Convergent Design Odyssey7Q, FS700 Setup Manual

Setup Guide Odyssey7Q + FS700

Updated 18-Aug-2014 | Firmware Release v2.11.110

4K RAW up to 60p 4K RAW burst up to 120p 2K RAW up to 240p 4K RAW to Apple ProRes 422(HQ) up to 60p 1080p video to Apple ProRes 422(HQ) up to 60p

Odyssey7Q + FS700 Recording Capabilities

RECORDING TIMES

Maximum record time in minutes, recording to two 512G SSDs (1TB)

RECORD TIME

23.98fps 25fps 29.97fps 50fps 60fps 100fps 120fps 200fps 240fps

4K RAW

2K RAW

4K2HD

HD DPX

REC MODE

HD ProRes

* Two SSDs are required to capture

FORMAT DETAILS

62 60 50 30* 25* 155 Takes 155 Takes

200 192 160 96 80 48 40 24* 20*

775 744 620 372 310

87 84 70 42 35*

775 744 620 372 310

4K RAW

2K RAW

4K to HD

HD DPX*

HD ProRes 422

4096x2160, 12-bit linear data, recorded as Uncompressed .DNG

2048x1080, 12-bit linear data, recorded as Uncompressed .DNG

1920x1080, 10-bit log video, originated from 4K RAW camera signal, transformed and recorded as Apple ProRes 422 (HQ) compressed HD video

1920x1080, 12-bit log video, originated from HD 8-bit camera signal, recorded as Uncompressed .DPX

1920x1080, 10-bit log video, originated from HD 8-bit camera signal, recorded as Apple ProRes 422 (HQ) compressed HD video

* HD DPX ﬁles at 60p are “packed” on SSDs due to high data rate. Use free CD Data Unpacker utility software to unpack ﬁles after transfer.

TYPICAL DOWNLOAD TIME IN MINUTES

Media USB3.0 Thunderbolt

256G SSD

512G SSD

Actual transfer rates are dependent on computer system and capture media.

USB 3.0 or Thunderbolt connections are recommended by Convergent Design for ecient data rates.

20 10

40 20

For the latest ﬁrmware, product manuals and other information visit Convergent-Design.com

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Odyssey7Q Support for FS700 RAW Recording

ODYSSEY7Q SUPPORT FOR FS700

FS700(R)

Mode

4K RAW

4K HFR

2K RAW

RAW*

2K HFR

* FS700 RECORDING OPTION REQUIRED (Activation key can be purchased through website)

4K RAW 4096 x 2160 12-Bit 23.98p, 24p, 25p,

4K HFR 4096 x 2160 12-Bit 100p, 120p 3-4 sec Burst

2K RAW 2048 x 1080 12-Bit 23.98p, 24p, 25p,

2K HFR 2048 x 1080 12-Bit 200p, 240p 3.7 / 4.4 second

Resolution Bit-

Depth

Frame Rates Support Two SSD's

29.97p, 50p,

59.94p

29.97p, 50p,

59.94p, 100p, 120p

Required

CinemaDNG 50p / 59.94p

YES

(CinemaDNG)

CinemaDNG NO

200p / 240p

burst (CinemaDNG)

3

Conﬁgure FS700 4K/2K RAW Recording

Set up the FS700 for RAW Recording

1

MENU » REC/OUT SET » REC SET » RAW SET

Select any of the following frames rates that you wish to record on Odyssey7Q:

NTSC

PAL

4096x2096/24p 4096x2096/30p 4096x2096/60p 2048x1080/24p 2048x1080/30p 2048x1080/60p

4096x2160/25p 4096x2160/50p 2048x1080/25p 2048x1080/50p

Once the selection is made you will need to press EXEC on the camera, to return to live / record.

Set Gamma (required for RAW recording)

2

PICTURE PROFILE » PP7 » SETTING » GAMMA » S-Log2

PP7 is the default proﬁle for S-Log2, Note that only S-Log2 is supported when recording RAW.

