Cloud MA40 Installation And User Manual

MA40 Installation and User Guide v1.0
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MA40
Mini Amplier
Installation and User Guide
MA40 Installation and User Guide v1.0
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To reduce the risk of re or electric shock, do not expose this appliance to rain or
moisture.
WARNING: SHOCK HAZARD – DO NOT OPEN
AVIS: RISQUE DE CHOC ELECTRIQUE – NE PAS OUVRIR
The lightning ash with the arrowhead symbol within an equilateral triangle, is intended to alert you to the presence of uninsulated dangerous voltages within the product’s enclosure that may be of sufcient magnitude to constitute a risk of electric shock.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
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IMPORTANT SAFETY INSTRUCTIONS
1. Read these Instructions.
2. Keep these Instructions.
3. Heed all Warnings.
4. Follow all Instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in accordance with the
manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including ampliers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding - type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. When the provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specied by the manufacturer.
12. Use only with the cart, stand, tripod, bracket or table specied by
the manufacturer or sold with the apparatus, when a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualied service personnel. Servicing is required when the
apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
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Do not expose the apparatus to dripping or splashing, and ensure that no objects lled with water, such as vases, are placed on the apparatus.
L’appareil ne doit pas être exposé aux écoulements ou aux éclaboussures et aucun objet ne contenant de liquide, tel qu’un vase, ne doit être placé sur l’objet.
The mains plug is used as the disconnect device and it should remain readily accessible during intended use. In order to isolate the apparatus from the mains, the mains plug should be completely removed from the mains outlet socket.
La prise du secteur ne doit pas être obstruée ou doit être facilement accessible pendant son utilisation. Pour être complètement déconnecté de l’alimentation d’entrée, la prise doit être débranchée du secteur.
Terminals marked with the symbol may use Class 2 Wiring, but voltages at these terminals may be of sufcient magnitude to constitute a risk of electric shock. The external wiring connected to these terminals requires installation by an instructed person or the use of pre-made leads or cords.
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Contents
IMPORTANT SAFETY INSTRUCTIONS ..........................................3
SAFETY INFORMATION ....................................................................7
Safety Notes regarding Installation........................................................................ 7
Conformities .............................................................................................................. 7
RoSH and WEEE declaration .............................................................................. 8
Safety Considerations and Information ................................................................ 9
Mains Fuse ............................................................................................................. 9
Servicing .................................................................................................................. 9
OVERVIEW ..........................................................................................10
Introduction .............................................................................................................. 10
Applicable Models ................................................................................................... 10
MA40 main features................................................................................................ 11
What’s in the Box ................................................................................................... 11
BLOCK DIAGRAM .............................................................................12
FRONT PANEL DESCRIPTION .......................................................13
REAR PANEL DESCRIPTION ...........................................................14
INSTALLATION ..................................................................................15
Mechanical ................................................................................................................ 15
Ventilation ................................................................................................................. 16
Connections and adjustments .............................................................................. 17
Line inputs ............................................................................................................. 17
Sensitivity & Gain Control .............................................................................. 18
Music Level and EQ control ........................................................................... 18
Line 1 Priority .................................................................................................... 18
Mic inputs .............................................................................................................. 19
Mic gain adjustment .......................................................................................... 19
Microphone level control ................................................................................ 20
Mic EQ ................................................................................................................ 20
Microphone priority ......................................................................................... 20
Output ................................................................................................................... 20
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Remote Control .................................................................................................. 21
Connecting an RL-1 Series remote control plate .....................................22
Control of music source and level via external DC ................................. 22
Music Mute Input ................................................................................................. 23
Auto Power Down .............................................................................................. 24
Loudspeaker EQ cards ....................................................................................... 24
Installation Instructions ................................................................................... 24
APPENDIX ..........................................................................................25
PCB layout diagram................................................................................................. 25
Table of internal jumpers and default settings .............................................. 25
Summary of rear panel DIP switch functions ................................................... 26
EMC considerations ............................................................................................... 27
Earthing...................................................................................................................... 27
Technical specications .......................................................................................... 28
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SAFETY INFORMATION
Safety Notes regarding Installation
Do not expose the unit to water or moisture.
