Clavitech TB5200 User Manual

Your T 5200 is a high-quality electronic keyboard with 76 standard touchB

Thanks for using our electronic keyboard

sensitive keys, which employs the most advanced PCM tone generation

and DSP

technology. Your TB5200 has 187 accompaniment styles which can be used
to provide a fully-orchestrated Auto Accompaniment. The multi-function
LCD (MULTI DISPLAY) provides easy to read performance information.
The RECORD function allows easy recording and playback of your musical
performance. The REGISTRATION MEMORY can store up to 8 banks of 6
stored presets of VOICE and AUTO ACCOMPANIMENT settings. This
convenient storage method enables the player to instantly access /recall
favorite settings at a touch of a button. Stored settings are retained even

the power is turned off.whilst

In order to obtain maximum performance and enjoyment, please read this

manual thoroughly whilst trying out the various features described.

1

Precaution

Thank you for purchasing this digital TB5200. For perfect operation and security,

please read the manual carefully and keep it for future reference.

Safety Precautions

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

The lightning icon inside a triangle is intended to alert the user to the presence
of exposed dangerous voltages within the product s enclosure, that could cause
electric shock.

The lightning icon inside a triangle is intended to alert the user to read important

operating and maintenance(servicing) instructions within the literature accompanying
this product.

Important Safety Instructions

1) Read these instructions.

2) Keep these instructions.

3) Heed all warnings.

4) Follow all instructions.

5) Do not use this apparatus near water.

6) Clean only with dry cloth.

7) Do not block any ventilation openings, install in accordance with the manufacturer's instructions.

8) Do not near any heat sources such as radiators, heat registers, stoves, or other apparatus (includingplace
amplifiers) that produce heat.

9) Do not the safety purpose of the polarized or grounding-type plug. A polarized plug has two bladesbypass
with one wider than the other. A grounding type plug has two blades and a third grounding prong. The
wide blade or the third prong are provided for your safety, if the provided plug does not fit into your outlet.
consult an electrician for replacement of the obsolete outlet.

10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles,

and the point where they exit from the apparatus.

11) Only use attachments/accessories specified by the manufacturer.

12) Use only with the , stand, tripod, bracket, or table specified by the manufacturer, or sold with thetrolley

apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury
from (Figure 1).tipping over

13) Unplug this during lightning storms or when unused for a long periods fo time.equipment

14) Refer all servicing to qualified service personnel. Servicing is required when the has beenequipment

damaged in any way, such as power-supply cord, or plug is damaged, liquid has been spilled or objects
have fallen into the , the has been exposed to rain or moisture, does not operateequipment equipment
normally, or has been dropped.

To reduce the risk of fire or electric shock, do not expose this to rain or moisture.WARNING: equipment

E must not be exposed to or splashing and also no objects filled withCAUTION: quipment liquid dripping

liquids, such as vases,

or beverages may be placed.

Always make sure all batteries are .inserted the correct way around to match the +/- polarity markings
Always replace at the same time.all of the batteries

types, as this can cause overheating, or fire, or battery fluid leakage.

Remove the batteries from the instrument if it is not to be used for a long time.

Do not combine old and new batteries, also do not mix battery

(Figure 1)

2

Table of Contents

Panel controls ....................................................................................................................................

Preparation ........................................................................................................................................

Power Supply ................................................................................................................................

Using Headphones or MIKE .........................................................................................................

The Sustain Pedal ..........................................................................................................................

The Express Pedal .........................................................................................................................

MIDI IN/OUT ...............................................................................................................................

LINE IN/OUT ...............................................................................................................................

USB MIDI/Audio...........................................................................................................................

Panel Display Indications .............................................................................................................

Listening to the Demo .......................................................................................................................

Selecting and Playing the Voices ......................................................................................................

Select a Main Desired Voice .........................................................................................................

Keyboard Percussion ....................................................................................................................

Split Mode ....................................................................................................................................

Overall Control .............................................................................................................................

User Voice Control.........................................................................................................................

Save User Voice.............................................................................................................................

Load User Voice............................................................................................................................

Auto Accompaniment .......................................................................................................................

Selecting a Style ...........................................................................................................................

Setting the Auto Accompaniment Chord Point ............................................................................

Turn CHORD ON/OFF ...............................................................................................................

Auto Accompaniment control ......................................................................................................

Accompaniment Volume ..............................................................................................................

Tempo Control .............................................................................................................................

Metronome ...................................................................................................................................

PAD................................................................................................................................................

