Duplication or distribution of this manual and any information contained within is strictly prohibited without the express written
permission of Coba lt Digital Inc. This manual and a ny information contained within, may not be re produced, distribute d, or
transmitted in any form, or by any means, for any purpose, without the express written permission of Cobalt Digital Inc.
Reproduction or reverse engineering of software used in this device is prohibited.
Disclaimer
The information in this document has been carefully examined and is believed to be entirely reliable. However, no responsibility
is assumed for inaccuracies. Furthermore, C obalt Digit al Inc. res erves the right to ma ke changes to any pro ducts herein to improve
readability, function, or design. Cobalt Digital Inc. does not assume any liability arising out of the application or use of any
product or circuit described herein.
Trademark Information
Cobalt® is a registered trademark of Cobalt Digital Inc.
COMPASS
openGear
Dolby
property of their respective owners.
property of their respective owners.
Linear Acoust ic
licensed feature uses the AutoMAX-II™ upmix algorithm provided under licens e from
Linear Acoustic Inc. Linear Acoustic, the "LA" symbol, AutoMAX, and AutoMAX-II are trademarks of Linear Acoustic Inc.
All Rights Reserved.
®
and FUSION3G® are registered trademarks of Cobalt Digital Inc.
®
is a registered trademark of Ross Video Limited. DashBoard™ is a trademark of Ross Video Limited.
®
is a registered trademark of Dolby Laboratories, Inc. Other product names or trademarks appearing in this manual are the
®
, AEROMAX® and UPMAX® are registered trademarks of Linear Acoustic, Inc. 2.0-to-5.1 audio upmixer
Congratulations on choosing the Cobalt
Frame Sync, Timecode and Closed C aption Suppo rt. The 9066 is part of a full line of modula r processing a nd
conversion gear for broadcast TV environments. The Cobalt Digital Inc. line includes video decoders and
encoders, audio embedders and de-embedders, distribution amplifiers, format converters, remote control
systems and much more . Should you have questio ns pertaining to the installa tion or operation of your 906 6,
please contact us at the contact information on the front cover.
®
9066 Upconverter wi th Anal og /SDI Inpu t, Au dio Em bed/ De-Em bed,
Manual No.:9066-OM
Document Version:V4.5
Release Date:September 24, 2013
Applicable for
Firmware Version
3314
(or greater):
Description of
product/manual
changes:
- Update to add new Rear I/O Module.
- Revise manual for latest card firmware upgrade
functionality and minor edits.
- Clarification of Framesync control descriptions.
- Update manual to include latest avai lab le ca rd
options.
Troubleshooting Network/Remote Control Errors.................................... 3-69
In Case of Problems .................................................................................. 3-69
ii9066 PRODUCT MANUAL9066-OM (V4.5)
Overview
Chapter 1
Chapter 1 Introduction
This manual provides installati on and o per at ing instr uct ions for the
9066 Upconverter with Analog/SDI Input, Audio Embed/De-Embed, Frame
Sync, Timecode and Closed Caption Support card (also referred to herein as
the 9066).
This manual consists of the following chapters:
•Chapter 1, “Introduction” – Provid es informati on about this manual
and what is covered. Als o pr ovi des general information regar ding the
9066.
•Chapter 2, “Installation and Setup” – Provides instructio ns for
installing the 9066 i n a fr ame, and option ally i nsta lling 9066 Rear I/O
Modules.
•Chapter 3, “Operating Instructions” – Provides overviews of
operating controls and instructions for using the 9066.
This chapter contains the following information:
•9066 Card Software Versions and this Manual (p. 1-2)
•Manual Conventions (p. 1-3)
•Safety Summary (p. 1-4)
•9066 Functional Description (p. 1-5)
•Technical Specificatio ns (p. 1-23)
•Warranty and Service Information (p. 1-27)
•Contact Cobalt Digital Inc. ( p. 1-28)
9066-OM (V4.5)9066 PRODUCT MANUAL 1-1
19066 Card Software Versions and this Manual
9066 Card Software Versions and this Manual
When applicable, Cobalt Digital Inc. provides for continual product
enhancements through software updates. As such, functions described in this
manual may pertain specifically to cards loaded with a particular software
build.
The Software Version of your card can be checked by viewing the Ca r d I n fo
menu in DashBoard™. See Checking 9066 Card Information (p. 3-7) in
Chapter 3, “Operating Instructio ns” for more infor mation. You can then check
our website for the lates t software version currently released for the card as
described below.
Check our website and proceed as follows if your card’s software does not
match the latest versi on:
Card Software earlier than
latest version
Card Software newer than
version in manual
Card is not loaded with the latest software. Not all
functions and/or specified performance described in
this manual may be available.
You can update your card with new Update
software by going to the Support>Firmware Downloads link at www.cobaltdigital.com.
Download “Firmware Update Guide”, which
provides simple instructions for downloading the
latest firmware for your card onto your computer,
and then uploading it to your card through
DashBoard™.
Software updates are field-installed without any
need to remove the card from its frame.
A new manual is expediently released whenever a
card’s software is updated and specificationsand/or functionality have changed as compared
to an earlier version (a new manual is not
necessarily released if specifications and/or
functionality have not changed). A manual earlier
than a card’s software version may not completely
or accurately describe all functions available for
your card.
If your card shows features not described in this
manual, you can check for the latest manual (if
applicable) and download it by going to the
Support>Documents>Product Information and
Manuals link at www.cobaltdigital.com.
Cobalt Reference Guides
From the Cobalt® web home page, go to Support>Documents>Reference
Guides
updates, and other topics.
1-29066 PRODUCT MANUAL9066-OM (V4.5)
for easy to use guide s covering network remot e control , card fir mware
IntroductionManual Conventions
Manual Conventions
In this manual, display messages and connectors are shown using the exact
name shown on the 9066 itself. Examples are provided below.
•Card-edge display messages are shown like this:
Ch01
•Connector names are shown like this: AES IN 8
In this manual, the terms below are applicable as follows:
•9066 refers to the 9066 Upconverter with Analog/SDI Input, Audio
Embed/De-Embed, Frame Sync, Timecode and Closed Caption
Support card.
Warnings, Cautions, and Notes
Certain items in this manual are highlighted by special messages. The
definitions are provided bel ow.
Warnings
Warning messages indicate a possible hazard which, if not avoided, could
result in pe rsonal injury or death.
•Frame refers to the HPF-9000, OG3-FR, 8321, or similar 20-slot
frame that houses Cobalt
•Device and/or Card refers to a COMPASS
•System and/or Video System refers to the mix of interconnected
®
or other cards.
®
card.
production and terminal equipment in which the 9066 and other
COMPASS
•Functions and/or features that are available only as an option are
®
cards operate.
denoted in th is manual like this:
Cautions
Caution messages indicate a problem or incorrect practice which, if not
avoided, could result in improper operation or damage to the product.
Notes
Notes provide supplemental information to the accompanying text. Notes
typically precede the text to which they apply.
9066-OM (V4.5)9066 PRODUCT MANUAL1-3
1Safety Summary
Labeling Symbol Definitions
Attention, consult accompanying documents.
Electronic device or assembly is susceptible to damage from an ESD
event. Han dle only using appropriate ESD prevention practices.
If ESD wrist strap is not available, handle card only by edges and avoid
contact with any connectors or components.
Symbol (WEEE 2002/96/EC)
For product disposal, ensure the following:
• Do not dispose of this product as unsorted municipal waste.
• Collect this product separately.
• Use collection and return systems available to you.
Safety Summary
Warnings
! WARNING !
Cautions
CAUTION
CAUTION
CAUTION
T o redu ce risk of electr ic shock do not remove line voltage service barrier cover on frame
equipment containing an AC power supply. NO USER SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
This device is intended for environmentally controlled use only in appropriate video
terminal equipment operating environments.
This product is intended to be a component product of an openGear® frame. Refer to the
openGear frame Owner's Manual for important safety instructions regarding the proper
installation and safe operation of the frame as well as its component products.
Heat and power distribution requirements within a frame may dictate specific slot
placement of cards. Cards with many heat-producing components should be arranged to
avoid areas of excess heat build-up, particularly in frames using only convection cooling.
The 9066 has a moderate power dissipation (24 W max.). As such, avoiding placing the
card adjacent to other cards with similar dissipation values if possible.
CAUTION
CAUTION
1-49066 PRODUCT MANUAL9066-OM (V4.5)
If required, make certain Rear I/O Module(s) is installed before installing the 9066 into the
frame slot. Damage to card and/or Rear I/O Module can occur if module installation is
attempted with card already installed in slot.
If card resists fully engaging in r ear I/O module mating connector, check for alignment a nd
proper insertion in slot tracks. Damage to card and/or rear I/O module may occur if
improper card insertion is attempted.
Introduction9066 Functional Description
9066 Functional Description
Figure 1-1 shows a functional block diagram of the 9066. The 9066
upconverter also includes a full 16-channel audio embedder/de-embedder, a
12-bit analog-to-digital video converter, an 8-channel, 24-bit balanced
analog-to-digital audio converter, and a full video frame synchronizer. The
9066 also handles AFD code detection and processing, timecode support,
closed captioning support, and transfer of Dolby
As such, the 9066 is highly suited as a universal SD-to-HD input processing
card with comprehensive audio and video support. The video source can be
either an SD-SDI input or a SD analog video input. The up-converted video
aspect ratio can be corrected to provide proper output aspect.
®
metadata.
Note:Some of the functions described below are available only when using the
9066 Input/Output Formats
DashBoard™, or Cobalt
user interfaces. Refer to User Control Interface (p. 1-18) for user interface
descriptions.
®
OGCP-9000 or OGCP-9000/CC Control Panels
The 9066 provides the following inputs and outputs:
•Inputs:
• SD-SDI IN – SD-SDI input
• Y/Cmpst IN, Pr/C IN, Pb IN – analog composite/component video
inputs
• AES I/O (1-4) – user-switchable as AES inputs or AES outputs
• AES IN (5-8) – dedicated AES inputs
• AN-AUD IN (1-8) – balanced analog audio inputs
•Outputs:
• SDI OUT – two dual-rate HD/SD-SDI buffered video outputs
• AES OUT (1-8) – dedicated AES outputs
• AES I/O (1-4) – user-switchable as AES inputs or AES outputs
• DOLBY META – RS485 Dolby
®
metadata output
Note:The input/output complement listed above represents the maximum capability
of the 9066. The practical input/output complement is determined by the particular Rear I/O Module used with the 9066. Refer to 9066 Rear I/O Modules
(p. 1-20) for more information.
9066-OM (V4.5)9066 PRODUCT MANUAL1-5
19066 Functional Description
HD/SD
DOLBY
META
SDI OUT
AES OUT
(5-8)
(1-4)
1. Signal connections shown depicts
Notes:
Video Processor
full input/output capability.
Practical input/output signal
availability is determined by Rear
I/O Module used. Refer to “9066
Rear I/O Modules,” 1-20 for more
information.
licensable feature.
2. Optional 2.0-to-5.1 upmixer
Sync
Frame
(NOTE 2)
Upmixer
2.0-to-5.1
Active: Overwrites
6 selected channels
with new 5.1 mix.
See text.
Bypass: Bypasses
2.0-to-5.1 upmixer;
all original channels
pass unaffected.
AFD
Processing
Gain
Audio
Control
Routing/
Serializer/
Cable Drivers
Audio
Embed
AES
Encode
Video
S11–S14
Tracking
Delay and
Framesync
User Offset
[AES OUT (1-4)]
Processing
CC
Re-insert
Upconversion
Metadata Extract/
Processing
TC
Audio LTC
Down/
Mono
Mixer
Processing
Audio
Analog
Audio A/D
De-Embed
Audio Processor
and SRC
AES Decode
[AES IN (1-4)]
A/D
Video
Y/Cmpst IN
Pr/C IN
Pb IN
IN (1,2)
EXT REF
(from frame)
EQ/Deserialize
IN (1-8)
AN-AUD
SD SDI IN
AES IN (5-8)
AES I/O (1-4)
9066V4.1BD
Figure 1-1 9066 Functional Block Diagram
1-69066 PRODUCT MANUAL9066-OM (V4.5)
Introduction9066 Functional Description
Video Processor Description
The 9066 features a scaler that provides up-conversion using de-interlacing
and motion adaptation for high quality up-conversions. The scaler also
provides user-adjustable aspect ratio control and zoom control.
The 9066 video subsystem also provides the functions described below.
Video Processor
The 9066 provides full color processing control (luma gain and lift, chroma
saturation, and color phase) of the output video.
Frame Sync Function
This function p rovide s for fra me s ync co ntrol usin g e ither one of t wo ext ern al
EXT REF IN (1,2) reference sign als di stri buted wit h the ca rd fra me, or the inpu t
video as a frame sync reference.
This function also allows horizontal and/or vertical offset to be added
between the output video and the frame sync reference.
A video/audio delay offset function allows adding or reducing audio delay
from the matching video delay. This function is useful for correcting lip sync
problems when video and audio paths in the chain experience differing
overall delays. A Reset Framesync function resets the frame sync following
any horizontal or vertical offset changes, clearing any buffered audio and
video and re-establ ishing t he frame s ync. The 906 6 re-est ablishes vi deo/audi o
sync following framesy nc changes by appl ying an of fset in small, progre ssive
amounts to provide a seamless, glitch-free retiming. A user-selectable hard
resync function allows setting a threshold at which hard resync is applied if
audio-video offset exceeds a selectable threshold. Hard resync provides
fastest snyc-up suitable for off-air manipulation. Conversely, a threshold
setting that avoids hard resync allows glitch-free on-air manipulation.
In the event of input video loss of signal, this function provides for disabling
the video, going to a des ired color raster, or freezing to the last intact frame
(for SDI, last frame having valid SAV and EAV codes; for analog, last frame
free of timing errors).
9066-OM (V4.5)9066 PRODUCT MANUAL1-7
19066 Functional Description
Scaler Function
The scaler function provides up-conversion from standard SD formats. It
provides up-conversion to multiple frame rates, film frame rates, and
up-conversion to interlaced and progressive formats. Table 1-1 lists the 9066
conversion choices available for various input formats and frame rates.
Notes: 1. The drop-down list choice of “Same as Input” is used when no conversion is desired. For clarity, it is not redundantly listed here.
2. “X” denotes conversions not available or invalid conversions.
3. Interlaced formats rates listed are field rates. Progressive format rates listed are frame rates.
4. If the original material does not have a proper 3-2 cadence suitable for conversion to film rates, the conversion reverts to standard
de-interlacing. While this video can be converted to film rates, the resulting image motion will lack smoothness. Therefore, make
certain interlaced video is appropriately constructed for 3-2 reverse pulldown when converting video to film rates.
5. “NTSC” and “PAL” in this manual informally denote 486i5994 and 575i50 SD-SDI video formats, respectively.
SD
(NTSC/
PAL)
720p
720p
half-rate
720p
(film rates)
(4)
1080i1080p
1080i 59.941080p 29.971080p 23.98
1080p
(film rates)
1080PsF 23.98
(4)
1080PsF
(film rates)
When output video is set to 720p, the 720p output can be converted to 720p
half-rate formats as li st ed i n Table 1- 1. Whe n out put vide o is se t to 1080 film
(1080p23.98), the 9066 can convert the output to 1080PsF23.98 (segmented
frame progressive).
The scaler function also provides aspect ratio conversion that provides a
choice from several standard aspect ratios. Additionally, user-defined and
“Follow AFD Settings” conversion can be applied. User defined settings
allow custom user-de fin ed H and V aspect ratio control. “Follow AFD
Settings” se ts the output aspect ratio to track with AFD (Active Format
Description) settings embedded in the received video signal.
(4)
Timecode Processor
(See Figure 1-2.) This func ti on provides for extraction of t imec ode da ta from
the input video, and in turn re-insertion of timecode data into the output SDI.
In this manner , ti mecode dat a can b e prese rved, ev en a fter for mat c onvers ion.
The function can monitor bot h the anal og and SDI video inputs of the car d for
supported timecode formats, and then select and prioritize among analog
VITC, SDI VITC, SDI ATC_VIT C, SDI ATC_L TC, and audi o LTC timecode
sources. Audio LTC can be received over a selected balanced analog audio
input, or as digital audio over a selected embedded or AES input. If the
preferred format is detected, the preferred format is used by the card; if the
preferred format is no t det ected, th e card uses oth er fo rmats ( where avai labl e)
as desired.
The function also provi des conv ersio n bet ween var ious t imecode format s and
provides independent insertion and line number controls for each SDI
timecode output format.
1-89066 PRODUCT MANUAL9066-OM (V4.5)
Introduction9066 Functional Description
Option +LTC allows bidirectional transfer and conversion
between VBI formats over SDI and audio LTC, as well as RS-485 LTC.
Audio LTC can be received or sent over a selected balanced analog audio
input, or as digital audio over a selected embedded or AES input.
HD/SD–SDI
(From Video Proc)
Analog
Video
Input
SDI
Video
Input
Audio/
RS-485 LTC
Analog VITC
Detect/Extract
SDI VITC
Detect/Extract
SDI ATC_VITC
Detect/Extract
SDI ATC_LTC
Detect/Extract
Audio LTC
Select/Extract
Priority/
Select
Buffer/
Format
SDI VITC
Timecode
Proc/Embed
ATC_VITC
Timecode
Proc/Embed
ATC_LTC
Timecode
Proc/Embed
Insert
Control
Line
Number
Control
Audio/RS-485
LTC Generate
HD/SD–SDI
Video Output
Audio LTC Out
RS-485 LTC Out
Figure 1-2 Timecode Processor
Closed Captioning Processor
This function provides support for closed captioning setup. When enabled,
the function selects from curr ent i nput vid eo, anal og SD, or SDI as t he sour ce
of closed captioning data. The function also allows the selection of the
ancillary data l ine nu mber where the anci llary cl osed capt ion d ata is out putted
when the output is HD. When receiving HD-SDI, both CEA 608 and CEA
708 are supported, with CEA 608 and CEA 708 (containing CEA 608
packets) converted t o line 21 clo sed capt ioni ng on out puts do wn-conver ted t o
SD (on up-convert of SD, only CEA 608 closed captioning is generated).