Do not expose the unit to naked ames.
Do not block or restrict any air vent.
Do not operate the unit in ambient temperatures above 35°C.
Do not touch any part or terminal carrying the hazardous live symbol while
power is supplied to the unit.
Do not perform any internal adjustments unless you are qualied to do so and fully understand the hazards associated with mains-operated equipment.
The unit has no user-serviceable parts. Refer servicing to qualied service personnel.
If the moulded plug is cut off the AC power lead for any reason, the discarded plug is a potential hazard and should be disposed of in a responsible manner.
Conformities
This product conforms to the following European EMC Standards:
BS EN 55103-1:2009
BS EN 55103-2:2009
This product has been tested for use in commercial and light industrial environments. If the unit is used in controlled EMC environments, the urban outdoors, heavy industrial environments or close to railways, transmitters, overhead power lines, etc., the performance of the unit may be degraded.
The product conforms to the following European electrical safety standards:
BS EN 60065:2002 (+A2:2010)
UL60065
This product is compliant with the relevant provisions of:
Energy Star® Eligibility Criteria Ver 3.0 for Audio-Video products.
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RoSH and WEEE declaration
Cloud Electronics Limited manages its business and collaborates with its suppliers to comply with the European Union restriction of the use of certain hazardous substances in electrical and electronic equipment, RoSH Directive (2002/95/EC), that came into force on 1st July 2006, and similar restrictions in other jurisdictions.
The “crossed out wheelie bin” symbol on the product and represented
above is there to remind users of the obligation of selective collection of waste. This label is applied to various products to indicate that the product is not to be thrown away as unsorted municipal waste. At the
end of life, dispose of this product by returning it to the point of sale or to your local municipal collection point for recycling of electric and electronic devices.
Customer participation is important to minimize the potential effects on the environment and human health that can result from hazardous substances that may be contained in this product.
Please dispose of this product and its packaging in accordance with local and national disposal regulations, including those governing the recovery and recycling of waste electrical and electronic equipment. Contact your local waste administration, waste collection company or dealer.
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Safety Considerations and Information
The MA40 is powered by an external DC supply. A separate Power Supply Unit (PSU) is supplied with the amplier. The PSU must be earthed. Ensure that the mains power supply provides an effective earth connection using a three-wire termination.
Mains Fuse
The PSU is a sealed unit and contains no user-replaceable fuses. Mains over-current protection is provided by the fuse in the AC mains plug, which should be rated at
5 A.
Servicing
The unit contains no user serviceable parts. Refer servicing to qualied service personnel. Do not perform servicing unless you are qualied to do so. Disconnect the power cable from the unit before removing the top panel and do not make any internal adjustments with the unit switched on. Only reassemble the unit using either the original bolts/screws, or ones identical to the original parts
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OVERVIEW
Introduction
The MA40 is a very compact mono amplier designed for integration into audio and AV systems where de-centralised installation is advantageous. It is intended as an “install-and-forget” component, and is small enough to be tted into wall or ceiling voids or in any convenient location adjacent to projectors, at screen displays or loudspeakers. A simple set of controls and conguration options makes it easy to integrate into any audio system. It is highly suitable for use with in-store digital signage, gallery and museum exhibits and xed or mobile tour guide systems.
The MA40 can deliver 40 W (mono) into a 4 ohm load. It has two unbalanced stereo inputs for line level signals (typically music sources) and a balanced mic input for announcements, etc. Front panel preset-type controls are provided for music levels, music EQ and microphone level. There are also various preset adjustments and conguration DIP switches on the rear panel, and jumpers mounted internally on the main PCB. A Cloud RL Series remote level control plate can be wired to the rear panel RL-1 connector; this connector also allows audio volume control by a third-party control system (e.g., Crestron, AMX, etc.) using a DC voltage in the range 0 – 10 V.
