Guitar Amplifier with
Digital Effects
User’s Guide
TABLE OF CONTENTS:
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
The Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4,5
The Bottom Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
The DSP Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Storing Your Own Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
Restoring the Factory Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
More About The Save/Tap Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
Using the Footswitch for More Presets . . . . . . . . . . . . . . . . . . . . . . . .9
DSP Factory Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10,11
Suggested Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12,13
DSP “Fill in the Blanks” (for User Presets) . . . . . . . . . . . . . . . . . . . . .14
System Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
Technical Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . .back cover
Declaration of Conformity
Manufacturer’s Name: SLM Electronics
Corporate Headquarters: 1901 Congressional Drive, St. Louis, Missouri 63146
Primary Production Facility: 700 Hwy 202 W, Yellville, Arkansas, 72687
Product Type: Audio Amplifier
Products meet the regulations for compliance marking under:
ETL standards UL6500, UL60065, or UL813
CSA standards E60065 or C22.2 No.1-M90
CE safety standard EN60065
CE EMC standards EN55103 or EN55013 and EN61000
C-tick designation Level 2, ABN #56748810738, ARBN# N222
KETI standard K60065 (limited model approval)
Compliance Support Contact: SLM Electronics, Attn: R&D Compliance Engineer
1901 Congressional Drive, St Louis, Missouri, 63146 • Tel.: 314-569-0141, Fax: 314-569-0175
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant
to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful
interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception,
which can be determined by turning the equipment off and on, the user is encouraged to try to correct
the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and the receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
Changes or modifications to this device not expressly approved by SLM Electronics could void the user’s
authority to operate the equipment under FCC rules.
Guitar Amplifier
3
Congratulations!
You are now the proud owner of the Crate RFX65 three-channel guitar amplifier
with Advanced Digital Signal Processing. This rugged amplifier combines outstanding
features with serious clean and distorted sounds. Dual DSP controls provide 15 “Multi”
effects and 15 Delay effects which can be combined for a wide variety of sounds. The
Save/Tap button allows you to manually set the tempo of many of the effects and to
save new DSP presets in the amplifier’s non-volatile memory. A separate Reverb
control adds even more to the array of effects. Front panel RCA CD Input jacks
allow you to play along with your favorite CD or tape. The rear panel Insert Jack allows
you to connect your effects for greater flexibility. Channel switching and DSP may be
controlled by means of a footswitch, which also allows access to two DSP presets on
each of the three channels. The top-mounted electronic tuner lets you get tuned and
stay in tune any time the amplifier is on.
Like all Crate products, your RFX65 amplifier is designed by musicians, and built
using only the best components. Extensive testing confirms that this amplifier is the
absolute best it can be.
In order to get the most out of your new amplifier, we strongly suggest that you read
the information contained in this guide before you begin playing.
And thank you for choosing
CCRRAATTEE
.
IMPORTANT SAFETY INSTRUCTIONS
• READ, FOLLOW, HEED, AND KEEP ALL INSTRUCTIONS AND WARNINGS.
• DO NOT OPERATE NEAR ANY HEAT SOURCE AND DO NOT BLOCK ANY VENTILATION OPENINGS ON THIS APPARATUS. FOR PROPER OPERATION,
THIS UNIT REQUIRES 3” (75mm) OF WELL VENTILATED SPACE AROUND HEATSINKS AND OTHER AIR FLOW PROVISIONS IN THE CABINET.
• DO NOT USE THIS APPARATUS NEAR SPLASHING, FALLING, SPRAYING, OR STANDING LIQUIDS.
• CLEAN ONLY WITH LINT-FREE DAMP CLOTH AND DO NOT USE CLEANING AGENTS.
• ONLY CONNECT POWER CORD TO A POLARIZED, SAFETY GROUNDED OUTLET WIRED TO CURRENT ELECTRICAL CODES AND COMPATIBLE WITH
VOLTAGE, POWER, AND FREQUENCY REQUIREMENTS STATED ON THE REAR PANEL OF THE APPARATUS.
• PROTECT THE POWER CORD FROM DAMAGE DUE TO BEING WALKED ON, PINCHED, OR STRAINED.
• UNPLUG THE APPARATUS DURING LIGHTNING STORMS OR WHEN UNUSED FOR LONG PERIODS OF TIME.
