?

>

DX-112/212 Digital Guitar Amplifier

20

The Tap Button:

The Tap button lets you match the delay time and modulation speeds of the effects (except for
the compressor, which has no delay or modulation) to the tempo of the piece you’re playing. Just
tap your finger in time to the beat, on the Tap button of course, and the selected effect will change
accordingly. The Tap button flashes in time with its tempo.

(NOTE: The chart on page 18 lists specifically what the Tap button controls for each effect setting.)

The Manual (“MAN”) Button:

When you call up a preset, the preset remembers how the controls were set when the preset was
stored (their virtual positions), and basically ignores their current settings. Pressing the Manual but­ton makes the amp pay attention to the actual positions of the controls and applies their settings to
the sound.

AAnnootthheerr ffuunnccttiioonn ooff tthhee MMaannuuaall bbuuttttoonn::

• Restoring Factory Default Presets: To restore the presets to their original factory settings, press

and hold the Manual button and button #5 until the keypad flashes (about 3 seconds). Then turn
the amp off, wait five seconds, and turn it back on. The presets are now restored to the original
factory settings.

WARNING! Restoring the factory presets wipes out any and all changes

you’ve made and any new presets you’ve stored, so use it carefully.

Other things you should know about the lit buttons:

• As soon as you change any of the controls (except for the Master volume), the preset button
starts flashing. That’s its way of saying “Hey! You’ve changed me!” A tap on the flashing button
returns the preset to its original parameters – and makes the button stop flashing. Of course,
you can save the changes, as described under “Saving New Presets” on the facing page.

• When you change banks, the preset button will go out as soon as you press the A/B button,
but no other changes are made until another numbered button is pressed. In other words,
although there is a visual change, the amp won’t store the preset or switch to a different one
(depending on how long you press the numbered button) until you want it to.

TTHHEE KKEEYYPPAADD

DX-112/212 Digital Guitar Amplifier

21

These two pages show the first ten factory presets for your DX-112/212 amplifier. Use the
numbered buttons and the A/B button on the keypad to access them. (The following pages
provide you with charts for your favorite presets.)

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB
DEPTH

Preset # We call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay
Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

TAP = beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB
DEPTH

Preset # We call it:

Top Mount
High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic
Blue Voodoo
Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

Touch Wah

Compressor

Tremolo
Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

TAP = beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # We call it:

Top Mount
High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic
Blue Voodoo
Vintage Club

Flexwave

Ampeg VL
Calif Mod

Tube Rectifier

EFFECT:

Touch Wah
Compressor

Tremolo
Vibrato
Chorus

Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo
Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

TAP = beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # We call it:

Top Mount
High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave
Ampeg VL
Calif Mod

Tube Rectifier

EFFECT:

Touch Wah
Compressor

Tremolo
Vibrato
Chorus

Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo
Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

TAP = beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # We call it:

Top Mount
High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

Touch Wah
Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo
Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

TAP = beats/minute

1

2

3

4

5

FFAACCTTOORRYY PPRREESSEETTSS 11––55 -- BBAANNKK AA

(A/B BUTTON NOT LIT)

“Unplugged” N/A

“60’s Rock” 102

“Live at Leeds” 114

“Voodoo Child” N/A

“Arena Rock” 62

DX-112/212 Digital Guitar Amplifier

22

FFAACCTTOORRYY PPRREESSEETTSS 66––1100 -- BBAANNKK BB

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # We call it:

Top Mount
High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave
Ampeg VL
Calif Mod

Tube Rectifier

EFFECT:

Touch Wah
Compressor

Tremolo
Vibrato
Chorus

Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo
Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

TAP = beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # We call it:

Top Mount
High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave
Ampeg VL
Calif Mod

Tube Rectifier

EFFECT:

Touch Wah
Compressor

Tremolo
Vibrato
Chorus

Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo
Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

TAP = beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # We call it:

Top Mount
High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave
Ampeg VL
Calif Mod

Tube Rectifier

EFFECT:

Touch Wah
Compressor

Tremolo
Vibrato
Chorus

Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo
Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

TAP = beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # We call it:

Top Mount
High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave
Ampeg VL
Calif Mod

Tube Rectifier

EFFECT:

Touch Wah
Compressor

Tremolo
Vibrato
Chorus

Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo
Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

TAP = beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # We call it:

Top Mount
High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo
Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

TAP = beats/minute

6

7

8

9

10

(A/B BUTTON LIT)

“Jazzy Chorus” 61

“British Invasion” 162

“Smoky Bar Blues” 275

“Space Rock” 44

“Full Metal Jacket” (Crank it!!) N/A

DX-112/212 Digital Guitar Amplifier

23

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic
Blue Voodoo
Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

1

2

3

4

5

UUSSEERR PPRREESSEETTSS 11–– 55 -- BBAANNKK AA

PPllaayyiinngg FFaavvoorriitteess::

Use the blank charts in this section to record the knob settings of your favorite presets.
(We suggest using a pencil so you can go back and make changes later. You could also
photocopy one of the pages while it’s still blank.)