9066-OM (V4.5)9066 PRODUCT MANUAL1-9
19066 Functional Description
Dolby® Metadata Extractor/Re-inserter
This function extract s and preserv es Dolby® metadata from the input SDI, and
in turn allows the metadata to be re-inserted in the output SDI. This allows
scaling and/or format conversions without losing Dolby
9066 does not offer Dolby
and/or Dolby
®
Digital™ encoded signals and metadata intact.) The extracted
®
decoding or encoding, but will pass Dolby
metadata is buffered and then output on a user-selectable line number on the
SDI output, and on the
DOLBY META RS485 connector (on cards equipped
with appropriate Rear I/O Module).
AFD Processor
This function provides aspect ratio controls and assignment of AFD codes to
the SDI output video.
Using this function, aspect ratios in accordanc e with the standard 4-bit AFD
codes can be applied to the output video. Additionally, custom aspect ratios
can be independently defined for any of the AFD codes.
Separate, independent AFD controls a re provided for both 16:9 coded and 4:3
coded frames.
®
metadata. (The
®
E
This function also provides AFD-controlled ARC by checking for any
existing AFD code within the received video input. If a code is present, the
code is displayed. With the Scaler function
Follow AFD Settings, the H and V settings corr esponding to the received code
Aspect Ratio Conversion set to
are applied to the video by the 9066. The default, standard aspect ratio
described by the AFD code can be applied, or custom horizontal/vertical
scaling can be applied for a given code.
The function also allows the selection/changing of the AFD code and
ancillary data line number for the outputted AFD code.
1-109066 PRODUCT MANUAL9066-OM (V4.5)
Introduction9066 Functional Description
Audio Processor Description
The audio processor operates as an internal audio router. The router function
chooses from the following inputs:
•16 channels of embedded audio from the SDI video
•16 channels (8 pairs) of discrete AES input
•8 channels of balanced analog audio input
•Four independent internal tone generators (described below)
•Digital silence (mute) setting
•Internal Down Mix and Mono Mixer outputs (described below)
The router function provides the following audio outputs:
•16 channels of embedded audio on the SDI output
•16 channels of discrete AES output on eight AES pairs
The router acts as a full audio cross point. Each of th e 32 out put cha nne ls ( 16
embedded AES, 16 discrete AES) can receive signal from any one of the 40
(16 embedded AES, 16 discrete AES, 8 analog) input channels, four internal
tone generators, or several mixer outputs. Unused output channels can be
mapped to a “Silence” source . Ea ch out put al so provides gain adjustment and
selectable polarity inversion.
Output audio rates are always 48 kHz locked to output video, but discrete
AES inputs can pass through the sample rate converters to align these inputs
with the output timing. (AES must be nominally 48 kHz input; 32, 44.1, 96,
and 192 kHz inputs are not compatible with the 9066.) The sample rate
converters are disabled by default. Output AES is always precisely
synchronized with the output video. The balanced analog audio input is
sampled at 48 kHz with a +24 dBu clipping level (+24 dBu => 0 dBFS).
As set with the default settings, t he routing be tween embedded aud io channels
Embed Ch 1 thru Embed Ch 16 and discrete AES a udi o ch anne ls AES Ch1 thru
AES Ch 16 is as shown in Figure 1-3. In this mode, the routing is basic 1-to-1
embedding/de-embedding for the 16 embedded and AES discrete audio
channels. Other sources and/or destinations (described below) for each
channel are selected using the card edge controls or a remote control system.
Note:As shown in Figure 1-1, the 9066 is equipped with eight discrete AES input
pair ports and eight discrete AES output pair ports. On Rear I/O Modules having limited AES I/O capabilities, switches S11 thru S14 allow available rear
module BNC connectors to be allotted between AES inputs and outputs as
desired. Buffered copies of
and as respective outputs fed through S11 – S14 on the 9066 card.
AES OUT (1-4) are available as dedicated outputs
9066-OM (V4.5)9066 PRODUCT MANUAL1-11
19066 Functional Description
AES Ch 1
AES Ch 8
AES Ch 9
AES Ch 16
Embedded Audio
Group 1/2
Embed Ch 1
•
•
•
Embedded Audio
•
•
•
•
•
•
Embed Ch 8
Group 3/4
Embed Ch 9
•
•
•
Embed Ch 16
AES Audio Out
Pairs 1-4
AES Ch 1
•
•
•
AES Ch 8
AES Audio Out
Pairs 5-8
AES Ch 9
•
•
•
AES Ch 16
Figure 1-3 Default Embed/De-Embed Audio Routing
Audio Down Mixer and Mono Mixer Function
(See Figure 1-4.) The Audio Down Mixer function provides for the selection
of any five embedded, AES discrete, or analog audio sources serving as Left
(
L), Right (R), Center (C), Left Surround (Ls), and Right Surround (Rs)
individual signal s to b e multi plexed into a ster eo pair (Down Mix Left (
and Down Mix Right (
turn be routed and processe d just l ike any o f the oth er aud io source s descri bed
earlier.
DM-R)). The resulting stereo pair DM-L and DM-R can in
DM-L)
Embed Ch 1 - Ch 16
AES Ch 1 - Ch 16
AN-AUD Ch 1- Ch 8
Embedded Ch 1
Embedded Ch 2
AES Ch 6
Embedded Ch 4
Embedded Ch 5
Ls
L
C
R
Rs
DM-L
DM-R
Figure 1-4 Audio Mixing Functional Block Diagram with Example Sources
1-129066 PRODUCT MANUAL9066-OM (V4.5)
Introduction9066 Functional Description
The Mono Mixer function (Figure 1-5) generates an additional mono-mixed
channel from two sel ec ted embed d ed, AES di scr et e, or analog input channel s
serving as left and ri ght i nputs. Th e resul ting mon o mix chann el
turn be routed a nd process ed just like any of the other au dio sourc es descri bed
earlier.
Emb Ch 1 - Ch 16
AES Ch 1 - Ch 16
AN-AUD Ch 1- Ch 8
MONO can in
Emb Ch 12
Emb Ch 16
Figure 1-5 Audio Mono Mix Functional Block Diagram with Example Sources
L
R
MONO
Σ
2.0-to-5.1 Upmix Function
Note:Upmix function is an optional licensable feature. This function and its controls
appear only when a license key is entered and activated. (This option (identified in Cobalt
field-activated using a key string which is sent to you when this option is purchased.)
The 2.0-to-5.1 upmixer function receives a normal PCM stereo pair fr om the
Audio Routing/Gain Control function and upmixes the pair to provide 5.1
channels (Left (
Surround (
overwrites the six selected channels with the new 5.1 upmix signals
(including replacing the original source stereo
R signals).
The 2.0-to-5.1 upmixer can be set to up mix in any of three modes: Always
upmix, Bypass upmix, or Auto enable/bypass upmixing. The Auto upmixing
mode looks at the sig nal l evels on the sele cted chann els and c ompares th em to
a selectable level threshold. It then determines whether or not to generate 5.1
upmixing from the stereo pair as follows:
®
price lists as +UM) can be purchased upon initial order, or
L), Right (R), Center (C), Low Frequency Effects (LFE), Left
Ls), and Right Surround (Rs)). Whenever the upmixer is active, it
L and R inputs with new L and
•If the upmixer detects signal level below a selected threshold on all
four of the selected channels designated as
C, LFE, Ls, and Rs, this
indicates to the upmixer that these channels are not carrying 5.1. In
this case, the upmixer o verwrites all six selected channels with the
new 5.1 content.
•If the upmixer detects signal level above a selected threshold on any
of the four selected channels designated as
C, LFE, Ls, and Rs, this
indicates to the upmixer that the channel(s) are already carrying
viable 5.1 content. In t his cas e, the upmix er is bypa ssed, al lo wing the
original channels to pass unaffected.
9066-OM (V4.5)9066 PRODUCT MANUAL1-13
19066 Functional Description
The examples in Figure 1-6 show t he automatic enable/di sable up-mixing
function applied to example selected channels
shown and described, the processing is contingent upon the signal levels of
the channe ls selected to carry the new 5.1 upmix relative to the selected
threshold (in this example, -60 dBFS). Note also that this function is applied
after the Audio Routi ng/Ga in Cont rol f uncti on. Beca use al l aud io inputs pass
through the Audio Routing/Gain Control functio n be for e t he up mixer, th e up
mixer can use embedded, AES discrete, and/or analog audio sources.
From Audio
Routing/Gain
Control
With all detected signal levels on
EmbCh3– Ch 6 below
threshold, upmixer is active and
overwrites with new 5.1.
L – Emb Ch 1
R – Emb Ch 2
C – Emb Ch 3
LFE – Emb Ch 4
Ls – Emb Ch 5
Rs – Emb Ch 6
- 60 dBFS
From Audio
Routing/Gain
Control
>
With any detected signal levels
on Emb Ch 3 – Ch 6 above
threshold, upmixer is bypassed.
- 20 dBFS
- 60 dBFS
Note: In either case shown here, the unselected
channels (in this example, Emb Ch 7 thru Ch
16) are not involved in this process and always
pass unaffected.
Below Threshold
(Overwrite)
s
s
E
C
L
R
F
L
Emb Ch 1 – Ch 16
Above Threshold
(Bypass)
s
s
E
C
L
R
F
L
To Audio
Embed
To Audio
Embed
Emb Ch 1
Emb Ch 2
Emb Ch 3
Emb Ch 4
Emb Ch 5
Emb Ch 6
X
Selected channels Emb Ch 1 – Ch 6
are overwritten with the new 5.1
upmix content.
Threshold
Detect
L
R
(C)
(LFE)
(Ls)
(Rs)
Because the selected channels are
already carrying viable content,
upmixing is bypassed, allowing the
six original Emb Ch 1 – Ch 6 to pass
unaffected.
5.1 Up Mix
X
X
Figure 1-6 Up Mix Auto Enable/Bypass with Example Sources
1-149066 PRODUCT MANUAL9066-OM (V4.5)
Introduction9066 Functional Description
Loudness Processor (Option +LP)
Note:Loudness processor function is an optional licensable feature. This function
and its controls appear only when a license key is entered and activated.
(This option (identified in Cobalt
initial order, or field-activated using a key string which is sent to you when this
option is purchased.)
®
price lists as +LP) can be purchased upon
If your card was purchased with option +LP, loudness processor manual
supplement “5.1 and Stereo Loudness Processing Options for Compass
®
Cards (+LP51, +LP20) Manual Supplement” (OPT-SW-LP-MS) is included
in your documentation package. Supplement OPT-SW-LP-MS can be
downloaded from our website or requested using the Cobalt contact
information in this manual.
Tone Generator Function
The 9066 contains four built-in tone generators (Tone Generator 1 thru Tone
Generator 4). Each of the four tone generators can be set to a different
frequency, and are available as audio sour ce s f or t he embedded or AES audio
outputs.
18 discrete sine wave frequencies are a vailable, ranging from 50 Hz to 16 kHz
(default frequency is 1.0 kHz).
Audio Routing Example
Figure 1-7 shows an example of using the 9066 audio embedding/
de-embedding and routing functions to de-embed audio, route the audio to
discrete outputs for post-production processing (in this example, a console
used for post-production EQ, levels, and monitor), and finally re-embed the
audio into the SDI video output. Additionally, the example shows how
external analog and internal tone generator sources can be embedded into the
SDI output (in this exampl e, a provis ion for local station ID voi ce-over analog
and a tone).
Note that the source and destination correlations shown here are only
examples; any source can route to any destination.
9066-OM (V4.5)9066 PRODUCT MANUAL1-15
19066 Functional Description
9066
Post-Production
Video Feed
(with five
embedded audio
channels)
OTA Video
Feed (with
eight embedded
audio channels)
AES IN 5
AES IN 6
AES IN 7
AES IN 8
AES Ch 9
AES Ch 10
AES Ch11
AES Ch 12
AES Ch 13
AES Ch 14
AES Ch 15
AES Ch 16
Silence
Embed Ch 1
Embed Ch 2
Embed Ch 3
Embed Ch 4
Embed Ch 5
Embed Ch 6
Embed Ch 7
Embed Ch 8
Embed Ch 9 –
Embed Ch 16
Post-Production Console
Figure 1-7 Audio Routing Example
1-169066 PRODUCT MANUAL9066-OM (V4.5)
Introduction9066 Functional Description
AES Audio Input Advanced Features
AES Sample Rate Converter
The 9066 AES inputs have sample rate converters that can be independently
enabled for each AES pair to allow the card to interface with asynchronous
AES sources (sources in which AES timing does not match the video input
timing). The sample rate converters are set to disabled (bypassed) by default;
this is necessary when embedding non-PCM AES audio such as Dolby
®
Dolby
Digital au dio streams. When a valid Dolby® E or Dolby® Digital
signal (in accordance with SMPTE 337M) is detected on an AES or
embedded audio signal, SRC is automatically bypassed along with gain and
polarity controls.
Zero-Delay Audio Embedding
®
E or
In cases where additiona l delay must be avoided, it may be desirable to e mbed
AES with minimum latency. For example if Dolby
®
E is to be embedded into
video with no latency, additional delay may not be to lerable. Usin g zero-delay
embedding, the video can then be delayed by one frame to account for the
Dolby E encoding delay. In this manner, any delay between video and audio
can be cleanly contained within one frame period.
When zero-delay audio emb edding is en abled for a give n AES pair , th e pair is
directly embedded int o its corres ponding group (for example , AES Pair 1 in to
embedded channels 1 an d 2; AES Pai r 2 int o embedde d channe ls 3 an d 4, a nd
so on) with the normal frame sync audio delay being bypassed.
This function overrides the audio routing sys tem (for example if AES Pair 1 is
selected, then the controls to route AES Pair 1 into other embedded channels
will not apply). Gain and polarity control is not available when this option is
selected. Zero-delay audio embedding is set to Off by default.
Low-Latency AES Passthrough
This function is similar to zero-delay audio embedding. If low-latency AES
passthrough is selected for a given input pair, it causes the corresponding
AES output pair to act as a bit-for-bit copy of the corresponding AES input
pair.
This control overrides the normal audio routing and delay. Gain and polarity
control is not available when this option is selected. Passthrough is set to Off
by default.
9066-OM (V4.5)9066 PRODUCT MANUAL1-17
19066 Functional Description
User Control Interface
Figure 1-8 shows the user control interface options for the 9066. These
options are individually described below.
Note:All user control interfaces described here are cross-compatible and can oper-
ate together as desired. Where applicable, any control setting change made
using a particular user interface is reflected on any other connected interface.
OGCP-9000 Control Panel
OGCP-9000/CC Control Panel
Card Edge Controls
9066 card can be
controlled using built-in
card edge controls
Computer
with NIC
or
DashBoard™ Remote Control
Using a computer with
DashBoard™ installed, 9066
card can be remotely controlled
over a LAN
Remote Control Panel
Using the Control Panel,
9066 card can be remotely
controlled over a LAN
LAN
20-Slot Frame with MFC-8320-N network
controller card
In conjunction with a frame equipped
with an MFC-8320-N network
controller card, 9066 card can be
remotely controlled over a LAN
Note: • To communicate with DashBoard™ or a Remote Control Panel, the frame must have the optional
MFC-8320-N network controller card installed.
• DashBoard™ and the Remote Control Panels provide network control of the 9066 as shown. The
value displayed at any time on the card, or via DashBoard™ or a Control Panel is the actual value
as set on the card, with the current value displayed being the actual value as effected by the card.
Parameter changes made by any of these means are universally accepted by the card (for
example, a change made using the card edge controls will change the setting displayed on
DashBoard™ and a Control Panel; a change made using DashBoard™ will similarly change the
setting displayed on a Control Panel and the card itself).
Figure 1-8 9066 User Control Interface
1-189066 PRODUCT MANUAL9066-OM (V4.5)
Introduction9066 Functional Description
•Built-in Card Edge User Interface – Using the built-in card edge
controls and display, card control settings can be set using a front
panel menu which is described in Chapter 3,“Operat ing Inst ruction s”.
Note:Some of the 9066 functions described in this manual are available only when
using the DashBoard™, or Cobalt
Control Panel user interfaces.
•DashBoard™ User Interface – Using DashBoard™, the 9066 and
other cards installed in openGear®
®
OGCP-9000 or OGCP-9000/CC Remote
1
frames such as the Cobalt®
HPF-9000 or 8321 Frame can be controlled from a computer and
monitor.
DashBoard™ allows users to view all frames on a network with
control and monitoring for all populated slots inside a frame. This
simplifies the setup and use of numerous modules in a large
installation and offers the ability to centralize monitoring. Cards
define thei r controllable parameters to DashBoard™, so the control
interface is always up to date.
The DashBoard™ software can be downloaded from the Cobalt
Digital Inc. website: www.cobaltdigital.com
(enter “DashBoard” in
the search window). The DashBoard™ user interface is described in
Chapter 3,“Operating Instructions”.
Note:If network remote control is to be used for the frame and the frame has not yet
been set up for remote control, Cobalt
User Guide (PN 9000RCS-RM) provides thorough information and
step-by-step instructions for setting up network remote control of COMPASS
cards using DashBoard™. (Cobalt
Remote Control Panel product manuals have complete instructions for setting
up remote control using a Remote Control Panel.)
Download a copy of this guide by clicking on the Support>Documents>Reference Guides link at www.cobaltdigital.com and then select DashBoard
Remote Control Setup Guide as a download, or contact Cobalt
Contact Cobalt Digital Inc. (p. 1-28).
®
reference guide Remote Control
®
OGCP-9000 and OGCP-9000/CC
®
as listed in
®
•Cobalt
®
OGCP-9000, OGCP-9000/CC and WinOGCP Remote
Control Panels – The OGCP-9000, OGCP-9000/CC, and WinOGCP
Remote Control Panels conveniently and intuitively provide
parameter monitor and control of the cards within the 20-slot frame.
The remote control panels allow quick and intuitive access to
hundreds of cards in a facility, and can monitor and allow adjustment
of multiple parameters at one time.
The remote contro l panels are totall y c om pat ibl e with the openGear
®
control software DashBoard™; any changes made with either system
are reflected on the oth er.
1. openGear® is a registered trademark of Ross Video Limited. DashBoard™ is a trademark of Ross
Video Limit e d .
9066-OM (V4.5)9066 PRODUCT MANUAL1-19
19066 Functional Description
9066 Rear I/O Modules
The 9066 physically inter faces to sys tem video and audi o connectio ns using a
Rear I/O Module. Figure 1-9 shows a typical 9066 Rear I/O Module.
All inputs and outputs shown in the 9066 Functional Block Diagram (Figure
1-1) enter and exit the card via the card edge backplane connector. The
Rear I/O Module breaks out the 9066 card edge connections to industry
standard connecti ons tha t int er face with other components a nd systems in the
signal chain.
