General Precautions14
Test for proper operation before using the camera!16
Data Error Precautions17
Operating conditions17
Condensation18
Lens and Phase Differential Sensor18
Other18
19QUICK START GUIDE
First, charge the battery! ............................................ 19
To configure display language and clock settings ..... 21
To record an image .................................................... 22
To view a recorded image .......................................... 23
To delete an image ..................................................... 23
24GETTING READY
About This Manual ..................................................... 24
General Guide ............................................................ 26
Attaching the Strap .................................................... 36
Power Requirements ................................................. 37
Using the Rapid Charger37
To load the battery41
To remove the battery42
Power Supply Precautions45
Using AC Power48
Turning the Camera On and Off50
Configuring Power Saving Settings51
Using the On-screen Menus ...................................... 52
Configuring Display Language and Clock Settings ... 54
To configure display language and clock settings55
3
INTRODUCTION
58BASIC IMAGE RECORDING
Recording an Image ................................................... 58
Specifying the Recording Mode58
Aiming the Camera59
Recording an Image60
Recording Precautions62
About Auto Focus63
About the REC Mode Monitor Screen63
Previewing the Last Image Recorded ....................... 64
Adding Audio to a Snapshot126
Recording Your Voice128
Using the Histogram ................................................ 130
REC Mode Camera Settings ................................... 132
Specifying ISO Sensitivity133
Selecting the Auto Focus (AF) Mode134
Selecting the Metering Mode135
Using the Filter Function136
Specifying Outline Sharpness136
Specifying Color Saturation137
Specifying Contrast137
Turning the On-screen Grid On and Off138
Turning Image Review On and Off138
Using Icon Help139
Assigning Functions to the [] and [] Keys140
Specifying Power On Default Settings141
Resetting the Camera143
5
INTRODUCTION
Using the Shortcut Menu (EX Menu) ....................... 143
Using the Card Remote Controller for Recording ... 144
Loading the Battery145
Before Using the Card Remote Controller for
Recording146
Using the Card Remote Controller147
Using an External Flash ........................................... 149
External Flash Unit Requirements149
Before Using an External Flash Unit150
Using an External Flash Unit151
External Flash Precautions152
Using a Conversion Lens or Filter ........................... 153
Installing a Conversion Lens or Close-up Lens154
Installing a Filter156
To protect a single file181
To protect all files in memory182
Using the FAVORITE Folder .................................... 182
To copy a file to the FAVORITE folder182
To display a file in the FAVORITE folder184
To delete a file from the FAVORITE folder185
To delete all files from the FAVORITE folder185
Memory Data ............................................................ 228
DCF Protocol228
Memory Folder Structure228
226
Image Files Supported by the Camera230
Built-in Memory and Memory Card Precautions231
232 USING THE CAMERA WITH A COMPUTER
Using the Album Feature ......................................... 232
Creating an album232
Selecting an Album Layout234
Configuring Detailed Album Settings234
Viewing Album Files237
Saving an Album239
To delete an album240
Installing the Software from the CD-ROM ............... 240
About the bundled CD-ROM
(CASIO Digital Camera Software)240
Computer System Requirements242
Installing Software from the CD-ROM in
Windows ................................................................... 243
Getting Started244
Selecting a Language244
Viewing the Contents of the “Read me” File244
Installing an Application245
Viewing User Documentation (PDF Files)245
User Registration246
Exiting the Menu Application246
8
INTRODUCTION
Installing Software from the CD-ROM on a
Macintosh ................................................................. 246
Installing Software246
Viewing User Documentation (PDF Files)247
249 APPENDIX
Menu Reference ....................................................... 249
• The contents of this manual are subject to change
without notice.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss resulting from
the use of this manual.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any loss or claims by third parties
which may arise through the use of the EX-P700.
• CASIO COMPUTER CO., LTD. shall not be held
liable for any damages or losses suffered by you or
any third party due to the use of Photo Loader and/or
Photohands.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss caused by
deletion of data as a result of malfunction, repairs, or
battery replacement. Be sure to back up all important
data on other media to protect against its loss.
• Note that the example screens and product
illustrations shown in this User’s Guide may differ
somewhat by the screens and configuration of the
actual camera.
• The SD logo is a registered trademark.
• Windows, Internet Explorer, and DirectX are
registered trademarks of Microsoft Corporation.
• Macintosh is a registered trademark of Apple
Computer, Inc.
9
INTRODUCTION
•
MultiMediaCard is a trademark of Infineon
Technologies AG of Germany, and licensed to the
MultiMediaCard Association (MMCA).
• Adobe and Reader are either registered trademarks
or trademarks of Adobe Systems Incorporated in the
United States and/or other countries.
• Other company, product and service names used
herein may also be trademarks or service marks of
others.
• Photo Loader and Photohands are the property of
CASIO COMPUTER CO., LTD. Except as stipulated
above, all copyrights and other related rights to these
applications revert to CASIO COMPUTER CO., LTD.
■ Copyright Restrictions
Except for the purpose of your own personal enjoyment,
unauthorized copying of snapshot files, movie files, and
audio files violates copyright laws and international
contracts.
Distribution to third parties of such files over the Internet
without permission of the copyright holder, whether for
profit or for free, violates copyright laws and international
contracts.
10
INTRODUCTION
Features
• 7.2 million effective pixels
The CCD provides 7.41 million total pixels of very highresolution for crisp, clear, prints and display images.
• 2.0-inch TFT color LCD monitor screen
• Long battery life
A low-power design combines with a large-capacity
battery to provide more recording and playback between
charges.
• 8.9MB flash memory
Images can be recorded without using a memory card.
• High-speed, high-precision Auto Focus
A phase differential sensor combines with contrast Auto
Focus for faster focusing.
• Three continuous shutter modes (page 100)
In addition to normal continuous shutter operation that
can continually record shots as long as memory is
available, you can also use high-speed continuous
shutter and stop-action continuous shutter, which records
a series of shots in a single image.
• Four auto bracketing modes (page 105)
Configurable variables can be set up to record multiple
versions of an image altering the exposure, white
balance, or focus distance setting. Non-configurable
variables create multiple versions of the same image
using various filters and other settings.
• Ex Finder view (page 32)
The Ex Finder view provides you with a wealth of
information on the monitor screen as you compose your
images.
• Ex Menu (page 143)
Ex Menu gives you short-cut menu access to four
frequently-used settings.
• Multi Auto Focus (page 82)
When “Multi” is selected for the Auto Focus area, the
camera takes simultaneous meter readings at seven
different points and automatically selects the best one.
This avoids unintended auto focusing on the background,
which can cause foreground subject to be out of focus.
• Movable Auto Focus (AF) Area (page 82)
You can move the focus area to the location you want.
• Support for SD memory cards and MMC (MultiMedia
Cards) for memory expansion (page 201)
11
INTRODUCTION
• Manual Assist (page 97)
Follow the on-screen guidance when configuring manual
exposure settings.
• AE Lock (page 99)
A simple operation locks exposure on a particular subject,
helping to ensure that the image is focused the way you
want.
• BESTSHOT (page 113)
Simply select the sample scene that matches the type of
image you are trying to record and the camera performs
troublesome setups automatically for beautiful pictures
every time.
• Business Shot (page 121)
Business Shot automatically corrects rectangular shapes
when recording the image of a business card, document,
whiteboard, or similar subjects from an angle.
• Coupling Shot and Pre-shot (pages 117, 119)
Coupling Shot lets you combine two subjects into a single
image, while Pre-shot lets you add a subject to a
previously recorded background image. This means you
can create images that include you and your friend, even
if you are the only two people around.
• Triple Self-timer (page 75)
The self-timer can be set up to repeat three times,
automatically.
• Real-time RGB histogram (page 130)
An on-screen histogram lets you adjust exposure as you
view the effect on overall image brightness, which makes
shooting under difficult lighting conditions easier than
ever before.
• World Time (page 194)
A simple operation sets the current time for your current
location. You can select from among 162 cities in 32 time
zones.
• Alarm (page 191)
A built-in alarm helps to keep you on time for important
events, and even can be used in place of an alarm clock.
You can also have a specific image appear, or a movie or
audio file to play when the alarm time is reached.
• Album Function (page 232)
HTML files are generated automatically to create an
album of recorded images. Album contents can be viewed
and printed using a standard Web browser. Images can
also be incorporated into Web pages quickly and easily.
• Calendar screen (page 166)
A simple operation displays a full-month calendar on the
camera’s monitor screen. Each day of the full-month
calendar shows a thumbnail of the first image recorded
for that date, which helps to make searching for a
particular image quicker and easier.
12
INTRODUCTION
• Audio Snapshot mode (page 126)
Use this mode to record snapshots that also include
audio.
• Movie + Audio mode (page 124)
• Voice recording (page 128)
Quick and easy recording of voice input.
• After Recording (page 173)
Use this mode to add audio to snapshots after you record
them.
• Selectable Sound Settings (page 186)
You can configure different sounds to play whenever you
turn on the camera, press the shutter button half-way or
all the way, or perform a key operation.
• Card remote controller (page 144)
• External flash connectability (page 149)
• Conversion lens/close-up lens support (page 153)
Use of a conversion lens enhances telephoto and wide
angle shots, while the close-up lens enhances macro
shots.
• DCF Data Storage (page 228)
DCF (Design rule for Camera File system) data storage
protocol provides image compatibility between the digital
camera and printers.
• Digital Print Order Format (DPOF) (page 207)
Images can be printed easily in the sequence you want
using a DPOF compatible printer. DPOF can also be used
when specifying images and quantities for printing by
professional print services.
• PRINT Image Matching III Compatible (page 215)
Images include PRINT Image Matching III data (mode
setting and other camera setup information). A printer that
supports PRINT Image Matching III reads this data and
adjusts the printed image accordingly, so your images
come out just the way you intended when you recorded
them.
• USB DIRECT-PRINT and PictBridge support (page 210)
Connect directly to a USB DIRECT-PRINT or PictBridge
compatible printer and you can print images without going
through a computer.
• Transfer images to a computer simply by connecting the
camera with a USB cable (page 216).
• Connect the camera to a TV with the AV cable and use
the TV screen for image recording and viewing (page
176).
13
INTRODUCTION
• Photo Loader and Photohands (page 241)
Your camera comes bundled with Photo Loader, the
popular application that automatically loads images from
your camera to your PC. It also comes with Photohands,
and application that makes image retouching quick and
easy.
Precautions
General Precautions
Be sure to observe the following important precautions
whenever using the EX-P700.
All references in this manual to “camera” refer to the
CASIO EX-P700 Digital Camera.
• Never try to take pictures or use the built-in display while
operating a motor vehicle or while walking. Doing so
creates the risk of serious accident.
• Never try to open the case of the camera or attempt your
own repairs. High-voltage internal components create the
risk of electric shock when exposed. Always leave
maintenance and repair work up to a CASIO authorized
service center.
• Never look at the sun or any other bright light through the
camera’s viewfinder. Doing so can damage your eyesight.
• Keep the small parts and accessories of this camera out
of the reach of small children. If swallowed accidentally,
contact your physician immediately.
• Never fire the flash in the direction of a person operating
a motor vehicle. Doing so can interfere with the driver’s
vision and create the risk of accident.
