Cobalt Digital 9904-UDX-4K Users Guide

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9904-UDX-4K
9904-UDX-4K
12G/6G/3G/HD/SD-SDI Up-Down-Cross Converter /
Product Manual
Cobalt Digital Inc.
2506 Galen Drive Champaign, IL 61821 Voice 217.344.1243 • Fax 217.344.1245 www.cobaltdigital.com
9904-UDX-OM (V1.0J)
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Copyright
©Copyright 2020, Cobalt Digital Inc. All Rights Reserved.
Duplication or distribution of this manual and any information contained within is strictly prohibited without the express written permission of Coba lt Digital Inc. This manual and a ny information contained within, may not be re produced, distribute d, or transmitted in any form, or by any means, for any purpose, without the express written permission of Cobalt Digital Inc. Reproduction or reverse engineering of software used in this device is prohibited.
Disclaimer
The information in this document has been carefully examined and is believed to be entirely reliable. However, no responsibility is assumed for inaccuracies. The content herein is valid only for product using firmware version cited below. Prior or subsequent builds (releases) may not be accurately reflected by this manual. Furthermore, Cobalt Digital Inc. reserves the right to make changes to any products herein to improve readability, function, or design. Cobalt Digital Inc. does not assume any liability arising out of the application or use of any product or circuit described herein.
Trademark Information
Cobalt® is a registered trademark of Cobalt Digital Inc.
®
openGear Technicolor™ and Intelligent Tone Management™ are trademarks of Technicolor. Other product names or trademarks
appearing in this manual are the property of their respective owners.
Linear Acoust ic uses the AutoMAX-II™ upmix algorithm provided under license from Linear Acoustic Inc. Linear Acoustic, the "LA" symbol, AutoMAX, and AutoMAX-II are trademarks of Linear Acoustic Inc. All Rights Reserved.
is a registered trademark of Ross Video Limited. DashBoard™ is a trademark of Ross Video Limited.
®
and UPMAX® are registered trademarks of Linear Acoustic, Inc. 2.0-to-5.1 audio upmixer licensed feature
Congratulations on choosing the Cobalt Frame Sync / Embed/De-Embed Audio Processor. The 9904-UDX-4K is part of a full line of modular processing and conv ersion gear for broadcast TV envi ronments. The Cobalt Digital Inc . line includes video decoders and encoders, audio embedders and de-embedders, distribution amplifiers, format converters, remote control systems and muc h more. Should you have questi ons pertaining to the installa tion or operatio n of your 9904-UDX, please contact us at the contact information on the front cover.
®
9904-UDX-4K 12G/6G/3G/HD/SD-SDI Up-Down-Cross Converter /
Manual No.: 9904-UDX-OM Document Version: V1.0J Release Date: January 22, 2020 Applicable for
Firmware Version
0.153
(or greater): Description of
product/manual changes:
- Update manual for expanded descriptions and operating setup info regarding Real-Time Loudness Leveling DSP function.
- Update manual to show corrected GPIO/COMM pinouts for RM20-9904­B-HDBNC rear module.
- Update manual for added rear I/O modules and expanded AES I/O functionality.
- Update manual for minor consistency edits and appearance of UI elements per most recent firmware releases.
9904-UDX-OM (V1.0J)
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Table of Contents
Chapter 1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-1
Overview ................................................................................................................ 1-1
9904-UDX-4K Card Software Versions and this Manual...................................... 1-2
Cobalt Reference Guides........................................................................................ 1-2
Manual Conventions............................................................................................... 1-3
Warnings, Cautions, and Notes .................................................................. 1-4
Labeling Symbol Definitions...................................................................... 1-4
Safety and Regulatory Summary............................................................................ 1-5
Warnings..................................................................................................... 1-5
Cautions...................................................................................................... 1-5
EMC Compliance Per Market .................................................................... 1-5
9904-UDX-4K Functional Description .................................................................. 1-6
9904-UDX-4K Input/Output Formats ........................................................ 1-6
Video Processor Description ...................................................................... 1-8
Audio Processor Description.................................................................... 1-12
User Control Interface .............................................................................. 1-14
9904-UDX-4K Rear I/O Modules............................................................ 1-16
Technical Specifications....................................................................................... 1-16
Warranty and Service Information ....................................................................... 1-18
Cobalt Digital Inc. Limited Warranty....................................................... 1-18
Contact Cobalt Digital Inc.................................................................................... 1-19
Chapter 2 Installation and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-1
Overview ................................................................................................................ 2-1
Installing the 9904-UDX-4K Into a Frame Slot..................................................... 2-1
Installing a Rear I/O Module.................................................................................. 2-3
9904-UDX-4K Rear I/O Modules.............................................................. 2-4
SFP Types (Rear Modules Equipped with SFP Cages).............................. 2-7
GPIO Electrical Details .......................................................................................... 2-8
Setting Up 9904-UDX-4K Network Remote Control............................................ 2-8
Chapter 3 Operating Instructions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-1
Overview ................................................................................................................ 3-1
Control and Display Descriptions........................................................................... 3-1
Function Menu/Parameter Overview.......................................................... 3-2
DashBoard User Interface....................................................................... 3-3
Cobalt
®
Remote Control Panel User Interfaces.......................................... 3-4
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL i
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Accessing the 9904-UDX-4K Card via Remote Control........................................ 3-5
Accessing the 9904-UDX-4K Card Using DashBoard........................... 3-5
Accessing the 9904-UDX-4K Card Using a Cobalt®
Remote Control Panel ............................................................................... 3-6
Checking 9904-UDX-4K Card Information ........................................................... 3-7
9904-UDX-4K Function Menu List and Descriptions............................................ 3-8
Input Video Controls .................................................................................. 3-9
Intelligent Tone Management (ITM) Controls ......................................... 3-10
SL-HDR Decoder Controls ...................................................................... 3-22
SL-HDR Encoder Controls ...................................................................... 3-23
Output Video Format Controls ................................................................. 3-26
Output Video Routing Status ................................................................... 3-29
Video Proc/Color Correction ................................................................... 3-30
3D LUT Processing Controls ................................................................... 3-32
Framesync ................................................................................................ 3-33
Wings Insertion ........................................................................................ 3-35
Ancillary Data Proc Controls ................................................................... 3-36
Audio DSP Setup Controls ....................................................................... 3-36
Input Audio Routing/Controls .................................................................. 3-50
Output Audio Routing/Controls ............................................................... 3-54
User Events Setup Controls ..................................................................... 3-58
Network Settings Controls ....................................................................... 3-59
Admin ....................................................................................................... 3-59
Presets ...................................................................................................... 3-60
Troubleshooting .................................................................................................... 3-62
Error and Failure Indicator Overview....................................................... 3-62
Basic Troubleshooting Checks.................................................................. 3-63
Troubleshooting Network/Remote Control Errors.................................... 3-65
In Case of Problems .................................................................................. 3-65
ii 9904-UDX-4K PRODUCT MANUAL 9904-UDX-OM (V1.0J)
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Overview

Chapter 1

Chapter 1 Introduction

This manual provides installati on and o per at ing instr uct ions for the 9904-UDX-4K 12G/6G/3G/HD/SD-SDI Up-Down-Cross Converter/Frame Sync/Embed/De-Embed Audio Processor card (also referred to herein as the 9904-UDX-4K).
This manual consists of the following chapters:
Chapter 1, Introduction” – Provid es informati on about this manual
and what is covered. Als o pr ovi des general information re gar di ng the 9904-UDX-4K.
Chapter 2, Installation and Setup” – Provides instructio ns for
installing the 9904-UDX-4K in a frame, and optionally installing a 9904-UDX-4K Rear I/O Module.
Chapter 3, Operating Instructions” – Provides overviews of
operating controls and instructions for using the 9904-UDX-4K.
This chapter contains the following information:
9904-UDX-4K Card Software Versions and this Manual (p. 1-2)
Manual Conventions (p. 1-3)
Safety and Regulatory Summary (p. 1-5)
9904-UDX-4K Functional Description (p. 1-6)
Technical Specifications (p. 1-16)
Warranty and Service Information (p. 1-18)
Contact Cobalt Digital Inc. (p. 1-19)
9904-U DX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 1-1
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1 9904-UDX-4K Card Software Versions and this Manual

9904-UDX-4K Card Software Versions and this Manual

When applicable, Cobalt Digital Inc. provides for continual product enhancements through software updates. As such, functions described in this manual may pertain specifically to cards loaded with a particular software build.
The Software Version of your card can be checked by viewing the Ca r d I n fo menu in DashBoard. See Checking 9904-UDX-4K Card Information (p. 3-7) in Chapter 3, Operating Instructions for more information. You can then check our website for the lates t software version currently released for the card as described below.
Note: Not all functionality described in this manual may appear on cards with initial
software versions.
Check our website and proceed as follows if your card’s software does not match the latest versi on:
Card Software earlier than latest version
Card Software newer than version in manual
Card is not loaded with the latest software. Not all functions and/or specified performance described in this manual may be available.
You can update your card with new Update software by going to the Support>Firmware Do wnloads link at www.cobaltdigital.com. Download Firmware Update Guide, which provides simple instructions for downloading the latest firmware for your card onto your computer, and then uploading it to your card through DashBoard™.
Software updates are field-installed with out an y need to remove the card from its frame.
A new manual is expediently released whenever a cards software is updated and specifications and/or functionality have changed as compared to an earlier version (a new manual is not necessarily released if specifications and/or functionality have not changed). A manual earlier than a cards softw a re version may not completely or accurately describe all functions available for your card.
If your card shows features not described in this manual, you can check for the latest manual (if applicable) and download it by going to the cards web page on www.cobaltdigital.com.

Cobalt Reference Guides

From the Cobalt® web home page, go to Support>Referen ce Docum ents for easy to use guides covering network remote control, card firmware updates, example card processing UI setups and other topics.
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Introduction Manual Conventions

Manual Conventions

In this manual, display messages and connectors are shown using the exact name shown on the 9904-UDX-4K itself. Examples are provided below.
Connector names are shown like this: SDI IN A
In this manual, the terms below are applicable as follows:
9904-UDX-4K refers to the 9904-UDX-4K 12G/6G/3 G/HD/S D-SDI
Up-Down-Cross Converter/Frame Sync/Embed/De-Embed Audio Processor card.
Frame refers to the HPF-9000, oGx, OG3-FR, 8321, or similar
20-slot frame that houses Cobalt
Device and/or Card refers to a Cobalt
System and/or Video System refers to the mix of interconnected
®
or other cards.
®
or other card.
production and terminal equipment in which the 9904-UDX-4K and other cards operate.
Functions and/or features that are available only as an option are
denoted in th is manual like this:
Most options are covered in this manual. However, if your card has DashBoard tabs that are not describe d in this manual it indicates that the optional function/feature is covered in a separate Manual Supplement.
If your have not received a Manual Supplement for options on your card, you can download a pdf for the option by going to the card’s web page and clicking on
Product Downloads, where you can select
from any available option Manual Supplements for the card.
Note: Some options listed here and in promotional materials may not be available in
conjunction with initial or preliminary device firmware release versions. Some option descriptions are for information only.
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 1-3
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1 Manual Conventions

Warnings, Cautions, and Notes

Certain items in this manual are highlighted by special messages. The definitions are provided below.
Warnings
Warning messages indicate a possible hazard which, if not avoided, could result in personal injury or death.
Cautions
Caution messages indicate a problem or incorrect practice which, if not avoided, could result in improper operation or damage to the product.
Notes
Notes pro vide suppl emental information to the accompanying text. Notes typically precede the text to which they apply.

Labeling Symbol Definitions

Important note regarding product usage. Failure to observe may result in unexpected or incorrect operation.
Electronic device or assembly is susceptible to damage from an ESD event. Han dle only using appropriate ESD prevention practices.
If ESD wrist strap is not available, handle card only by edges and avoid contact with any connectors or components.
Symbol (WEEE 2002/96/EC) For product disposal, ensure the following:
Do not dispose of this product as unsorted municipal waste.
Collect this product separately.
Use collection and return systems available to you.
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Introduction Safety and Regulatory Summary

Safety and Regulatory Summary

Warnings

! WARNING !
! WARNING !

Cautions

CAUTION
CAUTION
CAUTION
CAUTION
CAUTION
T o re duce risk of electr ic shock do not remove line voltage service barrier cover on frame equipment containing an AC power supply. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
Following sustained card operation, heatsink surfaces can have high contact temperatures. Avoid touching heatsink(s) after the card has been operating.
This device is intended for environmentally controlled use only in appropriate video terminal equipment operating environments.
This product is intended to be a component product of an openGear® frame. Refer to the openGear® frame Owner's Manual for important safety instructions regarding the proper installation and safe operation of the frame as well as its component products.
Heat and power distribution requirements within a frame may dictate specific slot placement of cards. Cards with many heat-producing components should be arranged to avoid areas of excess heat build-up, particularly in frames using only convection cooling. The 9904-UDX-4K can have a high power dissipation (>58 W). As such, avoiding placing the card adjacent to other cards with similar dissipation values if possible.
If required, make certain Rear I/O Module(s) is installed before installing the 9904-UDX-4K into the frame slot. Damage to card and/or Rear I/O Module can occur if module installation is attempted with card already installed in slot.
If card resists fully engaging in rear I/O mod ule mating connec tor, check for alignment and proper insertion in slot tracks. Damage to card and/or rear I/O module may occur if improper card insertion is attempted.
CAUTION
The 9904-UDX-4K FPGA is designed for a normal-range operating temperature around 95° C core temperature. Operation in severe conditions exceeding this limit for non-sustained usage are within device operating safe parameters, and can be allowed by setting this control to Disable. However, the disable (override) setting should be avoided under normal conditions to ensure maximum card protection.

EMC Compliance Per Market

Market Regulatory Standard or Code United States of America FCC "Code of Federal Regulations" Title 47 Part15, Subpart B, Class A Canada ICES-003 International CISPR 24:2010
IEC 61000-4-2:2008 IEC 61000-4-3:2006 with A1:2007 and A2:2010 IEC 61000-4-4:2004 IEC 61000-4-6:2008 IEC 61000-6-3:2006 with A1:2010 CISPR 22:2008
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 1-5
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1 9904-UDX-4K Functional Description

9904-UDX-4K Functional Description

Figure 1-1 shows a functional block diagram of the 9904-UDX-4K. The 9904-UDX-4K up/down/cross converter also includes AES audio support. The 9904-UDX-4K upconverts 12G/6G/3G/HD/SD to either UHD1 3840x2160 Square Division Multiplex (SDM) or Two-Sample Interleave (2SI) quad 3G-SDI based formats, or can output ST 2082 12G-SDI and 4069x2160 (4k DCI) for single-wire 4K transport. With both 12G-SDI and quad 3G-SDI inputs, the 9904-UDX-4K can downconvert 12G and quad UHD. The 9904-UDX-4K provides an HDMI 2.0 output for economical 4K video monitoring.
Note: This manual and the 9904-UDX-4K product/device and firmware release
are preliminary. Not all functions described here may be available on your
9904-UDX-4K product.
Note: The 9904-UDX-4K-DSP DSP base adds support for various DSP audio
options. Specific individual DSP user assets (such as loudness processing, upmixing, and Dolby encoders) are activated for use only when corresponding option licenses also reside on the card.

9904-UDX-4K Input/Output Formats

The 9904-UDX-4K provides the following inputs and outputs:
Inputs:
Outputs:
12G/6G/3G/HD-SDI IN 1 thru SDI IN 6 six 12G/6G/3G/HD-SDI
inputs. The inputs can be DashBoard user-configured as ST 2082 12G-SDI single-wire or SDM/2SI quad 3G-SDI based formats.
AES IN Coaxial (A ES-3id, 75 Ω) input ports (up to eight ports;
number of ports dependent on rear I/O module used and user input or output assignment).
12G/6G/3G/HD-SDI OUT 1A/B thru 4A/B – four, 1X2 DA 12G/6G/3G/
HD-SDI video outputs. For UHD, the outputs can be DashBoard user-configured as ST 2082 12G-SDI single-wire or SDM/2SI quad 3G-SDI based formats. Where down- conver ted to 3 G, HD, or SD, up to eight single-wire ports are available.
AES OUT Coaxial (AES-3id, 75Ω) input ports (up to eight ports;
number of ports dependent on rear I/O module used and user input or output assignment).
HDMI/DVI OUT – HDMI/DVI out (suitable for direct connection to
monitor panels)
Note: The card offers up to eight (8) AES-3id 75 coaxial ports, with port direction
assignable as inputs or outputs in groups of 4 ports (hardware versions earlier than -E have four (4) ports max.
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Introduction 9904-UDX-4K Functional Description
HDMI 2.0
2A
2B
Output
Embed
Sync
3A
Crosspoint
4A
3B
1A
1B
12G/6G/3G/HD/SD-SDI OU T
(ST 2082 or quad 3G/HD)
Serialize
12G/3G Quad
Audio/
Metadata
Frame
UDX
Conversion
OUT (x2)
4B
HDMI
Encode
Logo Insert
Trouble Slate/
Ref In
(from frame)
Insert
Extract/
HANC/VANC
9904-UDX BD V1.1
Audio Processor
AES Tx/Rx
Advanced/DSP
Audio Processing
Direction Control
AES I/O
12G/6G/3G/HD/SD-SDI IN
(ST 2082 or Quad 3G/HD)
Noise
Reduction
De-Interlace/
(2)
SDR > HDR
HDR > SDR
Conversion
(2)
3D LUT
(2)
RGB
Color
Correction
Audio/
Metadata
De-Embed
Select/
Multi-Input
De-Serialize
12345
Quality
Video/Audio
Events Check
Practical input/output signal availability is determined by rear I/O
module used. Refer to text for more information.
card option(s).
and/or I/O interfaces may be shown .
2. Some functions shown he re are available only with corresponding
6
3. This diagram may show preliminary informa tion. Not all functions
Notes: 1. Signal connections shown depicts full input/output capability.
Figure 1-1 9904-UDX-4K Functional Block Diagram
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1 9904-UDX-4K Functional Description

