Casio PRIVIA PX-320 User Manual [de]

PX-320 MIDI Implementation

CASIO COMPUTER CO., LTD.

Contents

Part I MIDI Message Overview

1 Product Configuration as a MIDI Device.......................................................................................... 5

1.1 System Section.................................................................................................................................... 5

1.2 Performance Controller Section .......................................................................................................... 5

1.3 Auto Accompaniment and Auto Performance MIDI Send ................................................................... 5

1.4 Sound Generator Section.................................................................................................................... 6

1.4.1 Sound Generator Common Block..........................................................................................................6

1.4.2 Part Block...............................................................................................................................................6

2 Conditions that Disable Message Send and Receive ...................................................................... 7

3 Timbre Type Specific Operation ...................................................................................................... 7

Part II Channel Message

4 Receive Channel ............................................................................................................................. 8

5 Send Channel .................................................................................................................................. 8

6 Note Off ........................................................................................................................................... 8

7 Note On ........................................................................................................................................... 8

8 Polyphonic Key Pressure................................................................................................................. 9

9 Control Change................................................................................................................................ 9

9.1 Bank Select (00H) ............................................................................................................................... 9

9.2 Modulation (01H) ............................................................................................................................... 10

9.3 Data Entry (06H,26H) ........................................................................................................................ 10

9.4 Volume (07H) .................................................................................................................................... 10

9.5 Pan (0AH).......................................................................................................................................... 11

9.6 Expression (0BH) .............................................................................................................................. 11

9.7 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H)..................................... 11

9.8 Hold1 (40H) ....................................................................................................................................... 12

9.9 Sostenuto (42H) ................................................................................................................................ 12

9.10 Soft (43H) .......................................................................................................................................... 13

9.11 Vibrato Rate (4CH) ............................................................................................................................ 13

9.12 Vibrato Depth (4DH) .......................................................................................................................... 13

9.13 Vibrato Delay (4EH)........................................................................................................................... 14

9.14 Reverb Send (5BH) ........................................................................................................................... 14

9.15 Chorus Send (5DH) ........................................................................................................................... 14

9.16 NRPN (62H,63H) ............................................................................................................................... 15

9.17 RPN (64H,65H) ................................................................................................................................. 15

9.17.1 Pitch Bend Sensitivity ..........................................................................................................................15

9.17.2 Fine Tune..............................................................................................................................................16

9.17.3 Coarse Tune..........................................................................................................................................16

9.17.4 Modulation Depth ................................................................................................................................16

9.17.5 Null.......................................................................................................................................................16

9.18 All Sound Off (78H) ........................................................................................................................... 17

9.19 Reset All Controllers (79H) ................................................................................................................ 17

10 Mode Message .............................................................................................................................. 17

10.1 All Notes Off (7BH) ............................................................................................................................ 17

10.2 Omni Off (7CH).................................................................................................................................. 18

10.3 Omni On (7DH).................................................................................................................................. 18

10.4 Mono (7EH) ....................................................................................................................................... 18

10.5 Poly (7FH) ......................................................................................................................................... 18

11 Program Change ........................................................................................................................... 19

11.1 About the Timbre Type ...................................................................................................................... 19

11.2 DSP Assignments During Tone Selection ......................................................................................... 19

11.2.1 DSP Line Structure...............................................................................................................................19

11.2.2 DSP Line Assignment............................. .............................................................................................19

11.2.3 Use of the Same DSP Line by Multiple Parts......................................................................................20

12 Channel Aftertouch ........................................................................................................................ 20

13 Pitch Bend ..................................................................................................................................... 20

Part III System Messages

14 Active Sensing ............................................................................................................................... 21

15 System Exclusive Message ........................................................................................................... 21

15.1 Universal Realtime System Exclusive Message................................................................................ 21

15.1.1 Master Volume.....................................................................................................................................21

15.1.2 Master Balance.....................................................................................................................................22

15.1.3 Master Fine Tuning ..............................................................................................................................22

15.1.4 Master Coarse Tuning ..........................................................................................................................22

15.1.5 Reverb Parameter ............................................... ..................................................................................23

15.1.6 Chorus Parameter ...................... ...........................................................................................................23

15.1.7 GM System Message............................................................................................................................25

15.1.8 GS Message..........................................................................................................................................25

15.2 Instrument-Specific System Exclusive Message ............................................................................... 26

Part IV Instrument-Specific System Exclusive Messages

16 Format ........................................................................................................................................... 27

16.1 Message Classifications .................................................................................................................... 27

16.2 Basic Message Structure................................................................................................................... 27

16.3 Format of Each Field ......................................................................................................................... 28

16.3.1 SX : System Exclusive Message Status ...............................................................................................28

16.3.2 MAN : Manufacturer's ID ....................................................................................................................28

16.3.3 MOD : Model ID..................................................................................................................................28

16.3.4 dev : MIDI Device ID 00H-7FH ..................................... .. .......................................................... ... ......28

16.3.5 act : Action...........................................................................................................................................29

16.3.6 cat : Category .......................................................................................................................................30

16.3.7 mem : Memory Area ID .......................................................................................................................31

16.3.8 pset : Parameter Set Number................................................................................................................31

16.3.9 blk : Block Number ..............................................................................................................................31

16.3.10 pkt : Packet Number .............................................................................................................................32

16.3.11 prm : Parameter ID...............................................................................................................................32

16.3.12 idx : Data Index Number ......................................................................................................................32

16.3.13 len : Data Length..................................................................................................................................32

16.3.14 data : Parameter Data...........................................................................................................................32

16.3.15 img : Parameter Set Image ...................................................................................................................33

16.3.16 sum : Check Sum..................................................................................................................................33

16.3.17 EOX : End of System Exclusive Message ...........................................................................................34

17 Individual Parameter Operations ................................................................................................... 34

18 Parameter Set Transfer Modes ..................................................................................................... 34

18.1 Communication Modes...................................................................................................................... 34

18.1.1 One-way and Handshake......................................................................................................................34

18.1.2 Session and Subsession........................... .............................................................................................35

18.2 One-way Mode Communication Flow................................................................................................ 35

18.3 Handshake Mode Communication Flow ............................................................................................ 36

Part V Parameter List

19 System Parameters ....................................................................................................................... 39

19.1 System Information Parameter.......................................................................................................... 39

19.2 Data Management Parameter ........................................................................................................... 39

20 Setup Parameter............................................................................................................................ 40

20.1 MIDI Parameter ................................................................................................................................. 40

21 Patch Parameters .......................................................................................................................... 40

21.1 Master Tune Parameter..................................................................................................................... 40

21.2 Master Mixer Parameter .................................................................................................................... 40

21.3 System Chorus Parameter ................................................................................................................ 40

21.4 System Reverb Parameter ................................................................................................................ 41

21.5 System Acoustic Resonance Parameter ........................................................................................... 41

21.6 Brilliance Parameter .......................................................................................................................... 41

21.7 Part Parameter .................................................................................................................................. 42

22 Tone Parameters ........................................................................................................................... 42

22.1 Basic Parameters .............................................................................................................................. 42

22.2 LFO Parameter.................................................................................................................................. 43

22.3 DSP Parameter ................................................................................................................................. 43

23 Music Library Parameter................................................................................................................ 44

Part VI Parameter Set List

24 Music Library Parameter Set ......................................................................................................... 45

Part VII DSP Parameter List

25 Tone with DSP List ........................................................................................................................ 46

26 DSP Algorithm ID Table................................................................................................................. 47

26.1 Monaural Tone DSP .......................................................................................................................... 47

26.2 Stereo Tone DSP .............................................................................................................................. 47

27 DSP Parameter Table.................................................................................................................... 47

27.1 Algorithm 0001 : Mono-Mono Tremolo Parameter ............................................................................ 47

27.2 Algorithm 0002 : Mono-Mono 3Band EQ Parameter ......................................................................... 47

27.3 Algorithm 0008 : Mono-Mono Enhancer Parameter .......................................................................... 48

27.4 Algorithm 000B : Mono-Stereo Auto Pan Parameter......................................................................... 48

27.5 Algorithm 0011 : Mono-Mono Wide 3Band EQ Parameter................................................................ 48

27.6 Algorithm 0013 : Mono-Mono Distortion Parameter .......................................................................... 48

27.7 Algorithm 2001 : Stereo-Stereo 3Band EQ Parameter...................................................................... 48

27.8 Algorithm 200B : Mix-Stereo Eary Reflection .................................................................................... 49

27.9 Algorithm 200C : Mono-Stereo Rotary Parameter............................................................................. 49

27.10 Algorithm 200D : Mono-Stereo Drive Rotary Parameter ................................................................... 49

27.11 Algorithm 2017 : Stereo-Stereo Wide 3Band EQ Parameter ............................................................ 49

Part VIII Setting Values and Send/Receive Values

28 Setting Value Tables...................................................................................................................... 50

28.1 Off/On Setting Value Table................................................................................................................ 50

28.2 Slow/Fast Setting Value Table .......................................................................................................... 50

28.3 Rotate/Brake Setting Value Table ..................................................................................................... 50

28.4 -64 - 0 - 63 Setting Value Table......................................................................................................... 50

28.5 Pan Setting Value Table.................................................................................................................... 50

28.6 -100 - 0 - 99 Setting Value Table....................................................................................................... 50

28.7 Reverb Type Setting Value Table...................................................................................................... 50

28.8 Chorus Type Setting Value Table...................................................................................................... 51

28.9 Equalizer Mid Frequency Setting Value Table .................................................................................. 51

28.10 Wide Band Equalizer Mid Frequency Setting Value Table................................................................ 51

28.11 Brilliance Gain Setting Value Table ................................................................................................... 52

28.12 DSP Equalizer Gain Setting Value Table .......................................................................................... 52

Part IX MIDI Implementation Notation

29 Value Notation ............................................................................................................................... 53

29.1 Hexadecimal Notation ....................................................................................................................... 53

29.2 Binary Notation .................................................................................................................................. 53

Part I

MIDI Message Overview

1 Product Configuration as a MIDI Device

As a MIDI device, the instrument consists of the System Section, Performance Controller Section, and Sound Generator Section described below. Each of these sections can send and receive specific MIDI Messages in acco rdance with its function.

