REC Mode26
PLAY Mode28
Changing the Contents of the Monitor Screen30
Attaching the Strap .................................................... 31
Power Requirements ................................................. 32
Loading the Rechargeable Battery32
To charge the battery33
To replace the battery37
Power Supply Precautions38
Turning the Camera On and Off41
Configuring Power Saving Settings43
Using the On-screen Menus ...................................... 44
Configuring Display Language and Clock Settings ... 47
To configure display language and clock settings48
50BASIC IMAGE RECORDING
Recording an Image ................................................... 50
Aiming the Camera50
Recording an Image51
Using Zoom ................................................................ 56
Optical Zoom56
Digital Zoom58
Using the Flash .......................................................... 60
Flash Unit Status62
Changing the Flash Intensity Setting63
Using Flash Assist63
3
INTRODUCTION
Using the Self-timer ................................................... 65
Adding Audio to a Snapshot106
Recording Your Voice107
Using the Histogram ................................................ 109
4
B
INTRODUCTION
REC Mode Camera Settings .................................... 112
Assigning Functions to the [왗] and [왘] Keys112
Turning the On-screen Grid On and Off113
Turning Image Review On and Off114
Using Icon Help114
Specifying Power On Default Settings115
Specifying ISO Sensitivity117
Selecting the Metering Mode118
Using the Filter Function119
Specifying Outline Sharpness120
Specifying Color Saturation120
Specifying Contrast121
Resetting the Camera121
To protect a single file152
To protect all files in memory153
Using the FAVORITE Folder .................................... 153
To copy a file to the FAVORITE folder153
To display a file in the FAVORITE folder155
To delete a file from the FAVORITE folder156
To delete all files from the FAVORITE folder156
Memory Data ............................................................ 200
DCF Protocol200
Memory Folder Structure201
Image Files Supported by the Camera202
204 USING THE CAMERA WITH A COMPUTER
Using the Camera with a Windows Computer ........ 204
About the bundled CD-ROM204
Computer System Requirements206
Managing Images on a PC208
Retouching, Reorienting, and Printing a Snapshot211
Playing a Movie213
Editing a Movie216
Viewing User Documentation (PDF Files)218
User Registration218
Exiting the Menu Application218
Using the Camera with a Macintosh Computer ....... 219
About the bundled CD-ROM219
Computer System Requirements220
Managing Images on a Macintosh221
Playing Back a Movie on your Macintosh222
Viewing User Documentation (PDF Files)224
To register as a camera user224
225 APPENDIX
Menu Reference ....................................................... 225
• The contents of this manual are subject to change
without notice.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss resulting from
the use of this manual.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any loss or claims by third parties
which may arise through the use of the EX-S600.
• CASIO COMPUTER CO., LTD. shall not be held
liable for any damages or losses suffered by you or
any third party due to the use of Photo Loader and/or
Photohands.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss caused by
deletion of data as a result of malfunction, repairs, or
battery replacement. Be sure to back up all important
data on other media to protect against its loss.
• Note that the example screens and product
illustrations shown in this User’s Guide may differ
somewhat by the screens and configuration of the
actual camera.
• The SD logo is a registered trademark.
• Windows, Internet Explorer, Windows Media, and
DirectX are registered trademarks of Microsoft
Corporation.
• Macintosh and QuickTime are trademarks of Apple
Computer, Inc.
•
MultiMediaCard is a trademark of Infineon
Technologies AG of Germany, and licensed to the
MultiMediaCard Association (MMCA).
• Adobe and Reader are either registered trademarks
or trademarks of Adobe Systems Incorporated in the
United States and/or other countries.
• Ulead is a trademark of Ulead Systems,Inc.
• Other company, product and service names used
herein may also be trademarks or service marks of
others.
• Photo Loader and Photohands are the property of
CASIO COMPUTER CO., LTD. Except as stipulated
above, all copyrights and other related rights to these
applications revert to CASIO COMPUTER CO., LTD.
8
INTRODUCTION
■ LCD Panel
The LCD panel is a product of the latest LCD
manufacturing technology that provides a pixel yield of
99.99%. This means that less than 0.01% of the total pixels
are defective (they do not turn on or always remain turned
on).
■ Copyright Restrictions
Except for the purposes of your own personal enjoyment,
unauthorized copying of snapshot files, movie files, and
audio files violates copyright laws and international
contracts.
Distribution to third parties of such files over the Internet
without permission of the copyright holder, whether for
profit or for free, violates copyright laws and international
contracts.
Features
• 6.0 million effective pixels
The CCD provides 6.18 million total pixels for images of
outstanding resolution and detail.
• 2.2-inch TFT color LCD monitor screen
• 8.3MB built-in memory
Images can be recorded without using a memory card.
• Bundled with a USB Cradle
The bundled USB cradle can be used to charge the
camera’s battery (page 33), to view images on a TV
screen (page 146), and to transfer images to a computer
(page 186). A Photo Stand feature lets you view images
while the camera is on the cradle (page 140).
• REC mode or PLAY mode power up (page 41)
Press [] (REC) or [] (PLAY) to turn on the camera
and enter the mode you want to use.
• AF assist light (page 53)
Improves auto focus accuracy when shooting under dim
lighting.
• 12X zoom (page 56)
3X optical zoom, 4X digital zoom
9
B
INTRODUCTION
• Flash Assist (page 63)
This feature compensates when flash intensity is not
strong enough, so images are better illuminated.
• Triple Self-timer (page 65)
The self-timer can be set up to repeat three times,
automatically.
• Auto Macro (page 73)
Auto Macro automatically switches to the macro mode
when the distance between the camera and subject it
shorter than the Auto Focus range.
• Quick Shutter (page 73)
When you press the shutter button all the way down
without pausing, the camera immediately records the
image without waiting for Auto Focus to be performed.
This helps to avoid missing a special moment while you
wait for the camera to Auto Focus.
• Auto Focus Area Selection (page 74)
When “ Multi” is selected for the Auto Focus area, the
camera takes simultaneous meter readings at nine
different points and automatically selects the best one.
• BEST SHOT (page 85)
Simply select the sample scene that matches the type of
image you are trying to record and the camera performs
troublesome setups automatically for beautiful images
every time. New BEST SHOT sample scenes include
setups for High Sensitivity and Anti Shake. A [BS] (BEST
SHOT) button provides direct access to BEST SHOT
sample scenes.
• Business Shot (page 92)
Business Shot automatically corrects rectangular shapes
when recording the image of a business card, document,
whiteboard, or similar subjects from an angle.
• Restoring an Old Photograph (page 94)
You can use the procedure in this section to restore an
old, faded photograph with the color provided by modern
digital camera technology.
• High-resolution movie recording with audio (page 97)
VGA size, 30 fps, MPEG-4 AVI format
10
INTRODUCTION
• Movie button (pages 99, 105)
Simply press [] (MOVIE) to start recording a movie,
without any troublesome mode changes. You can even
press the shutter button during movie recording to record
a snapshot.
• A choice of movie recording functions (page 98)
Movie recording functions include Normal Movie, Short
Movie (movie is a preset length that starts before []
(MOVIE) was pressed and ends after it is pressed), and
Past Movie (movie starts from five seconds before []
(MOVIE) was pressed), and a BEST SHOT mode (instant
camera setup based on BEST SHOT sample scenes).
• MOTION PRINT (pages 101, 134)
Capture frames from a movie and create still images that
are suitable for printing.
• Audio Snapshot mode (page 106)
Use this mode to record snapshots that also include
audio.
• Voice Recording (page 107)
Quick and easy recording of voice input.
• Real-time RGB histogram (page 109)
An on-screen histogram lets you adjust exposure as you
view the effect on overall image brightness, which makes
shooting under difficult lighting conditions easier than
ever before.
• Calendar screen (page 137)
A simple operation displays a full-month calendar on the
camera’s monitor screen. Each day of the full-month
calendar shows a thumbnail of the first file recorded for
that date, which helps to make searching for a particular
file quicker and easier.
• World Time (page 162)
A simple operation sets the current time for your current
location. You can select from among 162 cities in 32 time
zones.
• Support for SD memory cards and MMC (MultiMedia
Cards) for memory expansion (page 169)
• Digital Print Order Format (DPOF) (page 177)
Images can be printed easily in the sequence you want
using a DPOF compatible printer. DPOF can also be used
when specifying images and quantities for printing by
professional print services.
11
B
INTRODUCTION
• PictBridge and USB DIRECT-PRINT support
(page 180)
Connect directly to a PictBridge or USB DIRECT-PRINT
compatible printer and you can print images without going
through a computer.
• PRINT Image Matching III Compatible (page 185)
Images include PRINT Image Matching
setting and other camera setup information). A printer that
supports PRINT Image Matching
adjusts the printed image accordingly, so your images
come out just the way you intended when you recorded
them.
• DCF Data Storage (page 200)
DCF (Design rule for Camera File system) data storage
protocol provides image compatibility between the digital
camera and printers.
• Bundled with Photo Loader and Photohands
(pages 208, 211, 221)
Your camera comes bundled with Photo Loader, the
popular application that automatically loads images from
your camera to your PC. It also comes with Photohands,
and application that makes image retouching quick and
easy.
III
data (mode
III
reads this data and
• Ulead Movie Wizard SE VCD (page 216)
Bundled Ulead Movie Wizard SE VCD software lets you
edit movie files on your computer and create Video CDs.
Software can be upgraded to convert files so they can be
played by a DVD player.
12
INTRODUCTION
Precautions
■ General Precautions
Be sure to observe the following important precautions
whenever using the EX-S600.
All references in this manual to “camera” refer to the
CASIO EX-S600 Digital Camera.
• Never try to take pictures or use the built-in display while
operating a motor vehicle or while walking. Doing so
creates the risk of serious accident.
• Never try to open the case of the camera or attempt your
own repairs. High-voltage internal components create the
risk of electric shock when exposed. Always leave
maintenance and repair work up to a CASIO authorized
service center.
• Keep the small parts and accessories of this camera out
of the reach of small children. If swallowed accidentally,
contact your physician immediately.
• Never fire the flash in the direction of a person operating
a motor vehicle. Doing so can interfere with the driver’s
vision and create the risk of accident.
• Never fire the flash while it is too close to the subject’s
eyes. Intense light from the flash can cause eye damage
if it is fired too close to the eyes. This is especially true
with young children. When using the flash, the camera
should be at least one meter (3.3´) from the eyes of the
subject.
• Keep the camera away from water and other liquids, and
never let it get wet. Moisture creates the risk of fire and
electric shock. Never use the camera outdoors in the rain
or snow, at the seashore or beach, in the bathroom, etc.
• Should foreign matter or water ever get into the camera,
immediately turn it off. Next, remove the camera’s battery
and/or unplug the AC adaptor power cord from the power
outlet, and contact your dealer or nearest CASIO
authorized service center. Using the camera under these
conditions creates the risk of fire and electric shock.
• Should you ever notice smoke or a strange odor coming
out of the camera, immediately turn it off. Next, taking
care you do not burn your fingers, remove the camera’s
battery and/or unplug the AC adaptor power cord from the
power outlet, and contact your dealer or nearest CASIO
authorized service center. Using the camera under these
conditions creates the risk of fire and electric shock. After
making sure there is no more smoke coming from the
camera, take it to your nearest CASIO authorized service
center for repair. Never attempt your own maintenance.
• Never use the AC adaptor to power any other device
besides this camera. Never use any other AC adaptor
besides the one that comes with this camera.
• Never cover the AC adaptor with a quilt, blanket, or other
cover while it is in use, and do not use it near a heater.
• At least once a year, unplug the AC adaptor power cord
from the power outlet and clean the area around the
prongs of the plug. Dust build up around the prongs can
create the risk of fire.
13
INTRODUCTION
• If the camera’s case should ever become cracked due to
dropping it or otherwise subjecting it to rough treatment,
immediately turn it off. Next, remove the camera’s battery
and/or unplug the AC adaptor power cord from the power
outlet, and contact your dealer or nearest CASIO
authorized service center.