14
INTRODUCTION
• Never fire the flash while it is too close to the subject’s
eyes. Intense light from the flash can cause eye damage
if it is fired too close to the eyes. This is especially true
with young children. When using the flash, the camera
should be at least one meter (3.3´) from the eyes of the
subject.
• Keep the camera away from water and other liquids, and
never let it get wet. Moisture creates the risk of fire and
electric shock. Never use the camera outdoors in the rain
or snow, at the seashore or beach, in the bathroom, etc.
• Should foreign matter or water ever get into the camera,
immediately turn it off. Next, remove the camera’s battery
and/or unplug the AC adaptor power cord from the power
outlet, and contact your dealer or nearest CASIO
authorized service center. Using the camera under these
conditions creates the risk of fire and electric shock.
• Should you ever notice smoke or a strange odor coming
out of the camera, immediately turn it off. Next, taking
care you do not burn your fingers, remove the camera’s
battery and/or unplug the AC adaptor power cord from the
power outlet, and contact your dealer or nearest CASIO
authorized service center. Using the camera under these
conditions creates the risk of fire and electric shock. After
making sure there is no more smoke coming from the
camera, take it to your nearest CASIO authorized service
center for repair. Never attempt your own maintenance.
• Never use the AC adaptor to power any other device
besides this camera. Never use any other AC adaptor
besides the one that comes with this camera.
• Never cover the AC adaptor with a quilt, blanket, or other
cover while it is in use, and do not use it near a heater.
• At least once a year, unplug the AC adaptor power cord
from the power outlet and clean the area around the
prongs of the plug. Dust build up around the prongs can
create the risk of fire.
• If the camera’s case should ever become cracked due to
dropping it or otherwise subjecting it to rough treatment,
immediately turn it off. Next, remove the camera’s battery
and/or unplug the AC adaptor power cord from the power
outlet, and contact your dealer or nearest CASIO
authorized service center.
• Never use the camera inside of an aircraft or in any other
area where its use is prohibited. Doing so creates the risk
of accident.
• Physical damage and malfunction of this camera can
cause the data stored in its memory to be deleted. Always
keep backup copies of data by transferring them to
personal computer memory.
15
INTRODUCTION
• Never open the battery cover, disconnect the AC adaptor
from the camera, or unplug the AC adaptor from the wall
socket while an image is being recorded. Doing so will not
only make storage of the current image impossible, it can
also corrupt other image data already stored in file
memory.
Test for proper operation before using
the camera!
• Before using the camera to record important images,
make sure you first record a number of test images and
check the results to ensure that the camera is configured
correctly and operating properly (page 19).
16
INTRODUCTION
Data Error Precautions
• Your digital camera is manufactured using precision
digital components. Any of the following creates the risk
of corruption of data in file memory.
— Removing the battery or memory card while the
camera is performing a record or memory access
operation
— Removing the battery or memory card while the
operation lamp is still flashing after you turn off the
camera
— Disconnecting the USB cable while a data
communication operation is being performed
— Low battery power
— Other abnormal operations
Any of the above conditions can cause an error message to
appear on the monitor screen (page 260). Follow the
instructions provided by the message to eliminate the
cause of the error.
Operating conditions
• This camera is designed for use in temperatures ranging
from 0°C to 40°C (32°F to 104°F).
• Do not use or keep the camera in the following areas.
— In areas subject to direct sunlight
— In areas subject to high humidity or dust
— Near air conditioners, heaters, or other areas subject
to temperature extremes
— Inside of a closed vehicle, especially one parked in the
sun
— In areas subject to strong vibration
17
INTRODUCTION
Condensation
• When you bring the camera indoors on a cold day or
otherwise expose it to a sudden change of temperature,
there is the possibility that condensation can form on the
exterior or on interior components. Condensation can
cause malfunction of the camera, so you should avoid
exposing it to conditions that might cause condensation.
• To keep condensation from forming, place the camera
into a plastic bag before moving it into a location that is
much warmer or colder than your current location. Leave
it in the plastic bag until the air inside the bag has a
chance to reach the same temperature as the new
location. If condensation does form, remove the battery
from the camera and leave the battery cover open for a
few hours.
Lens and Phase Differential Sensor
• Never apply too much force when cleaning the surface of
the lens and phase differential sensor. Doing so can
scratch the lens and phase differential sensor surface and
cause malfunction.
• Fingerprints, dust, or any other soiling of the lens and
phase differential sensor can interfere with proper image
recording. Never touch the lens and phase differential
sensor with your fingers. You can remove dust particles
from the lens and phase differential sensor surface by
using a lens blower to blow them off. Next, wipe the
surface of the lens and phase differential sensor with a
soft lens cloth.
• When aiming the camera, make sure that your finger
does not block the phase differential sensor.
Other
• The camera may become slightly warm during use. This
does not indicate malfunction.
• If the exterior of the camera needs cleaning, wipe it with a
soft, dry cloth.
18
QUICK START GUIDE
QUICK START GUIDE
First, charge the battery!
1.
Charge the rechargeable litium ion battery (NP-40)
that comes with the camera (page 37).
• Note that the shape of the rapid charger depends on the
area where you purchased the camera.
• It takes about two hours to achieve a full charge.
1
1
2
2
Power Cord Type
[CHARGE] lamp lights red
during charging.
[CHARGE] lamp turns
green when charging is
complete.
[CHARGE] lamp lights
red during charging.
[CHARGE] lamp turns
green when charging
is complete.
Plug-in Type
19
QUICK START GUIDE
2.
Load the battery into the camera. (page 41).
1
2
3
Stopper
20
QUICK START GUIDE
To configure display language and clock settings
• Be sure to configure the following settings
before using the camera to record images.
See page 54 for details.
1
2, 3, 4, 5, 6, 7, 8, 9
1.
Press the power button to turn on the camera.
2.
Press [왖] to select the language you want.
3.
Press [SET] to register the language setting.
4.
Use [왖], [왔], [왗], and [왘] to select the geographical
area you want, and then press [SET].
5.
Use [왖] and [왔] to select the city you want, and then
press [SET].
6.
Use [왖] and [왔] to select the summer time (DST)
setting you want, and then press [SET].
7.
Use [왖] and [왔] to select the date format setting you
want, and then press [SET].
8.
Set the date and the time.
9.
Press [SET] to register the clock settings and exit the
setting screen.
21
QUICK START GUIDE
1200N
1600
10
04/1212
24
12
58
ISO 80
F2.8
1/1000
To record an image
See page 58 for details.
Green
operation lamp
3
1.
Snapshot mode icon
1
2
4
1600
1200N
ISO 80
F2.8
1/1000
04/
12
10
IN
/24
:
58
Press the power button to turn on the
camera.
2.
Align the mode dial with (Snapshot
mode).
3.
Point the camera at the subject, use the
monitor screen or viewfinder to compose the
image, and then press the shutter button half
Focus frame
way.
• When proper focus is achieved, the focus frame
turns green and the green operation lamp lights.
4.
Holding the camera still, gently press the
shutter button all the way down.
22
QUICK START GUIDE
To view a recorded image
See page 157 for details.
1
2
3
1.
Press the power button to turn
on the camera.
2.
Align the mode dial with
(PLAY mode).
3.
Use [왗] and [왘] to scroll
through the images.
To delete an image
See page 178 for details.
1
2
3
4, 5, 6
1.
Press the power button to turn on the camera.
2.
Align the mode dial with (PLAY mode).
3.
Press [EX ].
4.
Use [왗] and [왘] to display the image you want to delete.
5.
Use [왖] and [왔] to select “Delete”.
• To exit the image delete operation without deleting anything, select
“Cancel”.
6.
Press [SET] to delete the image.
23
GETTING READY
GETTING READY
This section contains information about things you need to
know about and do before trying to use the camera.
About This Manual
This section contains information about the conventions
used in this manual.
■ Terminology
The following table defines the terminology used in this
manual.
This term as used in
this manual:
“camera”
“file memory”
“battery”
“rapid charger”
Means this:
The CASIO EX-P700 Digital
Camera
The location where the camera
is currently storing images you
record (page 60)
The NP-40 Rechargeable
Lithium Ion Battery
The CASIO BC-30L Rapid
Charger
24
This term as used in
this manual:
“a REC mode”
“digital noise”
Means this:
The currently selected recording
mode (Snapshot, BESTSHOT,
Aperture Priority AE, Shutter
Speed Priority AE, Manual
Exposure, Movie, Voice
Recording)
Tiny flecks or “snow” in a
recorded image or on the
monitor screen, which makes
the image look grainy.
GETTING READY
■ Button Operations
Button operations are indicated by the button name inside
of brackets ([ ]).
■ On-screen Text
On-screen text is always enclosed by double quotation
marks (“ ”).
■ File Memory
The term “file memory” in this manual is a general term that
refers to the location where your camera is currently storing
the images you record. File memory can be any one of the
following three locations.
• The camera’s built-in flash memory
• An SD memory card loaded in the camera
• A MultiMediaCard loaded in the camera
For more information about how the camera stores images,
see page 228.
25
GETTING READY
0
General Guide
The following illustrations show the names of each component, button, and switch on the camera.
Camera
■ Front
1
C
B
D
E
F
A
2
3
4
5
9
7
8
6
1 Zoom controller
2 Shutter button
3 Power button
4 Viewfinder
5 Self-timer lamp
6 Remote control signal receiver
7 Speaker
8 External flash sync terminal
9 Lens ring
• Be sure to reinstall the lens
ring on the camera lens when
you are not using a conversion
lens. Optical zoom is possible
only up to about 2X while the
lens ring is not installed
properly.
0 Lens
A Phase differential sensor
B Microphone
C Flash
D [DC IN](AC adaptor connector)
E [USB/AV](USB/AV port)
F Terminal panel cover
Open Terminal Panel Cover
26
GETTING READY
P
■ Back
G
V
U
T
H
S
I
J
R
Q
K
L
M
N
O
G Viewfinder
H Operation lamp
I [ ](Focus) button
J [ ] (Flash / Calendar) button
K Mode dial
L [MENU] button
M Strap ring
N [ ](Self-timer / Remote Controller)
button
O [PREVIEW] button
P [SET] button
Q [][][][]
R [DISP] button
S Monitor Screen
27
T [EX ] (EX/Delete) button
U [AE-L](AE Lock) button
V [ BKT] (Continuous Shutter/
Auto Bracketing) button
REC modes
GETTING READY
XW
[
■ Bottom
W Battery cover
X Tripod screw hole
• Use this hole when attaching to a tripod.
Y Stopper
Z Battery compartment
[ Memory card slot
Y
Z
28
GETTING READY
Monitor Screen Contents
The monitor screen uses various indicators and icons to keep you informed of the camera’s status.
• Note that the example screens in this chapter are for illustrative purposes only. They do not exactly match the screen
contents actually produced on the camera.
REC modes
4
21
3
E
D
C
56
78
9
1 Flash mode indicator
(page 71)
None Auto
0
A
B
Flash Off
Flash On
Red Eye Reduction
• If the camera detects that
flash is required while auto
flash is selected, the flash on
indicator will appear when
the shutter button is pressed
half way.
(Remaining number of storable
images)
Movie Recording: Remaining
recording time
0 Image quality (page 78)
F : FINE
N : NORMAL
E : ECONOMY
T : TIFF
A Memory indicator
(page 201)
Built-in memory selected
for data storage.
Memory card selected for
data storage.