• System Section – Device Settings

• Sound Generator Section – Common

∗ Sound Generator Common Block ∗ System Effect Block ∗ Master Effect Block (Brilliance Function) ∗ Mixer Ma ster Block

– Channel Independent

∗ Instrument Parts ∗ Insertion Effect Block ∗ Mixer Channel Independent Block

• Performance Controller Section – Keyboard – Pedal and other real-time controllers – Auto Accompaniment and Auto Accompaniment function

1.1 System Section

The System Section is divided between a sound generator and functions that are not directly related to Instrument play. In addition to manipulating Instrument setting parameters, this section is also used to exchange commands and information. For example, parameters can be initialized upon receipt of a System Section MIDI message, and memory use information can be sent.

1.2 Performance Controller Section

The Performance Controller Section consists of the keyboard, pedal and other real-time controllers, as well as blocks that generate auto accompaniment, auto performance, and other performance information. An operation causes the corresponding message to be transmitted to the sound generator and to be sent from MIDI OUT. The channel number of the sent message is in accordance with Instrument's part number.

1.3 Auto Accompaniment and Auto Performance MIDI Send

This document includes information for each type of information that describes what operation causes the message to be sent. However, since there are so many messages sent by an auto accompaniment or auto performance operation, those messages are not covered herein.

1.4 Sound Generator Section

The Sound Generator Section consists of a common part that does not depend on the channel and a part that specific to each channel. Mainly it receives performance information and performs operations.

1.4.1 Sound Generator Common Block

The common section consists of a sound generator setting blocks that do not depend on the sound generator part, such as system effects, mixer master control, etc. These can be controlled by system exclusive messages that are basically exclusive to this particular instrument, but several parameters also can be controlled by general universal system exclusive messages.

1.4.2 Part Block

The parts of the sound generator can be operated and their settings can be changed with Instrument-specific system exclusive messages and channel messages. This function consists of 32 parts, but channel messages can control only Group B. The following table shows the fixed relationships between the part numbers and channel numbers of channel messages.

Part

Number

00 A01 01 Keyboard Main

01 A02 02 Keyboard Layered 02 A03 03 Keyboard Split

03 A04 04 04 A05 05 Sequencer playback Keyboard track main 05 A06 06 Sequencer playback Keyboard track layered 06 A07 07 Sequencer playback Keyboard track split 07 A08 08 08 A09 09 Metronome/Count 09 A10 10 Accompaniment Drums 10 A11 11 Accompaniment Bass 11 A12 12 Accompaniment Chords 1 12 A13 13 Accompaniment Chords 2 13 A14 14 Accompaniment Chords 3 14 A15 15 Sequencer playback Solo track 15 A16 16 - 16 B01 01 MIDI/Music Library Channel01 17 B02 02 MIDI/Music Library Channel02 18 B03 03 MIDI/Music Library Channel03 Music Library left-hand data 19 B04 04 MIDI/Music Library Channel04 Music Library right-hand data 20 B05 05 MIDI/Music Library Channel05 21 B06 06 MIDI/Music Library Channel06 22 B07 07 MIDI/Music Library Channel07 23 B08 08 MIDI/Music Library Channel08 24 B09 09 MIDI/Music Library Channel09 25 B10 10 MIDI/Music Library Channel10 26 B11 11 MIDI/Music Library Channel11 27 B12 12 MIDI/Music Library Channel12

Part Name

MIDI

Channel

Assigned Function Description

(Right keyboard in the Duet Mode)

(Left keyboard in the Duet Mode)

28 B13 13 MIDI/Music Library Channel13

29 B14 14 MIDI/Music Library Channel14

30 B15 15 MIDI/Music Library Channel15

31 B16 16 MIDI/Music Library Channel16

2 Conditions that Disable Message Send and Receive

All MIDI message send and receive is temporarily disabled while any one of the following processes is in progress.

• Demo data performance in progress

• Music Library data performance in progress

• SD memory card format in progress

3 Timbre Type Specific Operation

The operation that is performed for a received message depends on the current Timbre Type value (see "11.1 About the Timbre Type"), which is the operation mode of each sound generator part. Applicable information is provided in the explanations for each message.

Part II

Channel Message

4 Receive Channel

The channel number of the channel message received by each part is shown in the table under "1.4.2 Part Block". The channel number of a channel message that changes the settings of a DSP coincides with the channel of the part that is using the DSP.

5 Send Channel

Basically, the MIDI channel of the channel message sent when the Instrument is played coincides with the MIDI channel of the part being played. Note, however, that the MIDI channel of the performance information that corresponds to the keyboard main part is the Keyboard Channel setting value.

6 Note Off

Format

Message Format: 9nH kkH 00H (receive only)

8nH kkH **H

n: MIDI Channel Number

kk:

Key Number

**:

Ignored

Send

Sent when something is played on the keyboard.

Receive

Received over MIDI channels that correspond to each part. A part that is turned off by the Part Enable Parameter value explained under "21.7 Part Parameter" is not received. The velocity value is ignored.

7Note On

Format

Message Format: 9nH kkH vvH

n: MIDI Channel Number kk: Key Number vv: Velocity

Send

Sent when something is played on the keyboard.

Receive

Received over MIDI channels that correspond to each part. A part that is turned off by the Part Enable Parameter value explained under "21.7 Part Parameter" is not received.

8 Polyphonic Key Pressure

Format

Message Format: AnH kkH vvH

n: MIDI Channel Number kk: Key Number vv: Pressure Value

Send Operation

This message is not sent by this Instrument.

Receive Operation

This message is not received by this Instrument.

9 Control Change

Format

Message Format: BnH ccH vvH

n: MIDI Channel Number cc: Control Number vv: Value

Send

Sent when the Instrument's pedal is operated or when Instrument settings are changed.

Receive

Receipt changes the Instrument mode or the corresponding parameter.

9.1 Bank Select (00H)

Format

Message Format: BnH 00H vvH (MSB)

BnH 20H **H (LSB)

n: MIDI Channel Number vv:

Value

**:

Ignored

Send

Sent when a tone is selected. See the Tone List in the Instrument's User's Guide for details.

Receive

Receipt causes a change in the tone bank number stored in Instrument memory, but the tone is not actually changed until a Program Change message is received. For details, see "11 Program Change" in this document, and the Tone List in the Instrument's User's Guide.

9.2 Modulation (01H)

Format

Message Format: BnH 01H vvH

n: MIDI Channel Number vv: Value

Send

This message is not sent by this Instrument.

Receive

Receipt adds, to the tone being sounded, modulation of a depth specified by the value. In the case of a tone that already has modulation applied, receipt of this message increases the modulation depth. The modulation effect differs according to the tone being used.

9.3 Data Entry (06H,26H)

Format

Message Format: BnH 06H vvH (MSB)

BnH 26H vvH (LSB)

n: MIDI Channel Number vv: Value

Send

This message is not sent by this Instrument.

Receive

Receipt changes the parameter assigned to RPN. This Instrument does not have a parameter that corresponds to NRPN.

9.4 Volume (07H)

Format

Message Format: BnH 07H vvH

n: MIDI Channel Number vv: Value

Send

Sent when metronome volume or layer balance is adjusted.

Receive

Receipt changes the volume of the corresponding part.

9.5 Pan (0AH)

Format

Message Format: BnH 0AH vvH

n: MIDI Channel Number vv: Value (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see "28.5 Pan Setting Value Table" in "Part VIII Setting Values and Send/Receive Values".

Send

This message is sent at initialization.

Receive

Receipt changes the pan setting of the corresponding part.

9.6 Expression (0BH)

Format

Message Format: BnH 0BH vvH

n: MIDI Channel Number vv: Value

Send

Sent when there is a change in the Expression value by an accompaniment function.

Receive

Receipt changes the Expression value.

9.7 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H)

These messages are used to control DSP operation.

Format

Message Format: BnH 10H vvH

BnH 11H vvH BnH 12H vvH BnH 13H vvH BnH 50H vvH BnH 51H vvH BnH 52H vvH BnH 53H vvH

n: MIDI Channel Number (Note1) vv: Value

Send

This message is not sent by this Instrument.

DSP Parameter7[0] DSP Parameter7[1] DSP Parameter7[2] DSP Parameter7[3] DSP Parameter7[4] DSP Parameter7[5] DSP Parameter7[6] DSP Parameter7[7]

Receive

Receipt change the value of Parameter7 [0-7] (7-Bit Parameter) explained under "22.3 DSP Parameter". Any message received that corresponds to the parameter of a number not being used by the currently selected DSP is ignored.

Note 1: Received values and parameter setting values The range of the value of each DSP Parameter 7 array element depends on the selected DSP or array number. Unlike manipulation of a DSP parameter using a System Exclusive Message, a value rec eiv ed by this co ntrol ch ange me ssa ge is always a value from 0 to 127, but the value is changed in accordance with the setting range of the applicable parameter setting. Because of this, it is impossible for a value to be outside of the range of the applicable parameter setting. Conversion from the value received with the message to the parameter setting value is performed can be represented in general terms by the expression shown below.

Parameter

For details about Parameter 7 of each DSP, see the explanations under "VII DSP Parameter List".

Setting V alue =

Parameter

Minimum V alue + (

Parameter

Maximum V alue -

Parameter

Minimum V alue)

Received Value

127

9.8 Hold1 (40H)

Format

Message Format: BnH 40H vvH

n: MIDI Channel Number vv: Value

Send

Sent when a pedal that has a sustain (damper) function is operated.

Receive

Receipt performs an operation equivalent to a sustain (damper) pedal operation.