Applicable Models
This Installation Guide describes the installation and operation of the following model only:
Cloud MA40 40 W mono amplier for 4 ohm loudspeakers
NOTE: Amplier models MA40F, MA40T and MA40E are NOT covered by this Guide, and when installing any of these models, reference should only be made to the Guides specic to them.
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MA40 main features
Two unbalanced stereo line inputs with individual sensitivity trims
Electronically-balanced mic input with separate gain control
12 V phantom power selectable by internal jumper
Front panel control of music and mic levels
HF & LF EQ adjustments for music sources
Rear panel HF & LF EQ for mic input
Selectable MIC-over-LINE priority
Selectable LINE 1-over-LINE 2 priority
40 W power amplier
Remote volume control port: compatible with Cloud RL Series plates
Music Mute control input (N/O or N/C) for interfacing to an emergency
system
Selectable 65 Hz high-pass lter for use with 100/70/25 V line systems (via
external transformer)
Optional EQ cards available to suit various popular installation loudspeakers
Automatic power-down function (user-selectable)
Less than 1 W power consumption in sleep mode
Convection cooled – silent in operation.
PSU meets US DoE Level VI energy requirements
Power requirements: 12 to 24 V DC, 47 W
Universal AC adaptor included (both models), operates from 100 to 240 V AC
Available Options:
RL Series remote control plates for music volume
EQ cards to match various popular installed-sound loudspeakers
What’s in the Box
Please check the shipping carton for damage before opening. If there is damage, please contact your Cloud agent and the shippers.
The packing carton should contain the following items:
MA40 amplier
External PSU (AC mains adaptor)
IEC mains lead (AC cord) with moulded plug appropriate to the territory
Set of mating plug-in screw-terminal connectors
Set of four self-adhesive polyurethane feet
This manual
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BLOCK DIAGRAM
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FRONT PANEL DESCRIPTION
16 7 8 2 3 4 5
LEVEL controls:
1. MIC – sets volume of signal at the MIC input
2. LINE 1 – sets volume of signal at the LINE 1 input
3. LINE 2 – sets volume of signal at the LINE 2 input
EQ controls:
4. LF – LF EQ adjustment of music channel: +/-10 dB @ 100 Hz
5. HF – HF EQ adjustment of music channel: +/-10 dB @ 5 kHz
6. POWER – bi-colour LED: illuminates green when the amplier is active and
red when the amplier is in Automatic Power Down mode
7. MUTE – red LED: illuminates when the MUSIC MUTE function is active
8. PEAK – red LED: illuminates if the amplier’s dynamic clip protection becomes
active
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REAR PANEL DESCRIPTION
1 7 8 1192103
4
15 6
1. LINE 1 and LINE 2 – stereo line inputs for music sources (unbalanced)
2. GAIN – two preset level trim controls (+/-10 dB) for each line input
3. MIC INPUT – balanced mic input
4. GAIN – preset gain control for mic input; range +10 to +50 dB
5. LF – LF EQ adjustment of mic signal: +/-10 dB @ 100 Hz
6. HF – HF EQ adjustment of mic signal: +/-10 dB @ 5 kHz
7. RL-1 – for connecting an RL-1 Series remote volume control plate
8. SPEAKER OUTPUT – amplier output for low-impedance circuits
9. MUSIC MUTE – connect to external N/O or N/C contacts for remote
muting of music sources
10. SETTINGS – three-pole DIP switch for setting various amplier congurations:
SWITCH FUNCTION
1 Enables LINE 1-over-LINE 2 priority
2 Enables mic-over-music priority
3
Enables RL-1 connector and disables front panel LINE level controls
See “Summary of rear panel DIP switch functions” on page 26 in the Appendix section for full details.
11. POWER INPUT – connect external DC power here: the MA40 requires 12
to 24 V at 2.5 A
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INSTALLATION
Mechanical
The compact size and light weight of the MA40 combined with its high energy efciency allows it to be installed in almost any location. It can be easily placed in ceiling or wall voids, or tted to the rear of display screens or loudspeaker cabinets.
The amplier has mounting anges with keyhole slots to permit it to be secured on a horizontal or vertical at surface.