B Date and time (page 192)
C Battery capacity
(page 45)
D Histogram (page 130)
E Focus frame (page 61)
• Focused: Green
• Unfocused: Red
NOTE
• Changing the setting of any one of the following
functions will cause Icon Help text to appear on the
monitor screen. You can turn off Icon Help if you
want (page 139).
Recording mode, flash mode, focus mode, white
balance, self-timer/remote controller mode, metering
mode
30
GETTING READY
F
J
F
Digital zoom indicator (page 69)
G ISO sensitivity (page 133)
H Aperture value (pages 93, 96)
I Shutter speed value (pages 94, 96)
• An out of range ISO sensitivity, aperture, or shutter speed setting
causes the corresponding monitor screen value to turn amber.
J Zoom indicator (page 69)
• Left side indicates optical zoom.
• Right side indicates digital zoom.
G
H
I
■ Exposure Panel
The exposure panel is an area in the lower right corner of
the REC modes monitor screen that shows various
adjustable parameters. You can also use the exposure
panel to adjust exposure settings.
Exposure Panel
• The following explains the items that appear on the
exposure panel. Note that the current REC mode
determines which items appear.
1 Aperture value (pages 93, 96)
Use this item to adjust the aperture.
• The aperture value is displayed in the
exposure panel when the mode dial is
set to “A” (aperture priority AE) or “M”
(manual exposure).
31
Aperture value
GETTING READY
2 Shutter speed (pages 94, 96)
Use this item to adjust the shutter
speed.
• The shutter speed is displayed in the
exposure panel when the mode dial is
set to “S” (shutter speed priority AE) or
“M” (manual exposure).
3 EV shift (exposure compensation value)
(page 88)
Use this item to adjust the exposure
compensation (EV shift) value.
• The EV shift value is displayed in the
exposure panel when the mode dial is
set to “” (snapshot), “”
(BESTSHOT), “A” (aperture priority
AE), or “S” (shutter speed priority AE).
4 Manual Focus (MF) setting (page 85)
Use this item for adjust focus manually.
• The manual focus setting item is
displayed in the exposure panel when
manual focus is selected (indicated by
“” on the monitor screen) using [ ].
Shutter speed
EV shift
MF setting
■ Ex Finder View
4
5
3
2
1
B
1 Focus distance scale (page 263)
• This scale indicates the focus distance range. Note
that this scale is not intended for precision
measurement. It is provided as a general guide only.
• The focus distance scale may not appear when any
one of the following conditions exists.
— When “Contrast” is selected as the Auto Focus (AF)
mode (page 134)
— When “Hybrid” is selected as the Auto Focus (AF)
mode (page 134) and Macro “” is selected as the
focus mode (page 80)
— Conditions that are so dark or so bright that distance
measurement is impossible
— When “Free” is selected as the Auto Focus Area (AF
• This icon is displayed only when “MF (Manual Focus)”
is selected as the focus mode.
• If you use [] and [] to move the cursor to “ ” and
then press [] or [], the Ex Finder view will
disappear and the manual focus position indicator
(page 85) will appear. After a few moments, the Ex
Finder view will reappear.
8 Color change icon
• Use [] and [] to move the cursor to “ ” and then
press [] or [] to change the color of the Ex Finder
view.
• ISO sensitivity, aperture, and shutter speed values
on the monitor screen will turn amber when you
press the shutter button half way if the image is overexposed or under-exposed.
A EV shift (exposure compensation value) (page 88)
B Histogram (page 130)
PLAY mode
1 PLAY mode file type
Snapshot
Movie
Audio Snapshot
Voice Recording
2 Image protection
indicator (page 181)
33
F
E
D
12 3
4
5
6
7
8
9
0
ABC
3 Folder number/File
number (page 180)
Example : When a file named
CIMG0023.JPG is stored in a
folder named 100CASIO
100-0023
Folder name File name
4 Image quality (page 78)
F : FINE
N : NORMAL
E : ECONOMY
T : TIFF
GETTING READY
5Built-in memory selected
for data storage.
Memory card selected for
data storage.
0 Date and time (page 192)
A White balance indicator
(page 90)
Auto
AWB
Daylight
Cloudy
Shade
Fluorescent 1
1
Fluorescent 2
2
Tungsten
Flash
Manual
B Flash mode indicator
(page 71)
Flash On
Flash Off
Red-eye reduction
C Recording mode
(page 58)
Snapshot
BESTSHOT
Aperture Priority AE
Shutter Speed Priority AE
Manual Exposure
D Battery capacity
(page 45)
E Histogram (page 130)
F EV value (page 88)
Changing the Contents of the Monitor
Screen
Each press of [DISP] cycles the contents of the monitor
screen as shown below.
■ REC modes
Indicators on (page 29)
Ex Finder view on (page 32)
Histogram on (page 29)
Indicators off
Monitor screen off
■ PLAY mode
Indicators on (page 33)
Histogram/Details on (page 33)
Indicators off
34
GETTING READY
IMPORTANT!
• The Ex Finder view cannot be displayed in the
following modes: PLAY, Coupling Shot, Pre-shot,
Movie.
• You cannot turn off the monitor screen in the following
modes: PLAY, BESTSHOT, Movie (standby).
• Pressing [DISP] will not change monitor screen
contents during movie recording, or during standby
or recording of an audio snapshot.
• The only display options that appear when you press
[DISP] in the Coupling Shot is “Indicators on” and
“Monitor screen off”.
• Pressing [DISP] in the Voice Recording REC mode
toggles the monitor screen on (“indicators on”) and
off. While a Voice Recording file is displayed in the
PLAY mode, pressing [DISP] toggles between
“indicators on” and “indicators off”.
• When playing back the contents of a Voice
Recording file while "indicators off" is selected (Voice
Recording file icon only on the monitor screen), the
monitor screen will go black about two seconds after
you press [SET] to start playback. The Voice
Recording file icon (indicators off) will reappear after
playback is complete.
Indicator Lamps
You can find out the operational status of the camera at a
glance by checking the color of the indicator lamps, and
whether a lamp is lit or flashing. For details, see “Indicator
Lamp Reference” on page 252.
Self-timer lamp
Green operation lamp
Red operation lamp
35
GETTING READY
Attaching the Strap
Attach the strap to the strap ring as shown in the
illustration.
IMPORTANT!
• To avoid dropping the camera while operating it, be
sure to wear the strap around your wrist. Use the
buckle to ensure that the strap is fastened snugly
around your wrist.
• The supplied strap is intended for use with this
camera only. Do not use it for any other purpose.
• Never swing the camera around by the strap.
36
GETTING READY
Power Requirements
Your camera can operate on either battery power or AC
power.
• Battery
One NP-40 rechargeable lithium ion battery
The battery is not charged when you purchase the
camera. You need to charge the battery before using
the camera for the first time.
• Household AC Power
AC Adaptor: AD-C40 (Option)
Using the Rapid Charger
Contacts
[CHARGE] lamp
■
Loading the Battery into the Rapid Charger
Making sure that the positive and negative contacts are
aligned correctly, load the battery into the rapid charger.
Note that the battery will not charge properly if it is not
positioned correctly in the rapid charger.
-
T
+
37
GETTING READY
■ To charge the battery
1.
Correctly positioning the positive and
negative terminals of the battery, load the
battery into the rapid charger.
○○○○○○○○○○○○○○○○○○
Plug-in TypePower Cord Type
2.
Plug the rapid charger into a household
power outlet.
• This will cause the [CHARGE] lamp to turn red.
• Charging will take about two hours.
• Note that the shape of the rapid charger depends on
the area where you purchased the camera.
[CHARGE] lamp
Rapid Charger
AC power cord
38
GETTING READY
NOTE
• The power cord type rapid charger is designed for
operation with any power supply in the range of 100V
to 240V AC. Note, however, that the shape of the AC
power cord plug varies according to country or
geographic area. If you plan to use the rapid charger
in a geographic area where the power receptacle
shape is different from that in your area, replace the
AC power cord with one of the other ones that come
with the camera, or purchase a commercially
available AC power cord that is compatible with the
power outlets in that area.
○○○○○○○○○○○○○○○○○○○○○○○○○○○
Plug
[CHARGE] lamp
Rapid Charger
39
NOTE
•
The plug-in type rapid charger is designed for
operation on power ranging from 100V AC to 240V
AC. Note, however, that the shape of the power plug
varies according to country or geographic area. When
traveling abroad, it is up to you to find out if the shape
of the
rapid
local power outlets and to purchase any required
adaptors.
3.
The [CHARGE] lamp turns green when
charger power plug is compatible with
charging is complete.
4.
After charging is complete, unplug the rapid
charger from the power outlet, and remove
the battery from it.
• Always unplug the rapid charger from the power
outlet and remove the battery whenever you are not
charging.
GETTING READY
IMPORTANT!
•
If the battery or
you start charging or if it becomes hot during charging,
the
rapid
indicated when its [CHARGE] lamp is lit amber.
Charging will resume when the temperature returns to
the allowable charging temperature range, which is
indicated when the [CHARGE] lamp turns red.
• Charging
after removing it from the camera can result in only
partial charging. Give
charging it.
• Battery discharges slightly even when it is left
without loading it into the camera. Because of this, it
is recommended that you charge
immediately before you need to use it.
• The battery used with this camera is specifically
designed for use with digital cameras. If you want to
try to use it to power another type of device, you
should first check the user documentation that
comes with the device to see if the battery is
compatible.
• Though the actual service life of the battery depends
on the environment under which it is used, you can
expect to be able to recharge it about 500 times
before it needs replacement.
rapid
charger is very hot or cold when
charger will enter a standby state, which is
the
battery while it is still warm immediately
the
battery time to cool before
the
battery
• Charging the battery may cause interference with TV
and radio reception. If this happens, plug the charger
into an outlet that is further away from the TV or
radio.
• Dirty charger contacts and/or battery terminals can
make proper charging impossible. Be sure to wipe
contacts and terminals occasionally with a dry cloth
to keep them clean.
40
GETTING READY
To load the battery
1.
Slide the battery cover on the bottom of the
camera in the direction indicated by the
arrow, and then swing it open.
2.
While pulling the stopper in the direction
indicated by the arrow in the illustration, slide
the battery into the camera.
Stopper
(–) marks
• Push the bottom of
the battery, and
make sure that the
stopper securely
locks the battery in
place.
NP-40
41
GETTING READY
3.
Swing the battery cover closed, and then slide
it in the direction indicated by the arrow.
IMPORTANT!
• Use only the special NP-40 rechargeable lithium ion
battery to power this camera. Use of any other type
of battery is not supported.
To remove the battery
1.
Open the battery cover.
2.
Pull the stopper in the direction indicated by
the arrow.
• This will cause the battery to come part way out of
the slot.
Stopper
3.
Release the stopper and pull the battery from
the camera.
• Take care so you do not drop the battery.
42
GETTING READY
■ If the camera does not work normally
This can mean there is a problem with how the battery is
loaded. Remove the battery from the camera and check the
battery contacts for dirt. If the contacts are dirty, wipe them
clean with a dry cloth.
■ Battery Life Guidelines
The battery life guideline values given below indicate the
amount of time under the conditions defined below the
table, until power automatically turns off due to battery
failure. They do not guarantee that the battery will provide
the amount of service indicated. Low temperatures and
continued use reduce battery life.
