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Casablanca Prestige User manual
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The following product named "Casablanca Prestige" carries the CE seal of conformity on the basis of the guidelines 89/336/EWG of the
Commission of the European Community from 29. April 1991 for the alignment of legal regulations in the signatory states concerning
communications devices, including mutual recognition of their conformity.
This digital video editing system is meant for use with hard-drives carrying the CE seal of conformity. The product "Casablanca Prestige"
described here fullls the requirements for a CE seal of conformity.
• Interference immunity according to EN 55024: 1998
Information technology devices interference immunity limits and quality testing
• Radio interference suppression according to EN 55022 class A 1998 Class A
Information technology devices radio interference properties limits and measurement procedures
• Electrical safety according to EN 60950: 2000
Safety of information technology devices including electrical ofce machines
This device is designed for use in industry. Interference immunity and interference emission conform to guidelines for industrial devices.
When used in living and business areas interference with other devices (e.g. radio) may occur. The operator is responsible at his or her own
cost to ensure that no third party is affected by possible interference.
This statement is given in responsibility for the manufacturer: MacroSystem Digital Video AG, Schöllinger Feld 28, 58300 Wetter, Germany
This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to part 15 of the FCC Rules. These
limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the
instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to
cause harmful interference in which case the user will be required to correct the interference at her/his own expense.
Remarks on Safety
This device conforms to the relevant safety regulations for computer equipment, including electrical ofce machines for industry. In case you
are in doubt as to permission regarding setup in the intended surroundings, please contact your dealer or our service department.
• Transport the device only in the original packing or in other appropriate packing that guarantees protection against sudden movements or
impacts.
• Condensation may result if the device is set up for operation after having been in colder surroundings. You should wait about 2 hours to let
the device become dry and attain the temperature of the operating location.
• Read the notes below "Location Environment" when setting up and before operating the device.
• Check that the operating voltage indicated on the type label is the same as the power outlet.
• This device is equipped with a safety-approved power cable and may only be connected to a grounded shockproof socket.
• The ON/OFF switch does not electrically separate the device from power. For complete separation from power the power cable must be
pulled from the power outlet socket.
• Make sure that the power connector on the machine and the room shockproof socket are easily accessible.
• Place the power cables so that they are not a danger (tripping) and will not be damaged.
• Data lines must not remain connected during electrical storms.
• In emergencies (e.g. damaged casing, operating elements, or power line, liquid poured on the device, or foreign substances) you must turn
off the device immediately, pull the power plug, and contact your dealer or our service department.
• Only qualied and authorized personnel may repair the device. Unauthorized opening and improper repairs can mean real danger for the
user. In such cases the guarantee is no longer valid.
• Install only system extensions that conform to the requirements and rules for safety, electromagnetic interference, and telecommunications
end devices. Installing other extensions may violate these requirements and rules, or damage the system. Your dealer or our service depart ment can tell you which system extensions are allowed.
• The unit contains a Lithium battery. It may only be removed or exchanged by authorized personnel. Incorrectly replacing the battery may
lead to the battery exploding. Replace the battery only with the same or equivalent type recommended by the manufacturer. Dispose of
used battery according to the manufacture‘s instructions.
Location Environment
Make sure that there is sufcient circulation of the air in order to prevent thermal buildup. Do not cover up the machine. If you mount the
machine in a rack make sure that sufcient air circulation is guaranteed. Do not set up the machine on carpeting, blankets, or the like. Do
not set up the machine near curtains, etc., because this entails the danger of blocking the ventilation ducts on the machine. Do not set up
the machine near heating or the like, and not in locations that are overly dusty, affected by direct sunlight, mechanical vibrations, or where
the machine can be knocked. The machine should be in a horizontal position when being operated. Do not set up the machine on an incline.
Keep the machine at a distance from devices that emit a strong magnetic eld (microwave ovens, large loudspeakers). Make sure that the
machine is operated at a location temperature of 10 to 25° centigrade. The location must be dry. Air humidity must not be more than 80% and
must not be condensing.
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Table of contents
Chapter 1: Introduction....................................................................................................... 5
1.1 Congratulations! ......................................................................................... 5
1.2 What is Casablanca Prestige? .................................................................... 6
1.3 Structure of this user manual ..................................................................... 6
Chapter 2: Installation........................................................................................................ 7
2.1 What‘s in the box?...................................................................................... 7
2.2 Registration/Update service ....................................................................... 7
2.3 How to connect........................................................................................... 8
2.4 Installing the OS software.......................................................................... 9
2.5 Unlocking software ....................................................................................11
2.6 Initial operation........................................................................................... 12
Chapter 3: Basics ................................................................................................................13
3.1 Editing philosophy .....................................................................................13
3.2 Using the trackball...................................................................................... 14
3.3 The user interface ....................................................................................... 14
Chapter 4: Tutorials ............................................................................................................ 21
4.1 Tutorial 1: A small video project ...............................................................21
4.2 Tutorial 2: Insert editing............................................................................. 31
4.3 Tutorial 3: Audio mixing............................................................................34
4.4 Tutorial 4: Titling 1 ....................................................................................37
4.5 Tutorial 5: Titling 2 ....................................................................................40
Chapter 5: Reference ..........................................................................................................41
5.1 System settings ........................................................................................... 41
5.2 Project settings............................................................................................ 42
5.3 Video settings.............................................................................................. 43
5.4 Recording.................................................................................................... 44
5.5 Editing......................................................................................................... 45
5.6 Finish........................................................................................................... 52
5.7 Transition effects ........................................................................................ 55
5.8 Image processing effects ............................................................................ 59
5.9 Titling..........................................................................................................64
5.10 Audio recording/editing ........................................................................... 69
5.11 Audio mixing/Dubbing ............................................................................71
5.12 Shutdown (OFF)....................................................................................... 74
Chapter 6: VGA-Mode .......................................................................................................75
Chapter 7: Tip and Error Handling ..................................................................................77
Chapter 8: Technical Data ..................................................................................................81
Index
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Note:
To avoid making mistakes during operation, we recommend that you carefully follow the instructions provided in this manual. We would also like to point
out that Casablanca Prestige has been designed with the hobby enthusiast in mind. We have taken a great deal of care while programming and checking
this software.