Function .............................................................................................................................................

Registration Memory .......................................................................................................................

Song Recording..................................................................................................................................

MIDI ..................................................................................................................................................

Appendix ...........................................................................................................................................

Main Percussion List ....................................................................................................................

Voice List ......................................................................................................................................

Style List .......................................................................................................................................

Midi implementation chart ...........................................................................................................

Specifications ................................................................................................................................

4
6

6
6
6
6
6
7
7
7

9
10

10
10
11
12
18
20
20

21

21
22
23
24
26
26
27
27

28
38
41
46
48

48
50
55
57
58

3

Panel Controls

Top Panel Controls

1) POWER ON/OFF

2) MASTER VOLUME Control

3) SUSTAIN button

NORMAL button

HARMONY button

SPLIT button

DUAL button

TWIN button

4) PAD cotrol

SAVE button

1, 2 ,3 buttons

5) AUTO ACCOMPANIMENT

CHORD button

SYNCHRO button

INTRO/ENDING button

START/STOP button

FUNCTION button

ENTER button

11) O.T.S button

12) ENVELOPE button

13) DSP effect

VIBRATO button

FILTER button

SAVE TO button

LOAD FROM button

14) VOICE/STYLE buttons

15) DEMO button

16) Number 0-9, [+], [-] buttons

17) MULTI RECORD

USB FILE button

RECORD button

PLAY/LOAD button

FILL IN 1 button

FILL IN 2 button

METRONOME button

6) Other controls

TRANS +/- buttons

TUNE +/- buttons

OCTAVE +/- buttons

TEMPO +/- buttons

7) TOUCH button

8) MULTI LCD Display

9) REGISTRATION MEMORY

STORE/BANK button

[M1]-[M6] buttons

FREEZE button

10) VOICE controls

KB.VOL +/- buttons

USB VOL +/- buttons

4

ACC.VOL +/- buttons

SAVE MEM button

REVERB button

CHORUS button

GRAND PIANO

18) PITCH BEND

MODULATION

19) PHONES1, PHONES 2 jacks

Rear Panel Controls

20) USB jack

21) MIDI OUT jack

22) MIDI IN jack

23) SUSTAIN jack

24) EXP. jack

25) LINE IN jacks

26) LINE OUT jacks

27) DC 12V jack

OICES
V

SEYNTH FFECTS

PERCUSSIVE

SEOUND FFECTS

PERCUSSIONS

USER

527-570

571-608

609-665

666-676

677-686

STRINGS

BRASS

REEDS

PIPE

SLYNTH EAD

SPYNTH AD

327-389

390-425

426-459

460-487

488-507

508-526

OICE
V

GM

PIANO

PERCUSSION

ORGAN

GUITAR

BASS

01-128

VOICES

129-174

175-200

201-244

245-285

286-326

DC 12V

27

26

LINE OUT

RIGHT L/MONO

LEFT

LINE IN

25

RIGHT

EXPRESSION

SUSTAIN

MIDI IN

MIDI OUT

USB

24

23

22

21

20

STYLES

TRADITIONAL

WALTZ

157-178

179-187

S&JWING AZZ

R&B

62-76

77-93

EAT

EAT

B
B
8

16

01-13

14-26

COUNTRY

94-105

BALLAD

27-36

T 5200B

8

LATIN

BALLROOM

106-123

124-156

DANCE

DISCO

37-51

52-61

ROM
F

LOAD

SAVETO

R
E
T
IL
F

VIBRATO

ENVELOPE

HARMONY

NORMAL

SUSTAIN

16

6

3

9

+

OICE

2

V

0

8

5

USER

13

VOICE

12

L
O
.V
B
K

VOICE

STYLE

CHORD

HARMONY

S
N
A
R
T

TWIN

DUAL

SPLIT

3

VOLUME

2

RIGHT

GRAND

1

4

STYLE

14

L

L

O

O

V

V

B

C

S

C

U

A

10

DEMO

REVERB

DUAL

SPLIT

6

E

E

AV

N

T

U

C

T

O

1

PAD

4

AX

M

MIN

PIANO

-

7

LEFT

CHORUS

DEMO

REVERB
M
E

17

M

15

E
V
A
S

E

PLAY/

LOAD

T
E
L
E
D

RECORD

MULT
ILE
F

USB

R
E
T
N
E

11

N
IO
T
C
N
U

O.T.S

F

CHORUS

E
Z

FREEZE

E
E
R
F

M6

L
A
M
R
O
N

M5

M4

9

K
IS

M3

D
U

T

M2

U
I O
ID
M

M1

I IN
ID
M

STORE/BANK

TWIN

TOUCH
O
P
M
E

7

T

METRONOME
2

3

FILLIN

1

FILLIN

SAVE

5

START/

STOP

2

INTRO/

ENDING

ON

OFF

SYNCHRO

CHORD

POWER

1

18

PHONES2

19

PHONES1

5

Preparation

This section contains information about setting up your TB5200 and preparing to play.