• Never use the camera inside of an aircraft or in any other
area where its use is prohibited. Doing so creates the risk
of accident.
• Physical damage and malfunction of this camera can
cause the data stored in its memory to be deleted. Always
keep backup copies of data by transferring them to
personal computer memory.
• Never open the battery cover, disconnect the AC adaptor
from the camera, or unplug the AC adaptor from the wall
socket while an image is being recorded. Doing so will not
only make storage of the current image impossible, it can
also corrupt other image data already stored in file
memory.
■ Test for proper operation before using the
camera!
Before using the camera to record important images, make
sure you first record a number of test images and check the
results to ensure that the camera is configured correctly
and operating properly.
14
INTRODUCTION
■ Data Error Precautions
• Your digital camera is manufactured using precision
digital components. Any of the following creates the risk
of corruption of data in file memory.
— Removing the battery or memory card, or setting the
camera onto the USB cradle while the camera is
performing a record or memory access operation
— Removing the battery, removing the memory card, or
placing the camera onto the USB cradle while the
operation lamp is still flashing green after you turn off
the camera
— Disconnecting the USB cable, removing the camera
from the USB cradle, or disconnecting the AC adaptor
from the USB cradle while a data communication
operation is being performed
— Low battery power
— Other abnormal operations
Any of the above conditions can cause an error message to
appear on the monitor screen (page 237). Follow the
instructions provided by the message to eliminate the
cause of the error.
■ Operating conditions
• This camera is designed for use in temperatures ranging
from 0°C to 40°C (32°F to 104°F).
• Do not use or keep the camera in the following areas.
— In areas subject to direct sunlight
— In areas subject to high humidity or dust
— Near air conditioners, heaters, or other areas subject
to temperature extremes
— Inside of a closed vehicle, especially one parked in the
sun
— In areas subject to strong vibration
15
INTRODUCTION
■ Condensation
• When you bring the camera indoors on a cold day or
otherwise expose it to a sudden change of temperature,
there is the possibility that condensation can form on the
exterior or on interior components. Condensation can
cause malfunction of the camera, so you should avoid
exposing it to conditions that might cause condensation.
• To keep condensation from forming, place the camera
into a plastic bag before moving it into a location that is
much warmer or colder than your current location. Leave
it in the plastic bag until the air inside the bag has a
chance to reach the same temperature as the new
location. If condensation does form, remove the battery
from the camera and leave the battery cover open for a
few hours.
■ Power Supply
• Use only the special NP-20 rechargeable lithium ion
battery to power this camera. Use of any other type of
battery is not supported.
• This camera does not have a separate battery for the
clock. The date and time settings of the camera are
cleared whenever power is totally cut off (from both the
battery and USB cradle). Be sure to reconfigure these
settings after power is interrupted (page 160).
16
INTRODUCTION
■ Lens
• Never apply too much force when cleaning the surface of
the lens. Doing so can scratch the lens surface and cause
malfunction.
• You may sometimes notice some distortion in certain
types of images, such as a slight bend in lines that should
be straight. This is due to the characteristics of lens, and
does not indicate malfunction of the camera.
■ Caring for your camera
• Fingerprints, dust, or any other soiling of the lens can
interfere with proper image recording. Never touch the
lens with your fingers. You can remove dust particles
from the lens surface by using a lens blower to blow them
off. Next, wipe the surface of the lens with a soft lens
cloth.
• Fingerprints, dirt, and other foreign matter on the flash
can interfere with proper operation of the camera. Avoid
touching the flash. If the flash becomes dirty, wipe it clean
with a soft, dry cloth.
• If the exterior of the camera needs cleaning, wipe it with a
soft, dry cloth.
■ Other
• The camera may become slightly warm during use. This
does not indicate malfunction.
17
QUICK START GUIDE
QUICK START GUIDE
First, charge the battery!
1.
Load the battery into the camera
(page 32).
1
2
Stopper
2.
Place the camera onto the USB cradle to charge the
battery (page 33).
• Note that the shape of the AC adaptor depends on the area where
you purchased the camera.
• It takes about 120 minutes to achieve a full charge.
21 Inlet Type
3
○○○○○○○○○○○○○○○○
1 Plug-in Type
18
[CHARGE] lamp
Charging: Lights red
Charging Complete: Lights green
QUICK START GUIDE
To configure display language and clock settings
• Be sure to configure the following settings
before using the camera to record images.
See page 47 for details.
1
2, 3, 4, 5, 6, 7, 8, 9
[왖]
[왗][왘]
[왔]
[SET]
1.
Press the power button to turn on the camera.
2.
Use [왖], [왔], [왗], and [왘] to select the language you
want.
3.
Press [SET] to register the language setting.
4.
Use [왖], [왔], [왗], and [왘] to select the geographical area
you want, and then press [SET].
5.
Use [왖] and [왔] to select the city you want, and then
press [SET].
6.
Use [왖] and [왔] to select the summer time (DST) setting
you want, and then press [SET].
7.
Use [왖] and [왔] to select the date format setting you
want, and then press [SET].
8.
Set the date and the time.
9.
Press [SET] to register the clock settings and exit the
setting screen.
19
QUICK START GUIDE
3
To record an image
See page 50 for details.
Auto recording icon
Operation lamp
21
Focus frame
Before using a commercially available memory
card, be sure to first format it using the camera’s
formatting procedure. For details about formatting
a memory card, see page 172.
1.
Press [] (REC).
• This enters the REC (recording) mode.
• This causes the auto recording icon () to appear on
the monitor screen.
2.
Point the camera at the subject, use the monitor
screen to compose the image, and then press
the shutter button half way.
• When the camera finishes its Auto Focus operation, the
focus frame will turn green and the operation lamp lights
green.
3.
Holding the camera still, gently press the shutter
button all the way down.
20
QUICK START GUIDE
To view a recorded image
See page 122 for details.
1
2
1.
Press [] (PLAY).
• This enters the PLAY (playback) mode.
2.
Use [왗] and [왘] to scroll through the
images.
To delete an image
See page 149 for details.
1
2, 3, 4, 5
1.
Press [] (PLAY).
2.
Press [왔] ( ).
3.
Use [왗] and [왘] to display the image you want to
delete.
4.
Use [왖] and [왔] to select “Delete”.
• To exit the image delete operation without deleting anything,
select “Cancel”.
5.
Press [SET] to delete the image.
21
GETTING READY
GETTING READY
This section contains information about things you need to
know about and do before trying to use the camera.
About This Manual
This section contains information about the conventions
used in this manual.
■ Terminology
The following table defines the terminology used in this
manual.
This term as used in this
manual:
“camera”
“file memory”
“battery”
“charger”
Means this:
The CASIO EX-S600 Digital
Camera
The location where the
camera is currently storing
images you record (page 51)
The NP-20 Rechargeable
Lithium Ion Battery
The optionally available CASIO
BC-10L charger
This term as used in this
manual:
“digital noise”Tiny flecks or “snow” in a
Means this:
recorded image or on the
monitor screen, which makes
the image look grainy.
■ Button Operations
Button operations are indicated by the button name inside
of brackets ([ ]).
■ On-screen Text
On-screen text is always enclosed by double quotation
marks (“ ”).
■ Supplementary Information
• IMPORTANT! indicates very important
information you need to know in order to use the camera
correctly.
• NOTE indicates information that is useful when
operating the camera.
22
GETTING READY
5
6
■ File Memory
The term “file memory” in this manual is a general term that
refers to the location where your camera is currently storing
the images you record. File memory can be any one of the
following three locations.
• The camera’s built-in memory
• An SD memory card loaded in the camera
• A MultiMediaCard loaded in the camera
For more information about how the camera stores images,
see page 201.
General Guide
The following illustrations show the names of each
component, button, and switch on the camera.
Camera
■ Front
3 421
1 Shutter button
2 Power button
3 Flash
4 AF assist light/
self-timer lamp
5 Lens
6 Microphone
23
GETTING READY
LMNKJ
■ Back
8907
AB
C
D
HG
EF
7 Operation lamp
8 [] (PLAY mode) button
9 [] (REC mode) button
0 [] (MOVIE) button
A Zoom button
B Strap ring
C Speaker
D [왖][왔][왗][왘]
E [SET] button
F [BS] (BEST SHOT) button
G [MENU] button
H Monitor Screen
[왖]
[왗][왘]
[왔]
[SET]
■ Bottom
I Stopper
J Memory card slot
K Battery compartment
L Battery cover
M Connector
N Tripod screw hole
* Use this hole when attaching to a tripod.
I
24
GETTING READY
8
2
USB Cradle
Simply placing your CASIO digital camera onto the USB
cradle lets you perform the following tasks.
• Battery charging (page 33)
• Viewing of images using the Photo Stand slideshow
feature (page 140).
• TV connectability for viewing of images on a television
screen (page 146).
• Direct connection to a printer for printing (page 181)
• Automatic transfer of images to a computer (page 186)
IMPORTANT!
• Use only the USB cradle (CA-30) that comes with the
camera. Other USB cradles are not supported.
The monitor screen uses various indicators and icons to keep you informed of the camera’s status.
• Note that the example screens in this chapter are for illustrative purposes only. They do not exactly match the screen
contents actually produced on the camera.
REC Mode
■ Screen Indicators
• When you select Auto with
Key Customize (page 112),
appears only briefly,
AWB
and then disappears from the
display.
4 Self-timer (page 65)
None 1-Image
Self-timer 10 sec
10
s
Self-timer 2 sec
2
s
Triple self-timer
x3
5 Metering mode indicator
(page 118)
None Multi
Center Weighted
Spot
K
J
I
356
H
G
F
7
8421
1 Flash mode indicator
9
0
A
B
C
D
E
(page 60)
Auto Flash
Flash Off
Flash On
Red-eye reduction
• appears momentarily
when you select Auto Flash
as the flash mode, and then
disappears.
• If the camera detects that
flash is required while auto
flash is selected, the flash on
indicator will appear when the
shutter button is pressed half
way.
2 Focus mode indicator
(page 71)
Auto Focus
Macro
Pan Focus
Infinity
Manual Focus
• When you select Auto Focus
with Key Customize (page
112), appears only
briefly, and then disappears
from the display.
3 White balance indicator
(page 81)
Auto
AWB
Daylight
Cloudy
Shade
Day White
Daylight
Tungsten
Manual
26
B
GETTING READY
6 Recording types
Auto recording
BEST SHOT
Movie
Short Movie
Past Movie
Voice Recording
• appears when a BEST
SHOT mode scene other than
Short Movie, Past Movie, or
Voice Recording is selected.
7 Image size (Snapshots)
(page 68)
8 Memory capacity
(Snapshots)
(pages 52, 239)
9 Image quality
(Snapshots) (page 69)
F : Fine
N : Normal
E : Economy
0 Remaining recording time
(Movies) (page 99)
A Image quality (Movies)
(page 98)
HQ: High Quality
NORMAL : Normal
LP: Long Play
B Shutter speed value
(page 52)
C Aperture value (page 52)
D ISO sensitivity
(page 117)
E Date and time
(page 160)
F Focus frame
(page 51)
• Focusing complete: Green
• Focusing failed: Red
G EV value (page 79)
H Battery capacity
(page 36)
I Histogram (page 109)
J Anti Shake indicator
(page 90)
K Continuous Shutter mode
(page 84)
None Single shot
Continuous shutter
27
NOTE
• An out of range aperture, shutter speed, or ISO
sensitivity setting causes the corresponding monitor
screen value to turn amber.
• Changing the setting of any one of the following
functions will cause Icon Help (page 114) text to
appear on the monitor screen. You can turn off Icon
Help if you want.
Flash mode, Focus mode, White balance, Self-timer,
Recording type, EV shift
B
GETTING READY
L
M
L Digital zoom indicator (page 58)
M Zoom indicator (page 58)
• Left side indicates optical zoom.
• Right side indicates digital zoom.