Nevertheless, since it is not possible to guarantee totally error-free software applications in all environments and at any time, we unfortunately cannot rule
out the possibility that some errors may still exist. If, contrary to all expectations, this is indeed the case, we shall remedy any errors in the program and
supply the affected customers with the new software free of charge. We cannot, however, accept any liability for loss of data/time or any consequential
damages that may occur as a result, particularly since we have no inuence over correct software installation and operation by the customer.
MacroSystem Digital Video AG and its dealers therefore cannot be held liable for any defects or unintentional damage in connection with the installation or
use of Casablanca Prestige.
MacroSystem Digital Video AG and its dealers do not guarantee error-free use of the software or complete awlessness of the program.
Any implied guarantee is null and void, including guarantee of suitability of the software or operating instructions for a particular purpose.
Neither MacroSystem Digital Video AG nor its dealers are responsible for any damages resulting either directly or indirectly through the use of the
software or the operating instructions, e.g. for prot loss, costs, hardware or software problems or other issues.
Casablanca Prestige
© Copyright 2002 MacroSystem Digital Video AG
All product names mentioned are registered trademarks of the corresponding rms. This document is protected by copyright. Any change, copy, translation, or distribution without prior permission of the author is prohibited.
No liability is assumed for information in this document. We reserve the right to make technical changes.
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Chapter 1: Introduction
1.1 Congratulations!
Congratulations on the purchase of your new
Casablanca Prestige! We thank you for the condence and trust you have shown us, and we hope
that Casablanca Prestige will meet your expectations.
Casablanca Prestige follows a philosophy
completely different from that of other video
editing systems, opening up new and remarkable
possibilities for working with video to you and
those who work with you.
If you are new to video editing, you will quickly
and easily become acquainted with Casablanca
Prestige and will soon enjoy the new creative
realms it will open up for you.
For those of you with prior experience with
other systems, (for example with linear (analog)
equipment or digital computer systems), it will
be easy to make and you will be rewarded with
the almost limitless possibilities that Casablanca
Prestige offers.
This manual will help you with installing and
operating Casablanca Prestige. Feel free to
contact us to ask further questions or to give us
suggestions.
Whenever you contact us, please have your
customer number or the serial number of your
Casablanca device at hand so that we can help
you more quickly.
Address :
MacroSystem Digital Video AG
Postfach 020240
58290 Wetter
Germany
MacroSystem US
5485 Conestoga Court
Boulder, Colorado
USA 80301
Phone
0 +49 (0)2335/960-0 (Germany)
303-440-5311 (North America)
E-Mail
info@macrosystem.de (Germany)
info@casablanca.tv (North America)
Fax
0 +49 (0)2335/960-100 (Germany)
303-440-5322 (North America)
Up-to-date information on MacroSystem
products and our sales department can be found
on the Internet.
Please visit our Website:
http://www.macrosystem.de (Germany)
http://www.casablanca.tv (North America)
Phone Support
If you have special technical questions, you can
call our technical support hotline:
(Germany)
Monday -Thursday from 10.00 to 17.00 hours
Friday 10.00 to 16.00 hours
+49 (0)2335/960-112
(North America)
Monday - Friday 9a.m. - 5p.m. (Mountain Standard Time)
303-801-1010
When calling, please have the serial number of
your device at hand.
Outside of these times you can email or fax us.
Messages received in this way are handled during
business hours.
E-Mail Support
support@macrosystem.de (Germany)
prestigesupport@casablanca.tv (North America)
Fax Support
+49 (0)2335/960-110 (Germany)
303-801-1058 (North America)
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1.2 What is Casablanca Prestige?
Casablanca Prestige is a non-linear editor. All
video and audio data are stored on the system
hard drive and can then be separated into
individual scenes. These scenes can be trimmed as
desired and added to a storyboard. It is possible
to add many different transitions between the
scenes. You can mix with six stereo tracks, mixing
original sound, various pieces of music, and
commentary. A large selection of fonts and effects
makes our Titler powerful, yet easy to use.
Casablanca Prestige is a complete system for digital video editing that is superior in data transfer
rate and picture quality to the requirements of the
DV system. Casablanca Prestige is operated by a
trackball (supplied in the package) and the user
interface has been designed to be as easy to use as
possible. Software installation is almost fully automatic and requires only basic user input.
All of this is meant for the user who is not
familiar with computers. Its goal is simplicity
of use, even though the power and versatility
of the system makes for almost endless creative
possibilities. Also, Casablanca Prestige is not
affected by limitations in recording duration that
typically apply to computers.
The impressive hardware performance of Casab-
lanca Prestige is ideal for full digital video editing
with MiniDV, (although of course analog equipment is easily compatible as well.)
DV devices (camcorders, DV decks, etc.) can be
connected through the DV (i-Link) port. This
means that digital video editing has practically no
loss, (especially when using digital DV cameras
and decks).
Optimally, to avoid analog losses altogether, you
should record in and out using the MiniDV
format. But it is also possible to input from a DV
camera and to record out through YC (S-video)
CVBS (RCA) or SCART (in Europe) to a VHS,
SVHS, or Hi8 recorder, and still get phenomenal
results.
It is not necessary to install any additional components whatsoever (such as computer boards,
memory modules, etc).
Casablanca Prestige is a complete system offered
by one company – hardware, software, and video
technology have been developed in Germany by
MacroSystem Digital Video AG.
1.3 Structure of this user manual
This manual is divided into two main parts and
several appendices.
The rst part of this manual guides the user
through Installation (Chapter 2), then through
the Basics of device use (Chapter 3) and then
through ve Tutorials (Chapter 4). These sections
are designed to help new owners to begin editing
right away, and to help owners of previous
Casablanca systems to quickly familiarize
themselves with everything that the Casablanca
Prestige has to offer.
