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Canon HDMI
SETUP GUIDE
Odyssey7Q+
Odyssey7Q
Odyssey7
Canon 5D Mark III
Canon 1DC
Canon C100
Canon C100 MKII
HD Apple ProRes
1080p23.98,24,25,29.97,50*,60*
720p50/60
*1080p50/60 over HDMI only supported on Odyssey7Q+
Updated February 24, 2015 | Firmware Release v5.10.100
ProRes 422 (HQ)
ProRes 422
ProRes 422 (LT)
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CANON HDMI
NOTES ABOUT USING THE ODYSSEY WITH CANON VIA HDMI
This guide covers using the Odyssey with the following cameras:
Canon 5D Mark III
Canon 1DC
Canon C100
Canon C100 MKII
The Odyssey7/7Q do not support 1080p59.94 or 4K over HDMI due to a hardware constraint. If Auto
HDMI output is used, the camera will output 1080i. (Odyssey7Q+ it will accept 4K or 1080p59.94).
Please note that though the Canon 1DC can record 4K internally, the output is HD only.
APPLE PRORES RECORD TIMES
24 25 30 50 60
670 643 536 322 268
643 536
724 604
422(HQ)
1080p
1080i
720p
1060 1016 848 508 424
1016 848
924 772
1516 1456 1212 728 604
1456 1212
1456 1212
422
422 (LT)
1080p
1080i
720p
1080p
1080i
720p
Note: 4K and 1080p50/60 over HDMI is only supported on the 7Q+, to record 1080p50/60 on a Odyssey7 or
Odyssey7Q you must use a HDMI to SDI converter, as 7/7Q are limited to 1080p30 over HDMI due to a hardware
constraint. Note: Odyssey 7 only has 1 SSD slot
FORMAT DETAILS
HD Apple ProRes
1920x1080,1280x720 10-bit log video, originated from HD 8-bit camera signal, recorded
as Apple ProRes compressed HD video .MOV
FRAME RATE SUPPORT
The following frame rates are supported on the Odyssey while recording from these cameras:
• 1080p59.94/50 (HDMI - Odyssey7Q+ / HDMI to SDI Converter - Odyssey7Q)
• 1080i50/59.94
• 1080p25/29.97
• 1080p23.98 (24p output and 3:2 pulldown)
TYPICAL DOWNLOAD TIME IN MINUTES
Media USB3.0 Thunderbolt
256G SSD 20 10
512G SSD 40 20
1TB SSD 80 40
Actual transfer rates are dependent on computer system and desnaon media.
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CANON HDMI
CAMERA SETTINGS - CANON 1DC/ 5DMKII
This section applies to the Canon 5D Mark III (rmware v1.2.3) and Canon 1DC (rmware v1.3.5).
Please note that though the Canon 1DC can record 4K internally, the output is HD only.
1. SET CAMERA TO VIDEO MODE
2. SET INTERNAL RECORDING
MENU » » SET MOVIE SIZE » (1920X30 ALL-I | IPB, 1920X24 ALL-I | IPB ETC )
3. SET HDMI OUTPUT
MENU » » HDMI FRAME RATE » (AUTO | 24P | 60/50)
4. SET HDMI TIMECODE/CAMERA TRIGGER
MENU » » HDMI TIMECODE » (TIMECODE ON & REC COMMAND ON)
5. SET CLEAN HDMI OUTPUT & LCD MONITORING
MENU » » HDMI » HDMI OUTPUT + LCD MONITORING
Note though the Canon 1DC can record 4K internally, the output is HD only.
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CANON HDMI
CAMERA SETTINGS - CANON C100/C100MKII
This section applies to the Canon C100 (rmware v2.0.0.1.00) and Canon C100 Mark III (rmware
v1.0.0.1.00).