Timbre Type Specific Operation This operation differs in accordance with the Timbre Type (see "11.1 About the Timbre Type") setting.

• Timbre Type: Melody Sustain off/on control is performed in accordance with the value of the received message. For information about the relationship between setting values and send/receive values, see the "28.1 Off/On Setting Value Table" in "Part VIII Setting Values and Send/Receive Values" of this document.

• Timbre Type: Piano Continuous control of the piano tone decay rate and the decay rate of Acoustic Resonance effect resonance is performed in accordance with the value of the received message.

• Timbre Type: Drum The received message does not affect sound source operation.

Acoustic Resonance When a part that is using Acoustic Resonance receives this message, the resonance characteristics of Acoustic Resonance are continually altered in accordance with the message value.

9.9 Sostenuto (42H)

Format

Message Format: BnH 42H vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see the "28.1 Off/On Setting Value Table" in "Part VIII Setting Values and Send/Receive Values" of this document.

Send

Sent when a pedal that has a sostenuto function is operated.

Receive

Receipt performs an operation equivalent to a sostenuto pedal operation.

9.10 Soft (43H)

Format

Message Format: BnH 43H vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

Send

Sent when a pedal that has a soft function is operated.

Receive

Receipt performs an operation equivalent to a soft pedal operation.

9.11 Vibrato Rate (4CH)

Format

Message Format: BnH 4CH vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see "28.4 -64 - 0 - 63 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values" of this document.

Send

This message is not sent by this Instrument.

Receive

Receipt changes the vibrato rate of the tone that is currently selected by the applicable part.

9.12 Vibrato Depth (4DH)

Format

Message Format: BnH 4DH vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

Send

This message is not sent by this Instrument.

Receive

Receipt changes the vibrato auto depth of the tone that is currently selected by the applicable part.

9.13 Vibrato Delay (4EH)

Format

Message Format: BnH 4EH vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

Send

This message is not sent by this Instrument.

Receive

Receipt changes the vibrato auto delay of the tone that is currently selected by the applicable part.

9.14 Reverb Send (5BH)

Format

Message Format: BnH 5BH vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

The setting value matches the value that is sent and received.

Send

Sent when a GM tone is selected.

Receive

Changes Reverb Send.

9.15 Chorus Send (5DH)

Format

Message Format: BnH 5DH vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

The setting value matches the value that is sent and received.

Send

This message is sent at initialization, when the panel tone selection is changed, and when a chorus on/off operation is performed.

Receive

Changes Chorus Send.

9.16 NRPN (62H,63H)

Format

Message Format: BnH 62H vvH (LSB)

BnH 63H vvH (MSB)

n: MIDI Channel Number

vv: Value

Send

This message is not sent by this Instrument.

Receive

This Instrument does not have a corresponding NRPN message.

9.17 RPN (64H,65H)

Format

Message Format: BnH 64H vvH (LSB)

BnH 65H vvH (MSB)

n: MIDI Channel Number

vv: Value

9.17.1 Pitch Bend Sensitivity

Format

Message Format: BnH 64H 00H 65H 00H 06H mmH 26H **H

n: MIDI Channel Number

mm:

Value 0 - 24

**:

Ignored

Send

This message is not sent by this Instrument.

Receive

Receipt changes Pitch Bend Sensitivity.

9.17.2 Fine Tune

Format

Message Format: BnH 64H 01H 65H 00H 06H mmH 26H llH

n: MIDI Channel Number mm: Value MSB ll: Value LSB

Send

This message is not sent by this Instrument.

Receive

Receipt changes Channel Fine Tune.

9.17.3 Coarse Tune

Format

Message Format: BnH 64H 02H 65H 00H 06H mmH 26H 00H

n: MIDI Channel Number mm: Value

Send

This message is not sent by this Instrument.

Receive

Receipt changes Channel Coarse Tune.

9.17.4 Modulation Depth

Format

Message Format: BnH 64H 05H 65H 00H 06H mmH 26H 00H

n: MIDI Channel Number mm: Value (Note1)

Note 1:

The setting value matches the value that is sent and received.

Send

This message is never sent.

Receive

Receipt changes the vibrato modulation depth of the tone that is currently selected by the applicable part.

9.17.5 Null

Format

Message Format: BnH 64H 7FH 65H 7F

n: MIDI Channel Number

Send

This message is never sent.

Receive

Receipt deselects RPN.

9.18 All Sound Off (78H)

Format

Message Format: BnH 78H 00H

n: MIDI Channel Number

Send

Sent when an SD memory card is inserted or removed, or when a memory card operation is performed.

Receive

Receipt stops all voices that are sounding.

9.19 Reset All Controllers (79H)

Format

Message Format: BnH 79H 00H

n: MIDI Channel Number

Send

This message is sent when the keyboard channel is changed and when the recorder function is used.

Receive

Receipt initializes each performance controller.

10 Mode Message

10.1 All Notes Off (7BH)

Format

Message Format: BnH 7BH 00H

n: MIDI Channel Number

Send

This message is sent when a Music Library or recorder operation is performed.

Receive

Receipt of any of this message releases the currently sounding voice (same as releasing the keyboard key).

10.2 Omni Off (7CH)

Format

Message Format: BnH 7CH 00H

n: MIDI Channel Number

Send

This message is never sent.

Receive

Receipt of any of this message releases the currently sounding voice (same as releasing the keyboard key).

10.3 Omni On (7DH)

Format

Message Format: BnH 7DH 00H

n: MIDI Channel Number

Send

This message is never sent.

Receive

Receipt of this message releases the currently sounding voice (same as releasing the keyboard key).

10.4 Mono (7EH)

Format

Message Format: BnH 7EH 00H

n: MIDI Channel Number

Send

This message is never sent.

Receive

Receipt of this message stops the currently sounding voice.

10.5 Poly (7FH)

Format

Message Format: BnH 7FH 00H

n: MIDI Channel Number

Send

This message is never sent.

Receive

Receipt of this message stops the currently sounding voice.

11 Program Change

Format

Message Format: CnH ppH

n: MIDI Channel Number pp: Program Number

Send

Sent when a tone is selected. See the "Tone List" of the Instrument's User's Guide for details about program numbers.

Receive

Receipt of this message changes the tone of the part that corresponds to the MIDI channel. The selected tone is determined by the program value of this message and the Bank Select message value received prior to this message. See the Tone List in the Instrument's User's Guide for information about actually selecting tones, etc. Also note that receipt of this message may also change the Timbre Type parameter at the same time. For more information, see "11.1 About the Timbre Type" below.

11.1 About the Timbre Type

The tone selected by each part of this Instrument has a "Timbre Type" parameter that specifies the type of sound source for the tone. As explained under "22.1 Basic Parameters", there are three Timbre Type settings: Melody, Piano, and Drum. The following explains how each of these operates.

• Timbre Type: Melody This timbre type optimizes for normal melody tones. It performs damper pedal on/off operation.

• Timbre Type: Piano This setting optimizes for piano tones. The decay rate of the voice being sounded and Acoustic Resonance effect characteristics are continually altered in accordance with the damper pedal position.

• Timbre Type: Drum This setting optimizes for drum sounds. The damper pedal does not function.

11.2 DSP Assignments During Tone Selection

11.2.1 DSP Line Structure

Though the Instrument has four DSP lines that can be used simultaneously, selecting a tone that uses DSP causes the required number of DSP lines to become reserved so the tone is configured with the requisite DSP. Tones listed under "26.1 Monaural Tone DSP" use only one DSP line, while the tones under "26.2 Stereo Tone DSP" use two DSP lines. For information about tones that use DSP, see "25 Tone with DSP List".

11.2.2 DSP Line Assignment

Selecting multiple tones with DSP at the same time creates the possibility that there will not be enough DSP lines. In this case, the last selected tone with DS P is given priority. Some DSP line(s) already being used will be released so they can be assigned to the last selected tone.

11.2.3 Use of the Same DSP Line by Multiple Parts

When multiple parts that select tones that use DSP and all of the following settings are the same, the same DSP line is assigned to all of the parts in order to maximize DSP line availability.

• Tone Number

• Part Volume

• Part Pan

• All DSP parameters

After the same DSP line is assigned to different parts as described here, Part Volume, Pan, Reverb Send, Chorus Send, Acoustic Resonance Send, and all DSP parameter settings are common to all parts. Note that changing the settings on any part will also affect all of the other parts that are sharing the DSP line. To assign the parts to a different DSP line, you need to change one of the parameters listed above before selecting the tone.

12 Channel Aftertouch

Format

Message Format: DnH vvH

n: MIDI Channel Number

vv: Value

Send

These messages are never sent.

Receive

Receipt of this message adds modulation to the voice that is sounding. The modulation effect differs according to the tone being used.

13 Pitch Bend

Format

Message Format: EnH llH mmH

n: MIDI Channel Number ll: Value LSB mm: Value MSB

Send

These messages are never sent.

Receive

Receipt changes the pitch of the currently sounding note. The change depends on the pitch bend sensitivity configured with RPN.

Part III

System Messages

14 Active Sensing

Format

Message Format: FEH

Send

This message is never sent.

Receive

Once this message is received, the Active Sensing mode is entered. If no MIDI message is received for a specified amount of time, voices being sounded by the Instrument's sound source are released, the controller is reset, and the Active Sensing mode is exited.

15 System Exclusive Message

Format

Message Format: F0H....F7H

The Instrument sends and receives standard universal system exclusive messages, and system exclusive messages that have Instrument-specific formats.

15.1 Universal Realtime System Exclusive Message

Format

Message Format: F0H 7FH....F7H

15.1.1 Master Volume

Format

Message Format: F0H 7FH 7FH 04H 01H llH mmH F7H

ll: Value LSB (Note1) mm: Value MSB (Note1)

Note 1:

The setting value matches the value that is sent and received.

Send

This message is never sent.

Receive

Receipt changes the Master Volume parameter. Note that the Master Volume parameter cannot be changed with an Instrument operation.