Operation
Number of Shots (CIPA
Standard)*1 (Operating Time)
Number of Shots, Continuous
Recording*2 (Operating Time)
• Zoom operation between full wide to full telephoto
every 30 seconds, during which two images are
recorded, one image with flash; power turned off and
back on every time 10 images are recorded.
*2 Continuous Recording Conditions
• Temperature: 23° C (73°F)
• Monitor screen: On
• Flash: Off
• Image recorded every 15 seconds, alternating full
wide-angle and full telephoto zoom
*3 Continuous Snapshot Playback Conditions
• Temperature: 23° C (73°F)
• Scroll one image about every 10 seconds
*4 Voice recording times are based on continuous
recording.
• The above values are based on a new battery starting
from a full charge. Repeated charging shortens battery
life.
• Battery life is greatly affected by how much you use flash,
zoom and other functions, and how long you leave power
turned on.
■ Tips to Make the Battery Last Longer
• If you do not need the flash while recording, select
(flash off) for the flash mode. See page 71 for more
information.
• Enable the Auto Power Off and the Sleep features (page
51) to protect against wasting battery power when you
forget to turn off the camera.
• You can also conserve battery power by using the [DISP]
button to turn off the monitor screen.
44
GETTING READY
■ Low Battery Indicator
The following shows how the battery capacity indicator on
the monitor screen changes as battery power is used. The
indicator means that remaining battery power is low.
Note that you will not be able to record images while the
battery indicator is . Charge the battery immediately
whenever either of these indicators appears.
Battery LevelHighLow
Indicator
Power Supply Precautions
Note the following precautions when handling or using the
battery and the rapid charger.
■ Battery Handling Precautions
● SAFETY PRECAUTIONS
Be sure to read the following Safety Precautions before
using the battery for the first time. Keep these safety
precautions and all operating instructions on hand for
future reference.
NOTE
• The term “battery” in this manual refers to the CASIO
NP-40 Rechargeable Lithium Ion Battery.
• Use only the rapid charger (BC-30L) to charge the
special NP-40 rechargeable lithium ion battery.
Never use any other charging device.
45
GETTING READY
• Failure to observe any of the following precautions
while using the battery creates the risk of overheating,
fire, and explosion.
— Never try to use the battery to power any device
other than this camera.
— Never use or leave the battery near open flame.
— Never place the battery in a microwave oven, throw
it into fire, or otherwise expose it to intense heat.
— Make sure the battery is oriented correctly when you
load it into the camera or attach it to the rapid
charger.
— Never carry or store the battery together with items
that can conduct electricity (necklaces, pencil lead,
etc.)
— Never try to take the battery apart, modify it in any
way, or expose it to strong impact.
— Do not immerse the battery in fresh water or salt
water.
— Do not use or leave the battery under direct
sunlight, in an automobile parked in the sun, or in
any other area subject to high temperatures.
• Should you ever notice any of the following conditions
while using, charging, or storing a battery, immediately
remove it from the camera or rapid charger, and keep it
away from open flame:
— Fluid leaking
— Emission of a strange odor
— Heat emission
— Battery discoloration
— Battery deformation
— Any other battery abnormality
• If the battery does not achieve full charge after the
normal charging time has passed, stop charging.
Continued charging creates the risk of overheating, fire,
and explosion.
• Battery fluid can damage your eyes. Should battery
fluid get into your eyes accidentally, immediately rinse
them with clean tap water and then consult a physician.
• If the battery is to be used by young children, make
sure that a responsible adult makes them aware of the
precautions and proper handling instructions and make
sure that they handle the battery correctly.
• Should fluid from the battery accidentally get onto
clothing or your skin, immediately rinse it off with clean
tap water. Prolonged contact with battery fluid can
cause skin irritation.
46
GETTING READY
● PRECAUTIONS DURING USE
• Charge the battery in a location where the temperature
is in the range of 5°C to 35°C (41°F to 95°F). Charging
outside this temperature range can cause charging to
take longer than normal or even cause charging to fail.
• Very limited operation following a full charge indicates
that the battery has reached the end of its service life.
Replace the battery with a new one.
• Never wipe the battery with thinner, benzene, alcohol,
or other volatile agents or chemically treated rags.
Doing so can cause deformation of the battery and lead
to malfunction.
• Always make sure that the rapid charger is on a level
surface when using it for charging.
● BATTERY STORAGE PRECAUTIONS
• Make sure you remove the battery from the camera
when you do not plan to use it for a long time. A battery
left in the camera discharges very small amounts of
power even when power is turned off, which can lead to
a dead battery or the need for longer charging before
the next use.
• Store the battery in a cool, dry place (20°C (68 °F) or
lower).
● USING THE BATTERY
• When transporting a battery, keep it either loaded in
the camera or stored in its case.
47
GETTING READY
■ Rapid Charger Precautions
• Never plug the rapid charger into an outlet whose
voltage rating is different from that marked on the rapid
charger. Doing so creates the risk of fire, malfunction,
and electric shock.
• Never plug in or unplug the rapid charger while your
hands are wet. Doing so creates the risk of electric
shock.
• Do not plug the rapid charger into an outlet or
extension cord that is shared by other devices. Doing
so creates the risk of fire, malfunction, and electric
shock.
• The rapid charger becomes slightly warm during
charging. This is normal and does not indicate
malfunction.
• Unplug the rapid charger from the power outlet
whenever you are not using it.
Using AC Power
You need to purchase the optionally available AC adaptor
(AD-C40) in order to be able to power the camera using AC
power.
1.
Connect the AC power cord to the AC
adaptor.
2.
Open the camera’s terminal panel cover and
connect the AC adaptor to the port marked
[DC IN].
48
GETTING READY
3.
Plug the AC power cord into an electrical
outlet.
[DC IN]
Terminal panel
cover
Plug
AC power cord
■ Using AC Adaptor In Another Geographic
Area
• The AC adaptor can be used with any power source rated
from 100V to 240V AC. If you plan to use the AC adaptor
in another country, it is up to you to purchase the
applicable AC power cord that matches the configuration
of power receptacles in that country.
AC adaptor
49
GETTING READY
■ AC Adaptor Precautions
• Be sure to turn off power before connecting or
disconnecting the AC adaptor.
• Always turn camera power off before disconnecting the
AC adaptor, even if the camera has a battery installed. If
you don’t, the camera will turn off automatically when you
disconnect the AC adaptor. You also run the risk of
damaging the camera whenever you disconnect the AC
adaptor without first turning power off.
• The AC adaptor may become warm to touch after
extended periods of use. This is normal and is not cause
for alarm.
• After using the camera, turn it off and unplug the AC
adaptor from the AC outlet.
• The camera automatically switches over to AC adaptor
powered operation whenever the AC adaptor is plugged
into the camera.
• Always use the AC adaptor to power the camera
whenever it is connected to a computer.
• Never place a blanket or any other cover on the AC
adaptor. Doing so creates the risk of fire.
Turning the Camera On and Off
Press the power button to turn the camera on and off.
Pressing the power button to turn on the camera causes
the green operation lamp to flash. Press the power button
again to turn off the camera.
Green operation lamp
Power button
IMPORTANT!
• If camera power is turned off by the Auto Power Off
feature, press the power button to turn it back on
again.
• Turning on camera power while the mode dial is set
to a REC mode causes the lens to extend from the
camera. Make sure there is nothing in front of the
camera that can be hit by the lens when you turn on
the camera.
50
GETTING READY
Configuring Power Saving Settings
You can configure the settings described below to
conserve battery power.
Sleep: Automatically turns off the monitor screen
Auto Power Off : Turns off power if you do not perform any
1.
Turn on the camera.
2.
Press [MENU].
3.
Use [] and [] to select the “Set Up” tab.
4.
Use [] and [] to select the feature whose
setting you want to configure, and then press
[].
if no operation is performed for a specified
amount of time in a REC mode.
Performing any button operation causes
the monitor screen to turn back on.
operation for a specified amount of time.
● See “Using the On-screen Menus” (page 52) for
information about how to use menus.
To configure this feature:Select this setting:
SleepSleep
Auto Power OffAuto Power Off
5.
Use [] and [] to change the currently
selected setting, and then press [SET].
• Available Sleep settings are: “30 sec”, “1 min”, “2 min”,
and “Off”.
• Available Auto Power Off settings are: “2 min” and
“5 min”.
• Note that the Sleep feature does not operate in the
PLAY mode.
• Pressing any button while the camera is in the Sleep
state immediately turns the monitor screen back on.
• The Auto Power Off and Sleep features are disabled
in the following cases.
— While the camera is connected to computer or TV
via its USB/AV port
— While a slideshow is in progress
— While playing back a voice recording file
— While playing back a movie
51
GETTING READY
Using the On-screen Menus
Pressing [MENU] displays menus on the monitor screen
that you can use to perform various operations. The menu
that appears depends on whether you are in a REC mode
or the PLAY mode. The following shows an example menu
procedure in the snapshot mode.
1.
Turn on the camera,
and then align the
mode dial with .
• If you want to enter the
PLAY mode instead,
you would align the
mode dial with .
Mode dial
52
2.
Press [MENU].
[][
][][
[MENU]
[SET]
]
Selection cursor
(Indicates the currently
selected item)
Tab
Settings
GETTING READY
● Menu Screen Operations
When you want to do this:
Move between tabs
Move from the tab to the
settings
Move from the settings to
the tab
Move between the settings
Display the options
available for a setting
Select an option
Apply the setting and exit
the menu screen
Apply the setting and
return to tab selection
Exit the menu screen
Do this:
Press [] and [].
Press [].
Press [].
Press [] and [].
Press [] or press [SET].
Press [] and [].
Press [SET].
Press [].
Press [MENU].
53
3.
Press [] or [] to select the tab you want,
and then press [SET] to move the selection
cursor from the tab to the settings.
4.
Use [] and [] to
select the feature
whose setting you
want to configure,
and then press [].
• Instead of pressing [],
you could also press
[SET].
5.
Use [] and [] to change the currently
Example: To select the
“Size” item.
selected setting.
GETTING READY
6.
Perform one of the following operations to
apply the setting you configured.
To do this:
Apply the setting and exit
the menu screen.
Apply the setting and
return to feature selection
in step 4.
Apply the setting and
return to tab selection in
step 3.
• See “Menu Reference” on page 249 for more information
about menus.
Perform this key operation:
Press [SET].
Press [].
1. Press [].
2. Use [] to move back up to
tab selection.
Configuring Display Language and Clock
Settings
Be sure to configure the following settings before using the
camera to record images.
• Display language
• Home city
• Date style
• Date and time
Note that the current date and time settings are used by
the camera to generate the date and time that are stored
along with image data, etc.
54
GETTING READY
IMPORTANT!
• Recording images without configuring the clock
settings causes incorrect time information to be
stored with image data. Be sure to configure the
clock settings before using the camera.
• A built-in backup battery retains the date and time
settings for about two days if the camera is not
supplied with power. The date and time settings will
be cleared when the backup battery goes dead. The
following are the conditions when power is not being
supplied to the camera.
— When the rechargeable battery is dead or
removed from the camera
— When using the AC adaptor to power the camera,
disconnecting the AC adaptor
• The date and time setting screen will appear on the
monitor screen the next time you turn on the camera
after the date and time settings have been cleared. If
this happens, reconfigure the date and time settings.