In this manner, the particular inputs and outputs required for a particular
application can be acc ommodated using a Rear I/O Module tha t be st sui ts the
requirements. The required input and outputs are broken out to the industry
standard connectors on the Rear I/O Module; the unused inputs and outputs
remain unterminated and not available for use.
The full assortment of 9066 Rear I/O Modules is shown and described in
9066 Rear I/O Modules (p. 2-6) in Chapter 2, “Installation and Setup”.
3-wire Phoenix terminal block
connectors for balanced
analog audio signals
In this example, an RM20-9066-G Rear I/O Module provides a connection interface for the
signal types shown here.
Other 9066 Rear I/O Modules offer other options particularly suited to various requirements.
BNC connectors for coaxial
video and AES audio signals
Figure 1-9 Typical 9066 Rear I/O Module
1-209066 PRODUCT MANUAL9066-OM (V4.5)
Introduction9066 Functional Description
Figure 1-10 shows a 9066 card using an RM20-9066-B Rear I/O Module.
Using this Rear I/O Modul e, this module provides ind ustry standa rd break-out
connections for the following inputs and outputs required by this application:
•Inputs:
• SD SDI IN – SD-SDI input
• Y/Cmpst IN, Pr/C IN, Pb IN – analog composite/component video
inputs
• AN-AUD IN (1-4) – balanced analog audio inputs (inpu ts 5- 8 unused)
•Outputs:
• SDI OUT – HD/SD-SDI buffered video outputs
The other 9066 inputs and outputs not accommodated by this Rear I/O
Module (shown in gray in Figure 1-10) remain unterminated.
Pr/C IN
Y/Cmpst IN
Pb IN
SD-SDI IN
AN-AUD
IN (1-4)
AES IN (5-8)
AES I/O
(1-4)
Video Processor
Audio Processor
9066
AES OUT
(5-8)
(1-4)
SDI OUT
Figure 1-10 9066 with RM20-9066-B Rear I/O Module
9066-OM (V4.5)9066 PRODUCT MANUAL1-21
19066 Functional Description
Audio and Video Formats Supported by the 9066
The 9066 supports all current SMPTE-standard SD video input formats and
HD/SD video output formats. Table 1-2 lists and provides details regarding
the audio and video formats supported by the 9066.
Table 1-2Supported Audio and Video Formats
ItemDescription/Specification
Input VideoRaster Structure:Frame Rate:
486i
575i
(1)
(1)
29.97
25
Output VideoRaster Structure:Frame Rate:
1080PsF23.98; 24
1080p23.98; 24
(1)
1080i
25; 29.97; 30
720p23.98; 24; 25; 29.97; 30; 50; 59.94;
60
(1)
486i
575i
(1)
29.97
25
Embedded AudioThe 9066 supports all four groups (16 channels) of embedded audio at
full 24-bit resolution in both SD (with extended data packets) and HD.
Analog AudioThe 9066 supports 8 channels of balanced (differential) analog audio.
The analog audio is encoded such that a +24 dBu input is equivalent to
digital 0 dB F S.
Discrete AES Audio InputThe 9066 can accept 16 channels (8 pairs) of discrete AES audio on
75Ω BNC connections. Sample rate conversion can be employed to
account for minor clock rate differences in the AES stream and the
input video stream.
Note: The AES signal must have a nominal rate of approximately
48 kHz. The 9066 does not support AES input at 32 kHz,
44.1 kHz, 96 kHz or 192 kHz rates.
Discrete AES Audio OutputThe 9066 can provide 16 channels (8 pairs) of discrete AES audio on
75Ω BNC connections.
(1) All rates displayed as frame rates; interlaced (“i”) field rates are two times the rate value shown.
1-229066 PRODUCT MANUAL9066-OM (V4.5)
IntroductionTechnical Specifications
Technical Specifications
Table 1-3 lists the technical specifications for the 9066 Upconverter with
Analog/SDI Input, Audio Embed/De-Embed, Frame Sync, Timecode and
Closed Caption Support card.
Table 1-3Technical Specifica tions
ItemCharacteristic
Part number, nomenclature9066 Upconverter with Analog/SDI Input, Audio Embed/
De-Embed, Frame Sync, Timecode and Closed Caption Support
Installation/usage environmentIntended for installation and usage in frame meeting openGear™
modular system definition.
Power consumptio n< 24 Watts maximum
Environmental:
Operating temperature:
Relative humidity (operating or storage):
32° – 104° F (0° – 40° C)
< 95%, non-condensing
Frame communication10/100 Mbps Ethernet with Auto-MDIX.
IndicatorsCard edge display and indicators as follows:
• 4-character alphanumeric display
• Status/Error LED indicator
• Input For mat LED indic ato r
ControlsCard edge switches as follows:
• Menu Enter pushbutton switch
• Menu Exit pushbutton switch
• Up/down selection toggle switch
Internal Tone GeneratorsFour built-in tone generators, each configurable for 18 discrete
sine wave frequencies ranging from 50 Hz to 16 kHz.
Generator source signal level is equivalent to -20 dBu.
A/D Process8:8:8
Resolution:12-bit A/D and 10-bit video data path
SD Comb Filter:5-line adaptive
Serial Digital Video InputData Rates Supported:
SMPTE 259M-C SD-SDI: 270 Mbps
Impedance:
75 Ω terminating
9066-OM (V4.5)9066 PRODUCT MANUAL1-23
1Technical Specifications
Table 1-3Technical Specifications — continued
ItemCharacteristic
Serial Digital Video Input (cont.)Equalization:
1000 ft (305 m) Belden 1694A
Return Loss:
> 15 dB at 5 MHz – 1.485 GHz
Analog Video InputInput Complement:
Separate component Y/composite, Pr/C, and Pb inputs
This product is warranted to be free from defects in material and workmanship for a period of five (5)
years from the date of shipment to the original purchaser, except that 4000, 5000, 6000, 8000 series
power supplies, and Dolby
material and workmanship for a period of one (1) year.
Cobalt Digital Inc.'s (“Cobalt”) sole obligation under this warranty shall be limited to, at its option, (i)
the repair or (ii) replacement of the produc t, and the det ermination of whether a defect is covered under
this limited warranty shall be made at the sole discretion of Cobalt.
This limited warrant y appl ies on ly t o the origi nal end-pu rchaser of the produ ct, and i s not assign able o r
transferrable therefrom. This warr ant y i s li mited to defects in material and work manshi p, an d shal l not
apply to acts of God, accidents, or negligence on behalf of the purchaser, and shall be voided upon the
misuse, abuse, alteration, or modification of the product. Only Cobalt authorized factory
representatives are authorized to make repairs to the product, and any unauthorized attempt to repair
this product shall immediately void the warranty. Please contact Cobalt Technical Support for more
information.
®
modules (where applicable) are warranted to be free from defects in
To facilitate the resolution of warranty related issu es, Cobalt recommends re gistering the product by
completing and returning a product registration form. In the event of a warrantable defect, the
purchaser shall notify Cobalt with a description of the problem, and Cobalt sh all p ro vi de the purchaser
with a Re turn Mate rial Auth oriz ation (“RMA”). For retu rn, defective product s should be double boxed,
and sufficiently protecte d, in the original packa ging, or equivalent, a nd shipped to the Coba lt Factory
Service Center, postage prepaid and insured for the purchase price. The purchaser should include the
RMA number, description of the problem encountered, date purchased, name of dealer purchased
from, and serial number with the shipment.
Cobalt Digital Inc. Factory Service Center
2406 E. University AvenueOffice: (217) 344-1243
Urbana, IL 61802 USAFax:(217) 344-1245
www.cobaltdigital.comEmail: info@cobaltdigital.com
THIS LIMITED WARRANTY IS EXPRESSLY IN LIEU OF ALL OTHER WARRANTIES
EXPRESSED OR IMPLIED, INCLUDING THE WARRANTIES OF MERCHANTA BILITY AND
FITNESS FOR A PARTICULAR PURPOSE AND OF ALL OTHER OBLIGATIONS OR
LIABILITIES ON COBALT'S PART. ANY SOFTWARE PROVIDED WITH, OR FOR USE WITH,
THE PRODUCT IS PROVIDED “AS IS.” THE BUYER OF THE PRODUCT ACKNOWLEDGES
THAT NO OTHER RE PRESENTATIONS WERE MADE OR RELIED UPON WITH RESPECT TO
THE QUALITY AND FUNCTION OF THE GOODS HEREIN SOLD. COBALT PRODUCTS ARE
NOT AUTHORIZED FOR USE IN LIFE SUPPORT APPLICATIONS.
COBALT'S LIABILITY, WHETHER IN CONTRACT, TORT, WARRANTY, OR OTHERWISE, IS
LIMITED TO THE REPAIR OR REPLACEMENT, AT ITS OPTION, OF ANY DEFECTIVE
PRODUCT, AND SHALL IN NO EVENT INCLUDE S PE CIAL, INDIRECT, INCIDENTAL, OR
CONSEQUENTIAL DAMAGES (INCLUDING LOST PROFITS), EVEN IF IT HAS BEEN
ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
9066-OM (V4.5)9066 PRODUCT MANUAL1-27
1Contact Cobalt Digital Inc.
Contact Cobalt Digital Inc.
Feel free to contact our thorough and professional suppo rt representatives for
any of the following:
•Name and address of your local dealer
•Product information and pricing
•Technical support
•Upcoming trade show in formation
Phone:(217) 344-1243
Fax:(217) 344-1245
Web:www.cobaltdigital.com
General Information:info@cobaltdigital.com
Technical Support:support@cobaltdigital.com
1-289066 PRODUCT MANUAL9066-OM (V4.5)
Overview
Chapter 2
Chapter 2 Installation and Setup
This chapter contains the following information:
•Setting I/O Switches for AES I/O (1-4) Ports (p. 2-1)
•Installing the 9066 Into a Frame Slot (p. 2-2)
•Installing a Rear I/O Module (p. 2-4)
•Setting Up 9066 Network Remote Control (p. 2-10)
Setting I/O Switches for AES I/O (1-4) Ports
Note:This procedure is applicable only if any of the four AES I/O (1-4) ports on the
9066 are to be used as outputs (the switches are set to input mode by factory
default). The 9066 is equipped with a four-section red DIP switch that sets
AES pairs 1 thru 4 as either inputs or outputs. The factory default position is
the input position for each pair.
• If all of the AES I/O (1-4) ports are to be used as inputs (or not used at all),
omit this procedure.
• If any of the AES I/O (1-4) ports are to be used as outputs, set the switches
as described in this procedure.
Note switch S11 thru S14 settings for AES I/O 1 thru AES I/O 4 mode shown
in Figure 2-1. For p ort to be used as an output, set switch to down position as
shown in Figure 2-1.
Note:Regardless of S11 thru S14 settings for AES I/O 1 thru AES I/O 4, outputs
AES OUT (1-8) are still available on cards equipped with a Rear I/O Module
having dedicated A E S OU T (1 -8) BNC connectors.
9066-OM (V4.5)9066 PRODUCT MANUAL 2-1
2Installing the 9066 Into a Frame Slot
Rear of Card
AES I/O 4
AES I/O 3
AES I/O 2
AES I/O 1
S11S12S13S14
••••
Figure 2-1 9066 AES I/O (1-4) Mode Switches
Installing the 9066 Into a Frame Slot
CAUTION
Heat and power distribution requirements within a frame may dictate specific
slot placement of cards. Cards with many heat-producing components should
be arranged to avoid areas of excess heat build-up, particularly in frames
using only convection cooling. The 9066 has a moderate power dissipation
(24 W max.). As such, avoiding placing the card adjacent to other cards with
similar dissipation values if possible.
CAUTION
INPUT MODE
(Factory Default)
OUTPUT MODE
This device contains semiconductor devices which are
susceptible to serious damage from Electrostatic
Discharge (ESD). ESD damage may not be immediately
apparent and can affect the long-term reliability of the
device.
Avoid handling circuit boards in high static environments
such as carpeted areas, and when wearing synthetic fiber
clothing. Always use proper ESD handling precautions
and equipment when working on circuit boards and
related equipment.
2-29066 PRODUCT MANUAL9066-OM (V4.5)
Installation and SetupInstalling the 9066 Into a Frame Slot
Note:• If installing the 9066 in a slot already equipped with a suitable I/O
module, proceed to card installation steps below.
• If installing the 9066 in an 8321 frame, or in a slot with no rear I/O module, a Rear I/O Module is required before cabling can be connected. Refer
to Installing a Rear I/O Module (p. 2-4) for rear I/O module installation procedure.
CAUTION
If required, make certain Rear I/O Module(s) is installed before installing the
9066 into the frame slot. Damage to card and/or Rear I/O Module can occur if
module installation is attempted with card already installed in slot.
Note:Check the packaging in which the 9066 was shipped for any extra items such
as a Rear I/O Module connection label. In some cases, this label is shipped
with the card and to be installed on the Rear I/O connector bank corresponding to the slot location of the card.
Install the 9066 into a frame slot as follows:
1.Determine the slot in which the 9066 is to be installed.
2.Open the frame front access panel.
3.While holding the card by the card edges, align the card such that the
plastic ejector tab is on the bottom.
4.Align the card with the top and bottom guides of the slot in which the
card is being installed.
5.Gradually slide the card into the slot. When resistance is noticed, gently
continue pushing the card until its rear printed circuit edge terminals
engage fully into the rear I/O module mating connector.
CAUTION
If card resists fully engaging in rear I/O module mating connector, check for
alignment and proper insertion in slot tracks. Damage to card and/or rear I/O
module may occur if improper card insertion is attempted.
Verify that the card is fully engaged in rear I/O module mating connector.
6.
7.Close the frame front access panel.
8.Connect the input and output cables as follows:
•If the 9066 is being installed in a PN 8310-BNC or 8310-C-BNC
frame, refer to the label on the connector bank corresponding to the
card’s slot location for connector designations.
•If the 9066 is being installed in a frame using a specific 9066 Rear
I/O Module, connect cabling in accordance with the appropriate
diagram shown in Table 2-1, “9066 Rear I/O Modules” (p. 2-6).
9066-OM (V4.5)9066 PRODUCT MANUAL2-3
2Installing a Rear I/O Module
9.Repeat steps 1 through 8 for other 9066 cards.
Note:External frame sync reference signals are received by the card over a refer-
ence bus on the card frame, and not on any card rear I/O module connectors.
The frame has BNC connectors labeled REF 1 and REF 2 which receive the
reference signal from an external source such as a house distribution.
Note:The 9066 BNC inputs are internally 75-ohm terminated. It is not necessary to
terminate unused BNC inputs or outputs.
Note:To remove a card, press down on the ejector tab to unseat the card from the
rear I/O module mating connector. Evenly draw the card from its slot.
10. If network rem ote control is to be used for the fram e and the frame has
not yet been set up for remote control, perform setup in accordance with
Setting Up 9066 Network Remote Control (p. 2-10).
Note:If installing a card in a frame already equipped for, and connected to
DashBoard™, no network setup is required for the card. The card will be discovered by DashBo ard™ and be ready for use.
Installing a Rear I/O Module
Note:This procedure is applicable only if a Rear I/O Module is not currently
installed in the slot where the 9066 is to be installed.
If installing the 9066 in a slot already equipped with a suitable I/O module,
omit this procedure.
The full assortment of 9066 Rear I/O Modules is shown and described in
9066 Rear I/O Modules (p. 2-6). Install a Rear I/O Module as follows:
1.On the frame, determine the slot in which the 9066 is to be installed.
2.In the mounting area corresponding to the slot location, install
Rear I/O Module as shown in Figure 2-2.
2-49066 PRODUCT MANUAL9066-OM (V4.5)
Installation and SetupInstalling a Rear I/O Module
Align and engage mounting tab on Rear
I/O Module with the module seating slot
1
on rear of frame chassis.
DSCN3483A.JPG
Hold top of Rear I/O Module flush against
frame chassis and start the captive screw.
two rear module slot mounting locations and use two captive
screws.
Rear I/O Module RM20-9066-G occupies three rear module
slot mounting locations and uses three captive screws.
DSCN3487A.JPG
Figure 2-2 Rear I/O Module Installation
9066-OM (V4.5)9066 PRODUCT MANUAL2-5
2Installing a Rear I/O Module
9066 Rear I/O Modules
Table 2-1 shows and describes the full assortment of Rear I/O Modules
specifically for use with the 9066.
Note:Rear I/O Modules equipped with 3-wire Phoenix connectors are supplied with
removable screw terminal block adapters. For clarity, the adapters are omitted in the drawings below.
Table 2-19066 Rear I/O Modules
9066 Rear I/O ModuleDescription
RM20-9066-AProvides the following conne cti on s:
• SD-SDI coaxial input (SDI IN)
• Analog Y/composite, Pr/C, and Pb coaxial inputs
(Y/Cmpst, Pr/C, and Pb, respectively)
• Four AES I/O coaxial input/outputs (AES I/O 1 thru
AES I/O 4; I/O function of each connection is
user-configurable)
• Two buffered SDI coaxial outputs (SDI OUT)
RM20-9066-BProvides the following conne cti on s:
• SD-SDI coaxial input (SDI IN)
• Analog Y/composite, Pr/C, and Pb coaxial inputs
(Y/Cmpst, Pr/C, and Pb, respectively)
• Four analog balanced audio inputs (AN-AUD IN 1
thru AN-AUD IN 4)
• Two buffered SDI coaxial outputs (SDI OUT)
2-69066 PRODUCT MANUAL9066-OM (V4.5)
Installation and SetupInstalling a Rear I/O Module
Table 2-19066 Rear I/O Modules — continued
9066 Rear I/O ModuleDescription
RM20-9066-CProvides the following connections:
• SD-SDI coaxial input (SDI IN)
• Ana lo g Y/co mpo si te, Pr /C, and Pb co axi al inputs
(Y/Cmpst, Pr/C, and Pb, respectively)
• Four AES I/O coaxial input/outputs (AES I/O 1 thru
AES I/O 4; I/O function of each connection is
user-configurable)
• Two dedicated AES coaxial audio inputs (AES IN 5
and AES IN 6)
• Eight analog balanced audio inputs (AN-AUD IN 1
thru AN-AUD IN 8)
• Two buffered SDI coaxial outputs (SDI OUT)
RM20-9066-DProvides the following connections:
• SD-SDI coaxial input (SDI IN)
• Four AES I/O coaxial input/outputs (AES I/O 1 thru
AES I/O 4; I/O function of each connection is
user-configurable)
• Four dedicated AES coaxial audio inputs (AES IN 5
thru AES IN 8)
• Eight dedicated AES coaxial audio outputs
(AES OUT 1 thru AES OUT 8)
• Two buffered SDI coaxial outputs (SDI OUT)
Note: AES OUT 1 thru AES OUT 4 on
RM20-9066-D Rear I/O Module always
function as outputs regardless of whether
AES I/O 1 thru AES I/O 4 are used as inputs
or outputs.