144.3 mm
5.7”
25.4 mm
1”
73.5 mm
2.9”
200 mm
7.9”
10 mm
0.4”
10 mm
0.4”
If using the MA40 in a free-standing situation, the self-adhesive feet (supplied with the amplier) should be tted. The amplier should always be stood on a at surface. Care should be exercised in selecting a location for a free-standing unit, which should allow ventilation but be clear of any liquid or similar hazard.
MA40
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Ventilation
The amplier uses natural convection cooling, and care should be taken to locate it where airow is unrestricted (e.g., not under ceiling insulation material). Consideration should also be given to ease of access, should the operational conguration or audio levels need adjustment after installation.
In free-standing installations, always t the rubber feet supplied, and do not stand any other items on top of the unit.
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Connections and adjustments
Line inputs
The unit has two stereo line inputs 1, each of which is mixed internally to mono; these inputs are suitable for most music sources such as CD/DVD players, satellite receivers and computer line outputs.
Both inputs are unbalanced and use 3-pin 3.5 mm-pitch screw terminal connectors. The connectors should be wired as follows:
0V L R
LINE 1
LEFT CHANNEL
RIGHT CHANNEL
LINE 2
LEFT CHANNEL
RIGHT CHANNEL
AUDIO
SOURCE 1
AUDIO
SOURCE 2
The two line inputs are summed together internally, though Line input 1 can be congured to have priority over Line input 2, see “Line 1 Priority” on page 18.
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Sensitivity & Gain Control
Each of the stereo line inputs has an input impedance of 10 kohms and a preset type gain control on the rear panel adjacent to the input sockets 2. The gain controls have a range of 20 dB allowing the input sensitivity to be varied from -12 dBu to +8 dBu (0 dBu = 0.775 Vrms). The gain controls should be set so that the input sources in use do not distort, and the front panel level controls 2 and 3 have a useful range.
Music Level and EQ control
The front panel LINE 1 and LINE 2 controls 2 and 3 should be adjusted during installation to set the volume of the audio sources. The line inputs are summed post the level controls; equalisation can be applied using the front panel LF and HF controls 4 and 5, which can apply a cut or boost of up to 10 dB at 50 Hz and 10 kHz respectively. Adjust the EQ controls to suit the audio programme material being used, the speaker characteristics and the room acoustics. If the programme material includes speech, the EQ should be adjusted for best intelligibility.
If the line input levels are set too high, the amplier’s dynamic protection will activate to prevent clipping and the front panel PEAK LED 8 will illuminate to indicate this. Note that this LED also indicates an excessive mic signal level.
Line 1 Priority
When both line inputs are in use, one audio source can be given automatic priority over the other by connecting it to Line 1 input and setting rear panel SETTINGS DIP switch 1 (LINE 1 PRI) to ON. This is a useful facility when a Digital Sound Store, emergency announcement system or similar source forms part of the audio system.
When Line 1 Priority is enabled, the amplier will route the input signal at Line 2 normally until a signal is detected at Line 1’s input. When this happens, it switches its music source automatically to Line 1. Once the signal at Line 1 stops (e.g., when an announcement nishes), Line 2’s source will smoothly restore to its former level over approx. 3 seconds.
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Mic inputs
The MA40 has a single microphone channel, enabling it to be used for announcements, commentary, karaoke or any other purpose requiring a microphone. By default, the mic channel is independent and is simply mixed with the summed line inputs, but may be recongured so that it has automatic mic-over-line priority. It is then compatible with paging microphones using zone selection by contact-closure such as the Cloud PM range, including the PM1 single-zone microphone. See page 20 for more details.
The mic input is a 3-pin 3.5 mm-pitch screw terminal connector. Use the wiring shown below.
2 3
HOT
COLDSCREEN
1
MIC INPUT
The MA40’s microphone pre-amplier is an electronically balanced, transformer­less design congured for optimum low noise performance. The input impedance is greater than 2 kohms and is suitable for microphones in the 200 ohm to 600 ohm range. The microphone signal path includes a xed high-pass lter. This attenuates the response below 120 Hz, which helps to reduce the effects of microphone handling noise.