• ONLY USE ATTACHMENTS, ACCESSORIES, STANDS, OR BRACKETS SPECIFIED BY THE MANUFACTURER FOR SAFE OPERA-
TION AND TO AVOID INJURY.
• WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK OR FIRE, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
• SERVICE MUST BE PERFORMED BY QUALIFIED PERSONNEL.
• OUR AMPLIFIERS ARE CAPABLE OF PRODUCING HIGH SOUND PRESSURE LEVELS. CONTINUED EXPOSURE TO HIGH SOUND PRESSURE LEVELS
CAN CAUSE PERMANENT HEARING IMPAIRMENT OR LOSS. USER CAUTION IS ADVISED AND EAR PROTECTION IS RECOMMENDED IF UNIT IS
OPERATED AT HIGH VOLUME.
• WARNING: THIS UNIT REQUIRES A SAFETY GROUNDED OUTLET WIRED TO CURRENT ELECTRIC CODES HAVING THE LINE SUPPLY VOLTAGE,
POWER, AND FREQUENCY IDENTIFIED ON THE REAR OF THE UNIT. THE OUTLET MUST REMAIN ACCESSIBLE TO DISCONNECT THE UNIT IF A
FAULT SHOULD ARISE WHILE IN USE. THIS UNIT SHOULD BE UNPLUGGED WHEN NOT IN USE.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT
REMOVE COVER. NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
"IT IS NECESSARY FOR THE USER TO REFER TO THE INSTRUCTION MANUAL"
“ES NECESARIO QUE EL USUARIO SE REFIERA AL MANUAL DE INSTRUCCIONES.”
"REFERREZ-VOUS AU MANUAL D'UTILISATION"
EXPLANATION OF GRAPHICAL SYMBOLS:
EXPLICACION DE SIMBOLOS GRAFICOS:
EXPLICATION DES SYMBÔLES GRAPHIQUES:
"DANGEROUS VOLTAGE"
“VOLTAJE PELIGROSO”
"DANGER HAUTE TENSION"
=
=
PRECAUCION
RIESGO DE CORRIENTAZO
NO ABRA
PRECAUCION: PARA REDUCIR EL RIESGO DE INCENDIOS O DESCARGAS
ELECTRICAS, NO PERMITA QUE ESTE APARATO QUEDE EXPUESTO A LA
LLUVIA O LA HUMEDAD. PARA DISMINUOIR EL RIESGO DE CORRIENTAZO.
NO ABRA LA CUBIERTA. NO HAY PIEZAS ADENTRO QUE EL USARIO PUEDO
REPARAR DEJE TODO MANTENIMIENTO A LOS TECHNICOS CALIFICADOS.
ATTENTION
RISQUE D'ELECTROCUTION
NE PAS OUVRIR
ATTENTION: PROTÉGEZ CET APPAREIL DE LA PLUIE ET DE L'HUMIDITÉ
AFIN D'ÉVITER TOUT RISQUE D'INCENDIE OU D'ÉLECTROCUTION. POUR
REDUIRE D'ELECTROCUTION NE PAS ENLEVER LE COUVERCLE. AUCUNE
PIECE INTERNE N'EST REPRABLE PAR L'UTILISATEUR. POUR TOUTE
REPARATION, S'ADRESSER A UN TECHNICIEN QUALIFIE.
Guitar Amplifier
4
The T
op Panel:
SHAPE GAIN LOW MID HIGHLEVELGAIN
INPUT
SOLO RHYTHM
SOLO
RHYTHM
MULTIMULTI
CHORUSCHORUS
FLANGEFLANGE
PHASERPHASER
VIBVIB
OO
TT
RR
ECEC
SINSIN
1 3 4 5 8 9 10 11
19
62 7
1: INPUT: Use this jack to connect your guitar to the amplifier by means of a shielded instrument
cable.
SOLO/RHYTHM CHANNELS: High gain channels giving you sounds with serious overdrive.
2: SOLO LED: This LED illuminates when the Solo channel is selected.
3: GAIN: Use this control to adjust the amount of distortion produced by the Solo channel.
4: SHAPE: Use this control to “dial in” the tone for the Solo channel. Rotating the control counter-
clockwise enhances the mid frequencies, while rotating the control clockwise enhances the low and
high frequencies.