24

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

6

7

8

9

10

UUSSEERR PPRREESSEETTSS 66––1100 -- BBAANNKK BB

DX-112/212 Digital Guitar Amplifier

25

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

11

12

13

14

15

UUSSEERR PPRREESSEETTSS 1111––1166 -- BBAANNKK AA

NOTE: Presets 11–100 are only accessable through the optional Crate Foot Controller

26

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

16

17

18

19

20

UUSSEERR PPRREESSEETTSS 1166––2200 -- BBAANNKK BB

27

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

21

22

23

24

25

UUSSEERR PPRREESSEETTSS 2211––2255 -- BBAANNKK AA

28

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

26

27

28

29

30

UUSSEERR PPRREESSEETTSS 2266––3300 -- BBAANNKK BB

29

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

31

32

33

34

35

UUSSEERR PPRREESSEETTSS 3311––3355 -- BBAANNKK AA

30

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

36

37

38

39

40

UUSSEERR PPRREESSEETTSS 3366––4400 -- BBAANNKK BB

31

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

41

42

43

44

45

UUSSEERR PPRREESSEETTSS 4411––4455 -- BBAANNKK AA

32

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

46

47

48

49

50

UUSSEERR PPRREESSEETTSS 4466––5500 -- BBAANNKK BB

33

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

51

52

53

54

55

UUSSEERR PPRREESSEETTSS 5511––5555 -- BBAANNKK AA

34

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

56

57

58

59

60

UUSSEERR PPRREESSEETTSS 5566––6600 -- BBAANNKK BB

35

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

61

62

63

64

65

UUSSEERR PPRREESSEETTSS 6611––6655 -- BBAANNKK AA

36

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

66

67

68

69

70

UUSSEERR PPRREESSEETTSS 6666––7700 -- BBAANNKK BB

37

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

71

72

73

74

75

UUSSEERR PPRREESSEETTSS 7711––7755 -- BBAANNKK AA

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

38

76

77

78

79

80

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

UUSSEERR PPRREESSEETTSS 7766––8800 -- BBAANNKK BB

39

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

81

82

83

84

85

UUSSEERR PPRREESSEETTSS 8811––8855 -- BBAANNKK AA

40

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

86

87

88

89

90

UUSSEERR PPRREESSEETTSS 8866––9900 -- BBAANNKK BB

41

DX-112/212 Digital Guitar Amplifier

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

91

92

93

94

95

UUSSEERR PPRREESSEETTSS 9911––9955 -- BBAANNKK AA

42

FFAAVVOORRIITTEESS

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

α

Ω

GAIN

AMP MODEL:
(CHECK ONE)

BASS MID TREBLE CHANNEL

LEVEL

EFFECT

ADJUST

REVERB

LEVEL

REVERB

DEPTH

Preset # I think I'll call it:

Top Mount

High Power

StudioTweed

Black Face

Large Tweed

60s Era UK
70s Era UK

Fuzzbox

Clean

Acoustic

Blue Voodoo

Vintage Club

Flexwave

Ampeg VL

Calif Mod

Tube Rectifier

EFFECT:

(CHECK ONE)

Touch Wah

Compressor

Tremolo

Vibrato
Chorus
Flanger

Delay

Echo

Comp/Echo
Comp/Chorus
Cmp/Flg/Echo

Cmp/Cho/Echo

Cmp/Vib/Echo

Flange/Echo

Chor/Echo

Rotating Spkr

Set TAP for beats/minute

96

97

98

99

100

UUSSEERR PPRREESSEETTSS 9966––110000 -- BBAANNKK BB

DX-112/212 Digital Guitar Amplifier

43

DX-112/212 Digital Guitar Amplifier

Designer’s Note: Amplifier Modeling:

Building an amplifier model is really not much different than building an actual amplifier. With an
actual amplifier you start with components like tubes, transformers, resistors, capacitors, and a
speaker, and put them together to create an amplifier. With a virtual amplifier you start with virtual
components and put them together to create an amplifier model.

It all starts with what many consider to be the "magic" in the sound of many vintage amplifiers: the
vacuum tube. We created a tube model flexible enough to emulate different types of vacuum
tubes, from preamp tubes such as the 12AX7 to power amp tubes like the 6L6 and the EL84.

Next, we constructed models to duplicate the filtering and equalization that takes place between
the gain stages of an amplifier. These equalization models are adaptable to precisely emulate the
frequency characteristics of a specific amplifier’s controls. We even created models for the output
transformer and power supply sag characteristics.