Once the camera is set to the desired frame rate, then connect to the Odyssey7Q

Set the S&Q button for RAW High Speed

3

MENU » OTHERS » RAW S&Q BUTTON SET » 4K/2K SUPER SLOW

(BACK) » REC Command » ON

NOTE: In 4K Super Slow the camera only outputs a maximum of 4K 60p, thus this mode will use internal buering, and then will need to playback the footage to an Odyssey7Q. In 4 Super Slow, the Odyssey7Q Trigger must be set to Camera.

MENU » RECORD » TRIGGER » CAMERA

NOTE: For 2K up to 240fps sustained, or 4K up to 60p sustained, but 4K 100/120 7-8 second burst.

( Continued on Next Page » )

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Conﬁgure FS700 RAW Recording (Continued)

Setup FS700 High Frame Rate

4

MENU » CAMERA SET » SLOW AND QUICK » RAW 2K SUPER SLOW » EXECUTE

Select your desired frame rate*:

NTSC

PAL

TIME SAVER TIP: A quicker way of doing this is once the S&Q is set to RAW HIGH SPEED, you can press and hold the S&Q button, then once the RAW Super Slow frame is highlighted, you can now switch from 120 to 240. (or 100 to 200 in record.)

TO ACCESS HIGH FRAME RATES:

120 240

100 200

» Press the S&Q button » Select 120fps or 240fps

The Odyssey7Q also has the ability of recording the buered 4K 100/120 p from the FS700. If you wish to record this set the camera to 4K RAW, and enable S&Q. Then the Odyssey7Q will record 4K100/120, for up to a 4 second burst.

RAW 4K SUPER SLOW 120FPS AND 100 FPS

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Start Trigger - > 440 Frames End Trigger -> 440 Frames End Half Trigger -> 220 Frames

Start Trigger Processes 440 frames from when RECord button is pressed. End Trigger Sends a buer of the 440 frames prior to hitting the REC button. End Half Trigger sends a buer of the 220 frames prior to hitting the REC button.

120fps is 3.7 seconds record time - (440 frames) - 60fps playback 100fps is 4.4 seconds - (440 frames) - 50fps playback

( Continued on Next Page » )

5

Conﬁgure FS700 RAW Recording (Continued)

PAL: 25p, 50p, 100p and 200p

5

MENU » OTHERS » 60i/50i SEL » YES

Setup Record Trigger (FS700 Rec Button)

6

MENU » REC/OUT SET » VIDEO OUT » SDI/HDMI CONTROL » ON

Dual Record: FS700 Internal + Odyssey7Q

7

MENU » REC/OUT SET » RAW REC CONTROL » RAW+HD

(BACK) » REC/OUT SET » HD SIMULTANEOUS REC » ON

NOTE: The clip name from the FS700 is not sent over the SDI to the Odyssey7Q, thus if you wish to use the internal media as an oine, you will need to rename the internal media to match the RAW ﬁles.

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Conﬁgure Odyssey7Q RAW Recording

Set Odyssey7Q to FS700 Mode

1

MENU » SETUP » MONITOR --> RECORD » FS700 RAW-->RAW (.DNG)

ODYSSEY SETUP

RECORD INPUTS OUTPUTS

MONITOR --> RECORD

The unit will restart.

Note: When selected for the ﬁrst time (or after an update) it may take up to 3 minutes to load.

Connect Odyssey7Q to FS700

2

Connect FS700 3G-SDI output to Odyssey7Q SDIA input

Note: Use only 3G-SDI rated cables from FS700 to Odyssey7Q. Using a 1.5G SDI cable in not recommended and may cause issues.

Set Date & Time to match FS700

3

MENU » ODYSSEY » SET » TIME

4:2:2 -> PRORES HD (.MOV)

FS700 RAW -> RAW (.DNG)

CANON RAW -> RAW (.RMF)

ARRIRAW -> RAW (.ARI) 4:2:2/4:4:4 -> 4:4:4 (.DPX)

FS700 4K RAW -> PRORES HD (.MOV)

ODYSSEY

SET

SSD’S

ABOUT

MFG

MENU » ODYSSEY » SET » DATE

ODYSSEY

SET

SSD’S

ABOUT

MFG

( Continued on Next Page » )