In the second main part, all screens, buttons
and their functions are explained in a complete
Reference section (Chapter 5). There you will
nd useful hints that will make your work easier.
If there is a function that you do not completely
understand, there you can read up on it to
become more familiar.
The chapters VGA Mode (Chapter 6), Tips &
Error Handling (Chapter 7), and Technical Data
(Chapter 8) offer tips and tricks as well as tech-
nical and background information. The table of
contents and the index complete this manual.
Enjoy exploring Casablanca Prestige!
We hope that you will be as satised as the many
thousands of Casablanca customers before you!
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Chapter 2: Installation
Several steps are necessary before you begin to
use Casablanca Prestige, and you should allow
yourself some time for this setup. This part of
the manual explains the necessary installation
procedures.
After you have unpacked and connected the
Casablanca Prestige, you may want to turn it on
and try it out right away. This is simple to do, but
there are other cabling options that depend on the
rest of the equipment in your studio. Therefore,
please read the description of the individual steps
carefully!
2.1 What's in the package?
The following items are included in the package:
1. The Casablanca Prestige unit
2. Trackball
3. 16 MB installation SmartMedia card
4. User manual
5. Connecting cables
6. Registration card
7. Key for hard-drive module
(Depending on the country that you live in, there
may be other pieces of literature or other items
included, so be sure to inspect the contents of
your package carefully.)
If some items are missing, please contact the dealer where you bought the unit.
Please save the packaging in case you ever have
to transport your unit or send it to the manufacturer. The packaging has been specially designed
for Casablanca Prestige and is very sturdy. (MacroSystem is not responsible for damage incurred
from improper packing during shipping).
2.2 Registration/Update service
Please take the time to register with us. There is a
registration card in the package.
When you register, your information will be put
into our database. Your info will not be given to
third parties, but it will allow us to give you better
customer service.
Please register, even if you are already registered
as the owner of another Casablanca product!
Your registration ensures that you are automatically informed about new products, modications, and updates to various MacroSystem pro-
ducts. In addition, you will automatically receive
free codes to unlock the bonus effects available on
the included SmartMedia card. (see section 2.5
“Unlocking software“)
(The following information does not apply to
North American Customers.)
On the registration card you can apply for the
automatic update service. This means that you
declare yourself willing to buy every new update
at a price reduction of approximately 20%. The
automatic update service consists solely of new
developments in the software.
Update delivery, available earlier through this subscription than regular ordering, is by invoice with
delivery free of charge.
You can cancel your automatic update
subscription at any time. You don't have to
worry about being obligated by a long-term
subscription.
The new versions are announced ahead of time
in well-known publications. You can also ask
our dealers about new developments or visit our
homepage on the Internet. On request we will
send you detailed information material. (Please
note that the automatic update service is subject
to the country that you live in. Contact the ofcial
MacroSystem ofce or distribution partner to
nd out how this system is supported. (This
information does not apply to North American
Customers.)
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2.3 How to connect your Casablanca
Prestige
In addition to your TV monitor, you will need
a video input device and a recording machine,
usually your video camera and your VCR
(MiniDV or analog).
In the following two pictures, you see the front
side (1-5) and the rear side of Casablanca
Prestige. The back of the unit is divided into the
left half (6-10) and the right half (11-17).
Front:
(1) Video IN (RCA)
This CVBS (RCA) input is used to connect (via
RCA cables) from a VHS or Video8 input device.
(2) L/R Audio IN (RCA)
To capture audio you must connect the cable to
the Audio IN L and R inputs. Sources for mixing
(e.g. CD player) can also be connected here when
needed.
(3) S-Video IN
If you have a Hi8 or SVHS input device, then you
should use the YC (s-video) input because picture
quality will be better than CVBS (RCA).
(4) Mic. IN
You can connect a microphone to this input to
record commentary. This is a stereo input with a
3.5 mm jack. You can use an adapter if your microphone has a 6.3 mm jack plug.
You can also connect a mono microphone, but be
sure to set the corresponding Mono mode in the
Audio Record screen.
(5) DV IN/OUT
This "DV" connection serves as input and output
for MiniDV/DV decks and cameras, and offers
optimum quality. Be sure that only one DV device
is connected at any time, or errors may occur.
Rear side
(6) Power connection
Here you connect the machine to the power line
(220-240 V in most parts of Europe, 115 V in
North America). Connect the supplied power
cable to the power plug on the rear side of the
machine and then connect the other end to the
power outlet. Never turn off the machine by pul-
ling the power cable from the electrical outlet or
by cutting power between the machine and the
outlet. Always use the switch on the front side of
Casablanca Prestige, or use the “Off ” button in
the Main Menu screen, or data may be lost.
(7) Video/TV Monitor RGB (Europe only)
(The following information is not applicable in
North America.)
Connect your TV monitor (for a computer
monitor see Chapter 6 „VGA mode“) to this
SCART port. For televisions supporting RGB
in addition to CVBS, the user interface appears
very sharp. Be sure to choose the correct AV
input on your television. (If your TV does not
have a SCART port, then connect it through the
CVBS(RCA) input or through the antenna socket
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of the VCR. This conguration results in lower
picture quality. If you normally do not connect
the VCR to the TV through the antenna socket,
then you must rst program the video recorder
channel in your television.)
(8) Ethernet
This port is an interface for exchanging data with
other devices (e.g. computers), but at the time this
manual was printed it is not yet supported by the
software. There are two lights next to this port.
One of these lights is permanently lit red.
(9) S-Video OUT (YC)
You can connect VCR (Hi8, SVHS, or MiniDV)
to this port to output to tape once your project is
completed. If your video recorder supports a YC
(S-video) signal, then you should use this as your
output, because YC (S-video) is superior to CVBS
(RCA).
(10) S-Video IN (YC)
You can use this input instead of the front input
in order to connect your Hi8, SVHS, or MiniDV
camera. Ideally, MiniDV should input via the DV
port, however, the YC (S-video) port may occasionally be used if the footage needs to be corrected
with the Brightness, Contrast and Saturation
controls in the Video Settings screen, (see section
5.3: Video Settings).
