Chandler Limited Little Devil Colored Boost User Manual

The Little Devil Colored Boost and Germanium Drive pedals, as with most Chandler products, were designed to ll a need and a sound I had in my own head. I had become increasingly unhappy with my old amps needing more exibility and the pedals I had could not do the job. Too many times I had put a pedal on my $4000 Marshall, that I had saved my whole life to get, only to be disappointed and have an unusable tone.
In the shop during testing we used a variety of classic and modern amps to assure we delivered in many situations from country, blues, and classic rock to full on metal and pop-punk.
Here is a list of amps we used to test: Selmer Stadium (modded by Wade) Selmer TV12 Selmer Bassmaster (early Treble n Bass 50) Marshall PA100 Vox AC30 Vox AC10 Watkins Dominator Peavey 5150 (early version) Mesa Dual Rectier (early version) Fender Champ (blackface) Matchless Chieftan Peavey Classic 20 Laney GH100 Park 100 watt
Each amp takes the pedals in its own way and we found the pedals interacted with each in subtle but interesting fashion, “loading” each in its own way. On modern high gain amps we found ourselves using less gain just to be able to kick the pedal on and pickup some of its avor and tight tone.
Little Devil Colored Boost - Designed by Wade Chandler Goeke
Chandler Limited, Little Devil and the Little Devil Flame Logo are trademarks of Chandler Limited Inc. All rights reserved.
OPERATION-
IN- connects to guitar, bass, or keyboard. OUT- connects to amplier or other source such as computer input. BYPASS SWITCH- true bypass, full bypass, or hardwire bypass whichever term you like!
POWER­The Little Devil Colored Boost pedal runs on any 9-volt “BOSS” style power supply or single 9-volt battery. Only use power supplies with the following polarity symbol. Four screws on the side panel must be removed to change the battery. Battery not included.
Dimensions 5.7” x 3.45”
COLOR BOOST­This is the amount of gain you can select from the pedal. Depending on the Feedback/Bias setting you can get as much as 37db of boost. The Colored Boost Control is not linear in its sound. The pedals gets brighter as you boost more. You will nd it important to use the Boost Range in conjunction with boost to tailor your sound to your needs.
BOOST RANGE­Select the frequency response of the pedal here. This is at the beginning of the pedal circuit to keep the sound as focused as possible.
HIGHs- Similar to old school treble boosters. Just the high frequency is boosted. MIDs- A broader range treble boost adding in high mid range and just a touch of low mid range. FULL- The widest range boost. Boost covers the low mid and into the low frequency. We left out just enough of the lows to keep the sound tight. This is also a great setting for bass and keyboards.
HIGHs­Sets the overall brightness of the pedal. We found this useful when using amps of dierent sizes especially when combined with the range. Small bright combos can be ne tuned easily or a muddy stack brightened up with a throw of the toggle.
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