SETUP

ACTIVATION

TIME

DATE

RESET

SETUP

ACTIVATION

TIME

DATE

RESET

RECORD INPUTS OUTPUTS

▲

07:30:11

OK X

▼

▲

2014 MAR 19

▼

OK X

7

Conﬁgure Odyssey7Q RAW Recording (Continued)

Make FS700 the Record Trigger

4

MENU » RECORD » TRIGGER » CAMERA

ODYSSEY SETUP RECORD

Set Timecode Source

5

MENU » INPUTS » TIMECODE » SOURCE » SDI

ODYSSEY

Format SSDs

6

MENU » ODYSSEY » SSD’S » FORMAT BOTH (or FORMAT SSD1 if you do not have a

second SSD drive installed.)

SETUP

TRIGGER

CLIP

PROJECT

RECORD

INPUTS OUTPUTS

REC BUTTON

CAMERA

INPUTS OUTPUTS

AUDIO

TIMECODE

SOURCE

SDI

LTC

SEED/REC RUN

Connect to Camera and Verify Status Input

7

Connect FS700 3G-SDI output to Odyssey7Q SDIA input

Note: Use only 3G-SDI rated cables from FS700 to Odyssey7Q. Using a 1.5G SDI cable in not recommended and may cause issues.

The status on your Odyssey7Q will display your camera’s output.

Example:

Note: The recorded ﬁle will be RAW (.DNG) 2K or 4K. 2K up to 240fps, 4K up to 60fps (sustained) and 4K 100/120 (3-4 second bursts).

4K 29.97 FS700

RAW

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Conﬁgure Odyssey SSD RAID Conﬁguration

Recording Across Two SSDs

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SSD1 SSD2

1, 3, 5, 7… 0, 2, 4, 6…

4K 23.98 to 30p rates = Single Drive 4K 50/59p = RAID (two drives) 2K 200/240p = RAID (two drives)

RAID is set up automatically upon detecting the input signal - no setup is required.

Note: You can use any Convergent Design media; they need not be matching (ie, one 256GB card and one 512GB card).

( Next Step: O-loading Data )

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Notes

9

Conﬁgure FS700 4K RAW to HD Apple ProRes 422

Set up the FS700 for 4K RAW Recording

1

MENU » REC/OUT SET » REC SET » RAW SET

Select any of the following frames rates that you wish to record on Odyssey7Q:

NTSC

PAL

Once the selection is made you will need to press EXEC on the camera, to return to live / record.

Setup Record Trigger (FS700 Rec Button)

2

MENU » REC/OUT SET » VIDEO OUT » SDI/HDMI COMMAND » ON

Set Gamma (required for RAW recording)

3

PICTURE PROFILE » PP7 » SETTING » GAMMA » S-Log2

NOTES:

• Picture Proﬁles S-Log2, Rec709, Rec709 800% are all supported in this mode.*

• Custom Proﬁles are not supported at this time.

• Be sure to set the white balance correctly before shooting. Also note that if you wish to trigger the Odyssey via the camera’s record trigger please set the following on the FS700

• With 4K to HD what you see on the monitor is what will be recorded.

• Adjusting settings within each picture proﬁle will not be reﬂected in the recording since the Odyssey7Q can only detect which proﬁle is set, not the individual attributes.

4096x2096/24p 4096x2096/30p 4096x2096/60p

4096x2160/25p 4096x2160/50p

Connect FS700 to Odyssey7Q

4

Connect FS700 3G-SDI output to Odyssey7Q SDIA input

Note: Use only 3G-SDI rated cables from FS700 to Odyssey7Q. Using a 1.5G SDI cable in not recommended and may cause issues.

( Next Step: Conﬁgure Odyssey7Q 4K RAW to HD Recording)

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Conﬁgure Odyssey7Q 4K RAW to HD Recording

Set Odyssey7Q to FS700 4K RAW to Apple ProRes 422 Mode

1

MENU » SETUP » MONITOR --> RECORD » FS700 4K RAW-->PRORES HD

Note: When selected for the ﬁrst time it may take up to 3 minutes to load.