Video Processor Description

The 9904-UDX-4K features a up/down/cross-convert scaler, frame sync, and (where applicable) conversion between ST 2082 single-wire and quad SDI SDM and 2SI UHD formats. The 9904UDX-4K also offers several options, such as 4K color correction and SDR>HDR conversion. The 9904-UDX-4K video subsystem also provides the functions described below.
Input Video Select/Quality Check Functions
A GUI-based control allows program video selection from six inputs as follows:
SDI IN 1 (QL 1) thru SDI IN 4 (QL 4) – Quad 3G-SDI i nput s reserved for
quad SDI SDM or 2SI UHD signal formats
SDI IN 5 and SDI IN 6 – Single-wire inputs reserved for ST 2082 12G
and 6G signal formats
While the input selector is based primarily on the groupings above, any individual input can be routed as the sole card SDI input.
(Option +QC). Quali t y Check allows criteria such as black/
frozen frame events to propagate an event alert. This alert can be used by the card Presets function to invoke video routing changes, GPO, and other actions.
Color Corrector
Options +COLOR-4K (and non-4k option +COLOR) convert the YCbCr SDI input video to the 4:4:4 RGB color space (where the color correction is applied), and then back to YCbCr SDI on the out put. Controls are availabl e to adjust each RGB level independently for both white levels (gain) and black levels (offset). Gamma can also be independently adjusted for each RGB channels. Various controls can be ganged to provide adjustment for all three color channels simultaneously.
3D LUT Processor
Options +3D-LUT-PRO-4K (and non-4k option +3D-LUT-PRO) provide 33-cube LUT for mapping from 10-bit RGB to the color space appropriate for color grading. This option may also be used for static HDR>SDR or SDR>HDR conversions. This option can be controlled via WonderLookPro (from TV-Logic) or Li veGradePro (from Pomfort).
The positioning of the 3D LUT function before the UDX scaler and SDR-HDR conversion allows LUT and HDR conversion such that scaler artifacts are not “amplified” by these processes.
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Introduction 9904-UDX-4K Functional Description
SDR <> HDR Conversion
Options +HDR-ITM-4K (and non-4k op tion +HDR-ITM) provide conversion from Standard Dynamic Range (SDR) to High Dynamic Range (HDR) using Technicolor applied in real-tim e and optimizes the processed output for use HDR displays. The SDR-to-HDR process, when used with compatible SDR sources, typically results in enhanced luminance range, grain, and detail while preserving the original colors/color balance in the content. De-noising and de-banding functions provide “clean-up” of artifacts that can appear in upconversions. Output modes include Hybrid Log Gamma (HLG) functions, S-Gamma (SLOG3), and Perceptual Quantizer (PQ) functions.
Basically, user interface to this function is based around three modes:
Preset Mode (Basic) – This mode provides a one-button enable where HDR
conversion parameters a re optimize d for typical cases, as determined by t rials observed and analyzed by experts to arrive at a best-case data set. This mode provides simplified controls that allow “tweaking” various aspects (such as brightness, contrast, and saturation) to obtain tailored optimized results. The Preset Mode mode offers to the user a possibility to quickly switch between predefined tunings, basically balancing between brightness and contrast.
®
Intelligent Tone Management (ITM)1. ITM, when enabled, is
Bright Spot Auto processing automatically reduces or monitors large image areas of potential glare while not impacting small details (highlights or sparkles). All underlying functions are applied on an image basis and flexibly and automatically adapt on every image.
Manual HMS Mode – This mode exposes all ava ilabl e para metr ic con trols use d
in the ITM SDR-to-HDR process. The initial settings are based on data set conclusions and provide a baseline for very detailed adjustments with a high degree of granularit y and contr ol. This is the mo st flexible mode, enabl ing the manual adjustment/tuning of the SDR-HDR conversion taking into full account the picture or scene characteristics.
Auto Mode – This mode is designed to provide SDR-HDR conversion of the
video with minimal user interaction. This mode is based on machine learni ng using a database of tho usands of vid eo images, where in each were gr aded and tweaked by experts arriving at base settings derived from this research and trials. Where us eful, va rious co ntrols are expos ed allo wing furt her fin e-tuning of aspects temporal filtering. The Auto mode also exposes some controls found in the Manual HMS Mode.
The SL-HDR functionality provides a single layer encoding which allows an SDR stream for distribution, with HDR metadata that, when decoded by compatible downstream monitors/devices, provides conversion to HDR.
1. Intellig ent T one Man agem ent is a trademark o f Techn icolor. IT M is used in this p roduct under license from Technico lor.
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 1-9
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1 9904-UDX-4K Functional Description
SL-HDR Encoder
Options +SL-HDR-4K (a nd non-4k opti on +SL-HDR) provi de t one map ping a nd encoding, as well as metadata embedding to perform OETF handling. This provides for accommodating SDR display devices while providing the necessary OETF encoding to enable HDR attributes (“reconstruction”) when the signal is fed to compatible HDR display devices.
The functions has setti ngs that accommodat e the i nput cha racte rist ics, as well as output settings mapped to SL-HDR1 and SL-HDR2, as well as OETF ITU-R PQ, HLG, and SLog3 standards. A Tuning Parameters control set allows custom tailoring of parameters such as lift, Y-gain, and saturation.
Frame Sync Function
This function provides for frame sync control using either one of two external
FRAME REF IN (1,2) reference signals distributed with the card frame, or the
input video as a frame sync reference. This function also allows horizontal and/or vertical offset to be added
between the output video and the frame sync reference. Frame sync can select from either of two card frame reference sources, or
free-run input video sync. Selectable failover allows alternate reference selection should th e init ial r efere nce sour ce become u nava ilabl e or inv alid. I n the event of input video loss of signal, the output can be set to disable video, go to black, go to an int er nal te st signal generator pa tt er n, or freeze to the last intact frame (last frame having valid SAV and EAV codes).
An internal test signal generator provides a selection of various standard patterns such as color bars, sweep patterns, and other technical patterns. The test patterns can be ap pli ed to t he outpu t video upon loss of inpu t or manuall y inserted at any time.
Wings Insertion
Wings insertion allows a symmetrical L-R wings ins ertion to be integrated into the card program video output. Wings video is accommodated using a separate wings SDI input. The wings user interface displays wings timing relative to the card output video, allowing wings timing offset to be adjusted such that wings can be properly framed. (This function does not provide timing offset control of the wing s video; o ffs et must be provided by a exter nal frame sync card or device controlling the wings video feed.)
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Introduction 9904-UDX-4K Functional Description
Output Video Format (Scaler) Function
The scaler function provides up/down/cross-conversion ranging from conversions to SD, cross-conversions between 3G/HD formats, 3G level A output formats, and convers ions f rom and t o 4K UHD format s. Table 1-1 lists the available input and output formats supported by the 9904-UDX-4K card.
For 4K UHD outputs, the output video format selections offer the following packaging choices:
Standard SMPTE 424M, 292M, SMPTE 259M-C single-wire 3G/
HD/SD-SDI (e.g.,
Quad-link 2SI SDI (e.g., 3840x2160p 59.94 QL 2SI)
Quad-link SDM SDI (e.g., 3840x2160p 59.94 QL SDM)
ST 2082 12G and 6G single-wire SDI signal formats (e.g.,
4096x2160p 59.94 12G)
When any scaler setting offering any of the packaging above is selected, the output routing is autom atically se t to support the selected formatting .
Example: When a quad-link SDM package is selected, SDI Output 1 thru SDI Output 4 automatically are configured to provide the four ordered link
signals comprising the quad-link UHD package.
1280x720p 59.94)
Table 1-1 9904-UDX-4K Input/Output Formats
525i 59.94 1920x1080p 29.97 3840x2160p 50 QL 2SI 4096x2160p 50 QL 2SI 625i 50 1920x1080p 30 3840x2160p 59.94 QL 2SI 4096x2160p 59.94 QL 2SI
3840x2160p 60 QL 2SI 4096x2160p 60 QL 2SI 1280x720p 23.98 1920x1080psf 23.98 4096x2160p 50 QL SDM 1280x720p 24 1920x1080psf 24 3840x2160p 23.98 QL SDM 4096x2160p 59.94 QL SDM 1280x720p 25 1920x1080psf 25 3840x2160p 24 QL SDM 4096x2160p 60 QL SDM 1280x720p 29.97 1920x1080psf 29.97 3840x2160p 25 QL SDM 1280x720p 30 1920x1080psf 30 3840x2160p 29.97 QL SDM 4096x2160p 50 12G 1280x720p 50 3840x2160p 30 QL SDM 4096x2160p 59.94 12G 1280x720p 59.94 1920x1080p 50 A 3840x2160p 50 QL SDM 4096x2160p 60 12G 1280x720p 60 1920x1080p 59.94 A 3840x2160p 59.94 QL SDM
1920x1080p 60 A 3840x2160p 60 QL SDM 1920x1080i 50 1920x1080i 59.94 2048x1080p 23.98 3840x2160p 50 12G 1920x1080i 60 2048x1080p 24 3840x2160p 59.94 12G
2048x1080p 25 3840x2160p 60 12G 1920x1080p 23.98 2048x1080p 50 A 1920x1080p 24 2048x1080p 59.94 A 1920x1080p 25 2048x1080p 60 A
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 1-11
Page 16
1 9904-UDX-4K Functional Description

Audio Processor Description

The audio processor operates as an internal audio router. This function chooses from the following inputs:
16 channels of embedded audio from the SDI video input (default
1-to-1 routing to SDI output)
8 pairs max (16 channels) of discrete AES audio
The audio processing subsection is built around a card internal 16-channel audio bus. This 16-channel bus receives inputs from an input routing crosspoint that routes de-embedded audio inputs over the 16-channel card bus. Correspondingly, at the output end of the 16-channel bus is an output routing crosspoint that in turn distributes the 16-channel bus signals to embedded outputs.
Audio Down Mix Function
(See Figure 1-2.) The Audio Down Mixer function provides for the selection of any five embedded c hannels se rving a s Left ( Surround ( into stereo pair Down Mix Left ( resulting stereo pair
Ls), and Right Surround (Rs) individual signals to be multiplexed
DM-L) and Down Mix Right (DM-R). The
DM-L and DM-R can in turn be routed to any embedded
audio pair as desired (or de-embedded to an AES audio output).
L), Right (R), Center (C), Left
Embed Ch 1 - Ch 16
Emb Ch 1 Emb Ch 2 Emb Ch 3 Emb Ch 5 Emb Ch 6
Figure 1-2 Audio Down Mix Functional Block Diagram with Example Sources
L R C Ls Rs
DM-L
DM-R
1-12 9904-UDX-4K PRODUCT MANUAL 9904-U DX-OM (V1.0J)
Page 17
Introduction 9904-UDX-4K Functional Description
Flex Buses. Flex buses provide flexible-structure mixers in which any of 16 summing nodes ( audio input, thereby allowing several customizable mixing schemes.
provide the user-exposed DSP functions. Available DSP options are as follows. Multiple licenses for the same or different options can be installed and used simultaneously.
Flex Mix Bus A thru Flex Mix Bus P) can receive any card
+DSP Options (model 9904-UDX-4K-DSP only). Option li censes
+DSP-RTLL-5.1 Dolby
®
Real-Time Loudness Leveling
5.1-Channel Loudness Processor Option
+DSP-RTLL-2.0 Dolby
®
Real-Time Loudness Leveling
2.0-Channel Loudness Processor Option Both
DSP-RTLL-5.1 and DSP-RTLL-2.0 provide for specially suited
T ar g et Leve l (which sets the ta r get lou dness le vel) as des ired. A Peak Limit function can be set to provide absolute peak limiting. This function is also configurable for aggressiveness. An intelligent Speech Percentage detection algorithm can help distinguish between program speech and other sounds. This can help in fi ne tuning various parameters to best suit the program material.
+DSP-ENCD-5.1 Dolby
+DSP-ENCD-2.0 Dolby
+DSP-DEC Dolby
+DSP-UPMIX-LA Linear Acoustic
Note: The -DSP version of the card (9904-UDX-4K-DSP) has the necessary hard-
ware to support +DSP options via additional licensing. The individual +DSP options listed above are not standard with model 9904- UDX-4 K-DS P.
®
Digital/Digital Plus 5.1 Encoder
®
Digital/Digital Plus 2.0 Encoder
®
Decoder
®
UPMAX 2.0-to-5.1 Upmixer
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 1-13
Page 18
1 9904-UDX-4K Functional Description

User Control Interface

Figure 1-3 shows the user control interface options for the 9904-UDX-4K. These options are individually described below.
Note: All user control interfaces described here are cross-compatible and can
operate together as desired. Where applicable, any control setting change made using a particular user interface is reflected on any other connected interface.
DashBoard User Interface Using DashBoard, the
9904-UDX-4K and other cards installed in openGear®
1
frames can
be controlled from a computer and monitor. DashBoard allows users to view all frames on a network with
control and monitoring for all populated slots inside a frame. This simplifies the setup and use of numerous modules in a large installation and offers the ability to centralize monitoring. Cards define their controllable parameters to DashBoard, so the control interface is always up to date.
The DashBoard software can be downloaded from the Cobalt Digital Inc. website: www.cobaltdigital.com
(enter “DashBoard” in the search window). The DashBoard user interface is described in Chapter 3,Operating Instructions”.
Cobalt
®
OGCP-9000 and OGCP-9000/CC Remote Control
Panels – The OGCP-9000 and OGCP-9000/CC Remote Control
Panels conveniently and intuitively provide parameter monitor and control of the 9904-UDX-4K and other video and audio processing terminal equipment meeting the open-architecture Cobalt
®
cards for
openGear standard. In addition to circumventing the need for a computer to monitor and
control signal processing cards, the Control Panels allow quick and intuitive access t o hundre ds of cards in a faci lity, and can monitor and allow adjustment of multiple parameters at one time.
The Remot e Control Pan els are tota lly compatible with the openGear control software DashBoard; any changes made with either system are reflected on the other. The Remote Control Panel user interf ace is descr i bed in Chapter 3,Operating Instructions”.
1. openGear® is a registered trademark of Ross Video Limited. DashBoard is a trademark of Ross Video Limited.
1-14 9904-UDX-4K PRODUCT MANUAL 9904-U DX-OM (V1.0J)
Page 19
Introduction 9904-UDX-4K Functional Description
OGCP-9000 Control Panel
OGCP-9000/CC Control Panel
9904-UDX-4K Card
or
Remote Control Panel
Using the Control Panel, 9904-UDX-4K card can be remotely controlled over a LAN
LAN
20-Slot Frame with Network Controller Card
DashBoard Remote Control
Using a computer with DashBoard installed,
Computer with NIC
Note: To communicate with DashBoard or a Remote Control Panel, the frame must have a Network Controller Card installed
in the frame.
DashBoard and the Remote Control Panels provide network control of the 9904-UDX-4K as shown. The value displayed at any time on the card, or via DashBoard or a Control Panel is the actual value as set on the card, with the current value displayed being the actual value as effected by the card. Parameter changes made by any of these means are universally accepted by the card (for example, a change made using the DashBoard controls will change the setting displayed on a Control Panel).
9904-UDX-4K card can be remotely controlled over a LAN
In conjunction with a frame equipped with a Network Controller Card, 9904-UDX-4K card can be remotely controlled over a LAN
Figure 1-3 9904-UDX-4K User Control Interface
Note: If network remote control is to be used for the frame and the frame has not yet
been set up for remote control, Cobalt
®
reference guide Remote Control
User Guide (PN 9000RCS-RM) provides thorough information and
step-by-step instructions for setting up network remote control of Cobalt cards using DashBoard. (Cobalt
®
OGCP-9000 and OGCP-9000/CC Remote Control Panel product manuals have complete instructions for setting up remote control using a Remote Control Panel.)
Download a copy of this guide by clicking on the Support>Reference Documents link at www.cobaltdigital.com and then select DashBoard Remote Control Setup Guide as a download, or contact Cobalt
®
as listed in
Contact Cobalt Digital Inc. (p. 1-19).
®
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 1-15
Page 20
1 Technical Specifications

9904-UDX-4K Rear I/O Modules

The 9904-UDX-4K physically interfaces to system video connections at the rear of its frame using a Rear I/O Module.
All inputs and outputs shown in the 9904-UDX-4K Functional Block Diagram (Figure 1-1) enter and exit the card via the card edge backplane connector. The Rear I/O Module breaks out the 9904-UDX-4K card edge connections to coaxial and other connectors that interface with other components and systems in the signal chain.
The full assortment of 9904-UDX-4K Rear I/O Modules is shown and described in 9904-UDX-4K Rear I/O Modules (p. 2-4) in Chapter 2, Installation and Setup”.

Technical Specifications

T able 1-2 lists the t echnical specificati ons for the 9904-UDX-4K 12G/6G/3G/ HD/SD-SDI Up-Down-Cross Converter/Frame Sync/Embed/De-Embed Audio Processor card.
Table 1-2 Technical Specifications
Item Characteristic
Part number, nomenclature 9904-UDX-4K 12G/6G/3G/HD/SD-SDI Up-Down-Cross Converter/
Frame Sync/Embed/De-Emb ed Aud io Pr oces so r
Installation/usage environment Intended for installation and usage in frame meeting openGear
modular system definition Power consumption Up to 60 Watts (45 W typ.) Installation Density Up to 10 cards per 20-slot frame Environmental:
Operating temperature:
Relative humidity (operating or storage): Frame communication 10/100/1000 Mbps Ethernet with Auto-MDIX Serial Digital Video Input Number of Inputs:
32° – 104° F (0° – 40° C) < 95%, non-condensing
(6) 75 inputs (max)
SDI Formats Supported:
SMPTE ST2082-1,10, 424M, 292M, SMPTE 259M-C. Inputs IN 1 thru IN 4: Suitable for SDM/2SI quad 3G compliant Inputs IN 5 and IN 6: Suitable for single-wire SMPTE ST2082-1,10 6G/12G
Input Cable Rx Length (max):
45m Belden 1694A cable at 11.88 Gbps 120m Belden 1694A cable at 2.97 Gbps 240m Belden 1694A cable at 1.485 Gbps 400m Belden 1694A cable at 270 Mbps
1-16 9904-UDX-4K PRODUCT MANUAL 9904-U DX-OM (V1.0J)
Page 21
Introduction Technical Specifications
Table 1-2 Technical Specifica tions — continued
Item Characteristic
Post-Processor Serial Digital Video Outputs
HDMI Out HDMI 2.0; Type A connector IP ST 2022-6 Interface
(model 9904-4K-UDX-IP only) Frame Sync Audio/VIdeo Delay Max offset: 20 frames
Embedded Audio Output 16-ch embedded. User crosspoint allows routing of any embedded
Number of Outputs:
(8) 75 outputs (max) in form of four, 2x1 DA outputs
Return Loss:
> 15 dB up to 1.485 GHz > 10 dB up to 3 GHz > 7 dB up to 6 GHz
> 5 dB up to 12 GHz Output Signal Level: 800 mV ±10% DC Offset: 0 V ± 50 mV Rise and Fall Time @ 11.88 Gbps: < 45 ps Alignment Jitter (12G/3G/HD/SD): < 0.3/0.3/0.2/0.2 UI
(2) 10GigE multi-mode optical Tx/Rx interface; female LC duplex connectors
Latency (min): 1 frame User Audio Delay Offset from Video:
Bulk delay control: -33 msec to +3000 msec. Per-channel delay controls: -800 msec to +800 msec
channel to any embedded channel output. Multi-frequency tone generator for each audio output.
AES Audio Inputs/Outputs Standard:
SMPTE 276M
Number of Inputs/Outputs:
Up to 8 pairs; unbalanced; AES-3id (can be set as a combined group as either all inputs or all outputs)
Impedance:
75
Note: The card offers up to eight (8) AES-3id coaxial ports, with
port direction assignable as inputs or outputs in groups of 4 ports (earlier versions have four (4) ports max).
Frame Reference Input Number of Inputs:
Two, REF 1 and REF 2 from frame with selectable failover
Standards Supported:
SMPTE 170M/318M (black burst”) SMPTE 274M/296M (“tri-level”)
Return Loss:
> 35 dB up to 5.75 MHz
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 1-17
Page 22
1 Warranty and Service Information