PLAY Mode
F
E
1 PLAY mode file type
Snapshot
Movie
Short Movie
Past Movie
Audio Snapshot
Voice Recording
2 Image protection
indicator (page 152)
28
D
123
C
0AB
3 Folder name/File name
(page 151)
Example : When a file named
CIMG0023.JPG is stored in a folder
named 100CASIO
100-0023
Folder name File name
4 • Snapshots: Image quality
(page 69)
F : Fine
N : Normal
E : Economy
• Movies: Recording time (page 99)
4
5
6
7
8
9
GETTING READY
5 • Snapshots: Image Size
(page 69)
• Movies: Image quality
(page 98)
HQ: High Quality
NORMAL : Normal
LP: Long Play
6 Shutter speed value
(page 52)
7 Aperture value
(page 52)
8 ISO sensitivity (page 117)
9 Date and time
(page 160)
0 Metering mode indicator
(page 118)
Multi
Center Weighted
Spot
A White balance indicator
(page 81)
Auto
AWB
Daylight
Cloudy
Shade
Day White
Daylight
Tungsten
Manual
B Flash mode indicator
(page 60)
Flash On
Flash Off
Red-eye reduction
C Recording types
Auto recording
BEST SHOT
D Battery capacity
(page 36)
E Histogram (page 109)
F EV value (page 79)
29
IMPORTANT!
• Some information may not display properly if you
display an image that was recorded using a different
digital camera model.
B
GETTING READY
Changing the Contents of the Monitor
Screen
Each press of [왖] (DISP) changes the contents of the
monitor screen as shown below.
■ REC Mode
Indicators onHistogram on
Indicators off
■ PLAY Mode
Indicators onHistogram/Details on
Indicators off
30
GETTING READY
IMPORTANT!
• Pressing [왖] (DISP) will not change monitor screen
contents during standby or recording of an audio
snapshot.
• You can use [왖] (DISP) to turn off the monitor screen
only when voice recording in the REC mode. You
cannot turn off the monitor screen for any other
recording function.
• Pressing [왖] (DISP) in the Voice Recording REC
mode toggles the monitor screen on (“indicators on”)
and off. While a Voice Recording file is displayed in
the PLAY mode, pressing [왖] (DISP) toggles
between “indicators on” and “indicators off”.
• When playing back the content of a Voice Recording
file while “indicators off” is selected (Voice Recording
file icon only on the monitor screen), the monitor
screen will go black about two seconds after you
press [SET] to start playback. The Voice Recording
file icon (indicators off) will reappear after playback is
complete.
Attaching the Strap
Attach the strap to the strap ring as shown in the
illustration.
Strap ring
IMPORTANT!
• Be sure to keep the strap around your wrist when
using the camera to protect against accidentally
dropping it.
• The supplied strap is intended for use with this
camera only. Do not use it for any other purpose.
• Never swing the camera around by the strap.
31
GETTING READY
Power Requirements
Your camera is powered by a rechargeable lithium ion
battery (NP-20).
Loading the Rechargeable Battery
1.
Slide the battery cover in the direction
indicated by the arrow, and then swing it
open.
2.
With the EXILIM logo on the battery facing
upwards (in the direction of the monitor
screen), hold the stopper in the direction
indicated by the arrow as you slide the
battery into the camera.
NP-20
• Push the bottom of the battery, and make sure that
the stopper securely locks the battery in place.
Stopper
32
GETTING READY
3.
Swing the battery cover closed, and then slide
it in the direction indicated by the arrow.
To charge the battery
1.
Connect the bundled AC adaptor to the [DC IN
5.3V] connector of the USB cradle, and then
plug it in to a household power outlet.
• Note the shape of the AC adaptor depends on the
area where you purchased the camera.
IMPORTANT!
• Use only the special NP-20 rechargeable lithium ion
battery to power this camera. Use of any other type
of battery is not supported.
The battery is not fully charged when you use the
camera for the first time after purchasing it. You need
to charge the battery before using the camera for the
first time.
33
AC Adaptor
[DC IN 5.3V]
AC power cord
USB Cradle
GETTING READY
NOTE
• The bundled AC adaptor is designed for operation
with any power supply in the range of 100V to 240V
AC. Note, however, that the shape of the AC power
cord plug varies according to country or geographic
area. If you plan to use the AC adaptor in a
geographic area where the power receptacle shape
is different from that in your area, replace the AC
power cord with one of the other ones that comes
with the camera, or purchase a commercially
available AC power cord that is compatible with the
power outlets in that area.
• Never use the AC adaptor with a voltage converter.
○○○○○○○○○○○○○○○○○○○○○○○○○○○
USB Cradle
AC Adaptor
[DC IN 5.3V]
34
NOTE
• The AC adaptor is designed for operation on power
ranging from 100V AC to 240V AC. Note, however,
that the shape of the power cord plug varies
according to country or geographic area. It is up to
you to find out if the shape of the AC adaptor power
cord plug is compatible with local power outlets when
traveling abroad.
• Never use the AC adaptor with a voltage converter.
2.
Turn off the camera.
3.
With the camera
positioned with the
monitor screen
facing forward as
shown in the
illustration, place it
onto the USB cradle.
• Do not place the camera
onto the USB cradle
while it is turned on.
• The [CHARGE] lamp on the USB cradle should turn
red, indicating that charging has started. When
charging is complete, the [CHARGE] lamp will turn
green.
[CHARGE] lamp
GETTING READY
• It takes about 120 minutes to achieve a full charge.
Actual charging time depends on current battery
capacity and charging conditions.
4.
After charging is complete, remove the
camera from the USB cradle.
IMPORTANT!
• Use only the USB cradle (CA-30) that comes with the
camera or the optionally available charger (BC-10L)
to charge the special NP-20 rechargeable lithium ion
battery. Never use any other charging device.
• Use only the bundled AC adaptor. Never use any
other type of AC adaptor. Do not use optionally
available AD-C30, AD-C40, AD-C620, and AD-C630
AC adaptors with this camera.
• Make sure that the camera connector of the USB
cradle is securely inserted into the camera’s
connector as far as it will go.
• The [CHARGE] lamp may remain amber colored and
the charge operation may not start right away if you
try to charge immediately after using the camera
(which causes battery to become warm) or when it is
too hot or too cold where you are performing the
charge operation. If this happens, simply wait until
the battery reaches normal temperature. The
[CHARGE] lamp will turn red and charging will start
when the battery temperature returns to the
allowable charging temperature range.
• If the [CHARGE] lamp starts flashing red, it means
that an error occurs while charging. An error can be
caused by any of the following: a problem with the
USB cradle, a problem with the camera, or a problem
with the battery or how it is loaded. Remove the
camera from the USB cradle and see if it works
normally.
• The only operations that can be performed while the
camera is on the USB cradle are: battery charging,
Photo Stand, image output to a TV, and USB data
communication.
35
GETTING READY
■ If the camera does not work normally
This can mean there is a problem with how the battery is
loaded. Perform the following steps.
1.
Remove the battery from the camera and
check the battery contacts for dirt. If the
contacts are dirty, wipe them clean with a dry
cloth.
2.
Check to make sure that the AC adaptor’s
power cord is connected securely to the
power outlet and USB cradle.
• If the same symptoms occur again when you place
the camera on the USB cradle after taking the above
steps, contact a CASIO authorized service center.
■ Low Battery Indicator
The following shows how the battery capacity indicator on
the monitor screen changes as battery power is used. The
indicator means that remaining battery power is low.
Note that you will not be able to record images while the
battery indicator is . Charge the battery immediately
whenever either of these indicators appears.
Battery LevelHighLow
Indicator
IMPORTANT!
• See page 242 for information about battery life.
• Due to differences in the power requirements of each
mode, the battery indicator may show a lower level in
the PLAY mode than what it shows in the REC
mode. This is normal, and does not indicate
malfunction.
36
C
GETTING READY
■ Tips to Make the Battery Last Longer
• If you do not need the flash while recording, select
(flash off) for the flash mode. See page 60 for more
information.
• Enable the Auto Power Off and the Sleep features (page
43) to protect against wasting battery power when you
forget to turn off the camera.
• Use the “Normal” monitor brightness setting to consume
less power (page 165).
To replace the battery
1.
Open the battery cover.
2.
Pull the stopper in the direction indicated by
the arrow.
• This will cause the battery to come part way out of
the slot.
3.
Release the stopper and pull the battery from
the camera.
• Take care so you do not drop the battery.
4.
Load a new battery into the camera (page 32).
37
Stopper
GETTING READY
Power Supply Precautions
Note the following precautions when handling or using the
battery and the optional charger.
■ Battery Handling Precautions
● SAFETY PRECAUTIONS
Be sure to read the following Safety Precautions before
using the battery for the first time.
NOTE
• The term “battery” in this manual refers to the CASIO
NP-20 Rechargeable Lithium Ion Battery.
• Use only the USB cradle (CA-30) that comes with the
camera or the optionally available charger (BC-10L)
to charge the special NP-20 rechargeable lithium ion
battery. Never use any other charging device.
• Failure to observe any of the following precautions
while using the battery creates the risk of overheating,
fire, and explosion.
— Never use any other type of charger except the
optional charger specified for the battery.
— Never try to use the battery to power any device
other than this camera.
— Never use or leave the battery near open flame.
— Never place the battery in a microwave oven, throw
it into fire, or otherwise expose it to intense heat.
— Make sure the battery is oriented correctly when you
load it into the camera or attach it to the optional
charger.
— Never carry or store the battery together with items
that can conduct electricity (necklaces, pencil lead,
etc.)
— Never try to take the battery apart, modify it in any
way, or expose it to strong impact.
— Do not immerse the battery in fresh water or salt
water.
— Do not use or leave the battery under direct
sunlight, in an automobile parked in the sun, or in
any other area subject to high temperatures.
38
GETTING READY
• Should you ever notice any of the following conditions
while using, charging, or storing a battery, immediately
remove it from the camera or charger, and keep it away
from open flame:
— Fluid leaking
— Emission of a strange odor
— Heat emission
— Battery discoloration
— Battery deformation
— Any other battery abnormality
• If the battery does not achieve full charge after the
normal charging time has passed, stop charging.
Continued charging creates the risk of overheating, fire,
and explosion.
• Battery fluid can damage your eyes. Should battery
fluid get into your eyes accidentally, immediately rinse
them with clean tap water and then consult a physician.
• Be sure to read page 33 of this User’s Guide and the
instructions that come with the optional charger before
using or charging the battery.
• If the battery is to be used by young children, make
sure that a responsible adult makes them aware of the
precautions and proper handling instructions and make
sure that they handle the battery correctly.
• Should fluid from the battery accidentally get onto
clothing or your skin, immediately rinse it off with clean
tap water. Prolonged contact with battery fluid can
cause skin irritation.
● PRECAUTIONS DURING USE
• The battery is designed for use with this CASIO digital
camera only.
• Use only the USB cradle that comes with the camera or
the specified optional charger to charge the battery.
Never use any other type of charger for charging.
• Use of a battery in cold environments shortens the
operating time you can expect on a full charge. Charge
the battery in a location where the temperature is in the
range of 10°C to 35°C (50°F to 95°F). Charging outside
this temperature range can cause charging to take
longer than normal or even cause charging to fail.
• Very limited operation following a full charge indicates
that the battery has reached the end of its service life.
Replace the battery with a new one.
• Never wipe the battery with thinner, benzene, alcohol,
or other volatile agents or chemically treated rags.
Doing so can cause deformation of the battery and lead
to malfunction.
39
GETTING READY
● BATTERY STORAGE PRECAUTIONS
• Make sure you remove the battery from the camera
when you do not plan to use it for a long time. A battery
left in the camera discharges very small amounts of
power even when power is turned off, which can lead to
a dead battery or the need for longer charging before
the next use.
• Store the battery in a cool, dry place (20°C (68 ° F) or
lower).
● USING THE BATTERY
• See page 33 of this manual or the instructions that
come with the optional charger for information about
charging procedures and charging times.
• When transporting a battery, keep it either loaded in
the camera or stored in its case.
■ USB Cradle and AC Adaptor Precautions
• Never use an electrical outlet whose voltage
is outside the rating marked on the AC
adaptor. Doing so can create the risk of fire or
electric shock. Use only the AC adaptor
bundled with this camera.