9066-OM (V4.5)9066 PRODUCT MANUAL2-7
2Installing a Rear I/O Module
Table 2-19066 Rear I/O Modules — continued
9066 Rear I/O ModuleDescription
Provides the following conne cti on s:
RM20-9066-E
• SD-SDI coaxial input (SDI IN)
• Analog Y/composite, Pr/C, and Pb coaxial inputs
(Y/Cmpst, Pr/C, and Pb, respectively)
• Four AES I/O coaxial input/outputs (AES I/O 1 thru
AES I/O 4; I/O function of each connection is
user-configurable)
• Four dedicated AES coaxial audio inputs (AES IN 5
thru AES IN 8)
• Six dedicated AES coaxial audio outputs
(AES OUT 1 thru AES OUT 6)
• Two buffered SDI coaxial outputs (SDI OUT)
Note: AES OUT 1 thru AES OUT 4 on
RM20-9066-E Rear I/O Module always
function as outputs regardless of whether
AES I/O 1 thru AES I/O 4 are used as inputs
or outputs.
RM20-9066-FProvides the following conne cti on s:
• SD-SDI coaxial input (SDI IN)
• Analog Y/composite, Pr/C, and Pb coaxial inputs
(Y/Cmpst, Pr/C, and Pb, respectively)
• Eight analog balanced audio inputs (AN-AUD IN 1
thru AN-AUD IN 8)
• Four AES I/O coaxial input/outputs (AES I/O 1 thru
AES I/O 4; I/O function of each connection is
user-configurable)
• Dolby
• Two buffered SDI coaxial outputs (SDI OUT)
®
RS-485 metadata output (DOLBY META)
2-89066 PRODUCT MANUAL9066-OM (V4.5)
Installation and SetupInstalling a Rear I/O Module
Table 2-19066 Rear I/O Modules — continued
9066 Rear I/O ModuleDescription
Provides the following connections:
• SD-SDI coaxial input (SDI IN)
RM20-9066-G
• Ana lo g Y/co mpo si te, Pr /C, and Pb co axi al inputs
(Y/Cmpst, Pr/C, and Pb, respectively)
• Four dedicated AES coaxial audio inputs
(AES IN 5 thru AES IN 8)
• Eight dedicated AES coaxial audio outputs
(AES OUT 1 thru AES OUT 8)
• Four AES I/O coaxial input/outputs (AES I/O 1 thru
AES I/O 4; I/O function of each connection is
user-configurable)
• Eight analog balanced audio inputs (AN-AUD IN 1
thru AN-AUD IN 8)
• Two buffered SDI coaxial outputs (SDI OUT)
Note: AES OUT 1 thru AES OUT 4 on
RM20-9066-G Rear I/O Module always
function as outputs regardless of whether
AES I/O 1 thru AES I/O 4 are used as inputs
or outputs.
RM20-9066-E-DIN-HDBNC
High-density rear modules provides the following
connections:
• HD/SD-SDI coaxial input (SDI IN)
• Ana lo g Y/co mpo si te, Pr /C, and Pb co axi al inputs
(Y/Cmpst, Pr/C, and Pb, respectively)
• Four dedicated AES coaxial audio inputs
(AES IN 5 thru AES IN 8)
• Four AES I/O coaxial input/outputs (AES I/O 1 thru
AES I/O 4; I/O function of each connection is
user-configurable)
• Six dedicated AES coaxial audio outputs
(AES OUT 1 thru AES OUT 6)
• Two buffered SDI coaxial outputs (SDI OUT)
Note: Available equipped with High-Density BNC
(HDBNC) or DIN1.0/2.3 connectors as:
RM20-9066-E-HDBNC or RM20-9066-E-DIN,
respectively.
9066-OM (V4.5)9066 PRODUCT MANUAL2-9
2Setting Up 9066 Network Remote Control
Setting Up 9066 Network Remote Control
Perform remote control setup in accordance with Cobalt® reference guide
“Remote Control User Guide” (PN 9000RCS-RM).
Note:• If network remote control is to be used for the frame and the frame has not
yet been set up for remote control, Cobalt
Control User Guide (PN 9000RCS-RM) provides thorough information and
step-by-step instructions for setting up network remote control of
COMPASS™ cards using DashBoard™. (Cobalt
OGCP-9000/CC Remote Control Panel product manuals have complete
instructions for setting up remote control using a Remote Control Panel.)
Download a copy of this guide by clicking on the
Support>Documents>Reference Guides link at www.cobaltdigital.com
and then select DashBoard Remote Control Setup Guide as a download, or
contact Cobalt
• If installing a card in a frame already equipped for, and connected to
DashBoard™, no network setup is required for the card. The card will be discovered by DashBoard™ and be ready for use.
®
as listed in Contact Cobalt Digital Inc. (p. 1-28).
®
reference guide Remote
®
OGCP-9000 and
2-109066 PRODUCT MANUAL9066-OM (V4.5)
Overview
Chapter 3
Chapter 3 Operating Instructions
This chapter contains the following information:
If you are already familiar
with using DashBoard or a
Cobalt Remote Control
Panel to control Cobalt
cards, please skip to 9066
Function Submenu Li st and
Descriptions (p. 3-9).
•Control and Display Descriptions (p. 3-1)
•Accessing the 9066 Card via Remote Control (p. 3-5)
•Checking 9066 Card Information (p. 3-7)
•Ancillary Data Line Number Locations and Ranges (p. 3-8)
•9066 Function Submenu List and Descriptions (p. 3-9)
•Troubleshooting (p. 3-61)
Control and Display Descriptions
This secti on describes the user interface controls, indicators, and displays for
using the 9066 card. The 9066 function s can be acces sed and contr olle d using
any of the user interfaces described here.
The format in which the 9066 functional controls, indicators, and displays
appear and are used varies depending on the user interface being used.
Regardless of the user interface being used, access to the 9066 functions (and
the controls, ind icato rs, an d disp lays r elat ed to a particul ar f uncti on) fo llows a
general arrangement of Function Submenus under which related controls can
be accessed (as described in Function Submenu/Parameter Submenu
Overview below).
Note:DashBoard™ and the Remote Control Panel provide greatly simplified user
interfaces as compared to using the card edge controls. For this reason, it is strongly recommended that DashBoard™ or a Remote Control Panel be
used for all card applications other than the most basic cases. Card edge
control codes are not included in this manual. If card-edge control is to be
used, obtain a copy of “Manual Supplement – Card-Edge Control Reference
Master List and Instructions for Using Compass
Codes” (989CEC-MS.pdf) at
www.cobaltdigital.com>Support>Documents>Reference Guides.
9066-OM (V4.5)9066 PRODUCT MANUAL 3-1
®
Card-edge (Local) Control
3Control and Display Descriptions
Note:When a setting is changed, settings displayed on DashBoard™ (or the
Remote Control Panel) are the settings as effected by the 9066 card itself and
reported back to the remote control; the value displayed at any time is the
actual value as set on the card.
Function Submenu/Parameter Submenu Overview
The functions and related pa rameters avai lable on the 9066 car d are organ ized
into function submenus, which consist of parameter groups as shown below.
Figure 3-1 shows how the 9066 card an d its submenus ar e orga nized, and also
provides an overview of how navig ation is performed be tween cards, func tion
submenus, and parameters.
If using DashBoard™ or a Remote Control Panel, the
desired 9066 card is first selected.
9066
Submenu aSubmenu b
Individual Parameters
Each submenu consists of groups of parameters
related to the function submenu. Using the “Video
Proc” function submenu example, the individual
parameters for this function consist of various v ideo
processor parameters such as Luma Gain, Saturation,
and so on.
Figure 3-1 Function Submenu/Parameter Submenu Overvie w
•••
The desired function submenu is next
selected.
Function Submenus consist of parameter
groups related to a particular 9066 card
function (for example, “Video Proc”).
Submenu z
3-29066 PRODUCT MANUAL9066-OM (V4.5)
Operating InstructionsControl and Display Descriptions
DashBoard™ User Interface
(See Figure 3-2.) Th e 9066 fu nction submenus are or gani zed i n DashBoa rd™
using tabs. When a tab is selected, each parametric control or selection list
item associated with the function is displayed. Scalar (numeric) parametric
values can then be adjusted as desired using the GUI slider controls. Items in
a list can then be selected using GUI drop-down lists. (In this manner, the
setting effected using controls and selection lists displayed in DashBoard™
are comparable to the su bmenu ite ms access ed and commi tted using the 9066
card edge c ontrols.)
Typical On/Off
Control
Typical Parametric
Control
Typical Selection
List
DashBoard Tabs
Figure 3-2 Typical DashBoard Tabs and Controls
9066-OM (V4.5)9066 PRODUCT MANUAL3-3
3Control and Display Descriptions
Cobalt® Remote Control Panel User Interfaces
(See Figure 3-3.) Similar to the function submenu tabs using DashBoard™,
the Remote Control Panels have a Select Submenu key that is used to dis play
a list of function submenus. From this list, a control knob on the Control
Panel is used to select a function from the list of displayed function submenu
items.
When the desired function submenu is selected, each parametric control or
selection list item associated with the function is displayed. Scalar (numeric)
parametric values can then be adjusted as desired using the control knobs,
which acts like a potentiometer. Items in a list can then be selected using the
control knobs which correspondingly acts like a rotary switch. (In this
manner, t he se ttin g effected using controls and selec tion l ists disp layed on the
Control Panel are comparable to the submenu items accessed and committed
using the 9066 card edge controls.)
Figure 3-3 shows accessing a function submenu and its parameters (in this
example, “Video Proc”) using the Control Panel.
Video Proc function
(among others) is
accessed using the Control
Panel Select Submenu
key. Video Proc function is
selected from the list of
functions (submenu items)
When the Video Proc
function submenu is
selected, its related
parameters are now
displayed.
Note:Refer to “OGCP-9000 Remote Control Panel User Manual” (PN
OGCP-9000-OM) or “OGCP-9000/CC Remote Control Panel User Manual”
(PN OGCP-9000/CC-OM) for complete instructions on using the Control
Panels.
3396B_3346BGEN2.JPG
In this example, Color Gain
(saturation) is adjusted using
the control knob adjacent to
Color Gain
Figure 3-3 Remote Control Panel Setup of Example Video Proc Function Setup
3370_3372B.JPG
3-49066 PRODUCT MANUAL9066-OM (V4.5)
Operating InstructionsAccessing the 9066 Card via Remote Control
Accessing the 9066 Card via Remote Control
Access the 9066 card using DashBoard™ or Cobalt® Remote Control Panel
as described below.
Accessing the 9066 Card Using DashBoard™
1.On the computer connected to the frame LAN, open DashBoard™.
2.As shown be low (in the left side Basic View Tree) locate the Network
Controller Card asso ci ated wi th th e fra me co ntain ing th e 9066 c ard t o be
accessed (in this example, “MFC-8320-N SN: 00108053”).
DB_ACCESS1.PNG
3.As shown below, expand the tree to access the cards within the frame.
Click on the card to be accessed (in this example,
“Slot 6: CDI-9066 RCVR21”).
.
9066_DB_ACCESS2A.PNG
As shown on the next page, when the card is accessed in DashBoard™
its function submenu scree n showing ta bs for eac h functi on is disp layed.
(The particular submenu screen displayed is the previously displayed
screen from the last time the card was accessed by DashBoard™).
9066-OM (V4.5)9066 PRODUCT MANUAL3-5
3Accessing the 9066 Card via Remote Control
Card Access/Navigation
Tree Pane
Card Info
Pane
Card Function Submenu
and Controls Pane
Accessing the 9066 Card Using a Cobalt® Remote Control Panel
Press the Select Device key and select a c ard as shown in the example bel ow.
3366_3392.JPG
This display shows the list
order number of the device that
is ready for selection
This display shows the devices assigned to the Control Panel.
• Rotate any knob to select from the list of devices. The device selected using a knob
is displayed with a reversed background (in this example,
“1 9066 - Receiver 21 Input Processing”).
• Directly enter a device by entering its list number using the numeric keypad, and
then pressing Enter or pressing in any knob).
9066_DB_ACCESS_V4.PNG
3-69066 PRODUCT MANUAL9066-OM (V4.5)
Operating InstructionsChecking 9066 Card Information
Checking 9066 Card Information
The operating st atus and s oftwar e ver sion the 9 066 car d can be chec ked us ing
DashBoard™ or the card edge control user interface. Figure 3-4 shows and
describes the 9066 card i nformati on screen usi ng DashBoard™ a nd acces sing
card information using the card edg e control user interfac e.
Note:Proper operating status in DashBoard™ is denoted by green icons for the sta-
tus indicators shown in Figure 3-4. Yellow or red icons respectively indicate
an alert or failure condition. Refer to Troubleshooting (p. 3-61) for corrective
action.
The Tree View shows the cards seen by DashBoard™.
In this example, Network Controller Card MFC-8320-N
(serial number ...8053) is hosting a 9066 card in slot 6.
Software Version Number
Refer to these numbers to check that documentation (such as
this manual) matches the card’s Software Release Number
and Software Build Number. Use these numbers also when
communicating to Cobalt
Power Consumption and Temperature Displays
This display shows the power consumed by the 9066
for both the +12V and -7.5V rails, as well as key device
temperatures.
Status Displays
These displays show the status the signal being received by
the 9066. Green Settings icon shows that any changes made
on DashBoard™ are sucessfully saved on the card’s memory.
®
regarding this card.
Figure 3-4 9066 Card Info Utility
9066_CARD_INFO.PNG
9066-OM (V4.5)9066 PRODUCT MANUAL3-7
3Ancillary Data Line Number Locations and Ranges
Ancillary Data Line Number Locations and Ranges
Table 3-1 lists typical default output video VANC line number locations for
various ancillary data items that may be passed or handled by the card.
Table 3-1Typical Ancillary Data Line Number Locations/Ranges
1. The card does not check for conflicts on a given line number. Make certain the selected line is available
and carrying no other data.
2. While range indicated b y d rop -dow n li st o n G UI m ay al lo w a particular range of choices, the actual range
is automatically cl amped (limi ted) to c ert ain rang es to preven t inadv ertent con fli ct with a ctive pictu re ar ea
depending on video format. Limiting ranges for various output formats are as follows:
Because line number allocation is not standardized for all ancillary items,
consideration should be given to all items when performing set-ups. Figure
3-5 shows an example of improper and corrected VANC allocation within an
SDI stream.
ATC_VITC = 9/8
CC = 10
Dolby Meta data = 13
Card 1
ATC_VITC = 9/ 8
CC = 10
Dolby Metadata = 13
Card 1
AFD Insertion
attempted usin g
VANC line 9
(default)
AFD Insertion
corrected to us e
VANC line 18
ATC_VITC = 9/8
AFD = 9
CC = 10
Dolby Meta data = 13
Card n
ATC_VITC = 9/8
CC = 10
Dolby Metadata = 13
AFD = 18
Card n
Conflict between
ATC_VITC and AFD both
on VANC line 9
Conflict between
ATC_VITC on line 9/8 and
AFD (now on line 18)
resolved
Figure 3-5 Example VANC Line Number Allocation Example
3-89066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
9066 Function Submenu List and Descriptions
T able 3 -2 indiv iduall y list s and desc ribes ea ch 9066 fu nctio n submenu (“tab”)
and its related list selections, co ntrols, and parameters . Where helpful,
examples showing usage of a function are also provided. Table 3-2 is
primarily based upon using DashBoard™ to access each function and its
corresponding submenus and parameters.
Note:All numeric (scalar) parameters displayed on DashBoard™ can be changed
using the slider controls, arrows, or by numeric keypad entry in the corresponding numeric field. (When using numeric keypad entry, add a return after
the entry to commit the entry.)
On DashBoard™ itself and in Table 3-2, the function submenu items are
organized using tabs as shown below.
The table below provides a quick-reference to the page numbers where each
function submenu item can be found.
Function Submenu ItemPageFunction Submenu ItemPage
Video Signal Controls
Audio Input Controls
Video Proc
Scaler
AFD
Overlays
Framesync
Embedded Audio Group 1/2
Embedded Audio Group 3/4
AES Audio Out Pairs 1-4
3-10
3-11
3-13
3-14
3-18
3-22
3-26
3-31
3-35
3-37
AES Audio Out Pairs 5-8
Dolby Metadata
Closed Captioning
Timecode
Tone Generator
Audio Mixing
Licensable Features
Presets
Advanced Setup
3-41
3-42
3-43
3-45
3-49
3-49
3-54
3-54
3-57
9066-OM (V4.5)9066 PRODUCT MANUAL3-9
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List
Sets the 9066 video signal input type and preference
and priority.
Video Signal Controls
• Input Video PreferenceSets the input video preference and priority for SDI and analog video
• SD Analog Input TypeWhen receiving analog video input, sets the 9066 SD input video type to
• NTSC ContainsThis setting tells the 9066 how much setup (pedestal) needs to
inputs as follows:
• SDI Only: Sets the video input to accept only SDI input. Blocks all
analog video inputs.
• SDI over Analog: Sets the video input to accept SDI over
composite/component analog video inputs. Blocks analog video
inputs when valid signal is received by SDI input.
• Analog Only: Sets the video input to accept only composite and/or
component analog video inputs. Blocks SDI input.
• Analog over SDI: Sets the video input to accept composite/
component analog over SDI video inputs. Blocks SDI input when
valid signal is received by composite and/or component analog
video inputs.
accept received input signal from choices shown.
Note: Input format must be appropriately set for the 9066 to correctly
lock to the input.
be removed from an NTSC-formatted input.
• 0 IRE of Setup: No setup removed.
• 7.5 IRE of Setup: Removes 7.5 IRE of setup. This is typically
preferred when analog signals containing 7.5 IRE pedestal are
converted to SDI.