Be sure to go through this section carefully before using this .instrument

1.Power Supply

Your TB5200 will operate by means of a power
adaptor rated at DC 12V, 2500mA. Carefully and
gently plug the AC POWER power adaptor cable

.

into the DC IN jack on the rear panel of your
T 5200 , then insert the power adaptor into aB
convenient wallAC power socket.

2 .Using Headphones

A standard pair of stereo headphones can be plugged into the rear-panel PHONES jack for

private practice or late-night playing. The internal speaker system is automatically shut off
when a pair of headphones is plugged into the PHONE jack. (Caution: If the tip of the
headphone's jack breaks off inside the instrument's headphone plug, you will have no sound.
Please make sure that the headphone's plug and cable are in good condition.)

AC POWER

PHONE

3 .The Sustain Pedal

A foot-switch can be plugged into the rear-panel SUSTAIN

PEDAL jack socket. The Sustain Pedal triggers the sustain

SUSTAIN
PEDAL

function. Depressing the pedal will sustain the notes after the
keys are released. This product auto-senses the sustain pedal
type whilst powering up. In order to prevent incorrect auto-sense setting, avoid pressing the
sustain pedal whilst inserting the plug into the SUSTAIN PEDAL jack or whilst turning the
power on.

4 .The Express Pedal

The foot-switch is used to control volume similar in

function to an acoustic piano's left pedal, depressing the
pedal will decrease the volume slightly.

EXPRESS
PEDAL

5 .MIDI In/Out

MIDI IN: Receives the MIDI data from an external MIDI device such as a computer or

other MIDI keyboard. The DIGITAL MIDI data is played by your TB5200.

MIDI OUT: Transmits the MIDI data of this TB5200 to control other MIDI device.

6

6 .LINE IN and LINE OUT

LINE IN: The sound from an external sound source, for example a CD Player, iPod or

other audio device can be connected to the TB5200. This makes it possible to play along to

the music played by the CD-Player, iPad, Mp3 player.

LINE OUT: The Line Out jack provides the TB5200 audio output to a keyboard amplifier,

stereo sound system, mixing console or recording device. The Line out level is not affected
by the MASTER VOLUME setting.

knob

LINE IN

LINE OUT

Stereo

System

Stereo

System

7 .USB MIDI/Audio

USB MIDI: Connects the TB5200 to computer by means of a USB (Printer) cable. The

advantage is that the TB5200 operates as its own USB MIDI interface, no external MIDI
interface is needed for PC connectivity. Special USB drivers are not needed, as they are
already part of the Microsoft Windows and Apple OSX
specification.

USB Audio: The USB Audio interface allows transfer of high

quality digital audio from the to aTB5200 which can be transferred

computer for recording and further editing.

8.Panel Display Indications

Your TB5200 features a large multi-function display (MULTI DISPLAY) which shows the
important settings and status of the TB5200. The section below briefly explains the various

icons and indicators on the display.

1

Message Display

13

12

Registration Memory

Record

2

Active Input

CHORD

TEMPO

MEASURE

m

ACC

ACC

MIDI IN MIDI OUT FREEZE

10

Temp o

9

Measure

Transpose

7

8

HARMONY

Chord

SPLIT

DUAL

TWIN

6

TRANSPOSE

11

6

augsus4

7

RHY2RHY1

5

BASS

9

13

dim

M

Track Volume

Voice Effect touch/sus/dsp/reverb/chorus

5

DUAL

SUSTAIN

CHORD2CHORD1

U DISK

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

8va

8va

NORMAL

4

Metronome

VOICE

STYLE

3

DEMO

REVERB

CHORUS

14

Note Display

11

Octave

Freeze Status

7

(1) Message Display

This section displays the demo song, voice or style name and number you havewhich

selected. Other important function are also displayed in this section.names and their parameters

(2) Active Input

,.Whilst playing the TB5200 you will want to change voices, styles, chord,harmony etc.
If you would like to change a voice or rhythm, or other setting type, you need to be sure that the
ACTIVE INPUT MODE is set to the parameter (e.g.: Voice or Style) which you would like to
change / modify. The arrow indicates to whichever parameter type will be altered by the data

wheel or numeric buttons. Example: If you would like to change a sound from piano to strings,
first make sure that the voice button is yourActive Input Mode (AIM), otherwise you might
change a rhythm instead.