• Do not allow the AC adaptor cord to become
cut or damaged, do not place heavy objects
on it, and keep it away from heat. A damaged
power cord creates the risk of fire and electric
shock.
• Never try to modify the AC adaptor cord, or
subject it to severe bending, twisting, or
Caution!
pulling. Doing so creates the risk of fire and
electric shock.
• Never touch the AC adaptor while your hands
are wet. Doing so creates the risk of electric
shock.
• Do not overload extension cords or wall
outlets. Doing so creates the risk of fire and
electric shock.
• Should the cord of the AC adaptor become
damaged (exposed internal wiring), contact
your dealer or nearest CASIO authorized
service center. A damaged AC adaptor cord
creates the risk of fire or electric shock.
40
GETTING READY
• Use the AC adaptor where it will not be
splashed with water. Water creates the risk of
fire and electric shock.
Caution!
• Do not place a vase or any other container
filled with liquid on top of the AC adaptor.
Water creates the risk of fire and electric
shock.
• Make sure you always remove the camera from the USB
cradle before connecting or disconnecting the AC
adaptor.
• Charging, USB data communication, and using the Photo
Stand feature can cause the AC adaptor to become
warm. This is normal and does not indicate malfunction.
• Unplug the AC power cord from the power outlet
whenever you are not using it.
• Never place a blanket or any other cover on the AC
adaptor. Doing so creates the risk of fire.
Turning the Camera On and Off
■ To turn on the camera
Press the power button, [] (REC) or [] (PLAY). The
operation lamp will light green momentarily, and then
power will turn on. The mode the camera enters depends
on which button you pressed to turn it on.
To enter this mode at
startup:
REC
PLAY
Power buttonOperation lamp
Press this button to turn on the camera:
Power button or [] (REC)
] (PLAY)
[
[] (PLAY)
41
[] (REC)
GETTING READY
NOTE
• Pressing [] (REC) to turn on the camera enters
the REC mode, while pressing [] (PLAY) enters
the PLAY mode.
• Pressing [] (PLAY) while in the REC mode
switches to the PLAY mode. The lens retracts about
10 seconds after switching modes.
IMPORTANT!
• If camera power is turned off by the Auto Power Off
feature, press the power button, [] (REC) or []
(PLAY) to turn it back on again.
• Pressing the power button or [] (REC) to turn on
the camera also causes the lens to extend. Take
care to avoid any interference with the lens operation
or allowing anything to strike the lens when it is
extended.
■ To turn off the camera
Press the power button to turn off the camera.
NOTE
• You can setup the camera so it does not turn on
when you press [] (REC) or [] (PLAY), or to
turn off when you press [] (REC) or [] (PLAY).
For details, see “Configuring [] (REC) and []
(PLAY) Power On/Off Functions” on page 166.
42
GETTING READY
Configuring Power Saving Settings
You can configure the settings described below to
conserve battery power.
Sleep: Automatically turns off the monitor
Auto Power Off : Turns off power if you do not perform
1.
Turn on the camera.
2.
Press [MENU].
3.
Use [왗] and [왘] to select the “Set Up” tab.
4.
Use [왖] and [왔] to select the feature whose
setting you want to configure, and then press
[왘].
screen if no operation is performed for a
specified amount of time in the REC
mode. Performing any button operation
causes the monitor screen to turn back
on.
any operation for a specified amount of
time.
● See “Using the On-screen Menus” (page 44) for
information about how to use menus.
To configure this feature:Select this setting:
SleepSleep
Auto Power OffAuto Power Off
5.
Use [왖] and [왔] to change the currently
selected setting, and then press [SET].
• Available Sleep settings are: “30 sec”, “1 min”, “2 min”,
and “Off”.
• Available Auto Power Off settings are: “2 min” and
“5 min”.
• Note that the Sleep feature does not operate in the
PLAY mode.
• Pressing any button while the camera is in the Sleep
state immediately turns the monitor screen back on.
43
GETTING READY
• The Auto Power Off and Sleep features are disabled
in the following cases.
— When the camera is connected to a computer or
some other device through the USB cradle
— While a slideshow is in progress
— While playing back a voice recording file
— While a movie is being recorded
— While playing back a movie
Using the On-screen Menus
Pressing [MENU] displays menus on the monitor screen
that you can use to perform various operations. The menu
that appears depends on whether you are in the REC
mode or the PLAY mode. The following shows an example
menu procedure in the REC mode.
1.
Press the power
Power button
button or [] (REC).
• If you want to enter the
PLAY mode instead,
press [] (PLAY).
[]
[]
44
GETTING READY
2.
Press [MENU].
[MENU]
[왗]
[왔]
[SET ]
[왖]
[왘]
Selection cursor (indicates
the currently selected item)
Tab
Settings
● Menu Screen Operations
When you want to do this:
Move between tabs
Move from the tab to the
settings
Move from the settings to
the tab
Move between the settings
Display the options
available for a setting
Select an option
Apply the setting and exit
the menu screen
Apply the setting and
return to tab selection
Exit the menu screen
Do this:
Press [왗] and [왘].
Press [왔].
Press [왖].
Press [왖] and [왔].
Press [왘] or press [SET].
Press [왖] and [왔].
Press [SET].
Press [왗].
Press [MENU].
45
GETTING READY
3.
Press [왗] or [왘] to select the tab you want,
and then press [SET] to move the selection
cursor from the tab to the settings.
4.
Use [왖] and [왔] to
select the feature
whose setting you
want to configure,
and then press [왘].
• Instead of pressing [왘],
you could also press
[SET].
5.
Use [왖] and [왔] to change the currently
Example: To select the
“Focus” item.
selected setting.
6.
Perform one of the following operations to
apply the setting you configured.
To do this:
Apply the setting and exit
the menu screen.
Apply the setting and
return to feature selection
in step 4.
Apply the setting and
return to tab selection in
step 3.
• See “Menu Reference” on page 225 for more
information about menus.
Perform this key operation:
Press [SET].
Press [왗].
1. Press [왗].
2. Use [왖] to move back up to
tab selection.
46
GETTING READY
Configuring Display Language and Clock
Settings
Be sure to configure the following settings before using the
camera to record images.
• Display language
• Home city
• Date Style
• Date and time
Note that the current date and time settings are used by
the camera to generate the date and time that are stored
along with image data, etc.
IMPORTANT!
• Recording images without configuring the clock
settings causes incorrect time information to be
registered. Be sure to configure the clock settings
before using the camera.
• A built-in backup battery retains the date and time
settings of the camera for about 24 hours if the
camera is not supplied with power. Date and time
settings will be cleared when the backup battery
goes dead. The following are the conditions when
power is not being supplied to the camera.
— When the rechargeable battery is dead or
removed from the camera
— When power is not being supplied to the camera
from the USB cradle while the rechargeable
battery is dead or removed from the camera
• The date and time setting screen will appear on the
monitor screen the next time you turn on the camera
after the date and time settings have been cleared. If
this happens, reconfigure the date and time settings.
• If you make a mistake when setting the language or
clock with the following procedure, you will need to
use the camera’s menu to individually change the
language (page 164) or clock (page 160) settings.
• Even if you configure date and time settings, the
date and time are not stamped into the images
themselves. Note, however, that you can specify
inclusion of the date inside of an image when printing
(page 184).
47
GETTING READY
To configure display language and clock
settings
1.
Press the power button, [] (REC) or
[] (PLAY) to turn on the camera.
2.
Use [왖], [왔], [왗], and
[왘] to select the
language you want,
and then press [SET].
: Japanese
English: English
Français : French
Deutsch : German
Español : Spanish
Italiano: Italian
Português : Portuguese
: Chinese (Complex)
: Chinese (Simplified)
: Korean
3.
Use [왖], [왔], [왗], and
[왘] to select the
geographical area
where you live, and
then press [SET].
4.
Use [왖] and [왔] to
select the name of the
city where you live,
and then press [SET].
5.
Use [왖] and [왔] to select the summer time
(DST) setting you want, and then press [SET].
When you want to do this:
Keep time using summer time
(Daylight Saving Time)
Keep time using standard time
Select this setting:
On
Off
48
GETTING READY
6.
Use [왖] and [왔] to
select the date format
setting you want, and
then press [SET].
7.
Set the current date
and the time.
Example: December 24, 2005
To display the date like this:
05/12/24
24/12/05
12/24/05
Select this format:
YY/MM/DD
DD/MM/YY
MM/DD/YY
49
To do this:
Change the setting at the current
cursor location
Move the cursor between settings
Toggle between 12-hour and 24hour timekeeping
8.
Press [SET] to register the settings and exit
Do this:
Press [왖] and [왔].
Press [왗] and [왘].
Press [BS].
the setting screen.
BASIC IMAGE RECORDING
BASIC IMAGE RECORDING
This section describes the basic procedure for recording an
image.
Recording an Image
Aiming the Camera
Use both hands to hold the camera still when shooting an
image. Holding the camera with one hand increases the
chance of movement, which can blur your images.
• HorizontalHold the camera
still in both
hands, with your
arms firmly
against your
sides.
• VerticalWhen holding
the camera
vertically, make
sure that the
flash is above
the lens. Hold
the camera still
with both hands.
IMPORTANT!
• Make sure your fingers and the strap do not block
the flash, microphone, AF assist light/self-timer lamp
or lens.
Flash
AF assist light/
self-timer lamp
Lens
Microphone
NOTE
• Moving the camera as you press the shutter button
or while the Auto Focus operation is being performed
(when you press the shutter button half way) can
cause blurring of the image. Press the shutter button
carefully, taking care to avoid camera movement.
This is especially important when available lighting is
low, which slows down the shutter speed.
50
BASIC IMAGE RECORDING
Recording an Image
Your camera automatically adjusts shutter speed in
accordance with the brightness of the subject. Images you
record are stored in the camera’s built-in memory, or to a
memory card if you have one loaded in the camera.
• When an optionally available SD memory card or
MultiMediaCard (MMC) is loaded in the camera, images
are stored on the card (page 169).
After purchasing a memory card, be sure to load it into
the camera and format it before trying to use it (page
172).
1.
Press the power button or [] (REC) to turn
on the camera.
[]Power button
51
• This causes the image and the auto recording icon
() to appear on the monitor screen, and then
enters the currently selected recording mode. If the
auto recording icon () is not displayed, use the
procedure on page 85 to select the “Auto” scene.
This should cause the auto recording icon to appear.
• If the camera is in the PLAY mode when it turns on,
the message “There are no files.” will appear if you
do not have any images stored in memory yet. In
addition, the icon will be visible at the top of the
display. If this happens, press [] (REC) to enter
the currently selected recording mode.
2.
Compose the image
Auto recording icon
on the monitor screen
so the main subject is
within the focus
frame.
• The focusing range of
the camera depends on
focus mode you are
using (page 71).
Focus frame
BASIC IMAGE RECORDING
3.
Press the shutter button half
way to focus the image.
• When you press the shutter
button half way, the camera’s
Auto Focus feature automatically
focuses the image, and displays
the shutter speed value, the
aperture value, and the ISO
sensitivity.
• You can tell whether
the image is focused
by observing the
focus frame and the
operation lamp.
Shutter button
Operation lamp
● Operation Lamp and Focus Frame Operation
When you see this:
Green focus frame
Green operation lamp
Red focus frame
Flashing green operation lamp
It means this:
The image is in focus.
The image is not in focus.
• The monitor screen uses various indicators and
icons to keep you informed of the camera’s status.
Self-timer
White balance
Focus mode
Flash
mode
Metering mode indicator
Recording types
EV shift
Shutter speed value
Aperture value
ISO sensitivity
2
*
52
Memory capacity
(Snapshots)
Image quality
(Snapshots)
Image size
(Snapshots)
Date and time
1
*
BASIC IMAGE RECORDING
*1 The amount of time the shutter remains open, allowing
light passing through the lens to reach the CCD. A
larger shutter speed value indicates that the shutter
remains open longer, which means more light reaches
the CCD. The camera adjusts this setting automatically.
