Cloud MA80FT Installation And User Manual

MA80FT
Mini Amplier
MIC
LINE 2LINE 1
MA80FT
80W MIXER AMPLIFIER
PEAKSTATUS MUTE
dBOFF 10 -10 +10 -10 +10OFF 10OFF 10
LEVEL
MUSIC EQ
Installation and User Guide
MA80FT Installation and User Guide v1.1
dB
1
WARNING:
To reduce the risk of re or electric shock, do not expose this appliance to rain or
moisture.
WARNING: SHOCK HAZARD – DO NOT OPEN
AVIS: RISQUE DE CHOC ELECTRIQUE – NE PAS OUVRIR
The lightning ash with the arrowhead symbol within an equilateral triangle, is intended to alert you to the presence of uninsulated dangerous voltages within the product’s enclosure that may be of sufcient magnitude to constitute a risk of electric
shock.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
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IMPORTANT SAFETY INSTRUCTIONS
1. Read these Instructions.
2. Keep these Instructions.
3. Heed all Warnings.
4. Follow all Instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in accordance with the
manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including ampliers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding - type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. When the provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specied by the manufacturer.
12. Use only with the cart, stand, tripod, bracket or table specied by
the manufacturer or sold with the apparatus, when a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualied service personnel. Servicing is required when the
apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
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Do not expose the apparatus to dripping or splashing, and ensure that no objects lled with water, such as vases, are placed on the apparatus.
L’appareil ne doit pas être exposé aux écoulements ou aux éclaboussures et aucun objet ne contenant de liquide, tel qu’un vase, ne doit être placé sur l’objet.
The mains plug is used as the disconnect device and it should remain readily accessible during intended use. In order to isolate the apparatus from the mains, the mains plug should be completely removed from the mains outlet socket.
La prise du secteur ne doit pas être obstruée ou doit être facilement accessible pendant son utilisation. Pour être complètement déconnecté de l’alimentation d’entrée, la prise doit être débranchée du secteur.
Terminals marked with the symbol may use Class 2 Wiring, but voltages at these terminals may be of sufcient magnitude to constitute a risk of electric shock. The external wiring connected to these terminals requires installation by an instructed person or the use of pre-made leads or cords.
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EU Declaration of Conformity
DATE OF ISSUE: 27th September 2018
MANUFACTURER: Cloud Electronics Limited
ADDRESS: 140 Staniforth Rd,
Sheffield,
S9 3HF. UK
PRODUCT NAMES: MA80EK, MA80NA, MA80AUS MA80FTEK, MA80FTNA, MA80FTAUS
MA80EEK, MA80ENA, MA80EAUS
PRODUCT TYPE: Mini Mixer Amplifier
Cloud Electronics Ltd declare under our sole responsibility that the listed products comply with the requirements set out in the Council Directive 2014/35/EU for electrical equipment used within certain voltage limits or Low Voltage Directive (LVD); and with the requirements of directive 2014/30/EU for Electromagnetic Compatibility (EMC); and the CE Marking Directive 93/68/EEC & RoHS2 Directive
2011/65/EU
For the evaluation of the compliance with these directives the following standards were applied:
Directive 2014/35/EU (electrical equipment designed to be used within certain voltage limits); Test Specification(s): BS EN62368-1:2014
Directive 2014/30/EU (electromagnetic compatibility); Test Specification(s): BS EN55035:2017 (Immunity)
BS EN55032:2015 (Emissions) BS EN61000-3-2:2014 (Harmonics)
Cloud Electronics Ltd declare that the products produced under its brand name are designed and manufactured as professional audio products and therefore outside of the intended scope of the European Commission Regulations (EC) 1275/2008 of 17 2005/32/EC of the European Parliament and of the Council with regards eco-design requirements for STANDBY and OFF mode electric power consumption of electrical and office equipment.
Place and Date Issued: Cloud Electronics Limited, 27
th
Dec 2008 implementing Directive
th
September 2018.
Simon Curtis, Managing Director
REACH Directive; it’s expected that our suppliers and business partners be aware of their obligations under REACH. Given those conditions, our current products are exempt from REACH pre-registration and later registration activities. We provide a separate EU Reduction of Hazardous Substances document for our RoHS compliant products.
The W EEE directive (2002/96/EC) places an obligation on all manufacturers and importers, trading in the EU, to take back electronic products at the end of their life. Cloud Electronics Ltd accepts the responsibility to finance the cost of disposing of such products. All our products are marked with the WEEE symbol; this indicates that these products must NOT be disposed of with other waste.
This document may not be changed or copied without authorisation
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The Cloud MA80FT Mini Amplier has been designed to meet the relevant provisions of the US Environmental Protection Agency’s ENERGY STAR® Program.
The ENERGY STAR Program exists to identify products that contribute to the saving of energy and the reduction of harmful emissions, thereby both saving you money and protecting the environment.
ENERGY STAR certication is your assurance that this product is energy efcient. You can verify its inclusion in the ENERGY STAR Program at
https://www.energystar.gov/productnder/product/certied-audio-video/results
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CONTENTS
IMPORTANT SAFETY INSTRUCTIONS ................................................................ 3
SAFETY INFORMATION ......................................................................................... 9
Safety Notes regarding Installation.......................................................................... 9
Conformities .................................................................................................................... 9
RoHS and WEEE declaration .................................................................................10
Safety Considerations and Information ................................................................11
Caution – High Voltage .........................................................................................11
Caution - Mains Fuse .............................................................................................11
Servicing ......................................................................................................................11
OVERVIEW ............................................................................................................. 12
Introduction ...................................................................................................................12
Applicable Models ........................................................................................................12
MA80FT main features ...............................................................................................13
What’s in the Box .........................................................................................................14
BLOCK DIAGRAM .................................................................................................. 15
FRONT PANEL DESCRIPTION ............................................................................. 16
REAR PANEL DESCRIPTION ................................................................................. 17
Installation.............................................................................................................19
Mechanical .....................................................................................................................19
Ventilation ......................................................................................................................20
Connections and adjustments..................................................................................21
Line inputs ..................................................................................................................21
Sensitivity & Gain Control ..................................................................................22
Music Level and EQ control ................................................................................22
Line 1 Priority ..........................................................................................................22
Mic inputs .......................................................................................................................23
Balanced input...........................................................................................................23
Hi-Z input ...................................................................................................................24
Mic gain adjustment ................................................................................................26
Microphone level control .......................................................................................26
Paging control and mic priority ...........................................................................26
Output .............................................................................................................................28
Lo-Z output ................................................................................................................28
Connecting to 25/70/100 V-line systems ........................................................29
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Auxiliary Output .......................................................................................................30
Facility Port ................................................................................................................31
Connecting an LM-2 or BT-1 ..............................................................................32
Connecting an RL or RSL Series remote control plate ...............................33
Using the Facility Port as an auxiliary input .................................................34
Music Mute Input .....................................................................................................35
Auto Power Down ....................................................................................................35
Appendix ................................................................................................................36
PCB layout diagram .....................................................................................................36
Table of internal jumpers and default settings ...............................................37
Summary of rear panel DIP switch functions ......................................................38
Troubleshooting – STATUS LED indications ........................................................39
Fault resolution .........................................................................................................39
EMC considerations .....................................................................................................40
Earthing .......................................................................................................................40
Technical specications .............................................................................................41
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SAFETY INFORMATION
Safety Notes regarding Installation
Do not expose the unit to water or moisture.