(3) Note Display

When you play keys on the keyboard, these notes will be shown on the musical staff section

of the LCD display. Notes above and below the grand stave, are indicated as 8va up and 8va
down respectively.

(4) Metronome

When the Metronome function is turned ON, the icon will be shown on the screen.

(5) Voice Effect

These icons display the ON/OFF status of the Sustain, DSP and Touch Sensitivity functions.

(6) Track Volume

Displays the volume of each track dynamically when the demo song or style is playing.

(7) Transpose

Displays the current transpose setting of the keyboard. The number 00 indicates transpose
is off. +1 +2 +3 or -1 -2 -3 etc. Indicates the transposed interval in + or - semitones from
standard concert pitch.

(8) Chord Type

Displays the current auto chord type, these types being, Single or Fingered mode.

(9) Measure

Displays the current measure of the demo song, style or record/play back.

(10) Tempo

Displays the tempo of the demo song, style or recording/playback.

(11)Octave

Displays the octave value. +1 -1 +2 -2 etc means octave shift amount..

(12)Registration Memory

Displays the registration memory whilst storing a memory location.

(13)Record and Play

Displays the record and playback status.
.

(14)Freeze

Displays the freeze status .

8

Listening to the Demo

Once you've set up your TB5200, try listening to the pre-programmed demonstration
songs - they'll give you a good idea of what the TB5200 is capable of.

1.Turn the Power ON and Set the Volume

Before playing the demo, turn the power on by pressing the POWER switch (the MULTI
DISPLAY will light up) and set the MASTER VOLUME about half way between the "MIN"
and "MAX" settings.You can adjust the volume to match your playing. Take care in setting

optimum sound level. If the sound is set too loud distortion or unclear sound may result. High
audio levels can permanently damage one's hearing.

MASTER VOLUME

ON

OFF

POWER

MIN MAX

2.Press DEMO to start

Press [DEMO] button to start playback and use the MASTER VOLUME control to set the
ideal listening volume. The [X Demo] will appear on the MULTI DISPLAY( X(1~20) shows
the current demo). Now all demonstrations will play in sequence repeatedly. You can select

any one of the demonstrations by using the data dial or the numeric pad buttons. [0]~[9], [+/-].

CHORD

HARMONY

SPLIT

DUAL

TWIN

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

TEMPO

TRANSPOSE

MEASURE

dim

6

M

m

augsus4

7

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

BASS

DUAL

11

9

SUSTAIN

13

5

CHORD2CHORD1

U DISK

VOICE

STYLE

DEMO

REVERB

CHORUS

DEMO

12

4

789

-

3

5

6

+

0

3.Press DEMO to stop

Press [DEMO] button again to stop demo playback.

4.Learn Songs

There are 100 21-120 songs built into this instrument for your musical pleasure. These
songs have separate right and left-hand parts which . Whilstcan be individually turned on or off
simultaneously pressing the [DEMO]button and[+/-] buttons you can mute the left-hand or

right-hand playback track so that you can practice the corresponding muted part.

9

Selecting and Playing the Voices

Your TB5200 has 128 GM standard voices, 11(General Midi Patch Number 01 - 128) (Midi

Patch Number 666- 676) (Midi Patch Number 677 - 686)different drum percussion kits and 10

User Voices which you can select and play. Main, Dual and Split.There are three voice modes:
Whilst in the Main voice mode, you can play a single voice over the entire range of the keyboard.
The Dual voice mode allows you to play two different voices layered together for rich, complex
sounds, an example of Dual Voice would be a layered combination sound of Piano and Strings
layered together. The Split voice mode lets you set up two different voices for playing on
separate sections of the keyboard, a good example of this would be Piano in the right-hand
section of the keyboard, and String bass on the left-hand side of the keyboard. Each mode
features special effect sections which let you enhance the sound of the Voice and Voices.
These include Reverb, Chorus, and so on.