3-109066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Controls the AES Audio Input features for the eight AES
pairs, and displays signal status for the AES pairs and
Audio Input Controls
the 16 embedded audio channels. Also provides global
unity routing/par ameter control resets.
Note: Also refer to AES Audio Input Advanced Features (p.
1-17) in Chapter 1,“ Introduction” for detailed
information regarding these func ti ons .
• AES SRCIndividual SRC Disable control for each AES pair (1 thru 8) disables or
•
•
•
• AES PassthroughIndividual AES Passthrough On/Off control for each AES pair (1 thru 8)
•
•
•
enables Sample Rate Conversion (SRC) bypass as follows:
• Disabled: In this mode, AES SRC for the corresponding AES pair is
bypassed. SRC is set to Disabled by default. This mode is
preferred where the AES rate matches the input video rate. This
mode is necessary when embedding non-PCM AES audio such a
®
E or Dolby Digital™ audio streams.
Dolby
Note: In this mode AES rate must match the input video rate or
audio dropouts will occur.
Note: AES audio must be nominally 48 kHz.
• Enabled: In this mode, AES SRC for the corresponding AES input
pair is enabled. SRC enabled allows the 9066 to interface with
asynchronous AES sources (sources in which the AES timing does
not match the video reference timing). SRC can be used to
compensate for minor clock rate differences in the AES stream and
the input video stream.
disables or enables Passthrough as follows:
• Off: Disables AES passthrough for the selected AES input pair.
Passthrough is set to Off by default.
• On: Passthrough is turned on, with the corresponding AES output
pair to act as a bit-for-bit copy with zero delay of the corresponding
AES input pair.
Note: AES Passthrough set to On overrides normal audio routing.
Gain and polarity control is not available when AES
passthrough is enabled.
• Zero Delay EmbeddingIndividual AES Zero-Delay Embedding On/Off control for each AES pair
•
•
•
9066-OM (V4.5)9066 PRODUCT MANUAL3-11
(1 thru 8) disables or enables Zero-Delay Embedding as follows:
• Off: Disables Zero-Delay Embedding for the selected AES input
pair. Zero-delay embedding is set to Off by default.
• On: The selected pair directly embeds into its corresponding group
(AES Pair 1 embeds into embedded channels 1 and 2; AES pair 2
embeds into embedded channels 3 and 4, and so on) with the
normal frame sync audio delay being bypassed.
Note: Zero Delay Embedding overrides the standard audio routing
system. For example, if AES Pair 1 is selected, then the
controls to route into embedded channels 1 and 2 will not
apply. Gain and polarity control is not available when
zero-delay embedding is enabled.
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Status DisplaysIndividual signal status displays for AES pairs 1-8, and embedded audio
•
•
•
•
•
•
• Embedded Unity Channel SelectionSelects unity reset of Embedded Audio Group 1/2 and 3/4 controls and
channels 1-16 as follows:
• Not Present: Indicates AES pair or embedded channel does not
contain recognized audio PCM data.
Note: Channel displaying Not Present may still carry usable audio
data with Not Present being displayed due to invalid
headers.
• Analog: Routes Analog Ch 1 thru Ch 8 as sources to destination
channels Embedded Ch 1 thru Embedded Ch 8. Sets Embedded
Ch 9 thru Ch 16 to Silence.
®
E encoded data.
®
Digital encoded data.
®
signals meeting SMPTE 337M standard.
Dolby
The 9066 card does not perform Dolby® processing on the
signal. Although the 9066 controls will appear to be usable
for this signal tag, the signal is passed with 1-to-1 routing
and all related gain and polarity controls set to unity .
• AES Unity Channel SelectionSelects unity reset of AES Outputs Pairs 1-4 and 5-8 controls and
• Apply Audio Channel SelectionApplies embedded and AES unity channel selection (as set in the above
• Tie AES and Embedded ControlsWhen set to Enabled, gangs Gain, Phase, and Mute controls for
• Analog: Routes Analog Ch 1 thru Ch 8 as sources to destination
channels AES Ch 1 thru AES Ch 8. Sets AES Ch 9 thru Ch 16 to
Silence.
drop-down lists). To apply the selections, click the Confirm button. When
Confirm is clicked, a Confirm? pop-up appears, requesting confirmation.
• Click Yes to proceed with the unity reset.
• Click No to reject unity reset.
For any selection following confirm, the destination channel controls are
default reset as follows:
• Gain is to unity
• Phase control is set to Normal
• Channel is set to Unmuted
same-numbered Embedded and AES channels. Ganging is bilateral, with
embedded channel control settings affecting corresponding AES channel
controls, and vice-versa.
3-129066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Provides the following Video Proc parametr ic control s.
• Video ProcVideo Proc (On/Off) provides master on/off control of all Video Proc
• Reset to UnityReset to Unity provides unity reset control of all Video Proc functions.
• Luma GainAdjusts gain percentage applied to Luma (Y channel).
functions.
• When set to Off, Video Proc is bypassed.
• When set to On, currently displayed parameter settings take effect.
When Confirm is clicked, a Confirm? pop-up appears, requesting
confirmation.
• Click Yes to proceed with the unity reset.
• Click No to reject unity reset.
(0% to 200% range in 0.1% steps; unity = 100%)
Video Proc
• Luma Lift Adjusts lift applied to Luma (Y-channel).
(-100% to 100% range in 0.1% steps; null = 0.0%)
• Color GainAdjusts gain percentage (saturation)
applied to Chroma (C-channel).
(0% to 200% range in 0.1% steps; unity = 100%)
• Color PhaseAdjusts phase angle applied to Chroma.
(-360° to 360° range in 0.1° steps; null = 0°)
• Gang Luma and Color GainWhen set to On, changing either the Luma Gain or Color Gain controls
9066-OM (V4.5)9066 PRODUCT MANUAL3-13
increases or decreases both the Luma and Chroma levels by equal
amounts.
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Provides video format up-conversions and aspect ratio
controls.
Note: Scaling and/or format conversion removes Dolby
and needs to be preserved, use the Dolby Metadata function tab to preserve and re-apply the metadata on the output
SDI. Refer to Dolby Metad ata function on page 3-42 for more information.
• Scaler enableEnables or bypasses Scaler function as follows:
®
metadata and A TC packets (if present). If Dolby® metadata is present
• Enabled: Provides Scaler functions for the received video input.
• Bypassed: Received video input bypasses the Scaler functions.
Scaler
• Current Input FormatDisplays the input format of the video currently being received by the 9066
(for example, 525i SD at 59.94 Hz frame rate as shown here).
Note: Rates displayed for progressive formats are frame rates; rates
displayed for interlaced formats are field rates.
Current Input Format
• Current Output FormatDisplays the currently selected output format of the video currently being
processed by the 9066 (for example, 1080p at 29.97 Hz frame rate as
shown here). The output format displayed is the output present on the
card’s SDI OUT BNC connectors.
Current Output Format
Note: Output format shown in this display tracks with selection made in
Note: Rates displayed for progressive formats are frame rates; rates
displayed for interlaced formats are field rates.
drop-down list.
• SD: Convert ToWhen SD video input is received by the 9066, provides output format
conversions, or re-aspecting to SD when SD is the detected input format
as described below.
• SD (Same as input): Output follows currently received video input
format, with Current Input Format and Current Output Format
displays showing same selection.
• 720p: Output is converted to 720p
• 720 film: Output is converted to corresponding 720p film frame rate
• 1080i: Output is converted to 1080i
• 1080p: Output is converted to 1080p
• 1080 film: Output is converted to corresponding 1080i film
frame rate
• Output Follows Reference In: Output tracks with format set in
frame reference
3-149066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Scaler Video Format Conversions
(continued)
Scaler Video Format Conversions
Scaler Video Format Conversions
The Scaler (as shown and described in the following pages) allows selection of up-conversion (or
no conversion) fo r SD input formats. The table below lists the convers ion choices available for
SD input formats and fram e rates provide d by the Scaler Convert to: function. Also shown are
the resulting frame rates for the converted outputs.
Notes:1. The drop-down list choice of “Same as Input” is used when no conversion is desired. For clarity, it is not redundantly
2. “X” denotes conversions not available or invalid conversions.
3. Interlaced formats rates listed are field rates. Progressive format rates listed are frame rates.
4. If the original material does not have a proper 3-2 cadence suitable for conversion to film rates, the conversion
5. 9066 accepts only the input video formats listed in Input Format. If other formats are received by the card,
• SD: Output Half-rate 720pWhen drop-down list is set to 720p, converts output to
SD
(NTSC/
PAL)
listed here.
reverts to standard de-interlacing. While this video can be converted to film rates, the resulting image motion will
lack smoothness. Therefore, make certain interlaced video is appropriately constructed for 3-2 reverse pulldown
when converting video to film rates.
INVALID is displayed and the output is disabled.
720p
720p
half-rate
720p
(film rates)
720p half-rate.
Yes/No control functions as follows:
• No: Do not apply half-rate; leave output at standard frame rate
• Yes: Output set at half- rate
Note: Half-rate outputs are available for the 720p frame rates listed under
“720p” in the “Scaler Video Format Conversions” table on the
previous page.
1080i1080p
1080i 59.94 1080p 29.971080p 23.98
(4)
1080p
(film rates)
(4)
1080PsF
(film rates)
1080PsF 23.98
(4)
• SD: Output PsFWhen enabled (and with the output video is set to 1080 film), converts the
9066-OM (V4.5)9066 PRODUCT MANUAL3-15
output to1080PsF (segmented frame progressive).
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• SD: Aspect Ratio ConversionSelects between the standard preset Aspect Ratio Conversions (ARC)
• SD: User-defined aspect ratio(Horizontal) and (Vertical) controls adjust horizontal and vertical zoom
• SD: Top line suppressionSelects the number of lines suppressed at the beginning of video. In this
shown here, as well as User Defined and Follow AFD Settings.
• User Defined settings allow custom user-defined H and V aspect
ratio control.
• Follow AFD Settings sets the output aspect ratio to track with AFD
settings performed in AFD (p. 3-18).
Note: This function is intended for aspect ratio adjustment of a particular
signal without AFD considerations.
• If ARC is being used on a case-by-case basis for a particular
signal, it is easier to use the Scaler ARC tools described here.
• If AFD is to be used to set and apply a standard AFD code label
for ARC, use Follow AFD Settings. Do not perform ARC here;
instead, perform ARC as described in the AFD function
description on page 3-18.
percentage. Settings less than (<) 100% provide zoom-out; settings
greater than (>) 100% provide zoom-in.
(50% to 200% range in 0.1% steps; null = 100.0)
manner, the image is scaled proportionally to replace the top few lines
suppressed using this control. When upconverting from SD to HD, using
this control can hide unwanted closed caption or timecode data.
(Range is 0 thru 10 lines.)
• SD: Side pixel suppressionSelects the number of pixels at the left and right horizontal margins within
• S h arpness Level ControlAdjusts the aggressiveness of sharpening applied to MPEG video.
the SAV and EAV portions of each line.
(Range is 0 thru 20 pixels.)
described below) which can be used to tailor output video sharpness per
program material and aesthetic preferences.
Note: Detail Enhancement Controls apply to both SD and HD
conversions.
Optimum setting results in overall perception of increased sharpness,
while avoiding pattern noise artifacts.
(Range is 0 thru 255)
3-169066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Sharpness Threshold ControlAdjusts the point at which sharpening rules become active. Data below
• Noise Reduction ControlAdjusts the amount of statistical low-pass filtering applied to the data.
the threshold setting is passed unaffected.
Higher settings allow for a more subtle sharpness enhancement
(especially with content showing motion). Lower settings allow more
content in general to be acted upon by the enhancement process.
(Range is 0 thru 255)
Using this control, regular pattern noise artifacts from the sharpening
process can be reduced, resulting in subjectively smoother raster
backgrounds and detail boundaries.
(Range is 0 thru 63)
9066-OM (V4.5)9066 PRODUCT MANUAL3-17
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Allows assignment of AFD (Active Format Description)
codes to the SDI output video, and allows unique ARC
AFD
Without AFD
settings to be applied for each AFD code.
When an appropriate AFD code is received by this card,
this function can be used to apply the AFD-directed
re-aspecting, resulting in a properly scaled and cropped
image area.
NTSC-Coded
(4:3) 525i
Video Signal
NTSC-Coded
image on 16:9
display shows
letterbox cropping
With AFD
NTSC-Coded
(4:3) 525i
Video Signal
with 1010
AFD Code
NTSC-Coded
image on 16:9
display shows
letterbox cropping
9066 with 1010
AFD Code
Received and
Applied
Up-Conversion
to 16:9
Uncorrected
up-conversion
results in “postage
stamp” effect with
both letterbox and
sidebars visible on
16:9 display
Up-Conversion
to 16:9
AFD Corrected
up-conversion
results in intended
image area
properly visible on
16:9 display
1080i Video Signal
with 16:9
uncorrected signal
1080i Video Signal
with 16:9
corrected signal
3-189066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Incoming AFDDisplays incoming AFD setting as follows:
• If AFD code is present, one of the 1 1, four-bit AFD codes is displayed (as
shown in the example to the left). Also displayed is the VANC line
number of the incoming AFD code.
• If no AFD setting is present in the video signal, No AFD Present is
displayed.
AFD
• 16:9 ControlsIndividual user (custom) H Zoom, V Zoom, and AFD Output Code tools
for the following 12 AFD codes/formats suited for 16:9 sources:
AFD Code
•
•
•
1: AFD codes numbering and definitions conform to SMPTE 2016-1-2007.
2: Image Prot ecte d impl ies pictu re cont ent that must not be cropped by
(1)
DescriptionAFD Code
–No code present10014:3 (cent er)
0000Undefined1010
0010Full frame101114:9 (center)
00114:3 (center)1101
0100
1000Full frame1111
conversion processes or display devices. Alternate center formats may
have protected center areas, with areas outside of the protected area not
containing mandatory content. Refer to SMPTE 2016-1-2007 for more
information if needed.
Box > 16:9
(center)
1110
(1)
4:3 (with alternate
16:9 (with alternate
14:9 center)
16:9 (with alternate
Description
16:9 (image
protected)
14:9 center )
4:3 center)
(2)
(2)
(2)
• 4:3 ControlsIndividual user (custom) H Zoom, V Zoom, and AFD Output Code tools
for the following 12 AFD codes/formats suited for 4:3 sources:
AFD Code
•
•
•
1: AFD codes numbering and definitions conform to SMPTE 2016-1-2007.
2: Image Protected implies picture content that must not be cropped by
conversion processes or display devices. Alternate center formats may
have protected center areas, with areas outside of the protected area not
containing mandatory content. Refer to SMPTE 2016-1-2007 for more
information if needed.
(center)
(1)
111016:9 (with alternate
Description
14:9 center)
14:9 center )
4:3 center)
(2)
(2)
9066-OM (V4.5)9066 PRODUCT MANUAL3-19
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• H Zoom and V Zoom ControlsIndividual H Zoom and V Zoom controls for each of the 12 AFD code
• AFD Output CodeTwelve drop-down lists that allow assignment of AFD codes to the 12
choices for both 4:3 and 16:9 coded input frames described above allow
adjustment of horizontal and vertical zoom percentage for each AFD
code.
(50% to 200% range in 0.1% steps)
Note: To apply H and V settings for a given AFD code using this card,
Scaler Aspect Ratio Conversion must be set to Follow AFD
Settings.
Note: Default zoom percentages use the following rules:
• The default zoom percentages displayed when this function is
accessed are the default percentages corresponding to the
respective AFD standard ratio definitions (for example, default
horizontal and vertical zoom percentages for 4:3 ratios are
correspondingly 133% and 100%, yielding a 4:3 aspect ratio). In
these cases, the null values for this definition are the default values
shown.
• In cases where a different aspect ratio is to be used for a given
received aspect ratio, the default ratio displayed is the null value
that results (assuming no H or V zoom modification). For example,
for a 16:9 signal and settings set for a 1111 (15 ) AFD code (“16:9
with 4:3 protected image”), the respective displayed default H and V
zoom settings of 100% and 75% protect the Protected Image Area.
individual H Zoom and V Zoom tools described above.
Note: • The default AFD codes displayed when this function is accessed
show the SMPTE AFD code most closely reflecting the aspect
ratio when the corresponding default settings are applied.
• An AFD Output Code setting has no effect on aspect on ARC
performed by this card; it merely applies a selected AFD code to
the output video.
•
•
•
In this example, if a “0011” AFD code is received, the entered
H Zoom and V Zoom values corresponding to AFD code 0011
are applied to the image (133.0% and 100.0%, respectively, in
this example). The H Zoom and V Zoom values for any AFD code
can be changed as desired. When the card Scaler Aspect Ratio Conversion is set to Follow AFD Settings, the H and V zoom
values set here are applied to the output video.
In this example, with the AFD Output Code
drop-down set to 1000, if a 0011 code is received
on the input, an AFD code of 1000 is ouputted by
the card. (Note that the assigned output code has
no effect on ARC performed within this card.)
3-209066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Output LineAllows selecting the line location of the AFD data within the video signal
• Restore DefaultsRestore Defaults provides default restore of all user settings described in
Ancillary Data space.
Note: • Although the output line drop-down will allow any choice within the
9 thru 41 range, the actual range is automatically clamped (limited)
to certain ranges to prevent inadvertent conflict with active picture
area depending on video format. See Ancillary Data Line Number
Locations and Ranges (p. 3-8) for more information.
• The card does not check for conflicts on a given line number.
Make certain the selected line is available and carrying no other
data.
the remainder of the AFD function description.
When Confirm is clicked, a Confirm? pop-up appears, requesting
confirmation.
• Click Yes to proceed with restore defaults.
• Click No to reject restore defaults.
9066-OM (V4.5)9066 PRODUCT MANUAL3-21
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Allows Safe Action and/or Safe Title overlays to be
added to the image. The overlays can be used to
identify safe action and safe title areas within the image.
Note: O verlay mar kers using this function are for setup only. When enabled, these markers are embedded in the SDI video
output signal and may appear in the image. Use this function only on preview video and not on-air video. Make certain
any overlay tools are turned off when done.
Note: Mult iple overlay markers described below can be simultaneously enabled as desired.
• Safe Action Area
When enabled (On), turns on the Safe Action Area overlay.
Overlays
OVERLAY_SAFACT1.0.PNG
When enabled (On), outline shows Safe Action Area boundary.
Color of boundary is selected using Color drop-down list.
• Safe Title AreaWhen enabled (On), turns on the Safe Title Area overlay.