Do not expose the unit to naked ames.
Do not block or restrict any air vent.
Do not operate the unit in ambient temperatures above 35°C.
Do not touch any part or terminal carrying the hazardous live symbol while
power is supplied to the unit.
Do not perform any internal adjustments unless you are qualied to do so and fully understand the hazards associated with mains-operated equipment.
The unit has no user-serviceable parts. Refer servicing to qualied service personnel.
If the moulded plug is cut off the AC power lead for any reason, the discarded plug is a potential hazard and should be disposed of in a responsible manner.
Conformities
This product conforms to the following European EMC Standards:
BS EN 55035:2017 (Immunity)
BS EN 55032:2015 (Emissions)
BS EN 6100-3-2:2-14 (Harmonics)
This product has been tested for use in commercial and light industrial environments. If the equipment is used in controlled EMC environments, the urban outdoors, heavy industrial environments or close to railways, transmitters, overhead power lines etc. the performance of the unit may be degraded.
The product conforms to the following European electrical safety standard:
BS EN 62368-1:2014
This product is designed to be compliant with the relevant provisions of
ENERGY STAR® Eligibility Criteria Ver 3.0 for Audio-Video products.
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RoHS and WEEE declaration
Cloud Electronics Limited manages its business and collaborates with its suppliers to comply with the European Union restriction of the use of certain hazardous substances in electrical and electronic equipment, RoHS Directive (2002/95/EC), that came into force on 1st July 2006, and similar restrictions in other jurisdictions.
The “crossed out wheelie bin” symbol on the product and represented here is there to remind users of the obligation of selective collection of waste. This label is applied to various products to indicate that the product is not to be thrown away as unsorted municipal waste. At the
end of life, dispose of this product by returning it to the point of sale or to your local municipal collection point for recycling of electric and electronic devices.
Customer participation is important to minimize the potential effects on the environment and human health that can result from hazardous substances that may be contained in this product.
Please dispose of this product and its packaging in accordance with local and national disposal regulations, including those governing the recovery and recycling of waste electrical and electronic equipment. Contact your local waste administration, waste collection company or dealer.
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Safety Considerations and Information
The MA80FT amplier must be earthed. Ensure that the mains power supply provides an effective earth connection using a three-wire termination.
Caution – High Voltage
Do not touch any part or terminal carrying the hazardous live symbol while power is applied to the unit. Terminals to which the hazardous live symbol refers require installation by a qualied person.
Caution - Mains Fuse
The internal PSU contains no user-replaceable fuses. Mains over-current protection is provided by the fuse in the AC mains plug, which should be rated at 5 A.
Servicing
The unit contains no user serviceable parts. Refer servicing to qualied service personnel. Do not perform servicing unless you are qualied to do so. Disconnect the power cable from the unit before removing the top panel and do not make any internal adjustments with the unit switched on. Only reassemble the unit using either the original bolts/screws, or ones identical to the original parts.
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OVERVIEW
Introduction
The MA80FT is a very compact mono amplier designed for integration into audio and AV systems where de-centralised installation is advantageous. It is intended as as an “install-and-forget” component, and is small enough to be tted into wall or ceiling voids or in any convenient location adjacent to projectors, at screen displays or loudspeakers. A simple set of controls and conguration options makes it easy to integrate into any audio system. It is highly suitable for use with in­store digital signage, gallery and museum exhibits and xed or mobile tour guide
systems.
The MA80FT can deliver 80 W (mono) into a 4 ohm load, but also includes an output transformer, enabling it to drive 100 V, 70 V or 25 V-line loudspeaker systems. It has two unbalanced stereo inputs for line level signals (typically music sources) and a balanced mic input for paging/announcement use. An alternative mic input allows the amplier to be fed with paging/announcements from a 100/70/25 V-line loudspeaker system. Front panel controls are provided for line input levels, microphone level and music EQ. There are also various preset-type controls and conguration DIP switches on the rear panel, and jumpers mounted internally on the main PCB. A Cloud LM-2 Series remote input module or RL Series remote level control can be wired to the amplier’s Facility Port, which can also be used as an additional line input.
Applicable Models
This Installation and User Guide describes the installation and operation of the following model:
Cloud MA80FT 80 W mono amplier for 4 ohm loudspeakers and
100/70/25 V-line loudspeaker systems
NOTE: Amplier models MA80 and MA80E are NOT covered by this Guide, and when installing either of these models, reference should only be made to the Guides specic to them.
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MA80FT main features
Two unbalanced stereo line inputs with individual gain trims
Electronically-balanced mic input with separate gain control
12 V phantom power selectable by internal jumper
Front panel control of music level and mic levels
HF & LF EQ adjustments for music sources
Rear panel HF & LF EQ for mic input
MIC input congurable for direct connection to 100/70/25 V-line system:
allows MA80FT to receive announcements from main building PA/VA system
100/70/25 V-line input can be routed to LINE 2 for integration with existing
background music system
MIC input can be used with paging mics
Paging congurable as automatic voice-over-music (VOX mode) or contact
closure via access port
Selectable LINE 1-over-LINE 2 priority
Facility port for connection of LM-2 remote mic/line input module via
screened Cat 5 cable; also allows remote control of music level
80 W power amplier with both low-impedance output (4 ohms) and high
impedance output via internal transformer, for driving 100/70/25 V-line
systems
Music Mute control input (N/O or N/C) for interfacing to an emergency
system
65 Hz high-pass lter automatically enabled for 100/70/25 V-line operation
Optional EQ cards available to suit various popular installation loudspeakers
Automatic power-down function (user-selectable)
Less than 1 W power consumption in sleep mode
Convection cooled – silent in operation
Power requirements: 100 to 240 V AC, 50 to 60 Hz
Available Options:
LM-2 remote mic/line input module with music volume control
BT-1 Bluetooth wireless audio input module
RL Series remote control plates for music volume
RSL Series remote control plates for Line 1/Line 2 selection and music volume
20 mm Flexible Conduit Adaptor Kit (Warepart CA947034) for permanent
installations: replaces IEC receptacle
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What’s in the Box
Please check the shipping carton for damage before opening. If there is damage, please contact your Cloud agent and the shippers.