15.1.2 Master Balance

Format

Message Format: F0H 7FH 7FH 04H 02H llH mmH F7H

ll: Value LSB (Note1) mm: Value MSB (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see "28.5 Pan Setting Value Table" in "Part VIII Setting Values and Send/Receive Values".

Send

This message is never sent.

Receive

Receipt changes the Master Pan parameter. Note that the Master Pan parameter cannot be changed with an Instrument operation.

15.1.3 Master Fine Tuning

Format

Message Format: F0H 7FH 7FH 04H 03H llH mmH F7H

mm: Value MSB(Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see "28.6 -100 - 0 - 99 Setting Value Table" in "Part VIII Setting Values and Send/Receive Values" of this document.

Send

This message is sent when the tuning setting is changed.

Receive

Receipt changes the Fine Tune parameter.

Acoustic Resonance Actions Acoustic Resonance acoustic characteristics also alter Fine Tune of the strings that simulate resonance in accordance with the Master Fine Tune value. Because of this, receipt of this message may cause the resonance interval to change temporarily.

15.1.4 Master Coarse Tuning

Format

Message Format: F0H 7FH 7FH 04H 04H 00H mmH F7H

ll: Value LSB mm: Value MSB

Send

Sent when Transpose is changed.

Receive

Receipt changes the Transpose parameter.

15.1.5 Reverb Parameter

Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 01H ppH vvH F7H pp: Parameter vv: Value

Type Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 01H 00H vvH F7H vv: Value (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see "28.7 Reverb Type Setting Value Table" in "Part VIII Setting Values and Send/Receive Values".

Send

This message is sent when the System Reverb Type setting is changed.

Receive

Receipt changes the Reverb Type parameter.

Time Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 01H 01H vvH F7H vv: Value (Note1)

Note 1:

The setting value matches the value that is sent and received.

Send

This message is never sent.

Receive

Receipt changes the Reverb Time parameter.

15.1.6 Chorus Parameter

Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H ppH vvH F7H pp: Parameter vv: Value

Type Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 00H vvH F7H vv: Value (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see "28.8 Chorus Type Setting Value Table" in "Part VIII Setting Values and Send/Receive Values".

Send

This message is sent when the System Chorus Type setting is changed.

Receive

Receipt changes the System Chorus Type parameter.

Rate Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 01H vvH F7H vv: Value (Note1)

Note 1:

The setting value matches the value that is sent and received.

Send

This message is never sent.

Receive

Receipt changes the System Chorus Rate parameter.

Depth Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 02H vvH F7H vv: Value (Note1)

Note 1:

The setting value matches the value that is sent and received.

Send

This message is never sent.

Receive

Receipt changes the System Chorus Depth parameter.

Feedback Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 03H vvH F7H vv: Value (Note1)

Note 1:

The setting value is the same as the value that is sent.

Send

This message is never sent.

Receive

Receipt changes the System Chorus Feedback parameter.

Send To Reverb Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 04H vvH F7H vv: Value (Note1)

Note 1:

The setting value is the same as the value that is sent.

Send

This message is never sent.

Receive

Receipt changes the Chorus Send To Reverb parameter.

15.1.7 GM System Message

GM System On Format

Message Format: F0H 7EH 7FH 09H 01H F7H

Send

This message is never sent.

Receive

Receipt puts the sound source into a GM sound source mode.

GM System Off Format

Message Format: F0H 7EH 7FH 09H 02H F7H

Send

This message is never sent.

Receive

Receipt returns the Instrument's sound source to its power on default settings.

GM2 System On Format

Message Format: F0H 7EH 7FH 09H 03H F7H

Send

This message is never sent.

Receive

Though the Instrument does not support GM2, receipt of the GM2 System On message has the same result as receipt of the GM System On message.

15.1.8 GS Message

Message Format: F0H 41H ddH 42H 12H 40H 00H 7FH 00H 41H F7H

Note: dd (Device ID) is ignored.

Send

This message is never sent.

Receive

Receipt performs the same operation as when the GM System On message is received.

15.2 Instrument-Specific System Exclusive Message

Format

Message Format: F0H 44H 12H 01H....F7H

Most Instrument parameters and user data, and some operation commands can be controlled using this message.

For more information, see "Part IV Instrument-Specific System Exclusive Messages".

Part IV

Instrument-Specific System Exclusive Messages

16 Format

16.1 Message Classifications

The SysEx operation of this Instrument is basically a parameter data transfer operation. The following operations can be performed from an external device using this parameter transfer message.

• Change of a specific Instrument parameter value

• Batch change of multiple Instrument parameter values

• Import of a specific Instrument parameter value

• Batch import of multiple Instrument parameter values

Parameters can be used for more than just device setting values. There are parameters when writing data that operate as commands, and parameters when reading data that indicate the status of the Instrument. The following table shows the parameter category for each type of transfer.

Function Section Parameter Category Description System System Commands, Instrument status

Setup Instrument basic settings

Sound Generator Patch Sound source common settings

(system effects, master settings, etc.) Sound source part settings (tone selection, mixing, tuning, etc.)

Tone Tone parameter, DSP settings

Music Player Music Library User song data

16.2 Basic Message Structure

Instrument-specific system exclusive message operation can be broadly divided between two methods: Individual Parameter Transfer (single parameter send/receive) and Bulk Parameter Set Transfer (batch parameter send/receive). Each method includes a number of different messages. The field in the SysEx message that specifies the message type is the action (act) field. The format of the "body" part of the message depends on the "act" value.

The table below shows the body format for each action of Instrument-specific system exclusive messages. An actual message consists of the items indicated by "Y", from left to right.

act SX MAN MOD dev act body (Depends on act) EOX

cat mem pset blk pkt prm idx len data img sum

NOPYYYYY-----------Y IPRYYYYYYYYY-YYY---Y IPSYYYYYYYYY-YYYY--Y OBRYYYYYYYY--------Y OBSYYYYYYYY-Y--Y-YYY HBRYYYYYYYY--------Y HBSYYYYYYYY-Y--Y-YYY ACKYYYYYYYY--------Y BSYYYYYYYYY--------Y RJCYYYYYYYY--------Y EODYYYYYYYY--------Y EOSYYYYYYYY--------Y ERRYYYYYYYY--------Y

16.3 Format of Each Field

16.3.1 SX : System Exclusive Message Status

Format: 11110000B

System Exclusive message Status = F0H

16.3.2 MAN : Manufacturer's ID

Format: 01000100B

Manufacturer's ID = 44H (CASIO)

16.3.3 MOD : Model ID

Format: 00010101B (MSB) 00000001B (LSB)

The Model ID of the series to which the Instrument belongs is shown by two consecutive bytes (MSB, LSB). (PX-200/PX-800/AP-500/PX-120/PX-720/PX-320 Model ID MSB = 15H, LSB = 01H)

16.3.4 dev : MIDI Device ID 00H-7FH

Format: 0dddddddB

The contents of this field in a received message are compared with the Model's MIDI Device ID, and receipt of the incoming message is allowed only when the two IDs match. The default value for this field is 10H. When a message containing 7FH is received, receipt of the message is always allowed, regardless of the Instrument's ID setting. MIDI Device ID is a Patch Parameter, and it can be changed with a System Exclusive Message. In this case, the Device ID of the MIDI System Exclusive Message must be set to 7FH before it is sent.

16.3.5 act : Action

Format: 0aaaaaaaB

aaaaaaaB = Action This field indicates the operation of the Instrument-specific System Exclusive Message.

aaaaaaaB Action Function

00H NOP No Operation 01H IPR Individual Parameter Request 02H IPS Individual Parameter Send 03H OBR Oneway Bulk Parameter Set Request 04H OBS Oneway Bulk Parameter Set Send 05H HBR Handshake Bulk Parameter Set Request 06H HBS Handshake Bulk Parameter Set Send 0AH ACK Acknowledge 0BH BSY Busy 0CH RJC Reject 0DH EOD End of Data 0EH EOS End of Session 0FH ERR Error

NOP: No Operation No operation is performed when this action is received.

IPR: Individual Parameter Request Indicates an individual parameter value send request message. When the Instrument receives this action, it uses an IPS message to return the specified parameter value.

IPS: Individual Parameter Send Indicates an individual parameter value send message. When the Instrument recei ves this action, it rewrit es the value speci fied by the data field with the specified parameter value.

OBR: Oneway Bulk Parameter Set Request Indicates a send request message using parameter set image one-way mode. When the Instrument receives this action, it uses an OBS message to return the specified parameter set. Though OBR is defined as a series common format, one-way mode transfer is not supported by this Instrument.

OBS: Oneway Bulk Parameter Set Send Indicates a parameter set image send message using one-way mode. The parameter set to be transferred is divided into multiple packets when it is greater than a prescribed size. The packets are transferred at fixed intervals. Though OBS is defined as a series common format, one-way mode transfer is not supported by this Instrument.

HBR: Handshake Bulk Parameter Set Request Indicates a send request message using the parameter set image handshake mode. When the Instrument receives this action, it uses an HBS message to return the specified parameter set.

HBS: Handshake Bulk Parameter Set Send Indicates a parameter set image send message using handshake mode. The parameter set to be transferred is divided into multiple packets when it is greater than a prescr ibed size. The packets are transferred in a ccordance with handshake mode.

ACK: Acknowledge Indicates a message used by the receiver during parameter set handshake mode transfer to convey to the sender that it is ready for send of the next packet. The cat, mem, and pset fields indicate the value carried by the last received message.

BSY: Busy Indicates a message to convey to the requester that that the Instrument cannot send back data after a parameter set oneway mode or handshake mode send request is received. The cat, mem, and pset fields indicate the value carried by the last received message.

RJC: Reject Indicates a message to convey to the other side that an ongoing parameter set one-way mode or handshake mode send or receive session was interrupted. The cat, mem, and pset fields indicate the value carried by the last received message.