After extensive research, we discovered that there's really no magic in the tube itself. Much of the
tube amplifier sound is a result of not just the tube, but the way the tube interacts with the other
components in the amplifier. We created our tube models to interact with the other components
in our virtual amplifiers, just like the real thing.

After we developed our component models, we put them together to create our virtual amplifiers.
We sound tested our amplifier models extensively to ensure that they remained true to the sound
and feel of the original amplifier. Although we may have taken the magic out of the tube, we
wanted to keep the magic of the tube sound.

The diagrams on the following page show the signal chain of the DX-112/212 amplifier.

AAppppeennddiixx AA

DX-112/212 Digital Guitar Amplifier

BBlloocckk DDiiaaggrraammss::

• The analog signal path, from the input jack to the speaker(s).

• The digital signal path, which is the path the signal takes inside the digital signal processor.

• A typical Amplifier Model. This simplified block diagram shows the digital signal path through the
many virtual components of the Studio Tweed Amplifier Model. Note that the Fender Deluxe
did not have a Mid or Bass control, so we added these controls post-gain.

PREAMP

TUBE

PRE EQ/

VOLUME

INPUT
FROM

COMPRESSOR

OUTPUT TO

CH. LEVEL

CONTROL

PREAMP

TUBE

PREAMP

TUBE

POWER AMP

TUBE

GAIN TREBLE

POST EQ*

*ADDITION TO

ORIGINAL AMPLIFIER

MID BASS

OUTPUT

TRANSFORMER

CABINET/
SPEAKER

HIGH

GAIN

INPUT

–6dB

0dB

MASTER

HEAD
PHONES

DX-212
ONLY

DX-112

ONLY

MUTE

RIGHT PWR AMP

LEFT PWR AMP

LINE
OUT

LINE

IN

LOW
GAIN

INPUT

MUTE

DIGITAL
SIGNAL

PROCESSOR

NOISE

REDUCTION

INPUT

EFFECTS SELECT
EFFECTS ADJUST

COMPRESSOR TREMOLO

DELAY

MODULATION

STEREO
OUTPUTS

REVERB LEVEL

GAIN

REVERB DEPTH

TAP BUTTON

REVERB

CH.

LEVEL

AMP SELECT, GAIN, TREBLE, MID, BASS

AMP

MODEL

44

45

DX-112/212 Digital Guitar Amplifier

MIDI Implementation Chart:

AAppppeennddiixx BB

Function

Transmitted Recognized Remarks

Basic
Channel

[Crate Digital Guitar Amplifier]
MODEL DX-112/212 MIDI Implementation Chart

Date: 02/18/99
Version: 1.1

Default

Changed

X OMNI
XX

Mode Default

Altered

X Mode 1

XX

Messages

XX

Note
Number True Voice

XX
XX

X

System
Common

Song Pos

Tu n e

XX

XX

Song Sel

XX

System
Real Time Commands

XX
X

Clock

X

Velocity Note ON

Note OFF

XX
XX

After
Touch

Key's

Ch's

X

True Number

X

XX

X

Control
Change

XX
XX

Pitch Bender Default

X

Prog
Change

X O 0 – 99
XX

X

Aux
Messages

X

Local ON/OFF

Reset

XX

X

All Notes Off

X

Notes

Mode 1: OMNI ON, POLY
Mode 3: OMNI OFF, POLY

Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO

O: YES
X: NO

Active Sense

X

XX

System Exclusive

Specifications:

AAppppeennddiixx CC

Analog:

Output Power Rating DX-112 60 watts RMS; DX-212 100 watts RMS (50W RMS x 2)

Input Impedance High gain 80k ohm; Low gain 150k ohm

Line Input Impedance 47k ohm

Line Output Impedance 1k ohm

Headphone Impedance 32 ohm minimum

Internal Speaker(s) DX-112 (1) 12” Custom Eminence, 8 ohms; DX-212 (2) 12” Custom Eminence, 8 ohms

Power Requirements 120VAC, 60Hz, 200VA; 100/115VAC, 50/60Hz, 200VA; 230VAC, 50/60Hz, 200VA

Size and Weight DX-112/212 21.4”H x 27.9”W x 10.2”D; DX-112 50 lbs; DX-212 57 lbs

Digital:

Analog to Digital Conversion 20-bit Delta-Sigma w/64X oversampling

Digital to Analog Conversion 20-bit Delta-Sigma w/128X oversampling

Conversion Rate 46.875 kHz

Digital Signal Processor 24-bit operating at >40 million instructions/second

Final Note:

No oversampling was used in our emulation software, and no animals were harmed during its design and development.

46

DX-112/212 Digital Guitar Amplifier

www.crateamps.com

©1999 SLM Electronics, Inc. • A Division of St. Louis Music, Inc.

1400 Ferguson Avenue • St. Louis, MO 63133

47-825-02

02/99