1.Select a Main Desired Voice

.Press the [VOICE] button, the voice mode is selected and the current voice number and

name will display on the Message Display section. (If "DUAL" or "SPLIT" indicator is

flashing, the Active Input will be DUAL voice or SPLIT voice. )

.Press the numeric pad buttons to select the required voice number according[0]-[9], or [+/-]
to the Voice List. The buttons on the keypad, allow direct entry of the desired value,numeric

the fastest way to edit in many situations. To select a voice, for example, choose oneand is

of the ٦٨٦ voices numbered "٠١" through "٦٨٦" shown on the VOICE list, then enter its number
using . To select "Harmonica" (number ٢٣)،for example, first Press the [٢[numeric pad buttons
then Press the [٣]٫ The number "٢٣" .select "Seashore " owill appear on the MULTI DISPLAY
for example١٢٣)،(number , Press the [1], then [2], then [3] and the corresponding number 123

will appear on the MULTI DISPLAY.

CHORD

HARMONY

SPLIT

DUAL

TWIN

TEMPO

TRANSPOSE

MEASURE

dim

6

M

m

augsus4

7

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

BASS

DUAL

11

9

SUSTAIN

13

5

CHORD2CHORD1

U DISK

2.Keyboard Percussion

Your TB5200 has 11 different and percussion kits - instrumentsthe individual percussion
can be played on the keyboard by selecting the voice number 666 through 676 .The various

drum and percussion instruments are assigned to each keyboard key.individual

10

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

VOICE

STYLE

DEMO

REVERB

CHORUS

VOICE

12

4

789

-

3

5

6

+

0

CHORD

HARMONY

SPLIT

DUAL

TWIN

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

TEMPO

TRANSPOSE

MEASURE

ACC

ACC

dim

6

M

m

7

RHY2RHY1

11

9

13

5

augsus4

BASS

DUAL

SUSTAIN

CHORD2CHORD1

MIDI IN MIDI OUT USB FREEZE

VOICE

STYLE

DEMO

REVERB

CHORUS

12

4

789

-

3

5

6

+

0

3. Split Mode

Your instrument's keyboard can be split into two sections, which means different voices
can be (A good example isAcousticplayed by the left and right hands at the same time.
Bass on the left-hand side, and Piano on the right hand side.

.Select a Split Voice

Pressing [SPLIT] button, the "SPLIT" indicator arrow will flash on the screen, the split

voice number and name is displayed. When the indicator arrow is flashing, use the [+] and [-]

buttons or the Numeric keypad buttons to select the required split voice number (01 through 686).

If the SPLIT mode is turned on and the "SPLIT" indicator arrow has stopped flashing, you
can use the[VOICE] button to set current Active Input Mode (AIM) to Split Voice, and the
"SPLIT" arrow indicator will flash again.

CHORD

HARMONY

SPLIT

DUAL

TWIN

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

TEMPO

TRANSPOSE

MEASURE

dim

6

M

m

augsus4

7

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

BASS

DUAL

11

9

SUSTAIN

13

5

CHORD2CHORD1

U DISK

VOICE

STYLE

DEMO

REVERB

CHORUS

SPLIT

12

5

4

789

-

0

.Split Point Change

Hold the [SPLIT] button continuously for more than three seconds, then press any note on
the keyboard between E0 and G6 to select split indicator (0 through 75), the left side of this
key (this key is not included) will become left section and the right side of this key (this key
is included) will become the right hand section. The LCD displays the split indicator (0-75)
and "S.Indicator" .

Left section

rigth section

SPLIT

3

6

+

11

4. Overall Control

1). Sustain

Press the [SUSTAIN] button so that its indicator arrow shows Sustain ON. Sustain causes

the played notes to linger on for a time after the key has been released.

Press the [SUSTAIN] button again to turn Sustain off.

CHORD

HARMONY

SPLIT

DUAL

TWIN

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

TEMPO

TRANSPOSE

MEASURE

dim

6

M

m

augsus4

7

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

BASS

DUAL

11

9

SUSTAIN

13

5

CHORD2CHORD1

U DISK

VOICE

STYLE

DEMO

REVERB

CHORUS

SUSTAIN

2). Touch

The touch-sensitivity function provides four different degrees of keyboard touch

sensitivity which can be chosen to match different playing styles.

Press the [TOUCH] sensitivity button, use [+] and [-] buttons to select the touch

sensitivity type between the range of 1 to 3. Default: 2 .