The packing carton should contain the following items:
MA80FT amplier
IEC mains lead (AC cord) with moulded plug appropriate to the territory
Set of mating plug-in screw-terminal connectors
Set of four self-adhesive polyurethane feet
This manual
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BLOCK DIAGRAM
70V/100V
LINE 2
GAIN
LEVEL
REMOTE
/LOCAL
PRIORITY
LINE 1
LEVEL
LINE 1
GAIN
CONFIGURED AS LINE 2
(INTERNAL JUMPER)
HI-Z INPUT CAN BE
LEVEL
100Hz
EQ &
MIC
GAIN
25V
INTERNAL JUMPERS
ENABLE VIA
PAGING ACCESS
PORT
FACILITY
GATE
AUDIO
FACILITY
RSL-6
(INTERNAL JUMPER)
EQ BYPASS
OUTPUT
FACILITY
+
-
BALANCED
AUXILIARY
LEVEL
SOURCE
AUDIO
GATE
PRIORITY
VCA
MIC
AUDIO
LINE
MUSIC
EQ
MIC
65Hz
PROTECTION
DYNAMIC
CLIP
80W
COM
25V
PROTECT
100V
70V
MIC AUDIO
LOW OR HIGH Z
OUTPUT
SPEAKER
OUTPUT
70V / 100V
COM
4Ω
25V
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FRONT PANEL DESCRIPTION
16 7 8 2 3 4 5
MA80FT
80W MIXER AMPLIFIER
MIC
PEAKSTATUS MUTE
LINE 2LINE 1
LEVEL
HFLF
dBOFF 10 -10 +10 -10 +10OFF 10OFF 10
dB
MUSIC EQ
LEVEL controls:
1. MIC – sets volume of signal at the PAGE/MIC input.
2. LINE 1– adjusts volume of signal at LINE 1 input.
3. LINE 2 – adjusts volume of signal at LINE 2 input.
MUSIC EQ controls:
4. LF – LF EQ adjustment of music channel: +/-10 dB @ 100 Hz
5. HF – HF EQ adjustment of music channel: +/-10 dB @ 5 kHz
6. STATUS – bi-colour LED: illuminates as follows:
steady green - active
steady red – sleep (APD) mode
ashing green – fault condition (over-temperature, speaker wiring error
or over-current); power-cycle to clear
ashing red – fault condition (DC protection triggered); power-cycle to clear
Please see “Troubleshooting – STATUS LED indications” on page 39 for a full description of the above modes.
7. MUTE – red LED: illuminates when the MUSIC MUTE function is active
8. PEAK – red LED: illuminates if the amplier’s dynamic clip protection becomes
active
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REAR PANEL DESCRIPTION
1 1421346
HI-Z SPKR IN
PAGE/MIC INPUT
dB
GAIN
PAGING ACCESS
-
25V
0 0
+50+10
0V
PA
70/
-
100V
-
1: MIC / PAGE MODE 2: MIC / PAGE PRIORITY 3: ACCESS / VOX PRIORITY 4: LINE 1 PRIORITY 5: LOCAL / REMOTE 6: SPKR OUT: HI-Z / 4Ω
LF0HF
-10 dB dB
+
MIC
SETTINGS
0
+10-10+10
5 3 7 8 9 101112
1. LINE 1 and LINE 2 – stereo line inputs for music sources (unbalanced).
2. Gain adjustment– preset level trim control (+/-10 dB) for each line input.
3. MIC – balanced mic input.
4. HI-Z SPKR IN – alternative high-voltage input, for connection to
100/70/25-V line speaker systems.
5. PAGING ACCESS – for external contacts when mic input is con gured for
paging.
6. PAGE MIC/INPUT GAIN – preset gain control for mic input; range +10 to
+50 dB (10 to 20 dB with Hi-Z input selected).
7. LF – LF EQ adjustment of mic signal: +/-10 dB @ 100 Hz.
LINE INPUTS
L R0V
0
OFF
OFF
ACC
-10dB+10
LOC
MIC
LINE 1
HI
0
LINE 2
-10dB+10
REM
VOX
ON
ON
PG
4Ω
L R0V
FACILITY
PORT
USE CAT.5 SHIELDED
CABLE
MUSIC
MUTE
CONNECT
ISOLATED
RELAY
AUX
SPEAKER
OUT
OUTPUT
EQ BYPASS
OUTPUT RATING:
100V
TO
AVAILABLE
70V
80W
COM
25V
4Ω
DANGER
HIGH VOLTAGE
THIS UNIT MUST BE EARTHED
2.1A 50 - 60 Hz
100-240V AC
-
+
231
8. HF – HF EQ adjustment of mic signal: +/-10 dB @ 5 kHz.
9. FACILITY PORT – RJ45 socket for connection of remote input/control modules
such as the LM-2 and BT-1; it is also possible to connect an RL-1 or RSL-6 remote control plate to this port.
10. SPEAKER OUTPUT – speaker output for low-impedance circuits or 100/70/25 V-line loudspeaker system.
11. AUX OUT – balanced line level output from pre-ampli er stage; post-EQ by default, may be selected to pre-EQ by internal jumper.
12. MUSIC MUTE – connect to external N/O or N/C contacts for remote muting of music sources.
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13. SETTINGS – six-pole DIP switch for setting various amplier congurations:
SWITCH FUNCTION
1 MIC mode – congures MIC input for paging use
2 Enables mic-over-music priority
3 Selects paging priority mode – VOX or ACC (ACC = contact closure)
4 Enables LINE 1-over-LINE 2 priority
5
Enables remote control functions of Facility Port and disables front panel LINE level controls
6 Selects speaker output for low or high impedance use
See “Summary of rear panel DIP switch functions” on page 38 in the Appendix section for full details.
14. Power input – standard IEC receptacle for AC mains, voltage range 100 to 240 V, 50/60 Hz. May be replaced by the 20 mm Flexible Conduit Adaptor Kit (Warepart CA947034) for installations where it is desirable for the amplier to be permanently connected to the mains supply.
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INSTALLATION
Mechanical
The compact size and light weight of the MA80FT combined with its high energy efciency allows it to be installed in almost any location. It can be easily placed in ceiling or wall voids, or tted to the rear of display screens or loudspeaker cabinets.
The amplier has mounting anges with keyhole slots to permit it to be secured on a horizontal or vertical at surface.
10 mm
0.4"
4.3"
109.2 mm
10 mm
0.4"
DO NOT TOUCH TERMINALS MARKED WITH
THE HAZARDOUS LIVE SYMBOL ( )
CONNECTIONS TO TERMINALS MARKED AS
HAZARDOUS LIVE SHOULD ONLY BE MADE BY
DO NOT REMOVE THE TOP PANEL UNLESS YOU FULLY UNDERSTAND THE HAZARDS
INVOLVED WITH MAINS POWERED EQUIPMENT
A QUALIFIED PERSON
290 mm
11.4"
80W MIXER AMPLIFIER
CLOUD ELECTRONICS LIMITED
SHEFFIELD S9 3HF ENGLAND
MADE IN UK
10 mm
0.4"
25.4 mm
180 mm
1"
If using the MA80FT in a free-standing situation, the self-adhesive feet (supplied with each amplier) should be tted. The amplier should always be stood on a at surface. Care should be exercised in selecting a location for a free-standing unit, which should allow ventilation but be clear of any liquid or similar hazard.