*2 The size of the opening (aperture) that allows light
passing through the lens to reach the CCD. A larger
aperture value indicates a smaller opening for light to
pass through. The camera adjusts this setting
automatically.
4.
After making sure that the
image is focused properly,
press the shutter button the
rest of the way down to
record.
• The number of images you can
record depends on the image
size and the image quality setting
you are using
(pages 68, 69, 239).
Shutter button
IMPORTANT!
• When the “REC” tab’s “Quick Shutter” setting is
turned on (page 73), the camera immediately records
the image without waiting for Auto Focus to be
performed when you press the shutter release all the
way down without pausing. This helps to ensure that
you are able to capture exactly the moment you
want.
■ About AF Assist Light
The AF assist light/self-timer
lamp operates automatically
to assist the Auto Focus
operation whenever you are
shooting where lighting is dim.
53
AF assist light/
self-timer lamp
BASIC IMAGE RECORDING
You can turn the AF assist light on or off. It is
recommended that you turn off the AF assist light when
recording images of nearby people, etc.
1.
In the REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “REC” tab.
3.
Use [왖] and [왔] to select “AF Assist Light”,
and then press [왘].
4.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
To do this:
Turn on the AF assist light
Turn off the AF assist light
IMPORTANT!
• Do not look directly at the AF assist light/self-timer
lamp or point it directly at the subject’s eyes.
Select this setting:
On
Off
■ Recording Precautions
• Never open the battery cover or place the camera onto
the USB cradle while the operation lamp is flashing
green. Doing so not only causes the current image to be
lost, it can also corrupt images already stored in file
memory and even lead to malfunction of the camera.
• Never remove the memory card while an image is being
recorded to the memory card.
• Fluorescent lighting actually flickers at a frequency that
cannot be detected by the human eye. When using the
camera indoors under such lighting, you may experience
some brightness or color problems with recorded images.
• When “Auto” is selected for the ISO sensitivity setting
(page 117), the camera automatically adjusts its
sensitivity in accordance with the brightness of the
subject. This can cause some digital noise (graininess) to
appear in images of relatively dark subjects.
54
BASIC IMAGE RECORDING
• When recording a dimly lit subject while “Auto” is selected
for the ISO sensitivity setting (page 117), the camera
increases sensitivity and uses a faster shutter speed.
Because of this, you need to guard against camera
movement if you have flash turned off (page 60).
• Bright light shining on the lens can cause images to
appear “washed out”. This tends to happen when
recording images outdoors in bright sunlight. To protect
against this, use your free hand to shade the lens from
the light.
■ About Auto Focus
• Proper focus may be difficult or even impossible when
shooting the following types of subjects.
— Solid color walls or subjects with little contrast
— Strongly backlit subjects
— Very shiny objects
— Venetian blinds or other horizontally repeating patterns
— Multiple subjects that are varying distances from the
camera
— Subjects in poorly lit areas
— Moving subjects
— Subjects outside the shooting range of the camera
• Proper focus may also be difficult or impossible if the
camera is moving.
• Note that a green operation lamp and focus frame do not
necessarily guarantee that the resulting image will be in
focus.
• If Auto Focus does not produce the results you want for
some reason, try using focus lock (page 78) or manual
focus (page 77).
55
BASIC IMAGE RECORDING
■ About the REC Mode Monitor Screen
• The image shown on the monitor screen in the REC
mode is a simplified image for composing purposes. The
actual image is recorded in accordance with the image
quality setting currently selected on your camera. The
image saved in file memory has much better resolution
and detail than the REC mode monitor screen image.
• Certain levels of subject brightness can cause the
response of the REC mode monitor screen to slow down,
which causes some digital noise (graininess) in the
monitor screen image.
• Very bright light inside of an image can cause a vertical
band to appear in the monitor screen image. This is a
CCD phenomenon known as “vertical smear”, and does
not indicate malfunction of the camera. Note that vertical
smear is not recorded with the image in the case of a
snapshot, but it is recorded in the case of a movie (page
97).
Using Zoom
Your camera is equipped with two types of zoom: optical
zoom and digital zoom. Normally, the camera automatically
switches over to digital zoom after you reach the maximum
limit for optical zoom. You can, however, configure the
camera to disable digital zoom, if you want.
Optical Zoom
The optical zoom range is 1X to 3X.
1.
In the REC mode, press
Zoom button
the zoom button to
change the zoom factor.
To do this:
Zoom out
Zoom in
Press this side of the zoom button:
(Wide Angle)
(Telephoto)
56
BASIC IMAGE RECORDING
Zoom outZoom in
2.
Compose the image, and then press the
shutter button.
NOTE
• The optical zoom factor also affects the lens
aperture.
• Use of a tripod is recommended to protect against
hand movement when using the telephoto setting
(zoom in).
• Whenever you perform an optical zoom operation
while recording with the Auto Focus mode, Macro
mode, or manual focus, a value will appear on the
monitor screen to tell you the focusing range (pages
72, 75, 77).
• Optical zoom is disabled during movie recording.
Digital zoom only is available. Make sure you select
the optical zoom setting you want to use before you
press [] (MOVIE) to start movie recording (page
97).
57
BASIC IMAGE RECORDING
Digital Zoom
Digital zoom digitally enlarges the part of the image at the
center of the image screen. The range of digital zoom is 3X
to 12X (in combination with optical zoom).
IMPORTANT!
• When you perform a digital zoom operation, the
camera manipulates the image data to enlarge the
center of the image. Unlike optical zoom, an image
enlarged with digital zoom appears coarser than the
original.
■ To record an image using digital zoom
1.
In the REC mode,
hold down the
telephoto () side of
the zoom button.
• This causes the zoom
indicator to appear on
the display.
2.
When the zoom pointer reaches the optical/
digital zoom switch over point, it will stop.
Optical Zoom range
1X3X12X
Optical/digital zoom switch over point
• The above shows what the zoom indicator looks like
when digital zoom is turned on (page 59). The digital
zoom range is not displayed when digital zoom is
turned off.
Zoom range
Zoom pointer
58
Digital zoom indicator
Zoom indicator
Digital
BASIC IMAGE RECORDING
3.
Release the zoom button momentarily, and
then hold down its telephoto () side again
to move the zoom pointer into the digital
zoom range.
• The zoom pointer will also stop when you move the
pointer back to the switch over point to re-enter the
digital zoom range. Release the zoom button and
then hold down its wide angle () side again to
move into the digital zoom range.
4.
Compose the image, and then press the
shutter button.
■ To turn digital zoom on and off
1.
In the REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “REC” tab.
3.
Use [왖] and [왔] to select “Digital Zoom”, and
then press [왘].
4.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
To do this:
Turn on digital zoom
Turn off digital zoom
• Only the optical zoom range is displayed in the zoom
indicator when digital zoom is turned off.
Select this setting:
On
Off
59
BASIC IMAGE RECORDING
Using the Flash
Perform the following steps to select the flash mode you
want to use.
• The approximate effective range of the flash is shown
below.
Wide Angle Optical Zoom:
Approximately 0.4 to 2.8 meters
(1.3´ to 9.2´) (ISO Sensitivity: Auto)
Telephoto Optical Zoom:
Approximately 0.4 to 1.4 meters
(1.3´ to 4.6´) (ISO Sensitivity: Auto)
* Depends on zoom factor.
1.
In the REC mode, press [왔] ( ).
• Each press of [왔] ( ) cycles through the flash
mode settings described below on the monitor
screen.
Flash mode indicator
[
왔
] ( )
60
To do this:
Have the flash fire automatically when
required (Auto Flash)*
Turn off the flash (Flash Off)
Always fire the flash (Flash On)
Fire a pre-flash followed by image
recording with flash, reducing the
chance of red-eye in the image (Redeye reduction)
In this case, the flash fires automatically
when required
Select this setting:
* appears momentarily when you select Auto as
the flash mode, and then disappears.
2.
Press the shutter button to record the image.
BASIC IMAGE RECORDING
IMPORTANT!
• The flash unit of this camera fires a number of times
when you record an image. The initial flashes are
pre-flashes, which the camera uses to obtain
information that it uses for exposure settings. The
final flash is for recording. Make sure that you keep
the camera still until the shutter releases.
• Using the flash while “Auto” is selected for the ISO
Sensitivity setting increases sensitivity, which can
cause large amounts of digital noise to appear in the
image. You can reduce digital noise by using a lower
ISO Sensitivity setting. Note, however, that this also
has the effect of shortening the flash range (the
range that is covered by the light from the flash)
(page 117).
• During movie recording, you can press [왔] ( ) to
cycle through the flash mode settings for snapshot
recording (page 60).
■ Flash On
Select (Flash On) as the flash mode when backlighting
causes your subject to appear dark, even though there is
enough light to keep the flash from firing automatically.
This will cause the flash to fire and illuminate your subject
whenever you press the shutter button (daylight synchro
flash).
■ About Red-eye Reduction
Using the flash to record at night or in a dimly lit room can
cause red spots inside the eyes of people who are in the
image. This happens because the light from the flash
reflects off of the retina of the eye.
61
BASIC IMAGE RECORDING
IMPORTANT!
Note the following important points when using redeye reduction.
• Red-eye reduction does not work unless the people
in the image are looking directly at the camera during
the pre-flash. Before pressing the shutter button, call
out to the subjects so they all look at the camera
while the pre-flash operation is performed.
• Red-eye reduction may not work very well if the
subjects are located far away from the camera.
Flash Unit Status
You can find out the current flash unit status by pressing
the shutter button half way and checking the monitor
screen and operation lamp.
Operation lamp
The indicator is also shown
on the monitor screen when the
flash unit is ready to fire.
*
* Operation lamp
When the operation
lamp is this:
Flashing amber
Lit or flashing green *
It means this:
Flash unit is charging
1
Flash unit is ready to fire
*1 Flashes green when the image is not focused while
using the Auto Focus mode or Macro mode.
62
BASIC IMAGE RECORDING
Changing the Flash Intensity Setting
Perform the following steps to change the flash intensity
setting.
1.
In the REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “Quality” tab.
3.
Use [왖] and [왔] to select “Flash Intensity”,
and then press [왘].
4.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
To make flash intensity:
Stronger
Normal
Weaker
IMPORTANT!
• Flash intensity may not change if the subject is too
far or too close to the camera.
Select this setting:
+2
+1
0
–1
–2
Using Flash Assist
Recording a subject that is outside the flash range can
cause the subject to appear dark in the resulting image,
because not enough of the flash reaches the subject. When
this happens, you can use flash assist to correct the
brightness of the recorded subject, so it appears as if the
flash illumination was sufficient.
Flash assist usedFlash assist not used
1.
In the REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “Quality” tab.
3.
Use [왖] and [왔] to select “Flash Assist”, and
then press [왘].
63
BASIC IMAGE RECORDING
4.
Use [왖] and [왔] to select “Auto”, and then
press [SET].
• Selecting “Off” disables flash assist.
IMPORTANT!
• Flash assist may not produce the desired result for
some types of subjects.
• Flash assist may have little effect on your image if
you changed any of the following settings when you
recorded it.
• Using flash assist can cause an increase of digital
noise in recorded images.
■ Flash Precautions
• Take care that your fingers
do not block the flash when
you hold the camera.
Covering the flash with your
finger can greatly reduce its
effectiveness.
• You may not be able to achieve the desired results using
the flash if the subject is too close or too far away.
• The flash takes anywhere from a few seconds to as long
as 8 seconds to attain full charge after being fired. The
actual time required depends on the battery level,
temperature, and other conditions.
• The flash unit may not be able to charge when camera
battery power is low. If this happens, the flash will not fire
properly and you will not be able to obtain the desired
exposure. Be sure to charge the camera’s battery as soon
as possible when power goes low.
Flash
64
BASIC IMAGE RECORDING
• When the flash is turned off (), mount the camera on a
tripod to record images in an area where available lighting
is dim. Recording images under dim lighting without the
flash can cause digital noise, which makes images
appear coarse.
