REGISTRATION FORM ...................................
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IMPORTANT SAFETY INSTRUCTIONS
1. Read these instructions
2. K eep these instructions
3. Heed all warnings
4. Follow all instructions
5. Do not use this apparatus near water
6. Clean only with dry cloth
7. Install in accordance with the manufacturer's instructions
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other
apparatus (including amplifiers) that produce heat
9. Protect the po w er cord from being w alked on or pinched particularly at plugs and the
point where they exit from the apparatus
10. Only use attachments/accessories specified by the manufacturer
11. Unplug this apparatus during lightning storms or when unused for long periods of
time
12. Refer all servicing to qualified service personnel. Servicing is required when the
apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus
has been exposed to rain or moisture, does not operate normally, or has been dropped
13. CAUTION: To disconnect the unit completely from the MAINS , unplug the unit. Turning the power switch off does not disconnect the unit completely from the MAINS.
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INTRODUCTION
HEDD, short for harmonically enhanced digital device, is a technological break through in signal
processing. HEDD is engineered to provide musically pleasing sound with the capability of
generating tube/analog sounds in the digital domain.
HEDD gives any user who works with digital the ability to sound less digital and more analog.
Applications include: CD preparation, work station input and output, DA T machine A/D and D/A
convertor replacement and effects generation ( warming or changing sounds in the digital domain). HEDD can be used in tracking, mixing, and mastering.
The front panel controls allow the user to select input source, sample rate, and continuously
variable triode and pentode sounds. The HEDD can operate as an effects device or as separate
A/D and D/A convertor with the harmonic generation process applied to either the A/D or D/A
convertor.
The signal processor performs 24 Bit Processing on digital or analog source.
HEDD has transformerless balanced analog inputs and outputs, transformer isolated digital
inputs and outputs, and uses separate power transformers and supplies for the analog and
digital sections. The unit is 1 rack space tall and operates from 110V, 115V, 230V or 240V
mains.
The HEDD-192 will operate at sample rates from 44.1K to 192K
Upgrading to 192K
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PANEL REFERENCE PAGE 3
20 bit dither
no dither
Digital Source
16 bit dither
procress controls
Select Sample Rate
In/Out
Meter Reset
Power Switch
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THE CONTROLS
SAMPLE RA TE SWITCH
The A/D clock rate can be set from 44.1Khz to 192KHz or an external WC reference. The units
taht were shipped going to 96k only will defult to 44.1K if rates above 192k are selected. When a
valid word clock is applied and WC is selected a red light next to the switch will light indicate
lock. If lock is lost, HEDD-192 will default to 44.1Khz and the light will be off. Whenever the
sample rate is changed, the A/D convertor is re calibrated. This will keep the convertor wor king
as accurately as possible.
OVER RESET BUTT ON
Clears the overload LED. It also clears the peak memory value.
BYP ASS SWITCH
The switch enables or disables the DSP process. There is a small time lag when the process is
turned on and off to reduce the possibility of clicks in the audio.
INPUT SWITCH
The input switch selects between the AES and S/PDIF inputs
TRIODE
The triode function creates a triode like harmonic structure. This process contains strong even
order harmonics, but is not strictly even order. This affects the bottom of your signal by fattening
it up and it should be noted that evenorder harmonics are difficult to hear. The harmonic structure changes with signal level and the amount of process being applied, just like it does in a tube
and the analog world. This control does make a low level zipper noise when it is turned
PENTODE
The pentode function creates mostly third harmonic information butcontains some higher order
odd harmonics depending on the signal level and the amount of process. It is like driving a
pentode into over load. The pentode process makes things sound brighter, and brings out detail.
This can also be described as a compression effect. The pentode process affects the tr iode
process because the two processes are in series.
TAPE
The tape function emulates magnetic recording tape. Tape distortions are odd harmonic, starting
with the third and fifth. As you increase the level on tape the harmonic content increases and
higher odd harmonics are added. A tape recorder also contains record and reproduce equalizers that modify the harmonic content. The result is a sound that fattens up the bottom and
midrange of a recording and as you increase the process. There can be loss of hi frequencies
with respect to low frequencies if driven far enough, and the high frequencies start compressing
sooner then the low frequencies. This is a result of the compression function and eq. curves in
the process. The compression also squashes peaks and results in a higher average level. The
tape process is in series after the triode and pentode processes and thus modifies them both.