5: LEVEL: Use this control to adjust the output level of the Solo channel.
6: SOLO/RHYTHM: Use this switch to select the Solo or Rhythm channel. When this switch is
depressed, the Solo channel is selected. With the switch in the out position, the Rhythm channel is
selected. This switch is active only when the Solo/Rhythm/Clean switch (#13) is depressed.
7: RHYTHM LED: This LED illuminates when the Rhythm channel is selected.
8: GAIN: Use this control to adjust the amount of distortion produced by the Rhythm channel.
9: LOW: Use this control to adjust the low frequency level of the Solo/Rhythm channel.
10: MID: Use this control to adjust the midrange frequency level of the Solo/Rhythm channel.
11: HIGH: Use this control to adjust the high frequency level of the Solo/Rhythm channel.
12: LEVEL: Use this control to adjust the output level of the Rhythm channel.
13: SOLO/RHYTHM/CLEAN SELECT: Use this switch to select the Clean channel or the Solo and
Rhythm channels. With the switch in the out position, the Clean channel is selected. When the switch
is depressed, either the Solo or Rhythm channel is selected, depending on the setting of the
Solo/Rhythm switch (#6).
CLEAN CHANNEL: A normal gain channel designed to give you crystal clean sounds.
14: CLEAN LED: This LED illuminates when the Clean channel is selected.
15: VOLUME: Use this control to adjust the output level of the Clean channel.
16: LOW: Use this control to adjust the low frequency level of the Clean channel.
Guitar Amplifier
5
17: MID: Use this control to adjust the midrange frequency level of the Clean channel.
18: HIGH: Use this control to adjust the high frequency level of the Clean channel.
19: MULTI: Use this control to select one of the fifteen “Multi” digital effects. Complete information
about the DSP effects is on page 7.
20: DELAY: Use this control to select one of the fifteen Delay digital effects. Complete information
about the DSP effects is on page 7.
21: SAVE/TAP: Use this pushbutton to set the tempo of many of the effects by tapping the button
repeatedly in time with the desired tempo. The Save/Tap button is also used to save DSP presets
and to restore the factory default DSP settings. Additional information about the Save/Tap button is
on pages 7 and 8.
22: SAVE/TAP LED: This LED flashes in time with the tempo set by the Save/Tap button (#21), and
serves as a status indicator for certain DSP activities (see page 8).
NOTE: For some of the DSP effects, the Save/Tap LED remains illuminated. The Save/Tap LED does not
illuminate when the DSP knobs are set to the Bypass position.
23. REVERB: Use this control to adjust the amount of digital reverb effect. In its fully counterclockwise position the signal will be “dry” (without any reverb). As you rotate the control clockwise the
amount of reverb increases.
24: CD INPUT: Use these RCA jacks to connect the output from a CD player or tape deck to the
amplifier. The signal at these jacks is combined into a mono signal which is sent to the internal power
amp circuit. Use the CD or tape player’s output level control to adjust the signal for the proper mix
with your guitar.
25: POWER: Use this switch to turn the amplifier on (top of the switch depressed) and off (bottom of
the switch depressed). The switch illuminates when the power is on.
NOTE: When the amplifier is turned on, the Save/Tap LED flashes for one second before the amplifier is
operational.
26: ELECTRONIC TUNER (cabinet top, not shown): The electronic tuner is active whenever the amplifier is
turned on, providing constant, “real-time” tuning. The bottom row of LEDs indicate which note (string) is being
tuned. The top row of LEDs provides directional queues to facilitate quick and precise tuning of your instrument.
The indicated note (string) is properly tuned when only the center LED is illuminated.
VOLUMELEVEL LOW MID HIGH
POWER
CD INPUT
CLEAN
RHYTHM /
SOLO
CLEAN
REVERBREVERB
SAVE / TAPSAVE / TAP
DELAYDELAY
EFXEFX
ECHOECHO
SINGLESINGLE
TAPETAPE
DSPDSP
12
20 2321 22
15 16 17 18 252413 14
Guitar Amplifier
6
The Bottom Panel:
27: FUSE: The fuse protects the amplifier from damages caused by a faulty AC power source and/or other prob-
lems. If the fuse opens, replace it ONLY with the same size and type. If fuses continue to fail, check the AC source
– if the source is okay, contact your Crate dealer for service information.