OVERLAY_SAFTLE1.0.PNG
When enabled (On), outline shows Safe Title Area boundary. Color
of boundary is selected using Color drop-down list.
3-229066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• S afe Action/Title Area ColorSelects the Safe Action and Safe Title overlay color from choices shown
• 0.75H Safe Action AreaWhen enabled (On), turns on the 0.75H Safe Action Area overlay that
to the left.
shows the 4:3 safe area on a 16:9 image (i.e., the resulting safe area
when the image is converted to 4:3).
OVERLAY_SAFACT_NORMW075.PNG
Outline shows 0.75H Safe Action Area boundary. Color of boundary
is selected using Color drop-down list.
Note: If 0.75H (Pillar Box) is selected using the Aspect Ratio Conversion
tool in the Scaler function, and Overlays Follow ARC is selected
for this function, the overlays will be additionally reduced 0.75H
beyond the standard 4:3 safe areas
9066-OM (V4.5)9066 PRODUCT MANUAL3-23
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• 0.75H Safe Title AreaWhen enabled (On), turns on the 0.75H Safe Title Area overlay that
• 0.75H Safe Action/Title Area ColorSelects the 0.75H Safe Action and 0.75H Safe Title overlay color from
shows the 4:3 safe title area on a 16:9 image (i.e., resulting safe title area
when the image is converted to 4:3).
OVERLAY_SAFTLENORMW075.PNG
Outline shows 0.75H Safe Title Area boundary. Color of boundary
is selected using Color drop-down list.
Note: If 0.75H (Pillar Box) is selected using the Aspect Ratio Conversion
tool in the Scaler function, and Overlays Follow ARC is selected
for this function, the overlays will be additionally reduced 0.75H
beyond the standard 4:3 safe areas
choices shown to the left.
3-249066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Center CrossWhen enabled (On), turns on the Center Cross overlay.
OVERLAY_CTRX.PNG
Color of marker is selected using Color drop-down list.
• Center Cross ColorSelects the Center Cross overlay color from choices shown to the left.
• Overlays Follow ARCWhen enabled (On), overlays are resized along with the image in
9066-OM (V4.5)9066 PRODUCT MANUAL3-25
accordance with any ARC settings.
Note: This choice functions only when a zoom-out is applied (settings
less than 100%).
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Provides video Frame Sync delay control and audio
Framesync
• Framesync EnableDisables the Frame Sync function, or selects from choices below.
re-sync tools.
• Off: Video path bypasses frame sync entirely; output video timing
tracks with input video timing.
• Reference 1: Allows Frame Sync function to use external
Reference 1 as the reference (“house”) standard.
• Reference 2: Allows Frame Sync function to use external
Reference 2 as the reference (“house”) standard.
Note: If Reference 1 or Reference 2 is selected and an
appropriate external reference is not received, the
status portion of DashBoard™, indicating invalid frame sync
reference error. (Additionally, the card edge ERR indicator
illuminates indicating the same.) External reference signals
Reference 1 and Reference 2 are distributed to the card
and other cards via a frame bus.
• Input Video: Allows full framesync functionality (such as delay
offset), but instead uses the input video signal as the reference
standard.
Note: • If Input Video is used for framesync, any timing instabilit y
on the input video will result in corresponding instability on
the output video. This setting should only be used where
syncing to input video is known to be reliable.
• Negative vertical or horizontal delay values (using the
controls below) should not be used when using Input Video mode. This may result in image motion “jerkiness”.
T o add an of fset in this case, instead apply a positi ve value
that results in the desired net offset.
indication appears in the Card Info
• Vertical Delay ControlWhen Framesync is enabled, sets vertical delay (in number of lines of
• Horizontal Delay ControlWhen Framesync is enabled, sets (in µsec of output video timing)
output video timing) between the output video and the frame sync
reference.
(Range is -1124 thru 1124 lines.)
Note: Lines refer to lines in the output video format, and not to the
reference format.
horizontal delay between the output video and the frame sync reference.
(Range is -64.000 thru 64.000 µsec)
Note: When an external framesync reference is used, the card will not
produce a framesync reset until the variance between framesync
reference and output video exceeds ± 2 clock periods. Therefore, a
framesync reset will not result if offsets within this window are
applied.
To apply an offset/framesync reset within this window, first apply a
relatively large offset, then apply the target smaller offset.
Example: T o apply a 1-period offset, first apply a 10-period positive
offset and then apply a 9-period negative offset. This results in the
target 1-period offset being applied to the output video.
3-269066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Input Video Mode Fixed Delay ControlWhen Framesync is enabled and set to Input Video, allows adding video
• Framesync Audio SRC On/Off ControlWhen F rames ync is enabled and set to Input Video, allows disabling
• Minimum Latency Frames Control
Minimum Latency Frames Control
delay. This is useful when compensating for processes which result in
large audio delays.
(Range is 0.0000 thru 300.0 msec.)
audio SRC. This is required if the card is to pass non-PCM audio such as
Dolby® audio to downstream devices.
When Framesync is enabled, specifies the smallest amount of latency
allowed by the frame sync (latency measurement in output video frames).
The frame sync will not output a frame unless the specified number of
frames are captured in the buffer. The operational latency of the frame
sync is always between the specified minimum latency and
minimum latency plus one frame (not one field).
(Maximum range is 0 to 32.)
Note: Due to card memory limits, the maximum available Minimum
Latency Frames is related to the output video format selected.
For example, with a 525i59.94 output, the practical maximum limit
is 13.
When using this control, be sure to check the Framesync Status
display as follows:
• Latency frames selection within limits.
• Latency frames selection exceeds limits.
9066-OM (V4.5)9066 PRODUCT MANUAL3-27
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Audio Hard Resync Threshold ControlSets threshold at which hard resync is applied if audio-video offset
With offset less than selected hard resync threshold, resync is progressively applied in many small
steps to provide a seamless, glitch-free retiming. After the successive steps, the audio is synchronized
with the video (in this example, 40 msec). (Progressive correction is applied at 1 msec/sec appr. rate.)
6
Video:
40 msec
With offset greater than selected hard resync
threshold, resync is immediately applied.
Video:
40 msec
Audio:
240 msec
exceeds threshold (see below). Hard resync provides fastest snyc-up
suitable for off-air manipulation. Conversely, a threshold setting high
enough to accommodate normal on-air offsets allows on-air resync that is
glitch-free.
(Range is 1.5 to 13.0 frames in 0.1 frame increments)
9
t
In this example, initial offset of 200 msec (appr. 6 frames) is
below 9 frame threshold and results in soft resync being
progressively applied.
9
In this example, initial offset of 400 msec (appr. 12 frames) is
above 9 frame threshold and results in immediate hard resync.
12
t
Audio:
440 msec
• Audio Offset ControlAdds or reduces (offsets) audio delay from the matching video delay
(audio delay offset setting adds or removes delay in addition to any delay
included by other actions). This control is useful for correcting lip sync
problems when video and audio paths in the chain experience differing
overall delays.
(-575.0 msec to 575.0 msec range; null = 0.0 msec)
Note: Delay offset values of less than approximately 1 frame are
progressively applied by the card to provide a seamless, glitch-free
retiming. However, delay offset values exceeding 1-1/2 frames may
result in a slight audio discontinuity at the moment when the offset
is applied using this control if the Audio Hard Resync Threshold
control is not at a setting greater than the delay offset.
To prevent this condition during an on-air manipulation, it is
recommended that the Audio Hard Resync Threshold control be
set high enough such that expected delay offsets exceeding 1-1/2
frames are progressively applied.
Note: If using Audio Offset control to perform off-air co rrections, i t i s
recommended to temporarily set the Audio Hard Resync Threshold control to its minimum setting, thereby allowing the
offset to be assessed and corrected as fast as possible.
3-289066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Current Audio DelayDisplayDisplays the current input-to-output audio delay (in msec units) as well as
• Video Delay DisplayDisplays the current input-to-output video delay (in msec units) as well as
• Framesync Status DisplayDisplays the current framesync status as follows:
• Loss of Input Signal Sele c tionIn the event of input video Loss of Signal (LOS), determines action to be
in terms of Frames/fractional frame (in number of lines).
in terms of Frames/fractional frame (in number of lines).
• Framesync status OK.
• Framesync Enable set to Off.
• Improper or missing framesync reference.
• Latency frames selection exceeds limits.
Note: See Minimum Latency Frames Control (p. 3-27) for more
information about this message.
taken as follows:
• Disable Outputs: Disable all outputs.
• Freeze Last Frame: Freeze image to last good frame (for SDI, last
frame having valid SAV and EAV codes; for analog, last frame free
of timing errors).
• Freeze to Color: Freeze image to a color raster (as selected using
Framesync LOS Freeze Color control).
Note: Freeze Last Frame and Freeze to Color choices are functional only
when frame sync is set to lock to valid reference.
• Framesync LOS Freeze ColorIn the event of LOS with Freeze to Color enabled above, sets the image
9066-OM (V4.5)9066 PRODUCT MANUAL3-29
raster color from choices shown to the left.
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Custom Color HueAdjusts raster hue (phase angle) for custom LOS color.
(-360° to 360° range in 0.1° steps; null = 0°)
• Custom Color SaturationAdjusts raster saturation level for custom LOS color.
(0% to 100% range in 0.1% steps)
• Custom Color Y LevelAdjusts raster luma level for custom LOS color.
(64 to 940 range)
• Reset/Resync Framesync
Reset Framesync
Reset Framesync resets the frame sync, clearing any buffered audio and
video.
Resync Video and Reference resets the input processing paths for video
and reference.
When Confirm is clicked, a Confirm? pop-up appears, requesting
confirmation.
• Click Yes to reset the frame sync.
• Click No to reject rese t.
Note: These controls are not normally used or required when the card is
receiving a stable, continuous frame sync reference.
3-309066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Selects the audio source for each embedded audio
Embedded Audio Group 1/2
channel 1 thru 8 (Embedded Audio Groups 1 and 2).
Also provides Gain, Phase Inver t, and Muting contr ol s
for each channel.
+
Embedded
Audio Group 1
CH1
CH2
CH3
CH4
CH5
CH6
CH7
CH8
Embedded
Audio Group 2
Embedded
The example above shows
various Source selections and
individual audio control settings
for various audio sources fed to
the Destination channels
Embedded Ch 1 thru
Embedded Ch 8 in Embedded
Audio Groups 1 and 2, with the
resulting setup (right).
The source-to-destination
correlation shown here is only an
example; any of the sources on
the left can connect to any of the
destinations on the right, or to
Embedded Audio Groups 3 and
4 (not shown here). Additional
sources not shown here are also
available. These are described
on the following pages.
The controls shown here are
Channels 1 – 16
AES I/O (1-4)
AES IN (5-8)
AN-AUD
IN (1-8)
Embed Ch 12
Embed Ch 14
AES Ch 1
AES Ch 3
AES Ch 5
AES Ch 8
Analog Ch 3
TG1
0 dB
-10 dB
0 dB
+
+
0 dB
+
+
0 dB
+
20 dB
20 dB
15 dB
–
described in detail on the
following pages.
9066-OM (V4.5)9066 PRODUCT MANUAL3-31
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• SD Audio DepthAllows option of using 24-bit audio data structure per SMPTE 272M,
• Group EnableWhen enabled (On), enables the embedding of the corresponding
§3.10 (default is 20-bit per SMPTE 272M, §3.5).
Note: • If 24-bit depth is desired, make certain downstream equipment is
compatible with 24-bit SD audio data.
• Depth control setting applied here affects both Embedded Audio
Group 1/2 and 3/4.
embedded audio group (Embedded Audio Group 1 or Embedded Audio
Group 2).
• Embedded Audio Group 1 consists of embedded channels 1 thru 4.
• Embedded Audio Group 2 consists of embedded channels 5 thru 8.
Two Group Enable buttons correspondingly enable or disable Embedded
Audio Group 1 and Embedded Audio Group 2.
Disabling a group removes the entire group of embedded audio channels
while preserving the settings of the channels belonging to the group.
Note: • Embedded Ch 2 thru Embedded Ch 8 have controls identical to the Source, Gain, Mute, and Phase controls
described here for Embedded Ch 1. Therefore, only the Embedded Ch 1 controls are shown here.
•For each channel, its source and destination should be considered and appropriately set. Unused destination
channels should be set to the Silence selection.
• Embedded Channel SourceUsing the Source drop-down list, selects the audio input source to be
embedded in the corresponding embedded channel from the choices
described below.
• Embedded Ch 1 thru Ch 16 as SourceEmbed Ch 1 thru Embed Ch 16 range in Source drop-down list enables
•
•
•
• AE S Ch 1 thru AES Ch 16 as SourceAES Ch 1 thru AES Ch 16 range in Source drop-down list enables a
•
•
•
an embedded channel (Ch 1 thru Ch 16) to be the source for the selected
destination Embedded Audio Group channel.
(In this example, Embed Ch 1 (embedded Ch 1) is the source for
destination Embedded Ch 1)
discrete AES channel (Ch 1 thru Ch 16) to be the source for the selected
destination Embedded Audio Group channel.
(In this example, AES Ch 1 is the source for destination Embedded Ch 1)
3-329066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Analog Ch 1 thru Ch 8 as SourceAnalog Ch 1 thru Analog Ch 8 range in Source drop-down list enables a
•
•
•
• Down Mix Left or Right as SourceDown Mix Left and Down Mix Right selections in Source drop-down list
• Mono Mix as SourceMono selection in Source drop-down list allows mono mix content to be
balanced-input analog channel (Ch 1 thru Ch 8) to be the source for the
selected destination Embedded Audio Group channel.
(In this example, Analog Ch1 is the source for destination
Embedded Ch 1)
allow either downmixer left or right channel to be the source for the
selected destination Embedded Audio Group channel.
(In this example, the Down Mix Left channel is the source for destination
Embedded Ch 1)
Note: Down Mix Left and Down Mix Right channels are a stereo pair
derived from the L, C, R, Ls, and Rs channel inputs selected using
the Audio Mixing function. The stereo pair consists of basic L/R
PCM signals with no additional encoded information.
Refer to Audio Mixing function description on page 3-49 for more
information.
the source for the selected destination Embedded Audio Group channel.
(In this example, the mono content is the source for destination
Embedded Ch 1)
Note: Mono mix content is set up using Mono Mixer Selection in the
Audio Mixing function). Refer to Audio Mixing function description on page 3-49for more information.
• Audio LTC as SourceLTC selection in Source drop-down list allows any timecode format
• Tone Generator 1 thru 4 as SourceTone Generator 1 thru T one Generator 4 range in Source drop-down list
9066-OM (V4.5)9066 PRODUCT MANUAL3-33
received by the card to be outputted as audio LT C over an embedded
audio output (destination) channel.
(In this example, audio LTC is the source for destination Embedded Ch 1)
Note: • When LTC is selected as source, Gain and Mute controls are
disabled.
• Refer to Timecode function description on page 3-45 for more
information.
enables one of four tone generators (Tone 1 thru Tone 4) to be the source
for the selected destination Embedded Audio Group channel.
(In this example, Tone 1 (tone generator 1) is the source for destination
Embedded Ch 1)
Note: Tone generator frequencies can be independently set for the four
tone generator sources.
Refer to Tone Ge ne r a tor function description on page 3-49 for
more information.
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Silence (Mute) as SourceSilence selection in Source drop-down list mutes the selected destination
• Gain (dB) ControlAdjusts and displays relative gain (in dB) applied to the corresponding
• Mute ControlAllows pushbutton On/Off channel muting while saving all other settings.
Embedded Audio Group channel. Use this setting for unused
destination channels.
(In this example, silence (muting) is applied to Embedded Ch 1)
destination Embedded Audio Group channel.
(-80 to +40 dB range in 0.1 dB steps; unity = 0.0 dB)
• Phase ControlSelects between Normal and Invert phase (relative to source original
phase) for the destination Embedded Audio Group channel.
3-349066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Selects the audio source for each embedded audio
Embedded Audio Group 3/4
channel 9 thru 16 (Embedded Audio Groups 3 and 4).
Also provides Gain, Phase Inver t, and Muting co ntrol s
for each channel.
+
Embedded
Audio Group 3
CH9
CH10
CH11
CH12
CH13
CH14
CH15
CH16
Embedded
Audio Group 4
Embedded
Channels 1 – 16
Embed Ch 4
Embed Ch 8
The example above shows
various Source selections and
individual audio control settings
for various audio sources fed to
the Destination channels
Embedded Ch 9 thru
Embedded Ch 16 in Embedded
Audio Groups 3 and 4, with the
resulting setup (right).
The source-to-destination
correlation shown here is only
an example; any of the sources
AES I/O (1-4)
AES IN (5-8)
AN-AUD
IN (1-8)
Embed Ch 15
AES Ch 1
10 dB
AES Ch 2
AES Ch 14
Analog Ch 1
on the left can connect to any of
the destinations on the right, or
to Embedded Audio Groups 1
and 2 (not shown here).
Additional sources not shown
here are also available.
9066-OM (V4.5)9066 PRODUCT MANUAL3-35
0 dB
+
6 dB
+
6 dB
+
+
10 dB
–20 dB
–
–15 dB
+
Silence
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• SD Audio DepthAllows option of using 24-bit audio data structure per SMPTE 272M,
• Group Enable
§3.10 (default is 20-bit per SMPTE 272M, §3.5).
Note: • If 24-bit depth is desired, make certain downstream equipment is
compatible with 24-bit SD audio data.
• Depth control setting applied here affects both Embedded Audio
Group 1/2 and 3/4.
When enabled (On), enables the embedding of the corresponding
embedded audio group (Embedded Audio Group 3 or Embedded Audio
Group 4).
• Embedded Audio Group 3 consists of embedded channels 9 thru 12.
• Embedded Audio Group 4 consists of embedded channels 13 thru 16.
Two Group Enable buttons correspondingly enable or disable Embedded
Audio Group 3 and Embedded Audio Group 4.
Disabling a group removes the entire group of embedded audio channels
while preserving the settings of the channels belonging to the group.
Note: • Embedded Ch 9 thru Embedded Ch 16 have controls that are identical to the Source, Gain, Mute, and Phase controls
described for Embedded Ch 1. Refer to Embedded Audio Group 1/2 on page 3-31 for descriptions of these controls.
• For each channel, its source and destination should be considered and appropriately set. Unused destination channels
should be set to the Silence selection.