12 V phantom power is available at the mic input, and is activated by setting internal jumper J6 to the ON position. See page 25 for further information regarding the internal jumpers. Care should be taken to ensure that phantom power is activated only when the microphone connected to the input requires it – i.e., a capacitor or electret type; other types of microphones (such as dynamic) may be damaged if a DC voltage is applied to them.
Mic gain adjustment
The mic input has a preset gain control 3 adjacent to the input connector. The gain can be adjusted over a range of 40 dB, from 10 dB to 50 dB.
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Microphone level control
A front panel level control 1 is provided for the mic channel and this provides the user with a means of adjusting the volume of the microphone. The rear panel gain control 3 should be set at a level where distortion does not occur even when the front panel level control is fully clockwise. If the mic level is set too high, the front­panel PEAK LED 8 will illuminate. Note that this LED also indicates excessive music level.
Mic EQ
The mic input has associated HF 5 and LF 6 EQ controls. These provide 10 dB of cut or boost at 5 kHz and 100 Hz respectively and should be adjusted by listening to achieve a clear mic sound. The purpose for which the mic input will be used should be borne in mind when making adjustments.
Microphone priority
By default, the microphone channel is simply mixed with the music channel. It may be recongured with SETTINGS DIP switch 2 to have automatic priority over the music channel.
With SETTINGS DIP switch 2 – MIC PRI. (ON/OFF) - set to ON, a signal at the mic input will automatically mute both line inputs; typically this conguration will be desirable to give announcements or commentary priority over background music. When the announcement is complete, the music channel fades back up to its previous level.
When set ON, mic-over-line priority has priority over Line 1/Line 2 priority, meaning that a microphone announcement will always be heard.
Output
The power amplier stage is fully protected against DC offset, over-current, over­and under-voltage and is also thermally protected. Activation of the protection circuitry shuts the power amplier stage down until the fault condition clears. All protection conditions will automatically self-clear if the amplier is power-cycled. A switch-on delay function mutes the output during power-up and power-down to protect loudspeakers.
The MA40 will deliver its rated power of 40 W into a 4 ohm load when powered by the external PSU supplied with the amplier. The maximum output power will
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be reduced with lower supply voltages (please refer to MA40 datasheet for power de-rating curve).
When using multiple low-impedance loudspeakers (generally 8 ohms) with a single amplier, series and parallel wiring should be employed to produce a total load impedance of not less than 4 ohms.
The low impedance output is available at the 2-pin 5 mm-pitch screw terminal SPEAKER OUTPUT connector on the rear panel 8.
If driving 100/70/25 V line loudspeaker systems, an external transformer must be connected between the amplier output and the loudspeakers: the Cloud accessory CXL-40T is a suitable transformer. With such systems, there is a risk of transformer core saturation at high levels and low frequencies, which can produce distortion. To prevent this, the MA40’s output stage is provided with a switchable 65 Hz high-pass lter. We recommend that the lter is always enabled when the amplier is used with 100/75/25 V line systems.
The lter is enabled/disabled by moving internal PCB jumper J3. See page 25 for locations of PCB jumpers.
Remote Control
The MA40 amplier is provided with a rear panel RL-1 connector 7, which may be used to remotely control the volume of the music channel. The usual method of doing this will be by connecting a Cloud RL-1 Series remote volume control plate, but music volume may also be controlled by an externally applied DC voltage (0 to 10 V), permitting volume adjustment by external control systems.
IMPORTANT: In order for the remote control connector to operate, SETTINGS DIP switch 3 (RL-1) must be set OFF. This will disable the front panel LINE 1 and LINE 2 controls, and control of music level (the mix of LINE 1 and LINE 2) will be available from the remote plate.
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Connecting an RL-1 Series remote control plate
Connect an RL-1 Series plate as shown below using twin-core screened cable. Maximum reliable cable run is 100 m. Set DIP switch 3 to OFF as described above.