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PROCESS SWITCH
The process switch selects whether the signal processor is attached to the D/A convertor,
A/D convertor, is configured f or digital in - digital out, or analog in - analog out. An analog generated dither source is availab le to the A/D con vertor and to the digital in - digital out modes. The
dither is enabled by selecting the process in the 16 or 20 bit groupings
THE PROCESS
The harmonic process runs 24 bit internal. The digital inputs and outputs are also 24 bit. If you
feed 24 bit digital in you will get 24 bit digital out. If you are recording 16 bit digital, it is
Recommended that you listen to your 16 bit data and adjust the process so it sounds good.
Keep in mind that HEDD generates harmonically related information. It was arrived at by analyzing harmonic distortion in prized equipment and a lot of listening. If you f eed 16 bit audio into the
HEDD-192, it will generate 24 bit data because of its internal 24 bit calculations. This extra
resolution is harmonically related information. If you use only 16 bits of the output it is not a
problem. We recommend that if you are recording to 16 bits, monitor the process from the 16 bit
output of your system to get optimum results in adjusting HEDD.
When using the process you will affect your average signal level if you turn the process up far
enough. When adding harmonic content, the audio is going to get louder if it is modified to a great
enough level. With the HEDD process, the peaks in your signal are being reduced while the lowlevel harmonic content is being increased. What this means is that the HEDD process will not
cause any overs. In fact, what it will do, is reduce the level of existing overs. Think of it as a
tube or tape doing soft clipping, i.e. “squashing” the peaks and causing analog compression.
HOW MUCH PROCESS T O USE
There are no rules, but here are some general guidelines. Making it sound “good” is what it’ s
all about. The process is level and program dependent. Settings that will work best for one
source may not work at all for another source. If you need a general purpose setting try running
the process knobs at 3.5 to 6. This should be safe. When you run the knobs in the 5 and up
range it is easy to go too far but it could be a cool thing. Because we are not used to a musical
device that changes harmonic content with a knob it will take a little ear learning. It is also good
to be aware that the ear lov es a little harmonic generation. Turning HEDD off can take the life
out of your program material, even if you did not notice it turn on.
The amount of process can result in subtle changes or drastic changes depending on what the
program is like and how much process is being added. In other words the difference between
analog and digital recordings can be subtle or drastic. It will be easier to hear in material that is
more open as opposed to material that is very dense. The amount of low frequency information
will also affect how we hear the process.
DITHERING
The dither process is proprietary to Crane Song. It is an analog generated source that has been
filtered to a spectrum where the ear is least sensitive. We believe that this process sounds
better than other systems and is less likely to cause noise problems as compared to other dither
sources. The dither is added to the audio source as apposed to a digital process. This is the
best way to dither an A/D convertor. It happens in the conversion.
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It is also possible to add this dither to an existing audio source. Dither can be added by
running digital in, digital out and selecting the part of the Process switch that is labeled 16 bit
or 20 bit depending on what you want to dither to . To disable the dither run the unit where the
process switch is labeled 24 bit. This will record correctly on a 16 bit recorder
EXTERNAL WC SYNC
The external WC connections are for A/D convertor synchronization with an external world.
They do not effect the digital inputs because the digital inputs provide their own clock information. The input connection is used to synchronize the A/D convertor to an external
source. The output connection is at the rate of the A/D convertor whether internal or external
clock is selected and can be used as a sync. source. When HEDD recognizes and locks on
to external WC and WC is selected on the front panel an LED by the sample rate switch
lights up to indicate lock. If there is no lock HEDD defaults to a 44.1 KHz sample rate.
METER
The meter is calculated by the DSP and follows the HEDD process, as selected by the
process switch. The peak hold can be set to run in one of two different modes. First is a 2
second hold then the peak indicator will drop back to a lower level. In the second mode the
peak value is held until the OVER RESET button is pushed. This mode is good for those of
us that may have to leave the room and want to know what the maximum value was during
the transfer. There is an internal jumper that can be changed or select either options. The
default mode is memory or hold forever .
OVERS
The Over led lights on detecting a digital over load. This is done by the DSP. The Over
indicator will respond from the analog input when the process is selected as analog or A/D .
The Over indicator will respond to the digital source when the process is selected as digital
or D/A. We are defining a digital over as a single sample ov erload.
APPLICATIONS
HEDD can be used for many different tasks. It can be operated in the following modes;
analog in / analog out; digital in / digital out; and as A/D and D/A convertors with the signal
processor operation attached to either convertor.