When the [TOUCH] sensitivity is off, the indicator is off, meaning that regardless of how

hard you play, the keyboard will , range: 0-127transmit a MIDI velocity value of 100

CHORD

HARMONY

SPLIT

DUAL

TWIN

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

TEMPO

TRANSPOSE

MEASURE

dim

6

M

m

augsus4

7

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

BASS

DUAL

11

9

SUSTAIN

13

5

CHORD2CHORD1

U DISK

VOICE

STYLE

DEMO

REVERB

CHORUS

TOUCH

3). Dual

Press the [DUAL] button, the "DUAL" indicator will flash, the voice number and name
displays on the message area. When the indicator is flashing, use the [+] and [-] buttons or the

Numeric pad buttons to select the desired voice number (01 through 686). In this mode, you

can layer two different voices. Press the [DUAL] button again to turn dual voice off.

If DUALmode is turned on and the "DUAL" indicator has stopped flashing, you can use
[VOICE] button to set current to dual voice, and the "DUAL"Active Input Mode (AIM)
indicator will flash again.

12

CHORD

HARMONY

SPLIT

DUAL

TWIN

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

TEMPO

TRANSPOSE

MEASURE

dim

6

M

m

7

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

11

9

13

5

augsus4

BASS

DUAL

SUSTAIN

CHORD2CHORD1

U DISK

VOICE

STYLE

DEMO

REVERB

CHORUS

DUAL

4). Harmony

Pressing [HARMONY] button, indicator "HARMONY"Active Input Mode (AIM) Arrow
will display on the LCD. When playing single finger melody lines in the right hand, the

HARMONY function automatically adds chords to your right hand section of the keyboard.
The automatic harmonies generated in the right hand are derived from the chord played in the
left hand.

CHORD

HARMONY

SPLIT

DUAL

TWIN

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

TEMPO

TRANSPOSE

MEASURE

dim

6

M

m

augsus4

7

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

BASS

DUAL

11

9

SUSTAIN

13

5

CHORD2CHORD1

U DISK

VOICE

STYLE

DEMO

REVERB

CHORUS

HARMONY

5). NORMAL

Press the [NORMAL] button. Your TB5200 returns to normal full keyboard mode.

6). O.T.S

Each Accompaniment style has a suitable preset voice and other settings which can be
instantly accessed by pressing the [O.T.S] button. This makes it simple to access the optimum
settings for each style in one quick button press.

To make use of the O.T.S function: select a style, then press the [O.T.S] button. The LCD
display will show that the O.T.S is enabled, and an optimal preset sound combination will
instantly be available.

As long as the [O.T.S] is turned on, the optimal voice and other settings will be automatically
recalled whenever you select a new style.

CHORD

HARMONY

SPLIT

DUAL

TEMPO

MEASURE

m

dim

M

6

7

TWIN

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

TRANSPOSE

11
5

augsus4

BASS

VOICE

O.T.S

8va

TOUCH

DUAL

9

SUSTAIN

13

CHORD2CHORD1

U DISK

DSP

PAD

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

STYLE

DEMO

REVERB

CHORUS

O.T.S

13

D.S.P (Digital Signal Processor)

The TB5200 keyboard is equipped with a high quality D.S.P. or Digital Signal Processor
which is used to add effects or enhance the sounds. .

The D.S.P effect types are listed below

7). REVERB

Pressing [REVERB] button, activates the REVERB function, then use the [+/-] buttons
or the rotary data dial to select from 10 kinds of DSP type. The LCD will display the DSP type.
DSP effect can simulate the ambience of stage, room, hall and many other spatial areas. This
reverb function adds a very natural, warm acoustic space to your instrument's sound.

TYPE

TYPE NAME

HARMONY

00

Rev Off

CHORD

SPLIT

DUAL

TWIN

01

HALL1

TEMPO

MEASURE

dim

M

m

ACC

ACC

MIDI IN MIDI OUT FREEZE

02

HALL203Room104Room205Room306Stage107Stage208Plate

O.T.S

8va

TRANSPOSE

6

augsus4

7

RHY2RHY1

11
5

BASS

13

9

DUAL

SUSTAIN

CHORD2CHORD1

U DISK

TOUCH

DSP

PAD

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

VOICE

STYLE

DEMO

REVERB

CHORUS

09

Delay10Echo

REVERB

8). CHORUS

Pressing [CHORUS] button, activates the CHORUS function, then use [+/-] buttons data
dial to select 13 kinds of chorus type. The LCD will be display the chorus type.DSP (Digital
Signal Processor) effect. This Chorus effect is useful in enhancing Electric Piano and Guitar
type sounds, as well as ensemble and synthesizer sounds.