EOD: End of Data Indicates a message to convey to the receiver that a one-way mode or handshake mode serial packet transfer for sending a sub-session (one parameter set) is complete. The cat, mem, and pset fields indicate the value carried by the last received message.

EOS: End of Session Indicates a message to convey to the receiver that a one-way mode or handshake mode serial parameter set transfer session send, which was launched by some operation, is complete. The cat, mem, and pset fields indicate the value carried by the last received message.

ERR: Error Indicates a message to convey to the sender that the checksum or message format of the previous packet was not correct when receiving a parameter set with handshake mode. The cat, mem, and pset fields indicate the value carried by the last received message.

16.3.6 cat : Category

Format: 0cccccccB

0cccccccB = Category (7bit) The category indicates the categories of data handled by the System Exclusive Message. The ID number (ID) of the Category is indicated on the left, while the communication operation (Action) is indicated on the right.

Category Transfer

ID (c) Parameter Set Individual Parameter One Way Bulk Handshake Bulk

00H System A - -

01H Setup A - A

02H Patch A - A

03H Tone A - A

21H Music Library F - A

A .. Available (Also including when only some parameters are available.) F... File Information (Not the data itself. Name, size, and other file information only.)

-... Not Available

16.3.7 mem : Memory Area ID

Format: 0mmmmmmmB

Specifies the memory area that is the object of the parameter transfer. The following are defined for this Instrument.

Mem Type

0 User area (rewriting allowed) 1 Preset area (rewriting not allowed)

16.3.8 pset : Parameter Set Number

Format: 0nnnnnnnB (LSB) 0mmmmmmmB (MSB)

This field is a 2-byte (LSB, MSB) value indicating the number of the parameter set (mmmmmmmnnnnnnnB, Binary) being transferred.

16.3.9 blk : Block Number

This supplementary number specifies which block is the object when there are multiple blocks within the same parameter set.

Format: 0iiiiiiiB (LSB) 0jjjjjjjB 0kkkkkkkB (MSB)

In the cases when there are multiple parameters in a category with the same ID (such as the mixer channel volume setting), for example, the block number required in order to specify the block where the data belongs is indicated as kkkkkkkjjjjjjjiiiiiiiB (Binary).

When the parameter block has a multi-dimensional array structure, bit 21 of the block number is divided into prescribed bit fields based on the rules explained below.

Block Bit Field Division

• Case 1 When an array has three or fewer nesting levels and the number of arrays in each dimension is 128 or less, they are assigned below the three 7-bit fields. Unused regions are filled will zeros.

Example: parameter [A][B][C] With a 3-dimensional array parameter that consists of A=8 (3 bits), B=5 (3 bits) and C=10 (4 bits), the block bit fields are allocated as: Block = 0000aaa 000bbb ccccccc (Binary).

• Case 2 When Case 1 conditions are not satisfied, the minimal number of fields required for each number of arrays is reserved from the lower bit of the block. Unused regions are filled will zeros.

Example 1: parameter [A][B][C][D] With a 4-dimensional array parameter that consists of A=3 (2 bits), B=4 (2 bits), C=3 (2 bits) and D=4 (2 bits) like the one shown above, the block bit fields are allocated as: Block = 0000000 00000a abbccdd (Binary).

Example 2:

parameter [A][B]

A=3 (2 bits), B=200 (8 bits) With a 2-dimensional array parameter like the one sh own above, the block bit fields are allocated as: Block = 0000000 000aab bbbbbbb (Binary).

16.3.10 pkt : Packet Number

Format: 0iiiiiiiB (LSB) 0jjjjjjjB 0kkkkkkkB (MSB)

This is the divided packet number kkkkkkkjjjjjjjiiiiiiiB (Binary) for transferring a single parameter set.

16.3.11 prm : Parameter ID

Format: 0pppppppB (LSB) 0qqqqqqqB (MSB)

The Parameter ID indicates the parameter type. When transferring parameters (see "Part V Parameter List" below) individually (as opposed to bulk transfer), this field is used to identify the parameter being transferred by its parameter ID.

16.3.12 idx : Data Index Number

Format: 0iiiiiiiB

The data index number indicates the first array number of the array from which transfer starts.

16.3.13 len : Data Length

Format: 0lllllllB

Data length indicates the transfer array length minus 1 for individual parameter transfer when the parameter contains a character string or other similar array structure. In the case of bulk parameter set transfer, data length indicates the number of data words (16-bit data) included within a packet minus 1.

16.3.14 data : Parameter Data

Format: 0dddddddB (0eeeeeeeB) (0fffffffB) (0gggggggB) (0hhhhhhhB)

: :

Parameter data indicates the parameter value. Data that is the size of the number of arrays equivalent to len + 1 follows. For the structure of one data item, the length depends on the data bit width, as shown below.

dddddB + 1 Number of Data

1 - 71

8 - 14 2 15 - 21 3 22 - 28 4 29 - 32 5

Each block of data is packed from the lowest order byte first. In the case of multiple-byte data, the lowest weighted bit is the LSB of the first "data" block, and the highest weighted bit is the MSB of the final "data" block. The following shows an example of how data would be divided for transfer in the case of 32-bit data.

76543210 data0: 0 [bit06] [bit05] [bit04] [bit03] [bit02] [bit01] [bit00] data1: 0 [bit13] [bit12] [bit11] [bit10] [bit09] [bit08] [bit07] data2: 0 [bit20] [bit19] [bit18] [bit17] [bit16] [bit15] [bit14] data3: 0 [bit27] [bit26] [bit25] [bit24] [bit23] [bit22] [bit21] data4: 0 0 0 0 [bit31] [bit30] [bit29] [bit28]

16.3.15 img : Parameter Set Image

Format: 0dddddddB 0cccccccB 000000abB

For a bulk data transfer operation, the parameter set data to be transferred is read sequentially in 16-bit units starting from the top address. Read values are divided into 3-byte segments as shown below, and then sent in sequence.

The following is the conversion format, which is the same as the individual parameter 16-bit transfer detailed above.

16-bit Memory Image

MSB: abccccccB LSB: cdddddddB

↓

data0: 0dddddddB data1: 0cccccccB data2: 000000abB

Parameter Set Packet Division The maximum image size of the parameter set that can be sent with one packet is 128 bytes. When data that exceeds 128 bytes is transferred, data is always divided into 128-byte units, except for the final packet. Because of this, the data in received packets can be stored in an areas the size of [Parameter Set Start Address] + [Packet Number] × 128.

The img length is the img length indicated by len multiplied by 3. This means that the data length is always a multiple of 3. Note, however, that a parameter set of 128 bytes or less can be sent using a single packet, and anything greater than 128 bytes is divided among multiple packets. This means that the maximum length "data" field is 128/2 × 3 = 192 bytes.

Only one parameter set can be transferred per session, and data from different parameter sets cannot be mixed within a single packet, even when sending multiple parameter sets. Different parameter sets are always divided into separate packets.

16.3.16 sum : Check Sum

Format: 0sssssssB

In this case, this "sum" field contains a value, which, when added to the total value of the "img" field, makes the lower seven bits 0. The receiving side checks if this is true, and performs error handling (re-request, etc.) if it is not.

16.3.17 EOX : End of System Exclusive Message

Format: 11110111B

(End of System Exclusive message Status = F7H)

17 Individual Parameter Operations

There are two parameter unit operations: Individual Parameter Transfer and Individual Parameter Request.

For one session, in response to an IPR (Individual Parameter Request) from an external device, this Instrument returns an IPS (Individual Parameter Send) or the session is concluded when the external device or this Instrument spontaneously sends an IPS. If this Instrument receive d an IPS, the value of the applicable parameter is changed.

An Individual Parameter Send can also be used to issue some command to the Instrument, and the Individual Parameter Request can be used to check Instrument status information.

Data Receiver Data Sender Operation

IPR → Send Request (Optional)

← IPS Data Transfer

See "Part V Parameter List" for information about how parameters can actually be sent.

18 Parameter Set Transfer Modes

18.1 Communication Modes

18.1.1 One-way and Handshake

Parameter Sets can be transferred by bulk dump using the message exchange types described below.

• One-way mode Parameter Set send/receive

• One-way mode Parameter Set send request send/receive

• Handshake mode Parameter Set send/receive

• Handshake mode Parameter Set send request, receive rejected, error notification send/receive

With the one-way mode, the sending device sends data and ends the session without regard to the response of the receiving device. This mode is best for one-way transfers from a sequencer or similar device. With the handshake mode, the sending device sends the data and then waits for a response from the receiving device before advancing to the next session. This is a high-speed mode in which there is no time wasted waiting.

Important! Though the one-way mode format is defined, there is no Parameter Set category that corresponds to this Model. This is because the time required to write to flash memory is indefinite, which makes it necessary to maintain a very long interval between packets and makes communication impossible for all practical purposes. See "VI Parameter Set List" for information about how Parameter Sets are actually allocated. In order to ensure maximum speed for bulk dumping of Parameter Sets, the data format is different from the data format used for Individual Parameter Send. Data is transferred as-is, using the Model's memory image.

18.1.2 Session and Subsession

Subsession One Parameter Set can be transferred per subsession. Subsession transfers one Parameter Set or data that is broken down into multiple packets for transfer, with EOD (End of Data) sent at the end to terminate the send. Data is divided into multiple packets when a single Parameter Set is larger than a certain size . The Packet Number in the packet's index field is used to indicate the sequential position of a packet relative to the other packets. Even if Parameter Sets are small, they cannot be grouped together and sent as a single packet. A Parameter Set delimiter is always treated as a packet delimiter for transfer.

Session One Parameter Set or multiple Parameter Sets can be transferred by one session. A session can consist of one subsession or multiple subsessions, with EOS (End of Session) sent at the end to terminate the send. Regardless of whether there is a single Parameter Se t or multiple Parameter sets, an actual bulk dump always takes the form of a session, never a subsession only.