7.1"
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Ventilation
The amplier uses natural convection cooling, and care should be taken to locate it where airow is unrestricted (e.g., not under ceiling insulation material). Consideration should also be given to ease of access, should the operational conguration or audio levels need adjustment after installation.
In free-standing installations, always t the polyurethane feet supplied, and do not stand any other items on top of the unit.
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Connections and adjustments
Line inputs
The amplier has two stereo line inputs 1, each of which is mixed internally to mono; these inputs are suitable for most music sources such as computer line outputs, satellite receivers and CD/DVD players.
The inputs are unbalanced and use 3-pin 3.5 mm-pitch screw terminal connectors. The connectors should be wired as follows:
AUDIO
SOURCE 1
AUDIO
SOURCE 2
RIGHT CHANNEL
LEFT CHANNEL
LINE 1
0V LR
LINE 2
LEFT CHANNEL
RIGHT CHANNEL
Unless a Cloud remote control plate or module such as the RSL-6 or LM-2 is in use, the two line inputs are summed together internally, though Line input 1 can be congured to have priority over Line input 2, see “Hi-Z input” on page 24.
Line input 2 may alternatively receive its signal from the high-impedance microphone input 4. This is achieved by moving an internal jumper. See “Hi-Z input” on page 24 for more details.
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Sensitivity & Gain Control
Each of the stereo line inputs has an input impedance of 10 kohms and a preset type gain control 2 on the rear panel adjacent to the input connector. The gain controls have a range of 20 dB allowing the input sensitivity to be varied from
-12 dBu to +8 dBu (0 dBu = 0.775 Vrms). The gain controls should be set so that
the input sources in use do not distort, and the front panel level controls 2 and
3
have a useful range.
Music Level and EQ control
The front panel LINE 1 and LINE 2 controls 2 and 3 should be adjusted during installation to set the volume of the audio sources. The line inputs are summed post the level controls (hereafter referred to as the “music channel”); equalisation can be applied using the front panel LF and HF controls 4 and 5, which can apply a cut or boost of up to 10 dB at 50 Hz and 10 kHz respectively. Adjust the EQ controls to suit the audio programme material being used, the speaker characteristics and the room acoustics. If the programme material includes speech, the EQ should be adjusted for best intelligibility
If the line input levels are set too high, the amplier’s dynamic protection will activate to prevent clipping and the front panel PEAK LED 8 will illuminate to indicate this. Note that this LED also indicates an excessive mic signal level.
Line 1 Priority
When both line inputs are in use, one audio source can be given automatic priority over the other by connecting it to Line 1 input and setting rear panel SETTINGS DIP switch 4 (LINE 1 PRIORITY) to ON. This is a useful facility when a Digital Sound Store, jukebox, emergency announcement system or similar source forms part of the audio system.
When Line 1 Priority is enabled, the amplier will route the input signal at Line 2 normally until a signal is detected at Line 1’s input. When this happens, it switches its music source automatically to Line 1. Once the signal at Line 1 stops (e.g., when an announcement nishes), Line 2’s source will smoothly restore to its former level over approx. 3 seconds.
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Mic inputs
The MA80FT has a single microphone channel, enabling it to be used for paging or announcements. By default, the mic channel is independent and is simply mixed with the summed line inputs. The mic channel can be recongured so that it operates as a standard Cloud-type paging input, with selectable mic-over-line priority and triggering by either contact closure or automatic signal detection. It is then compatible with paging microphones using zone selection by contact­closure such as the Cloud PM range, including the PM1 single-zone microphone. See “Paging control and mic priority” on page 26 for more details.
The mic channel has two separate physical inputs: a standard balanced input and a high-level transformer-isolated input for connection to 100/70/25 V-line systems. Both inputs, and the connections for paging access, are on the 2 x 5-pin 3.5 mm­pitch screw terminal connector PAGE/MIC INPUT.
IMPORTANT: Cloud recommend that no attempt is made to use both the balanced and high-voltage inputs.
The microphone signal path includes a xed high-pass lter. This attenuates the response below 100 Hz, which helps to reduce the effects of microphone handling noise.
Balanced input
The MA80FT’s microphone pre-amplier is an electronically balanced, transformer­less design congured for optimum low noise performance. The input impedance is greater than 2 kohms and is suitable for microphones in the 200 ohm to 600 ohm range. The connector uses three pins of the lower 5-pin 3.5 mm-pitch screw terminal type on the rear panel 3. Use the wiring shown below.
HI-Z SPKR IN
0 – 25V
0V -PA +
70/
0 – 100V
COLDSCREEN
HOT
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12 V phantom power is available at the mic input, and is activated by setting internal jumper J6 to the ON position. See page 37 for further information regarding the internal jumpers. Care should be taken to ensure that phantom power is activated only when the microphone connected to the input requires it – i.e., a capacitor or electret type; other types of microphones (such as dynamic) may be damaged if a DC voltage is applied to them.
Hi-Z input
The MA80FT is provided with an second, alternative input, which by default is routed to the mic channel when selected. This is a high impedance, transformer­isolated input which can be connected directly to a 25 V-line, 70 V-line or 100 V-line loudspeaker system. When congured in this way, the mic input can be used to route paging announcements from a building-wide PA or PA/VA system into the area covered by the MA80FT.
The high-voltage input is enabled by moving internal PCB jumpers J8, J9 and J10. All three jumpers must be moved together. See “PCB layout diagram” on page 36 for details of jumper locations.
The high-voltage input may alternatively be routed internally to the music channel, where it replaces Line Input 2. This means the MA80FT can be fed, for example, with background music from a 25/70/100 V-line system, allowing it to be fully integrated with an existing building system. It also allows the music level may be controlled remotely in the same way as when Line Inputs 1 and 2 are used for music sources. The internal routing of the Hi-Z input - to the mic channel or Line 2 - is determined by internal jumpers J2 and J3. The factory default is for the high-voltage input to be routed to the mic channel: moving the jumpers will route it to the music channel. Both jumpers must be moved together. See page 36 for details of jumper locations.
Note that when the high-voltage input is enabled, the balanced mic input 3 will be disconnected; if J2 and J3 are moved to the LINE 2 position, Line Input 2 1 will also be disconnected.
To use the high-voltage input, connect a 25 V-line system feed to the 0-25V line input, or a 70 V-line or 100 V-line system feed to the 0-70/100V input , as shown below. The Hi-Z input uses four pins of the upper 5-pin section of the connector.
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HI-Z SPKR IN
0 – 25V
0 – 100V
HI-Z SPKR IN
70/
0 – 25V
0 – 100V
70/
0V -PA +
Connection to
25 V-line system
0V -PA +
Connection to 70 V-line
or 100 V-line system
Note that the 70/100 V input is suitable for use with either 70 V-line or 100 V-line
systems.