28: EXTENSION SPEAKER: Use this jack to connect the amplifier to an external speaker cabinet. This jack is
wired in series with the internal speaker(s) which remain active when an extension speaker is connected.
29: DSP A/B FOOTSWITCH: Use this jack to connect one of the footswitch cables to the three-button footswitch
(supplied). This allows you to select between two presets for each of the three channels. Additional information
about the operation of the footswitch is on page 9.
30: CLEAN/SOLO/RHYTHM FOOTSWITCH: Use this jack to connect one of the footswitch cables to the threebutton footswitch (supplied). This allows you to remotely switch between the Clean and Distortion channels and
between the Solo and Rhythm channels. (See page 9.)
31: INSERT: Use this jack to connect an external signal processor to the amplifier. Use Crate’s STP201, STP202,
or STP203 stereo-to-mono Y-cord or an adapter such as Crate’s YPP117 and two 1/4” mono signal cables to connect to the effect as shown below.
32: AC LINE CORD (not shown): This grounded power cord is to be plugged into a grounded power outlet, wired
to current electrical codes and compatible with the voltage, power, and frequency requirements stated on the bottom panel. Do not attempt to defeat the safety ground connection.
Guitar Amplifier
This device complies with part 15 of the FCC Rules. Operation
is subject to the following two conditions: (1) This device may
not cause harmful interference, and (2) This device must
accept any interference received, including interference that
may cause undesired operation.
27 28 29 30 31
Stereo-to-mono Y-cord:
to Insert
jack
(STP201, 3'
STP202, 6'
STP203, 9')
TIP
to
effect
"OUT"
jack
External Effect
TIP
RING
SLEEVE
to
effect
"IN"
jack
RETURN
SEND
GROUND
RING
Y-adapter and 2 cables:
TIP
to Insert
RING
SLEEVE
(YPP117)
TIP
jack
(1/4"-TO-1/4"
MONO SHIELDED
CABLES)
to
effect
"OUT"
jack
External Effect
to
effect
"IN"
jack
RING
7
The DSP Section:
The RFX65 features DSP
controls for Multi, Delay and
Reverb. Complete information
about the Multi and Delay
effects is given below. The Multi control selects the “pitch modified” and wah effects.
Many of these effects have their speed controlled by the Save/Tap button. The Delay
control selects the delay or echo effects. All of these effects have their speed controlled
by the Save/Tap button. Additional information is provided on pages 5 and 10.
MULTI:
NAME DESCRIPTION SAVE/TAP BUTTON CONTROLS:
Chorus LO Chorus w/low depth speed: 1 cycle/tap - tap period: .05–1 second
Chorus MID Chorus w/medium depth speed: 1 cycle/tap - tap period: .05–1 second
Chorus HI Chorus w/high depth speed: 1 cycle/tap - tap period: .05–1 second
Flange LO Flanger w/low depth speed: 4 cycle/tap - tap period: .05–1 second
Flange MID Flanger w/medium depth speed: 4 cycle/tap - tap period: .05–1 second
Flange HI Flanger w/high depth speed: 4 cycle/tap - tap period: .05–1 second
Phaser LO Phaser w/low feedback speed: 2 cycle/tap - tap period: .05–1 second
Phaser MID Phaser w/medium feedback speed: 2 cycle/tap - tap period: .05–1 second
Phaser HI Phaser w/high feedback speed: 2 cycle/tap - tap period: .05–1 second
Vibrato LO Vibrato w/low depth speed: 1 cycle/tap - tap period: .05–1 second
Vibrato MID Vibrato w/medium depth speed: 1 cycle/tap - tap period: .05–1 second
Vibrato HI Vibrato w/high depth speed: 1 cycle/tap - tap period: .05–1 second
Octave Down Adds signal one octave lower n/a
Touch Wah Touch-sensitive wah-wah n/a
Reverse Wah Inverted wah-wah n/a
Bypass Dry signal - no effect n/a
DELA
Y:
NAME DESCRIPTION SAVE/TAP BUTTON CONTROLS:
Single LO Single delay w/low level time: .05–1 second
Single MID Single delay w/medium level time: .05–1 second
Single HI Single delay w/high level time: .05–1 second
Single MAX Single delay w/maximum level time: .05–1 second
Echo LO Echo w/low level time: .05–1 second