(11) Video OUT ( RCA)
Here you can connect a VHS vcr, Video8 recorder
or TV.
(12) Video IN (RCA)
You can use this input to connect your VHS or
Video8 input device as an alternative to the front
inputs.
(13) L/R Audio OUT (RCA)
The audio outputs are here, and should be used to
output to your VCR or TV.
(14) L/R Audio IN (RCA)
These audio inputs can be used instead of the
front inputs.
(15) DV (IN/OUT)
This "DV" port can be used instead of the front
input and output to connect your MiniDV/
DV recorder or your camera. The Prestige will
automatically detect which DV input you are
using. (It is recommended that you have only one
DV device hooked up at any given time.)
(16) 3 USB
One of the three USB ports should be used to
connect the trackball. The other two can be used
for other options (e.g. Twister, PC-Link, Power-
Key Option, etc.). For users wishing to connect
more than 3 USB devices, we offer a quadruple
HUB. The HUB is a distributor supplied with a
support (for horizontal mounting), a USB connecting cable (length 1.5 meters), and an AC
adapter.
(17) VGA
You can use the VGA port to connect a computer
monitor in addition to your TV monitor. In this
way you can view the menus on the computer
screen and see your video footage without
overlapping menus on the TV screen (see Chapter
6 "VGA Mode").
Important note: Never disconnect cables from
Casablanca Prestige while the machine is on. Always turn off the machine before you disconnect/
reconnect cables!
2.4 Installing the OS software
When starting, Casablanca Prestige reads the OS
program from the hard drive.
It is possible that the supplied Casablanca Pres-
tige OSversion on the SmartMedia card is more
recent than the version already installed by your
dealer (or at the factory). Press the button on the
front side of the machine to turn it on. The Main
menu appears after a greeting message and you
can compare the version number on the SmartMedia card with the number displayed in the
System Settings screen. If the version number of
the SmartMedia card is higher, then you should
install the more recent version.
The SmartMedia card is very sensitive so please
avoid bending it or touching the gold contacts
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on the card. Always return the SmartCard to its
protective sleeve after use.
You must carry out the installation procedure if
you do not see the Main Menu screen once your
Casablanca Prestige is turned on.
You will know an installation is necessary if you
see a SmartMedia symbol at the upper-left corner
displaying a ashing arrow indicating that the
SmartMedia card should be inserted.
If you insert an invalid SmartMedia card (a card
other than the installation SmartMedia card),
then the SmartMedia symbol appears (shown
below), indicating that the correct installation
SmartMedia card should be inserted.
The software is installed by inserting the
SmartMedia card into Smartcard Reader above
the front inputs. Viewing the Casablanca
Prestige machine, the gold contacts must be on
the bottom side and the cut-off corner on the
top side and to the left.
Insert the card until only about half a centimeter
is still visible and you detect resistance. Now you
can turn on the machine by lightly pressing the
power switch on the front of the unit.
In case you have inserted an invalid SmartMedia
card (not the installation SmartMedia card), but a
system has already been installed previously, then
Casablanca Prestige will start, but will display a
question mark over the SmartMedia symbol.
The following symbol appears when the correct
SmartMedia card has been inserted:
During installation you will be asked several
questions to make sure you don't lose data
unintentionally – particularly in case your hard
drive already contains data and projects that
would be lost during a new installation procedure.
In this case you have the chance to cancel the new
installation.
The light on the front side (to the left of the
SmartCard Reader) lights up when the system
accesses the SmartMedia card. If it light is green,
then the device is operating normally.
If the ambulance symbol appears, then an error
has occurred, perhaps because of defective
hardware. An error code is usually also displayed.
If this occurs, please contact your dealer, or
MacroSystem Tech Support.
After installation has been carried out, remove
the SmartMedia card by lightly pushing it further
into the SmartCard reader so that it automatically
springs out a bit.
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Casablanca Prestige will now automatically restart and you can continue. You should then see
the following symbol:
Note: Make sure to put the SmartMedia card back
into its protective sleeve after use to avoid scratches.
You can use several different hard drives with
Casablanca Prestige. If you would like to use a
new hard drive, then insert it (with its module)
into the opening in the middle of the machine‘s
front side.
When using or transporting the Casablanca
Prestige you should lock the hard drive module
so that it cannot fall out or become loose.
If you forget to insert a hard drive and attempt to
start the machine, then you will see the greeting
message followed by an error message (the ambulance symbol).
2.5 Unlocking software
You have the option of "unlocking" the bonus
effects contained on the installation SmartMedia
card. To do this you must register with
MacroSystem. (Please read the earlier section
2.2 Registration/Update service). In the near
future additional software (more effects, fonts,
supplemental software packages, etc.) will be
available from your dealer.
You can view the demo versions of different effects on your Casablanca Prestige, but the demo
versions are overlaid with identifying Demo text.
In order to use the effects (without the Demo
overlay) you can give your dealer the serial number of your Casablanca Prestige machine (found
in the System Settings menu, in the lower-left
eld). Your dealer can then charge you for the
supplemental software and give you a key code for
unlocking the software.
Once you have received the code, insert the
SmartMedia card into the Casablanca Prestige
(which can be operating). Click on "Install
product" in the System Settings menu. The
products contained on the SmartMedia card are
displayed in a list.
The term after the product name indicates the
status for your installation:
– (hidden): This product and the corresponding
effects/fonts are not displayed in the Casablanca
Prestige list. This can be used to hide demos once
they have been previewed. Hidden demo effects
will not longer appear in the effects lists.
– (demo): The product, effects, or fonts are displayed in the lists, but are labeled with a red ag
in the effect list and are identied as demo effects
when used in a scene.
– (active): The product, effects, or fonts are unlocked and are available to the user without restriction.
Now select the product or the desired bonus effect
and click on "Activate". If the effect is not yet unlocked, a menu for entering the key code appears.
You again see the name of the product you wish
to unlock. After entering the code remove the
SmartMedia card and you can now use the new
product without restriction. If you do not enter
the key code, and instead cancel the procedure,
then the software will only be installed as a demo
version.