Do not make any connections to the unused high-voltage input (i.e., either 0-25V or 0-70/100V).
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Mic gain adjustment
The mic input has a preset gain control (PAGE/MIC INPUT GAIN 6) adjacent to the input connector. This is operative whichever of the two mic inputs is in use, though with different gain ranges:
• Normal mic input - gain range 40 dB, from 10 dB to 50 dB
• Hi-Z input – gain range 10 dB, from 10 dB to 20 dB
Note that the GAIN control is still operative when the Hi-Z input is routed internally to Line 2 by moving jumpers J2 and J3.
Microphone level control
A front panel level control 1 is provided for the mic channel and this provides the user with a means of adjusting the volume of the microphone, or the announcements from a PA/VA system if the 25/70/100 V-line inputs are in use. The rear panel gain control 6 should be set at a level where distortion does not occur even when the front panel level control is fully clockwise. If the mic level is set too high, the front-panel PEAK LED 8 will illuminate. Note that this LED also indicates excessive music level.
Paging control and mic priority
The microphone channel can be recongured to operate as a paging input with SETTINGS DIP switches 1, 2 and 3.
For normal (non-paging) operation, all three switches should be in the ‘up’ position. The priority functions operate as described below whichever of the two mic inputs is in use (balanced or Hi-Z).
Switch 1 – MIC/PAGE MODE: in the MIC position (switch up), the mic input operates as a standard microphone input. In this mode, DIP switch 3 (ACCESS/ VOX PRIORITY) is disabled. In the PG position (switch down), the mic input operates as a typical Cloud paging input and DIP switch 3 is enabled. In PAGE mode, the Paging Access contacts will need to be shorted in order for the mic input to become active.
Switch 2 – MIC/PAGE PRIORITY: set to ON (switch down) to enable Mic-over-Line priority. This can be selected in both MIC and PAGE modes, i.e., regardless of the setting of DIP switch 1. The priority function will mute both LINE and FACILITY inputs. In MIC mode the priority trigger is always VOX; in PAGE mode the priority can be either by access contacts or VOX mode, as selected by DIP switch 3.
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Switch 3 – ACCESS/VOX PRIORITY: this switch is only enabled when DIP switch 1 is set to PG. When DIP switch 3 is set to ACC (switch up), contact closure priority triggering is selected: a short circuit at the Paging Access connector 5 will trigger priority (see below for wiring details), muting any line input signals and enabling the mic input. With the switch down, VOX mode is selected: a signal at the mic input will automatically trigger priority. In order for VOX mode to operate when DIP switch 1 is ON (‘PAGE’), the two pins of the Paging Access connector must be shorted together.
The Paging Access control input is on two pins (PA and 0V) of the lower section of the PAGE/MIC input connector 5. The Paging Access input provides compatibility with “contact-closure” paging microphones. In PAGE mode, the microphone input is muted as long as the pins of the access connector are open-circuit. When the pins are connected together, the mic input becomes active.
CONTACT CLOSURE
(e.g., “Press-to-Talk” switch on paging mic) ACTIVATES PAGING
Balanced mic input
HI-Z SPKR IN
0 – 25V
0V -PA +
SCREEN
0 – 100V
70/
COLD
HOT
In either VOX or ACC mode, the music signal is faded back up after the announcement is complete over a period of approx. 3 seconds.
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Output
The power amplier stage is fully protected against DC offset, PSU and amplier over-current, and is also thermally protected. Activation of the protection circuitry shuts the power amplier stage down until the fault condition clears. All protection conditions will automatically self-clear if the amplier is power-cycled. A switch­on delay function mutes the output during power-up and power-down to protect loudspeakers.
The MA80FT has both a low impedance output (4 ohms) and a high voltage output for 25/70/100 V-line speaker systems. Both outputs are available on the 4-pin 5 mm-pitch screw-terminal SPEAKER OUTPUT connector 10.
Only one of the two output options can be used at a time. The output type is selected with SETTINGS DIP switch 6: select 4Ω (switch down) for low impedance operation or HI (switch up) for 25/70/100 V-line operation. The switch is set to HI at the factory: set it to the down position if the amplier is to be use with low impedance loudspeakers.
Lo-Z output
The MA80FT can deliver its rated power of 80 W into a 4 ohm load. When using multiple low-impedance loudspeakers (generally 8 ohms) with a single amplier, series and parallel wiring should be employed to produce a total load impedance of not less than 4 ohms.
The low impedance output is available on pins 1 and 2 of the SPEAKER OUTPUT connector:
COM 4 25V
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100V
70V
+
Lo-Z loudspeaker
-
Connecting to 25/70/100 V-line systems
COM 4 25V
100V
70V
Lo-Z loudspeaker
+
-
The MA80FT is tted with an internal transformer enabling it to directly drive 100 V, 70 V or 25 V-line loudspeaker systems. The power amplier stage is rated at 80 W.
Connect to a 100 V-line or 70 V-line speaker system by wiring pins 1 and 4 of the SPEAKER OUTPUT connector. The selection between 70 V and 100 V operation is made by moving the connector on an internal ying lead from one 4-pin header to another. The two connectors are adjacent to the toroidal output transformer and are marked CON3 for 100 V operation and CON4 for 70 V operation. See “PCB layout diagram” on page 36 for locations of the headers.
Units shipped to Europe will be factory-set to 100 V, and units shipped to the US and Canada will be factory-set to 70 V: a tick box above pin 4 of the SPEAKER OUTPUT connector will be marked accordingly to conrm the internal connection.
Connect to a 25 V-line speaker system by wiring pins 1 and 3 of the SPEAKER OUTPUT connector. The 25 V-line output will operate correctly regardless of the internal selection of CON3 or CON4.
100V
70V
4
COM
COM 4 25V
25V
25 V-line speaker
system
+
-
100V
70V
70 V-line or 100 V-line
speaker system
+
-
When driving 25/70/100V-line loudspeaker systems there is a risk of transformer core saturation at high levels and low frequencies, which can produce distortion. To prevent this, the MA80FT’s output stage is provided with a 65 Hz high-pass lter, which is automatically placed in circuit when SETTINGS DIP switch 6 (SPKR OUT: HI-Z/4Ω) is set to HI.
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Auxiliary Output
The amplier is provided with an Auxiliary Output, AUX OUT 11. This may be used to drive an additional amplier, for recording, or any other purpose where system “expansion” is required. The connector is a 3-pin, 3.5 mm-pitch screw terminal type.
The signal at the Auxiliary Output is balanced and at line level, and can thus be used to drive most external equipment directly. The wiring is as follows:
132
scn
cold (-)
OUTPUT: BALANCED
CONNECTION
132
scn
(DON’T CONNECT PIN 2)
OUTPUT: UNBALANCED
hot (+)
hot (+)
CONNECTION
The “out-of-the-box” factory default source for the Auxiliary Output is taken from the input to the power amplier stage, and will thus consist of the same mix of line and mic inputs, and will be affected by both Line 1 and Mic Priorities. However, it will not be subject to the action of either the 65 Hz high-pass lter or the power stage’s dynamic clip protection.