Warranty and Service Information

Cobalt Digital Inc. Limited Warranty

This product is warranted to be free from defects in material and workmanship for a period of five (5) years from the date of shipment to the original purchaser, except that 4000, 5000, 6000, 8000 series power supplies, and Dolby material and workmanship for a period of one (1) year.
Cobalt Digital Inc. 's (“Cobalt”) sole obligation under this warranty shall be limited to, at its option, (i) the repair or (ii) replacement of the product, and the determinati on of whether a defect is covered under this limited warranty shall be made at the sole discretion of Cobalt.
This limited warranty applies onl y to the original end- purchaser of the produc t, and is not assignable or transferrable therefrom. This warranty is limited to defects i n material a nd workman shi p, and shal l not apply to acts of God, accidents, or negligence on behalf of the purchaser, and shall be voided upon the misuse, abuse, alteration, or modification of the product. Only Cobalt authorized factory representatives are authorized to make repairs to the product, and any unauthorized attempt to repair this product shall immediately void the warranty. Please contact Cobalt Technical Support for more information.
®
modules (where applicable) are warranted to be free from defects in
To facilitate the resolution of warranty related issues , Cobalt recommends registering the product by completing and returning a product registration form. In the event of a warrantable defect, the purchaser shall notify Cobalt with a description of the problem, and Cobalt shall provide the purchaser with a Return Material Authorization (“RMA”). For return, defective prod ucts should be double boxed, and sufficiently protected, in the original packaging, or equivalent, and shipped to the Cobalt Factory Service Center, postage prepaid and insured for the purchase price. The purchaser should include the RMA number, description of the problem encountered, date purchased, name of dealer purchased from, and serial number with the shipment.
Cobalt Digital Inc. Factory Service Center
2506 Galen Drive Office: (217) 344-1243 Champaign, IL 61821 USA Fax: (217) 344-1245 www.cobaltdigital.com Email: info@cobaltdigital.com
THIS LIMITED WARRANTY IS EXPRESSLY IN LIEU OF ALL OTHER WARRANTIES EXPRESSED OR IMPLIED, INCLUDING THE WARRAN TIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE AND OF ALL OTHER OBLIGATIONS OR LIABILITIES ON COBALT'S PART. ANY SOFTWARE PROVIDED WITH, OR FOR USE WITH, THE PRODUCT IS PROVIDED AS IS. THE BUYER OF THE PRODUCT ACK NOWLEDGES THAT NO OTHE R REPRESENTATIONS WERE MADE OR RELIED UPON WITH RESPECT TO THE QUALITY AND FUNCTION OF THE GOODS HEREIN SOLD. COBALT PRODUCTS ARE NOT AUTHORIZED FOR USE IN LIFE SUP PORT APPLICATIONS.
COBALT'S LIABILITY, WHETHER IN CONTRACT, TORT, WARRANTY, OR OTHERWISE, IS LIMITED TO THE REPAIR OR REPLACEMENT, AT ITS OPTION, OF ANY DEFECTIVE PRODUCT, AND SHALL IN NO EVENT INCLUDE SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL DAMAGES (INCL UDING LOST PROFITS), EVEN IF IT HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
1-18 9904-UDX-4K PRODUCT MANUAL 9904-U DX-OM (V1.0J)
Page 23
Introduction Contact Cobalt Digital Inc.

Contact Cobalt Digital Inc.

Feel free to contact ou r th oro ugh and professional support representatives for any of the following:
Name and address of your local dealer
Product information and pricing
Technical support
Upcoming trade show informatio n
Phone: (217) 344-1243 Fax: (217) 344-1245 Web: www.cobaltdigital.com General Information: info@cobaltdigital.com Technical Support: support@cobaltdigital.com
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 1-19
Page 24
This page intentionally blank
1-20 9904-UDX-4K PRODUCT MANUAL 9904-U DX-OM (V1.0J)
Page 25

Chapter 2 Installation and Setup

Overview

This chapter contains the following information:
Installing the 9904-UDX-4K Into a Frame Slot (p. 2-1)
Installing a Rear I/O Module (p. 2-3)
Setting Up 9904-UDX-4K Network Remote Control (p. 2-8)

Installing the 9904-UDX-4K Into a Frame Slot

CAUTION
Heat and power distribution requirements within a frame may dictate specific slot placement of cards. Cards with many heat-producing compon ents should be arranged to avoid areas of excess heat build-up, particularly in frames using only convection cooling. The 9904-UDX-4K can have a high power dissipation (>58 W). As such, avoiding placing the card adjacent to other cards with similar dissipation values if possible.
Chapter 2
CAUTION
This device contains semiconductor devices which are susceptible to serious damage from Electrostatic Discharge (ESD). ESD damage may not be immediately apparent and can affect the long-term reliability of the device.
Avoid handling circuit boards in high static environments such as carpeted areas, and when wearing synthetic fiber clothing. Always use proper ESD handling precautions and equipment when working on circuit boards and related equipment.
Note: If installing the 9904-UDX-4K in a slot with no rear I/O module, a Rear I/O
Module is required before cabling can be connected. Refer to Installing a
Rear I/O Module (p. 2-3) for rear I/O module installation procedure.
CAUTION
If required, make certain Rear I/O Module(s) is installed before installing the 9904-UDX-4K into the frame slot. Damage to card and/or Rear I/O Module can occur if module installation is attempted with card already installed in slot.
9904-U DX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 2-1
Page 26
2 Installing the 9904-UDX-4K Into a Frame Slot
Note: Check the packaging in which the 9904-UDX-4K was shipped for any extra
items such as a Rear I/O Module connection label. In some cases, this label is shipped with the card and to be installed on the Rear I/O connector bank corresponding to the slot location of the card.
Install the 9904-UDX-4K into a frame slot as follows:
1. Determine the slot in which the 9904-UDX-4K is to be installed.
2. Open the frame front access panel.
3. While holding the card by the card edges, align the card such that the
plastic ejector tab is on the bottom.
4. Align the card with the top and bottom guides of the slot in which the
card is being installed.
5. Gradually slide the card into the slot. When resistance is noticed, g ently
continue pushing the card until its rear printed circuit edge terminals engage fully into the rear I/O module mating connector.
CAUTION
If card resists fully engaging in rear I/O module mating connector, check for alignment and proper insertion in slot tracks. Damage to card and/or rear I/O module may occur if improper card insertion is attempted.
Verify that the card is fully engaged in rear I/O module mating
6.
connector.
7. Close the frame front access panel.
8. Connect the input and o utput cables as shown in 9904-UDX-4K Rear I/O
Modules (p. 2-4).
9. Repeat steps 1 through 8 for other 9904-UDX-4K cards.
Note: The 9904-UDX-4K coaxial inputs are internally 75-ohm terminated. It is not
necessary to terminate unused coaxial inputs or outputs.
External frame sync reference signals are received by the card over a reference bus on the card frame, and not on any card rear I/O module connectors. The frame has BNC connectors labeled REF 1 and REF 2 which receive the reference signal from an external source such as a house distribution.
T o rem ove a ca rd, pres s do wn on the ej ec tor tab to u nseat the card from the rear I/O module mating connector. Evenly draw the card from its slot.
10. I f network remote control is to be used for the fram e and the frame has
not yet been set up for remote contro l, pe rf orm set up in accordance with Setting Up 9904-UDX-4K Network Remote Control (p. 2-8).
2-2 9904-UDX-4K PRODUCT MANUAL 9904-U DX-O M (V1.0J)
Page 27
Installation and Setup Installing a Rear I/O Module
Note: If installing a card in a frame already equipped for, and connected to
DashBoard, no network setup is required for the card. The card will be dis­covered by DashBoard and be ready for use.

Installing a Rear I/O Module

Note: This procedure is applicable only if a Rear I/O Module is not currently
installed in the slot where the 9904-UDX-4K is to be installed.
If installing the 9904-UDX-4K in a slot already equipped with a suitable I/O module, omit this procedure.
Install a Rear I/O Module as follows:
1. On the frame, determine the slot in which the 9904-UDX-4K is to be
installed.
2. In the mounting area corresponding to the slot location, install
Rear I/O Module as shown in Figure 2-1.
Align and engage mounting tabs on Rear I/O Module with the module seating slots
1
on rear of frame chassis.
Hold top of Rear I/O Module flush against frame chassis and start the
2
captive screws. Lightly tighten each captive screw. Note: Screws are captive retained on unmounted Rear I/O Module
using O-rings. Pushing the screws backwards into the O-rings (allowing only a few threads to protrude in front of O-rings) allows the screws to more easily thread into the chassis threaded holes.
Figure 2-1 Rear I/O Module Installation
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 2-3
Page 28
2 Installing a Rear I/O Module

9904-UDX-4K Rear I/O Modules

Table 2-1 shows and describes the full assortment of Rear I/O Modules specifically for use with the 9904-UDX-4K.
Table 2-1 9904-UDX-4K Rear I/O Modules
9904-UDX-4K Rear I/O Module Description
Note: On rear modules below showing SFP CAGE, the cage receptacles are functional only on model 9904-UDX-4K-IP or on
models factory ordered and equipped with hardware option -UDX-SFP. In all other cases, the SFP cage is NC and non-functional.
RM20-9904-B-HDBNC
RM20-9904-C-HDBNC
Provides the following conne cti on s:
Four 3G/HD/SD-SDI coaxial quad-link inputs (SDI IN 1 thru SDI IN 4)
Two 12G/6G/3G/HD/SD-SDI coaxial single-wire
inputs (SDI IN 5 and SDI IN 6) (suitable for ST 2082 12G-SDI)
Four AES coaxial input/outputs (AES I/O 1 thru AES I/O 4)
Eight 4x2 SDI processed coaxial outputs (SDI OUT 1A/1B thru SDI OUT 4A/4B)
HDMI OUT connector (HDMI 2.0; Type A connector)
GPIO/COMM multi-conductor connector
ETHERNET 10/100/1000 RJ-45 connector
(reserved)
Note: All coaxial connectors are HD-BNC.
Provides the following conne cti on s:
Four 3G/HD/SD-SDI coaxial quad-link inputs (SDI IN 1 thru SDI IN 4)
Two 12G/6G/3G/HD/SD-SDI coaxial single-wire
inputs (SDI IN 5 and SDI IN 6) (suitable for ST 2082 12G-SDI)
Four SDI processed coaxial outputs (SDI OUT 1 thru SDI OUT 4)
HDMI OUT connector (HDMI 2.0; Type A connector)
SFP CAGE (x2): Two user-accessible SFP cages that can be user-fitted with various SFP types. See SFP Types (Rear Modules Equipped with SFP Cages) (p. 2-7) for available SFP types and other details.
GPIO/COMM multi-conductor connector
ETHERNET 10/100/1000 RJ-45 connector
(reserved)
Note: All coaxial connectors are HD-BNC.
SFP interfaces applicable for model
9904-4K-UDX-IP or models with -UDX-SFP option only.
2-4 9904-UDX-4K PRODUCT MANUAL 9904-U DX-O M (V1.0J)
Page 29
Installation and Setup Installing a Rear I/O Module
Table 2-1 9904-UDX-4K Rear I/O Modules — continued
9904-UDX-4K Rear I/O Module Description
RM20-9904-D-HDBNC
RM20-9904-E-HDBNC
Provides the following connections:
Four 3G/HD/SD-SDI coaxial quad-link inputs (SDI IN 1 thru SDI IN 4)
Two 12G/6G/3G/HD/SD-SDI coaxial single-wire
inputs (SDI IN 5 and SDI IN 6) (suitable for ST 2082 12G-SDI)
Six SDI processed coaxial outputs (SDI OUT 1A thru SDI OUT 4A)
Four AES coaxial input/outputs (AES I/O 1 thru
AES I/O 4)
GPIO/COMM multi-conductor connector (Micro
D25)
ETHERNET 10/100/1000 RJ-45 connector
(reserved)
Note: All coaxial connectors are HD-BN C.
Provides the following connections:
Four 3G/HD/SD-SDI coaxial quad-link inputs (SDI IN 1 thru SDI IN 4)
Two 12G/6G/3G/HD/SD-SDI coaxial single-wire
inputs (SDI IN 5 and SDI IN 6) (suitable for ST 2082 12G-SDI)
Nine SDI processed coaxial outputs (SDI OUT 1A thru SDI OUT 5A)
Four AES coaxial input/outputs (AES I/O 1 thru
AES I/O 4)
HDMI OUT connector (HDMI 2.0; Type A
connector)
SFP CAGE (x2): Two user-accessible SFP cages
that can be user-fitted with various SFP types. See SFP Types (Rear Modules Equipped with SFP Cages) (p. 2-7) for available SFP types and other details.
GPIO/COMM multi-conductor connector
ETHERNET 10/100/1000 RJ-45 connector
(reserved)
Note: All coaxial connectors are HD-BNC.
SFP interfaces applicable for model
9904-4K-UDX-IP or models with -UDX-SFP option only.
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 2-5
Page 30
2 Installing a Rear I/O Module
Table 2-1 9904-UDX-4K Rear I/O Modules continued
9904-UDX-4K Rear I/O Module Description
RM20-9904-F-HDBNC
Provides the following conne cti on s:
Four 3G/HD/SD-SDI coaxial quad-link inputs (SDI IN 1 thru SDI IN 4)
Two 12G/6G/3G/HD/SD-SDI coaxial single-wire
inputs (SDI IN 5 and SDI IN 6) (suitable for ST 2082 12G-SDI)
Nine SDI processed coaxial outputs (SDI OUT 1A thru SDI OUT 5A)
Eight AES coaxial input/outputs (AES I/O 1 thru AES I/O 8)
HDMI OUT connector (HDMI 2.0; Type A connector)
SFP CAGE (x2): Two user-accessible SFP cages that can be user-fitted with various SFP types. See SFP Types (Rear Modules Equipped with SFP Cages) (p. 2-7) for available SFP types and other details.
GPIO/COMM multi-conductor connector
ETHERNET 10/100/1000 RJ-45 connector
(reserved)
Note: All coaxial connectors are HD-BNC.
SFP interfaces applicable for model
9904-4K-UDX-IP or models with -UDX-SFP option only.
Up to eight (8) AES-3id coaxial ports are avail abl e on latest rev cards. Hard ware ve rsions earlier than
-E support only AES ports 1 thru 4.
2-6 9904-UDX-4K PRODUCT MANUAL 9904-U DX-O M (V1.0J)
Page 31
Installation and Setup Installing a Rear I/O Module

SFP Types (Rear Modules Equipped with SFP Cages)

(See Table 2-2.) For the rear modules shown above on cards factory-ordered that are compatible with SFP support, the following user-accessible SFP types/functions are av ai lable. SFPs install in rear module re ar-accessible SFP cage.
Note: SFP interfaces applicable for model 9904-4K-UDX-IP or models with
-UDX-SFP factory-installed hardware option only.
Table 2-2 SFP Types Available
Cobalt Part Number Description/Details
-SFP-EOOE-MSA-12G 12G/6G/3G/HD/SD-SDI UHD Transceiver (LC female connectors)
-SFP-EO-MSA-12G 12G/6G/3G/HD/SD-SDI UHD Transmitter (LC female connector).
-SFP-OE-MSA-12G 12G/6G/3G/HD/SD-SDI UHD Receiver (LC female connector)
-SFP-EOOE-MSA Single-Channel Video Optical Transceiver (LC female connectors)
-SFP-EO-MSA Single-Channel Video Optical Transmitter (LC female connector)
-SFP-OE-MSA Single-Channel Video Optical Receiver (LC female connector)
-SFP-IP-SWD-MSA Software-Defined EmSFP 2011/2022-6 Encap/De-Encap Host. 10GigE
Multi-Mode Optical Interface with Female LC Duplex Connectors. The following I/O purposing software options are available for cards using SFP type -SPF-IP-SWD-MSA (Up to 3 software licenses can be added to the
-SFP-IP-SWD-MSA, but only 1 license can be active at a time): +ADD-SFP-2SDI-TO-IP-2022-6 SFP Software License; Dual-Channel
Encapsulator 2SDI-to-IP-2022-6
+ADD-SFP-2SDI-TO-IP-2110 SFP Software License; Dual-Channel
Encapsulator 2SDI-to-IP-2110
+ADD-SFP-IP-TO-2SDI-2022-6 SFP Software License; Dual-Channel
De-Encapsulator IP-2022-6-to -2SDI
+ADD-SFP-IP-TO-2SDI-2110 SFP Software License; Dual-Channel
De-Encapsulator IP-2110-to-2SDI
+ADD-SFP-IP-TO-SDI-2022-6 SFP Software License; Single-Channel
De-Encapsulator IP-2022-6-to-S DI
+ADD-SFP-IP-TO-SDI-2110 SFP Software License; Single-Channel
De-Encapsulator IP-2110-to-SDI
+ADD-SFP-SDI-TO-IP-2022-6 SFP Software License; Single-Channel
Encapsulator SDI-to-IP-2022-6
+ADD-SFP-SDI-TO-IP-2110 SFP Software License; Single-Channel
Encapsulator SDI-to-IP-2110
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 2-7
Page 32
2 GPIO Electrical Details

GPIO Electrical Details

Figure 2-2 shows the equivalen t circuits use d for GPIO, and specifies external parametric limitations w hen using GPIO.
GPO from
card control
GPI to
card control
GPO
GPO COM
V+
+3.3V
GPI
10 k
Figure 2-2 GPIO Electrical Details
GPIO uses equivalent opto-isolated circuits shown below.
GPO Specifications:
Max I: 120 mA Max V: 30 V Max P: 120 mW
Pullup R >500 resistor is recommended when using 5V contr ol.
GPI Specifications:
GPI LO @ Vin < 1.5 V GPI HI @ Vin > 2.3 V Max Vin: 9 V

Setting Up 9904-UDX-4K Network Remote Control

Perform remote control setup in accordance with Cobalt® reference guide Remote Control User Guide (PN 9000RCS-RM).
Note: • If network remote control is to be used for the frame and the frame has not
yet been set up for remote control, Cobalt Control User Guide (PN 9000RCS-RM) provides thorough information and step-by-step instructions for setting up network remote control of Cobalt cards using DashBoard. (Cobalt
®
Remote Control Panel product manuals have complete instructions for setting up remote control using a Remote Control Panel.)
Download a copy of this guide by clicking on the Support>Reference Documents link at www.cobaltdigital.com and then select DashBoard Remote Control Setup Guide as a download, or contact
®
Cobalt
as listed in Contact Cobalt Digital Inc. (p. 1-19).
®
reference guide Remote
OGCP-9000 and OGCP-9000/CC
®
If installing a card in a frame already equipped for, and connected to
DashBoard, no network setup is required for the card. The card will be dis­covered by DashBoard and be ready for use.
2-8 9904-UDX-4K PRODUCT MANUAL 9904-U DX-O M (V1.0J)
Page 33