3-369066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Routes audio sources to discrete AES output channels
1 thru 8 (AES Audio Out Pairs 1-4). Also provides Gain,
AES Audio Out Pairs 1-4
Phase Invert, and Muting controls for each channel.
The example above shows
various Source selections and
individual audio control settings
for various audio sources fed to
the Destination channels
AES Ch 1 thru AES Ch 8, with
the resulting setup (right).
The source-to-destination
correlation shown here is only
an example; any of the sources
on the left can connect to any of
the destinations on the right.
The controls shown here are
described in detail on the
following pages.
Embedded
Channels 1 – 16
AES I/O (1-4)
AES IN (5-8)
AN-AUD
IN (1-8)
Embed Ch 4
Embed Ch 5
Embed Ch 6
Embed Ch 7
AES Ch 4
Analog Ch 1
Analog Ch 2
10 dB
0 dB
+
10 dB
+
6 dB
+
+
–10 dB
TG4
6 dB
AES Audio Out
Pairs 1-4
(Ch 1-8)
AES Ch 1
+
–
–10 dB
–6 dB
AES Ch 2
AES Ch 3
AES Ch 4
AES Ch 5
+
AES Ch 6
AES Ch 7
AES Ch 8
9066-OM (V4.5)9066 PRODUCT MANUAL3-37
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
Note: • AES Ch 2 thru AES Ch 8 have controls that are identical to the Source, Gain, Mute, and Phase controls described
here for AES Ch 1. Therefore, only the AES Ch 1 controls are shown here.
• For each channel, its source and destination should be considered and appropriately set. Unused destination channels
should be set to the Silence selection.
• AES Channel SourceUsing the Source drop-down list, selects the audio source to be routed to
• Embedded Ch 1 thru Ch 16 as Source
•
•
•
• AE S Ch 1 thru AES Ch 16 as SourceAES Ch 1 thru AES Ch 16 range in Source drop-down list enables a
•
•
•
• An alog Ch 1 thru Ch 8 as SourceAnalog Ch 1 thru Analog Ch 8 range in Source drop-down list enables a
the corresponding AES output channel from the choices described below.
Embed Ch 1 thru Embed Ch 16 range in Source drop-down list enables
an embedded channel (Ch 1 thru Ch 16) to be the source for the selected
destination AES channel.
(In this example, Embed Ch 1 (embedded Ch 1) is the source for
destination AES Ch 1)
discrete AES channel (Ch 1 thru Ch 16) to be the source for the selected
destination AES channel.
(In this example, AES Ch 5 is the source for destination AES Ch 1)
balanced-input analog channel (Ch 1 thru Ch 8) to be the source for the
selected destination AES channel.
(In this example, Analog Ch1 is the source for destination AES Ch 1)
•
•
•
• Do wn Mix Left or Right as SourceDown Mix Left and Down Mix Right selections in Source drop-down list
allow either downmix left or right channel to be the source for the selected
destination AES channel.
(In this example, the Down Mix Left channel is the source for destination
AES Ch 1)
Note: Down Mix Left and Down Mix Right channels are a stereo pair
derived from the L, C, R, Ls, and Rs channel inputs selected using
the Audio Mixing function. The stereo pair consists of basic L/R
PCM signals with no additional encoded information.
Refer to Audio Mixing function description on page 3-49 for more
information.
3-389066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Mono Mix as SourceMono selection in Source drop-down list allows mono mix content to be
• Audio LTC as SourceLTC selection in Source drop-down list allows any timecode format
• Tone Generator 1 thru 4 as SourceTone Generator 1 thru T one Generator 4 range in Source drop-down list
the source for the selected destination AES channel.
(In this example, the mono content is the source for destination AES Ch 1)
Note: Mono mix content is set up using Mono Mixer Selection in the
Audio Mixing function). Refer to Audio Mixing function
description on page 3-49 for more information.
received by the card to be outputted as audio LT C over an AES audio
output (destination) channel.
(In this example, audio LTC is the source for destination AES Ch 1)
Note: • When LTC is selected as source, Gain and Mute controls are
disabled.
• Refer to Timecode function description on page 3-45 for more
information.
enables one of four tone generators (Tone 1 thru Tone 4) to be the source
for the selected destination AES channel.
(In this example, Tone 1 (tone generator 1) is the source for destination
AES Ch 1)
Note: Tone generator frequencies can be independently set for the four
tone generator sources.
Refer to Tone Ge ne r a tor function description on page 3-49 for
more information.
• Silence (Mute) as SourceSilence selection in Source drop-down list mutes the selected destination
• Gain (dB) ControlAdjusts and displays relative gain (in dB) applied to the corresponding
AES channel. Use this setting for unused destination channels.
(In this example, silence (muting) is applied to AES Ch 1)
destination AES channel.
(-80 to +40 dB range in 0.1 dB steps; unity = 0.0 dB)
9066-OM (V4.5)9066 PRODUCT MANUAL3-39
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Mute ControlAllows pushbutton On/Off channel muting while saving all other settings.
• Phase ControlSelects between Normal and Invert phase (relative to source original
phase) for the destination AES output channel.
3-409066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Routes audio sources to AES output channels 9 thru 16
(AES Audio Out Pairs 5-8). Also provides Gain, Muting,
AES Audio Out Pairs 5-8
and Phase Invert controls for each channel.
+
AES Audio Out
Pairs 5-8
(Ch 9-16)
AES Ch 9
AES Ch 10
AES Ch 11
AES Ch 12
AES Ch 13
AES Ch 14
AES Ch 15
AES Ch 16
The example above shows
various Source selections and
individual audio control settings
for various audio sources fed to
the Destination channels AES Ch 9 thru AES Ch 16, with the
resulting setup (right).
The source-to-destination
correlation shown here is only
an example; any of the sources
on the left can connect to any of
the destinations on the right, or
receive sources. Available
sources also include up to four
tone generators (not shown
here).
Embedded
Channels 1 – 16
AES I/O (1-4)
AES IN (5-8)
AN-AUD
IN (1-8)
Embed Ch 4
Embed Ch 5
AES Ch 4
Analog Ch 1
Analog Ch 2
Down Mix L
Down Mix R
0 dB
6 dB
+
0 dB
Silence
+
–3 dB
+
6 dB
+
10 dB
–
0 dB
+
+
–3 dB
Note: • AE S Ch 9 thru AES Ch 16 have controls that are identical to the Source, Gain, Mute, and Phase controls described
for AES Ch 1. Refer to AES Audio Out Pairs 1-4 on page 3-37 for descriptions of these controls.
• For each channel, its source and destination should be considered and appropriately set. Unused destination channels
should be set to the Silence selection.
9066-OM (V4.5)9066 PRODUCT MANUAL3-41
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Extracts a n d pr es er ve s Do lb y® metadata from the input
SDI, and in turn allows the metadata to be re-inserted in
Dolby Metadata
the output SDI. This allows scaling and/or format
conversions without losing Dolby
• VBI Metadata RemovalVBI Metadata Removal (On/Off) allows metadata to be removed (On)
embedding in the SDI video output.
• W hen set to On, metadata is extracted from the SDI input video,
buffered, and re-directed to the output SDI video.
• W hen set to Off, metadata is not embedded in the output SDI video.
Allows selection of SMPTE 2020-1 metadata
space for re-inserted Dolby® metadata.
(Range is 9 thru 41)
Note: • Although the output line drop-down will allow any choice within the
9 thru 41 range, the actual range is automatically clamped (limited
to) certain ranges to prevent inadvertent conflict with active
picture area depending on video format. See Ancillary Data Line
Number Locations and Ranges (p. 3-8) for more information.
• The card does not check for conflicts on a given line number.
Make certain the selected line is available and carrying no other
data unless existing metadata is to be intentionally overwritten.
even if the Scaler is not enabled. (This control is default set to Off, with
metadata being passed when Scaler is disabled)
Note: When the Scaler is enabled, Dolby metadata is automatically
removed. Set the Metadata Embedding control to On to re-insert
metadata as described above.
line location within the VANC
Note: The Metadata Output Source button in DashBoard™ is locked to Input Video for this card. With this function enabled,
the extracted metadata is always available in the SDI video output and on cards equipped with an appropriate Rear I/O
Module having a Dolby
®
metadata RS-485 connector.
• RS -485 Po rt Fun ction Selec tSelects function for shared RS-485 on card with +LTC option. For Dolby
metadata output on port, make sure control is set as shown here.
®
3-429066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Provides support for closed captioning setup.
• Closed Captioning On/OffTurns on or turns off the Closed Captioning on the output.
Note: • When set to On, closed captioning is set to standard default line
number. See Ancillary Data Line Number Locations and Ranges
(p. 3-8).
• The card does not check for conflicts on a given line number.
Make certain selected line is available and carrying no other data.
• Closed captioning line may contain active unintended data even if
closed captioning is set to Off. If closed captioning is not to be
used, it is recommended to use the Top Line Suppression
control to eliminate the possibility of this unintended data from
appearing in the active video area. (See Scaler tab (p. 3-14) Top line suppression control for more details.)
• Closed Captioning Source
Closed Captioning
• Closed Captioning HD Output LineSelects the VANC line number (9 thru 41) for the closed caption data
Selects the video format that carries the Closed Captioning (CC) video
stream as follows:
• Input Video: Sets the 9066 to receive CC stream from the currently
selected input format (as selected using the Video Signal Controls
functions.
• Analog SD: Sets the 9066 to receive analog SD CC stream on the
analog inputs (Y/composite, Pr/C, and Pb inputs) regardless of
video input source.
• HD/SD-SDI: Sets the 9066 to receive CC stream on the SDI input
regardless of video input source.
when the output is HD.
Note: • Although the output line drop-down will allow any choice within the
9 thru 41 range, the actual range is automatically clamped (limited
to) certain ranges to prevent inadvertent conflict with active
picture area depending on video format. See Ancillary Data Line
Number Locations and Ranges (p. 3-8) for more information.
• The card does not check for conflicts on a given line number.
Make certain the selected line is available and carrying no other
data unless existing metadata is to be intentionally overwritten.
9066-OM (V4.5)9066 PRODUCT MANUAL3-43
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Closed Captioning Input StatusDisplays incoming Closed Captioning status as follows:
• If closed captioning is present, a message similar to the example shown
left is displayed. Also displayed is the VANC line number of the incoming
closed captioning packet (or SD waveform-based VANC line number).
• I f no closed captioning is present in the video signal, Not Present or
Disabled is displayed.
Note: • Pa cket closed captioning status Captioning Rejected Due To
message can appear due to the items described below. The
closed captioning function assesses cdp_identifier, cdp_frame_rate, ccdata_present, and caption_service_active
items contained in the packet header to make the determinations
listed below. Refer to CEA-708-B for more information.
MessageDescription
Unsupported Frame RateFilm rate closed-captioning
Data Not PresentPacket is marked from closed
No Data IDPacket from closed captioning
(either as pass-through or up/
down conversion) is not
supported by the card.
captioning source external to the
card that no data is present.
source external to the card is not
properly identified with 0x9669
as the first word of the header
(unidentified packet).
• caption service is marked as inactive display indicates bit in
packet from upstream source may inadvertently be set as
inactive. In this case, closed captioning data (if present) is still
processed and passed by the card as normal.
• The closed captioning function does not support PAL closed
captioning standards.
3-449066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Provides timecode data extract ion from va rious
sources, and provides formatting and re-insertion
Timecode
Shown below is an example in which received 525i 5994 SDI video is being converted to 720p 5994. To preserve and re-insert
the timecode data, the following can be performed using the Timecode function. Each Timecode control is fully described on
the pages that follow.
controls for inserting the timecode into the output video.
525i 5994
w/ VITC
Waveform
A
Noting that the incoming video contains VITC
9066
720p 5994
w/ ATC_VITC
w/ ATC_LTC
waveform timecode data (as shown in the status
display), set the Source Priority drop-down lists to
include VITC Waveform timecode data (SDI VITC) as
a choice. This extracts VITC Waveform timecode
data from the incoming video.
In this example, it is desired to provide both SDI
B
ATC_VITC and ATC_LTC timecode data in the
converted HD output video. As such, set both
HD ATC VITC Insertion and HD ATC LTC Insertion
to Enabled.
In the example here, the line numbers are set to the
default SMPTE 12M-2-2008 recommended values.
ATC_VITC1 = Line 9 (default SMPTE 12M-2)
ATC_VITC2 = Line 8 (571) (default SMPTE 12M-2)
ATC_LTC = Line 10 (default SMPTE 12M-2)
SDI ATC_LTC
Detect/Extract
LTC Detect/
Extract
9066-OM (V4.5)9066 PRODUCT MANUAL3-45
Insert
Control
B
720p SDI
w/ATC_VITC
w/ATC_LTC
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
Audio LTC and RS-485 L TC controls descr ibed below only appear on cards with +LTC licensed optional
feature. This feature allows bidirectional conversion between VBI-based timecode and LTC timecode on audio and RS-485
interfaces.
• Timecode Source Status DisplaysDisplays the current status and contents of the supported timecode
• RS-485 Port LTC ControlAllows RS-485 port to be used to receive LTC, or send LTC over RS-485
formats shown to the left.
• If a format is receiving timecode data, the current content (timecode
running count and line number) is displayed.
• I f a format is not receiving timecode data, Unlocked is displayed.
• I f Audio LTC is being received, the timecode running count is
displayed.
• Audio LTC Source selects audio source to be used by card audio
LTC function as listed below.
• Emb Ch 1 thru Ch 16
• AES Ch 1 thru Ch 16
• Analog audio Ch 1 thru Ch 8
Note: Audio LTC Source must be appropriately set for card to
receive and process audio LTC.
port as follows:
• If RS-485 LTC is to be received via the shared RS-485 port, set the
RS-485 Port Function control to LTC In.
• If RS-485 LTC is to be outputted via the shared RS-485 port, set
the RS-485 Port Function control to LTC Output . The timecode
string carried on the LTC output is that selected using the Source Priority controls described on the next page.
• Incoming ATC Packet Removal ControlEnables or disables removal of existing input video ATC timecode packets
from the output. This allows removal of undesired existing timecodes from
the output, resulting in a “clean slate” where only desired timecodes are
then re-inserted into the output. (For example, if both SDI ATC_VITC and
ATC_LTC are present on the input video, and only ATC_LTC is desired,
using the Removal control will remove both timecodes from the output.
The ATC_LTC timecode by itself can then be re-inserted on the output
using the other controls discussed here.)
Note: When the Scaler is enabled, ATC packets are automatically
removed. The Timecode function must be used to re-insert the
timecode data into the output video.
3-469066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Source PriorityAs described here, provides 4-level prioritization of timecode format
choices from choices shown to the left.
Source Priority 1 thru Source Priority 4 select the preferred format to be
used in descending order (i.e., Source Priority 2 selects the second-most
preferred format, and so on. See example below.)
Analog VITC
SDI VITC
ATC_LTCHD SDI ATC_LTC
ATC_VITCSD/HD SDI ATC_VITC
Audio LTC
VITC waveform from analog
video input
VITC waveform from SD SDI
video input
Audio-based LTC from
selected c ard audio input
channel
HD/SD
525i
SDI VITC
(1st priority)
525i
ANLG VITC
(2nd priority)
In this exam ple, SDI VIT C 1st priority selection selects SDI VITC (received on SDI
input) over analog VITC (received on analog input) regardless of video input
material source to be processed by the card.
The selected timecode source is embedded on the SDI video output (in this
example, 720p) using the selected l ine number. In this example, if the SDI VITC
on the SDI input becomes unavailable, the card then uses the 525i analog VITC
data received on the card analog video input.
Note: If analog VITC timecode source contains 7.5 IRE of setup, make certain
Video Signal Control s –> NTSC Contains is set to 7.5 IRE of Setup. If
this is not done, analog VITC waveform may not be received and
processed by the card.
SDI IN
TC
ANLG IN
SDI
OUT
720p
(w/ ATC_VITC)
• Output Status DisplayDisplays the current content and source being used for the timecode data
as follows:
• Output status OK (in this example, SDI VITC timecode received and
outputted).
• Timecode Insertion button set to Disabled; output insertion disabled.
Note: • If timecode is not available from Source Priority selections
performed, timecode on output reverts to Free Run (internal
count) mode.
• Because the 1’s digit of the display Frames counter goes from 0 to
29, the fractional digit (along with the 1’s digit) indicates frame
count as follows:
0.0Frame 0
0.1Frame 1
1.0Frame 2
1.1Frame 3
•
•
•
29.1 Frame 59
• Offset ControlsA llows the current timecode count to be advanced or delayed on the
output video.
• Offset Advance or Delay selects offset advance or delay.
• Offset Field delays or advances or delays timecode by one field.
• Offset Frame delays or advances or delays timecode by up to 5
frames.
Note: Default settings are null, with both controls set at zero as shown.
9066-OM (V4.5)9066 PRODUCT MANUAL3-47
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
Note:
• Although the output line drop-down on the controls described below will allow a particular range of choices, the actual
range is automatically clamped (limited) to certain ranges to prevent inadvertent conflict with active picture area
depending on video format. See Ancillary Data Line Number Locations and Ranges (p. 3-8) for more information.
• The card does not check for conflicts on a given line number. Make certain the selected line is available and carrying
no other data.
• Insertion controls described below enable or disable insertion on output video only when the Scaler is enabled.
Existing waveform or packet-based data on an unscaled stream are not affected by these controls and are passed on
the SDI output.
• SD ATC Insertion ControlFor SD output, enables or disables SD ATC_VITC timecode insertion into
• HD ATC_LTC Insertion ControlFor HD output, enables or disables ATC_LTC timecode insertion into the
• HD ATC_VITC Insertion Control
into the output video, and selects the VITC1 and VITC2 line numbers (6
thru 22) where the VITC waveform is inserted.
Note: • If only one output line is to be used, set both controls for the same
line number.
• SD VITC Waveform Insertion control only affects VITC
waveforms inserted (or copied to a new line number) by this
function.
the output video, and selects the line number for ATC_VITC.
output video, and selects the line number for ATC_LTC timecode data.
For HD output, enables or disables ATC_VITC timecode insertion into the
output video, and selects the line number for ATC_VITC1 and
ATC_VITC2.
Note: If only one output line is to be used, set both controls for the same
line number.
• ATC_VITC Legacy Support ControlWhen enabled, accommodates equipment requiring ATC_VITC packet in
both fields as a “field 1” packet (non-toggling).