If you are using more than one hard drive, then
you must install and unlock the software on all of
them. One key code will work for all hard drives.
If you subsequently use one of the hard drives in
another Casablanca Prestige machine, then the
unlocked software will run there only as a demo
version.
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2.6 Initial operation
After you have turned on the machine by pressing
the switch on the front side, you are greeted with
the message „Casablanca Prestige“ on the tele-
vision monitor. If this message does not appear,
then check your cable connections and make sure
that the television is set to the proper input.
After the greeting the Main menu screen of
Casablanca Prestige appears automatically. After
being turned on, the hard drive must rst spin
up before the OS program can be loaded. During
this time you will be able to hear the hard drive
spinning.
The Main menu screen is the control center for
accessing the individual control screens with
which you will do your video editing. The startup
process is now over, and you can start editing.
We recommend that you familiarize yourself with
the system Basics (Chapter 3) and then work
through the ve Tutorials (Chapter 4) in order
to become acquainted with Casablanca Prestige.
In this way you will quickly learn the system
principles and you can experiment before you
begin working on your own video projects.
Note: The software may have been modied
since this manual was printed. The menus in this
manual may therefore be a little different from
the actual system software, however the changes
should be minor.
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Chapter 3: Basics
3.1 Editing philosophy
Casablanca Prestige operates in a non-linear
fashion. This means that every recorded scene can
be accessed instantly. The system does not have
to spool tape to access the desired scene. Direct
access is achieved by recording the video onto a
hard drive and not onto tape. On tape, scenes can
only be accessed by time-consuming spooling.
A hard drive is actually a storage device from
the eld of computers and it is used for storing
programs (software) and data (video and audio).
Hard drives store data differently than tape,
because hard drives have a freely movable read/
write head, which can move directly to any area
of the drive similar to a record player needle,
but in a very short period of time (approx. 10
milliseconds).
This means that there is practically no waiting
times, even when jumping from the beginning
to the end of a video. This technique is called
"random access" (you are probably familiar with
the well-known abbreviation RAM – Random
Access Memory).
Random access (or direct access) is the fundamental characteristic of a non-linear editing
system. It makes possible direct and total control
over the recorded data.
Editing is therefore somewhat different than with
traditional analog devices. The following principles apply to Casablanca Prestige video editing:
1. Recording of the desired material (video
and audio), either completely or in designated
sequences, which is stored in up to ten
independent projects.
2. Splitting of the recorded material into
individual scenes that can each be named as you
choose.
3. Trimming of the individual scenes (setting the
In/Out points to ignore unwanted footage).
4. Sequential ordering of the trimmed scenes on
the storyboard, in the order that you designate.
You can also add Insert Scenes, (the overlapping
of video without affecting the original audio).
5. Selection and use of Transition effects (e.g.
crossfade, page turn, etc.), many in real-time (no
rendering is required).
6. Selection of Image Processing effects (e.g.
solarize, sharpen, etc.) to add to scenes or entire
sequences.
7. Titling of the storyboard (the addition of text
in different fonts, sizes, colors, and effects).
8. Audio mixing with up to six tracks for original
sound, commentary, background music and
sound effects.
9. Recording of the nished project out to video
tape or DVD.
And of course, you can record and edit more
footage at any time. There is no set sequence.
This list serves only to outline the basic concepts
involved.
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3.2 Using the Trackball
A trackball is used to work within the screens.
Click on buttons to perform functions and access
functions by moving the on-screen pointer.
Note: the trackball shown here is only an example.
Another model may be supplied with your
machine, but it will function in a similar manner.
The trackball consists of three components:
(1) Ball
This is used to move the screen cursor or, in the
Trim and Split screens, to scroll through the
video.
(2) Left button (selection button)
This is used for selecting. You press a button on
the screen by positioning the cursor over the
on-screen button and pressing (clicking) the left
trackball button.
(3) Right button (cancel button)
This button returns you to the previous state,
canceling or stopping the current operation. Pressing this button without having selected anything
will return you to the previous screen. Pressing
the cancel button when you are making settings
cancels anything you have just set and reinstates
the prior settings. If you are playing or recording
video, then clicking the cancel button will cause
playback or recording to stop.
What is a click?
A click is simply when you press down and
quickly release one of the trackball's buttons.
You hear a quiet clicking sound. "Click on the ...
button" means that you position the cursor on
the corresponding eld on the screen with the
ball and then press and release the left trackball
button to select (click) the on-screen button.
Computer users will please note that Casablanca
Prestige has neither a "double-click" nor a "drag"
operation. These operations are not needed for
our easy-to-use system.
Why use a trackball and not a mouse?
Many users may ask this question. After all, a
trackball is usually more expensive than a simple
mouse, and the mouse is better when using a
computer. The reason for our decision can be
found in the editing philosophy of Casablanca
Prestige. The trackball has the one big advantage
that you can use it in your hand or lap without
having to use a table. A mouse would also require
too much space, especially when "scrolling"
through the entire hour-long video for trimming
or splitting purposes.
It is possible to use a mouse instead of a trackball.
If you would rather use a mouse, please contact
your Casablanca Prestige dealer. Not every mouse
model is compatible.
3.3 The user interface
The user interface of Casablanca Prestige contains various elements. These elements are explained here, although they are fairly obvious.
Light gray buttons can be selected (clicked). Dark
gray buttons cannot be activated. Using certain
functions may cause some buttons to de-activate,
meaning they cannot be used.
Some buttons may appear usable but at the
moment have no corresponding function. If they
are clicked, a white, crossed-out circle appears
indicating that no function is currently possible.
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Buttons
Such buttons are simple gray elds containing a
text caption that describes the function they perform. They cause something to happen when they
are clicked on, and they are usually clearly labeled.
(e.g. Clicking with the left trackball button on
the "Delete" button causes the selected scene to be
deleted.)
Selection buttons
These buttons are indicated with three small,
black horizontal bars in the upper right corner.