Overview

Chapter 3

Chapter 3 Operating Instructions

This chapter contains the following information:
If you are already familiar with
using DashBoard or a Cobalt
Remote Control Panel to control
Cobalt cards, please skip to
9904-UDX-4K Function Menu List
and Descriptions (p. 3-8).
Control and Display Descriptions (p. 3-1)
Accessing the 9904-UDX-4K Card via Remote Control (p. 3-5)
Checking 9904-UDX-4K Card Information (p. 3-7)
9904-UDX-4K Function Menu List and Descriptions (p. 3-8)
Troubleshooting (p. 3-62)

Control and Display Descriptions

This secti on describes the user interface controls, indicators, and displays for using the 9904-UDX-4K card. The 9904-UDX-4K functions can be accessed and controlled using any of the user interfaces described here.
The format in which the 9904-UDX-4K functional controls, indicators, and displays appear and are used varies depending on the user interface being used. Regardless of the user int erface b eing used, access t o the 9904- UDX-4K functions (and the controls, indicators, and displays related to a particular function) follows a general arrangement of Function Menus under which related controls can be accessed (as described in Function Menu/Parameter Overview below).
Note: When a setting is changed, settings displayed on DashBoard™ (or a Remote
Control Panel) are the settings as effected by the card itself and reported back to the remote control; the value displayed at any time is the actual value as set on the card.
9904-U DX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 3-1
Page 34
3 Control and Display Descriptions

Function Menu/Parameter Overview

The functions and relat ed paramete rs avail able on the 9904-UDX-4K card are organized into function menus, which consist of parameter groups as shown below.
Figure 3-1 shows how the 9904-UDX-4K card and its menus are organized, and also provides a n overvie w of how na vigation is perfo rmed between cards, function menus, and parameters.
If using DashBoard or a Remote Control Panel, the desired 9904-UDX-4K card is first selected.
9904-UDX-4K
Menu a Menu b
Individual Parameters
Each menu consists of groups of parameters related to the function menu. Using the Input Video function menu example, the individual parameters for this function consist of various parameters such a s source select, and so on.
Figure 3-1 Function Menu/Parameter Overview
The desired function menu is next selected. Function Menus consist of parameter groups related to a particular 9904-UDX-4K card function (for example, Input Video”).
Menu z
3-2 9904-UDX-4K PRODUCT MANUAL 9904-U DX-O M (V1.0J)
Page 35
Operating Instructions Control and Display Descriptions

DashBoard User Interface

(See Figure 3-2.) The card function menus are organized in DashBoard using tabs. When a tab is selected, each parametric control or selection list item associated with the function is displayed. Scalar (numeric) parametric values can then be adjusted as desired using the GUI slider controls. Items in a list can then be selected using GUI drop-down lists.
DashBoard Tabs
Typical Status Display
Figure 3-2 Typical DashBoard Tabs and Controls
Typical Selection List
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 3-3
Page 36
3 Control and Display Descriptions
B

Cobalt® Remote Control Panel User Interfaces

(See Figure 3-3.) Similar to the function menu tabs using DashBoard, the Remote Control Panels have a Select Submenu key that is used to display a list of function submenus. From this list, a control knob on the Control Panel is used to select a function from th e list of displa yed functio n submenu items.
When the desired function submenu is selected, each parametric control or selection list item associated with the function is displayed. Scalar (numeric) parametric values can then be adjusted as desired using the control knobs, which act like a potentiometer. Items in a list can then be selected using the control knobs which correspondingly act like a rotary switch.
Figure 3-3 shows accessing a function submenu and its parameters (in this example, Video Proc) using the Control Panel as compared to using the card edge controls.
Note: Refer to “OGCP-9000 Remote Control Panel User Manual (PN
OGCP-9000-OM) or OGCP-9000/CC Remote Control Panel User Manual (PN OGCP-9000/CC-OM) for complete instructions on using the Control Panels.
Video Proc function (among others) is accessed using the Control Panel Select Submenu key. Video Proc function is selected from the list of functions (submenu items)
When the Video Proc function submenu is selected, its related parameters are now displayed.
In this example, Color Gain (saturation) is adjusted using the control knob adjacent to
Color Gain
Figure 3-3 Remote Control Panel Setup of Example Video Proc Function Setup
3396B_3346B.JPG
9904-UDX-4K_3370_3372
3-4 9904-UDX-4K PRODUCT MANUAL 9904-U DX-O M (V1.0J)
Page 37
Operating Instructions Accessing the 9904-UDX-4K Card via Remote Control

Accessing the 9904-UDX-4K Card via Remote Control

Access the 9904-UDX-4K card using DashBoard or Cobalt® Remote Control Panel as described below.

Accessing the 9904-UDX-4K Card Using DashBoar d

1. On the computer connected to the frame LAN, open DashBoard™.
2. As shown be low, in the left side Basic View Tree locate the Network
Controller Card associated with the frame containing the 9904-UDX-4K card to be accessed (in this example, “HPF-9000_SW-A).
3. As shown below, expand the tree to access the cards within the frame.
Click on the card to be accessed (in this example, Slot 6: 9904-UDX”).
.
As shown on the next page, when the card is accessed in DashBoard its function menu screen showing tabs for each function is displayed. (The particular menu scree n displ ayed i s the previ ously d is played scree n from the last time the card was accessed by DashBoard™).
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 3-5
Page 38
3 Accessing the 9904-UDX-4K Card via Remote Control
Card Access/Navigation
Tree Pane
Card Info
Pane
Card Function Menu and
Controls Pane

Accessing the 9904-UDX-4K Card Using a Cobalt® Remote Control Panel

Press the Select Device key and select a c ard as shown in the example below.
This display shows the list order number of the device that is ready for selection
This display shows the devices assigned to the Control Panel.
Rotate any knob to select from the list of devices. The device selected using a knob is displayed with a reversed background (in this example,
1 9904-UDX-4K - Receiver 21 Input Processing”).
Directly enter a device by entering its list number using the numeric
keypad, and then pressing Enter or pressing in any knob).
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Page 39
Operating Instructions Checking 9904-UDX-4K Card Information

Checking 9904-UDX-4K Card Information

The operating status and software version the 9904-UDX-4K card can be checked using DashBoard or the card edge control user interface. Figure 3-4 shows and describes the 9904-UDX-4K card information screen using DashBoard and accessing c ard info rmation using th e card ed ge cont rol user interface.
Note: Proper operating status in DashBoard™ is denoted by green icons for status
indicators. Yellow or red icons respectively indicate an alert or failure condition. Refer to Troubleshooting (p. 3-62) for corrective action.
The Tree View shows the cards seen by DashBoard. In this example, Network Controller Card is hosting a 9904-UDX-4K card in slot 6.
Input Status Displa y
This displays shows the status and format of the signals being received by the 9904-UDX-4K, as well as card status.
Card Product (Info) Display
This displays (alternately selected in the Card Product pane) shows the the card hardware and software version info, as well as a Cobalt code number for the currently installed rear module.
Figure 3-4 9904-UDX-4K Card Info/Statu s Utili ty
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 3-7
Page 40
3 9904-UDX-4K Function Menu List and Descriptions

9904-UDX-4K Function Menu List and Descriptions

Table 3-1 individually lists and describes each 9904-UDX-4K function menu and its rela ted list selections, controls, and parameters. Where helpful, examples showing usage of a function are also provided. Table 3-1 is primarily based upon using DashBoard to access each function and its corresponding menus and parameters.
Note: For any DashBoard tabs on card not appearing in this
manual, this indicates the function is an option and covered in a separate Manual Supplement. Please refer to card web page Product Downloads for pdf Manual Supplements covering these options.
On DashBoard itself and in Table 3-1, the function menu items are organized using tabs as shown below.
Some functions use sub-tabs to help maintain clarity and organization. In these instances, Table 3-1 shows the ordinate tab along with its sub-tabs. Highlighted sub-tabs indicate that controls described are found by selecting this sub-tab (in this example, the De-noise/Deband sub-tab on the SDR/HDR Conversion page).
The table below provides a quick-reference to the page numbers where each function menu item can be found.
Function Menu Item Page Function Menu Item Page
Input Video Controls 3-9 Video Proc/Color Correction 3-30 Intelligent Tone Management (ITM)
Controls
Input/Output Settings 3-10 Framesync 3-33 Preset Mode 3-12 Wings Insertion 3-35 Manual HMS Mode 3-12 Ancillary Data Proc Controls 3-36 Auto Mode 3-16 Audio DSP Setup Controls 3-36 De-Noise / De-Band Controls 3-19 Input Audio Routing/Controls 3-50 ITM Bypass 3-21 Output Audio Routing/Controls 3-54
Analysis (Luma Histogram) 3-21 User Events Setup Controls 3-58 SL-HDR Decoder Controls 3-22 Network Settings Controls 3-59 SL-HDR Encoder Controls 3-2 3 Admin 3-59 Output Video Format Controls 3-26 Presets 3-60
3-10 3D LUT Processing Controls 3-32
Format 3-26
SDI Output 3-27
HDMI Output 3-28 Output Video Routing Status 3-29
3-8 9904-UDX-4K PRODUCT MANUAL 9904-U DX-O M (V1.0J)
Page 41
Operating Instructions 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List
Displays input video status for the up to six SDI card inputs. Sets card for the format (single-wire ST 2082 or

Input Video Controls

quad-link SDM) of input video being received.
Input Video Status Displays input status of each video input, along with format where lock is
Input Video Source Select Source Select drop-down selects either Quad-Link SDI 1-4 SDM or any
detected.
In this example, SDI IN 5 shows raster/format for detected input, with all other inputs being Unlocked. If signal is not present or is invalid, Unlocked is displayed. (These status indications are also propagated to the Card Info pane.)
Note: Only SDI inputs SDI IN 5 and SDI IN 6 are compatible with
single-wire ST 2082 sources.
of inputs SDI IN 1 thru SDI IN 6 (SDI IN 5 and IN 6 compatible with single-wire ST 2082 sources) as the input video source to be applied to the cards program video input.
Source Status shows the status/viability of the selected input. Note: Path 1 banner for control can be ignored. Currently, the card
supports only one program video path.
Input Video Source Status
Source Status shows the status/validity of the selected input.
Input Video Source Colorimetry Select Source Colorimetry sets the card processing to conform with
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 3-9
colorimetry present on selected input (from choices shown).
Page 42
3 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
(continued)
Input Video Source Range Select Source Range sets the card to accommodate Full or Legal color
Input Video Source OETF Select Source Range sets the card to accommodate output characteristics/
parametric ranges corresponding to range on the selected input video.
transfer functions marking/format present on the selected input video.
(Option +HDR-ITM; +HDR-ITM-4K) Provides controls for applying Intelligent Tone Management to content. Also provides controls for applying template “presets” conversion and custom modes which expose multiple