This means that by default the source is derived “post” the front panel MUSIC EQ controls. In some installations, it may be desirable to ensure that the EQ controls only affect the output to the loudspeakers connected to the amplier’s main output and not the Auxiliary Output as well. This can be achieved by moving internal PCB jumper J9 from ROOM (post-EQ) to FLAT (pre-EQ). See page 36 for details of PCB jumper locations.
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Facility Port
The MA80FT amplier is provided with a FACILITY PORT in the form of a rear panel RJ45 connector 9. The primary use of the Facility Port is for the connection of an LM-2 or BT-1 remote active module, but it may also be used to connect RL and RSL Series remote control plates, or as a general-purpose auxiliary balanced input (see “Using the Facility Port as an auxiliary input” on page 34 for more information on this application).
The active modules operate from DC power supplied by the MA80FT. The current consumed by each module is minimal and in the vast majority of installations there will be no power supply issues.
IMPORTANT: In order for the remote control functions on an LM-2 module or an RL/RSL Series plate to operate, SETTINGS DIP switch 5 (LOCAL/REMOTE) must be set to REM (switch down). This will disable the front panel LINE 1 and LINE 2 controls, and control of line level and/or LINE 1/LINE 2 selection will be available from the remote module or plate. DIP switch 5 should be left set to LOC (switch up) when a BT-1 is connected to the Facility Port.
The pinout of the Facility Port connector is given in the table below:
PIN USE Cat 5 CORE*
1 Audio ‘cold’ phase (-) White + Orange
2 Audio ‘hot’ phase (+) Orange
3 Priority VCA control White + Green
4 + 12 V Blue
5 0 V White + Blue
6 -12 V Green
Music level control
7
(0 to 10 V)
Music source select
8
control (0 to 10 V)
SCN
* Standard wiring for pre-made cables
GND ref for system
music controls
White + Brown
Brown
Connector shell
1
8
8
8
1
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31
Connecting an LM-2 or BT-1
MIC LEVEL
MUSIC LEVEL
6
4
3
2
5
1
MIC INPUT
6
5
7
4
8
9
3
2
10
1
0
0
LINE INPUT
3
MIC
PRIORITY
4
2
5
6
1
6
5
7
4
8
9
3
2
10
1
0
LM-2
7
8
9
10
The LM-2 is an active input module which allows a microphone and a stereo line input in a remote location to be connected to the MA80FT. The module also includes the functions of a Cloud RSL-6 Remote Control Plate, which allows remote control of the MA80FT’s music level and selection of Line 1 or Line 2 as the music source.
The BT-1 is a Bluetooth remote audio input module which enables compatible portable devices such as laptops, tablets and smartphones to stream audio wirelessly to the module, and thus into the audio system of the area where the module is installed.
NOTE: The MA80FT is only compatible with the BT-1F variant of the BT-1: do not attempt to connect variant BT-1E.
The LM-2 or BT-1 should be connected to the MA80FT’s FACILITY PORT using screened Cat 5 cable. (Note that as the cable carries analogue audio, only screened Cat 5 should be used.) The LM-2 includes controls for local music level and source selection, the wiring for these functions being catered for on the Facility Port. The maximum total Cat 5 cable length should not exceed 100 m.
STATUS
PUSH
- -
TO PAIR
2s 5s
LM-2: The LM-2’s upper PCB is tted with an RJ45 connector labelled OUTPUT. Connect this to the FACILITY PORT using screened Cat 5 cable with screened RJ45s at each end. Follow the colour coding shown in the table on page 31. The metal screening of the connectors should be bonded to the screen of the cable. Full details can be found in the LM-2 Installation Guide.
Before the LM-2’s music source and level controls will operate, set SETTINGS DIP switch 5 to REM (switch down). In this setting, the front panel LINE 1 and LINE 2 controls become inoperative. Positions 3 to 6 on the LM-2’s Music Source switch have no function on the MA80FT; selecting these positions will effectively mute both line inputs.
BT-1: Connect the RJ45 socket on the rear of the BT-1 to the MA80FT’s FACILITY PORT with screened Cat 5 cable and shielded RJ45 plugs. Full details can be found
in the BT-1 Installation Guide.
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Connecting an RL or RSL Series remote control plate
123
FACILITY PORT (RJ45)
123
REMOTE LEVEL CONTROL WIRING
RL-1
Screened Cat 5 cable
456
7
8
WHITE + BROWN
WHITE +
BROWN
SCREEN
SCREEN
IGNORE ALL
OTHER CORES
The MA80FT amplier is also compatible with standard Cloud remote control plates of the RSL Series (music source select and level), and RL Series (level only). The MA80FT differs from most other Cloud products in that it does not have a dedicated 3-pin “Remote Control” port: RL and RSL Series plates must instead be connected to the Facility Port 9. This is most easily accomplished by using screened Cat 5 cable between the MA80FT and the remote control plate, but only connecting the one (or two) cores concerned with the remote control functions (see page 31), plus the screen, to the plate.
REMOTE LEVEL CONTROL WIRING
FACILITY PORT (RJ45)
7
8
456
RL-1
123
WHITE + BROWN
123
BROWN
WHITE +
SCREEN
IGNORE ALL
OTHER CORES
123
RSL-4 or
RSL-6
SCREEN
Screened Cat 5 cable
SCREEN
REMOTE SOURCE & LEVEL CONTROL WIRING
BROWN
Screened Cat 5 cable
IGNORE ALL
OTHER CORES
FACILITY PORT (RJ45)
456
123
SCREEN
WHITE + BROWN
7
8
WHITE + BROWN
BROWN
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Using the Facility Port as an auxiliary input
The Facility Port provides a balanced audio input. If a port is not connected to a remote input module or remote control plate, it may be used as an additional, balanced line input. The signal applied at the Facility Port is mixed with the other inputs (LINE 1, LINE 2 and MIC), but has no independent level control on the amplier; the signal level must be adjusted at the source. If Mic-over-Line priority is enabled (see “Paging control and mic priority” on page 26), a line input at the Facility Port will be muted in the same way as LINE 1 and LINE 2.
Connect an external balanced source to the Facility Port as shown below:
1
2
3
hot (+)
cold (-)
BALANCED
OUTPUT (e.g., XLR)
Twin-core screened cable
hot (+)
FACILITY PORT (RJ45)
cold (-)
1
8
8
1
1
2
3
4
5
6
7
8
1
8
An unbalanced source may also be connected; the use of a balancing transformer is recommended.
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Music Mute Input
External muting of music may be commanded through the MUSIC MUTE connector
12
. National or Local Authority regulations governing installed audio systems may require that normal programme material (i.e., music) should be muted in an emergency, to ensure that any evacuation messages are clearly audible. When active, it mutes all line inputs (including that at the Facility Port), leaving the microphone input active.
