CLOUD VMA240, VMA120 VMA_Series_Datasheet_EN_v1.1.pdf

VMA CONTRACTOR SERIES MIXER-AMPLIFIERS
MODELS: VMA120, VMA240
General Description
The Cloud VMA120 and VMA240 are cost-effective mixer-ampliers
for use in all types of commercial premises. They have been designed to be as simple to install and operate as possible, but offer
a useful range of features and conguration options.
The units are mono power ampliers combined with a simple
mixer stage. The two models are identical in terms of facilities, and differ only in the maximum power output available – 120 W or 240 W respectively. They may be used to drive either low-impedance loudspeakers directly (4 ohms minimum) or 25/70/100 V-line loudspeaker distribution systems. The two different types of speaker system cannot be driven simultaneously. A high-
pass lter, selectable by internal jumper, minimises the effect of
transformer saturation at low frequencies when driving 25/70/100 V-line systems.
The units have four stereo line inputs (typically for connection of music sources), including an AUX input in the form of a 3.5 mm
jack socket on the front panel to permit the easy connection of
laptops, tablets and similar devices. Two balanced microphone inputs are also provided: phantom power is available at each,
selectable by internal jumper. A high-pass lter for each mic input may also be selected by internal jumper: this reduces the effects
of handling and breath noise. All mic and line inputs (except the
AUX input) have a preset-type gain control adjacent to the input
connectors on the rear panel.
The front panel has rotary controls for line input selection, music
level, the level of each mic input, and LF/HF EQ adjustment for
the summed mic inputs. Two switches enable priority options: one allows the mic inputs to have priority over music sources to permit announcements, the other gives one line input priority over all
others: this is useful for connecting a jukebox or message store, for
example. Two further switches enable/disable each mic input. The front panel controls also include a master level control and HF/LF
EQ adjustment for the main output.
VMA120 illustrated: Model VMA240 is identical
The rear panel has a music mute control input which can be used
to mute all music sources in an emergency: an internal jumper
allows this to also mute the mic inputs if wished. There is also a
balanced auxiliary output to allow additional power ampliers to be
slaved.
VMA Series: main features:
Industrial quality mixer-ampliers
Power output: 120 W/channel (VMA120) or 240 W/channel (VMA240)
Outputs suitable for either low-impedance (min. 4 ohm) or 25/70/100 V-line systems
Four stereo unbalanced line inputs (3 x RCA jack pairs,
1 x 3.5 mm TRS jack on front panel)
Rear panel line inputs have individual gain controls
Two balanced mic inputs (1 x multipin connector, 1 x ¼” TRS
jack), with individual preset gain controls
Front panel controls for mic and music levels, line input selection, mic EQ, master level and EQ
Mic input mute switches on front panel
Line 1 priority, enabled by front panel switch
Mic-over-music priority, enabled by front panel switch
15 V phantom power available at either mic input (selected by
internal jumper)
100 Hz high-pass lter on each mic input (selected by internal jumper)
70 Hz high-pass lter in output stage, for use with 25/70/100 V-line systems
Fixed limiter – prevents clipping
Front panel LED bargraph – indicates output signal level
Over-temperature and output DC protection
230 V or 115 V operation
Forced-air cooling
Block Diagram
0V
8Ω
RED
BLK
(OPTIONAL)LOW-Z OUTPUT
100V
70V
25V
0V
BLK
RED
(FACTORY) HI-Z OUTPUT
120W
LIMITER
-
+
ZONE AUX OUT
DISCONNECT RED/WHITE 2-WIRE MATING CONNECTOR
TO CABLE TO OUTPUTS FOR LOW IMPEDANCE OUTPUTS
FROM AMPLIFIER MODULE TO TRANSFORMER, THEN REFIT
PRI
LINE 1
MUTE
MUSIC
LINE 1
DETECT
PRIORITY
J100
HIGH PASS
LEVEL
MASTER
MUTE
MIC
DUCKING
70 Hz
EQ
MASTER
MIC
MIC
PRI
DETECT
PRIORITY
J203
LEVEL
100 Hz
MIC