Intelligent Tone Management (ITM) Controls

detailed expert parametric controls, allowing highly specific aspects to be adjusted as desired.
Input/Output Settings – Provides controls for setting the card to conform with received input color space and range. Similarly sets card output Hybrid Log Gamma (HLG) and S-Gamma (SLOG) processing of the output video.
Input/Output Settings
Input Configure Controls Sets the card to accommodate various input (upstream) characteristics of the received input video as follows:
Input Color Space: Sets the card to accommodate either BT.709 or BT.2020 color space corresponding to color space on the received input video.
Input Range: Sets the card to accommodate Full, Legal, or Extended color parametric ranges corresponding to range on the received input video.
- Legal performs clipping of lo or hi values to make any input legal.
- Extended performs clipping only on values exceeding lo value
limit, with no clipping performed on hi value limits
- Full performs no clipping regardless of what is present on input.
Note: Input range of Legal can be changed to Full for output video
if desired using controls described below (Full = 4 - 1019; Legal = 64 - 959).
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Page 43
Operating Instructions 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
(continued)
Output Mode Configure Controls Sets the card to provide various output characteristics/transfer functions
Output Range/Target Lmax Configure
Controls
(OETF) for the processed output video as follows:
Bypass (SDR): Sets the card to bypass all HDR conversion. Output is delivered as SDR.
Output Mode: Sets the card to provide a choice of the following HDR processing characteristics:
- PQ BT.2020 Sets output to use Perceptual Quantization transfer
function in accordance with (IAW) BT.2020.
- HLG BT.2020 – Sets Hybrid Log Gamma (HLG) as
IAW BT.2020.
- SLOG3 BT.2020 – Sets OETF to S-Gamma (SLOG) SLOG3 BT.2020
function.
Sets the card output color range (Full or Legal) as well as Target Lmax
(luma) for the processed output video as follows:
Output Range: Sets the card to provide Full or Legal color parametric ranges.
Target Lmax (ITM Path): Provides independent Lmax (peak luminance) settings for ITM engaged operating mode.
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 3-11
Page 44
3 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
Preset Mode Settings engages a consensus balanced setting of ITM expert controls, while exposing various basic controls.
Preset Mode
Basic Preset Mode Controls Sets the card to accommodate various input (upstream) characteristics of the received input signal as follows:
Note: In addition to setting unexposed expert settings automatically to
consensus settings, the default exposed settings here are recommended starting point settings.
Brightness/Contrast: Controls for providing a preset-limited range of minor tweak values.
Limiter: When set to Enabled, provides controls for cases exhibiting clipping. The Limiter controls can be used to soften the expansion curve whenever a lower maximum output level is targeted. This will reduce the level of large bright areas, while keeping a maximum level for small highlights or sparkles.
- Limiter Ratio applies a ratio or scaling factor to maximum peak
luma. (For example, if Ratio is set to 20 with a peak luma occurring of 1000, resulting peak luminance will be approximately 800 Nits.) (Default value = 10)
- Limiter Knee defines a relative starting position of the slope used
to reach the target defined by the Limiter Ratio slider. The higher the setting, the less impact the Limiter knee has on the picture in general while impacting maximum effect on the highest levels of luminance. (Default value = 10)
Saturation enhances or reduces the global saturation of color throughout the image. Saturation values range from -100 (monochrome), or complete desaturation, to +100 (complete saturation). (Default value = 0; null) Note: Values above 5 are typically not recommended.
Sharpness controls the amount of sharpness and contrast added globally to the images edges, details and grain. This applies to all details within the image. Note: Higher slider values may cause excessive sharpening of film grain and noise. Adding some amount of Sharpness improves the rendering of speculars and typically makes images more attractive. 25 to 30 is recommended as a starting point for HD formats, while 40 to 50 is recommended as a starting point for UHD.
Manual HMS (Hightlights - Midtones - Shadows) Mode Settings
exposes the full set of ITM HMS parametric controls, allowing highly specific image tailoring specifically suited for specific content.
Manual HMS Mode
Manual mode controls, if not properly used, can result in objectionable and possibly unexpected video quality impacts.
Note: The controls described here have interaction. The Tips provided for various controls describe how to best deal with the
interaction and help get the best results from each control.
ITM Setup Mode - Expert Enable Allows selection of Manual HMS mode (using controls described below), or revert back to Preset (Basic) or Auto modes.
3-12 9904-UDX-4K PRODUCT MANUAL 9904-U DX-OM (V1.0J)
Page 45
Operating Instructions 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
(continued)
HMS (Highlights-Midtones-Shadows) Mask Overlay Enable
Highlights Luminance Control
Midtones Luminance Control
Allows enabling the suite of HMS Mask controls described below. The HMS Mask Overlay is a tool that is used only during setup. When
enabled the picture becomes a three color image:
- Black represents the portions in the shadow region
- Gray represents the portions for midtones
- White represents the portions for highlights.
You can use this overlay to configure and view how the ITM process
defines and acts on the regions of the picture. You can disable Mask Overlay while performing other assessments. The Mask Overlay should then be disabled when done using the tool.
Highlights slider controls the luminance of the brightest areas within the images of the incoming video content as determined by the Highlights Cut slider. Setting the Highlight s slider to 1.0 ensures that any color initially registered as full white will output as full white, provided that the Midtones slider is set to 1.0. (Default value = 1.0)
- Raising the value enhances brighter regions and may potentially
oversaturate details in white.
- Lowering the value reduces the expansion of those regions. Tip 1: Values in the [0..1] range will decrease the luminance of the
highlights, while values in the [1..3] range will increase it.
Tip 2: Because of Tip 1, the Highlight Cut slider has no effect when
the Highlights slider is set to 1.0.
Tip 3: When the Highlights slider is set to its minimum (0.01), the
expansion of the highlights part of the image (as determined by the Highlights Cut slider) is similar to a constant gamma whose value is set by the Midtones slider.
Midtones slider controls the luminance of all tones within the image. Changing the midtones through this control has a similar effect as globally changing the gamma of an image. Higher values make the ITM expansion more extreme and lead to overall expansions in brightness and contrast.
Tip 1: The Midtones slider is the one to start with when you want to
adjust the overall brightness of an image.
Tip 2: When both cut sliders are set to 0.0, or both Highlights and
Shadows sliders are set to 1.0, the Midtones slider is the only slider used for controlling the ITM curve. In this case, and when Midtones is above 1.0, use the Brightspot slider to avoid clipping.
Tip 3: To avoid clipping when this slider is above 1.0, and
depending on the image content, reduce the value of the Highlights slider under 1.0 or increase the value of the Brightspot slider.
Tip 4: When reducing the value of this slider, increase the value of
the Shadows slider to keep details in the dark areas, and increase the value of the Highlights slider to reach the maximum peak luminance.
Tip 5: When increasing the value of this slider, decrease the value
of the Shadows slider to avoid milky dark areas, and decrease the value of the Highlights slider to avoid clipping.
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 3-13
Page 46
3 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
(continued)
Shadows Luminance Control
Highlights Cut Control
Shadows slider controls the luminance of the darkest portions of
the images of the incoming video content as determined by the Shadows Cut slider. Lower values of this slider make shadowed areas darker and increase contrast but may lose detail in the darkened areas. Higher values bring out detail in dark areas but may make the image look flat and/or enhance noise and artifacts in dark areas. Absolute black (i.e. 0) is always mapped to black regardless of the Shadows slider value.
Tip 1: Values in the [- 3..1] range will decrease the luminance of the shadows, while values in the [1..3] range will increase it.
Tip 2: Because of Tip 1, the Shadows Cut slider has no effect when the Shadows slider is set to 1.0.
Tip 3: When the Shadows slider is set to 0.0, the expansion of the Shadows part of the image (as determined by the Shadows Cut slider) is similar to a constant gamma whose value is set by the Midtones slider.
Hightlight s Cut slider controls the range of values considered to be highlights. When set to 1.0, the darkest value of the highlights will overlap with the lightest value of the shadows, provided that the Shadow Cut slider is also set to 1.0. Smaller values reduce the range of the highlights affected to only the brighter ones. Consequently, when the Highlights Cut slider is set to 0.0, the Highlights slider doesnt have any effect.
Tip 1: The Highlights slider has no effect when the Highlights Cut slider is set to 0.0.
Tip 2: When both Highlights Cut and Shadows Cut sliders are set to
1.0, the image is divided in only two parts: the highlights and the shadows.
Tip 3: When the Highlights slider is set to a given value in the [0..1] range, reducing the value of the Highlights Cut slider (and then reducing the number of pixels belonging to the highlights part of the image) will increase the luminance of the highlights part of the image.
Tip 4: When the Highlights slider is set to a given value in the [1..3] range, reducing the value of the Highlights Cut slider will decrease the luminance of the highlights part of the image.
Tip 5: When moving the Highlights Cut slider, the Highlights slider must be moved accordingly to keep the highest values at the same level (excepted if Highlights = 1.0).
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Operating Instructions 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
(continued)
Shadows Cut Control
Brightspot Controls
Shadows Cut slider controls the range of values considered to be shadows. When set to 1.0, the lightest value of the shadows will overlap with the darkest value of the highlights shadows, provided that the Highlights Cut slider is also set to 1.0. Smaller values reduce the range of the shadows affected to only the darker ones.
Consequently, when the Shadows Cut slider is set to 0.0, the Shadows slider doesnt have any effect.
Tip 1: The Shadows slider has no effect when the Shadows Cut
slider is set to 0.0.
Tip 2: When both Highlights Cut and Shadows Cut sliders are set to
1.0, the image is divided in only two parts: the highlights and the shadows. Check it with the Show Cut Masks checkbox.
Tip 3: When the Shadows slider is set to a given value in the [-3..1]
range, reducing the value of the Shadows Cut slider (and then reducing the number of pixels belonging to the Shadows part of the image) will increase the luminance of the Shadows part of the image.
Tip 4: When the Shadows slider is set to a given value in the [1..3]
range, reducing the value of the Shadows Cut slider will decrease the luminance of the Shadows part of the image.
Tip 5: When moving the Shadows Cut slider, the Shadows slider
must be moved accordingly to keep the lowest values at the same level (excepted if Shadows = 1).
Brightspot Enable provides controls for Preserving brightspots form being clipped from appearing as the result of other control settings.
- Brightspot adjusts how much compression will be used (while
avoiding hard clipping).
- Brightspot Knee defines a relative starting position of the slope
used.
Saturation/Sharpness Controls
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 3-15
Saturation enhances or reduces the global saturation of color throughout the image. Saturation values range from -100 (monochrome), or complete desaturation, to +100 (complete saturation). (Default value = 0; null) Note: Values above 5 are typically not recommended.
Sharpness controls the amount of sharpness and contrast added globally to the images edges, details and grain. This applies to all details within the image. Note: Higher slider values may cause excessive sharpening of film grain and noise. Adding some amount of Sharpness improves the rendering of speculars and typically makes images more attractive. 25 to 30 is recommended as a starting point for HD formats, while 40 to 50 is recommended as a starting point for UHD.
Page 48
3 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
Auto Mode Settings exposes SDR-HDR conversion controls selected for minimal user interaction. This mode is based on machine learning using a database of thousands of video images.
Auto Mode
Auto mode controls, if not properly used, can result in objectionable and possibly unexpected video quality impacts.
Note: • The controls described here have interaction. The Tips provided for various controls describe how to best deal with the
interaction and help get the best results from each control.
The default settings provide the consensus-arrived settings. Slider controls can be tweaked for best results, but button selections should typically be left at default settings unless directed to be changed according to instructions herein.
ITM Setup Mode - Expert Enable Allows selection of Auto mode (using controls described below), or revert
Tips for Using Auto Mode Controls
Tip 1: Select the desired Auto Mode model using the Auto Mode drop-down. Tip 2: Enable the Auto Bright Spot button to avoid unwanted clipping in the brightest parts of images. Tip 3: Enable Temporal Filter (and set parameters as described in its section) to avoid inappropriate parameter matching
when the contrast of the video changes while no cut detection has occurred.
Tip 4: Global contrast can be increased (typically providing a subjective improvement in image “eye-catching appeal) by
enabling Contrast/Light and setting the Contrast and Light controls (described below) as subjectively desired.
Tip 5: Typically, it is recommended to enable Contrast Color Correction if Contrast/Light is also enabled. Tip 6: It is recommended to enable Temporal Filter to use this functionality whenever content sequences include
cross-fades or long shots.
Auto Mode Select Sets the auto mode using the following base characteristics:
back to Preset (Basic) or Manual modes.
1 - Boosted HDR – Provides a boosted HDR effect (note that this mode can clip highlights).
2 - Boosted HDR with Mid-Tone Correction – Uses same characteristics as 1 - Boosted HDR, but applies a correction to mid-tones thereby limiting the clipping effect that could occur with boosted HDR.
3 - More Contrast – Provides characteristics in between 1 and 2 above, but with more contrast.
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Temporal Filter - MIx Select Provides temporal filter type selection and mix type as described below.
Temporal Filter Type selects from the following modes:
- Number of Occurrences starts a process where the decision to
start a mix (or a transition) to a new class is done when the number of contiguous of this new class is greater than a given threshold, as set using the Temporal Filter Length control (see below).
- Mean Value starts a process where the decision to start a mix (or a transition) is made when, over a given period, the number of occurrences of this class is greater than a given threshold “Mean Threshold”.
Mix Type selects from the following modes:
- Continue terminates the current mix before starting a new one.
- Restart st art s a new mix immediately from the current stat e of the current mix (if the required conditions as set using Number of Occurrences control are met). This means that the current state of the current mix is viewed as a class, even if this class doesn’t exist in the model. Tip: Restart mode is recommended in most cases.
Temporal Parametric Controls
Contrast - Contrast Color Correction -
Tem por a l Filter Select Contro ls
Te m por a l Filter Lengt h set s the decision where to start a mix (or a transition) to a new class. Tip: 0.2s is a good starting point for 25p frame rates; 0.24s for 30p;
0.4s for 50p, and 0.48s for 59.94/60p.
Temporal Filter Buffer Feed (%) sets the decision where to start a mix (or a transition) when, over a given period, the number of occurrences of this class is greater than a given threshold “Mean Threshold”. Tip: “50 is a good starting point, since it provides results that are easy to compare with the Number of Occurrences mode.
Mix Duration sets the duration of the mix between two models. Tip: 2s is a good starting point regardless of frame rate.
Provides enable (default) or disable for various auto mode processing
functions.
Contrast/Lightenables the Contrast and Light sliders described below.
Contrast [specific] Color Correction enables color correction specifically
targeting contrast enhancement.
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Contrast/Light Controls
Contrast automatically increases or decreases contrast while maintaining the global (or average) amount of light in the image. The contrast modification is done on an image basis, but is designed to circumvent any “pumping” effect.
Light is dependent on Contrast setting: moving this slider while Contrast slider is at default (0.00) will have no effect. Moving Light slider to a positive value will increase the global amount of light, while moving it to a negative value will decrease it. The optimum value of the Light slider setting will depend on the value of the Contrast slider setting.
Temporal/Bright Spot Select Controls
Te mp or a l Filter when enabled provides temporal filteri ng using t he settings as described above.
Brightspot Controls
Saturation/Sharpness Controls
Auto Bright Spot when enabled uses a histogram/algorithm that helps maintain speculars without acting on or clipping other content elements.
Brightspot Enable provides controls for preserving brightspots from being clipped as the result of other control settings.
Brightspot adjusts how much compression will be used (while avoiding hard clipping).
Brightspot Knee defines a relative starting position of the slope used.
Saturation enhances or reduces the global saturation of color throughout the image. Saturation values range from -100 (monochrome), or complete desaturation, to +100 (complete saturation). (Default value = 0; null) Note: Values above 5 are typically not recommended.
Sharpness controls the amount of sharpness and contrast added globally to the images edges, details and grain. This applies to all details within the image. Note: Higher slider values may cause excessive sharpening of film grain and noise. Adding some amount of Sharpness improves the rendering of speculars and typically makes images more attractive. 25 to 30 is recommended as a starting point for HD formats, while 40 to 50 is recommended as a starting point for UHD.
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De-noise/De-band controls can help remove or mitigate noise artifacts in HD content that, if not compensated for, could be made more visible following UHD up-conversion and/or SDR-to-HDR conversion.
De-Noise / De-Band Controls
Note: • The denoising process is functionally placed before the ITM function. Even if setting the denoising settings are done
while looking to the ITM result, it must be noted that the denoising changes the incoming image. Setting the denoising controls must be done independently from the ITM.
Denoising runs efficiently if the noise is the same size as the pixel. Consequently:
- If the input image must be up-sampled, the ITM operation, and then the denoising, must be done before the up-sampling operation.
- Included film grain (whose size is generally bigger than the pixel size) is not removed, even if slightly attenuated, by the denoising. Because the ITM is an expansion, film grain is then amplified by the ITM. Consequently, if film grain must be added in the workflow, this operation must be done after the ITM.
De-banding Configure Contr ols Enables and selects de-banding profile used to suppress banding effects
De-noising Configure Controls Enables and selects de-noising profile used to suppress noise artifacts
from lower-res input content.
Banding describes a noise artifact with large areas with constant level
and perceptible boundaries that instead should be a smooth blend. This kind of artifact can generally be identified in high luminance pixels areas (for example: a bright sky).
Debanding selects between disabled, or light or heavy debanding.
Debanding Threshold sets the luminance value (normalized in the [0..1] range) above which the Debanding process is applied. Banding generally occurs in high level luminance pixels, with this control typically set at the high-end of its range.
from lower-res input content.
Denoising selects between Disable, Enable or Enable by Zone. (More on Denoising by Zone below.)
Denoising Threshold must be set at an optimum value to catch the maximum amount of noise without altering the overall content of the image. The higher the value of the threshold, the largest the amount of noise which is removed.
Tip: It is recommended to set the Denoising Strength (see below) at its maximum, and then moving the Denoising Threshold up to the point where the noise is fully removed (making the image completely blurred). Then the Denoising Strength can be reduced to a convenient value. The Denoising Threshold can then at that point be finely adjusted.
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Denoisin g Stre ngth slider filters out noise and grain within otherwise smooth areas of the image while still preserving edges and actual detail. The Intelligent Tone Management technology has a proprietary algorithm that assists it in deciphering the difference between detail and noise, even though both may be accentuated by use of the Sharpness slider. The higher the denoising value, the progressively smoother the image will become; however, higher values may also filter out edges in the denoising process.
Denoising Shadow Cut – When the Use Denoising by Zone checkbox is checked, this slider controls the range of values impacted by the Shadows Strength slider.
Note: This slider is not related to ITM Shadows
Cut.
Denoisin g H i ghtlights Cut – When the Use Denoising by Zone checkbox is checked, this slider controls the range of values impacted by the Highlights Strength slider.
Note: This slider is not related to ITM Highlights
Cut.
Denoisin g H i ghtlights Streng t h – When the Use Denoising by Zone checkbox is checked, this slider is related to the denoising strength dedicated to the Highlights parts in the image. See Denoising Strength slider for more information.
Denoisin g Midtones Strengt h – When the Use Denoising by Zone checkbox is checked, checkbox is checked, this slider is related to the denoising strength dedicated to the parts in the image located between the two Highlights cut and Shadows cut values. See Denoising Strength slider for more information.
Denoising Shadows Strength – When the Use Denoising by Zone checkbox is checked, this slider is related to the denoising strength dedicated to the Shadows parts in the image. See Denoising Strength slider for more information.
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ITM Bypass allows ITM preview and enable master control.
ITM Bypass
ITM Setup Mode - Expert Enable
Normal provides a full-screen preview and output showing normal ITM processing.
Bypass provides full bypass of ITM in the preview and the card output.
Top / Bottom provides a preview showing bypass (no ITM) in the top portion of the screen, and ITM processed output in the bottom portion of the screen.
Top / Bottom is intended for preview evaluation only. Top/bottom preview will be outputted from the card if left in this mode.
Analysis subtab allows enable of a histogram overlay that provides two bar graphs that respectively show input vs. output luma histogram.
Analysis (Luma Histogram)
Luma Histogram Overlay Sets the card output color range and target Lmax for the processed output video as follows:
Enable superimposes histogram on output video for analysis.
Disable turns off histogram when done with tool.
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(Option +SL-HDR; +SL-HDR-4K) Provides controls and processing to handle SDR content and exploit metadata (where available) to “re-inflate” SDR content to desired HDR content, as driven by the received metadata.

SL-HDR Decoder Controls

Decoder Enable/Disable
Input Range S e le c t
Display OETF Select
Ancillary Data Format Select
Enables or disables decoder function.Selects the type of SL-HDR processing that is performed on the signal as follows:
Bypass outputs source HDR, fully bypassing the SL-HDR block. (All SL-HDR are suppressed from the SL-HDR UI page in this mode.)
SL-HDR1 provides a standardized SL-HDR output, providing an SDR compatibility output along with metadata to recover HDR on compatible HDR devices. When SL-HDR is selected, SL-HDR Mode select appears, allowing selection of SL-HDR1 or SL-HDR-2 standard for the output
PQ sets output to use Perceptual Quantization transfer function in accordance with (IAW) BT.2020.
HLG sets Hybrid Log Gamma (HLG) as IAW BT.2020.
SLOG3 BT.2020 sets OETF to S-Gamma (SLO G) SLO G 3 BT.2020 function.
Input Range: Sets the card to accommodate Full or Legal, color parametric ranges corresponding to range on the received input video.
Legal performs clipping of lo or hi values to make any input legal.
Full performs no clipping regardless of what is present on input.
Sets the card to provide various output characteristics/transfer functions (OETF) to match that of the targeted (intended) display device as follows:
PQ sets output to use Perceptual Quantization transfer function in accordance with (IAW) BT.2020.
SLOG3 BT.2020 sets OETF to S-Gamma (SLO G) SLO G 3 BT.2020 function.
Sets the card to accept the expected ANC format on then received content as ST 2108 or ETSI TS 103 433. Also shows receive status of selected ANC type.
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(Option +SL-HDR; +SL-HDR-4K) Provides controls and processing to encode HDR content and output content as SDR, and also provide (where desired) metadata to allow to content for re-inflation to HDR on compatible downstream devices.

SL-HDR Encoder Controls

Output Mode Select
Note: Depending on Mode selected, controls shown and described below are dynamic and appear only when applicable to
the selected mode. (For example, if Bypass is selected, none of the controls described here appear in the UI. Also for example, output OETF standard selections (PQ, HLG, SLog3) only appear if HDR OETF Convert is selected.).
Input Confi gure Contro l s Set s the card to accommodate various input (upstream) characteristics of
Region of Interest Select When checked, sets 2-dimensional Region of Interest area for
Selects the type of SL-HDR processing that is performed on the signal as
follows:
Bypass outputs source HDR to pass.
HDR to SDR Tone Mapping provides direct conversion to SDR, with no
accompanying metadata. The output becomes a dedicated SDR output.
SL-HDR provides conversion to SDR, but also provides metadata that directs HDR re-inflation on downstream systems that are compatible with the metadata.
HDR OETF Convert provides an HDR-only output.
the received input video as follows:
Peak Luminance: Sets the card to accommodate the peak (max) luminance expected to occur on the received input video.
Input Range: Sets the card to accommodate Full or Legal, color parametric ranges corresponding to range on the received input video.
- Legal performs clipping of lo or hi values to make any input legal.
- Full performs no clipping regardless of what is present on input.
Content (Input) Colorspace: Sets the card to accommodate either BT .709, P3, or BT.2020 color space corresponding to colorspace on the received input video.
processes described in this page. The Area dialog shows the user-configured area set using the Left, Right, Top, and Bottom controls. The Overlay can be enabled to graphically show the configured interest area.
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Output Configure Contr ols Allows set ting the output color range (Full or Legal) as well as OETF to
Output Configure Controls SL-HDR Mode provides a standardized SL-HDR output, providing an
suite the downstream device.
SDR compatibility output along with metadata to recover HDR on compatible HDR devices. When SL-HDR is selected, SL-HDR Mode select appears, allowing selection of SL-HDR1 or SL-HDR-2 standard for the output.
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Advanced Tuning Controls When checked, opens video proc and HDR processing controls as follows:
Lift, Gain, Saturation slider controls allow basic video proc of luminance lift and gain, and color saturation.
Shadows Cut slider controls the range of values considered to be
shadows. When set to 1.0, the lightest value of the shadows will overlap with the darkest value of the highlights shadows, provided that the Highlights Cut slider is also set to 1.0. Smaller values reduce the range of the shadows affected to only the darker ones.
Consequently, when the Shadows Cut slider is set to 0.0, the Shadows slider doesnt have any effect.
Tip 1: The Shadows slider has no effect when the Shadows Cut
slider is set to 0.0.
Tip 2: When both Highlights Cut and Shadows Cut sliders are set to
1.0, the image is divided in only two parts: the highlights and the shadows. Check it with the Show Cut Masks checkbox.
Tip 3: When the Shadows slider is set to a given value in the [-3..1]
range, reducing the value of the Shadows Cut slider (and then reducing the number of pixels belonging to the Shadows part of the image) will increase the luminance of the Shadows part of the image.
Tip 4: When the Shadows slider is set to a given value in the [1..3]
range, reducing the value of the Shadows Cut slider will decrease the luminance of the Shadows part of the image.
Tip 5: When moving the Shadows Cut slider, the Shadows slider
must be moved accordingly to keep the lowest values at the same level (excepted if Shadows = 1).
Shadow Cut slider controls the range of values considered to be
shadows. When set to 1.0, the lightest value of the shadows will overlap with the darkest value of the highlights shadows, provided that the Highlights Cut slider is also set to 1.0. Smaller values reduce the range of the shadows affected to only the darker ones.
Shadow Gain slider controls the luminance of the darkest portions of
the images of the incoming video content as determined by the Shadows Cut slider. Lower values of this slider make shadowed areas darker and increase contrast but may lose detail in the darkened areas. Higher values bring out detail in dark areas but may make the image look flat and/or enhance noise and artifacts in dark areas. Absolute black (i.e. 0) is always mapped to black regardless of the Shadows slider value.
Highlight Cut and Highlight Gain sliders control the luminance of the
lightest portions of the images of the incoming video content as determined by the HIghlight Cut slider.
SDI ANC Format Select Where applicable, allows selecting the SDI ANC format for HDR
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metadata to be embedded in the output SDI.
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Allows selection of output format. Also displays current SDI input and output formats.
Format