ODYSSEY SETUP

MONITOR --> RECORD

Make FS700 the Record Trigger

2

MENU » RECORD » TRIGGER » CAMERA

ODYSSEY

Set Timecode Source

3

MENU » INPUTS » TIMECODE » SOURCE » SDI

SETUP RECORD

RECORD INPUTS OUTPUTS

INPUTS OUTPUTS

TRIGGER

CLIP

PROJECT

REC BUTTON

CAMERA

REMOTE

4:2:2 -> PRORES HD (.MOV)

FS700 RAW -> RAW (.DNG)

CANON RAW -> RAW (.RMF)

ARRIRAW -> RAW (.ARI) 4:2:2/4:4:4 -> 4:4:4 (.DPX)

FS700 4K RAW -> PRORES HD (.MOV)

ODYSSEY

If recording S-Log2 use Sony FS700 S-Log setting.

( Continued on Next Page » )

SETUP

RECORD

INPUTS OUTPUTS

AUDIO

TIMECODE

SOURCE

SDI

LTC

SEED/REC RUN

11

Conﬁgure Odyssey7Q 4K RAW to HD Recording

Format SSDs

4

MENU » ODYSSEY » SSD’S » FORMAT BOTH (or FORMAT SSD1 if you do not have a

second SSD drive installed.)

Connect to Camera and Verify Status Input

5

Connect FS700 3G-SDI output to Odyssey7Q SDIA input

Note: Use only 3G-SDI rated cables from FS700 to Odyssey7Q. Using a 1.5G SDI cable in not recommended and may cause issues.

The status on your Odyssey7Q will display your camera’s output.

Example:

Note: The recorded ﬁle will be 1920x1080 @ 23.98/25/29.97 fps.

4K 29.97p S-Log2

4K->HD PRORES

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Conﬁgure FS700 FS700 422 to Apple ProRes 422

Set up the FS700 for Recording

1

MENU » REC/OUT SET » REC SET » HD

Select any of the following frames rates that you wish to record on Odyssey7Q:

NTSC

1080/24p 1080/30p 1080/60p

PAL

Note: 1080/60p, 1090/50p, 1080/100p, 1080/120p are not supported at this time.

Set up Record Trigger (FS700 Rec Button)

2

MENU » REC/OUT SET » VIDEO OUT » SDI/HDMI COMMAND » ON

Set up FS700 Output Resolution

3

MENU » REC/OUT SET » VIDEO OUT » SDI/HDMI/COMPONENT » 1080p/480p

Set up FS700 Output Frame Rate

4

MENU » REC/OUT SET » VIDEO OUT » 24/30p Output » 24p/30p

1080/25p 1080/50p

( Next Step: Conﬁgure Odyssey7Q for Apple ProRes 422 recording )

QUESTIONS or FEEDBACK? We’re always available to help! Support@Convergent-Design.com

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Conﬁgure Odyssey7Q FS700 to Apple ProRes 422

Set Odyssey7Q to FS700 to Apple ProRes 422 Mode

1

MENU » SETUP » MONITOR --> RECORD » 4:2:2->PRORES HD (.MOV)

ODYSSEY SETUP

MONITOR --> RECORD

Set up Odyssey7Q for your FS700

2

MENU » SETUP » 4:2:2/4:4:4 SOURCE » SONY FS700

ODYSSEY SETUP

MONITOR --> RECORD

4:2:2/4:4:4 SOURCE

RECORD INPUTS OUTPUTS

4:2:2 -> PRORES HD (.MOV)

FS700 RAW -> RAW (.DNG)

CANON RAW -> RAW (.RMF)

ARRIRAW -> RAW (.ARI) 4:2:2/4:4:4 -> 4:4:4 (.DPX)

FS700 4K RAW -> PRORES HD (.MOV)

RECORD

INPUTS OUTPUTS

ARRI

CANON

PANASONIC

RED

SONY FS700

Note: If recording S-Log2 use Sony FS700 S-Log2 setting

SONY FS700 (S-Log2)

Make FS700 the Record Trigger

3

MENU » RECORD » TRIGGER » CAMERA

ODYSSEY

Set Timecode Source

4

MENU » INPUTS » TIMECODE » SOURCE » SDI

ODYSSEY

SETUP RECORD

TRIGGER

CLIP

PROJECT

SETUP

RECORD

INPUTS OUTPUTS

REC BUTTON

CAMERA

REMOTE

INPUTS OUTPUTS

AUDIO

TIMECODE

SOURCE

SDI

LTC

SEED/REC RUN

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Conﬁgure Odyssey7Q FS700 to Apple ProRes 422

Format SSDs

5

MENU » ODYSSEY » SSD’S » FORMAT BOTH (or FORMAT SSD1 if you do not have a

second SSD drive installed.)