Clicking with the left trackball button opens a list
of different options. You then scroll through the
options with the trackball, stopping on the desired
option, which is highlighted in blue. Clicking on
the left trackball button then activates the selected
option. Clicking on the right trackball button
cancels the operation.
Sliders
Sliders can be either horizontal or vertical. After
a slider has been clicked, the ball of the trackball
is used to control movement of the slider. The
cursor disappears and the trackball now controls
the slider. Control of the slider is relinquished
by again pressing one of the trackball's buttons.
Clicking the left button accepts the current slider
setting. Clicking the right button cancels any
changes you have made and returns the slider to
its previous position.
You can use the arrow buttons (usually to the
right of a horizontal slider or below a vertical
slider) to step through footage one step at a
time(e.g. from one frame to the next). The
symbols |< and >| are used in the Edit menu to
jump to the beginning or end of the storyboard.
Name eld
By clicking on the "Rename" button you cause an
on-screen keyboard to appear showing the name
of the currently selected scene. You can then use
this keyboard to enter a new name.
On-Screen keyboard
At certain points, such as in the text input menu
for titling, Casablanca Prestige allows or requires
text input, (for example when naming scenes,
entering text for titles, and naming audio sequences).
Users who have installed the PowerKey option
or who have connected a USB keyboard can
enter the text with the external keyboard. (But
only when the on-screen keyboard is displayed).
Otherwise the on-screen keyboard appears,
allowing text entry with the trackball. The text
is entered by using the trackball to click on
each individual letter key. Some of the keys are
especially important:
(1) Delete key (delete text letter-by-letter).
(2) Newline key (start a new line).
(3) Shift key (toggle between uppercase and lo-
wercase).
(4) Single shift key (only the next key appears in
uppercase).
(5) ALT key (special characters, such as @ and ).
(6) The S key to the left, used to display the spe-
cial characters menu. In this menu you nd all
the available characters, including many letters
used in foreign languages, (e.g. "ç") or letters with
accents in French. If you want to enter the characters "é", "á", or "ô", you can either select them
in the special characters menu or use the normal
keyboard. Click rst on the accent and then on
the corresponding letter. The accent is not displayed until you select the letter.
When the keyboard is displayed you will see that
the entire current name of the scene is highligh-
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ted. This allows you to immediately delete the
entire name. A new name can then be quickly
entered.
If you only want to change one letter within the
word, click on the letter just after the letter to
be changed or move the cursor (vertical bar) by
using the arrow buttons to the right of the scene
name. Press the delete key and then the key for the
new letter. You can insert new characters into text
in the same way. Simply click on the character just
after the desired insert position and then type in
the desired characters. Characters are inserted just
before the cursor.
IN and OUT Points
These points are set to mark certain segments of
a scene. This can be a Trim procedure, but also
the placement of an Image Processing effect in
the storyboard (using the Range function). When
you click with the left trackball button on "IN" or
"OUT", the trackball function changes. Rolling the
trackball then causes the video to scroll forward
or backward through the video scene with a speed
depending on the speed the ball is rotated. An
additional click with the left button sets the new
beginning (IN) or end (OUT) point. A click with
the right button reinstates the original setting.
The length of the scene is indicated as a 7 digit
code. 001.15:03 means that the material will run
for another 1 minute, 15 seconds, and 3 frames.
Scene check
These two buttons (see above) serve to quickly
review the rst and last few seconds of a scene
or audio segment. The "|>" button plays the rst
3 seconds starting from the IN point. The ">|"
button plays the 3 seconds just prior to the OUT
point.
Arrow buttons
Stepping through individual frames (see slider)
works by clicking on the ">" and "<" symbols.
Clicking on ">" moves forward to the next frame.
Clicking on "<" moves backward to the previous
frame. This behavior is found at several points in
the program, for example when trimming, splitting, or using sliders within the effect lists.
Symbols for recording, playback, pause, stop
Several menus have buttons for recording,
playback, pause, and stop, with which you can
play your video and audio material. You are
probably familiar with these functions on other
devices, such as your VCR.
This is the symbol for Record and can be found in
the recording menu. Clicking on it causes Casab-
lanca Prestige to start recording, at which time
you can start your video input device. (For best
results, be sure to start the input device rst).
This is the symbol for Play. Clicking it will play
the video scenes or audio samples. In the recording menu it starts the DV input device.
This button causes a Pause in the playback. Clicking on it again ends the pause and the video
material is played from the point at which the
pause was made.
The Stop symbol stops playback/recording. If you
initiate playback again, the video material will be
replayed from the beginning. Playback can also
be stopped by pressing the right trackball button.
If you are using a DV input device, then you
can control it directly from the Record screen.
(But please be aware that most DV devices are
compatible, but some are not. If this is the case,
the DV device can be started manually and should
then input correctly.) In the recording menu you
will also nd the three symbols listed above: stop,
playback, and pause, plus the symbols rewind:
and forward:
Both of these buttons have a triple function. Fast
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rewind and fast forward are achieved while the
DV source is in stop mode, viewable slow rewind
and slow forward in playback mode, and frameby-frame backward and forward in pause mode.
The color box
The color box enables you to select a color.
Clicking on the palette arrow (1) enables you to
choose a specic color. Scroll through the color
palette (2) until your desired color is displayed
in the color window below (3). After conrming
this color by clicking the left trackball button you
can dene the color more precisely. Click in the
large color window and use the upper arrow (4)
to scroll left or right in order to attain the desired saturation. Use the left arrow (5) to scroll up
or down to set the color brightness. With a little
practice you can specify your desired color by
simultaneous use of both arrows. The intersection point of both arrows (if you imagine them
extending until they touch within the box) indicates the selected color, which is always displayed
to the right in the rectangle (6). Clicking on the
left trackball button conrms the setting. You can
also click directly on the color you wish without
having to use the arrow keys, by simply clicking
on the desired color within the color window (3).
In many cases (e.g. when titling) the color box
provides the Alpha option (7). Here you let the
desired color shine through your motif displayed
on the right (6), (the Eiffel tower is shown here as
an example). You can specify the alpha value in
percent by moving the scroll bar. The lower the
percent value the more transparent your selected
color and the more clearly your motif shines
through.