Output Video Format Controls

Output Video Forma t Select
Provides Scaler master Bypass/Enable select button and conversions to formats (from SD up to 4096x2160p 50/59.94/60 12G.
Note: Although drop-down and card will allow output video raster/rate
choices unrelated to the input rates (for example, PAL 50Hz rate for NTSC 59.94Hz input rates), cross-rate conversion choices should not be used for critical applications (frames will be dropped and/or duped when performing such conversions).
In this example, 1920x1080p 59.94 is a valid selected down-convert to 3G format. Input/output status displays show as-processed current input and output formats.
Scaler enable/bypass select is also provided.
Input/Output Formats Supported
525i 59.94 1920x1080p 29.97 3840x2160p 50 QL 2SI 4096x2160p 50 QL 2SI 625i 50 1920x1080p 30 3840x2160p 59.94 QL 2SI 4096x2160p 59.94 QL 2SI
3840x2160p 60 QL 2SI 4096x2160p 60 QL 2SI 1280x720p 23.98 1920x1080psf 23.98 4096x2160p 50 QL SDM 1280x720p 24 1920x1080psf 24 3840x2160p 23.98 QL SDM 4096x2160p 59.94 QL SDM 1280x720p 25 1920x1080psf 25 3840x2160p 24 QL SDM 4096x2160p 60 QL SDM 1280x720p 29.97 1920x1080psf 29.97 3840x2160p 25 QL SDM 1280x720p 30 1920x1080psf 30 3840x2160p 29.97 QL SDM 4096x2160p 50 12G 1280x720p 50 3840x2160p 30 QL SDM 4096x2160p 59.94 12G 1280x720p 59.94 1920x1080p 50 A 3840x2160p 50 QL SDM 4096x2160p 60 12G 1280x720p 60 1920x1080p 59.94 A 3840x2160p 59.94 QL SDM
1920x1080p 60 A 3840x2160p 60 QL SDM 1920x1080i 50 1920x1080i 59.94 2048x1080p 23.98 3840x2160p 50 12G 1920x1080i 60 2048x1080p 24 3840x2160p 59.94 12G
2048x1080p 25 3840x2160p 60 12G 1920x1080p 23.98 2048x1080p 50 A 1920x1080p 24 2048x1080p 59.94 A 1920x1080p 25 2048x1080p 60 A
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User-defined Aspect Ratio Controls Aspect Ratio Horizontal and Aspect Ratio Vertical controls adjust
Filter Sharpness Control
Deinterlacer NR / Rate Detection Controls
horizontal and vertical zoom percentage. Settings less than (<) 100% provide zoom-out; settings greater than (>) 100% provide zoom-in.
(50% to 150% range in 0.1% steps; null = 100.0)
For any settings or output format, using the Horizontal or Vertical controls allow manual user custom settings deviating from null (100%) ARC.
Adjusts the aggressiveness of sharpening or filtering applied to output video. Optimum setting results in overall perception of increased sharpness, while avoiding pattern noise artifacts.
(Range is 0.50 thru 1.50 in 0.01 steps; null = 1.00) Note: Filter Sharpness control only affects downscaled output with scaler
enabled.
Deinterlacer Temporal Noise Reduction provides relative selections of Off, Low, to High. (These settings are subjective and should be evaluated for suitability to specific cases.)
Deinterlacer Film Rate Detection provides detection of incoming rates
and other aspects to detect the original film rate (and then converted to interlaced via 3-2 pulldown) to optimize processing based on this knowledge.
SDI subtab shows SDI output format status.
SDI Output Analysis (Luma Histogram)
SDI Output Format Display Shows currently selected and outputted SDI format.
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HDMI subtab exposes format controls specifically and independently for the card HDMI output.
HDMI Outpu t Analysis (Luma Histogram)
HDMI Standards Controls
HDMI Output Format shows the current HDMI output format (as selected using the Format > Requested Output Format control).
Color Space sets the color space of the HDMI output
Colorimetry sets the BT HDR colorimetry of the HDMI output
Bit Depth sets the HDMI output of either 10-bit or 8-bit bit depth.
Range selects from full or legal boundaries for the HDMI output color
space.
Audio Channel Count selects from 2-channel or 8-channel audio complement.
HDR InfoFrame Insertion provides insertion on InfoFrame (Auto-populate, enabled with manual user settings (as performed below), or disabled (remove InfoFrame)).
HDR InfoFrame OETF Select
HDR InfoFrame Gamut Select
Provides insertion of ANC metadata informing the display device what to expect in terms of OETF for the HDMI signal being provided.
Provides insertion of ANC metadata informing the display device what to expect in terms of Gamut for the HDMI signal being provided.
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RGB White Point Adjust/Set
Display Mastering Luminance Controls
Content/Frame Light Level Controls
Provides insertion of ANC metadata informing the display device what to expect in terms of RGB white points for the HDMI signal being provided.
Provides insertion of ANC metadata informing the display device what to expect in terms of mastering luminance min/max for the HDMI signal being provided.
Provides insertion of ANC metadata informing the display device what to expect in terms of content light level max and frame average light level max for the HDMI signal being provided.
Provides status displays and enable/disable for the four card SDI outputs.

Output Video Routing Status

Output Video Enable / Status/Identification Display
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Provides enable/disable for each SDI output, and shows video format
and other descriptive information for each of the cards four SDI outputs.
In this example, the card is set to provide a quad-link SDM output, with each link consisting of 1920x1080p Level-A 3G SDI signals.
When quad-link is being outputted, the status display shows the link number for each of the four signals, thereby helping with correlation to downstream systems.
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(Option +COLOR; +COLOR-4K) Provides the following Video Proc and Color Correction parametric controls.
Video Proc Enable/Disable V ideo Proc (Enable/Disa ble) provides master on/off control of all Video
Reset to Unity Reset to Unity provides unity reset control of all Video Proc functions.
Luma Gain Adjusts gain percentage applied to Luma (Y channel).
Proc functions.
When set to Disable, Video Proc is bypassed.
When set to Enable, currently displayed parameter settings take effect.
When Confirm is clicked, a Confirm? pop-up appears, requesting confirmation.
Click Yes to proceed with the unity reset.
Click No to reject unity reset.
(0% to 200% range in 0.1% steps; unity = 100%)

Video Proc/Color Correction

Luma Lift Adjusts lift applied to Luma (Y-channel). (-100% to 100% range in 0.1% steps; null = 0.0%)
Color Gain Adjusts gain percentage (saturation) applied to Chroma (C-channel).
(0% to 200% range in 0.1% steps; unity = 100%)
Color Phase Adjusts phase angle applied to Chroma. (-360° to 360° range in 0.1° steps; null = 0°)
Gang Luma/Color Gain When set to On, changing either the Luma Gain or Color Ga in controls increases or decreases both the Luma and Color gain levels by equal amounts.
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Provides color correction for the individual RGB channels for the card pr ogram video path (option +COLOR-4K).
Color Corrector Color Corrector (On/Off) provides master on/off control of all Color
Reset to Unity Reset to Unity provides unity reset control of all Color Corrector
Black Offset R-G-B controls
White Gain R-G-B controls
Corrector functions.
When set to Disable, all processing is bypassed.
When set to Enable, currently displayed settings take effect.
functions. When Confirm is clicked, a Confirm? pop-up appears, requesting
confirmation.
Click Yes to proceed with the unity reset.
Click No to reject unity reset.
Separate red, green, and blue channels controls for Black Offset, White Gain, and Gamma Factor curve adjustment.
Gain controls provide gain adjustment from 0.0 to 200.0% range in 0.1% steps (unity = 100.0)
Gamma controls apply gamma curve adjustment in 0.125 to 8.000 range in thousandths steps (unity = 1.000)
Each of the three control groups (Black Offset, White Gail, and Gamma have a Gang Column button which allows settings to be proportionally changed across a control group by changing any of the groups controls.
Gamma Factor R-G-B controls
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Black Hard Clip Applies black hard clip (limiting) at specified percentage. (-6.8% to 50.0%; null = -6.8%)
White Hard Clip Applies white hard clip (limiting) at specified percentage. (50.0% to 109.1%; null = 109.1%)
White Soft Clip Applies white soft clip (limiting) at specified percentage. (50.0% to 109.1%; null = 109.1%)
Chroma Saturation Clip Applies chroma saturation clip (limiting) chroma saturation at specified percentage.
(50.0% to 160.0%; null = 160.0%)
(Option +3D-LUT-PRO-4K; +3D-LUT-PRO) Provides 3D Look-Up Table to convert from 10-bit SDR RGB values to values appropriate for HDR downstream

3D LUT Processing Controls

LUT Enable/Color Range Setup Controls
devices and displays.
LUT Bypass/Enable – Enables or bypasses 3D LUT conversion.
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Provides video frame sync/delay offset control and output control/loss of program video failover selection

Framesync

Framesync Enable/Disable Control Provides master enable/disable of all card framesync functions/controls.
controls.
Lock Mode Select Selects Frame Sync functions from the choices shown to the left and
Program Video Output Mode Se l e c t Provides a convenient location to select between card program video
Loss of Input Signal Sele c tion In the event of program input video Loss of Signal (LOS), determines
described below.
Lock to Reference: Output video is locked to selected external reference received on the frame reference bus. (External reference signal Ref 1 / Ref 2 are distributed to the card and other cards via the Ref 1 / Ref 2 buses on the frame.)
Note: If valid reference is not received, the
status portion of DashBoard, indicating invalid frame sync reference error.
Lock to Input: Uses the program video input video signal as the reference standard.
Note: If Lock to Input is used for framesync, any timing instability
on the input video will result in corresponding instability on the output video.
Free Run: Output video is locked to the cards internal clock. Output video is not locked to external reference.
output and other technical outputs from the choices shown to the left and described below.
Input Video card outputs input program video (or loss of signal choices described below).
Flat Field card outputs flat field.
Freeze – card outputs last frame having valid SAV and EAV codes.
action to be taken as follows:
Disable Outputs: Disable program video SDI outputs.
Flat Field go to flat field on program video output.
Freeze – go to last frame having valid SAV and EAV codes on
program video output.
indication appears in the Card Info
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Flat Field Color Select Provides a choice of flat field colors when Flat Field is invoked (either by
Output Video Referen c e Offs e t Controls
Frame Delay Control
LOS failover or directly by selecting Flat Field on the Program Video Output Mode Select control).
With framesync enabled, provides the following controls for offsetting the output video from the reference:
Vertical (Lines) – sets vertical delay (in number of lines of output video between the output video and the frame sync reference. (Positive
values provide delay; negative values provide advance) (Range is -1124 thru 1124 lines; null = 0 lines.)
Horizontal (µs) – sets horizontal delay (in µs of output video) between the output video and the frame sync reference. (Positive values provide delay; negative values provide advance)
(Range is -64 thru 64 µsec; null = 0.000 µsec.)
Note: Offset advance is accomplished by hold-off of the
reference-directed release of the frame, thereby effectively advancing the program video relative to the reference.
When Framesync is enabled, specifies the smallest amount of latency delay (frames held in buffer) allowed by the frame sync. The frame sync will not output a frame unless the specified number of frames are captured in the buffer. The operational latency of the frame sync is
always between the specified minimum latency and minimum latency plus one frame (not one field).
Minimum Latency Frames Control
Note: Due to card memory limits, the maximum available Minimum
Latency Frames is related to the output video format selected. When using this control, be sure to check the Report Delay
display to make certain desired amount of frames are delayed.
Video Delay Display
Framesync Lock Status Display Displays the current framesync status and reference source.
Displays the current input-to-output video delay (in msec units) as well as in terms of Frames/fractional frame (in number of lines).
Status display shows total input-to-output video delay, along with any framesync delay.
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Provides wings insert ion/width controls and displays insertion status.

Wings Insertion

Wings Source Select Control Selects the card SDI input video port to serve as the cards wings source. Note: SDI inputs selected must be used with Rear I/O Module
correspondingly equipped with intended input ports.
Wings Insertion Enable Control Enables or disables wings insertion into the output video.
Note: For conditions where wings is not intended to be inserted, make
certain this control is set to Disabled.
Wings Width Cont r ol Allows symmetrical L/R wings insertion width, from none to widths
Wings Status Displays
extending into active image area if desired. (0 to 300 pixel range; null = 0)
Displays wings timing and insertion status as described below.
Note: • Wings timing is a function of the wings frame sync card/
device. Ideal wings timing is within 0 to 200 samples early of output video timing. Wings timing cannot be controlled on host card wings inserter.
Error in wings timing will result in loss of wings (however, program video image will not be corrupted).
Wings insertion OK; within target 0-200 samples early
Wings insertion late
Wings insertion too early
Wings video wron g /m is m atched format
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Provides controls for extracting packetized ANC data for re-insertion following scaling. This allows selected

Ancillary Data Pr oc Controls

ANC data to be preserved for re-insertion following scaling.
In this example, one of four independent ANC extractor/ inserters is set to extract packets at DID 60 (packetized ATC_VITC timecode in this example). These packets are preserved and re-inserted in the output video SDI VANC or HANC ancillary space as selected (in this example, HANC).
/ SDID 60h
h
Provides controls for enabling licensed DSP functions, routing inputs and outputs to and from the DSP functions, and setting individual parametric settings for
(Model 9904-UDX-4K-DSP only)

Audio DSP Setup Controls

Read and understand the overview shown below before proceeding to specific DSP detailed control settings. The overv iew show s basic s etup (with e xamples) to select a nd enabl e various DSP functional blocks, and shows how to route inputs and outputs to and from individual DSP blocks.
each DSP function.

Input Mixer and Output Mixer DSP Positioning

Each pair of the eight DSP pipelines (DSP A/B thru DSP G/H) can be independently positioned either at the card input mixer (Input Audio Routing/Controls) location or at the card output mixer (Output Audio Routing/Controls) location.
Path positioning is set for each DSP pipeline pair in the upper pane of the Audio DSP page by selecting Input Mixer or Output Mixer button for each DSP pair (D SP A / DSP B thru DSP G / DSP H).
In this example, DSP A/B pair is set to work with the input mixer, and DSP E/F pair is set to work with the output mixer. Any DSP process can be set to use the input or output path as desired.
In each DSP function row, the licenses available displays shows whether or not the DSP function is licensed for the card, and if so the number of licenses available. As DSP functions are enabled for use, the available licenses is correspondingly decremented.
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Input Mixer path positioning locates the DSP pipeline to receive basic external inputs coming into the card (in this example,
Emb Ch 1 and Ch 2 feeding DSP A L and DSP A R), and then allows DSP processed output channels to be directed to the card internal Audio Bus channels by selecting Audio DSP channels as sources for destination Audio Bus channels via the Input Audio Routing/Controls.
Emb 1-16
DSP x/y
AES 1-16
Etc.
The DSP outputs are then routed to card Audio Bus Channels as desired (in this example, Audio DSP A L thru Audio DSP A Rs serving as sources for card audio bus channels Audio Bus Ch 1 thru Ch 6).
Output Mixer path positioning locates the DSP pipeline to receive card Audio Bus channels (in this example, DSP E L and DSP E R receiving card Audio Bus Channels 9 and 10) and then place the DSP processed output channels directly at the card audio outputs as sources for destination Embedded Output or AES Output channels via the Output Audio Routing/Controls.
Audio Bus Channels 1-16
DSP x/y
Emb Out 1-16
Audio Bus
Channels 1-16
AES Out 1-16
The DSP outputs are then routed to card external outputs as desired (in this example, Audio DSP E Dolby L and Dolby R serving as sources for card outputs AES Out Ch 1 and Ch 2).
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core usage

Example Multiple DSP Process Audio Routing and DSP Setup

In this example, single DSP pipeline DSP A is setup to:
Receive an embedded PCM pair from the basic card input audio (input mixer positioning).
Upmix the PCM stereo pair to 5.1 audio.
Perform Real-Time Loudness Leveler (RTLL) loudness processing.
Output the processed 5.1 complement as PCM and as a separate Dolby Digital 5.1 Encoded pair.
Provide a separate additional Dolby 2.0 Encoder (on DSP E) for a SAP stereo PCM pair.
Emb 1/2
Upmix
5.1 RTLL
(PCM)
The upper pane on the Audio DSP tab allows enabling DSP processes for each of the eight DSP pipelines. In this example, DSP A is set to provide Upmixer, 5.1 RTLL, and Dolby Digital 5.1 Encode by checking the corresponding boxes. In this example, all processing is positioned at the Input mixer.
Route 5.1 PCM to Audio Bus Channels 1-6
Dolby 5.1
Digital Encode
Route 5.1 Dolby D pair to Audio Bus Channels 7/8
The Core Usage indicators provide an OK/Overload status indication and core capacity utilization percentage.
Make certain when set up that Core Usage indicators show green. Red indicates core capacity has been exceeded. It is good practice also to make certain neither core is exceeding 80% or so. If core exceed is being approached, spread
some functions to another core (e.g., move some processing functions from DSP A-D to DSP E-H).
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When a DSP pipeline is enabled for any function by checking any check box like t hat shown abov e, the s ub-tabs for the related DSP in the lower pane expose all the setup functions required for the selected processes. In this example, we’ll start with the Source Selection function since this is the first step in setting up a DSP.
After checkboxes enabling the desired processes are checked in the Audio DSP page upper pane, selecting the respective DSP tab (Audio DSP A thru Audi o DSP H) shows the pertinent setup tabs for the functions that are selected.
In this example, weve selected DSP processes using DSP pipeline Audio DSP A. Clicking the Audio DSP A tab exposes the setup functions sub-tabs for the pipeline. Here, we will start with telling the DSP what inputs it will receive using the Source
Selection sub-tab.
Audio DSP A select tab
The Path Setup display shows the selected processes for this DSP pipeline, as well as the flow/order of the processing
With the Source Sele cti on sub-tab opened, we now assign the card basic input channels that the processing chain will use (in this example, sourcing from card basic inputs Emb Ch 1/2). Since all of the processes selected here reside in DSP A, each process will forward its processed signal to the next enabled process in the DSP pipeline.
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With source selection having been set, now we procee d to setting up the Upmixer. In our example we are sourcing from a stereo PCM pair, so Crossfade does not need to be considered (Mode can be s et to A uto or A lw ays Upmix). F or cases where 5.1-channel PCM is used as an input, and may already carry 5.1 content, the Threshold and Auto Crossfade controls can make for smoother transitions between existing and Upmixer-developed 5.1 content. Default settings are recommended in most cases.
Now that the Upmixer is set up, the 5.1 Upmix content in our example is fed to the Real Time Loudness Leveler 5.1 function (since we also have that checkbox checked for the DSP A pipeline).
The RTLL blocks offer parametric controls for loudness leveling. Basic setup is setting RTLL to Enabled, and choosing a Manual IRL level (typically same as the desired loudness level). Other settings can typically be left at the default settings provided.
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Our final processing step in this example is setting DSP A to also provide a Dolby 5.1 encoded pair. When a Dolby encoder is checked (enabled), the Dolby Digital Encoder and Dolby Digital Encoder Metadata sub-tabs appear, which allow setup of the Dolby encoded pair.
The first step in setting up an encoder is selecting the Encoder Format (which selects between Dolby Digital and Dolby Digital Plus formats). In this example, Dolby Digital is used, with the default data rate being used. The status displays below the setup drop-downs show data rate actually being used, as well as encode success.
Note: Although the Metadata Source drop-down allows choices other than encoder internal metadata, only internal
metadata is currently supported.
With the encoder format and data rate basics set up above, now the bitstream mode, metadata, and other particulars related to the selected mode can be set. In this example, standard 5.1 is selected (3/2L) with a dialnorm of -24 (conforming to ATSC A/85). The encoded stream is now ready to be placed on an audio bus channel pair for eventual output from the card.
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Routing the DSP Audio Outputs On the Card