J201
JP1
APPLY MUTE
EQ
TO MICS
MUTE
LEVEL
100 Hz
FILTER
J201/J203
HIGH PASS
MICROPHONE
J1 PRIORITY
TRIGGER PRE/POST
GAIN
LINE 1
SOURCE
LINE 2
SELECTION
GAIN
LINE 3
GAIN
AUX IN
GAIN
J205
J202
++
MIC 1
J204
J200
++
MIC 2
GAIN
TRIGGER
PRIORITY
J204/J205
PRE/POST
+15V
POWER
J202/J200
PHANTOM
Technical Specications
Line Inputs
Frequency Response 20 Hz to 20 kHz, ±1 dB Gain range 0 dBu to +20 dBu Input impedance 47 kohms Noise <-82 dB (22 kHz bandwidth) Equalisation LF: ±10 dB @ 50 Hz HF: ±10 dB @ 10 kHz
Microphone Inputs
Frequency Response -3 dB @100 Hz (xed lter) to 20 kHz, ±1 dB Gain range 2.45 mV (-50dBu) to 245 mV (-10 dBu) Input Impedance 3.3 kohms (balanced) Phantom Power 15 V, switchable per-input by jumpers Noise (EIN) -125 dBu (20 Hz to 22 kHz bandwidth, max gain, Rs = 150 ohms) Equalisation LF: ±10 dB @ 100 Hz; HF: ±10 dB @ 5 kHz
Main Output
Output Power (1 kHz continuous sine wave)
Minimum load
Frequency response
THD + N < 0.08% @ 1 kHz Protection Fixed level signal limiter: DC and over-temperature protection
Auxiliary Output
Nominal output level 0 dBu (0.775 Vrms), balanced Noise <-82 dB, 22 kHz bandwidth
General
Power input Selectable 115 VAC or 230 VAC, ±10%; 45 – 65 Hz
Fuse details 5 x 20 mm, time delay
Normal operating temperature
Cooling Forced air cooling, 80 mm dia. fan; airow front-to-back
Power Consumption
Heat Loss
Dimensions (W x H x D)
Weights
VMA120 120 watts VMA240 240 watts Low-Z output 4 ohms
VMA120 5.2 ohms VMA240 2.6 ohms VMA120 41 ohms VMA240 20 ohms VMA120 83 ohms VMA240 41 ohms
High-Z output
25 V-line
70 V-line
100 V-line
Low-Z output 20 Hz to 20 kHz, ±1 dB High-Z output 20 Hz to 20 kHz, ±1 dB (70 Hz lter off)
230 V models 2 A 115 V models 4 A
0 °C to 35 °C
(Note: performance and specications cannot be guaranteed outside of this range)
2
Idle
1/8th Power
1/3rd Power
Idle
1/8th Power
1/3rd Power
3
4
2
3
4
Net
Shipping (Gross)
Net
Shipping (Gross)
VMA120 13.5 W (19.2 VA) VMA240 15.5 W (20.5 VA) VMA120 88.6 W (119.7 VA) VMA240 188.5 W (251.3 VA) VMA120 136.5 W (177.7 W) VMA240 252.1 W (330 VA) VMA120 48.7 KJ/hr (46.1 BTU/hr) VMA240 55.8 KJ/hr (52.9 BTU/hr) VMA120 276 KJ/hr (262 BTU/hr) VMA240 548 KJ/hr (519 BTU/hr) VMA120 407 KJ/hr (386 BTU/hr) VMA240 665 KJ/hr (630 BTU/hr)
482.6 mm x 88 mm (2U) x 267 mm 19” x 3.5” (2U) x 10.5”
535 mm x 185 mm x 350 mm
21.1” x 7.3” x 13.8” VMA120 7.9 kg / 17.7 lbs VMA240 9.6 kg (22.2 lbs) VMA120 8.7 kg / 19.5 lbs VMA240 10.5 kg (23.5 lbs)
Notes re Power Consumption and Heat Loss measurements:
All measurements at 230 VAC 50 Hz power input
1. Idle: amplier active, but no audio output
2. 1/8th. Power: constant sound level at one-eighth maximum rated output per channel (audio mainly clean, only occasional clipping)
3. 1/3rd. Power: constant sound level at one-third maximum rated output per channel (audio beginning to become compressed, limited or heavily clipped)
Dimensions
88 mm
482.6 mm
263.5 mm
SIDE VIEW
427 mm
87 mm
Performance Graphs
+14
+12
+10
+8
+6
+4
+2
d B r
-0
A
-2
-4
-6
-8
-10
-12
-14
20 20k50 100 200 500 1k 2k 5k 10k
Hz
+20
+15
+10
+5
+0
-5
d
B
r
-10
A
-15
-20
-25
-30
-35
-40 20
50 100 200 500 1k 2k 5k
65 Hz lter ON
20k
10k
4.8
4.6
4.4
4.2
3.8
3.6
3.4
3.2
2.8
2.6
%
2.4
2.2
1.8
1.6
1.4
1.2
0.8
0.6
0.4
0.2
Main EQ
5
4
3
2
1
20
THD + Noise
Frequency response
+10
+7.5
+5
+2.5
+0
-2.5
-5
-7.5
-10
-12.5
d
-15
B
-17.5
r
-20
A
-22.5
-25
-27.5
-30
-32.5
-35
-37.5
-40
-42.5
-45
-47.5
100 200
50
1k
500
Hz
2k 5k 10k
20k
20
100 200
50
1k 2k 5k 10k
500
Hz
20k
Mic frequency response
Architect’s and Engineer’s Specication
The mono mixer-amplier shall be equipped with four unbalanced
stereo music inputs: three of these shall be on phono sockets
(RCA jacks) and one on a 3.5 mm 3-pole jack socket which shall be accessible from the front of the unit. The mixer-amplier shall