Echo MID Echo w/medium level time: .05–1 second
Echo HI Echo w/high level time: .05–1 second
Echo MAX Echo w/maximum level time: .05–1 second
Tape LO Tape echo w/low level time: .05–1 second
Tape MID Tape echo w/medium level time: .05–1 second
Tape HI Tape echo w/high level time: .05–1 second
Tape MAX Tape echo w/maximum level time: .05–1 second
Echo FX LO Echo w/low level, before multi effect time: .05–1 second
Echo FX MID Echo w/medium level, before multi effect time: .05–1 second
Echo FX HI Echo w/high level, before multi effect time: .05–1 second
Bypass Dry signal - no effect n/a
Guitar Amplifier
FLANGEFLANGE
CHORUSCHORUS
MULTIMULTI
PHASERPHASER
DELAYDELAY
ECHOECHO
VIBVIB
OO
TT
SINGLESINGLE
RR
TAPETAPE
EFXEFX
DSPDSP
SAVE / TAPSAVE / TAP
REVERBREVERB
SIGNAL PATH FOR ECHO LO, MID & HI EFFECTS:
DELAY
MULTI MULTI DELAY
SIGNAL PATH FOR ALL OTHER EFFECTS:
8
Storing
Your Own Presets:
Each channel of the RFX65 has two factory assigned DSP presets, as shown on
pages 10 and 11. No matter what the settings of the DSP controls, the preset is recalled
when a channel is selected. You may change the DSP settings by rotating the DSP controls - these changes will remain active until a different channel is selected, but will not
be there for later use unless they are saved. To save a new DSP preset to a channel,
first make the desired DSP changes. Then press and hold the Save/Tap button for about
three seconds. The Save/Tap LED will flash through three quick sequences, indicating
the preset was saved. The new preset is stored for that channel and will remain in memory until a new preset is stored for that channel or the factory presets are restored.
We recommend making copies of page 14 of this guide for the purpose of writing down your own presets.
Restoring the Factory Presets:
The factory assigned DSP presets may be restored, erasing any changes you have
made. Turn the amplifier off. Press and hold the Save/Tap button as you turn the amplifier on. The Save/Tap LED will flash through two quick sequences, indicating the factory
presets have been restored.
More About the Save/Tap Button:
The Save/Tap button is used to set the tempo of an effect by pressing it twice within
a one second time frame. The time between the two taps sets the timing of the effect. If
the Save/tap button is pressed an odd number of times (once, three times, etc.), the timing will default to the maximum one second time period.
The Multi effects and the Delay effects may each have a different tap speed. The
default “target” for the Save/Tap button is the Delay control. To select the Multi control as
the tap button’s target, rotate the Multi control. The Save/Tap tempo function will automatically revert back to the Delay control 16 seconds after the Multi control is rotated, or
when the tap speed was last changed for the Multi effect.
NOTE: In most cases, it is usually more pleasing to the ear to set a slower tap speed for the HI effects and
a faster tap speed for the LO effects.
Guitar Amplifier
FLANGEFLANGE
CHORUSCHORUS
MULTIMULTI
PHASERPHASER
DELAYDELAY
TAPETAPE
ECHOECHO
VIBVIB
OO
TT
SINGLESINGLE
RR
EFXEFX
SAVE / TAPSAVE / TAP
DSPDSP
REVERBREVERB
FLANGEFLANGE
CHORUSCHORUS
MULTIMULTI
PHASERPHASER
DELAYDELAY
TAPETAPE
ECHOECHO
VIBVIB
OO
TT
SINGLESINGLE
RR
EFXEFX
SAVE / TAPSAVE / TAP
DSPDSP
REVERBREVERB
FLANGEFLANGE
CHORUSCHORUS
MULTIMULTI
PHASERPHASER
DELAYDELAY
TAPETAPE
ECHOECHO
VIBVIB
OO
TT
SINGLESINGLE
RR
EFXEFX
SAVE / TAPSAVE / TAP
REVERBREVERB
DSPDSP
3 SECONDS
CHANGES ARE
SAVED AS
NEW PRESET
9
Using the Footswitch for More Presets:
The Crate three-button footswitch supplied with the RFX65 allows access to an addi-
tional DSP preset for each channel of the amplifier. When the footswitch is connected to
the amplifier as shown below, the “original” DSP presets are active for each channel
when the #3 footswitch LED is illuminated. These are referred to as “DSP Bank ‘A’.”