• If you make a mistake when setting the language or
clock with the following procedure, you will need to
use the camera’s menu to individually change the
language (page 197) or clock (page 192) settings.
To configure display language and clock
settings
1.
Press the power button to turn on the camera.
2.
Use [], [], [], and
[] to select the
language you want,
and then press [SET].
: Japanese
English: English
Français : French
Deutsch : German
Español : Spanish
Italiano: Italian
Português : Portuguese
: Chinese (Complex)
: Chinese (Simplified)
: Korean
55
GETTING READY
3.
Use [], [], [], and
[] to select the
geographical area
where you live, and
then press [SET].
6.
Use [] and [] to
select the date format
setting you want, and
then press [SET].
4.
Use [] and [] to
select the name of the
city where you live,
and then press [SET].
5.
Use [] and [] to select the summer time
(DST) setting you want, and then press [SET].
When you want to do this:
Keep time using summer time
(Daylight Saving Time)
Keep time using standard time
Select this setting:
On
Off
56
Example: December 24, 2004
To display the date like this:
04/12/24
24/12/04
12/24/04
Select this format:
YY/MM/DD
DD/MM/YY
MM/DD/YY
GETTING READY
7.
Set the current date
and the time.
To do this:
Change the setting at the current
cursor location
Move the cursor between settings
Toggle between 12-hour and 24hour timekeeping
8.
Press [SET] to register the settings and exit
Do this:
Press [] and [].
Press [] and [].
Press [DISP].
the setting screen.
57
BASIC IMAGE RECORDING
BASIC IMAGE RECORDING
This section describes the basic procedure for recording an
image.
Recording an Image
Specifying the Recording Mode
Your CASIO digital camera has seven recording modes,
each of which is described below. Before recording an
image, use the mode dial to select the recording mode that
suits the type of image you are trying to record.
• (Snapshot mode)
Use this mode to record still images. This is the mode you
should normally use for image recording.
• (BESTSHOT mode)
This mode makes camera setup as easy as selecting the
applicable sample scene. Simply select one of 27 sample
scenes, and the camera will automatically be configured
with the settings required to record a similar image (page
113).
• (Aperture Priority AE mode)
In this mode, you select the aperture, and other settings
are adjusted accordingly (page 93).
• (Shutter Speed Priority AE mode)
In this mode, you select the shutter speed, and other
settings are adjusted accordingly (page 94).
• (Manual Exposure mode)
This mode gives you total control over aperture and
shutter speed settings (page 96).
• (Movie mode)
Use this mode to record movies (page 124).
• (Voice Recording mode)
Use this mode to record audio only (page 128).
58
BASIC IMAGE RECORDING
1200N
1600
10
04/1212
24
12
58
ISO 80
F2.8
1/1000
NOTE
• The icon of the currently
selected recording mode
(like for the Snapshot
mode) is displayed on the
monitor screen.
Snapshot mode icon
1200N
1600
ISO 80
F2.8
1/1000
04/
12
Aiming the Camera
10
IN
/24
:
58
Use both hands to hold the camera still when shooting an
image. Holding the camera with one hand increases the
chance of movement, which can blur your images.
• Horizontal
Hold the camera
still in both
hands, with your
arms firmly
against your
sides.
• Vertical
When holding
the camera
vertically, make
sure that the
flash is above
the lens. Hold
the camera still
with both hands.
59
BASIC IMAGE RECORDING
IMPORTANT!
• Make sure your fingers and the strap do not block
the flash, microphone or lens.
• When aiming the camera, take particular care to
ensure that your finger is not blocking the phase
differential sensor.
Flash
Microphone
Phase differential
sensor
NOTE
• Your image will be blurred if you move the camera
when pressing the shutter button. Press the shutter
button carefully, taking care to avoid camera
movement. This is especially important when
available lighting is low, which slows down the
shutter speed.
Lens
Recording an Image
Your camera automatically adjusts shutter speed and
aperture values in accordance with the brightness of the
subject. Images you record are stored in the camera’s builtin memory, or to a memory card if you have one loaded in
the camera.
• When an optionally available SD memory card or
MultiMediaCard (MMC) is loaded in the camera, images
are stored on the card (page 201).
1.
Press the power
button to turn on the
camera.
• This causes an image or
a message to appear on
the monitor screen.
Power button
60
BASIC IMAGE RECORDING
1200N
1600
10
04/1212
24
12
58
ISO 80
F2.8
1/1000
2.
Align the mode dial
with “” (Snapshot
mode).
• This enters the Snapshot
mode for image
recording.
3.
Compose the image
on the monitor screen
so the main subject is
within the focus
frame.
• The focusing range of
the camera depends on
focus mode you are
using (page 80).
• You can compose images using either the monitor
screen or the optical viewfinder (page 67).
• When using the optical viewfinder to compose
images, you can use [DISP] to turn off the monitor
screen and conserve battery power.
Focus frame
Mode dial
1200N
1600
ISO 80
F2.8
1/1000
04/
12
4.
Press the shutter button half
way to focus the image.
• When you press the shutter
button half way, the camera’s
Auto Focus feature automatically
focuses the image, and displays
the shutter speed and aperture
Shutter button
values. The ISO sensitivity value
also appears on the display at
10
IN
this time.
• You can tell whether the
image is focused by
Green operation lamp
observing the focus frame
and the green operation
/24
:
58
lamp.
BKT
61
BASIC IMAGE RECORDING
● Operation Lamp and Focus Frame Operation
When you see this:
Green focus frame
Green operation lamp
Red focus frame
Flashing green operation lamp
5.
After making sure that the
It means this:
The image is in focus.
The image is not in focus.
image is focused properly,
press the shutter button the
rest of the way down to
record.
• The number of images that can
be stored in memory depends on
the image size and image quality
setting you are using (pages 77,
78, 262).
Shutter button
Recording Precautions
• Never open the battery cover while the green operation
lamp is flashing. Doing so not only causes the current
image to be lost, it can also corrupt images already stored
in file memory and even lead to malfunction of the
camera.
• Never remove the memory card while an image is being
stored to the memory card.
• Fluorescent lighting actually flickers at a frequency that
cannot be detected by the human eye. When using the
camera indoors under such lighting, you may experience
some brightness or color problems with recorded images.
• When “Auto” is selected for the ISO sensitivity setting
(page 133), the camera automatically adjusts its
sensitivity in accordance with the brightness of the
subject. This can cause some digital noise (graininess) to
appear in images of relatively dark subjects.
• When recording a dimly lit subject while “Auto” is selected
for the ISO sensitivity setting (page 133), the camera
increases sensitivity and uses a slower shutter speed.
Because of this, you need to guard against camera
movement if you have flash turned off (page 71).
• Bright light shining on the lens can cause images to
appear “washed out”. This tends to happen when
recording images outdoors in bright sunlight. To protect
against this, use your free hand to shade the lens from
the light.
62
BASIC IMAGE RECORDING
About Auto Focus
• Auto Focus tends not to work well if the camera is moved
during recording, or when recording the types of subjects
listed below.
— Solid color walls or subjects with little contrast
— Strongly backlit subjects
— Polished metal or other brightly reflective subjects
— Venetian blinds or other horizontally repeating patterns
— Multiple subjects that are varying distances from the
camera
— Subjects in poorly lit areas
— Moving subjects
• Note that a green operation lamp and focus frame do not
necessarily guarantee that the resulting image will be in
focus.
• If Auto Focus does not produce the results you want for
some reason, try using focus lock (page 87) or manual
focus (page 85).
About the REC Mode Monitor Screen
• The image shown on the monitor screen in a REC mode
is a simplified image for composing purposes. The actual
image is recorded in accordance with the image quality
setting currently selected on your camera. The image
saved in file memory has much better resolution and
detail than the REC mode monitor screen image.
• Certain levels of subject brightness can cause the
response of the REC mode monitor screen to slow down,
which causes some digital noise (graininess) in the
monitor screen image.
• Very bright light inside of an image can cause a vertical
band to appear in the monitor screen image. This is a
CCD phenomenon known as “vertical smear”, and does
not indicate malfunction of the camera. Note that vertical
smear is not recorded with the image in the case of a
snapshot, but it is recorded in the case of a movie (page
124).
63
BASIC IMAGE RECORDING
Previewing the Last Image Recorded
Whenever you record an image, the camera stores a copy
of it in a preview buffer. You can use the procedures
described here to view the contents of the preview buffer,
without exiting a REC mode.
The last recorded image remains in the preview buffer until
you record another image, change to the PLAY mode, or
turn off camera power.
To view current preview buffer contents
after recording a single image
1.
In a REC mode, press
[PREVIEW] to display the
current contents of the
preview buffer.
[PREVIEW]
2.
Press [PREVIEW] again to return to the REC
mode screen.
IMPORTANT!
• Preview buffer contents are cleared by the following
operations.
— Turning off the camera
— Changing the mode dial setting
• Nothing is stored in the preview buffer when you
record a movie.
64
BASIC IMAGE RECORDING
To delete preview buffer contents after
recording a single image
IMPORTANT!
• Note that image deletion cannot be undone. Once
you delete an image, it is gone. Make sure you really
do not need an image anymore before you delete it.
1.
In a REC mode, press [PREVIEW] to display
the current contents of the preview buffer.
2.
While the preview image is on the display,
press [EX
3.
In response to the confirmation message that
appears, use [왖] and [왔] to select “Delete”.
• To cancel the delete operation without deleting
anything, select “Cancel”.
4.
Press [SET].
• This deletes the image and returns to the REC mode
screen.
].
Orientation Sensor
The camera has an orientation sensor that detects whether
the camera is being held horizontally (its normal
orientation) or vertically when you record an image.
Information about camera orientation is recorded along with
the image data so the image can be displayed properly.
When you transfer images to a computer using the bundled
Photo Loader application (page 241), Photo Loader also
detects the orientation of each image and displays it
accordingly.
65
BASIC IMAGE RECORDING
IMPORTANT!
• To ensure proper operation of the orientation sensor,
note the following points.
— Keep the camera still during recording. Moving
the camera while recording can cause missoperation of the orientation sensor.
— When recording an image using portrait (vertical)
orientation, make sure the camera is standing
straight up, 90 degrees from horizontal. A sensor
error may occur if the camera is angled more than
about 20 degrees from vertical.
— When positioning the camera vertically, keep the
flash above the lens.
20°
20°
66
— Miss-operation of the orientation sensor can also
occur if the camera is angled towards the front or
back. A sensor error may occur if the camera is
angled more than about 60 degrees towards the
front or back.
60°
— Note that the orientation sensor does not operate
in the Movie mode.
60°
BASIC IMAGE RECORDING
Using the Optical Viewfinder
You can conserve battery power by turning off the
camera’s monitor screen (page 34) and using the optical
viewfinder to compose images.
IMPORTANT!
• The visible area framed by the viewfinder shows the
image that would be recorded at a distance of about
one meter (3.3´). When recording a subject that is
closer to you than one meter, the recorded image will
be lower than what you can see inside the viewfinder
area.
Viewfinder
Area recorded
at distances
less than one
meter (3.3´)
Area visible in
the viewfinder
BKT
• Since the monitor screen shows exactly what will be
recorded, always use it for composing images in the
Macro and Manual Focus modes.