• When red-eye reduction () is selected, flash intensity
is adjusted automatically in accordance with the
exposure. The flash may not fire at all when the subject is
brightly lit.
• Using flash in combination with another light source
(daylight, fluorescent light, etc.) can result in abnormal
image colors.
Using the Self-timer
The self-timer lets you select either a 2-second or 10second delay of the shutter release after you press the
shutter button. A Triple Self-timer feature lets you perform
three consecutive self-timer operations to record three
images.
1.
In the REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “REC” tab.
3.
Use [왖] and [왔] to select “Self-timer”, and
then press [왘].
4.
Use [왖] and [왔] to select the self-timer type
you want to use, and then press [SET].
• Selecting “Off” in step 4 disables the self-timer.
65
BASIC IMAGE RECORDING
To do this:
Specify a 10-second self-timer
Specify a 2-second self-timer
Specify Triple Self-timer
Disable the self-timer
• This causes an
indicator identifying the
selected self-timer type
to appear on the
monitor screen.
• With the Triple Self-timer,
the camera records a
series of three images in
the sequence described
below.
Select this setting:
10 sec
10
s
2 sec
2
s
X3
x3
Off
1. The camera performs a 10-second countdown
and then records the first image.
2. The camera prepares to record the next image.
The amount of time required for preparation
depends on the camera’s current “Size” and
“Quality” settings, the type of memory (built-in or
card) you are using for image storage, and
whether or not the flash is charging.
3. After preparation is complete, the indicator “1sec”
appears on the monitor screen, and another
image is recorded one second later.
4. Steps 2 and 3 are repeated once more to record
the third image.
66
BASIC IMAGE RECORDING
5.
Press the shutter
button to record the
AF assist light/
Self-timer lamp
image.
• When you press the
shutter button, the AF
assist light/self-timer
lamp flashes and the
shutter releases after the
self-timer reaches the
end of its countdown
(about 10 seconds or two
seconds).
• You can interrupt an ongoing self-timer countdown
by pressing the shutter button while the AF assist
light/self-timer lamp is flashing.
NOTE
• The “2 sec” self-timer setting is best when shooting
with a slow shutter speed, because it helps to avoid
blurring of images due to hand movement.
• You cannot use the self-timer to record a snapshot
during movie recording.
• The following functions are not available for use in
combination with the Triple Self-timer.
BEST SHOT recording (Business Cards and
Documents, Whiteboard, etc., Old Photo), movie
recording functions
67
BASIC IMAGE RECORDING
Specifying Image Size
“Image size” is the size of the image, expressed as the
number of vertical and horizontal pixels. A “pixel” is one of
the many tiny dots that make up the image. More pixels
provide finer detail when an image is printed, but a higher
pixel count also causes the image’s file size to be larger.
You can select an image size to suit your needs for greater
detail or smaller file size.
• Note that this setting is valid for snapshots only. For
information about movie image size, see page 98.
1.
In the REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “Quality” tab.
3.
Use [왖] and [왔] to select “Size”, and then
press [왘].
4.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
• When selecting the image size, the image size value
(pixels) will alternate on the display with a
corresponding print size. The print size indicates the
optimum paper size when you print an image that is
the image size you select.
Image Size
2816 × 2112
6M*
2816 × 1872
6M
(3:2)
(3:2)
2304 × 1728
4M
2048 × 1536
3M
1600 × 1200
2M
640 × 480
VGA
* “M” stands for “Mega.”
Print Size
A3 Print
A3 Print (3:2 horizontal-tovertical ratio)
A4 Print
A4 Print
3.5˝ × 5˝ Print
E-mail (optimum size when
attaching image to e-mail)
Larger
Smaller
68
BASIC IMAGE RECORDING
• The above print sizes are all approximate values when
printing at a resolution of 200 dpi (dots per inch). Use a
larger setting when you want to print at a higher
resolution or when you plan to produce a larger size print.
• In order to obtain the level of resolution for which your
camera is designed, recording at a maximum image size
(6M) is recommended. Use a smaller image size when
you want to conserve memory capacity.
• Selecting the “2816 × 1872 (3:2)” image size will record
images with a 3:2 (horizontal : vertical) aspect ratio, which
is optimal for printing on paper with an aspect ratio of 3:2.
Specifying Image Quality
Compressing an image before storage can cause a
deterioration of its quality. The more an image is
compressed, the greater the loss of quality. The image
quality setting specifies the compression ratio to be used
when an image is stored in memory. You can select an
image quality setting to suit your needs for higher quality or
smaller file size.
• Note that this setting is valid for snapshots only. For
information about movie image quality, see page 98.
1.
In the REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “Quality” tab.
3.
Use [왖] and [왔] to select “ Quality”, and
then press [왘].
4.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
69
BASIC IMAGE RECORDING
To get this:
High image quality, large file
size
Normal image quality and
normal file size
Low image quality, small file
size
Select this setting:
Fine
Normal
Economy
IMPORTANT!
• Actual file size depends on the type of image you
record. This means that the remaining image
capacity noted on the monitor screen may not be
exactly accurate (pages 27, 239).
Higher
Quality
Lower
Quality
70
OTHER RECORDING FUNCTIONS
OTHER RECORDING FUNCTIONS
Selecting the Focus Mode
You can select one of five different focus modes: Auto
Focus, Macro, Pan Focus, Infinity, and Manual Focus.
1.
In the REC mode, press [MENU].
2.
Select the “REC” tab, select “Focus”, and
then press [왘].
3.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
To do this:
Adjusts focus automatically
Close-up recording
Focus adjusted on a certain
subject distance
Infinity recording
Manual focus recording
Select this setting:
(Auto Focus)
Macro (Close-up)
(Pan Focus)
(Infinity)
(Manual Focus)
• The exposure compensation
value is displayed on the
monitor screen.
IMPORTANT!
• Focus is fixed while recording a movie in the Auto
Focus mode and Macro mode.
• You can use the key customization feature (page
112) to switch the focus mode whenever you press
[왗] or [왘] while recording a snapshot or movie.
71
Focus mode indicator
B
OTHER RECORDING FUNCTIONS
Using Auto Focus
As its name suggests, Auto Focus focuses the image
automatically. The automatic focus operation starts when
you press the shutter button down half way. The following
is the Auto Focus range.
Range: 40cm to ∞ (1.3´ to ∞)
• Using optical zoom causes the above ranges to change.
1.
In the REC mode, press [MENU].
2.
Select the “REC” tab, select “Focus”, and
then press [왘].
3.
Use [왖] and [왔] to select “”, and then
press [SET].
4.
Compose the image so the main subject is
within the focus frame, and then press the
shutter button half way.
• You can tell whether the image is focused by
observing the focus frame and the operation lamp.
Operation lamp
Focus frame
When you see this:
Green focus frame
Green operation lamp
Red focus frame
Flashing green operation lamp
5.
Press the shutter button the rest of the way to
It means this:
The image is focused.
The image is not
focused.
record the image.
72
OTHER RECORDING FUNCTIONS
NOTE
• When proper focusing is not possible because the
subject is closer than the Auto Focus range, the
camera automatically switches to the Macro mode
range (page 75).
• Whenever you perform an optical zoom operation
(page 56) while recording with Auto Focus, a value
will appear on the monitor screen as shown below to
tell you the focusing range.
Example: AF 앪앪cm - ∞
* 앪앪 will be replaced by the actual focusing range value.
IMPORTANT!
• The auto focus mode becomes fixed focus during
movie recording.
■ Quick Shutter
When Quick Shutter is turned on, the camera immediately
records the image without waiting for Auto Focus to be
performed when you press the shutter release all the way
down. This helps to avoid missing a special moment while
you wait for the camera to Auto Focus.
1.
In the REC mode, press [MENU].
2.
Select the “REC” tab, select “Quick Shutter”,
and then press [왘].
3.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
To do this:
Turn on Quick Shutter
Turn off Quick Shutter
Select this setting:
On
Off
73
OTHER RECORDING FUNCTIONS
■ Specifying the Auto Focus Area
You can use the following procedure to change the Auto
Focus area used in the Auto Focus mode and the Macro
mode. Note that the configuration of the focus frame
changes in accordance with the Auto Focus area you
select.
1.
In the REC mode, press [MENU].
2.
On the “REC” tab, select “AF Area”, and then
press [왘].
3.
Use [왖] and [왔] to select the Auto Focus area
you want, and then press [SET].
For this type of Auto Focus area:
Very limited range in the center of the
screen
• This setting works well with focus lock
(page 78).
Automatic selection of the focus area where
the subject closest to the camera is located
• With this setting, a wide focus frame,
which contains nine focus points, appears
on the monitor screen first. When you
press the shutter button half way, all of the
focus frames that are in focus among the
nine focus points become green.
• This setting works well for group photos.
• Spot• Multi
Focus frame
74
Select this:
Spot
Multi
Focus frame
OTHER RECORDING FUNCTIONS
Using the Macro Mode
Use the Macro mode when you need to focus on close up
subjects. The following shows the approximate focus range
in the Macro mode.
Range: 15cm to 50cm (5.9˝ to 19.7˝)
• Using optical zoom causes the above range to change.
1.
In the REC mode, press [MENU].
2.
Select the “REC” tab, select “Focus”, and
then press [왘].
3.
Use [왖] and [왔] to select “ Macro”, and
then press [SET].
4.
Press the shutter button to record the image.
• The focus and image recording operations are
identical to those in the Auto Focus mode.
NOTE
• When the Macro mode cannot focus properly
because the subject is too far away, the camera
automatically switches to the Auto Focus range
(page 72).
• Whenever you perform an optical zoom operation
(page 56) while recording with the Macro mode, a
value will appear on the monitor screen as shown
below to tell you the focusing range.
Example: 앪앪cm - 앪앪cm
* 앪앪 will be replaced by the actual focusing range value.
IMPORTANT!
• Use of the flash along with the Macro mode can
cause the light of the flash to become blocked, which
can produce unwanted lens shadows in your image.
• During movie recording, Macro mode uses fixed
focus that is optimized for macro recording.
75
OTHER RECORDING FUNCTIONS
Using Pan Focus
Pan Focus comes in handy when recording under
conditions where Auto Focus is difficult for some reason, or
in cases where Auto Focus operation noise is too
noticeable in the movie audio.
1.
In the REC mode, press [MENU].
2.
Select the “REC” tab, select “Focus”, and
then press [왘].
3.
Use [왖] and [왔] to select “”, and then
press [SET].
4.
Press the shutter button to record the image.
NOTE
• If you press the shutter button half way, the focus
distance will appear on the monitor screen.
Example: 앪앪m - 앪앪m
* 앪앪 will be replaced by the actual focusing range value.
Using the Infinity Mode
The Infinity mode fixes focus at infinity (∞). Use this mode
when recording scenery and other faraway images.
1.
In the REC mode, press [MENU].
2.
Select the “REC” tab, select “Focus”, and
then press [왘].
3.
Use [왖] and [왔] to select “”, and then
press [SET].
4.
Press the shutter button to record the image.
76
OTHER RECORDING FUNCTIONS
Using Manual Focus
With the Manual Focus mode, you can adjust the focus of
an image manually. The following shows focus range in the
Manual Focus mode.
Optical Zoom Factor
1X
3X
• Using optical zoom causes the above range to change.
Approximate Focus Range
15cm (5.9˝) to infinity (∞)
40cm (15.7˝) to infinity (∞)
4.
Press [SET].
5.
While watching the
image on the monitor
screen, use [왗] and
[왘] to focus.
Manual focus position
1.
In the REC mode, press [MENU].
2.
Select the “REC” tab, select “Focus”, and
then press [왘].
3.
Use [왖] and [왔] to
select “”, and then
press [SET].
• At this point, a
boundary also appears
on the display,
indicating the part of the
image that will be used
for manual focus.
Boundary
77
To do this:
Focus in on the subject
Focus out on the subject
• Pressing [왗] or [왘] causes the area inside of the
boundary displayed in step 1 to fill the monitor
screen momentarily to aid in focus. The normal
image will reappear a short while later.