have two balanced microphone inputs on detachable multipin connectors. The music input to be used shall be selected by a four-position front panel rotary switch. The two mic inputs shall be mixed to a mono signal and summed with a mono (L+R) sum of the selected music input. Each mic input shall have its own front panel level control. It shall be possible to control the level of the music source independently of the mic levels. Each music input and each mic input shall also have a rear panel gain control: the front panel music input need not meet this requirement. Two-band equalisation
adjustment shall be provided on the front panel for the summed
microphone signals. The front panel shall also be provided with a master level control and two-band equalisation: these controls shall
affect the nal mixed output. Visual indication of output signal level shall be provided on the front panel by not less than ve LEDs: the
LEDs indicating the two highest levels shall be orange and red, the remainder shall be green.
15 V phantom power shall be available at each microphone input: this shall be selectable for each input by moving internal PCB
jumpers. Each microphone input shall have a simple high-pass lter
to remove frequencies below 100 Hz: this shall be selectable for
each input by moving internal PCB jumpers. Each microphone input
shall be provided with a front panel switch to enable/disable the input: the switch shall be internally illuminated when the mic input is active.
Front panel switches shall congure the mixer-amplier to perform
the following functions: i) detection of a signal on any mic input will automatically reduce the music level by approximately 30dB, ii) detection of a signal at one line input will automatically override all others, even if unselected. The switches shall be internally illuminated when the priority function is enabled. An external control input shall be provided to allow muting of the music
source by a re alarm or other external emergency system. It shall
be possible to additionally mute the microphone inputs by this
command input by moving an internal PCB jumper.
The mixer-amplier shall be available in two models with different
output powers of 120 W or 240 W, measured into a four ohm
load. The mixer-amplier shall be capable of driving either low
impedance (four ohms or higher) loads, or 100 V-line, 70 V-line or
25 V-line line systems via an internal transformer tted as standard.
It shall not be possible to use both types of output simultaneously. The 100 V, 70 V and 25 V transformer outputs shall be available on a rear panel output connector of the detachable multipin type, shrouded by a screw-attached safety cover. The low impedance output shall be available on a separate detachable multipin connector.
A switchable high-pass lter shall be tted to each channel to
remove LF content below 70 Hz (-3 dB) to minimise transformer
saturation in 100/70/25 V-line systems; this lter shall be by­passable by moving an internal jumper. A xed limiter circuit shall
shall operate in such a manner that it is not possible for clipping
to occur in the output stage. The amplier shall also incorporate
protection circuitry that isolates the output in the event of
DC being detected at the amplier output or if the internal
temperature exceeds a safe operating level.
The mixer-amplier shall be equipped with a balanced line level output from the pre-amplier stages: this shall use a detachable
multipin connector on the rear panel.
The mixer-amplier shall be built in a 2U steel chassis for mounting
in a standard 19” rack. Temperature-controlled forced-air fan
cooling with front-to-rear airow shall be employed. The front panel shall be tted with a mechanically latching mains power switch and there shall be visual indication of the amplier’s active
status.
It shall be possible to specify either version of the amplier to
operate from an AC mains supply voltage of 115 V or 230 V, with a tolerance of +/-10% applying to both voltages.
The mixer-ampliers shall be the Cloud VMA120 (120 W output)
and the Cloud VMA240 (240 W output).
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