67
BASIC IMAGE RECORDING
Using Zoom
Your camera is equipped with two types of zoom: optical
zoom and digital zoom. Normally, the camera automatically
switches over to digital zoom after you reach the maximum
limit for optical zoom. You can, however, configure the
camera to disable digital zoom, if you want.
Optical Zoom
The optical zoom range is 1X to 4X.
1.
In a REC mode, shift the
zoom controller to change
the zoom factor.
Zoom controller
To do this:
Zoom out
Zoom in
Shift this side of the zoom controller:
(Wide Angle)
(Telephoto)
Zoom outZoom in
2.
Compose the image, and then press the
shutter button.
NOTE
• The optical zoom factor also affects the lens
aperture.
• Use of a tripod is recommended to protect against
hand movement when using the telephoto setting
(zoom in).
• You can change the digital zoom setting during
movie recording, but not the optical zoom setting.
Make sure you select the optical zoom setting you
want to use before you press the shutter button to
start movie recording.
• Whenever you perform an optical zoom operation
while recording with the Macro mode (page 84) or
manual focus (page 85), a value will appear on the
monitor screen to tell you the focusing range.
68
BASIC IMAGE RECORDING
Digital Zoom
Digital zoom digitally enlarges the part of the image at the
center of the image screen. The range of digital zoom is 4X
to 16X (in combination with optical zoom).
IMPORTANT!
• Digital zoom is disabled whenever the monitor
screen is turned off (page 34).
• When you perform a digital zoom operation, the
camera manipulates the image data to enlarge the
center of the image. Unlike optical zoom, an image
enlarged with digital zoom appears coarser than the
original.
■ To record an image using digital zoom
1.
In a REC mode, hold
Digital zoom indicator
the zoom controller
towards
(telephoto) / side.
• This causes the zoom
indicator to appear on
the display.
2.
When the zoom pointer reaches the optical/
digital zoom switch over point, it will stop.
Optical Zoom range
1X4X16X
Optical/digital zoom switch over point
• The above shows what the zoom indicator looks like
when digital zoom is turned on. The digital zoom
range is not displayed when digital zoom is turned
off.
Zoom pointer
69
Zoom indicator
Digital
Zoom range
BASIC IMAGE RECORDING
3.
Release the zoom controller momentarily, and
then slide it towards (telephoto) / side
again to move the zoom pointer into the
digital zoom range.
• The zoom pointer will also stop when you move the
pointer back to the switch over point to re-enter the
optical zoom range. Release the zoom controller and
then slide it towards (wide angle) / side again
to move into the optical zoom range.
4.
Compose the image, and then press the
shutter button.
■ To turn digital zoom on and off
1.
In a REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “REC” tab.
3.
Use [왖] and [왔] to select “Digital Zoom”, and
then press [왘].
4.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
To do this:
Turn on digital zoom
Turn off digital zoom
• Only the optical zoom range is displayed in the zoom
level indicator when digital zoom is turned off.
Select this setting:
On
Off
70
BASIC IMAGE RECORDING
Using the Flash
Perform the following steps to select the flash mode you
want to use.
• The approximate effective range of the flash is shown
below.
Wide Angle: Approximately 0.4 meters to 3.6 meters
Telephoto : Approximately 0.4 meters to 2.5 meters
1.
In a REC mode, press [MENU].
2.
Press [ ] to select the flash mode.
• Each press of [ ] cycles through the flash mode
settings described below on the monitor screen.
(1.3´ to 11.8´) (ISO Sensitivity: Auto)
(1.3´ to 8.2´) (ISO Sensitivity: Auto)
Flash mode indicator
[ ]
71
To do this:
Have the flash fire automatically when
required (Auto Flash)
Turn off the flash (Flash Off)
Always fire the flash (Flash On)
Fire a pre-flash followed by image
recording with flash, reducing the
chance of red-eye in the image (Redeye reduction)
In this case, the flash fires automatically
when required
3.
Record the image.
IMPORTANT!
• Image recording may not be performed if you press
the shutter button while the flash is charging (which
is indicated by a flashing red operation lamp).
• Using the flash while “Auto” is selected for the ISO
Sensitivity setting increases sensitivity, which can
cause large amounts of digital noise to appear in the
image. You can reduce digital noise by using a lower
ISO Sensitivity setting. Note, however, that this also
has the effect of shortening the flash range (the
range that is covered by the light from the flash)
(page 133).
Select this setting:
None
BASIC IMAGE RECORDING
■ About Red-eye Reduction
Using the flash to record at night or in a dimly lit room can
cause red spots inside the eyes of people who are in the
image. This happens because the light from the flash
reflects off of the retina of the eye. When red-eye reduction
is selected as the flash mode, the camera performs two
pre-flash operations, one designed to cause the irises in
the eyes of any people in the image to close, and one for
the Auto Focus operation. This is followed by another flash
operation for actual recording of the image.
IMPORTANT!
Note the following important points when using redeye reduction.
• Red-eye reduction does not work unless the people
in the image are looking directly at the camera during
the pre-flash. Before pressing the shutter button, call
out to the subjects so they all look at the camera
while the pre-flash operation is performed.
• Red-eye reduction may not work very well if the
subjects are located far away from the camera.
Flash Unit Status
You can find out the current flash unit status by pressing
the shutter button half way and checking the monitor
screen and red operation lamp.
The indicator is also
shown on the monitor
screen when the flash unit
is ready to fire.
BKT
Red operation lamp
* Red operation lamp
When the red operation
lamp is this:
Flashing
Lit
It means this:
Flash unit is charging
Flash unit is ready to fire
72
*
BASIC IMAGE RECORDING
Changing the Flash Intensity Setting
Perform the following steps to change the flash intensity
setting.
1.
In a REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “REC” tab.
3.
Use [왖] and [왔] to select “Flash Intensity”,
and then press [왘].
4.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
To make flash intensity:
Stronger
Normal
Weaker
NOTE
• Flash intensity may not change if the subject is too
far or too close to the camera.
Select this setting:
+2
+1
0
–1
–2
Using Flash Assist
Recording a subject that is outside the flash range can
cause the subject to appear dark in the resulting image,
because not enough of the flash reaches the subject. When
this happens, you can use flash assist to correct the
brightness of the recorded subject, so it appears as if the
flash illumination was sufficient.
Flash assist usedFlash assist not used
1.
In a REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “REC” tab.
3.
Use [왖] and [왔] to select “Flash Assist”, and
then press [왘].
73
BASIC IMAGE RECORDING
4.
Use [왖] and [왔] to select “Auto”, and then
press [SET].
• Selecting “Off” disables flash assist.
IMPORTANT!
• Flash assist may not produce the desired result for
some types of subjects.
• Flash assist may have little effect on your image if
you changed any of the following settings when you
recorded it.
— Flash intensity (page 73)
— Exposure compensation (EV shift) (page 88)
— ISO sensitivity (page 133)
— Contrast (page 137)
Flash Precautions
Take care that your fingers do
not block the flash when you
hold the camera. Covering the
flash with your finger can
greatly reduce its
effectiveness.
• You may not be able to achieve the desired results using
a flash if the subject is too close or too far away.
• The flash takes anywhere from a few seconds to as long
as 10 seconds to attain full charge after being fired. The
actual time required depends on the battery level,
temperature, and other conditions.
• The flash does not fire when recording using the following
modes and functions: infinity () focus mode (page 85),
continuous shutter (page 100), auto bracketing (page
105), Movie mode (page 124). The (Flash Off) icon on
the monitor screen indicates that the flash is turned off.
• The flash unit may not be able to charge when battery
power is low. Low battery power is indicated by (Flash
Off) on the monitor screen, and when the flash fails to fire
properly resulting in poor image exposure. When these
symptoms occur, charge the camera’s battery as soon as
possible.
Flash
74
BASIC IMAGE RECORDING
• When recording with the flash turned off () while
available lighting is dim, mount the camera on a tripod.
Recording images under dim lighting without the flash can
cause digital noise, which makes images appear coarse.
• When red-eye reduction () is selected, flash intensity
is adjusted automatically in accordance with the
exposure. The flash may not fire at all when the subject is
brightly lit.
• Using flash in combination with another light source
(daylight, fluorescent light, etc.) can result in abnormal
image colors.
Using the Self-timer
The self-timer lets you select either a 2-second or 10second delay of the shutter release after you press the
shutter button. A Triple Self-timer feature lets you perform
three consecutive self-timer operations to record three
images.
1.
In a REC mode, use
Self-timer setting
[ ] to cycle through
the available self-timer
modes.
• Each press of [ ]
cycles through the timer
settings on the monitor
screen in the sequence
shown below.
75
BASIC IMAGE RECORDING
To do this:
Disable the self-timer
Specify a 10-second self-timer
Specify a 2-second self-timer
Specify Triple Self-timer
Specify self-timer off for remote
controller operation (page 146)
Specify 2-second self-timer for remote
controller operation (page 146)
Select this setting:
No icon displayed
10
s
2
s
x3
2s
• With the Triple Self-timer, the camera records a series
of three images in the sequence described below.
1. The camera performs a 10-second countdown
and then records the first image.
2. The camera prepares to record the next image.
The amount of time required for preparation
depends on the camera’s current “Size” and
“Quality” settings, the type of memory (built-in or
card) you are using for image storage, and
whether or not the flash is charging.
76
3. After preparation is complete, the indicator “1sec”
appears on the monitor screen, and another
image is recorded one second later.
4. Steps 2 and 3 are repeated once more to record
the third image.
2.
Record the image.
Self-timer lamp
• When you press the
shutter button, the selftimer lamp flashes as
the countdown
progresses, and then
the shutter releases
after the self-timer
reaches the end of its
countdown.
• You can interrupt an
ongoing self-timer
countdown by pressing
the shutter button while
the self-timer lamp is
flashing.
BASIC IMAGE RECORDING
NOTE
• The “2 sec” self-timer setting is best when shooting
with a slow shutter speed, because it helps to avoid
blurring of images due to hand movement.
• The functions below are not available for use in
combination with the Triple Self-timer.
BULB (pages 95, 96), Continuous Shutter (page
“Image size” is the size of the image, expressed as the
number of vertical and horizontal pixels. A “pixel” is one of
the many tiny dots that make up the image. More pixels
provide finer detail when an image is printed, but a higher
pixel count also causes the image’s file size of to be larger.
You can select an image size to suit your needs for greater
detail or smaller file size.
1.
In a REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “REC” tab.
3.
Use [왖] and [왔] to select “Size”, and then
press [왘].
4.
Use [왖] and [왔] to select the image size (in
pixels) you want, and then press [SET].
• When selecting the image size, the image size value
(pixels) will alternate on the display with a
corresponding print size. The print size indicates the
optimum paper size when you print an image that is
the image size you select.
77
BASIC IMAGE RECORDING
Image Size:
3072 × 2304
3072 × 2048
(3:2)
2304 × 1728
1600 × 1200
1280 × 960
×
640
• Indicated sizes are rough approximates only.
• The above print sizes are all approximate values when
printing at a resolution of 200 dpi (dots per inch). Use a
larger setting when you want to print at a higher
resolution or when you plan to produce a larger size print.
• Selecting the “3072 × 2048 (3:2)” image size will record
images with a 3:2 (horizontal : vertical) aspect ratio, which
is optimal for printing on paper with an aspect ratio of 3:2.
