Crane Song Phoenix II User Manual

An AAX Plug-in

OPERATOR'S MANUAL

Version 1

August 19, 2012

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© 2012 Crane Song, LTD. Subject to change without notice. Printed in the U.S.A.

Phoenix II is an update of Crane Song’s suite of TDM plug-ins designed to emulate the unique
properties of a magnetic tape machine.
Phoenix II runs both NATIVE and DSP on Avid’s PT 10 AAX format. Phoenix II -uses 32 bit
floating point math and has a lower noise floor than the original release. It runs at all sample
rates, 44.1K to 192K.

Designer Dave Hill has crafted this software with the same attention to detail he used to create
the electronics for ATR Service’s much heralded “Aria” discrete tape recorders. His intimate
knowledge of analog electronics, as well as decades of experience as a recording engineer
has spawned a very useful, musical suite of plug-ins. The Phoenix II process not only incorpo­rates the nonlinear saturation characteristics created by magnetic tape itself, but also includes
the interrelation of an analog tape recorder’s record/reproduce electronics and equalization
curves. Phoenix II is a ground-up application derived from HEDD technology, and specifically
engineered and optimized for Avid’s PT 10 architecture.

Phoenix II has five different tape-analog characteristics, Plug-in type is selected with a switch
for easy comparison between the types, and the brightness is also selected with a switch.
Gold is the position where the color is approximately flat in frequency response, with Sapphire
being a brighter, and Opal being a warmer tonality. A level control determines the amount of
the Phoenix II process integrated into the audio signal, and an input trim determines “how hard
you hit the tape.” Because the DSP process is level dependent, the input level trim control has
been improved and an output trim control has been added.

The input trim can also be used to prevent clipping in the rare cases where clipping may be a
problem and bringing up the level of a track for an increased amount of color. This can be
useful on material that is hitting close to or at digital zero and on material that has a low re­corded level. When the input trim and output trim controls are at 0dB, (no change in gain) and
no tape process is being added to the sound, the plug-in is bit accurate, meaning the output
exactly matches the input. The output trim control is for level matching and has a range of plus
6db to minus 6 db.

The Phoenix II contains five different flavors:

Luminescent is the most neutral sounding process of the five.
Iridescent has a similar magnetic character, but with a fatter bottom and midrange.
(This flavor is the most similar to the tape knob on HEDD-192.)
Radiant is characterized by a more aggressive compression curve
Dark Essence is even more aggressive. (The effect is a color with a wider
frequency range-when used on a vocal Dark Essence can reduce sibilance
problems by increasing the apparent loudness of the rest of the signal.)
Luster starts more gently than the other four processes, but becomes as
aggressive as Dark Essence when the process is at full scale.

Running within Avid’s AAX architecture, Phoenix is very DSP efficient. It will run approximately
27 instances of a plug-in on a single DSP chip (HD system at 44.1 kHz sample rate). This will
be greatly increased in the next release

Phoenix’s color is dependant on signal level, program material and sample rate. A higher
sample rate results in smother sounds

The Phoenix II plug-in provides a wide range of choices to make your digital world sound
warmer, fatter, and more analog. The plug-ins can be somewhat subtle, but the cumulative
affect when used on a number of tracks can bring back the warmth and richness which only
analog recording has been able to provide.

Phoenix II is multi-mono, and will work multi mono in stereo and 5.1.

As of July 2012 Phoenix II does not read Phoenix I settings, this is being working on, watch the
download site for updates