When the #3 button is switched and the LED is out, a second DSP preset may be stored
and recalled for each channel - “DSP Bank ‘B’.”
NOTE: DSP Bank “B” presets are only accessible when the footswitch is connected to the amplifier. When
the footswitch is not connected, only DSP Bank “A” is accessable.
Switch #1:
.
Switch #2:
Switch #3:
SP
Guitar Amplifier
This device complies with part 15 of the FCC Rules. Operation
is subject to the following two conditions: (1) This device may
not cause harmful interference, and (2) This device must
accept any interference received, including interference that
may cause undesired operation.
"LEFT" jack "RIGHT" jack
1
LED on = SOLO CH
LED off = RHTYHM CH.
Only when Switch #2
is activated (LED lit)!
2
LED on = SOLO/
LED on = D
RHYTHM CH.
LED off = CLEAN
LED off = DSP
CH.
3
BANK "A"
BANK "B"
10
DSP
Factory Presets:
The RFX65 Factory Presets for the DSP section are as follows:
Guitar Amplifier
Factory Preset 1: Clean w/Chorus, Delay,Reverb
MULTIMULTI
CHANNEL:
SOLO
RHYTHM
PHASERPHASER
FLANGEFLANGE
CLEAN
BANK:
"A"
"B"
CHORUSCHORUS
Factory Preset 2: Rhythm w/Slapback Delay
MULTIMULTI
CHANNEL:
BANK:
SOLO
RHYTHM
CLEAN
"A"
"B"
PHASERPHASER
FLANGEFLANGE
CHORUSCHORUS
DELAYDELAY
ECHOECHO
VIBVIB
OO
TT
SINGLESINGLE
RR
TAPETAPE
EFXEFX
TAP Tempo MEDIUM
TAP Tempo MEDIUM
DELAYDELAY
ECHOECHO
VIBVIB
OO
TT
SINGLESINGLE
RR
TAPETAPE
EFXEFX
TAP Tempo FAST
TAP Tempo N/A
REVERBREVERB
DSPDSP
SAVE / TAPSAVE / TAP
REVERBREVERB
DSPDSP
SAVE / TAPSAVE / TAP
Factory Preset 3: Solo w/Flange,Delay,Reverb
CHANNEL:
BANK:
SOLO
RHYTHM
CLEAN
"A"
"B"
FLANGEFLANGE
CHORUSCHORUS
MULTIMULTI
PHASERPHASER
ECHOECHO
VIBVIB
OO
TT
SINGLESINGLE
RR
TAP Tempo MEDIUM
DELAYDELAY
TAPETAPE
EFXEFX
TAP Tempo MEDIUM
REVERBREVERB
DSPDSP
SAVE / TAPSAVE / TAP
11
DSP
Factory Presets:
The RFX65 Factory Presets for the DSP section are as follows:
Guitar Amplifier
Factory Preset 4: Clean w/Reverb
CHANNEL:
SOLO
RHYTHM
CLEAN
BANK:
"A"
"B"
Factory Preset 5: Rhythm w/Reverb
CHANNEL:
BANK:
SOLO
RHYTHM
CLEAN
"A"
"B"
FLANGEFLANGE
CHORUSCHORUS
FLANGEFLANGE
CHORUSCHORUS
MULTIMULTI
PHASERPHASER
RR
TAP Tempo N/A
MULTIMULTI
PHASERPHASER
RR
TT
TT
ECHOECHO
VIBVIB
OO
SINGLESINGLE
ECHOECHO
VIBVIB
OO
SINGLESINGLE
DELAYDELAY
TAPETAPE
EFXEFX
TAP Tempo N/A
DELAYDELAY
TAPETAPE
EFXEFX
REVERBREVERB
DSPDSP
SAVE / TAPSAVE / TAP
REVERBREVERB
DSPDSP
SAVE / TAPSAVE / TAP
Factory Preset 6: Solo w/Reverb
CHANNEL:
BANK:
SOLO
RHYTHM
CLEAN
"A"
"B"