Compressing an image before storage can cause a
deterioration of its quality. The more an image is
compressed, the greater the loss of quality. The image
quality setting specifies the compression ratio to be used
when an image is stored in memory. You can select an
image quality setting to suit your needs for higher quality or
smaller file size.
1.
In a REC mode, press [MENU].
2.
Use [왗] and [왘] to select the “REC” tab.
3.
Use [왖] and [왔] to select “Quality”, and then
press [왘].
4.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
78
BASIC IMAGE RECORDING
To get this:
Image recording without
compression
High image quality, large file
size
Normal image quality and
normal file size
Low image quality, small file
size
Select this setting:
TIFF
Fine
Normal
Economy
Higher
Quality
Lower
Quality
IMPORTANT!
• Actual file size depends on the type of image you
record. This means that the remaining image
capacity noted on the monitor screen may not be
exactly accurate (pages 30, 262).
• It takes longer to store a TIFF (uncompressed)
image than a JPEG (compressed) image.
• When you record a TIFF image, a JPEG format FINE
version of the same image is also stored. The FINE
version is the one that appears on the camera’s
monitor screen when you display the image in the
PLAY mode.
• A TIFF image cannot be resized (page 160), cropped
(page 161), or copied (page 204). All of these
operations must be performed on JPEG images.
• You cannot transfer a TIFF image to a computer using
the bundled Photo Loader application (page 241). Use
the procedure under “Viewing Images on a
Computer” (page 216) instead.
79
OTHER RECORDING FUNCTIONS
OTHER RECORDING FUNCTIONS
This section describes other powerful features and
functions that are available for recording.
Selecting the Focus Mode
You can select one of five different focus modes: Auto
Focus, Macro, Infinity, Manual, and Pan Focus.
IMPORTANT!
• Pan Focus can be used in the Movie mode only. You
cannot use Pan Focus in any other REC mode.
1.
In a REC mode, press [ ].
• Each press of [ ] cycles
thorough the focus mode
settings.
Focus mode indicator
[ ]
80
To set up the camera to do this:
Focus automatically (Auto Focus)
Perform close-up focus (Macro)
Fix the focal distance (Pan Focus)
Perform infinity focus (Infinity)
Focus manually (Manual Focus)
* The PF (Pan Focus) setting is available in the Movie
mode only.
Select this setting:
None
*
OTHER RECORDING FUNCTIONS
1200N
1600
10
04/1212
24
12
58
ISO 80
F2.8
1/1000
Using Auto Focus
As its name suggests, Auto Focus focuses the image
automatically. The automatic focus operation starts when
you press the shutter button down half way. The following
is the Auto Focus range.
Range: Approximately 40cm to ∞ (1.3´ to ∞)
1.
Press [ ] to cycle through the focus mode
settings until there is no focus mode indicator
on the display.
2.
Compose the image
so the main subject is
within the focus
frame, and then press
the shutter button
half way.
• You can tell whether the
image is focused by
observing the focus
frame and the green
operation lamp.
Focus frame
Green operation lamp
1600
1/1000
1200N
ISO 80
F2.8
04/
12
When you see this:
Green focus frame
Green operation lamp
Red focus frame
Flashing green operation lamp
3.
Press the shutter button the rest of the way to
It means this:
The image is focused.
The image is not
focused.
record the image.
10
IN
/24
:
58
81
OTHER RECORDING FUNCTIONS
NOTE
• When “Hybrid” is selected as the Auto Focus mode
(page 134), pressing the shutter button all the way
without pausing at the half-way point will perform
high-speed Auto Focus using the phase differential
sensor only. Note, however, that high-speed Auto
Focus is somewhat less reliable than the Auto Focus
operation performed when you press the shutter
button half way and pause.
• Except when you specifically need very fast focusing
and response, it is recommended that you normally
press the shutter button half way and wait for the
Auto Focus operation to complete before pressing
the shutter button the rest of the way down to record.
• When proper focusing is not possible because the
subject is closer than the Auto Focus range, the
camera automatically switches to the Macro mode
range (page 84).
■ Specifying the Auto Focus Area
You can use the following procedure to change the Auto
Focus area used in the Auto Focus mode and the Macro
mode. Note that the configuration of the focus frame
changes in accordance with the Auto Focus area you
select.
1.
In a REC mode, press [MENU].
2.
On the “REC” tab, select “AF Area”, and then
press [왘].
3.
Use [왖] and [왔] to select the Auto Focus area
you want, and then press [SET].
82
OTHER RECORDING FUNCTIONS
For this type of Auto Focus area:
Very limited range in the center of the
screen
• This setting works well with focus lock
(page 87).
Automatic selection of the focus area where
the subject closest to the camera is located
• With this setting, a wide focus frame,
which contains seven focus points,
appears on the monitor screen first. When
you press the shutter button half way, the
camera automatically selects the focus
point where the subject closest to the
camera is located, and a focus frame
appears at that point.
• This setting works well for group photos.
Free movement of the focus point location
you want.
• Selecting this setting initially displays the
focus point in the center of the monitor
screen. Then you can use the [왖], [왔],
[왗], and [왘] keys to move it to the location
you want. Finally, press [SET] to select
the current focus point location.
• Selecting “Free” also automatically
changes from Auto Focus (AF) to contrast
focus (page 134).
Select this:
Spot
Multi
Free
• Spot• Multi
• Free
[SET]
Focus point
83
Focus frameFocus frame
Focus frame
OTHER RECORDING FUNCTIONS
Using the Macro Mode
The Macro mode lets you focus on close up subjects
automatically. The automatic focus operation starts when
you press the shutter button down half way. The following
are the approximate focus ranges in the Macro mode.
Ranges: 10cm to 50cm (3.9˝ to 19.7˝) at wide angle
1.
2.
40cm to 50cm (15.6˝ to 19.7˝) at telephoto
Press [ ] to cycle through the focus mode
settings until “” is shown as the focus
mode indicator.
Record the image.
• The focus and image recording operations are
identical to those in the Auto Focus mode.
• You can tell whether the image is focused by
observing the focus frame and the green operation
lamp. The indications of the focus frame and green
operation lamp are the same as those in the Auto
Focus mode.
IMPORTANT!
• Use of the flash along with wide angle zoom or the
Macro mode can cause the light of the flash to
become blocked, which can produce unwanted
shadows in your image.
NOTE
• When the Macro mode cannot focus properly
because the subject is too far away, the camera
automatically switches to the Auto Focus range
(page 81).
• Whenever you perform an optical zoom operation
(page 68) while recording with the Macro mode, a
value will appear on the monitor screen as shown
below to tell you the focusing range.
Example: 10cm – 50cm
84
OTHER RECORDING FUNCTIONS
Using the Infinity Mode
The Infinity mode fixes focus at infinity (∞). Use this mode
when recording scenery and other faraway images.
1.
Press [ ] to cycle through the focus mode
settings until “” is shown as the focus
mode indicator.
2.
Record the image.
Using Manual Focus
With the Manual Focus mode, you can adjust the focus of
an image manually. The following shows focus ranges in
the Macro mode for two optical zoom factors.
Optical Zoom Factor
1X
4X
1.
Press [ ] to cycle
Approximate Focus Range
10cm (3.9˝) to infinity (∞)
40cm (15.7˝) to infinity (∞)
through the focus
mode settings until
“” is shown as the
focus mode indicator.
• At this point, a
boundary also appears
on the display,
indicating the part of the
image that will be used
for manual focus.
Boundary
85
OTHER RECORDING FUNCTIONS
2.
While watching the
image on the monitor
screen, use [왗] and
[왘] to focus.
Manual focus position
To do this:
Focus in on the subject
Focus out on the subject
• Pressing [왗] or [왘] causes the area inside of the
boundary displayed in step 1 to fill the monitor
screen momentarily to aid in focus. The normal
image reappears a short while later.
3.
Press the shutter button to record the image.
IMPORTANT!
• In the Manual Focus mode, the [왗] and [왘] keys
adjust focus, even if you used key customization to
assign other functions to them (page 140).
Do this:
Press [왗].
Press [왘].
NOTE
• Whenever you perform an optical zoom operation
(page 68) while recording with manual focus, a value
will appear on the monitor screen as shown below to
tell you the focusing range.
Example: MF 10cm – ∞
86
OTHER RECORDING FUNCTIONS
1200N
1600
10
04/1212
24
12
58
ISO 80
F2.8
1/1000
1200N
1600
10
04/1212
24
12
58
ISO 80
F2.8
1/1000
Using Pan Focus
You can use pan focus in the Movie mode (page 124) to fix
the focus for recording without Auto Focus.
1.
Enter the Movie mode
(page 124).
• This automatically selects
Pan Focus as the focus
mode, which is indicated
by “” appearing on the
monitor screen.
• If another focus mode is selected in the Movie mode,
use [ ] to display the “” (Pan Focus) indicator.
2.
Press the shutter button to record a movie.
IMPORTANT!
• Pan Focus can be used in the Movie mode only. You
cannot use Pan Focus in any other REC mode.
Using Focus Lock
Focus lock is a technique you can use to focus on a subject
that is not located within the focus frame when you record
an image. You can use focus lock in the Auto Focus mode
and the Macro mode ().
1.
Using the monitor
Main subject
screen, compose the
image so the main
subject is within the
focus frame, and then
press the shutter
button half way.
• This locks the focus on
the subject that is
Focus frame
currently within the
focus frame.
2.
Keeping the shutter
button pressed half
way down, recompose the image
as you like.
Main subject
87
1600
1/1000
1600
1/1000
1200N
ISO 80
F2.8
04/
12
1200N
ISO 80
F2.8
04/
12
10
IN
/24
:
58
10
IN
/24
:
58
OTHER RECORDING FUNCTIONS
3.
When the image is composed the way you
want, press the shutter button the rest of the
way to record it.
NOTE
• Locking the focus also locks the exposure.
Exposure Compensation (EV Shift)
Exposure compensation lets you change the exposure
setting (EV value) manually to adjust for the lighting of your
subject. This feature helps to achieve better results when
recording a backlit subject, a strongly lit subject indoors, or
a subject that is against a dark background.
EV Shift Range: –2.0EV to +2.0EV
Steps: 1/3EV
1.
In a REC mode, press [MENU].
2.
Select the “REC” tab,
select “EV Shift”, and
then press [왘].
Exposure compensation
value
88
OTHER RECORDING FUNCTIONS
3.
Use [왖] and [왔] to
change the exposure
compensation value,
and then press [SET].
• Pressing [SET] registers
the displayed value.
[왖] : Increases the EV value. A higher EV value is best
used for light-colored subjects and backlight
subjects.
[왔] : Decreases the EV value. A lower EV value is best
for dark-color subjects and for shooting outdoors
on a clear day.
EV value
89
• To cancel EV Shift, adjust the value until it becomes
0.0.
4.
Record the image.
IMPORTANT!
• When shooting under very dark or very bright
conditions, you may not be able to obtain satisfactory
results even after performing exposure
compensation.
NOTE
• Performing an EV shift operation while using multipattern metering (page 135) will cause the metering
mode to switch automatically to center weighted
metering (page 135). Returning the EV shift value to
0.0 causes the metering mode to change back to
multi-pattern metering.
• You can use key customization (page 140) to
configure the camera to perform exposure
compensation whenever you press [왗] or [왘] while in
a REC mode.