Note: Non-toggling VITC1 and VITC2 packets do not conform to
SMPTE 12M-2-2008 preferences. As such, ATC_VITC Legacy
Support should be enabled only if required by downstream
equipment.
3-489066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Sets the test tone frequency for each of four tone
Tone Generator
generators (T one Generator 1 thru 4).
• Frequency Selection ListsSelects the frequency for each of the four tone generators. 18 discrete
sine wave frequencies are available, ranging from 50 Hz to 16 kHz
(default frequency is 1.0 kHz).
•
•
•
Note: Unity-gain signal level is equivalent to -20 dBu.
Provides down-mix audio routing selections that
multiplexes any five embedded, AES, or analog audio
Audio Mixing
channel sources into a stereo pair (Down Mix Left and
Down Mix Right), or selection of any two audio sources
to be mono-mixed to serve as a monaural source.
With an optional upmixer licensable feature activated,
any normal PCM stereo pair can be fed to the upmixer to
generate 5.1 surround sound audio which in turn can be
applied to six user-selec table cha nnels .
• Down Mixer SelectionSeparate drop-down lists for Left, Right, Center, Left Surround (Ls),
and Right Surround (Rs) inputs allow embedded, AES, or analog
channel audio source selection for each of the five inputs as shown below.
•
•
•
•
•
•
•
•
•
The example below shows selection from various sources and the
resulting stereo pair DM-L and DM-R. The two signals comprising the pair
can be routed and processed the same as any other audio input source.
Embed Ch 1 - Ch 16
AES Ch 1 - Ch 16
AN-AUD Ch 1- Ch 8
Embedded Ch 1
Embedded Ch 2
AES Ch 6
Embedded Ch 4
Embedded Ch 5
L
R
C
Ls
Rs
DM-L
DM-R
Note: The stereo pair consists of basic L/R PCM signals with no
additional encoded information.
9066-OM (V4.5)9066 PRODUCT MANUAL3-49
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Center Mix Ratio Control
• Surround Mix Ratio Control
Adjusts the attenuation ratio of center-channel content from 5-channel
source that is re-applied as Lt and Rt content to the DM-L and DM-R
stereo mix.
• Minimum attenuation setting (-0.0 dB) applies no ratiometric reduction.
Center channel content is restored as in-phase center-channel content
with no attenuation, making center-channel content more predominate in
the overall mix.
• M aximum attenuation setting (-10.0 dB) applies a -10 dB ratiometric
reduction of center-channel content. Center-channel content is restored
as in-phase center-channel content at a -10 dB ratio relative to overall
level, making center-channel content less predominate in the overall
mix.
(0.0 dB to -10.0 dB range in 0.1 dB steps; default = -3 dB)
Note: Default setting of -3.0 dB is recommended to maintain
center-channel predominance in downmix representative to that of
the original source 5-channel mix.
Adjusts the attenuation ratio of surround-channel content from 5-channel
source that is re-applied as Lo and Ro content to the DM-L and DM-R
stereo mix.
• Minimum attenuation setting (-0.0 dB) applies no ratiometric reduction.
Surround-channel content is restored with no attenuation, making Lo
and Ro content more predominate in the overall mix.
• M aximum attenuation setting (-10.0 dB) applies a -10 dB ratiometric
reduction of surround-channel content. Surround-channel content is
restored at a -10 dB ratio relative to overall level, making
surround-channel content less predominate in the overall mix.
(0.0 dB to -10.0 dB range in 0.1 dB steps; default = -3 dB)
Note: Default setting of -3.0 dB is recommended to maintain
surround-channel predominance in downmix representative to that
of the original source 5-channel mix.
• Mono Mixer SelectionSeparate drop-down lists for Left and Right inputs allow selected
embedded, AES, analog, or the DM-L / DM-R input channels to provide
an additional mono-mixed channel.
The resulting mono mix (Mono) is available as an audio source for any of
the 32 destination embedded or AES output channels as shown below.
Emb Ch 1 - Ch 16
AES Ch 1 - Ch 16
AN-AUD Ch 1- Ch 8
Emb Ch 12
Emb Ch 16
Note: Selection of any two channels for mono mixing in no way affects the
source channels themselves.
L
Σ
R
MONO
3-509066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
Note: • 2.0-to-5.1 upmixer function is an optional licensable feature. This function and its controls appear only when a license
key is entered and activated. Refer to Licensable Features function description on page 3-54for more information.
• Channel sources used by the upmixer are post-processed signals received from the Audio Routing/Gain Control
function. When active, the channel selections made using this function are directly embedded in the output SDI or AES discrete pairs. Refer to 2.0-to-5.1 Upmix Function (p. 1-13) in Chapter 1, “Introduction” for detailed functional
description and signal flow.
• For any six channels selected for this function, the Left and Right channel selections always serve as the stereo input
pair.
• 2.0-to-5.1 Up Mixer SelectionSeparate drop-down lists for Left, Right, Center, LFE, Left Surrou nd,
and Right Surround allow embedded, AES, or analog channel audio
source selection, and embedded or AES discrete channel assignments
for the six generated 5.1 channels.
•
•
•
•
•
•
•
•
•
The example below shows selection of embedded channels 1 and 2 as
the received stereo source (Embed Ch1 and Ch 2 for Left and Right
drop-down list selections in the Up Mixer Selection tool).
Using the setup shown in the example, when upmix is active the
embedded channel 1/2 stereo pair is overwritten with the new stereo pair
L/R on channels 1/2. As selected in the example, the additional 5.1
channels C, LFE, Left Surround (Ls), and Right Surround (Rs) overwrite
EmbCh3 – Ch 6, respectively.
L – Emb Ch 1
R – Emb Ch 2
C – Emb Ch 3
LFE – Emb Ch 4
Ls – Emb Ch 5
Rs – Emb Ch 6
9066-OM (V4.5)9066 PRODUCT MANUAL3-51
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Up Mixer Mode ControlEnables or bypasses upmixer as follows:
• Auto:Automatic enable/bypass of 5.1 upmix function as follows:
• If detected signal level on all four of the selected channels
designated as Center, LFE, Left Surround , and Right Surround
are below the level threshold set using the 5.1 Detection Threshold
control, upmixer overwrites all six selected channels with the new 5.1
content generated by the upmixer.
• If detected signal level on any of the four of the selected channels
designated as Center, LFE, Left Surround , and Right Surround is
above the level threshold set using the 5.1 Detection Threshold
control, upmixer is bypassed and the original channels pass
unaffected.
• Always Upmix: Manual enable turns on upmixer and overwrites content
on all six selected channels with new 5.1 content generated by the
upmixer regardless of original signal level or content.
• Bypass: Manual disable bypasses the upmixer. When bypassed, the six
embedded audio channels pass unaffected.
• Up Mixer Status DisplayShows activity status of upmixer processing as follows:
• Auto Mode - Currently Upmixing: With upmixer enable set to
Auto, indicates selected channels designated as Center, LFE, Left
Surround, and Right Surround are clear for use (as described
above); upmixer is currently up-mixing received stereo pair and
overwriting the six selected channels with new 5.1 upmix.
• Auto Mode - Currently Bypassed: With upmixer enable set to
Auto, indicates selected channels designated as Center, LFE, Left
Surround, and Right Surround have content (such as existing
original 5.1 or other content); upmixer is bypassed (disabled) and
allows normal passage of six selected channels.
• Upmixing: Indicates upmixer is manually enabled (set to Always
Upmix) and is currently up-mixing received stereo pair and
overwriting the six selected channels with new 5.1 upmix.
• Bypassed: Indicates upmixer is manually disabled (set to Bypass)
and is currently passing all selected channels unaffected.
• Auto Crossfade Speed ControlsIndividual controls select the relative crossfade transition speed between
Upmix to Bypass (going to inactive; from 5.1 to 2.0) and Bypass to Upmix
(going to active; from 2.0 to 5.1) when upmixer enable is set to Auto and
the active threshold (as set by the 5.1 Detection Threshold control) is
crossed in either direction.
To suit program material and production aesthetic preferences, several
choices are available as shown to the left. Slower settings allow for a
more gradual transition between modes, however with a longer interval
before levels stabilize. Faster settings conversely allow for a smaller
interval before levels stabilize, however with greater perceived
abruptness.
3-529066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• 5.1 Detection Threshold ControlAdjusts the threshold at which selected channels designated as C, LFE,
Ls, and Rs are considered to have viable content, or at which signal levels
can be considered insignificant when upmixer enable is set to Auto.
Setting affects automatic enable/bypass of 5.1 upmix function as follows:
• If detected signal level on all four of the selected channels designated
as Center, LFE, Left Surround, and Right Surround are below the level
threshold set using the 5.1 Detection Threshold control, upmixer allows
overwrite of all six selected channels with the new 5.1 signal
complement.
• If detected signal level on any of the four of the selected channels
designated as Center, LFE, Left Surround, and Right Surround is above
the level threshold set using the 5.1 Detection Threshold control,
upmixer is bypassed, thereby releasing the selected six channels and
allowing the original channels to pass unaffected.
(Range is -150 dB to 0 dB in 0.1dB steps;
0 dB equivalent to +24 dBu=> 0 dBFS)
Typically, the 5.1 Detection Threshold control should be set to provide
a usable threshold that maintains a threshold at which valid levels large
enough over the threshold disable the auto upmix (, left), while
- 20 dBFS
- 60 dBFS
s
s
E
C
L
R
F
L
A
s
E
C
L
F
L
B
Above Threshold
(Bypass)
Below Threshold
(Overwrite)
s
R
nuisance levels
considerably below the
threshold (, left) are
rejected, allowing the
upmixer to stay locked in
the enabled mode and
overwrite these signals
with the new signals.
Optimum setting is
dependent on program
material general overall
levels. A -60 dB setting is
A
B
recommended for material closely adhering to the SMPTE -20 dBFS
Alignment level for normal material such as dialog.
• Center Width Control
Adjusts center channel content (in terms of percentage) applied to L and
R channels.
• Minimum setting keeps all L+R (mono) content confined to center (C)
channel, with any center channel content removed from L and R
channels.
• Higher settings progressively blend respective L and R mono content
back into L and R channels, with 100% setting resulting in center
channel level going to zero and L/R channels becoming normal L/R
channels containing some mono content.
(0% to 100% range in 0.1% steps; default = 0%)
• Surround Depth Control
Adjusts surround channel content (in terms of percentage) applied to Ls
and Rs channels.
• Maximum setting results in greatest surround channel levels.
• Lower settings progressively diminish surround channel levels, with 0%
setting resulting in no Ls or Rs level, with Ls and Rs content
progressively folded back into L and R, respectively.
(0% to 100% range in 0.1% steps; default = 100%)
9066-OM (V4.5)9066 PRODUCT MANUAL3-53
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Licensable Features
Allows activation of optional licensed features.
Note: For card pre-ordered with licensed feature(s), the activation steps described below are not required; the feature will
already be installed activated. To order features and obtain a license key, contact Cobalt
sales@cobaltdigital.com or at the contact information in Contact Cobalt Digital Inc. in Chapter 1, “Introduction”. Please
provide the “SSN” number of your card (displayed in the Card Info pane) when contacting us for your key.
• License Feature and Key Entry windowActivate licensable feature as described below.
1. Enter the feature key string in the Feature Key box. Press return or
click outside of the box to acknowledge entry.
Note: Entry string is case sensitive. Do not enter any spaces.
2. In the DashBoard™ Card Info pane, wait for the feature identification to
be shown for the card product number (for example, “-UM” appearing
after the card part number) and Valid Key Entered to be displayed.
This indicates the key was correctly entered and recognized by the
card.
Note: If DashBoard™ card function submenu/control pane does not
re-appear, close the card and re-open it.
3. Click and confirm Reboot. When the card function submenu/control
pane appears again, the licensable feature will be available.
Note: Applying the licensable feature and its reboot has no effect on
prior settings. All control settings and drop-down selections are
retained.
®
sales at
Allows up to 16 card user set tin gs co nfi gur at ion pres et s
to be saved in a Preset and then recalled (loaded) as
Presets
desired. All current settings (including list selections
and scalar (numeric) control settings such as Gain, etc.)
are saved when a Preset Save is invoked.
The Preset Name field and Preset Save button
allow custom user setting configurations to be
labeled and saved to a Preset for future use.
The Preset Load button and the Selected Preset
drop-down list allow saved presets to be selected
and loaded as desired. When a preset is loaded, it
immediately becomes active with all user settings
now automatically set as directed by the preset.
Saved presets can be uploaded to a computer for
use with other same-model COMPASS™ cards.
Each of the items to the left are described in detail on
the following pages.
3-549066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Preset Save and Load• Preset Save stores all current card control settings to the currently
• Selected PresetSelected Preset 1 thru Selected Preset 16 range in drop-down list
•
•
•
• Card NameText entry field provides for optional entry of card name, function, etc. (as
selected preset.
(For example, if Preset 1 is selected in the Selected Preset drop-down
list, clicking and confirming Preset Save will then save all current card
control settings to Preset 1)
• Preset Load loads (applies) all card control settings defined by
whatever preset (Preset 1 thru Preset 16) is currently selected in the Selected Preset drop-down list.
(For example, if Preset 3 is selected in the Selected Preset drop-down
list, clicking and confirming Preset Load will then apply all card control
settings defined in Preset 3)
The above buttons have a Confirm? pop-up that appears, requesting
confirmation.
Note: Applying a change to a preset using the buttons described above
rewrites the previous preset contents with the invoked contents.
Make certain change is desired before confirming preset change.
selects one of 16 stored presets as ready for Save (being written to) or for
Load (being applied to the card).
Note: The preset names shown to the left are the default (unnamed)
preset names. All 16 presets in this case are loaded identically with
the factory default settings.
shown in this example).
Note: Card name can be 31 ASCII characters maximum.
9066-OM (V4.5)9066 PRODUCT MANUAL3-55
39066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
(continued)
• Preset NameWith one of 16 presets selected, provides for entry of custom name for the
• Reset Current Preset• Reset Current Preset resets all parameters (including preset custom
• Download PresetsDownload Presets allows all 16 presets to be stored to a specified location
Download a presets file to a computer on the card’s DashBoard network to save presets. Preset files stored on a computer can
then be uploaded back to the card.
Note also that a presets file can also be uploaded to other same-model COMPASS
using a single card can be easily applied to other same-model cards without repeating the setup work on the other cards.
preset (as shown in example below).
Entering text in Preset
Name field (in this
example, “RCVR21”)
applies custom name to
selected Preset (in this
example, Preset 2)
Note: • Preset name can be seven ASCII characters maximum.
• The Preset ID number does not need to be entered; it is
added automatically.
name entered) of the currently selected Preset (as displayed in the
Selected Preset field) to factory default settings.
The button has a Confirm? pop-up that appears, requesting
confirmation.
on a network computer for use with other same-model COMPASS™
cards.
®
cards. In this manner, presets built up
Download (save) card presets to a
network computer by clicking
Download
Presets – Save
at the bottom of
the Presets
page.
Browse to a desired
save location (in
this example, My
Documents\Cobalt
Presets).
The file can then be
renamed if desired
(RCVR21 Presets
in this example)
before saving.
Upload(open) card presets from a network
computer by clicking Upload
at the bottom of
DashBoard.
Browse to the location
where the file was saved
on the computer or
drive (in this example,
My Documents\Cobalt
Presets).
Select the desired file
and click Open to load
the file to the card.
To upload presets
saved from one card
to another same-model card, simply click Upload on the
other same-model card’s DashBoard page and repeat the
same steps here.
Note: • Preset transfer between card download and file
upload is on a group basis (i.e., individual presets
cannot be downloaded or uploaded separately).
• After uploading a presets file, engagement of a
desired preset is only assured by pressing the Preset
Load button for a desired preset.
3-569066 PRODUCT MANUAL9066-OM (V4.5)
Operating Instructions9066 Function Submenu List and Descriptions
Table 3-29066 Function Submenu List — continued
Advanced setup preset loading allows a defined preset
Advanced Setup
to be automatically engaged upon receiving an analog
or SDI video input.
• Event Preset Load Select
•
•
•
Event-based loading is particularly useful in providing automated card setup when transitioning to and from an SDI stream and
an analog stream as shown in the example below.
Separate drop-downs to automatically engage a preset for conditions in
which the card locks onto an SDI video input or an analog video input.
Note: • None setting (default) for both drop-downs should be used if this
feature is not desired.
• Perform initial setup with no input applied to the card. Having an
input applied can result in inadvertently invoking a preset before
intended.
• Go-to preset settings set here must be included in both called
presets (e.g., if drop-downs here are set to 1 and 2, the setting
here must be identically replicated in both called Presets 1 and 2.
See instructions and example below.
As described in Presets (p. 3-54), card control settings can be set up
for expected input formats and saved to presets on the Presets tab.
(In this example, Preset 3 can be set for embedded audio processing
as expected on an SDI stream being received; Preset 4 can
conversely be set for analog audio embedding as expected on an
analog stream being received. Any card control settings can be
included in the called presets as desired.)
With the event-based loading set as shown here, the presets saved
are invoked upon receiving SDI or analog input in the absence of the
alternate input choice.
Set up Advanced Setup as follows:
1. Make sure card is initially receiving no video inputs.
2. Make certain Video Signal Controls tab is set to accept both SDI
and Analog video inputs. Also make certain analog input type
controls are set for expected analog video type.
3. Select preset numbers to serve for “SDI preset” and “Analog Preset”
(3 and 4, respectively, in this example). In card DashBoard tabs, set
controls as desired first for “SDI Preset” (Preset 3 in this example)
and then “Analog Preset” (Preset 4 in this example). Save each
preset. Make certain the Advanced Setup settings are identically included in both presets before saving the presets (for example
as shown here, if Presets 3 and 4 are to called, make sure this tab
“calls” presets 3 and 4 identically).
4. Apply signal to the card as desired and manually set desired
corresponding preset.
9066-OM (V4.5)9066 PRODUCT MANUAL3-57
39066 Function Submenu List and Descriptions
Audio Routing Example Using DashBoard™
Figure 3-6 shows an example of using the 9066 Embedded Audio Group and
AES Output Pairs functions to de-embed audio, route the audio to discrete
outputs for post-production processing, and finally re-embed the audio into
the SDI video output. Additionally, the example shows how external analog
and internal tone generator sources can be embedded into the SDI output.
Note that the source and destination correlations shown here are only
examples; any source can route to any destination.
9066
Post-Production
Video Feed
(with five
embedded audio
channels)