FLANGEFLANGE
CHORUSCHORUS
TAP Tempo N/A
MULTIMULTI
PHASERPHASER
RR
TAP Tempo N/A
TT
ECHOECHO
VIBVIB
OO
SINGLESINGLE
TAP Tempo N/A
DELAYDELAY
TAPETAPE
EFXEFX
TAP Tempo N/A
REVERBREVERB
DSPDSP
SAVE / TAPSAVE / TAP
12
Suggested Settings:
Guitar Amplifier
"Oceanic"
Clean with
Vibrato, Delay,
& Reverb
SOLO RHYTHM CLEAN
SOLO
RHYTHM
TAP Tempo MEDIUM TAP Tempo MEDIUM
FLANGEFLANGE
CHORUSCHORUS
MULTIMULTI
PHASERPHASER
DELAYDELAY
TAPETAPE
ECHOECHO
VIBVIB
OO
EFXEFX
TT
SINGLESINGLE
RR
DSPDSP
SAVE / TAPSAVE / TAP
RHYTHM /
SOLO
CLEAN
OUT
REVERBREVERB
VOLUMESHAPE GAIN LOW MID HIGH LEVEL LOW MID HIGHLEVELGAIN
"Super Funk"
Clean with
Wah, Delay,
& Reverb
"Arena"
Rhythm with
Reverb
& Delay
TAP Tempo N/A TAP Tempo FAST
MULTIMULTI
DELAYDELAY
PHASERPHASER
FLANGEFLANGE
CHORUSCHORUS
SOLO RHYTHM CLEAN
SOLO
RHYTHM
TAPETAPE
ECHOECHO
VIBVIB
OO
EFXEFX
TT
SINGLESINGLE
RR
DSPDSP
SAVE / TAPSAVE / TAP
RHYTHM /
SOLO
CLEAN
REVERBREVERB
VOLUMESHAPE GAIN LOW MID HIGH LEVEL LOW MID HIGHLEVELGAIN
OUT
TAP Tempo N/A TAP Tempo MEDIUM
MULTIMULTI
DELAYDELAY
PHASERPHASER
FLANGEFLANGE
CHORUSCHORUS
SOLO RHYTHM CLEAN
SOLO
RHYTHM
TAPETAPE
ECHOECHO
VIBVIB
OO
EFXEFX
TT
SINGLESINGLE
RR
DSPDSP
SAVE / TAPSAVE / TAP
RHYTHM /
SOLO
CLEAN
REVERBREVERB
VOLUMESHAPE GAIN LOW MID HIGH LEVEL LOW MID HIGHLEVELGAIN
INOUT
13
Suggested Settings:
Guitar Amplifier
"Haze Faze"
Rhythm with
Phase
& Reverb
SOLO RHYTHM CLEAN
SOLO
RHYTHM
TAP Tempo MEDIUM TAP Tempo N/A
FLANGEFLANGE
CHORUSCHORUS
MULTIMULTI
PHASERPHASER
DELAYDELAY
TAPETAPE
ECHOECHO
VIBVIB
OO
EFXEFX
TT
SINGLESINGLE
RR
DSPDSP
SAVE / TAPSAVE / TAP
RHYTHM /
SOLO
CLEAN
REVERBREVERB
VOLUMESHAPE GAIN LOW MID HIGH LEVEL LOW MID HIGHLEVELGAIN
"Solo Wah"
Solo with
Wah, Delay
& Reverb
"Octanator"
Solo with
Octave
& Reverb
OUT
IN
TAP Tempo N/A TAP Tempo N/A
MULTIMULTI
DELAYDELAY
PHASERPHASER
FLANGEFLANGE
CHORUSCHORUS
SOLO RHYTHM CLEAN
SOLO
RHYTHM
TAPETAPE
ECHOECHO
VIBVIB
OO
EFXEFX
TT
SINGLESINGLE
RR
IN
DSPDSP
SAVE / TAPSAVE / TAP
RHYTHM /
SOLO
CLEAN
IN
REVERBREVERB
VOLUMESHAPE GAIN LOW MID HIGH LEVEL LOW MID HIGHLEVELGAIN
TAP Tempo N/A TAP Tempo N/A
MULTIMULTI
DELAYDELAY
PHASERPHASER
FLANGEFLANGE
CHORUSCHORUS
SOLO RHYTHM CLEAN
SOLO
RHYTHM
TAPETAPE
ECHOECHO
VIBVIB
OO
EFXEFX
TT
SINGLESINGLE
RR
DSPDSP
SAVE / TAPSAVE / TAP
RHYTHM /
SOLO
CLEAN
REVERBREVERB
VOLUMESHAPE GAIN LOW MID HIGH LEVEL LOW MID HIGHLEVELGAIN
ININ
14
DSP
“Fill in the Blanks” (User Settings):
Copy this page to fill in your own DSP Presets!