Connect to Camera and Verify Status Input

6

Connect FS700 3G-SDI output to Odyssey7Q SDIA input

Note: Use only 3G-SDI rated cables from FS700 to Odyssey7Q. Using a 1.5G SDI cable in not recommended and may cause issues.

The status on your Odyssey7Q will display your camera’s output.

Example:

Note: The recorded ﬁle will be 1920x1080 @ 23.98/25/29.97 fps.

Note: Camera trigger will not work with the FS700R for ProRes or DPX recordings because the camera does not output the SDI record trigger with ﬁrmware version 3.10.

1080p29.97 422 FS700

PRORES HQ

15

Conﬁgure FS700 Recording to Uncompressed DPX

Set up the FS700 for Recording

1

MENU » REC/OUT SET » REC SET » HD

Select any of the following frames rates that you wish to record on Odyssey7Q:

NTSC

1080/24p 1080/30p 1080/60p

PAL

Note: 1080/100p, 1080/120p are not supported at this time.

Set up Record Trigger (FS700 Rec Button)

2

MENU » REC/OUT SET » VIDEO OUT » SDI/HDMI COMMAND » ON

Set up FS700 Output Resolution

3

MENU » REC/OUT SET » VIDEO OUT » SDI/HDMI/COMPONENT » 1080p/480p

Set up FS700 Output Frame Rate

4

MENU » REC/OUT SET » VIDEO OUT » 24/30p Output » 24p/30p

1080/25p 1080/50p

( Next Step: Conﬁgure Odyssey7Q for Uncompressed DPX Recording )

QUESTIONS or FEEDBACK? We’re always available to help! Support@Convergent-Design.com

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Convergent Design, Inc.

Conﬁgure Odyssey7Q Recording Uncompressed DPX

Set Odyssey7Q to FS700 to Uncompressed DPX Mode

1

MENU » SETUP » MONITOR --> RECORD » 4:2:2/4:4:4 -> 4:4:4 (.DPX)

ODYSSEY

SETUP

RECORD

INPUTS

OUTPUTS

MONITOR --> RECORD

Click OK

4:2:2 -> PRORES HD (.MOV)

FS700 RAW -> RAW (.DNG)

CANON RAW -> RAW (.RMF)

ARRIRAW -> RAW (.ARI)

4:2:2/4:4:4 -> 4:4:4 (.DPX)

FS700 4K RAW -> PRORES HD (.MOV)

The unit will restart.

Set up Odyssey7Q for your FS700

2

MENU » SETUP » 4:2:2/4:4:4 SOURCE » SONY FS700

ODYSSEY

SETUP

MONITOR --> RECORD

RECORD

INPUTS

ARRI

CANON

PANASONIC

RED

SONY FS700

SONY OTHER

OTHER

OUTPUTS

Note: If recording S-Log2 use Sony FS700 S-Log2 setting

SONY FS700 (S-Log2)

Make FS700 the Record Trigger

3

MENU » RECORD » TRIGGER » CAMERA

ODYSSEY SETUP RECORD

TRIGGER

CLIP

PROJECT

Set Timecode Source

4

MENU » INPUTS » TIMECODE » SOURCE » SDI

ODYSSEY SETUP RECORD

INPUTS OUTPUTS

REC BUTTON

CAMERA

REMOTE

INPUTS OUTPUTS

AUDIO

TIMECODE

SOURCE

Note: Camera trigger will not work with the FS700R for ProRes or DPX recordings because the camera does not output the SDI record trigger with ﬁrmware version 3.10.

SDI

LTC

17

Conﬁgure Odyssey7Q Recording Uncompressed DPX

Format SSDs

5

MENU » ODYSSEY » SSD’S » FORMAT BOTH (or FORMAT SSD1 if you do not have a

second SSD drive installed.)