CHORD

HARMONY

SPLIT

DUAL

TEMPO

MEASURE

m

dim

M

TRANSPOSE

6

augsus4

7

11

13

5

TWIN

RHY2RHY1

ACC

ACC

BASS

MIDI IN MIDI OUT FREEZE

TYPE

TYPE NAME

Chors Off

TYPE

TYPE NAME

ShrtDely

14

VOICE

O.T.S

9

00

DUAL

SUSTAIN

CHORD2CHORD1

U DISK

TOUCH

DSP

PAD

01

8va

METRONOME

PORTABLE GRAND

8va

PHR2PHR1

NORMAL

02 03 04 05 06

STYLE

DEMO

REVERB

CHORUS

Chorus1 Chorus2 Chorus3 Chorus4 Feedback Flanger1

07

08

ShrtdlFb

09

Flanger2

10 11 12

Celeste1 Celeste2Flanger3

CHORUS

13

Celeste3

9). P PORTABLE IANO

Pressing [GRAND PIANO] button, you access the portable piano voice immediately.

CHORD

HARMONY

SPLIT

DUAL

TWIN

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

TEMPO

TRANSPOSE

MEASURE

dim

6

M

m

augsus4

7

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

MIDI IN MIDI OUT FREEZE

BASS

DUAL

11

9

SUSTAIN

13

5

CHORD2CHORD1

U DISK

VOICE

STYLE

DEMO

REVERB

CHORUS

GRAND
PIANO

10). TRANSPOSE

Your [-TRANS+] function makes it possible to shift the pitch of this TB5200 upTB5200's
or down in semitone intervals up to a maximum of 12 semitones (one octave). By transposing
the pitch of your TB5200 keyboard makes it possible to play in easier or keymore familiar
signatures, and to have the TB5200 transpose the sound to match difficult key signatures.
This is sometimes useful match the range of a singer or other instruments.

CHORD

HARMONY

SPLIT

DUAL

TWIN

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

TEMPO

TRANSPOSE

MEASURE

dim

6

M

m

augsus4

7

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

MIDI IN MIDI OUT FREEZE

11
5

BASS

13

9

DUAL

SUSTAIN

CHORD2CHORD1

U DISK

VOICE

STYLE

DEMO

REVERB

CHORUS

TRANS

11). TUNE

Your [-TUNE+] function makes it possible to tune the pitch of your TB5200 toTB5200's
match other instruments. TUNING can be accomplished over +50-cents range (that's 100
cents total, or one semitone) in 128 steps (approximately 0.8 cents per step).

The default tuning is set to concert pitch whereA=440Hz, and does not normally have to
be altered.

CHORD

HARMONY

SPLIT

DUAL

TWIN

TEMPO

TRANSPOSE

MEASURE

11

9

dim

6

13

5

M

m

augsus4

7

RHY2RHY1

ACC

ACC

BASS

MIDI IN MIDI OUT FREEZE

DUAL

SUSTAIN

CHORD2CHORD1

U DISK

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

VOICE

STYLE

DEMO

REVERB

CHORUS

TUNE

15

12). OCTAVE

Press [-OCTAVE+] buttons to set the octave value: -2 to 2.
In Split mode, [-OCTAVE+] buttons to adjust the split voice octave whilst the split cursor

is flashing.

In Dual mode, press [-OCTAVE+] buttons to adjust the dual voice octave whilst the dual

cursor is flashing.

CHORD

HARMONY

SPLIT

DUAL

TWIN

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

TEMPO

TRANSPOSE

MEASURE

dim

6

M

m

augsus4

7

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

BASS

DUAL

11

9

SUSTAIN

13

5

CHORD2CHORD1

U DISK

VOICE

STYLE

DEMO

REVERB

CHORUS

OCTAVE

13). TEMPO

Press[-TEMPO+] buttons, or the rotary data dial, to decrease or increase the tempo of

songs metronome and auto accompaniment styles. (See page26.)

14)KB.VOL

Press[-KB.VOL+] buttons to adjust the main voice volume: 0-127.
In Split mode, [-KB.VOL+] buttons to adjust the split voice octave whilst the split

cursor is flashing.

In Dual mode, press [-KB.VOL+] buttons to adjust the dual voice octave whilst the dual

cursor is flashing.

CHORD

HARMONY

SPLIT

DUAL

TWIN

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

TEMPO

TRANSPOSE

MEASURE

dim

6

M

m

augsus4

7

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

BASS

DUAL

11

9

SUSTAIN

13

5

CHORD2CHORD1

U DISK

VOICE

STYLE

DEMO

REVERB

CHORUS

KB VOL

15)USB.VOL

Press [-USB.VOL+] buttons to adjust the USB / MIDI file's volume: 0-127.