18.2 One-way Mode Communication Flow

A session starts with the receiving device sending a request using an OBR, or with the sending device sending OBS data. The session ends after transfer of all the data in the parameter set being transferred by the sending device is complete.

Data is divided into multiple packets of 256 bytes or less each, and transfers them at fixed intervals (20 msec).

A final EOD informs the receiving device when the session is ended.

Data Receiver

(External Device)

OBR → Send Request (Optional)

Other subsessions

Data Sender (This Instrument)

← OBS

(20 msec or greater interval)

← OBS

(20 msec or greater interval)

← OBS

(20 msec or greater interval)

: :

← EOD End of Data :

: ← EOS End of Session

Operation

Data Transfer

18.3 Handshake Mode Communication Flow

A session starts with the receiving device sending a request using a HBR, or with the sending device sending HBS data. The sending device does not send the next packet until it receives an ACK from the receiving device. The maximum wait time of at least 2000 msec is reserved. Failure of a response to arrive within the wait time (at least 2000 msec) is treated as a timeout error, and data communication is termin ated. The sending device resends the last data if the receiving device returns an ERR (error) due to checksum mismatch, incompatible data structure, or some other reason. If an error repeats a number of times (undefined), either the sending device or the receiving device sends an RJC to terminate the ses sion. A session ends after the sending device sends all the parameter sets, and sends a final EOD in response to an ACK (ACK) from the sending device.

Data Receiver Data Sender Operation

HBR → Send Request (Optional)

← HBS Data Send

ACK → Acknowledge

← HBS Data Send

ACK → Acknowledge

: :

ACK → Acknowledge

← EOD End of Data

Other subsessions

← EOS End of Session

The same packet is resent when a checksum mismat ch or incompatible data structure error is detected.

Data Receiver Data Sender Operation

HBR → Send Request (Optional)

← HBS Data Send

ACK → Acknowledge

← HBS Data Send

ERR → Error

← HBS Data Resend

: :

ERR → Error

← EOD End of Data

Other subsessions

← EOS End of Session

RJC is sent to terminate the session in case ACK cannot be recognized.

Data Receiver Data Sender Operation

HBR → Send Request (Optional)

← HBS Data Send

: Fixed amount of time elapses.

RJC ← Rejection

(Send Canceled)

The session can be canceled for any reason by sending an RJC. RJC can be sent by the sending device or the receiving device. The bulk dump session is terminated immediately upon receipt of an RJC.

Data Receiver Data Sender Operation

HBR → Send Request (Optional)

← HBS Data Send

ACK → Acknowledge

← HBS Data Send

: :

RJC → Data Receive Rejected

(Send Canceled)

Data Receiver Data Sender Operation

HBR → Send Request (Optional) ACK → Acknowledge

← HBS Data Send

ACK → Acknowledge

← HBS Data Send

: :

← RJC Data Receive Rejected

(Send Canceled)

BSY is returned to the external device when OBS, OBR, HBS, or HBR is sent while the Instrument mode is not suitable to perform bulk dump, etc. After BSY is received, the external device should wait until the Instrument enters a mode in which the session is enabled.

Data Receiver Data Sender Operation

OBR → Send Request

← BSY Busy

(Send Canceled)

Data Receiver Data Sender Operation

OBS → Data Send

← BSY Busy

(Send Canceled)

Data Receiver Data Sender Operation

HBR → Send Request

← BSY Busy

(Send Canceled)

Data Receiver Data Sender Operation

HBS → Data Send

← BSY Busy

(Send Canceled)

See "Part VI Parameter Set List" for information about how parameter sets can actually be transferred.

Part V

Parameter List

How to Read the Tables

Number Base Notation "Size" indicates the parameter value bit width as a decimal value. The bit field position of "Block" as a decimal value. Values used in the explanations under "Description" are all decimal values, unless specified otherwise. Values other than those described above are all hexadecimal.

R/W Field The R/W field indicates whether an IPR (Individual Parameter Request) read operation or IPS (Individual Parameter Send) write operation is enabled.

19 System Parameters

These parameters make it possible for an external device to check the status of the Instrument and for an external device to command some operation of the Instrument.

19.1 System Information Parameter

This parameter is a container for system information.

Parameter ID R/W Block Size Array Min-Def-Max Description Model

Version Internal Timestamp External Timestamp

0000

0001 0002 0003

R R/W R/W

000000

000000 000000 000000

00-00-7F

00-00-7F 00-20-7F 00-20-7F

0...reserved

1...PX-200

2...PX-800

3...AP-500

4...PX-120

5...PX-720

6...PX-320 Version Number Ascii Character Ascii Character

19.2 Data Management Parameter

This is a message command computer-based data management software.

Parameter ID R/W Block Size Array Min-Def-Max Description Seq Free Size 0021 R 000000 32 01

Ml Free Size 0022 R 000000 32 01

Ml Max Size 0023 R 000000 32 01

Delete Seq 0024 W 000000 7 01 00-00-7F Sequencer Song

Delete Ml 0025 W 000000 7 01 00-00-7F Music Library

00000000-00000000-FFFFFFFF

00000000-00030000-FFFFFFFF

Sequencer Song Byte Size

Music Library Byte Size

Number

20 Setup Parameter

Setup Parameters put a device into the setup mode.

20.1 MIDI Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description Midi Device Id 0023 R/W 000000 7 01 00-7F-7F 0 - 127

21 Patch Parameters

21.1 Master Tune Parameter

These parameters configure Master Tuning settings.

Parameter ID R/W Block Size Array Min-Def-Max Description Master Fine Tune

Master Fine Tune8 Master Coarse Tune

21.2 Master Mixer Parameter

These parameters configure the Master settings of the mixer.

Parameter ID R/W Block Size Array Min-Def-Max Description Master Volume

Master Pan Acou Reso To Chorus Acou Reso To Reverb Acou Reso Return Chorus To Reverb Chorus Return Reverb Return Dsp Cancel

0000 0080 0001

0004 0005 0008 000A 000B 000F 0010 0017 001A

R/W R/W R/W

R/W R/W R/W R/W R/W R/W R/W R/W R/W

000000 000000 000000

000000 000000 000000 000000 000000 000000 000000 000000 000000

00-40-7F 00-80-FF 00-40-7F

00-7F-7F 00-40-7F 00-00-7F 00-00-7F 00-40-7F 00-00-7F 00-40-7F 00-40-7F 00-00-01

-100 - 0 - +99 (cent)

-24 - 0 - +24 (semitone)

0 - 127

-64 - 0 - +63 0 - 127 0 - 127 0 - 127 0 - 127 0 - 127 0 - 127

0...Normal

1...Cancel

21.3 System Chorus Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description Cancel

Type Rate Depth Feedback Tone

Note 1:

Selects the System Chorus preset type. Receipt of GM/GS Reset selects Chorus3. The value of this type is also linked to System Chorus parameters, and to the Chorus Send to Reverb and System Chorus Return Level parameters, and its setting causes these parameters to change to prescribed values. For details about the preset type list, see "28.8 Chorus Type Setting Value Table".

002A

002B 002C 002D 002E 002F

R/W

R/W R/W R/W R/W R/W

000000

000000 000000 000000 000000 000000

00-00-01

00-02-0F 00-03-7F 00-13-7F 00-00-7F 00-7F-7F

0...Normal

1...Cancel 1 - 16 (Note1) 0 - 127

- 127

0 0 - 127 0 - 127

21.4 System Reverb Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description Cancel

Type Feedback Er Level Damp Tone

Note 1:

Selects the System Reverb preset type. Receipt of GM/ GS Reset selects Hall2. This type is also linked to System Reverb parameters, and to the System Reverb Return Level parameter, and its setting causes these parameters to change to prescribed values. For details about the preset type list, see "28.7 Reverb Type Setting Value Table".

003C

003D 003E 003F 0040 0041

R/W

R/W R/W R/W R/W R/W

000000

000000 000000 000000 000000 000000

00-00-01

00-04-0F 00-40-7F 00-40-7F 00-40-7F 00-7F-7F

0...Normal

1...Cancel 1 - 16 (Note1) 0 - 127 0 - 127 0 - 127 0 - 127

21.5 System Acoustic Resonance Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description Cancel

Tuning Damper Pedal Wet Level Min Wet Level Max Low Boost Freq Low Boost Level High Cut Freq

001B

001C 001D 0025 0026 0027 0028 0029

R/W

R/W R/W R/W R/W R/W R/W R/W

000000

000000 000000 000000 000000 000000 000000 000000

16 16 16 16 16

7 7

01 01 01 01 01 01 01

00-00-01

00-40-7F

00-00-7F 0000-1333-7FFF 0000-5800-7FFF 0000-2000-4000 0000-4000-7FFF 0000-4000-7FFF

0...Normal

1...Cancel

-100 - 0 - +99(cent)(Note1) 0 - 127 (Note2) 0x0000 - 0x7FFF (Note3) 0x0000 - 0x7FFF (Note4) 0x0000 - 0x4000 0x0000 - 0x7FFF 0x0000 - 0x7FFF

Note 1:

Changing this parameter configures the Tuning setting of System Acoustic Resonance. When the Instrument's Master Fine Tune setting is changed, this parameter is reset to the Master Fine Tune value.

Note 2:

Changing this parameter performs a Damper Pedal operation on System Acoustic Resonance. When the Damper Pedal parameter of the part being used by System Acoustic Resonance is manipulated, this parameter is reset to the manipulated Damper Pedal depth.

Note 3:

The value is set when the damper pedal is completely released.

Note 4:

The value is set when the damper pedal is completely depressed.

21.6 Brilliance Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description Type

Mid6 Gain

Note 1:

Selects Master EQ mid 6 (Brilliance) gain. See "28.11 Brilliance Gain Setting Value Table".