OTHER RECORDING FUNCTIONS
Adjusting White Balance
The wavelengths of the light produced by various light
sources (daylight, light bulb, etc.) can affect the color of a
subject when it is recorded. White balance lets you make
adjustments to compensate for different lighting types, so
the colors of an image appear more natural.
1.
In a REC mode, press [MENU].
2.
Select the “REC” tab,
select “White
Balance”, and then
press [왘].
3.
Use [왖] and [왔] to select the setting you
want, and then press [SET].
When shooting under these conditions:
Normal conditions
Outdoor daylight on a clear day
Outdoor daylight on an overcast or rainy
day, in the shade of a tree, etc.
In the shade of a building or any other
area where the color temperature is high
Under white or daylight white fluorescent
light (suppresses color fogging)
Under daylight fluorescent light
(suppresses color fogging)
Under incandescent lighting
Flash
Difficult lighting that requires manual control
(See “Configuring the White Balance
Setting Manually”.)
Select this setting:
Auto
1
2
Manual
90
OTHER RECORDING FUNCTIONS
NOTE
• When “Auto” is selected for the white balance
setting, the camera automatically determines the
white point of the subject. Certain subject colors and
light source conditions can cause problems when the
camera tries to determine the white point, which
makes proper white balance adjustment impossible.
When this happens, use daylight, cloudy, or one of
the other fixed white balance settings to specify the
type of lighting available.
• You can use key customization (page 140) to
configure the camera so the white balance setting
changes whenever you press [왗] or [왘] while in a
REC mode.
Configuring the White Balance Setting
Manually
Certain complex light sources or other environmental
conditions can make it impossible to obtain good results
when “Auto” or one of the fixed light source settings is
selected for white balance. Manual white balance lets you
configure the camera for a particular light source and other
conditions.
Note that you must perform manual white balance under
the same conditions you will be shooting under. Have a
sheet of white paper on hand before starting the following
procedure.
1.
In a REC mode, press [MENU].
2.
Select the “REC” tab, select “White Balance”,
and then press [왘].
3.
Use [왖] and [왔] to
select “Manual”.
• This causes the object
you last used to adjust
manual white balance to
appear on the monitor
screen.
91
OTHER RECORDING FUNCTIONS
4.
Point the camera at a white paper or similar
object under the lighting conditions for which
you want to set the white balance, and then
press the shutter button.
White paper
• This starts the white balance adjustment procedure.
The message “Complete” appears on the monitor
screen after white balance adjustment is complete.
5.
Press [SET].
• This registers the white balance settings and returns
to the currently selected recording mode.
NOTE
• After you adjust white balance manually, the setting
remains in effect until you change it or until you turn
off the camera.
92
OTHER RECORDING FUNCTIONS
Specifying the Exposure Mode
You can use the mode dial to select the exposure mode,
which controls the aperture and shutter speed settings
used during image recording.
A mode : Aperture Priority AE
S mode : Shutter Speed Priority AE
M mode : Manual Exposure
Using Aperture Priority AE
When A mode (aperture priority AE) is selected as the
exposure mode, the camera adjusts the shutter speed
automatically in accordance with a fixed aperture value
specified by you. A wider aperture (a lower aperture value)
provides a shallow depth of field, while a small aperture (a
higher aperture value) provides a greater depth of field.
1.
Align the mode dial
with “A” (Aperture
Priority).
EV shiftAperture value
2.
Use [왖] and [왔] to select the aperture value in
the exposure panel, and then use [왗] and [왘]
to change the setting.
Aperture value
Depth of Field
*
F2.8, 3.2, 3.5, 4.0, 4.5, 5.0, 5.6, 6.3, 7.1, 8.0
Wide Small
Shallow Deep
Wide Aperture
Small Aperture
93
* The above values are full wide angle optical zoom.
Aperture values are different at other optical zoom
settings.
• You could also use [왖] and [왔] to select “EV Shift”
here, and then use [왗] and [왘] to specify an
exposure compensation value (page 88).
•
If you are using manual focus
use [왖] and [왔] to select “FOCUS” (manual focus
adjustment), and then use [왗] and [왘] to focus
manually.
(page 85)
, you can also
OTHER RECORDING FUNCTIONS
3.
Press the shutter button half way.
• This causes the camera to configure shutter speed
automatically in accordance with the aperture value
you selected. Then it focuses the image.
• The shutter speed and aperture values on the
monitor screen will turn amber when you press the
shutter button half way if the image is over-exposed
or under-exposed.
4.
When the image is focused, press the shutter
button all the way down to record.
Using Shutter Speed Priority AE
When S mode (shutter speed priority AE) is selected as the
exposure mode, the camera adjusts the aperture
automatically in accordance with a fixed shutter speed
specified by you. You should specify a shutter speed in
accordance with how much your subject is moving.
Slow
1.
Align the mode dial
with “S” (Shutter
Speed Priority).
Shutter speedEV shift
Fast
94
OTHER RECORDING FUNCTIONS
2.
Use [왖] and [왔] to select the shutter speed
value in the exposure panel, and then use [왗]
and [왘] to change the setting.
Shutter speed
Movement
• You could also use [왖] and [왔] to select “EV Shift”
here, and then use [왗] and [왘] to specify an
exposure compensation value (page 88).
•
If you are using manual focus
use [왖] and [왔] to select “FOCUS” (manual focus
adjustment), and then use [왗] and [왘] to focus
manually.
BULB, 60 seconds 1/2000 second
Slow Fast
Blurred
(page 85)
Stopped
, you can also
3.
Press the shutter button half way.
• This causes the camera to configure the aperture
value automatically in accordance with the shutter
speed you selected. Then it focuses the image.
• The shutter speed and aperture values on the
monitor screen will turn amber when you press the
shutter button half way if the image is over-exposed
or under-exposed.
4.
When the image is focused, press the shutter
button all the way down to record.
95
OTHER RECORDING FUNCTIONS
Setting Exposure Settings Manually
In the M mode (manual exposure), you can adjust shutter
speed and aperture manually.
1.
Align the mode dial
with “M” (Manual).
Aperture value
Shutter speed
2.
Use [왖] and [왔] to select the aperture value in
the exposure panel, and then use [왗] and [왘]
to change the setting.
3.
Use [왖] and [왔] to select the shutter speed
value in the exposure panel, and then use [왗]
and [왘] to change the setting.
Shutter speed
Movement
• If you are using manual focus (page 85), you can
also use [왖] and [왔] to select “FOCUS” (manual
focus adjustment), and then use [왗] and [왘] to focus
manually.
4.
Press the shutter button half way.
•
This causes the camera to adjust focus automatically.
5.
When the image is focused, press the shutter
BULB, 60 seconds 1/2000 second
Slow Fast
Stopped
Blurred
button all the way down to record.
Aperture value*
Depth of Field
* The above values are full wide angle optical zoom.
Aperture values are different at other optical zoom
settings.
F2.8, 3.2, 3.5, 4.0, 4.5, 5.0, 5.6, 6.3, 7.1, 8.0
Wide Small
Shallow Deep
96
OTHER RECORDING FUNCTIONS
Using Manual Assist On-screen Guidance
Pressing [SET] while in the A mode (aperture priority AE),
S mode (shutter speed priority AE), or M mode (manual
exposure) causes on-screen guidance and exposure indicators
(aperture and shutter speed) to appear on the display.
Guidance images
Aperture indicator
Shutter speed indicator
• In the A mode, you can use [왗] and [왘] to change the
aperture value setting. Pressing a button causes the
Guidance images to disappear from the display.
• In the S mode, you can use [왗] and [왘] to change the
shutter speed setting. Pressing a button causes the
Guidance images to disappear from the display.
• In the M mode, you can use [왖] and [왔] to switch the
Guidance images between the aperture value and shutter
speed settings. After displaying the screen you want, you
can use [왗] and [왘] to change the setting.
• If the Guidance images disappear from the monitor
screen, you can display them again by pressing [DISP].
IMPORTANT!
• The shutter speed displayed in the A mode and the
aperture value displayed in the S mode are rough
approximations only. Because of this, these settings
may be slightly different from the settings that appear
when you press the shutter button half way (which
are more precise).
97
OTHER RECORDING FUNCTIONS
Exposure Mode Recording Precautions
• You may not be able to achieve the brightness you want
when recording an image that is very dark or very bright.
If this happens, use the M mode (manual exposure) to
adjust the aperture or shutter speed manually.
• You can select the “BULB” setting in the S mode (shutter
speed priority AE) or M mode (manual exposure).
• With the “BULB” setting, exposure continues as long as
you keep the shutter button depressed, for up to 60
seconds.
• Note that when you are using the “BULB” setting, the
record operation with the card remote controller (page
148) is different from the record operation on the camera.
• Using slow shutter speeds can cause digital noise
(graininess) to appear in the image. Because of this, the
camera automatically performs a digital noise reduction
process whenever the shutter speed is 1/8 second or
slower. The slower the shutter speed, the greater the
possibility that digital noise will be generated in an image.
If you notice digital noise in your images at very slow
shutter speeds, try using a shutter speed setting that is
faster than four seconds. Also note that the digital noise
reduction process can cause it to take longer (about
double the shutter speed setting or more) to record each
image.
• At shutter speeds slower than 1 second, the brightness of
the recorded image may not be the same as the
brightness of the image that appears on the monitor
screen.
98
OTHER RECORDING FUNCTIONS
Using Auto Exposure Lock (AE Lock)
The AE Lock feature lets you lock auto exposure at a
particular setting. This feature is separate from the AE lock
that is achieved by pressing the shutter button half way
exposure mode besides the M mode (manual exposure).
You can use AE Lock in the following instances.
— To set up exposure on a subject that is different from
the subject selected by Auto Focus
— To setup exposure prior to using the flash for recording
1.
In a REC mode, point the camera at the
subject on which you want exposure to be
performed.
in any
2.
Press [AE-L].
• This fixes the exposure
settings (aperture and
shutter speed), and
displays “AE-L” on the
monitor screen.
• The AE Lock is released
by pressing [AE-L] again
or by changing to another
mode.
3.
Record the image.
• AE Lock is released automatically when the image is
recorded.
BKT
AE-L
[AE-L]
AE-L
99
OTHER RECORDING FUNCTIONS
IMPORTANT!
• If AE Lock is already in effect, you can re-execute it
by pressing [AE-L] once to release AE Lock, and
then pressing [AE-L] again to perform a new AE Lock
operation.
• Continuous shutter recording is always performed
with AE Lock.
• AE Lock can be used before starting movie recording
or while movie recording is in progress (page 124).
• Proper Auto Focus may not be possible if you try to
use AE Lock to record an image in which there is a
very large variation in brightness.
• You can also perform AE Lock by holding down
[AE-L], instead of performing the procedure
described above.
Using a Continuous Shutter Mode
You can configure the camera to record only a single
snapshot each time the shutter button is pressed, or to
keep recording as long as the shutter button remains
depressed (continuous shutter). You can select from
among three different continuous shutter modes.
• Normal speed continuous shutter mode
This mode records images as long as you keep the
shutter button depressed.
• High speed continuous shutter mode
This mode records up to 5 consecutive images, at a
speed of about three images per second, as long as you
keep the shutter button depressed. This mode records
faster than the normal speed continuous shutter mode.
• Multi continuous shutter mode
Pressing the shutter button once records 25 consecutive
stop-action shots at high speed and combines them into a
single image.
100
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