Connect to Camera and Verify Status Input

6

Connect FS700 3G-SDI output to Odyssey7Q SDIA input

Note: Use only 3G-SDI rated cables from FS700 to Odyssey7Q. Using a 1.5G SDI cable in not recommended and may cause issues.

The status on your Odyssey7Q will display your camera’s output.

Example:

Note: The recorded ﬁle will be 1920x1080 @ 23.98/25/29.97 fps.

Note: Camera trigger will not work with the FS700R for ProRes or DPX recordings because the camera does not output the SDI record trigger with ﬁrmware version 3.10.

1080p29.97 422 FS700

DPX 4:4:4

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Odyssey7Q O-Loading Data

Connect SSD Drive to Adapter

1

Connect the Convergent Design 2.5” Premium SSD Media to any o-the-shelf 2.5” SATA adaptor (example: Seagate GoFlex Thunderbolt Adaptor or USB 3.0 Adaptor)

Connect Adapter to Computer

2

The SSD will mount within 10-20 Seconds. (You will see this mount on the desktop or within ﬁnder on MAC, or within My Computer on Windows machines).

Copy Files for Playback/Editing

3

All Clips or Takes are located within the “Clips” directory, navigate to this and copy all of your ﬁles to a local or external drive or RAID for playback and/or editing.

Free Software Utilities

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CD Clip Merger (Free Download from Website)

Use the Clip Merger for any Raided Record (ie if your recorded clip required more than one SSD). See the At A Glance Chart, “No. of SSD’s Req” column, on page 2.

CD Apple ProRess Transfer Tool (Free Download from Website)

Use to combine clips into a single ﬁle Use to copy all ﬁles to a single directory without folder structure.

CD Data Unpacker (Free Download from Website)

Use CD Data Unpacker to convert “packed” ﬁles to “unpacked” data.

DOWNLOAD HERE: http://convergent-design.com/support/ﬁrmware-downloads.html

ATTENTION MAC OSX USERS

!

Before installing Convergent Design Software on Mac OSX You must ﬁrst change the following settings.

1) Navigate to Applications » Utilities » System Preferences

2) Select Security and privacy

3) Under General » Allow applications downloaded from: Select Anywhere.

4) Now you will be able to run the installer for installing any Convergent Design Applications.

19

FS700 Post Production

Apple ProRes 422 (HQ)

The Odyssey7Q records in Apple ProRes 422 (HQ) which is a 10 bit 4:2:2 220Mb compressed codec. This will allow for high quality recording while avoiding high data rates of working with uncompressed video. (DPX)

Native Apple ProRes 422 Support

Adobe CC 2014* Final Cut Pro 7 Autodesk Smoke

Apple FCP X, Aperture Black Magic DaVinci Resolve Sony Vegas

Cineform Studio The Foundry Nuke

To playback Apple ProRes 422 (HQ) ﬁles in QuickTime Player X, the ﬁles must be ﬁrst run through our Apple ProRes 422 (HQ) Utility to be optimized for the recently released Apple ProRes 422 (HQ) Codec update. If ﬁles are not optimized, then they will play the ﬁrst second of audio only. This is not an issue when playing in FCPX.

SONY FS700 RAW SUPPORT (DNG SEQUENCES)

All FS700 RAW recording on the Odyssey7Q is recorded as a 12-bit linear CinemaDNG ﬁle. With DNG ﬁles, timecode and clip metadata is stored in every frame, as well as in the XML ﬁle within each clip. All audio is recorded 48Hz 16 bit Uncompressed WAV audio.

It is important to correctly set the white balance of the camera, as this is baked into the RAW ﬁle.

Native CinemaDNG Support

Adobe CC 2014* Assimilate Scratch Lab (future update)

Apple FCP X, Aperture Black Magic DaVinci Resolve

*Pending next Adobe CC update.

( Continued on Next Page » )

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FS700 Post Production (Continued)

FS700 RAW: DEALING WITH RAW FILES

Note that FS700 RAW ﬁles are Linear, thus the ﬁles need a Gamma 2.2 correction in order to look correct. You may notice when you ﬁrst import your ﬁles that they appear very dark before correction.