• If you do not adjust the focus of the enlarged image,
it will return automatically to step 3. If this happens
and you still want to adjust the focus, press [SET] to
display the enlarged image again.
6.
Press the shutter button to record the image.
Do this:
Press [왗].
Press [왘].
B
OTHER RECORDING FUNCTIONS
NOTE
• Whenever you perform an optical zoom operation
(page 56) while recording with manual focus, a value
will appear on the monitor screen as shown below to
tell you the focusing range.
Example: MF 앪앪cm - ∞
* 앪앪 will be replaced by the actual focusing range value.
Using Focus Lock
Focus lock is a technique you can use to focus on a subject
that is not located within the focus frame when you record
an image. You can use focus lock in the Auto Focus mode
and the Macro mode ().
1.
Using the monitor
Main subject
screen, compose the
image so the main
subject is within the
focus frame, and then
press the shutter
button half way.
• This locks the focus on
the subject that is
currently within the
focus frame.
Focus frame
78
OTHER RECORDING FUNCTIONS
2.
Keeping the shutter
button pressed half
way down, recompose the image
as you like.
Main subject
3.
When the image is composed the way you
want, press the shutter button the rest of the
way to record it.
• The focus and image recording operations are
identical to those in the Auto Focus mode.
NOTE
• Locking the focus also locks the exposure.
Exposure Compensation (EV Shift)
Exposure compensation lets you change the exposure
setting (EV value) manually to adjust for the lighting of your
subject. This feature helps to achieve better results when
recording a backlit subject, a strongly lit subject indoors, or
a subject that is against a dark background.
EV Shift Range: –2.0EV to +2.0EV
Steps: 1/3EV
1.
In the REC mode, press [MENU].
2.
Select the “Quality”
tab, select “EV Shift”,
and then press [왘].
Exposure compensation
value
79
OTHER RECORDING FUNCTIONS
3.
Use [왖] and [왔] to
change the exposure
compensation value,
and then press [SET].
• Pressing [SET] registers
the displayed value.
EV value
[왖] : Increases the EV value. A higher EV value is best
used for light-colored subjects and backlight
subjects.
[왔] : Decreases the EV value. A lower EV value is best
for dark-color subjects and for shooting outdoors
on a clear day.
80
• To cancel EV Shift, adjust the value until it becomes
0.0.
4.
Press the shutter button to record the image.
IMPORTANT!
• When shooting under very dark or very bright
conditions, you may not be able to obtain satisfactory
results even after performing exposure
compensation.
NOTE
• Performing an EV shift operation while using multipattern metering (page 118) will cause the metering
mode to switch automatically to center weighted
metering. Returning the EV shift value to 0.0 causes
the metering mode to change back to multi-pattern
metering.
• You can use key customization (page 112) to
configure the camera to perform exposure
compensation whenever you press [왗] or [왘] while in
the REC mode. This comes in handy when adjusting
exposure compensation while viewing the on-screen
histogram (page 109).
B
OTHER RECORDING FUNCTIONS
Adjusting White Balance
The wavelengths of the light produced by various light
sources (daylight, light bulb, etc.) can affect the color of a
subject when it is recorded. White balance lets you make
adjustments to compensate for different lighting types, so
the colors of an image appear more natural.
1.
In the REC mode, press [MENU].
2.
Select the “Quality”
tab, select “White
Balance”, and then
press [왘].
3.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
When shooting under these conditions:
Normal conditions
Outdoor daylight on a clear day
Outdoor daylight on an overcast or
rainy day, in the shade of a tree, etc.
In the shade of a building or any other
area where the color temperature is
high
Under white or daylight white
fluorescent light
(suppresses color fogging)
Under daylight fluorescent light
(suppresses color fogging)
Under incandescent lighting
Difficult lighting that requires manual
control (See “Configuring the White
Balance Setting Manually” (page 82).)
Select this setting:
Auto
N
D
Manual
81
OTHER RECORDING FUNCTIONS
NOTE
• When “Auto” is selected for the white balance
setting, the camera automatically determines the
white point of the subject. Certain subject colors and
light source conditions can cause problems when the
camera tries to determine the white point, which
makes proper white balance adjustment impossible.
When this happens, use daylight, cloudy, or one of
the other fixed white balance settings to specify the
type of lighting available.
• You can use the key customization feature (page
112) to configure the camera so the white balance
setting changes whenever you press [왗] or [왘] while
in the REC mode.
• If you have key customization configured to control
white balance and you have Icon Help turned on
(page 114), select “
white balance mode to auto.
Auto WB” to change the
AWB
Configuring the White Balance Setting
Manually
Certain complex light sources or other environmental
conditions can make it impossible to obtain good results
when “Auto” or one of the fixed light source settings is
selected for white balance. Manual white balance lets you
configure the camera for a particular light source and other
conditions.
Note that you must perform manual white balance under
the same conditions you will be shooting under. Have a
sheet of white paper on hand before starting the following
procedure.
1.
In the REC mode, press [MENU].
2.
Select a “Quality” tab, select “White
Balance”, and then press [왘].
82
B
OTHER RECORDING FUNCTIONS
3.
Use [왖] and [왔] to
select “Manual”.
• This causes the object
you last used to adjust
manual white balance to
appear on the monitor
screen. If you want to use
the same settings you
configured during a
previous manual white
balance setting
operation, skip step 4
and perform step 5.
4.
Point the camera at a white paper or similar
object under the lighting conditions for which
you want to set the white balance, and then
press the shutter button.
White paper
83
• This starts the white balance adjustment procedure.
The message “Complete” appears on the monitor
screen after white balance adjustment is complete.
5.
Press [SET].
• This registers the white balance settings and returns
to the currently selected recording mode.
NOTE
• After you adjust white balance manually, the setting
remains in effect until you change it or until you turn
off the camera.
You can configure the camera to record only a single
snapshot each time the shutter button is pressed, or to
keep recording as long as the shutter button remains
depressed (and there is enough memory available to store
the images).
1.
In the REC mode, press [MENU].
2.
Select the “REC” tab, select “Continuous”,
and then press [왘].
3.
Use [왖] and [왔] to select “On”, and then
press [SET].
• This causes “” to appear on the monitor screen.
• With “Off”, the snapshots are recorded one at a time.
4.
Press the shutter button to record.
• Recording continues as long as you keep the shutter
button depressed. Release the shutter button to stop
recording.
IMPORTANT!
• The speed of continuous shutter recording depends
on the type of memory card loaded in the camera.
When recording to built-in memory, continuous
shutter recording is relatively slow.
• Turning off the camera automatically turns off the
Continuous Shutter mode.
84
OTHER RECORDING FUNCTIONS
BEST SHOT Mode for Snapshots and
Movies
Selecting one of the BEST SHOT sample scenes
automatically sets up the camera for recording a similar
type of image.
■ Example Sample Scene
• Portrait• Scenery
• Night Scene• Night Scene Portrait
1.
In the REC mode,
press [BS] (BEST
SHOT).
• This enters the BEST
SHOT mode and displays
all 12 of the BEST SHOT
scenes.
• There are four types of sample scenes: snapshot
and movie scenes, snapshot only scenes, movie only
scenes, and the voice record scene.
• Sample scenes are arranged in sequence, starting
from the upper left corner.
2.
Use [왖], [왔], [왗], and [왘] to select the sample
scene you want, and then press [SET].
• Use [왖], [왔], [왗], and [왘] to move the selection
boundary around the display. Scrolling past the last
or the first scene scrolls to the next screen of 12sample scenes.
• Pressing [MENU] causes the selection boundary to
jump to the first sample scene (“Auto”).
• If you want to check which sample scene is currently
selected or if you want to change to a different
scene, press [BS].
85
OTHER RECORDING FUNCTIONS
• Selecting the “Auto” scene changes the recording
type to snapshot auto recording (“” displayed)
(page 51).
3.
To record a snapshot, press the shutter
button.
To record a movie, press [] (MOVIE).
• To stop recording, press [] (MOVIE) again.
IMPORTANT!
• BEST SHOT scenes were not recorded using this
camera. They are provided as samples only.
• Movie recording is not supported for the “Business
Cards and Documents”, and the “Whiteboard, etc.”
scenes. Snapshot recording is not supported for the
“Short Movie” and the “Past Movie” scenes. Movie
recording and snapshot recording are not supported
for the “Voice Recording” scene.
• Depending on the sample scene, you may not be
able to record a still image or movie.
• Due to shooting conditions and other factors, an
image recorded using the setup of a BEST SHOT
scene may not produce exactly the results you
expect.
• You can change the camera settings that are made
when you select a BEST SHOT scene. Note,
however, that the BEST SHOT settings revert to their
defaults when you select another BEST SHOT scene
or turn off the camera. If you want to save your
settings for later use, save them as a BEST SHOT
user setup.
• Digital noise reduction processing is performed
automatically when you are recording a night scene,
fireworks, or other image that requires slow shutter
speeds. Because of this, it takes longer to record
images at lower shutter speeds. Make sure that you
do not perform any camera button operations until
the image recording operation is complete.
86
OTHER RECORDING FUNCTIONS
• When recording the image of a night scene,
fireworks, or some other image using a slow shutter
speed, use of a tripod is recommended to prevent
hand movement.
NOTE
• Operation guidance and the currently selected BEST
SHOT scene appear on the display for about two
seconds if the camera is in the BEST SHOT mode
when you turn it on.
Displaying Sample Scenes Individually
You can use the following procedure to display BEST
SHOT sample scenes individually, so you can view the
explanation about each scene’s settings.
1.
In the REC mode, press [BS] (BEST SHOT).
2.
Press the zoom button.
• This displays the
sample scene that was
selected on the 12scene screen.
• To return to the 12scene screen, press the
zoom button again.
3.
Use [왗] and [왘] to select the sample scene
you want, and then press [SET].
• Pressing [MENU] jumps to the first sample scene
(“Auto”).
4.
Press the shutter button to record the image.
87
OTHER RECORDING FUNCTIONS
Creating Your Own BEST SHOT Setup
You can use the procedure below to save the setup of an
snapshot or movie you recorded as a BEST SHOT scene.
After that, you can recall the setup whenever you want to
use it.
1.
In the REC mode, press [BS] (BEST SHOT).
2.
Use [왖], [왔], [왗], and [왘] to select “Register
User Scene”, and then press [SET].
3.
Use [왗] and [왘] to
display the snapshots
or movies whose
setup you want to
register as a BEST
SHOT scene.
4.
Use [왖] and [왔] to select “Save”, and then
press [SET].
• This registers the setup. Now you can use the
procedure on page 85 to select your user setup for
recording.
IMPORTANT!
• BEST SHOT user setups are located in the camera’s
built-in memory following the built-in sample scenes.
• Registering a snapshot creates a snapshot setup,
while registering a movie creates a movie setup. A
snapshot setup can be used to record snapshots
only, and a movie setup can be used to record
movies only.
• Selecting a user snapshot setup displays the
indicator “SU” in the upper right corner of the monitor
screen, followed by a number (that indicates the
setup number). Selecting a movie snapshot setup
displays the indicator “MU” in the upper right corner
of the monitor screen, followed by a number (that
indicates the setup number).
• Note that formatting built-in memory (page 167)
deletes all BEST SHOT user setups.
88
OTHER RECORDING FUNCTIONS
NOTE
• The following are the settings that are included in a
snapshot setup: focus mode, EV shift value, white
balance mode, flash mode, ISO sensitivity, Metering,
Flash Intensity, Flash Assist, Filter, Sharpness,
Saturation, and Contrast.
The following are the settings that are included in a
movie setup: focus mode, EV shift value, white
balance mode, Filter, Sharpness, Saturation, and
Contrast.
• Note that snapshots or movies recorded with this
camera only can be used to create a BEST SHOT
user setup.
• You can have up to 999 BEST SHOT user setups in
the camera’s built-in memory at one time.
• You can check the current setup of a scene by
displaying the various setting menus.