Guitar Amplifier
User Preset: _________________________________
CHANNEL:
BANK:
SOLO
RHYTHM
CLEAN
"A"
"B"
FLANGEFLANGE
CHORUSCHORUS
MULTIMULTI
PHASERPHASER
DELAYDELAY
ECHOECHO
VIBVIB
OO
TT
SINGLESINGLE
RR
TAPETAPE
EFXEFX
TAP Tempo __________
TAP Tempo __________
User Preset: _________________________________
CHANNEL:
BANK:
SOLO
RHYTHM
CLEAN
"A"
"B"
FLANGEFLANGE
CHORUSCHORUS
MULTIMULTI
PHASERPHASER
DELAYDELAY
ECHOECHO
VIBVIB
OO
TT
SINGLESINGLE
RR
TAPETAPE
EFXEFX
TAP Tempo __________
TAP Tempo __________
REVERBREVERB
DSPDSP
SAVE / TAPSAVE / TAP
REVERBREVERB
DSPDSP
SAVE / TAPSAVE / TAP
User Preset: _________________________________
CHANNEL:
BANK:
SOLO
RHYTHM
CLEAN
"A"
"B"
FLANGEFLANGE
CHORUSCHORUS
MULTIMULTI
PHASERPHASER
DELAYDELAY
ECHOECHO
VIBVIB
OO
TT
SINGLESINGLE
RR
TAP Tempo __________
REVERBREVERB
TAPETAPE
EFXEFX
DSPDSP
SAVE / TAPSAVE / TAP
TAP Tempo __________
15
System Block Diagram:
/
Guitar Amplifier
TUNER
A BC D EF G
BUFFER
INPUT
CLEAN
SOLO
RHYTHM
SOLO
GAIN
RHYTHM
SOLO
RHYTHM
GAIN
LOWVOLUME MID HIGH
SOLO
RHYTHM
REVERB
SWITCHING
CIRCUIT
MIDLOW HIGHSHAPE
MIX
AMP
SOLO
LEVEL
RHYTHM
LEVEL
SOLO/
RHYTHM
CLEAN
SOLO/
RHYTHM
INSERT
MULTI
DELAY
TAP
CD
INPUT
POWER
AMP
SPEAKER
EXT.
SPEAKER
DAMPING
CIRCUIT
RFX65 TECHNICAL SPECIFICATIONS:
Output Power Rating 65W RMS @5% THD, 8Ω, 120 VAC
Speaker Size and Rating (1) Custom Design 12”, 8Ω
Input Impedance 470kΩ
Total System Gain Solo Ch 110dB, all controls @10
Rhythm Ch 88dB, all controls @10
Clean Ch 58dB, all controls @10
CD Input 29dB
Maximum Input Signal Accepted 7 volts peak-to-peak
Solo Channel Shape Control Proprietary Circuit
Rhythm Channel Low Control 20dB range @ 80Hz
Mid Control 15dB range @ 1kHz
High Control 20dB range @ 10kHz
Clean Channel Low Control 36dB range @ 80Hz
Mid Control 15dB range @ 800Hz
High Control 40dB range @ 10kHz
Power Requirements 120 VAC, 60Hz, 90VA
100/115VAC, 50/60Hz, 90VA;
230VAC, 50/60Hz, 90VA
Size and Weight 19-1/4” H x 21” W x 10-1/4” D, 34 lbs.
The RFX65 is covered with a durable Tolex material: wipe it clean with a lint-free cloth.
Never spray cleaning agents onto the cabinet. Avoid abrasive cleansers which would damage the finish.
Crate continually develops new products, as well as improves existing ones. For this reason, the specifications
and information in this manual are subject to change without notice.
www.crateamps.com
©2004 SLM Electronics, a division of St. Louis Music, Inc • 1400 Ferguson Avenue • St. Louis, MO 63133
47-639-02 • 121404
Guitar Amplifier
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