Again, depending on whether the DSP is positioned at the card input or output mixer, Audio DSP processed outputs are available as follows:
DSP positioned at the Input Mixer makes its outputs available to the card Audio Bus Channels (as choices on each card
Audio Bus Ch 1 thru Audio Bus Ch 16 drop-down using the In pu t A ud io Routing tab).
DSP positioned at the Output Mixer makes its outputs available to the card Embedded, AES, and Analog Audi o channels
(as choices on each card output drop-downs using the Output Audio Routing tab).
Note: Dolby encoded audio can only be outputted on digital audio channels such as embedded or AES. However, DSP audio
processed to provide PCM outputs can also be outputted on analog audio output channels. These outputs will be processed just like any other PCM handled by the card, and converted to analog by the card on-board audio DAC.
In the example here, since DSP A was set up to be positioned at the input mixer, its DSP outputs are routed to the card Audio Bus channels as shown below.
DSP A Upmix > RTLL 5.1 > 6 PCM Audio DSP A L thru Audio DSP A Rs routed to card input Audio Bus Channels Ch1 thru Ch 6, respectively.
The DSP outputs can be used for other internal card routing or processes, or be available as PCM outputs from the card via the card Audio Bus.
Emb 1/2
(PCM)
Upmix
5.1 RTLL
DSP A Upmix > RTLL 5.1 > 6 PCM + 2 Dolby Digital Encoded Outputs Audio DSP A Dolby L and Audio DSP A Dolby R routed to card input Audio Bus Channels Ch 7 and Ch 8, respectively.
The DSP outputs can be used for other internal card routing or processes, or be available as outputs from the card via the card Audio Bus.
Route 5.1 PCM to Audio Bus Channels 1-6
Like any other signals routed to the card Audio Bus, these outputs are available on any of the card embedded audio or AES outputs.
Dolby 5.1
Digital Encode
Route 5.1 Dolby D pair to Audio Bus Channels 7/8
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As mentioned earlier, a separate DSP pipeline (DSP E) has been set up in this example to provide a SAP Dolby 2.0 pair, with this DSP being positioned at the output mixer in this example. Shown below is the routing that provides this.
Emb 9/10 > Audio Bus 9/10
Route Audio Bus Ch 9/10 to DSP E L/R
Route 2.0
DSP E Dolby 2.0
Digital Encode
Dolby D pair to AES Out Ch 1/2
General Tips for Using Audio DSP
Make certain Core Usage indicators show green following set up.
Determine what positioning (input or output mixer) is best for the task being set up. Placement at the input
mixer provides the most flexibility (especially if the processed output may be needed for other processes).
When performing significant changes like unchecking or checking (enabling) new DSP functions, always press the DashBoard Refresh button to make sure the change is taken in on DashBoard and sub-tabs correspondingly displayed are refreshed with the drop-downs that correlate with the DSP setup. If DashBoard changes (such as channel routing) are done before refresh, the intended routing settings may not actually take place and engage.
Where possible where a compound setup (li ke that sh own in this exa mp le for DSP A) is be ing set up , it’s a good idea to confine the processes to a single DSP pipeline. In this manner, the intermediate processed signals will always be routed to the next function selected, without requiring any manual routing setup in DashBoard.
Audio lag (delay) will occur when RTLL is used. Using t he card Video Delay controls (or Frame Sync controls and Inpu t Aud io Routing > Audi o De lay contr ols where eq uip ped), it is recom mend ed to provide a 200 msec video delay (or 200 msec audio advance) to restore lip sync. As with all Dolby Encoders, restoring lip sync for a Dolby encod e/d eco de chain must als o be co nsi de r ed. R efe r to a ppl ic abl e m an ual (s) for more information.
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Note: This subsection of the Audio DSP presentation covers the specific controls and settings of the DSP enable setup pane,
signal routing to and from DSP blocks, and the specific DSP blocks themselves. Reading and understanding the overview on the preceding pages is strongly recommended before proceeding to the descriptions below.
Audio DSP Basic Setup Pane (Upper Pane)
Clicking the Audio DSP tab opens the upper and lower panes of the Audio DSP page. In the upper pane, select desired pairs A/B thru G/H of DSP pipelines as desired to facilitate DSP functions as needed.
In each DSP function row (Dolby Decoder thru Dolby Digital Encoder 2.0), enable DSP function and apply it to a DSP pipeline pair as desired by clicking the corresponding checkbox.
When DSP functions are enabled In a DSP pipeline column, now position the DSP pipeline to be at the input or output mixer as desired by checking the Input Mixer or Output Mixer button.
In this example, DSP A is set to enable Upmixer, Real Time Loudness Leveler 5.1, and Dolby Digital Encoder 5.1, with all set to be positioned at the Input Mixer.
In this example DSP E is set to enable Dolby Decoder, with this set to be positioned at the Output Mixer.
Unused DSP asset rows/columns can be left as-is with mixer selection being ignored.
licenses available displays shows whether or not the DSP function is licensed for the card, and if so the number of licenses
available. As DSP functions are enabled, the available licenses is correspondingly decremented.
When the Audio DSP tab is opened, the upper pane allows basic, primary setup of the card DSP functions (blocks) such as selecting (enabling) available DSP functions for each DSP pipeline.
These settings must be performed first, as these settings will enable desired DSP functions and position the DSP assets at either the input mixer or output mixer as desired. DSP-specific controls appear only when the corresponding DSP function is enabled here.
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Audio DSP Pipeline Sele ct/Setup Pane (Lower Pane)
Sub-tabs for each DSP pipeline allow selecting a specific pipeline to go into and access other settings specific to the enabled functions. In the running example here with DSP A having Upmixer, RTLL5.1, and Dolby Digital Encoder 5.1 enabled, when DSP A sub-tab is clicked, a series of applicable lower sub-tabs appear which allow specific setup of the enabled functions. The processing path to be applied is also shown in the Path Setup window.
If a DSP pipeline has no functions enabled, Path is disabled is displayed and no lower sub-tabs appear.
The lower pane that displays when the Audio DSP tab is opened allows going into each enabled DSP pipeline, and setting up attributes for the pipeline such as signal routing and function-specific settings for the DSP functions that are enabled.
The lower sub-tabs that appear correspond to the setup required for the enabled functions (in the example here, Source Selection to route PCM inputs to the DSP functions, Upmixer setup, RTLL setup, and finally Dolby Encoder setup).
The tabs that appear are a dynamic function of enabled DSP functions (for example, if Upmixer was not enabled, the Upmixer sub-tab shown here would not appear).
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Note: As noted earlier, appearance of lower sub-tabs shown here depend on DSP function(s) selected. Sub-tabs only appear
where required in setting up a selected DSP function(s).
Source Selection Sub-Tab
Source Selection Sub-Tab
Upmixer Setup Sub-Tab (Option +DSP-UPMIX-LA only) Provides controls for setting up upmixing
Allows selecting audio channels to be inputted to any pipeline DSP function(s). Also provides Gain, Mute, and Invert controls for each input channel.
Note: Drop-down source choices depend upon whether input mixer or output mixer positioning is selected. Input mixer choices are primarily basic card input audio sources; output mixer choices are primarily card audio bus channels.
of any normal PCM stereo pair into 5.1 surround sound audio which in turn can be applied to six user-selectable channels or further DSP processing.
Mode selects from Auto (detect content on surround, else force upmix), Bypass, or Always Upmix.
5.1 Detection Threshold adjusts the threshold at which selected channels designated as C, LFE, Ls, and Rs are considered to have viable content, or at which signal levels can be considered insignificant when upmixer enable is set to Auto. Setting affects automatic enable/bypass of 5.1 upmix function.
Center Width adjusts center channel content (in terms of percentage) applied to L and R channels.
Minimum setting keeps all L+R (mono) content confined to center (C) channel, with any center channel content removed from L and R channels.
Higher settings progressively blend respective L and R mono content back into L and R channels, with 100% setting resulting in center channel level going to zero and L/R channels becoming normal L/R channels containing some mono content.
LFE Level allows gain to be added to derived LFE channel.
Surround Depth adjusts surround channel content (in terms of
percentage) applied to Ls and Rs channels.
Maximum setting results in greatest surround channel levels.
Lower settings progressively diminish surround channel levels,
with 0% setting resulting in no Ls or Rs level, with Ls and Rs content progressively folded back into L and R, respectively.
Dimension adjusts the perceptual spacial image in the surround channels to be accentuated or diminished.
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Real-Time Loudness Leveler Setup Sub-Tab
Note: Default settings are recommended and conform to ATSC A/85. Note: The level displays that appear are not user-facing units such as dBFS or percent. Note: Parametric controls described here apply to -5.1 and -2.0 RTLL versions.
(Option +DSP-RTLL only) Provides controls for setting up Real Time Loudness Leveler loudness processing.
Enable sets RTLL to enabled or bypassed.
Target Level sets RTLL to specific LKFS output loudness target.
Dialogue Intelligence, when enabled, allows loudness processing speech-gating that measures and adjusts loudness only during segments that contain dialog.
Peak Limit applies a peak compressor/limiter if the selected threshold is exceeded.
IRL Source; Manual IRL allows IRL from Auto, Target Level, or Manual.
Aggressiveness adjusts how fast and deep loudness leveling is engaged.
Tips for Using RTLL
T o mon itor ma in pro gram L KFS wi th an extern al down stream devi ce, it is re comm ended to ha ve device set to Level Gated Loudness LKF S (or equivale nt). The Level Gat ed Loudness LKFS field on the RTLL tab shows running output LKFS.
Target Level sets the desired target LKFS. For typical usage where no external metadata is present, it is
recommended to select the desired LKFS target, and then set IRL Source to use Ta rget Level . (Auto is recommended where suitable external metadat a is pres en t. If Auto does not provide expected LKFS level, use Target Level.)
Peak Limit settings can influe nce over all peak trends in t he ou tput (esp ecial ly i f Aggres sive ness is se t t o les s
aggressive settings (peak can occur and pass before peak limiter has “time” to react to the peak event)).
Speech Percentage is derived from an algorithm tha t can dete ct sp ee ch (v s ba ck grou nd soun ds ). Ho wev er,
it can be influenced by other aural factors.
The short term reported measurements in the RTLL UI use a non-configurable window of 10 seconds.
Additional Parametric Descriptions
Short Term Ungated Loudness LKFS – Indicates the output, short-term loudness (LKFS) as measured by ITU-R
BS.1770-3 without a measurement gate. The measurement window is 10 seconds.
Short Term S peech Loudness LKFS – Indicates the output, short-term speech loudness (LKFS) as measured by ITU-R
BS.1770-3 with Dialogue Intelligence. The measurement window is 10 seconds.
Short Term S peech Loudness Gating – Provides yes or no indicator of whether short-term speech loudness is active.
Speech Percentage – Indicates the percentage of detected speech.
Speech Loudness LKFS – Indicates the program speech loudness (LKFS) as measured by ITU-R BS.1770-3 with Dialogue
Intelligence.
Speech Loudness Gating – Indicates the type of gating used when calculating the short-term speech loudness.
Level Gated Loudness LKFS – Indicates the program level-gated loudness (LKFS), as measured with the level gate
defined by ITU-R BS.1770-3.
Loudness Range – Indicates the program loudness range (LU) as measured per EBU R 128 and EBU Tech Doc 3342.
Left/Right True Peak dBTP – Indicates the true peaks (dBTP) for the L and R channels, as measured by ITU-R BS.1770-3.
Short Term 3S Ungated Loudness LKFS – Indicates the output, short-term loudness (LKFS) as measured by ITU-R
BS.1770-3 without a measurement gate. The measurement window is three (3) seconds.
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Tips for Using RTLL (cont.)

Loudness Leveler Control Settings Recommendations
Loudness Target: -24 LKFS (ATSC), -23 LKFS (E BU)
Enabled (RTLL master enable control): Enabled
Dialogue Intelligence: Enabled (ATSC), Disabled (EBU)
Peak Limit: -2.0 dBTP (ATSC), -3.0 (EBU)
IRL Source: Set to Target Level if fixed target level is to be used (as set using Target Level value drop-down; else Auto is
recommended.
Manual IRL: -24 LKFS (ATSC), -23 (EBU) Note: This control is ignored when in Auto mode.
Aggressiveness: 7
Dolby® Digital Encoder Mode Setup Sub-Tab
Metadata Source (currently, only Internal is supported).
Encoder Format selects from Dolby Digital or Dolby Digital Plus modes.
Data Rate selects max bit rate allowed.
Effective Data Rate display shows bit rate being used.
Encodes Attempted display shows number of encode frames attempted.
Encodes Succeeded display shows running number of encode frames successfully
generated.
Note: Parametric controls described here apply to -5.1 and -2.0 ENCD versions.
Dolby Digital Encoder Met adata Setup Sub-Tab
(Option +DSP-ENCD only) Provides controls for setting up Dolby Digital Encoder mode and bit rate.
Contains conventional suite of Dolby Digital metadata setup controls and drop-downs.
Note: Parametric controls described here apply to -5.1 and
-2.0 ENCD versions.
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Dolby Decoder Setup Sub-Tab (Option +DSP-DEC only) Provides controls for setting up Dolby Decoder. Note: See Source Selection Sub-Tab (p. 3-46) for routing desired Dolby
pair to decoder input.
Mode sets decoder to disabled, decode Dolby D/D+ else mute, or decode Dolby E, else mute, or decode else pass PCM.
Dolby Digital 16-bit Channel Select selects from Ch1 or Ch2 selections.
Dolby Digital Dynamic Range Control selects from Dolby convention choices of Line mode, RF mode, Custom, or Bypass.
Bitstream Summary display shows currently-received Dolby bitstream format.
Dolby D Decoder Metadata and Dolby E Decoder Metadata sub-tabs
show currently-received Dolby metadata for respective format (as applicable) using Dolby conventions.
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Provides audio routing and per-channel/bulk audio delay controls, and audio meters. These controls route selected audio sources onto the card 16-channel internal bus (which is used for all audio processing).

Input Audio Routing/Controls

Also provides a Downmixer and Flex Mixer which can be applied to program audio.
Note: Embedded Ch 2 thru Embedded Ch 16 have controls identical to the Source controls described here for Embedded
Ch 1. Therefore, only the Embedded Ch 1 controls are shown here.
For each channel, its source and destination should be considered and appropriately set. Unused destination
channels should be set to the Silence selection.
AES channel count depends on card hardware rev.
-Rev -E or later cards show AES Ch 1 thru AES Ch 16 where AES channels are shown and available on UI.
-Cards of lower rev show AES Ch 1 thru AES Ch 8 where AES channels are shown and available on UI.
Embedded Channel Source Select
Audio Routing Controls
Provides Mute and phase Invert channel controls, as well as peak level meter for each channel. Using the drop-down list, selects the audio input source to be embedded in the corresponding Audio Bus channel from the following choices:
Embedded Ch 1 thru Ch 16
AES Ch 1 thru Ch n
Flex Bus A thru P mixer sum node outputs
Downmixer L
Downmixer R
Silence
Audio DSP sources (route DSP output to card audio bus)
Note: • Audio DSP source choices depend on Audio DSP asset(s) being
enabled and position at input mixer (see Audio DSP Setup Controls (p. 3-36) for more information).
AES ports can be user-set as inputs or outputs using direction controls on AES Routing sub-tab. DIrection control(s) must be set as appropriate for AES ports to function as inputs or outputs as intended (see (p. 3-55)).
Provides audio down-mix audio routing selections that multiplexe s any five audio channel sources into a stereo pair.
Downmixer Controls
Downmixer Source Controls Left Channel Input thru Right Surround Channel Input select the five source channels to be used for the downmix.
Downmix channels Downmixer L and Downmixer R are available as sources for embedded audio channels using the Channel Source controls described above.
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Operating Instructions 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
(continued)
Center Mix Ratio Control Adjusts the attenuation ratio of center-channel content from 5-channel
Surround Mix Ratio Control Adjusts the attenuation ratio of surround-channel content from 5-channel
source that is re-applied as Lt and Rt content to the DM-L and DM-R stereo mix.
0 dB setting applies no ratiometric reduction. Center channel content is restored as in-phase center-channel content with no attenuation, making center-channel content more predominate in the overall mix.
Maximum attenuation setting (-80 dB) applies a -80 dB ratiometric reduction of center-channel content. Center-channel content is restored as in-phase center-channel content at a -80 dB ratio relative to overall level, making center-channel content less predominate in the overall mix.
(20 dB to -80 dB range in 0 dB steps; default = 0 dB) Note: Default setting is recommended to maintain center-channel
predominance in downmix representative to that of the original source 5-channel mix.
source that is re-applied as Lo and Ro content to the DM-L and DM-R stereo mix.
0 dB setting applies no ratiometric reduction. Surround-channel content is restored with no attenuation, making Lo and Ro content more predominate in the overall mix.
Maximum attenuation setting (-80 dB) applies a -80 dB ratiometric reduction of surround-channel content. Surround-channel content is restored at a -80 dB ratio relative to overall level, making surround-channel content less predominate in the overall mix.
(20 dB to -80 dB range in 0 dB steps; default = 0 dB) Note: Default setting is recommended to maintain surround-channel
predominance in downmix representative to that of the original source 5-channel mix.
Flex Mixer – Provides a 16-channel mixer in which each of the inputs can be mixed onto up to 16 independent output summing nodes. The input sources are the flex mix input channels. Each input channel has independent gain and mute controls.
Flex Mix Controls
Note: For each Flex Mix input channel, its source should be considered and appropriately set. Unused input channels should
be set to the Silence selection.
Flex Bus Input Channel Source/Bus
Assignment Gain
Bus Select
Source Select
9904-UDX-OM (V1.0J) 9904-UDX-4K PRODUCT MANUAL 3-51
Bus Select drop-down select the flex bus (A thru P) to which the source
will be applied.
Source Select drop-down selects a source channel to be applied to the
selected bus from the choices listed below.
Embedded Ch 1 thru Ch 16
AES Ch 1 thru Ch n
Silence
Also provides relative gain (in dB) control
(-80 to +20 dB range in 0.1 dB steps; unity = 0.0 dB)
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3 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
(continued)
In this example – three, 4-input mono mixers are provided by selecting Flex Mixer Bus A for the Flex Mix 1 thru Flex Mix 4 inputs, and Flex Mixer Bus B for the next four inputs, and so on as shown.
Emb Ch 1
Emb Ch 2
AES Ch 1
AES Ch 2
Flex Mix 1
Flex Mix 2
Flex Mix 3
Flex Mix 4
Flex Mix A
Flex Mix B
To Audio Input Routing
Emb Ch 1
Emb Ch 2
Emb Ch 3
Emb Ch 4
Emb Ch 5
Emb Ch 6
Emb Ch 11
Emb Ch 12
Emb Ch 13
Emb Ch 14
Emb Ch 15
Emb Ch 16
Flex Mix 1
Flex Mix 2
Flex Mix 3
Flex Mix 4
Flex Mix 5
Flex Mix 6
Flex Mix 7
Flex Mix 8
Flex Mix 9
Flex Mix 10
Flex Mix 11
Flex Mix 12
Flex Mix A
Flex Mix B
Flex Mix C
To Audio B Input Routing
In this example – two, 2-input mono mixers are provided by selecting Flex Mixer Bus A for the Flex Mix 1 and Flex Mix 2 inputs, and Flex Mixer Bus B for the next two inputs as shown.
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Operating Instructions 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
Audio Delay – Provides bulk (all four groups/master) and individual card audio bus channel delay offset controls and delay parametric displays.
Audio Delay Controls
Bulk (Master) Audio/Video Delay Control Bulk Delay control adds bulk (all four groups) audio delay from any video
Per-Channel Audio/Vi de o De la y Offset Controls
Offset control adds or reduces (offsets) channel audio delay from the matching video delay (audio delay offset setting adds or removes delay in addition to any delay included by other actions). This control is useful for correcting lip sync problems when video and audio paths in the chain experience differing overall delays.
(-800.0 to +800.0 msec range in 0.02 msec steps; null = 0.0 msec)
Delay Status shows current delay from video for the corresponding audio channel. Note: Maximum advance/delay offset is dependent on video format.
Where a Dolby pair is present, adjustment of either channel control results in a matching delay setting for the other channel in the pair.
delay (net audio delay offset setting adds delay in addition to any delay included by other actions). This control is useful for correcting lip sync problems when video and audio paths in the chain experience differing overall delays. (-33 to +3000 msec range in 0.01-msec steps; null = 0 msec).
Large rapid changes in bulk delay (> 500 msec) can result in momentary full-scale noise burst on output processed audio. This burst can damage monitors or other equipment if not considered. Gain on output should be reduced if
performing large adjustments to delay.
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3 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
Provides an audio crosspoint allowing the audio source selection for each embedded audio output channel. Also provides an output node Downmixer and Flex