• BEST SHOT snapshot user setups are stored in
camera built-in memory in the folder named
“SCENE”. BEST SHOT movie user setups are stored
in camera built-in memory in the folder named
“MSCENE”. File names are assigned automatically
using the format “US600nnn.JPE”, where “nnn” is a
value from 000 through 999.
To delete a BEST SHOT user setup
1.
In the REC mode, press [BS] (BEST SHOT).
2.
Press the zoom button to switch from the 12scene screen to the sample scene.
3.
Use [왗] and [왘] to display the user setup you
want to delete.
4.
Press [왔] ( ) to delete the user setup.
5.
Use [왖] and [왔] to select “Delete”.
6.
Press [SET] to delete the file.
7.
Select another scene, and then press [SET].
• This returns to the recording state.
89
OTHER RECORDING FUNCTIONS
Reducing the Effects of Hand or Subject
Movement
You can reduce the effects of subject movement, and for
hand movement that tends to occur when shooting a faraway subject using telephoto, a fast-moving subject, or
under dim lighting conditions.
• You can also use Anti Shake to reduce the effects of
hand movement only while recording a movie. The effects
of subject movement are not limited (page 97).
1.
Perform one of the procedures below to
enable Anti Shake.
Using the BEST SHOT mode
1. In the REC mode, press [BS] (BEST SHOT).
2. Use [왖], [왔], [왗], and [왘] to select the “Anti Shake”
scene, and then press [SET].
Using the Menu Screen
1. In the REC mode, press [MENU].
2. Select the “REC” tab, select “Anti Shake”, and then
press [왘].
3. Use [왖] and [왔] to select “Auto”, and then press
[SET].
• (Anti Shake indicator) is displayed on the
monitor screen while Anti Shake is turned on.
2.
Press the shutter button to record the image.
IMPORTANT!
• Anti Shake is disabled automatically when any
setting other than “Auto” is selected for ISO
sensitivity. If you want Anti Shake to be operational
after turning it on, be sure to change the ISO
sensitivity setting to “Auto” (page 117).
• Recording with Anti Shake can cause an image to
appear somewhat coarser than normal and can
cause slight deterioration of image resolution.
• The Anti Shake feature may not be able to eliminate
the effects of hand or subject movement when
shaking is severe.
• The Anti Shake feature may not work when using a
very low shutter speed. If this happens, use a tripod
to stabilize the camera.
• Though “” (Anti Shake) is displayed on the
monitor screen while the flash setting is “Auto Flash”
or “Flash On”, Anti Shake is disabled.
90
C
OTHER RECORDING FUNCTIONS
Shooting with High Sensitivity
Higher sensitivity makes it possible to record brighter
images, without using flash, even when there is not enough
lighting available to obtain normal exposure.
1.
In the REC mode, press [BS] (BEST SHOT).
2.
Use [왖], [왔], [왗], and [왘] to select the “High
Sensitivity” scene, and then press [SET].
3.
Press the shutter button to record the image.
91
IMPORTANT!
• High Sensitivity is disabled automatically when any
setting other than “Auto” is selected for ISO
sensitivity. If you want High Sensitivity to be
operational after turning it on, be sure to change the
ISO sensitivity setting to “Auto” (page 117).
• Recording with high sensitivity can cause an image
to appear somewhat coarser than normal and can
cause slight deterioration of image resolution.
• A desirable level of image brightness may not be
possible under very dark conditions.
• When shooting with slow shutter speeds, use a
tripod to protect against the effects of hand
movement.
• High Sensitivity is disabled while the flash setting is
“Auto Flash” or “Flash On”.
C
OTHER RECORDING FUNCTIONS
Recording Images of Business Cards and
Documents (Business Shot)
Recording a business card, document, whiteboard, or
similarly shaped object from an angle can cause the
subject to appear misshaped in the resulting image.
Business Shot automatically corrects the shape of
rectangular objects to make them appear like the camera
was positioned directly in front of them.
Before keystone
correction
After keystone
correction
■ Setup Sample Images
• White board, etc.• Business cards and
documents
92
OTHER RECORDING FUNCTIONS
Before recording with Business Shot
• Before recording, compose the image so outline of the
item you want to record fits entirely within the monitor
screen.
• Make sure the subject is against a background that allows
the outline of the subject to stand out.
NOTE
• When the camera is at an angle to a business card
or document it is recording, the shape of the
business card or document may appear distorted in
the image. Auto keystone correction corrects for this
distortion, which means that subjects appear normal
even if you record at an angle.
To use Business Shot
1.
In the REC mode, press [BS] (BEST SHOT).
2.
Use [왖], [왔], [왗] and [왘] to select the
Business Shot image you want, and then
press [SET].
3.
Press the shutter
button to record the
image.
• This displays a correction
confirmation screen, and
then saves the original
recorded image. An error
message will appear
(page 237) if the camera
is unable to find any
suitable keystone
correction candidate in
the image.
4.
Use [왗] and [왘] to select the candidate you
want to correct.
93
OTHER RECORDING FUNCTIONS
5.
Use [왖] and [왔] to
select “Correct”, and
then press [SET].
• Selecting “Cancel” in
place of “Correct” stores
the original image as-is,
without correcting it.
IMPORTANT!
• Digital zoom is disabled while recording with
Business Shot. However, you can use optical zoom.
• The camera will not be able to recognize the subject
in the following cases.
— When part of the subject extends outside of the
monitor screen
— When the subject is the same color as the
background it is placed upon
• The maximum Business Shot image size is 1600
1200 pixels, even if the camera is configured for a
larger image size. An image size setting smaller than
1600 × 1200 pixels records images at the specified
size.
Restoring an Old Photograph
You can use the procedure in this section to restore an old,
faded photograph with the color provided by modern digital
camera technology.
Before trying to restore an old
photograph
• Make sure the entire photograph you are trying to restore
is enclosed within the monitor screen.
• Make sure the object is against a background that allows
its outline to stand out, and that it fills the monitor screen
to the maximum extent possible.
• Make sure that light is not reflecting off the surface of the
original photograph.
• If the old photograph is portrait orientation, be sure to
×
compose the image with the camera in landscape
(horizontal) orientation.
94
C
OTHER RECORDING FUNCTIONS
NOTE
• When the camera is at an angle to the old
photograph, one side of the recorded image may
appear longer than the side opposite from it. This is
called “keystoning,” which is caused by the
difference in distance from the camera lens to each
side of the photograph. The side of the photograph
that is closer to the camera looks longer and the side
further from the camera looks shorter. Auto keystone
correction corrects for this distortion, which means
that a photograph appears normal even if you record
it at an angle.
To restore an old photograph
1.
In the REC mode, press [BS] (BEST SHOT).
2.
Use [왖], [왔], [왗], and [왘] to select “Old
Photo”, and then press [SET].
3.
Press the shutter
button to record the
image.
• This displays a
photograph contour
confirmation screen,
and then saves the
original recorded image.
An error message will
appear (page 237),
without displaying the
photograph contour
confirmation screen, if
the camera is unable to
find the contour of the
photograph.
95
B
OTHER RECORDING FUNCTIONS
4.
Use [왗] and [왘] to select the contour
candidate you want to correct.
5.
Use [왖] and [왔] to
select “Trim”, and
then press [SET].
• This displays a cropping
boundary on the
monitor screen.
• If you do not want to
crop the image, select
“Cancel” to store the
image.
6.
Use the zoom button to make the cropping
boundary larger or smaller.
7.
Use [왖], [왔], [왗], and [왘] to move the
cropping boundary to the location you want,
and then press [SET].
• The camera will restore color automatically and save
the image.
• If you do not want a border around the image,
configure the cropping boundary so it is slightly
inside of the boundary of the displayed image.
• To cancel the cropping operation at any point and
save the image as-is, press [MENU].
96
OTHER RECORDING FUNCTIONS
IMPORTANT!
• Digital zoom is disabled while recording an old
photograph. However, you can use optical zoom.
• The camera will not be able to recognize an old
photograph in the following cases.
— When part of the photograph extends outside of
the monitor screen
— When the old photograph is the same color as the
background it is placed upon
• The maximum size when recording an old
photograph is 1600 × 1200 pixels, even if the camera
is configured for a larger image size. When the
camera is configured to record images smaller than
1600 × 1200 pixels, images will be in accordance
with the currently specified image size.
• Under certain conditions, restored colors may not
produce the desired results.
Recording a Movie
You can record high-resolution movies with audio. Movie
length is limited only by the amount of memory available for
storage. You can select a resolution setting to suit your
needs, and a variety of different movie recording functions
provide plenty of movie making versatility.
• File Format: MPEG-4 AVI format
• Maximum Movie Length:
The length of a movie is limited only by the amount of
memory available to store it.
• Approximate Movie File Size (1-minute movie):
28.4MB (Quality Setting: HQ)
14.9MB (Quality Setting: Normal)
5.3MB (Quality Setting: LP)
• Movie recording functions
— Movie
Use this function for normal movie recording (page
99).
— Short Movie
Each press of [] (MOVIE) records a short movie
that starts before [] (MOVIE) is pressed and ends
after [] (MOVIE) is pressed (page 100).
97
C
OTHER RECORDING FUNCTIONS
— Past Movie
This function uses a 5-second buffer that is continually
updated. Pressing [] (MOVIE) starts recording from
five seconds prior to the point [] (MOVIE) is
pressed. Use this function when you want to make
sure you do not miss fast-moving action (page 102).
— BEST SHOT mode
This mode is for BEST SHOT scenes other than Short
Movie and Past Movie. It makes camera setup as ease
as selecting the applicable sample scene. Select one
of the BEST SHOT scenes and the camera
automatically configures itself with the setup for that
scene (page 85).
NOTE
• You can play movie files on your computer using
Windows Media Player 9.
• Installing CASIO AVI Importer component on your
Macintosh makes it possible to use QuickTime to
playback movies recorded with the camera (page
222).
Specifying Movie Image Quality
The image quality setting determines how much the
camera compresses movie images before storing them.
Image quality is expressed as image size in pixels. A
“pixel” is one of the many tiny dots that make up an image.
More pixels (a larger image size) provide finer detail and
higher image quality when a movie is played back.
Before recording a movie, select the image quality setting
that suits your needs.
1.
In the REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “Quality” tab.
3.
Use [왖] and [왔] to select “ Quality” , and
then press [왘].
4.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
98
OTHER RECORDING FUNCTIONS
Setting
Higher
Quality
Lower
Quality
HQ
(640 × 480 pixels)
Normal
(640 × 480 pixels)
LP
(320 × 240 pixels)
Approximate
Data Rate
4.0 megabits
per second
2.1 megabits
per second
745 kilobits
per second
Frame Rate
30 frames/
second
30 frames/
second
15 frames/
second
Recording a Movie
1.
In the REC mode, point the camera at the
subject.
2.
Press [] (MOVIE).
• This starts movie
recording.
• This starts movie
recording, which is
indicated by “
the monitor screen.
• Movie recording
continues as long as
remaining memory
capacity allows.
3.
To stop movie recording, press [] (MOVIE)
again.
• When movie recording is complete, the movie file is
stored in file memory.
99
REC
Remaining recording time
” on
Recording time
OTHER RECORDING FUNCTIONS
Recording a Short Movie
Short Movie records a movie of preset length each time
you press [] (MOVIE).
Short Movie consists basically of two parts, as shown in the
illustration below.
• When 4-second past part and 4-second future part is
specified
Operation ➝
Action ➝
Stores the
previous
4 seconds.
You can specify the length of the past part and the future
part independently. The total length of the short movie can
be anywhere from two to eight seconds. A MOTION PRINT
feature (page 134) lets you capture still images from a
short movie as you store it.
Press [ ] MOVIE
Record
Recording
of the future
part starts.
Store
Storage
complete.
Recording stops automatically
4 seconds after [ ] (MOVIE)
is pressed.
■ To record a Short Movie
1.
In the REC mode, press [BS] (BEST SHOT).
2.
Use [왖], [왔], [왗] and [왘] to select the “Short
Movie” scene, and then press [SET].
• Selecting the “Short Movie” scene causes “” to
appear on the monitor screen.
3.
Press [SET].
100
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