Chandler Limited Little Devil pre amp User Manual

Thank you for purchasing the Chandler Limited Little Devil Pre Amp. Your Devil is handmade in the USA by real
people. What does that mean? We do not use large solder or component machines that pick and solder the parts.
We pay a real person to do it like they did in the golden age of gear. We do not have most of our work done in
China only to do nal assembly in America and then call it made in USA. We do not use surface mount
components or ribbon cables that have been recently developed to shrink the size and build time of cell phones
and computers. Instead we use time proven through-hole audio components, discrete transistors, and large
transformers just like they did in the golden age of gear.

At Chandler we are proud of our American made products and we hope you like them!

The Little Devil Pre uses a 100% discrete transistor circuit and specially wound transformers. Included are item
descriptions and hints to get you on your way.

Please feel free to call our shop anytime for help or questions.

Prior to sending in your gear for repair, please contact our shop at the number listed below. We will assist you
in troubleshooting the problem and, if needed, we will issue you an RMA# to send in the gear.

Send repairs to: Chandler Limited, Inc.
Attention: Repairs
222 S. Cherry St.
Shell Rock, IA 50670

Phone: [phone]
Email: [e-mail]

Connections - All connections on the Devils are transformer balanced with pin 2 hot.

Current draw -
Here are the current draw specications for the Little Devil Preamp when the Devil is loaded 600 ohm
and operating at a continuous level of unity gain. Please consult your rack and PSU specications to
make sure you are not overloading your system.

+16 volt power rail = +95ma

-16 volt power rail = -70ma

Little Devil Pre Amp - Designed by Wade Chandler Goeke

Chandler Limited, Little Devil and the Little Devil Flame Logo are trademarks of Chandler Limited Inc.
All rights reserved.

COMPATIBILTY­The Little Devil Pre is tested and proven to have no start up or power errors in these racks-

API 500v 10-slot with L200 PSU
API 500-6B Lunchbox
API 500-6B HC “new version” Lunchbox

BAE 11-slot with power one supply
BAE 6-slot portable with power one supply
BAE 6-slot with Avedis designed supply

Emperical Labs 2-slot (awesome rack and worth the money!)
A-Designs 2-slot

Purple Sweet 10

As of the release of this product we have not yet tested with the Radial Workhorse.

POWER SUPPLY RECOMMENDATIONS­With ANY 500 modules (not just the Devils) we recommend using a rack with external supply. We feel a
power supply in such close proximity to the right hand slots of the rack can cause hum and noise oor
issues with many modules by many manufacturers. For this reason we mainly recommend the API 500v
rack with external L200 supply and the BAE 11-slot with external supply.

NOTES on BAE racks­We recommend adding a wire from Earth to power supply common on all BAE racks. In many cases hum
can be avoided and Earth to common is standard procedure on most electronic equipment.

GAIN - max gain 66.5

MIC/LINE- There are three dierent input types on the Devil 500. Mic/line switches
between two of them - the transformer balanced mic or the line inputs. The Little Devil 500
pre is more than just a mic pre. It is processor. Switching to line input processes any
line level source such as tape or DAW tracks, buss submixes or the complete stereo
buss. For unbalanced sources such as bass and keyboards select the DI input.

LOW/HIGH- Selects low or high impedance for BOTH mic and line freq response.

FEEDBACK/BIAS­ How the feedback and bias works. Some users may be familiar with our Germanium
pre amp which incorporated variable negative feedback in a pre amp for possibly the
rst time. On the Devil we wanted to take this a step further and allow you to change the
bias of the gain stage AT THE SAME TIME as the feedback.

So what does this mean?
Well you can modify about any parameter of the sound of the pre with the use of the feedback/bias
control. It will change the frequency response in the hi and low areas, harmonic distortion, nature of
clipping, and the overall tonal characteristic of the pre amp. For example with the feedback on full the
sound gets “gushy” as users have described. The unit will soft clip much earlier, harmonics increase
exponentially, hi frequency is slightly increased and the unit takes on a very high voltage “overbiased”
Class A personality.

With the feedback control low you get a very colored but more “tame” sound. Harmonics are very low
(in the range of .007%) and noise is the lowest possible with the unit, in the area of -93db. The sound
could be described as an accurate but interestingly colored Class A sound.

With the Feedback/Gain near the middle of its operation you will get the most headroom and what
could be considered the most typical operation of a mic pre. All parameters tend to come into the
norm for a Class A style mic pre, BUT don't let that keep you from using it set there! The pre always has
a great colored sound we all look for!

Feedback continued on next page. . .

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IMPEDANCE

LOW

HIGH

MIC

LINE

gain

feedback
& bias

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NOTES ON FEEDBACK­With the feedback all the way down you will not get much level. This is the nature of feedback.
Lots of feedback = very little gain. I wanted it like that because there are very specic sounds
you can get with it. For example, with lots of feedback (control o or counter clockwise)
you get very little distortion and the noise oor is very low. It also allows you to use the pre
with almost no gain for when you are recording loud sources like drums and guitar.

Control o or counter clockwise- Lots of feedback, Little gain.
Control full or clockwise- Very little feedback, lots of gain.

OUTPUT­ Acts as a fader on a mixing console and is used to trim the signal of the pre or when
you want to experiment with driving the input signal to varying degrees. On all mic
pres with this feature, headroom of the pre is decreased as you lower the signal but
with the added benet of a lower noise oor. The Devil pre loves to be driven so try this out!

BRIGHT­ Increases high frequency information on the output transformer by lessoning dampening.
It’s interesting to note that the pre amp was originally designed with the Bright in until it was
decided that it may be too bright for continuous operation.

LOW CUT­Gently sloping low cut at 100hz. We tuned this to work as needed with instruments such as acoustic
guitar and voice.

DI­ Unbalanced direct input for guitar, bass, keyboards etc. Plugging in here
bypasses the input transformer and jumps directly into the Class A input of
the pre amp. We chose to do this on many or our products because the tone is so
much dierent than that on readily available direct boxes. Please note that it is possible to make the DI
oscillate with the Gain and Feedback/Bias at or near maximum. We did not compensate for this because
it would alter the overall tone of the pre amp. In standard Mic or Line input it is not possible to cause
oscillation.

48v-

Yep its 48 volt phantom power. . . .

PHASE­Reverses the output polarity of the unit at the output transformer.

DIRECT IN

output

MIC

BRIGHT

48v

PHASE

LOW CUT

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CE Certification

Chandler Limited declares under its sole responsibility that all products manufactured by them are in
compliance with EC directives 2004/108/EC Electromagnetic Compatibility; 2004/108/EG
Electromagnetic Compatibility; 2006/95/EC Low Voltage Equipment Safety.