FS700 DAVINCI RESOLVE IMPORT SETTINGS

1. Right click on the ﬁle and select “Edit CinemaDNG Codec Settings”

2. Then under the CAMERA RAW select be sure CinemaDNG is selected from the drop down menu.

3. Set the Decode using method to CinemaDNG Default* (Also be sure your project is setup correctly)

4. Set the White Balance to As Shot

5. Set the Color Space to Rec709

6. Set the Gamma to Rec709

7. Leave Highlight Recovery o

8. Click Apply

The media pool CameraRAW settings are the same as the ones in the color page and these are designed for individual clip adjustment so its better to ﬁrst set the ‘project settings’, ‘camera RAW’ as you need for the whole project.

Select ‘Project Settings’, ‘Camera RAW’, ‘CinemaDNG’ and make sure the ‘Decode using’ is set to either ‘CinemaDNG Default’ or “Camera Metadata’

The “Camera Metadata’ is the default and the best place to start if you need to change an individual clip with camera RAW.

The Media pool settings are helpful if you have a mix of dierent clip types, you can sort by codec, select a group and adjust.

For you Convince Convergent Design has Generated several example LUTs that can be applied to your RAW footage. Keep in mind these LUTs are an approximation, and may need adjusting depending on your application.

These LUTs are available in the Firmware/Downloads section of the Convergent Design website.

*Also note that using camera metadata or CinameDNG default is also supported.

( Continued on Next Page » )

21

FS700 Post Production (Continued)

TO LOAD 3D LUTS INTO DAVINCI RESOLVE

1. Select the Project Settings wheel, and navigate to Look up Tables

2. Select Open LUT Folder, and copy the included example LUTs into this folder.

3. Now Select Update Lists

4. Now in the media Browser you can right click on your RAW ﬁle and select 3D LUT and select the LUT you wish to apply from the list.

Note the following about each CD example LUT, and you should adjust the LUT based on your application.

FS700_1.11.100_SLOG.cube

This Lut can be applied to view a simulated S-Log2 look. based on the RAW recording with the S-Log2 picture proﬁle, also note the image should closely match the internal media.

FS700 FCP X IMPORT SETTINGS

Once you have created a new project be sure to check the following Settings:

1. Under Final Cut Pro select Preferences

2. Be sure the Still Images editing duration is set to 0.0.1 Seconds

3. Select navigate to File and select Import Media

4. Navigate to the Clips Directory, and select the Clip Folder contain your FS700 RAW ﬁles.

5. At this point you can start correcting the ﬁles to a 2.2 Gamma. using the Color Board.

* Note if you are recording the the internal media you can import the matching S-Log2 ﬁle, and select Match Color for a close approximation of S-Log2, but will most likely need additional tweaking.

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FS700 Post Production (Continued)

UNCOMPRESSED SUPPORT (DPX SEQUENCE)

All Uncompressed recording on the Odyssey7Q is recorded as 10 bit RGB 4:4:4 DPX. This is for all sources regardless if the source is 8 bit, 10 bit, 4:2:2, 4:4:4. With 12 bit cameras, ﬁles are recorded as a 16 bit DPX for more universal compatibility. Also note that with DPX ﬁles timecode, and Clip Metadata is stored in every frame, as well as in the XML ﬁle within each clip. All audio is recorded 48Hz 16 bit Uncompressed Wav audio.

Also Note 1080p59.94/60p, 1080p119/120 and 12 bit ﬁles are recorded as Packed, so our CD Unpacker Utility will need to be used before the ﬁles can be used in any editor.

Native 10-bit / 16-bit DPX Support

Adobe CS6 / Adobe CSCC Black Magic DaVinci Resolve Grass Valley Eduis (Does not support 16-Bit)

Apple Color Cineform Studio The Foundry Nuke

AutoDesk Smoke ColorFront OnSet Dailies Xnview(Does not support 16-Bit)

Assimilate Scratch Lab DJViewer

Avid DS Eyeon Fusion

Plugins for DPX Support

Glue Tools Apple FCP Pro

Apple FCP Pro X

Meta Fuse Avid Media Composer

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18-Aug-2014

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