0047

0055

R/W

000000

00000077

00-00-01

00-0C-18

0...For Speaker

1...For Phones

-12 - 0 - +12(Brilliance)(Note1)

21.7 Part Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description Part Enable

Tone Num Fine Tune Coarse Tune Volume Acmp Volume Pan Cho Send Rev Send Acou Reso Send Bend Range

0068

0069 006A 006B 006C 006D 006E 006F 0070 0071 0073

4-0: Part Number

R/W

R/W R/W R/W R/W R/W R/W R/W R/W R/W R/W

↑ ↑ ↑ ↑ ↑ ↑ ↑ ↑ ↑ ↑

7 7 7 7 7 7 7 7 7

01 01 01 01 01 01 01 01 01 01

00-01-01

0000-0000-3FFF

00-40-7F 28-40-58 00-64-7F 00-7F-7F 00-40-7F 00-00-7F 00-28-7F 00-00-7F 00-02-18

0...Off

1...On 0 - 16383

-100 - 0 - +99(cent)

-24 - 0 - +24(semitone) 0 - 127 0 - 127

-64 - 0 - +63 0 - 127 0 - 127 0 - 127 0 - 24

22 Tone Parameters

22.1 Basic Parameters

Parameter ID R/W Block Size Array Min-Def-Max Description Name

Timbre Type

Timbre Num Oct Shift Line Select

Level Touch Sens Sys Fx Send Override

Cho Send Rev Send Acou Reso Send

0000 0001

0002 0003 0004

0005 0006 0007

0008 0009 000A

R/W R/W

R/W R/W R/W

000000 000000

000000 000000 000000

7 4

3 1

7 7 1

7 7 7

10 01

0000-0000-3FFF

01 01 01

00-20-7F 00-00-0F

02-04-06 00-00-01

00-7F-7F 00-7F-7F 00-00-01

00-00-7F 00-28-7F 00-00-7F

Ascii Character

0...Melody

1...Piano

2...Drum 0 - 16383

-2 - 0 - +2

0...Direct

1...DSP 0 - 127

-64 - 0 - +63

0...No (Note1)

1...Yes 0 - 127 0 - 127 0 - 127

Note 1:

When a tone is selected whose Sys Fx Send Override parameter setting is "Yes", the send level setting value to the System Chorus, System Reverb, and System Acoustic Resonance of the part assigned to this tone is rewritten to the value that is stored by this tone.

22.2 LFO Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description Vib Wave

Vib Rate Vib Auto Delay Vib Auto Rise Vib Auto Depth Vib Mod Depth Vib After Depth Lfo Wave

Lfo Rate Lfo Fil Auto Delay Lfo Fil Auto Rise Lfo Fil Auto Depth Lfo Fil Mod Depth Lfo Fil After Depth Lfo Amp Auto Delay Lfo Amp Auto Rise Lfo Amp Auto Depth Lfo Amp Mod Depth Lfo Amp After Depth

000C

000D 000E 000F 0010 0011 0012 0013

0014 0015 0016 0017 0018 0019 001A 001B 001C 001D 001E

R/W

R/W R/W R/W R/W R/W R/W R/W

R/W R/W R/W R/W R/W R/W R/W R/W R/W R/W R/W

000000

000000 000000 000000 000000 000000 000000 000000

000000 000000 000000 000000 000000 000000 000000 000000 000000 000000 000000

00-00-0F

00-40-7F 00-40-7F 00-40-7F 00-40-7F 00-40-7F 00-40-7F 00-00-0F

00-40-7F 00-40-7F 00-40-7F 00-40-7F 00-40-7F 00-40-7F 00-40-7F 00-40-7F 00-40-7F 00-40-7F 00-40-7F

0...Sin

1...Tri

2...Saw Up

3...Saw Down

4...Pulse 1:3

5...Pulse 2:2

6...Pulse 3:1 Depends on original

15..

-64 - 0 - +63 (Note1)

0...Sin

1...Tri

2...Saw Up

3...Saw Down

4...Pulse 1:3

5...Pulse 2:2

6...Pulse 3:1 Depends on original

15..

-64 - 0 - +63 (Note1)

Note 1:

The function of this parameter is to relatively change the original setting value of the tone. The parameter is set to the maximum value when the maximum is exceeded, and to the minimum when the minimum is exceeded.

22.3 DSP Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description Name

Algorithm

Cho Send Rev Send Acou Reso Send Parameter7 Parameter16

Note 1:

This value is the DSP algorithm ID, which cannot be changed directly at the user level. Changing the DSP Type or Tone Number causes the algorithm ID of the original DSP to be copied automatically to this area. See "26 DSP Algorithm ID Table".

002C 002D

002E 002F 0030 0032 0033

R/W R/W

R/W R/W R/W R/W R/W

000000 000000

000000 000000 000000 000000 000000

7 7

20 10

00-20-7F

0000-0000-3FFF

00-00-7F 00-28-7F 00-00-7F 00-40-7F

0000-8000-FFFF

Ascii Character Serial Number (Note1) 0 - 127 0 - 127 0 - 127 0 - 127 0x0000 - 0xFFFF

23 Music Library Parameter

This parameter is a container for Music Library related information.

Parameter ID R/W Block Size Array Min-Def-Max Description Name

Address Size

0000 0001 0002

R R R

000000 000000 000000

7 32 32

00000000-00000000-00FFFFFF

20-20-7F

Ascii Character 0 - 0xFFFFFFFF 0 - 0xFFFFFFFF

Part VI

Parameter Set List

This list shows the parameter sets that can be transferred using System Exclusive Message Bulk Dump.

24 Music Library Parameter Set

System Exclusive Format

Field Value 01 SYSEX F0 02 MAN 44 03 MOD 15, 01 04 dev 00 - 7F 05 act 04(HDS), 05(HDR), 07(Control) 06 cat Music Library = 21 07 mem 0 = User 08 pset Music Library Number to be transferred 09 pkt See "IV Instrument-Specific System Exclusive Messages". 10 len See "IV Instrument-Specific System Exclusive Messages". 11 img See "IV Instrument-Specific System Exclusive Messages". 12 sum See "IV Instrument-Specific System Exclusive Messages". 13 EOX F7

Part VII

DSP Parameter List

25 Tone with DSP List

This is a list of tones that use DSP.

Tone Number Tone Name Mono/Stereo DSP Algorithm

01 Panel GRAND PIANO MODERN Stereo Wide 3Band EQ 02 Panel GRAND PIANO CLASSIC Stereo Wide 3Band EQ 04 Panel ROCK PIANO Stereo Wide 3Band EQ 07 Panel 60’S E.PIANO Mono Tremolo 08 Panel ROCK ORGAN Stereo Drive Rotary

09 Panel JAZZ ORGAN Stereo Rotary 001 Various LA PIANO Stereo Wide 3Band EQ 003 Various MODERN PIANO Stereo Wide 3Band EQ 004 Various DANCE PIANO Stereo Wide 3Band EQ 005 Various STRINGS PIANO Stereo Eary Reflection 010 Various DYNO ELEC.PIANO Mono Auto Pan 013 Various POP ELEC.PIANO Mono Enhancer 015 Various CLAVI Mono Enhancer 018 Various VIBRAPHONE Mono Tremolo 020 Various DRAWBAR ORGAN Stereo Rotary 021 Various ROTARY DRAWBAR Stereo Rotary 022 Various ROTARY ORGAN Stereo Rotary 023 Various PERC.ORGAN Stereo Rotary 024 Various 70’S ORGAN Stereo Rotary 025 Various OVERDRIVE ORGAN Mono Distortion 026 Various TREMOLO ORGAN Mono Tremolo 029 Various NYLON STR.GUITAR Stereo Eary Reflection 030 Various STEEL STR.GUITAR Stereo Eary Reflection 032 Various CHORUS CLEAN GUITAR Mono Enhancer 033 Various OVERDRIVE GUITAR Mono Distortion 037 Various STRING ENSEMBLE Stereo Eary Reflection 038 Various SYNTH-STRINGS Mono EQ 3Band 042 Various TRUMPET Mono Enhancer 043 Various TROMBONE Mono Enhancer 044 Various STEREO BRASS Stereo Eary Reflection 058 Various NEW AGE Mono EQ 3Band

26 DSP Algorithm ID Table

The lists in this section show the DSP algorithms that are built into the Instrument.

26.1 Monaural Tone DSP

ID Algorithm Input Output 0001 Tremolo Mono Mono 0002 3Band EQ Mono Mono 0008 Enhancer Mono Mono 000B Auto Pan Mono Stereo 0011 Wide 3Band EQ Mono Mono 0013 Distortion Mono Mono

26.2 Stereo Tone DSP

ID Algorithm Input Output 2001 3Band EQ Stereo Stereo 200B Eary Reflection Mix Stereo 200C Rotary Mix Stereo 200D Drive Rotary Mix Stereo 2017 Wide 3Band EQ Stereo Stereo

27 DSP Parameter Table

The lists in this section show the parameters of each DSP algorithm.

27.1 Algorithm 0001 : Mono-Mono Tremolo Parameter

Parameter Number Parameter Name Value Notes

Parameter7[00] Rate 00 - 7F Parameter7[01] Depth 00 - 7F

27.2 Algorithm 0002 : Mono-Mono 3Band EQ Parameter

Parameter Number Parameter Name Value Notes

Parameter7[00] Low Freq 00 - 07 Note1 Parameter7[01] Low Gain 34 - 4C Note2 Parameter7[02] Mid Freq 00 - 07 Note1 Parameter7[03] Mid Gain 34 - 4C Note2 Parameter7[04] High Freq 00 - 07 Note1 Parameter7[05] High Gain 34 - 4C Note2

Note 1: See "28.9 Equalizer Mid Frequency Setting Value Table".

Note 2: See "28.12 DSP Equalizer Gain Setting Value Table".