You can put it on the stereo bus of a digital console feeding a digital device or have analog
output. It can be used as the A/D convertor and D/A convertor for a digital tape multi track
or a DAT machine. It can go between 2 DAT machines in the digital mode to process existing
material. You can even use it to con vert to analog for processing and then back to digital.
HEDD is also useful for tracking and mixing, and it can be used analog in, analog out. It will
allow you to do amazing things to individual tracks. HEDD can also be used in mastering as
a convertor or as a digital in / digital out processor. HEDD opens up a new world of signal
processing.
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HEDD AS A MASTER CLOCK
Hedd will make a very good master clock, however there are two modes where it will not work as a
master clock. This is with16 and 20 bit dither enab led and running HEDD in the DIGI mode, digital - in digital - out. In the 24 bit mode this is not a problem and HEDD will work as a master clock
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PROCESS BLOCK DIAGRAMS
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PROCESS BLOCK DIAGRAMS(CONT.)
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SPECIFICATIONS
Analog Output:Transformer-less balanced floating stereo output with XLR connectors.
Digital zero is +16dBm. This allows 12 db of headroom above a
+4dBm 0 VU. Gain adjust trims are on the back panel
Analog Input:T ransformer-less balanced floating stereo with XLR connectors.
Digital zero is +16dBm. This allows 12 db of headroom above a
+4dBm 0 VU. Gain adjust trims are on the back panel
Word Clock Input:BNC connector takes a TTL level signal at the sample rate to sync the
A\D to the external sample rate. HEDD will sync from 20 kHz to 192K
kHz. The input impedance is 75 ohms.
Word Clock Output:BNC connector this is a TTL level square wave that can be used to
provide sync to other equipment. The WC output will be the selected
sample rate or the rate of the WC input.
Internal Sample
Rate:44.1kHz TO 96kHz deter mined by front panel switch.
S/PDIF Input:Unbalanced digital input 75 ohms RCA connector
S/PDIF Output:Unbalanced digital output 75 ohms RCA connector
AES Input:Balanced digital input 110 ohms XLR connector
AES Output:Balanced digital output 110 ohms XLR connector
Power:25 watts at 115 or 230 volts, 50 or 60 Hz.
Fuse size is MDL .3A for 115 volts; MDL .25A for 230 volts
Pilot Lamp:# 7335
Shipping Weight:15 lbs (6.7kg)
Depth Behind Panel: 10 inches (25.4cm) plus user input/output connectors
The Convertors:HEDD uses high Quality 24 Bit A/D and D/A Convertors made by
CRYSTAL semiconductor, with an upgrade path to 192K sample rate
convertors
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Hedd upgrades
There are two parts to this
First, the D/A and the A/D converter; this requires some modification to the main pcb. How much depends on the
version of the pcb and when it was built. The best way to find out is to open the co ver and look for the revision
number. It is possible to change only the D/A portion. The ne w D/A is a major improv ement in sound qualitily.
However depending on some unpredictable things it may be necessary to do some of the pcb modifications. A
good tech can do all of it in an hour. A not so good tech will create much damage.
The new converters will run at 192K howe ver the firmware to run the HEDD box at 192K is still being w orked on.
If you are only looking for the con verter upgrade it is fine to do this at this time
If you are wanting to run at 192K then it is best to wait until the 192K firmware is ready. There will be some other
hardware changes to run at 192K, such as the digital interface. Some of this is the result of bringing all older units
up to the same hardware and firmware as the newest rev pcb . This will result in better perf ormance in the older
units and it also makes it much easier . We do not have to figure out and maintain several different versions of
firmware
Original HEDDs, the 48k units will not upgrade
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LOCATION OF REV NUMBERS
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jumper options for the D/A con verter Rev 5
JUMPER ON = SRC ENABLED
THIS IS THE LO W JITTER MODE
JUMPER OFF = SRC DISABLED
THIS IS THE LO W LATENCY
MODE
JUMPER ON = THE FILTER HAS A SLOW ROLL OFF
JUMPER OFF = THE FILTER HAS A STEEP FAST OFF
This is the A/D convertor upgrade for HEDD-192. The jumper positions that are showen are
the default settings. If low latency is more important than low jitter you will need to change
red jumper to off. The SRC is being used for jitter reduction of e xternial sources.
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CRANE SONG LTD.
2117 E. 5th Street
Superior, WI 54880 USA
tel. 715-398-3627
fax. 715-398-3279
www.cranesong.com
-
192 Harmonically Enhanced Digital Device
REGISTRATION FORM
Please fill out this form and return. It will be used for sending updates
and pertinent information as it becomes available.