16

CHORD

HARMONY

SPLIT

DUAL

TWIN

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

TEMPO

TRANSPOSE

MEASURE

dim

6

M

m

augsus4

7

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

BASS

DUAL

11

9

SUSTAIN

13

5

CHORD2CHORD1

U DISK

VOICE

STYLE

DEMO

REVERB

CHORUS

USB VOL

16)ACC.VOL

Press [-ACC.VOL+] buttons to adjust the accompaniment volume: 0-127.(see page 26).

17). P BITCH END

1) The PITCH BEND wheel is located on the left side of your keyboard which can be used
to vary the pitch of the keyboard. Pushing the wheel away from you will cause the keyboard
pitch to go sharp, and pulling the wheel towards you will cause the pitch to be lowered.

2) Moving the wheel to the top position (Away from you) and holding it there for about 2
seconds, will allow you to set the PITCH BEND SENSITIVITY, the LCD will display the
current pitch range (pitch sensitivity). You can modify this sensitivity from 1~12 semitones,
by using the rotary data dial to set the pitch sensitivity. When the power is turned ON, the
preset sensitivity is +/- 2 semitones. (Hint: Pitch bend is often used by orchesteral players,
when playing Trombone / Trumpet / Clarinet).

18). MODULATION

The modulation function applies vibrato effects to the voices played on the keyboard.
Push the wheel to the MIN, the voices will play in normal.(Hint - This modulation wheel
should be set to minimum position for normal playing, and used conservatively Some sounds
such as Piano are not suited to modulation at all. )

PITCH BEND

UP

DOWN

MODULATION

MAX

MIN

DEFAULT POSITION FOR PITCH BEND:Wheel is in the middle (Spring loaded).
DEFAULT POSITION FOR MODULATION:Wheel is set to bottom position (This wheel is
not spring loaded and will remain where it is positioned by the player).

17

5. ControlUser Voice

It is possible to modify any of the TB5200's existing voices, and then save the modified
voice to a memory location.The various parameters such as Envelope, Vibrato, Filter are

editable and save-able to the User Voce Bank (More information on how to save and recall
these edited voices is given in this manual, please refer to the instructions on page . [SAVE TO]
and [LOAD FROM] button.)

Select the voice you want to edit and then use the parameters pertaining to Envelope,

Vibrato and Filter to perform the edit.

Envelope1).

You can control the parameters of how fast a sound is produced after the player presses the
key. The initial part of the sound is calledATTACK. (Hint-An accordion has a slow attack, as
does a pipe organ, but a Bell or Gong or Piano or Jazz organ has a fast attack.)

Repeatedly press the [ENVELOPE] button to scroll the parameters ofthough, and select
Attack, Decay and Release.

ENVELOPE VIBRATO FILTER

CHORD

HARMONY

SPLIT

DUAL

TWIN

TOUCH

DSP

PAD

O.T.S

METRONOME

PORTABLE GRAND

PHR2PHR1

NORMAL

8va

8va

TEMPO

TRANSPOSE

MEASURE

dim

6

M

m

7

RHY2RHY1

ACC

ACC

MIDI IN MIDI OUT FREEZE

11

9

13

5

augsus4

BASS

DUAL

SUSTAIN

CHORD2CHORD1

U DISK

VOICE

STYLE

DEMO

REVERB

CHORUS

Use the rotary data dial or numeric pad buttons to set their values. Range: 0~127. Their

default values are all 64. (without any effect).

The parameters of Envelope' s variations are as follows:

Decay

Release

Attack

Attack: How quickly the sound is produced after playing the note. HigherAttack value
numbers indicated in the LCD, cause the note to build up to full volume, more slowly. (Like
an Accordion) Lower Attack value numbers in the LCD screen, produces faster key response.
(Like a bell or gong or piano or jazz organ). The sound is immediate.

Decay: Sets how quickly the sound produced dies away whilst holding the note down.
Guitars, bells, and other plink type sounds have a quick decay. Whereas a slow decay or even
zero decay would be an organ-like effect. If the key is held down the sound will be produced
for the entire time that the key is held down.

Release: The release time is how long the sound continues after the note is let go. (Hint a
Trumpet has a short release time, meaning the sound produced stops immediately, but a gong
has a very long release.After the strike of the gong, the sound carries on for many seconds
before fading away.

18