27.3 Algorithm 0008 : Mono-Mono Enhancer Parameter

Parameter Number Parameter Name Value Notes

Parameter7[00] Low Freq 00 - 7F Parameter7[01] Low Gain 00 - 7F Parameter7[02] Hi Freq 00 - 7F Parameter7[03] Hi Gain 00 - 7F

27.4 Algorithm 000B : Mono-Stereo Auto Pan Parameter

Parameter Number Parameter Name Value Notes

Parameter7[00] Rate 00 - 7F Parameter7[01] Depth 00 - 7F

27.5 Algorithm 0011 : Mono-Mono Wide 3Band EQ Parameter

Parameter Number Parameter Name Value Notes

Parameter7[00] Low Freq 00 - 0F Note1 Parameter7[01] Low Gain 34 - 4C Note2 Parameter7[02] Mid Freq 00 - 0F Note1 Parameter7[03] Mid Gain 34 - 4C Note2 Parameter7[04] High Freq 00 - 0F Note1 Parameter7[05] High Gain 34 - 4C Note2

Note 1: See "28.10 Wide Band Equalizer Mid Frequency Setting Value Table".

Note 2: See "28.12 DSP Equalizer Gain Setting Value Table".

27.6 Algorithm 0013 : Mono-Mono Distortion Parameter

Parameter Number Parameter Name Value Notes

Parameter7[00] Gain 00 - 7F Parameter7[01] Low 00 - 7F Parameter7[02] High 00 - 7F Parameter7[03] Level 00 - 7F

27.7 Algorithm 2001 : Stereo-Stereo 3Band EQ Parameter

Same as "27.2 Algorithm 0002 : Mono-Mono 3Band EQ Parameter".

27.8 Algorithm 200B : Mix-Stereo Eary Reflection

Parameter Number Parameter Name Value Notes

Parameter7[00] Wet Level 00 - 7F Parameter7[01] Feedback 00 - 7F Parameter7[02] Tone 00 - 7F

27.9 Algorithm 200C : Mono-Stereo Rotary Parameter

Parameter Number Parameter Name Value Notes

Parameter7[00] Speed 0 - 1 Note1 Parameter7[01] Brake 0 - 1 Note2 Parameter7[02] Fall Accel 00 - 7F Parameter7[03] Rise Accel 00 - 7F Parameter7[04] Slow Rate 00 - 7F Parameter7[05] Fast Rate 00 - 7F

Note 1: See "28.2 Slow/Fast Setting Value Table".

Note 2: See "28.3 Rotate/Brake Setting Value Table".

27.10 Algorithm 200D : Mono-Stereo Drive Rotary Parameter

Parameter Number Parameter Name Value Notes

Parameter7[00] Overdrive Gain 00 - 7F Parameter7[01] Overdrive Level 00 - 7F Parameter7[02] Speed 0 - 1 Note1 Parameter7[03] Brake 0 - 1 Note2 Parameter7[04] Fall Accel 00 - 7F Parameter7[05] Rise Accel 00 - 7F Parameter7[06] Slow Rate 00 - 7F Parameter7[07] Fast Rate 00 - 7F

Note 1: See "28.2 Slow/Fast Setting Value Table".

Note 2: See "28.3 Rotate/Brake Setting Value Table".

27.11 Algorithm 2017 : Stereo-Stereo Wide 3Band EQ Parameter

Same as "27.5 Algorithm 0011 : Mono-Mono Wide 3Band EQ Parameter".

Part VIII

Setting Values and Send

Receive Values

28 Setting Value Tables

28.1 Off/On Setting Value Table

Transmit Value Receive Value Parameter

00H 00H - 3FH Off 7FH 40H - 7FH On

28.2 Slow/Fast Setting Value Table

Transmit Value Receive Value Parameter

00H 00H - 3FH Slow 7FH 40H - 7FH Fast

28.3 Rotate/Brake Setting Value Table

Transmit Value Receive Value Parameter

00H 00H - 3FH Rotate 7FH 40H - 7FH Brake

28.4 -64 - 0 - 63 Setting Value Table

Transmit/Receive Value Parameter

00H -64 01H -63

40H 0

:: 7EH 62 7FH 63

28.5 Pan Setting Value Table

Transmit/Receive Value Parameter

00H Left

40H Center

7FH Right

28.6 -100 - 0 - 99 Setting Value Table

Transmit/Receive Value Parameter

(MSB-LSB)

00H-00H -100

40H-00H 0

7FH-7FH 99

28.7 Reverb Type Setting Value Table

Transmit/Receive Value Parameter

00H Room1 01H Room2 02H Room3 03H Hall1 04H Hall2 05H Plate1 06H Delay 07H Panning Delay 08H Plate2 09H Plate3 0AH Large Room1 0BH Large Room2 0CH Stadium1 0DH Stadium2 0EH Long Delay 0FH Long Panning

Delay

28.8 Chorus Type Setting Value Table

Transmit/Receive Value Parameter

00H Chorus1 01H Chorus2 02H Chorus3 03H Chorus4 04H Feedback Chorus 05H Flanger1 06H Short Delay 07H Short Delay FB 08H Soft Chorus 09H Bright Chorus 0AH Deep Chorus 0BH Flanger2 0CH Flanger3 0DH Flanger4 0EH Short Delay

Modulation

0FH Short Delay

Modulation FB

28.10 Wide Band Equalizer Mid Frequency Setting Value Table

Parameter Value Frequency

00H 100Hz 01H 130Hz 02H 160Hz 03H 200Hz 04H 300Hz 05H 400Hz 06H 600Hz 07H 800Hz 08H 1.0KHz 09H 1.3KHz 0AH 1.6KHz 0BH 2.0KHz 0CH 3.0KHz 0DH 4.0KHz 0EH 6.0KHz 0FH 8.0KHz

28.9 Equalizer Mid Frequency Setting Valu e Table

Parameter Value Frequency

00H 1.0KHz 01H 1.3KHz 02H 1.6KHz 03H 2.0KHz 04H 3.0KHz 05H 4.0KHz 06H 6.0KHz 07H 8.0KHz

28.11 Brilliance Gain Setting Value Table

Parameter Value Gain

00H -12 01H -11 02H -10 03H - 9 04H - 8 05H - 7 06H - 6 07H - 5 08H - 4 09H - 3 0AH - 2 0BH - 1 0CH 0 0DH + 1 0EH + 2 0FH + 3 10H + 4 11H + 5 12H + 6 13H + 7 14H + 8 15H + 9 16H +10 17H +11 18H +12

Note: The gain value does not exactly correspond to

decibels (dB).

28.12 DSP Equalizer Gain Setting Value Table

Parameter Value Gain

34H -12 35H -11 36H -10 37H - 9 38H - 8 39H - 7 3AH - 6 3BH - 5 3CH - 4 3DH - 3 3EH - 2 3FH - 1 40H 0 41H + 1 42H + 2 43H + 3 44H + 4 45H + 5 46H + 6 47H + 7 48H + 8 49H + 9 4AH +10 4BH +11 4CH +12

Note: The gain value does not exactly correspond to

decibels (dB).

Part IX

MIDI Implementation Notation

29 Value Notation

29.1 Hexadecimal Notation

MIDI implementation sometimes requires that data be expressed in hexadecimal format. Hexadecimal values are indicated by the letter "H" after the value. The hexadecimal equivalents of decimal values 10 through 15 are expressed as the letters A through F. The table below shows the hexadecimal equivalents for the decimal values 0 through 127, which are often used for settings.

Decimal

Hexadecimal

0 00H 32 20H 64 40H 96 60H 1 01H 33 21H 65 41H 97 61H 2 02H 34 22H 66 42H 98 62H 3 03H 35 23H 67 43H 99 63H 4 04H 36 24H 68 44H 100 64H 5 05H 37 25H 69 45H 101 65H 6 06H 38 26H 70 46H 102 66H 7 07H 39 27H 71 47H 103 67H 8 08H 40 28H 72 48H 104 68H

9 09H 41 29H 73 49H 105 69H 10 0AH 42 2AH 74 4AH 106 6AH 11 0BH 43 2BH 75 4BH 107 6BH 12 0CH 44 2CH 76 4CH 108 6CH 13 0DH 45 2DH 77 4DH 109 6DH 14 0EH 46 2EH 78 4EH 110 6EH 15 0FH 47 2FH 79 4FH 111 6FH 16 10H 48 30H 80 50H 112 70H 17 11H 49 31H 81 51H 113 71H 18 12H 50 32H 82 52H 114 72H 19 13H 51 33H 83 53H 115 73H 20 14H 52 34H 84 54H 116 74H 21 15H 53 35H 85 55H 117 75H 22 16H 54 36H 86 56H 118 76H 23 17H 55 37H 87 57H 119 77H 24 18H 56 38H 88 58H 120 78H 25 19H 57 39H 89 59H 121 79H 26 1AH 58 3AH 90 5AH 122 7AH 27 1BH 59 3BH 91 5BH 123 7BH 28 1CH 60 3CH 92 5CH 124 7CH 29 1DH 61 3DH 93 5DH 125 7DH 30 1EH 62 3EH 94 5EH 126 7EH 31 1FH 63 3FH 95 5FH 127 7FH

Decimal

Hexadecimal

Decimal

Hexadecimal

Decimal

Hexadecimal

29.2 Binary Notation

When a MIDI implementation data value is expressed in binary, the letter "B" (for "binary") is affixed at the end of the value. The table below shows the binary equivalents for the decimal values 0 through 127, which are often used for settings.

Decimal

125 7DH 01111101B 126 7EH 01111110B 127 7FH 01111111B

Hexadecimal

0 00H 00000000B 1 01H 00000001B 2 02H 00000010B 3 03H 00000011B 4 04H 00000100B 5 05H 00000101B 6 06H 00000110B 7 07H 00000111B 8 08H 00001000B

9 09H 00001001B 10 0AH 00001010B 11 0BH 00001011B 12 0CH 00001100B 13 0DH 00001101B 14 0EH 00001110B 15 0FH 00001111B 16 10H 00010000B

Binary

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Specifications and Main Features

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