6. SET INTERNAL RECORDING
MENU » (OTHER FUNCTIONS) » SYSTSEM FREQUENCY » (59.94/50)
7. SET FRAME RATE
C100
MENU » (OTHER FUNCTIONS) » FRAME RATE » (60i | 50i | pf30 | pf25 |pf24 |
24p)
C100 MKII
MENU » (OTHER FUNCTIONS) » AVCHD / MP4 » FRAME RATE » (60i | 50i | pf30 |
pf25 |pf24 | 24p)
8. SET HDMI TIMECODE/CAMERA TRIGGER
C100
MENU » (OTHER FUNCTIONS) » HDMI TIMECODE » (60i | 50i | pf30 | pf25 |pf24 |
24p)
C100 MKII
MENU » (VIDEO SETUP) » HDMI OUTPUT » (NORMAL** OR 59.94* / 50*)
* Only supported by 7Q+
** Normal should be used for all frame rates except for 1080p50/60. (please see Video
Cadence, section of the Odyssey Setup)
9. SET CLEAN HDMI OUTPUT
C100
MENU » (VIDEO SETUP) » CHARACTER DISPLAY » VF
MENU » (VIDEO SETUP) » HD ONSCREEN DISPLAY » OFF
C100 MKII
MENU » (VIDEO SETUP) » HD ONSCREEN DISPLAY » OFF
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CANON HDMI
ODYSSEY CONFIGURATION
1. SET ODYSSEY TO HD->HD APPLE PRORES MODE
☼
» SETUP » CAMERA » CANON » HD/2K->HD/2K PRORES(.MOV)
2. MAKE CAMERA THE RECORD TRIGGER
☼
» SETUP » RECORD TRIGGER » CAMERA
3. SET TIMECODE SOURCE
☼
» SETUP » TIMECODE SOURCE » SDI/HDMI
The HDMI input is automatically detected when connected to the Odyssey.
** Note the HDMI input is on the right side of the unit, on the Odyssey7Q+ but is at the
bottom of the unit for Odyssey7 and 7Q.
4. SET PRORES BITRATE
☼
» SETUP » VIDEO CODEC » (SELECT)
PRORES HQ
PRORES 422
PRORES LT
The Apple ProRes 422 (HQ) codec oers the utmost possible quality for 4:2:2 or 4:2:0 sources
(without an alpha channel) and provides the following:
• Target data rate of approximately 220 Mbps (1920 x 1080 at 60i)
• Higher quality than Apple ProRes 422
The Apple ProRes 422 codec provides the following:
• Target data rate of approximately 145 Mbps (1920 x 1080 at 60i)
• Higher quality than Apple ProRes 422 (LT)
The Apple ProRes 422 (LT) codec provides the following:
• Roughly 70 percent of the data rate of Apple ProRes 422 (smaller le sizes than ProRes 422)
• Higher quality than Apple ProRes 422 (Proxy)
5. SETUP AUDIO
CANON 5D MKIII
☼
» SETUP » AUDIO SOURCE » ANALOG*
*With the Canon 5D Mark III, the camera does not embedded audio on the HDMI output,
thus Analog audio will be needed, unless you are recording audio on a external audio
device.
CANON 1DC/C100/C100 MKII
☼
» SETUP » AUDIO SOURCE » SDI/HDMI
6. FORMAT SSDs
☼
» ODYSSEY » SSD’S » FORMAT BOTH
(or FORMAT SSD1 if you do not have a second SSD drive installed.)
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CANON HDMI
7. CONNECT TO CAMERA AND VERIFY STATUS INPUT
CONNECT CAMERA HDMI OUTPUT TO ODYSSEY HDMI INPUT
The status on your Odyssey will display your camera’s output.
Example:
HD 4:2:2
CANON
1920 x 1080
PRORES
HD/2K
HQ
8. SET HDMI CADENCE
Connect HDMI input, and verify the camera internal record rate matches the input indicator
on the Odyssey. If it does not a cadence may be needed to correctly reect the format in
which you wish to record.