You can use the Archive function (8) to save the
colors you specify for later use.
When you have nished making all the settings
you want, click on "OK" to conrm and to exit the
color box.
Note: If you are not using a professional video
system (e.g. Betacom SP), avoid using high
saturation values. Otherwise "color drain" or
"jaggedness" might occur that is only visible after
recording out to tape. A simultaneous reduction of
color saturation and brightness results in a similar
color with a better recording quality for VHS, SVHS
and DV.
Tip: If you would also like to use a color in
titling that has already been used for an effect
(e.g. picture-in-picture), archive the effect color,
change to Titling and reload the color. You can
access archived colors from all ten projects!
The symbols for direct menu change
Most of the Casablanca Prestige screens are
represented by symbols.
You will nd these symbols on small buttons at
many places and they serve to directly switch
from one menu to another. It is always possible to
return to the Main menu and go from there to the
individual menus, but the experienced user will
save time by using the symbols to access menus
directly. You will become used to the symbols
while doing some editing. Instant memorization
of their uses is not necessary.
Wave form and audio scrubbing
The menus Insert, Range, Split, and Trim (video
and audio) contain a loudspeaker symbol in the
operating panel. When this symbol is active (blue)
a small box containing the Audio Wave Form is
displayed at the other side of the operating panel.
The wave form graphically displays the volume
over time. The height of the curve represents
loudness (the higher, the louder) and the width is
a measure of time.
In the wave form you see a vertical, black position
marker indicating your current picture position.
This position marker is also shown when you
scroll through the scene or the audio segment.
The Audio Wave Form is automatically played
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when one of the buttons "In", "Out", "Split Position", "/>", or ">/" is clicked and the trackball is
held motionless for approximately 0.5 seconds.
A movable, vertical white-hatch bar indicates the
actual playback position.
When trimming the beginning of a scene (In)
the black position marker can be seen to the left
on the curve. When trimming the end of a scene
(Out), it can be seen to the right.
As you scroll through the scene you hear the
corresponding audio. Depending on the scrolling
speed you hear the audio faster or slower (often
referred to as "scrub audio”).
The wave form has two different display forms.
When scrolling through the scene you see a detailed wave form or a segment of the wave form.
As soon as you receive a preview of the last second
the wave form for the entire playback time is
shown.
If you don't need the wave form then you can
make it go away by clicking on the loudspeaker
symbol so that it becomes brown and the frame
disappears. To bring back the wave form simply
click on the symbol again.
i-buttons:
The Transition effects, Image Processing Effects,
and Titling screens all have an "i" button. This is a
button for obtaining information but it currently
works only for some of the effects.
If you have selected supplementary or bonus
effects and click on this button, a Product infor-
mation menu opens and gives you an explanation
or summary instructions for the selected effect.
This button is inactive for those effects for which
no information is provided.
The "i” button is also present in the Install pro-
duct menu in the System Settings screen.
There you can bring up information on the products selected in the list (e.g. effect modules, font
packages, etc.). You will also nd information and
summary instructions for products that are only
installed as demo versions, if available.
Archive function
You will see the "Archive" button in various
menus and screens (e.g. titling, color box).
Clicking on this button opens a screen in which
there are four buttons: "Load", "Save", "Delete",
and "Cancel".
Clicking on "Load" displays a list of the titles,
effects, or settings that have previously been saved.
You can then directly select or scroll to an entry in
this list and conrm.
A click on "Save" displays the same list. There are
now two possible courses of action:
1. You can click on the gray rectangle directly
below the list so that the keyboard is called up and
you can type in a name, after which you click on
"OK" in the keyboard and in the text archive eld.
This creates a new archive entry.
2. You can select an entry from the list and then
click on the gray rectangle in which the name of
the selected entry is now visible. Now you can use
the keyboard eld to overwrite this name with
another name of your choice. This differs from
the rst option in that here you not only change
the name, but you also overwrite the entry itself,
so that the original entry is permanently deleted.
If you click on "Delete", a list of the saved entries
is displayed in which you can select an entry to
delete and conrm with "OK".
Clicking on "Cancel" exits the window without
making any changes.
With the help of archiving you can save frequently
used standard text and reuse the text at any time
in any of the projects.
Image Pool
An additional function is the Image Pool. This is
a ‘global’ area for storing graphics; this means that
the image can also be exchanged between different
program packages and projects.
The main program and almost all supplemental
programs use the Image Pool. In this way, graphics brought into the system by one program can
automatically be used by all other programs.
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The image pool is used at many points in the
program, e.g. when titling, in DVD Arabesk, or in
the New Scene submenu of the Edit screen.
If you select the scene "Pattern", the option
"Select Pattern" appears to the right. You can click
on that to open the Select pattern screen which
offers you a number of patterns to choose from.
In the area to the above-left you see the selection
button "Product" offering you a list of the various
installed supplemental programs, (the main
program "Casablanca", and "DVD Arabesk").
The next selection button "Type" offers you up to
four different types of graphics:
- Masks
Masks are used principally by programs such as
Liquid Images and Video SpiceRack.
The masks are gray pictures whose form is used
by the programs to specify the course of effects.
But the masks can also be used for other purposes. For example, they can be colored and used to
achieve variety in backgrounds for titling.
- Monochrome
Monochrome (gray) patterns (also called
"textures") are listed here. These can be colored
and used as background elsewhere. Because the
patterns are usually smaller than the screen, they
are automatically tiled on the screen, until the
desired surface is completely covered.
- Color
The multi-colored patterns are used in the same
way as the monochrome patterns. No further
coloring is possible as the patterns already contain
color.
- Pictures
Complex pictures can be found in this category,
(e.g. you see here the background pictures for
DVD Arabesk). Although they are intended to be
used as background for DVD titles, the pictures
can also be used elsewhere in the system.
All patterns can also be used as texture for fonts in
the Titling menu.