The Music Mute input is on a 2-pin 5 mm-pitch screw-terminal connector. It should be connected to the appropriate alarm output on whichever building management system registers the alarm (typically the Fire System). The alarm output must be volt-free; if no such output is available, an intermediate relay or other isolation device must be installed between the alarm output and the Music Mute input.
The Music Mute input can be set to operate on either normally open (N/O) or normally closed (N/C) contacts via internal jumper J1 (see “PCB layout diagram” on page 36). The factory default setting is N/O, thus requiring a short-circuit to be applied across the two pins of the connector for muting to occur.
REMOTE MUSIC MUTE TERMINATIONS
RELAY
NORMALLY OPEN (NO)
CONNECTION
MUSIC MUTE
INPUT
12
RELAY
NORMALLY CLOSED (NC)
CONNECTION
MUSIC MUTE
INPUT
12
Auto Power Down
The MA80FT is an extremely energy-efcient amplier, but can be made even more so by enabling the Auto Power-Down feature. When active, the signal level is constantly monitored and if no input signals are measured for 15 minutes the amplier enters a “Sleep” mode, minimising power consumption. If a signal is detected while the channel is in this mode, the amplier “wakes up” in less than 300 ms.
The MA80FT is shipped with the Auto Power Down function disabled. It may be enabled by moving internal PCB jumper J5. See “PCB layout diagram” on page 36 for details of jumper locations.
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APPENDIX
PCB layout diagram
To access the internal PCB, disconnect the amplier from its AC power source* and remove the six screws securing the top cover; remove the cover.
PSU
DO NOT FIT
A JUMPER
J4
HERE
J5
J6
J7
OFF ON
ROOM FLAT
ONLY
MOVE ALL
THREE
TOGETHER
(SUB-
BOARD)
MIC LINEMIC LINE
ON
ON
ON
OFF
OFF
J8
J9
OFF
J10
J3J2
ONLY
MOVE AS A
PAIR
REAR OF UNIT
NO NC
CON3CON4
J1
NOT TO SCALE.
ONLY PRIMARY COMPONENTS SHOWN
AC INPUT
*Note that if the optional conduit adaptor plate has been tted, replacing the IEC receptacle, this may necessitate isolating the mains circuit to which the amplier is connected.
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Table of internal jumpers and default settings
JUMPER PURPOSE OPTIONS DEFAULT REMARKS
Motherboard jumpers (lower PCB):
J1 Music Mute N/O or N/C N/O
J2
J3
J6 12 V Mic
J7
Sub-board jumpers (upper PCB):
J4
J5 Auto Power
J8
J9
J10
Hi-Z input internal routing
phantom power
Auxiliary output source
Down
Hi-Z input enable
MIC: Mic channel LINE: Music channel (LINE 2)
ON/OFF
Room: source is post-front panel EQ Flat: Source is pre-front panel EQ
For factory use only
Present: APD disabled Absent: APD enabled
OFF: Hi-Z input disabled ON: Hi-Z input enabled, routing determined by J2/J3
Mic channel
OFF
Room (front panel EQ affects Aux out)
Present (APD disabled)
OFF
J2 and J3 must be moved together
Do not t a jumper here
J8, J9 and J10 must all be moved together
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Summary of rear panel DIP switch functions
DIP SWITCH POSITION FUNCTION
1 MIC/PAGE
MODE
2 MIC/PAGE
PRIORITY
3 ACCESS/
VOX PRIORITY
4 LINE 1
PRIORITY
5 LOCAL/
REMOTE
6 SPKR OUT:
HI-Z/4Ω
OFF = MIC MODE
(MIC)
ON = PAGE MODE (PG)
OFF = PRIORITY
OFF (OFF)
ON = PRIORITY ON (ON)
OFF = ACCESS
(ACC)
OFF = VOX (VOX) A signal at the PAGE/MIC input will trigger mic-over-line
OFF = PRIORITY
OFF (OFF)
ON = PRIORITY ON (ON)
OFF = LOCAL
(LOC)
ON = REMOTE (REM)
OFF = HI
ON = 4Ω
Both PAGE/MIC inputs function as standard microphone inputs, including GAIN and LEVEL controls. DIP switch 3 is disabled.
Both PAGE/MIC inputs function as typical Cloud paging inputs. DIP switch 3 is enabled.
The mic signal is mixed with the line inputs according to the front panel LEVEL controls.
The mic signal will take priority over the line inputs (including the Facility Port), which will be muted while the mic is in use. Priority triggering will be determined by the settings of DIP switches 1 and 3: with switch 1 in PAGE mode, priority triggering is set by DIP switch 3.
The PA and 0V pins of the PAGE/MIC connector must be shorted together to enable the mic input and mute the line inputs.
priority and mute the line inputs. The PA and 0V pins of the PAGE/MIC connector must be permanently shorted together for VOX operation in PAGE mode (disabled in MIC mode).
In LOCAL mode (ref SW5), the signals at LINE 1 and LINE 2 are mixed together. In REMOTE mode, LINE 1 or LINE 2 is selected by the MUSIC SOURCE switch on an RSL plate or LM-2 module connected to the Facility Port.
A signal at LINE 1 input has priority over that at LINE 2: LINE 2 is automatically muted.
The levels of LINE 1 and LINE 2 input signals are controlled by the two front panel LEVEL controls. The two inputs are mixed together.
The two front panel LEVEL controls (LINE 1 and LINE 2) are disabled. The summed line input level is controlled by the level control on the remote plate or module connected at the Facility Port. If an RSL Series plate or LM-2 module is in use, the Music Source control can select either LINE 1 and LINE 2.
The amplier output stage is congured for high voltage operation and the 65 Hz hi-pass lter enabled; the 4Ω pin of the SPEAKER OUTPUT connector is disconnected.
The amplier output stage is congured for low impedance operation; the 25V and 70V/100V pins of the SPEAKER OUTPUT connector are disconnected.
Note: default settings are in BOLD text.
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Troubleshooting – STATUS LED indications
The MA80FT is well protected against errors in speaker wiring and other inappropriate operating conditions. The speaker output is monitored for excessively low impedance (i.e., a short circuit) and for the presence of DC. The internal temperature of the amplier’s power stage is also monitored.
In the event of any of the pre-dened safety conditions being exceeded, the amplier will enter Protection mode, and will cease passing audio. In this case, the cause of the problem should be investigated and resolved (see below) and the amplier power-cycled to exit Protection mode.
The front panel STATUS LED 6 provides information about the amplier’s current state and will ash if Protection mode has been triggered.
INDICATION STATUS CAUSE
Steady green Normal No fault – normal operation
Steady red APD Mode Standby mode (if enabled)
Flashing green
Flashing red DC detected at output terminals
Protection Mode
Fault resolution
Over- temperature (STATUS LED ashes green):
Check that the amplier has sufcient airow around the casing (e.g., it is not covered by ceiling insulation material or similar), and that the ambient temperature at the amplier location is not above +40°C. Power-cycle the amplier to cancel Protection mode.