Output Audio Routing/Controls

Mixer which can be applied to output program audio.
Note: Embedded Ch 2 thru Embedded Ch 16 have controls identical to those described here for Embedded Ch 1.
Therefore, only the Embedded Ch 1 controls are shown here.
For each channel, its source and destination should be considered and appropriately set. Unused destination
channels should be set to the Silence selection.
AES channel count depends on card hardware rev.
-Rev -E or later cards show AES Ch 1 thru AES Ch 16 where AES channels are shown and available on UI.
-Cards of lower rev show AES Ch 1 thru AES Ch 8 where AES channels are shown and available on UI.
Status
For each SDI embedded output pair, shows content presence and type
PCM indicates recognized PCM present.
Dolby D or Dolby E indicates Dolby non-PCM content is present, along
with line number.
Non-PCM indicates non-PCM content, along with line number.
Unlocked indicates no lock/content detected (as in cases where upstream
device has removed or not embedded any audio on the pair/group).
SDI Embedd e d Ou t p ut C h a nnel Source
Provides Gain, Phase Invert, and Muting controls and peak level meters for each embedded output channel. Using the drop-down list, selects the card audio bus source to be embedded in the corresponding embedded output channel from the following choices:
Card Audio Bus Ch 1 thru Ch 16
Audio DSP n sources (route DSP output to
card embedded output)
Flex Bus A thru P mixer sum node outputs
Downmixer L
Downmixer R
Silence
Note: Audio DSP source choices depend on
Audio DSP asset(s) being enabled and position at output mixer (see Audio DSP Setup Controls (p. 3-36) for more information).
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Operating Instructions 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
(continued)
AES Channel Source/Direction Controls
Using the drop-down list, selects the card audio bus source to be embedded in the corresponding AES output channel from the following choices:
Card Audio Bus Ch 1 thru Ch 16
Audio DSP n sources (route DSP output to card
embedded output)
Silence Note: Audio DSP source choices depend on Audio
DSP asset(s) being enabled and position at output mixer (see Audio DSP Setup Controls (p. 3-36) for more information).
Note: The Input / Output button (shown in Output mode here) sets four groups of AES ports (pairs of 8 channels) as all
outputs (de-embed selected card Audio Bus Channels to desired AES outputs), or sets four groups of AES ports (8
channels) as all inputs (embed desired AES port(s) to selected card Audio Bus Channels). (Card hardware versions earlier than -E show controls only for pairs 1 thru 8.)
Downmixer Source Control s Left Channel Input thru Right Surround Channel Input select the five
Center Mix Ratio Control Adjusts the attenuation ratio of center-channel content from 5-channel
source channels to be used for the downmix.
Downmix channels Downmixer L and Downmixer R are available as
sources for output audio channels using the Channel Source controls described above.
source that is re-applied as Lt and Rt content to the DM-L and DM-R stereo mix.
0 dB setting applies no ratiometric reduction. Center channel content is restored as in-phase center-channel content with no attenuation, making center-channel content more predominate in the overall mix.
Maximum attenuation setting (-80 dB) applies a -80 dB ratiometric reduction of center-channel content. Center-channel content is restored as in-phase center-channel content at a -80 dB ratio relative to overall level, making center-channel content less predominate in the overall mix.
(20 dB to -80 dB range in 0 dB steps; default = 0 dB) Note: Default setting is recommended to maintain center-channel
predominance in downmix representative to that of the original source 5-channel mix.
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Table 3-1 9904-UDX-4K Function Menu List continued
(continued)
Surround Mix Ratio Control Adjusts the attenuation ratio of surround-channel content from 5-channel source that is re-applied as Lo and Ro content to the DM-L and DM-R stereo mix.
0 dB setting applies no ratiometric reduction. Surround-channel content
is restored with no attenuation, making Lo and Ro content more predominate in the overall mix.
Maximum attenuation setting (-80 dB) applies a -80 dB ratiometric
reduction of surround-channel content. Surround-channel content is restored at a -80 dB ratio relative to overall level, making
surround-channel content less predominate in the overall mix. (20 dB to -80 dB range in 0 dB steps; default = 0 dB) Note: Default setting is recommended to maintain surround-channel
predominance in downmix representative to that of the original source 5-channel mix.
Flex Mixer – Provides a 16-channel mixer in which each of the inputs can be mixed onto up to 16 independent output summing nodes. The input sources are the flex mix input channels. Each input channel has independent gain and mute controls.
Flex Mix Controls
Note: For each Flex Mix input channel, its source should be considered and appropriately set. Unused input channels should
be set to the Silence selection.
Flex Bus Input Channel Source/Bus
Assignment Gain
Bus Select
Source Select
Bus Select drop-down select the flex bus (A thru P) to which the source
will be applied. Source Select drop-down selects a source channel to be applied to the
selected bus from the choices listed below.
Audio Bus Ch 1 thru Ch 16
AES Ch 1 thru Ch n
Silence
Also provides relative gain (in dB) control (-80 to +20 dB range in 0.1 dB steps; unity = 0.0 dB)
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Operating Instructions 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
(continued)
In this example – three, 4-input mono mixers are provided by selecting Flex Mixer Bus A for the Flex Mix 1 thru Flex Mix 4 inputs, and Flex Mixer Bus B for the next four inputs, and so on as shown.
Aud Bus Ch 1
Aud Bus Ch 2
Aud Bus Ch 3
Aud Bus Ch 4
Aud Bus Ch 5
Aud Bus Ch 6
Aud Bus Ch 11
Aud Bus Ch 12
Aud Bus Ch 13
Aud Bus Ch 14
Aud Bus Ch 15
Aud Bus Ch 16
Aud Bus Ch 1
Aud Bus Ch 2
AES Ch 1
AES Ch 2
Flex Mix 1
Flex Mix 2
Flex Mix 3
Flex Mix 4
Flex Mix 5
Flex Mix 6
Flex Mix 7
Flex Mix 8
Flex Mix 9
Flex Mix 10
Flex Mix 11
Flex Mix 12
Flex Mix A
Flex Mix B
Flex Mix C
To Audio Bus
Output Routing
SCPD2014-29
In this example – two, 2-input mono mixers are provided by selecting Flex Mixer Bus A for the Flex Mix 1 and Flex Mix 2 inputs, and Flex Mixer Bus B for the next two inputs as shown.
Flex Mix 1
Flex Mix 2
Flex Mix 3
Flex Mix 4
Flex Mix A
Flex Mix B
To Audio Bus
Output Routing
SCPD2014-29
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3 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
Provides GPI-triggered (Event) loading of user presets. Any combination of card settings can be nested within a preset. The preset can be automatically engaged when a defined GPI condition occurs.

User Events Setup Controls

GPI-based preset loading is not passive and can result in very significant and unexpected card control and signal processing changes if not properly used. If user event presets are not to be used, make certain controls described here are not set to invoke a preset.
Because preset loading can apply card control changes by invoking presets, loading conditions cannot be nested within a called preset (GPI-invoked loading settings performed here cannot be saved to presets, although the settings are persistent across power cycles).
A GPI Event trigger (GPI State) provides a trigger to invoke a card preset (Load Preset).
Event 1 thru Event 16 are arranged with Event 1 having the highest priority, descending down to Event 16. Where multiple event screening is enabled, lower-priority events are serviced first, with the highest-priority event being the final event serviced and last action taken. This helps ensure that a lower-priority event does not mask detection of higher-priority event(s).
The Status indicator and message shows the activation status of each Event. Green indicator means event is currently engaged.
Up to four GPI inputs (GPI 1 thru GPI 4) can be used and monitored. Engage action for each independent GPI is edge triggering (open>closed or closed>open). Logic combinations using multiple GPIs for a given preset load (Event 1-Event 16) are not supported.
In the example above, a GPI 1 open>closed trigger will invoke selected user preset 1 (in this case, 1: SDR-HDR User Profile 1”). Also in this example, a GPI 1 closed>open trigger will be used to exit the previously invoked preset and go to a new preset (in this case, 2: CLR User Profile 1 - Default”).
Note: • For an event to show Active Event (green indicator), a Load Preset must already be selected and present in the
drop-down. Events, even if true, will not be acknowledged unless a go-to event (selection other than No Action) is selected for the corresponding row.
Invoking of a preset via GPI is triggered upon start of event. Any event-based setup must be done in advance of the triggering event in order for event to be detected.
Loss of true conditions does not disengage an event-based triggering. Another GPI trigger must be tied to another preset and then occur to transition from one triggered preset t o another.
Time required to engage a triggered preset depends upon complexity of the called preset. (For example, a preset that invokes a video change will take longer to engage than a pres et involving on ly an audio ro uting change.)
Make certain all definable event conditions that the card might be expected to see are defined in any of the Event 1 thru Event 16 rows. This makes certain that the c ard will always have a def ined “go-to” action if a particular setup action is again needed.
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Operating Instructions 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
The Network Settings tab provides a dedicated Ethernet connection to card control and monitoring via a rear module Ethernet port. (This IP inte r fac e is entire ly

Network Settings Controls

Opening Fields for Editing
independent and separate from the cards DashBoard frame-based remote control/monitoring interface.)
Modify Network Settings button opens dialog field for setting network parameters.
Apply button comm its and applies the settings.
Cancel button exits dialog with no changes committed.
Card IP Physical Port Select Control Allows card dedicated IP interface (as set below) to use frame
Card IP Setup Controls Provides controls for setting up card dedicated IP interface.
NTP Clock Setup Allows device NTP clock IP source and localization. This is the clock/time
communications or dedicated rear I/O module Ethernet RJ-45 port.
Note: Frame net connection allows cards with per-card Ethernet
connection to connect with network via a shared frame Ethernet port instead of per-card dedicated Ethernet connectors on the cards rear module. Frame net connection is available only on certain frame models.
Card slot must be fitted with a rear I/O module equipped with an Ethernet connector in order to use Rear I/O selection.
Addressing Mode selsects either DHCP or static.
Where Static is selected, standard IP fields allow entry of Address,
Subnet Mask, and Default Gateway.
Where DHCP is selected, DNS Server address field is provided.
device will use for logs and other recorded actions.
NTP Source buttons allow selecting the network source that will provide NTP time.
NTP Server sets the IP address where NTP is to be obtained when Specify IP Address is checked.
Card Active IP Address Display Shows the connected (active) IP address the card is using (as set up using the controls described above).
Shows card serial number.

Admin

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Table 3-1 9904-UDX-4K Function Menu List continued
Allows user custom control settings to be saved in a Preset and then loaded (recalled) as desired, and

Presets

Preset Save / Select / Load Controls
provides a one-button restore of factory default settings.
Pressing Save Preset opens field for entering user-defined Preset Name for the preset being saved (in this example,
Profile 1A). Up to 128 individual presets can be saved.
Load Selected Preset button allows loading (recalling) the selected preset. When this button is pressed, the changes called out in the preset are immediately applied.
Clear Preset button deletes the currently selected preset.
Modify Preset button allows currently-selected preset to take
in current changed settings and nest the changes in the selected preset.
Restore Factory Defaults button allows loading (recalling) the factory default preset. When this button is pressed, the changes called out in the preset are immediately applied.
Download saves all individual presets to a .bin file to be downloaded to a connected computer.
Preset: drop-down allows a preset saved above to be selected to be loaded, modified or cleared. (In this example, custom preset 1: Profile 1A can be selected and then loaded, modified, or cleared by pressing the respective button.)
Preset Layer Select allows selecting a functional layer (or area of concern) that the preset is concerned with. Limiting presets to a layer or area of concern allows for highly specific presets, and masks changing card settings in areas outside of the layer or area of concern.
Selecting a layer will set the preset to only look at and touch the selected layer(s) settings and save these settings under the preset. When the preset is invoked (loaded), only the layer(s) selected when the preset was saved are “touched”.
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Operating Instructions 9904-UDX-4K Function Menu List and Descriptions
Table 3-1 9904-UDX-4K Function Menu List continued
(continued)
Download (save) card presets to a network
computer by clicking Download Presets – Save at the bottom of the Presets page.
Browse to a desired save location (in this example, My
Documents\Cobalt Presets).
The file can then be renamed if desired (RCVR21 Presets in this example) before committing the save.
Note:• Preset transfer between card download and file upload is on a group basis (i.e., individual presets cannot be downloaded
or uploaded separately).
After uploading a presets file, engagement of a desired preset is only assured by selecting and loading a desired preset as described above.
Upload (open) card presets from a network computer by clicking
Upload
at the bottom of DashBoard.
Browse to the location where the file was saved on the computer or drive (in this example, My Documents\Cobalt Presets). Select the desired file and click Open to load the file to the card.
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3 Troubleshooting

Troubleshooting

This section provides general troubleshooting information and specific symptom/corrective action for the 9904-UDX-4K card and its remote control interface. The 9904-UDX-4K card requires no periodic maintenance in its normal operation; if any er ror indi ca tion (as described in this sect ion) occurs, use this section to correct the condition.

Error and Failure Indicator Overview

The 9904-UDX-4K card itself and its remote control systems all (to varying degrees) provide error and failure indications. Depending on how the 9904-UDX-4K card is being used (i.e, standalone or network controlled through DashBoard or a Remote Contro l Panel), check all available indicatio ns in the event of an error o r failure co ndition.
The various 9904-UDX-4K card and remote control error and failure indicators are individually described below.
Note: The descriptions below provide general information for the various status and
error indicators. For specific failures, also use the appropriate subsection listed below.
Basic Troubleshooting Checks (p. 3-63)
Troubleshooting Network/Remote Control Errors (p. 3-65)
In Case of Problems (p. 3-65)
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Operating Instructions Troubleshooting
DashBoard Status/Error Indicators and Displays
Figure 3-5 shows and describes the DashBoard status indicators and displays. These indicator icons and displays show status and error conditions relating to the 9904-UDX-4K card itself and remote (network) communications.
Indicator Icon or Display Error Description
Red indicator icon in Card Access/Navigation Tree pane shows card with Error condition (in this example, the Card Access/Navigation Tree pane shows a general error issued by the 9904-UDX-4K card in slot 6).
Specific errors are displayed in the Card Info pane (in this example No connection to device indicating 9904-UDX-4K card is not connecting to frame/LAN).
Gray indicator icon in Card Access/Navigation Tree pane shows card(s) are not being seen by DashBoard due to lack of connection to frame LAN (in this example, both a 9904-UDX-4K card in slot 6 and the MFC-8320-N Network Controller Card for its frame in slot 0 are not being seen).
Figure 3-5 DashBoard™ Status Indicator Icons and Displays

Basic Troubleshooting Checks

Failures of a general nature (affecting many cards and/or functions simultaneously), or gross inoperability errors are best addressed first by performing basic checks before proceeding further. Table 3-2 provides basic system checks that typically locate the source of most general problems. If required and applicable, perform further troubleshooting in accordance with the other troubleshooting tables in this section.
Yellow indicator icon in Card Access/Navigation Tree pane shows card with Alert condition (in this example, the Card Access/Navigation Tree pane shows a general alert issued by the MFC-8320-N Network Controller Card).
Clicking the card slot position in the Card Access/Navigation Tree (in this example Network Controller Card Slot 0: MFC-8320-N) opens the Card Info pane for the selected card. In this example, a Fan Door Open specific error is displayed.
Yellow indicator icon in 9904-UDX-4K Card Info pane shows error alert, along with cause for alert (in this example, the 9904-UDX-4K is not receiving an SDI input on SDI IN 1).
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3 Troubleshooting
Table 3-2 Basic Troubleshooting Checks
Item Checks
Verify pow er presence and characteristics
Check Cable connection secureness and connecting points
Card seating within slots Make certain all cards are properly seated within its frame slot. (It is best to
Check status indicators and displays
On both the frame Network Controller Card and the 9904-UDX-4K, in all cases when power is being properly supplied there is always at least one indicator illuminated. Any card showing no illuminated indicators should be cause for concern.
Check the Power Consumed indication for the 9904-UDX-4K card. This can be observed using the DashBoard Card Info pane.
If display shows no power being consumed, either the frame power supply, connections, or the 9904-UDX-4K card itself is defective.
If display shows excessive power being consumed (see Technical Specifications (p. 1-15) in Chapter 1, “Introduction”), the 9904-UDX-4K card may be defective.
Make certain all cable connections are fully secure (including coaxial cable attachment to cable ferrules on coaxial connectors). Also, make certain all connecting points are as intended. Make certain the selected connecting points correlate to the intended card inputs and/or outputs. Cabling mistakes are especially easy to make when working with large I/O modules.
assure proper seating by ejecting the card and reseating it again.) On both DashBoard and the 9904-UDX-4K card edge indicators, red
indications signify an error condition. If a status indicator signifies an error, proceed to the following tables in this section for further action.
Troubleshoot by substitution
All cards within the frame can be hot-swapped, replacing a suspect card or module with a known-good item.
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Operating Instructions Troubleshooting

Troubleshooting Network/Remote Control Errors

Refer to Cobalt® reference guide Remote Control User Guide (PN 9000RCS-RM) for network/remote control troubleshooting information.

In Case of Problems

Contact and Return Authorization
Should any problem arise with this product that was not solved by the information in this section, please contact the Cobalt Digital Inc. Technical Support Department.
If required, a Return Material Authorizatio n num ber (RMA) will be issued to you, as well as specific shipping instructions. If required, a temporary replacement item will be made available at a nominal charge. Any shipping costs incur r ed are the customers responsibility. All products shipped to you from Cobalt Digital Inc. will be shipp ed collect.
The Cobalt Digital Inc. Technical Support Department will continue to provide advice on any product manufactured by Cobalt Digital Inc., beyond the warranty period without charge, for the life of the product.
See Contact Cobalt Digi tal Inc. (p. 1-19) in Chapter 1, “Introduction“ for contact information.
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Cobalt Digital Inc.
2506 Galen Drive Champaign, IL 61821 Voice 217.344.1243 Fax 217.344.1245 www.cobaltdigital.com
9904-UDX-OM (V1.0J) Printed in USA
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