RL-1 PORT
1
2
3
REMOTE LEVEL CONTROL WIRING
RL-1
USE TWO-CORE SCREENED CABLE
2
3
Control of music source and level via external DC
It may be necessary in some installations to adjust the music level from an external control system (e.g., Crestron, AMX, etc.). If the RL-1 connector is not required for an RL-1 Series plate, it may be used to receive DC voltages from the external system to effect these adjustments.
Music level may be varied over its full range by applying a DC voltage of between 0 and +10 V to pin 2 of the RL-1 connector, with the 0 V reference connected to pin 1 (indicated b a ‘chassis’ symbol on the rear panel). 0 V on pin 2 corresponds to maximum level and +10 V will produce 60 dB of attenuation. The rate of attenuation is approximately 165 mV/dB.
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Music Mute Input
External muting of music may be commanded through the MUSIC MUTE connector. National or Local Authority regulations governing installed audio systems may require that normal programme material (i.e., music) should be muted in an emergency, to ensure that any evacuation messages are clearly audible. When active, it mutes both line inputs, leaving the microphone inputs active.
The Music Mute input is on a 2-pin 5 mm-pitch screw-terminal connector. It should be connected to the appropriate alarm output on whichever building management system registers the alarm (typically the Fire System). The alarm output must be volt-free; if no such output is available, an intermediate relay or other isolation device must be installed between the alarm output and the Music Mute input.
The Music Mute input can be set to operate on either normally open (N/O) or normally closed (N/C) contacts via internal jumper J1 (see “PCB layout diagram” on page 25). The factory default setting is N/O, thus requiring a short-circuit to be applied across the two pins of the connector for muting to occur.
REMOTE MUSIC MUTE TERMINATIONS
1 2
MUSIC MUTE
INPUT
RELAY
NORMALLY OPEN (NO)
CONNECTION
1 2
MUSIC MUTE
INPUT
RELAY
NORMALLY CLOSED (NC)
CONNECTION
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Auto Power Down
The MA40 is an extremely energy-efcient amplier, but can be made even more so by enabling the Auto Power-Down feature. When active, the signal level is constantly monitored and if no input signals are measured for 15 minutes the amplier enters a “Sleep” mode, minimising power consumption. If a signal is detected while the channel is in this mode, the amplier “wakes up” in less than 100 ms.
The MA40 is shipped with the Auto Power Down function disabled. It may be enabled by moving internal PCB jumper J5. See “PCB layout diagram” on page 25 for details of jumper locations.
Loudspeaker EQ cards
The MA40 may be tted with a single channel loudspeaker equalisation module. EQ modules are available from Cloud Electronics to suit several popular ranges of installed sound loudspeakers; please check current module availability at
www.cloud.co.uk/accessories.
Installation Instructions
Refer to the PCB layout diagram (see “PCB layout diagram” on page 25) for the location of the EQ module connector and its associated bypass jumper J2.
To install an EQ module, proceed as follows:
1. Isolate the amplier from its DC power source.
2. Remove the screws securing the top cover: there are two on the top and two
on each side. Remove the cover.
3. Remove jumper J2. We recommend “stowing” it on one of the header pins in
case it ever needs to be replaced.
4. Plug the loudspeaker equalisation module into its 12-pin connector CON1;
note that the connector has two notches on one side which engage with lugs on the module’s mating connector to ensure correct orientation.
5. Replace the top cover.
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APPENDIX
PCB layout diagram
To access the internal PCB, disconnect the amplier from its DC power source and remove the six screws securing the top cover; remove the cover.
ON OFF
OFF ON
NO NC
REAR OF UNIT
NOT TO SCALE.
ONLY PRIMARY COMPONENTS SHOWN
J1
J4
DO NOT FIT A JUMPER HERE!
J5
J3
J2
J6
CON1
EQ CARD SOCKET
Table of internal jumpers and default settings
JUMPER PURPOSE OPTIONS DEFAULT
J1 Music Mute N/O or N/C N/O
J2 EQ card bypass Present/absent Present
J3 65 Hz hi-pass lter ON/OFF OFF
J4
For factory use only – do not t a jumper here
Absent
J5 Auto Power Down Present/absent Present
J6
+12 V Mic phantom power
ON/OFF OFF
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Summary of rear panel DIP switch functions
JUMPER POSITION FUNCTION
1
LINE 1 PRIORITY
OFF = PRIORITY OFF
The signals at LINE 1 and LINE 2 are always mixed together.