☼
» SETUP » VIDEO CADENCE » PROGRESSIVE
PROGRESSIVE
Use this setting for 720p50/60, 1080p24**, 25*,30*
*Note typically the camera will need to be set to record 1080p25/30 internally, and the
output is set to 1080i.
**Note that when wishing to record 1080p24, HDMI output can be set to “Auto” or 1080i or
1080p (7Q+ only), therefore Progressive should be used when auto is selected.
INTERLACED
Use this setting for 1080i50, 1080i59.94 recording
3:2 PULLDOWN*/**
Use this setting for 1080p24 recording when the camera only has a output setting of
1080i, also note the camera must be set to record 1080p24 or 1080p23.98 internally,
**Note that when wishing to record 1080p24, HDMI output can be set to “Auto” or 1080i,
therefore 3:2 pulldown should be used when 1080i is selected.
CONTINUED »
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OFF-LOADING DATA
COPYING FILES TO YOUR COMPUTER
1. CONNECT SSD DRIVE TO ADAPTER
Connect the Convergent Design 2.5” Premium SSD Media to any off-the-shelf 2.5” SATA
adaptor (example: Seagate GoFlex Thunderbolt Adaptor or USB 3.0 Adaptor)
2. CONNECT ADAPTER TO COMPUTER
The SSD will mount within 10-20 Seconds. (You will see this mount on the desktop or
within nder on MAC, or within My Computer on Windows machines).
3. COPY FILES FOR PLAYBACK/EDITING
All Clips or Takes are located within the “Clips” directory, navigate to this and copy all of
your les to a local or external drive or RAID for playback and/or editing.
SOFTWARE UTILITIES (FREE DOWNLOAD FROM WEBSITE)
CD CLIP MERGER (RAW/DPX)
Use the Clip Merger for any Raided Record (ie if your recorded clip required more than
one SSD). See the At A Glance Chart, “No. of SSD’s Req” column, on page 2.
CD APPLE PRORESS TRANSFER TOOL (FREE DOWNLOAD FROM WEBSITE)
Use to combine clips into a single le
Use to copy all les to a single directory without folder structure.
Required in order to transfer markers to your NLE.
CD DATA UNPACKER (DPX)
Use CD Data Unpacker to convert “packed” les to “unpacked” data.
ALL UTILITIES CAN BE DOWNLOADED FROM THE FIRMWARE/DOWNLOADS
AREA OF OUR WEBSITE: Convergent-Design.com/support/rmware-downloads.html
ATTENTION MAC OSX USERS
Before installing Convergent Design Software on Mac OSX You must rst change the
following settings.
1) Navigate to Applications » Utilities » System Preferences
2) Select Security and privacy
3) Under General » Allow applications downloaded from: Select Anywhere.
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POST PRODUCTION
☎ ++(720)221-3861
✉ CDSupport@convergent-design.com
☁ Convergent-Design.com
Apple ProRes
The Odyssey can record in Apple ProRes 422 (HQ), Apple ProRes 422 and Apple ProRes 422 (LT)
compressed codecs. This allows for high quality recording while avoiding high data rates of working with
uncompressed video.
NATIVE APPLE PRORES SUPPORT
Adobe CC 2014
Apple FCP X, Aperture
Cineform Studio
WORKING WITH RECORDED FILES
There are numerous post systems and NLEs that can read natively the various le formats recorded by
the Odyssey. Some NLEs may require plug-ins in order to read certain le formats. Blackmagic Design
Resolve software is available for free and can read all formats recorded by the Odyssey.
FILE STRUCTURE
Final Cut Pro 7
Black Magic DaVinci Resolve
The Foundry Nuke
Autodesk Smoke
Sony Vegas
Note: To combine les into a single directory use our ProRes Utility.
© 2015 Convergent Design, Inc. - All Rights Reserved. All copyrights and trademarks remain the property of their respective owners. Updated February 24, 2015
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