Over-temperature sensed or over-current protection triggered
Over-current protection (STATUS LED ashes green):
Over-current protection will be triggered if the load at the output terminals is low enough for the amplier’s 80 W rating to be exceeded. This includes the possibility of a short-circuit. The amplier needs to have an input signal and the level control(s) turned up for this protection to operate. Investigate the output wiring and check for a faulty loudspeaker. Power-cycle the amplier to cancel Protection mode.
DC protection (STATUS LED ashes red):
DC protection will be triggered if one of the speaker terminals is shorted to ground. Check the loudspeaker wiring. It can also be triggered when the input signal contains high amplitude, low frequency components, such as may be caused by clicks and
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pops from other connected equipment. Check the rear panel GAIN 2 and 6 and front panel LEVEL 1 to 3 controls are not set too high. Power-cycle the amplier to cancel Protection mode.
EMC considerations
The MA80FT amplier fully conforms to the relevant electromagnetic compatibility (EMC) standards and is technically well behaved. You should experience no problems interfacing units to other items of equipment and under normal circumstances, no special precautions need to be taken. If the unit is to be used in close proximity to potential sources of HF disturbance such as high power communication transmitters, radar stations and the like, it is suggested that input signal leads be kept as short as possible. Always use balanced interconnections wherever possible. We recommend that the MA80FT amplier is not located in close proximity to a high-power amplier or similar item of equipment, which may radiate a strong magnetic eld from its power transformer.
Earthing
When several mains powered units are connected together via their signal cables, there is a risk of one or more earth loops which may cause an audible hum on the system even with the gain controls set to minimum. The 0 V rail of an MA80FT amplier is directly coupled to the chassis ground. No interconnection problems should be encountered, but if there is any hum or other extraneous noise when source equipment is connected, the situation can generally be remedied by observing the following guidelines:Always connect sources using balanced connections wherever possible. Note that, for EMC reasons, the cable screen should be connected at both ends.
1. Always connect sources using balanced connections wherever possible. Note
that, for EMC reasons, the cable screen should be connected at both ends.
2. Use audio isolating transformers (readily available from trade suppliers) at the
inputs if necessary. These will ensure that the amplier is electrically isolated from the source equipment.
3. The signal source units should be located as close as possible to the amplier.
The metal housing of the various units should not be electrically connected. Try to ensure that all interconnected units, including power ampliers are connected to a common power source to ensure a common ground is provided.
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Technical specications
LINE INPUTS
Frequency Response +/-1 dB, 20 Hz to 20 kHz
THD+N <0.05% @ 1 kHz, full power (22 kHz bandwidth)
Sensitivity -12 dBu to +8 dBu (195 mV to 2.0 V)
Input Gain Control 20 dB range
Input Impedance 47 kohms
Headroom 16 dB
Noise <-90 dB rms (22 kHz bandwidth)
Music Equalisation LF: +/-10 dB @ 50 Hz, HF: +/-10 dB @ 10 kHz
MICROPHONE INPUT
Frequency Response -3 dB @ 100 Hz (xed lter) to 20 kHz +/-1 dB
THD + N <0.05% @ 1 kHz, full power (22 kHz bandwidth)
Sensitivity -50 dBu to -10 dBu (2.45 mV to 245 mV)
Input Gain Control 10 dB to 50 dB
Input Impedance 3.3 kohms (balanced)
Headroom 16 dB
Noise (EIN) -127 dB, 22 Hz to 22 kHz (Rs = 150 ohms)
Common mode rejection 70 dB typical
Phantom Power 12 V (internal jumper)
Mic Equalisation LF: +/-10 dB @ 100 Hz, HF: +/-10 dB @ 5 kHz
HI-Z INPUT
Frequency Response
Input Gain Control 10 dB to 20 dB
Noise <88 dB rms (22 kHz bandwidth)
FACILITY INPUT
Frequency Response +/-1 dB 20 Hz to 20 kHz
Sensitivity 0.775 V (0 dBu)
Input Impedance 10 kohms (balanced)
Headroom 18 dB
Noise Gate -60 dBu
Via Mic i/p -3 dB @ 100 Hz (xed lter) to 20 kHz +/-1 dB
via Line 2 i/p +/-1 dB, 20 Hz to 20 kHz
MA80FT Installation and User Guide v1.1
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MAIN OUTPUT
Output Power (1 kHz continuous sine wave)
Lo-Z Output Minimum load 4 ohms
Frequency Response
Hi-Z Output Minimum load 100 V: 125 ohms; 70 V: 62 ohms; 25 V: 7.8 ohms
Frequency Response
THD + N <0.05% @ 1 kHz, full power (22 kHz bandwidth)
Amplier protection Fixed level signal limiter
80 W
+/-1 dB 20 Hz to 20 kHz
-3 dB @ 65 Hz (lter), -1.5 dB @ 20 kHz
Protection against DC, PSU overcurrent, amplier overcurrent, over-temperature. Resettable internal breaker (no fuses)
AUXILIARY OUTPUT
Max output level 0 dBu (0.775 V)
GENERAL
Power Input Universal type, 85 V to 264 V, 47 to 63 Hz
Power consumption Standby
Heat Loss Standby
1
2
Idle
1/8th Power (4 ohms)
1/3rd Power (4 ohms)
1
2
Idle
1/8th Power (4 ohms)
1/3rd Power (4 ohms)
0.94 W, 7.5 VA
6.1 W, 14.8 VA
3
Lo-Z Output: 16.2 W, 30.6 VA
Hi-Z Output: 17.9 W, 33.4 VA
4
Lo-Z Output: 32.9 W, 54.6 VA
Hi-Z Output: 36.4 W, 60.0 VA
3.4 KJ/hr (3.2 BTU/hr)
22.0 KJ/hr (20.8 BTU/hr)
3
Lo-Z Output: 28.6 KJ/hr (27.1 BTU/hr)
Hi-Z Output: 32.3 KJ/hr (30.7 BTU/hr)
4
Lo-Z Output: 41.6 KJ/hr (39.5 BTU/hr)
Hi-Z Output: 53.1 KJ/hr (50.4 BTU/hr)
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Dimensions (w x h x d)
Weight
Notes re Power Consumption and Heat Loss measurements:
All measurements at 230 VAC 50 Hz power input
1. Standby: amplier in standby state (STATUS LED steady red)
2. Idle: amplier not in standby state (STATUS LED steady green), but no audio output
3. 1/8th. Power: constant sound level at 10 W output (audio mainly clean, only occasional clipping)
4. 1/3rd. Power: constant sound level at 27 W output (audio beginning to become compressed,
limited or heavily clipped)
Net 310 mm x 41 mm x 180 mm,
12.20” x 1.61” x 7.09”
Shipping 400 mm x 145 mm x 255 mm,
15.75” x 5.71” x 10.00”
Net 2.55 kg, 5.71 lb
Shipping 3.25 kg, 7.28 lb
MA80FT Installation and User Guide v1.1
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