ON = PRIORITY ON
A signal at LINE 1 input has priority over that at LINE 2: LINE 2 is automatically muted.
2
MIC PRIORITY
OFF = PRIORITY OFF
The mic signal is mixed with the line inputs according to the front panel LEVEL controls.
ON = PRIORITY ON
The mic signal will take priority over the line inputs, which will be muted while the mic is in use.
3 RL-1
ON = LOCAL
The levels of LINE 1 and LINE 2 input signals are controlled by the two front panel LEVEL controls. The two inputs are mixed together.
OFF = REMOTE
The two front panel LEVEL controls (LINE 1 and LINE 2) are disabled. The summed line input level is controlled by the level control on the remote plate wired to the RL-1 connector.
Note: default settings are in BOLD text.
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EMC considerations
MA40 ampliers fully conform to the relevant electromagnetic compatibility (EMC) standards and are technically well behaved. You should experience no problems interfacing units to other items of equipment and under normal circumstances, no special precautions need to be taken. If the unit is to be used in close proximity to potential sources of HF disturbance such as high power communication transmitters, radar stations and the like, it is suggested that input signal leads be kept as short as possible. Always use balanced interconnections wherever possible. We recommend that the MA40 amplier is not located in close proximity to a high-power amplier or similar item of equipment, which may radiate a strong magnetic eld from its power transformer.
Earthing
When several mains powered units are connected together via their signal cables, there is a risk of one or more earth loops which may cause an audible hum on the system even with the gain controls set to minimum. The 0 V rail of an MA40 amplier is directly coupled to the chassis ground. No interconnection problems should be encountered, but if there is any hum or other extraneous noise when source equipment is connected, the situation can generally be remedied by observing the following guidelines:
1. Always connect sources using balanced connections wherever possible. Note
that, for EMC reasons, the cable screen should be connected at both ends.
2. Use audio isolating transformers (readily available from trade suppliers) at the
inputs if necessary. These will ensure that the amplier is electrically isolated from the source equipment.
3. The signal source units should be located as close as practical to the amplier.
The metal housings of the various units should not be electrically connected. Try to ensure that all interconnected units, including power ampliers, are connected to a common power source to ensure a common ground is provided.
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Technical specications
LINE INPUTS
Frequency Response ±1 dB, 20 Hz to 20 kHz
Distortion <0.1 %
Sensitivity 0.2 V (-12 dBu) to 1.95 V (+8 dBu)
Input Gain Control 20 dB range
Input Impedance 10 kohms (unbalanced)
Headroom >12 dB
Noise <-90 dB
Equalisation LF: ±10 dB @ 50 Hz, HF: ±10 dB @ 10 kHz
MICROPHONE INPUT
Frequency Response -3dB @ 120 Hz (lter) to 20 kHz ±1 dB
Distortion <0.1%
Gain 10 dB to 50 dB
Input Impedance >2 kohms (balanced)
Headroom >12 dB
Noise <-90 dB
Phantom Power +12 V (internal jumper)
OUTPUT
Output Power (1 kHz continuous sine wave)
40 W, DC input >18 V
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GENERAL
Power Input 12 to 24 V DC
Power Consumption 47 W
External AC PSU adaptor
Universal type, 100 V to 240 V, 47 to 63 Hz
Amplier Protection
Fixed level signal limiter Protection against DC, PSU overcurrent, amplier overcurrent, over-temperature, supply voltage under/ over-voltage Resettable internal breaker (no fuses)
Dimensions (w x h x d)
Net
220 mm x 41 mm x 144.5 mm
8.7” x 1.6” x 5.7”
Shipping
290 mm x 160 mm x 210 mm
11.4” x 6.3” x 8.3”
Weight
Net 750 g
Shipping 1.0 kg
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