In the list to the left you can select the desired
mask, which is then displayed to the right in large
format. You can also see the names of the selected
mask above and to the right.
Below this window you nd the buttons "Color"
(the color box can be accessed from many masks)
and "Mode" (you can choose from eight different
positive and negative inverses).
Demo software
Most supplemental programs can be installed as
demo versions. This means that you can let your
dealer transfer these versions to your SmartMedia
card free of charge, so they can be previewed at
your leisure. To do this, insert the SmartMedia
card and click on the button "Install Product" in
the System Settings screen. Select as accustomed
the program in the list and click on "Display".
The selected software is then activated as demo
version, as you can tell by the caption ("Demo”).
You can use this program without restriction, i.e.
you can insert effects, calculate them and view
them, but each effect is superimposed with the
red text "Demo". To purchase a code to unlock
the supplemental program, please contact your
Casablanca Dealer.
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Chapter 4: Tutorials
We recommend working through the ve tutorials
in the order given here. This offers you an introduction to video editing followed by the more
specialized techniques of Casablanca Prestige
(insert editing, audio mixing, titling, etc.).
For these tutorials we assume you are using only
one monitor (video mode). If you are working
in VGA mode, then you can read about eventual
changes to the user interface in
chapter 6: VGA Mode.
4.1 Tutorial 1: A small video project
This example introduces you to the basic concepts
of editing with Casablanca Prestige. Special
applications and procedures are not explained
yet. In this example you will create a simple video
project. A "project" is the creation of a complete
video starting with raw footage and ending with a
nished lm.
Step 1: Selecting raw footage
For this example you will use your own raw
footage. Set aside a cassette with raw footage (e.g.
video from your last vacation). You will only need
a few scenes that last a total of about 3 minutes.
Try and select interesting material so that the
project will be more fun!
Put the cassette in your video input device (e.g.
camcorder, VCR, etc.) and rewind it to the position where your selected footage begins.
Step 2: Orientation in the Main Menu screen
Turn on the Casablanca Prestige and wait until
the hard drive is ready. The Main Menu now appears offering several options for selection. There
are three main areas:
(1) Settings (above right)
Here you select settings such as trackball speed,
desired audio quality, or the current project.
(2) Video (center)
Here you will record your raw footage onto the
hard drive and then divide (split) it into editable
scenes. You will then edit (trim) the scenes and
nally put them into a new sequence in the storyboard. You will put transition effects between the
individual scenes and apply an Image Processing
effect (or lter) to one of the scenes. You will then
create a title and then nish your video project.
(3) Audio (below left)
Here you score your video with music, sound
effects or spoken commentary.
This division into logical steps makes for a clearly structured work plan. If you should have any
questions during the course of work, then simply
check the Reference Section(Chapter 5) of this
manual – all buttons are explained there in detail.
How do you access the individual work screens?
Position the screen cursor onto the corresponding
eld. Then click on it with the left trackball
button. The right trackball button cancels, or
returns you to the previous screen.
This operation requires a certain familiarity with
the Casablanca Prestige user interface. If these instructions are unfamiliar to you, please read about
the trackball in section 3.2 and then the operating
elements in section 3.3.
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Step 3: Settings
Before you begin editing, you should make your
own personal settings.
System settings
Click on the "System Settings" button to view the
System Settings screen. Here you can select the
"Trackball Speed" appropriate for you. There is a
choice of three different speeds.
Now exit this menu either by clicking the right
trackball button or by clicking on the Main menu
symbol (bottom right) with the left trackball
button:
Project settings
Now you can make the settings for your project. A
click on the Project Settings button leads you to
the corresponding menu.
At the upper edge you will see the the hard-drive
"Name" button. By clicking on the gray rectangle
the keyboard is displayed and you can enter the
name of your choice. You can also see which hard
drive is currently in the machine (the label on the
hard drive itself is not visible because the hard
drive is contained within the machine).
The eld "Used Capacity" gives information on
how much of the hard drive has been lled (in
percentage) and how much space is left. Audio
and video are not distinguished.
Further below you see the "Select" button. After
clicking this button you see a list of ten projects
contained on the hard drive. Each project can be
worked on independently of the others. But for
now, click on project 1 ("P 1") and conrm with
"OK".
Next to "Select" you see the eld "P 1", which you
should now rename. Click on it to bring up the
keyboard (section 3.3: On-screen keyboard).
Delete the default name and enter instead "First
tutorial".
The button "Information" will bring up a menu
that gives information on the project name, storyboard length, scenes in the storyboard, chosen
effects, and number of scenes contained in the
scene bin.
At this point we don‘t want to go into too much
detail on the functions and meanings of all the
settings. These will be explained in more detail
later! For now, set the Image size to "Normal" and
select the Audio Quality corresponding to your
camera.
Now exit this menu.
Video settings
Enter the Video settings screen and turn on your
video input device. Here you can select the appropriate input. If you using a VCR as input device,
then you will usually use the SCART input (in
Europe,) or you will use CVBS (RCA) or YC (Svideo). Of course, for optimum quality you can
use the DV input for digital devices.
You will have the option to select between the
Front or Rear inputs: be sure to set this according
to how you are physically cabled from your input
device. Your Prestige will automatically detect
which DV input you are using. We recommend
that you only connect one DV device at a time, or
errors may occur.
Press Play on your input device, so the video
will start. If your video signal is now viewable
underneath the menu bar , you can continue by
adjusting the Brightness, Contrast, and Saturation
if necessary. These settings are not accessible if the
DV input is being used. If your DV signal requires
correction during input, use the YC setting and
cable in via S-Video and RCA audio.
Exit the menu when you are satised with the
picture quality.
Step 4: Recording and editing
Recording
Now select "Record" to enter the Record screen.
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In the background you will see your video.
An operating panel in the foreground displays
(after the recording is stopped) the name of the
scene, the recording time, and the approximate
remaining time available on the hard drive.
If you have connected a DV device for input
through the i-Link interface, then you can use
the ve buttons in the lower part of the operating
panel for DV control. Note that not every DV
device is compatible, but you will nd that most
are.
Seen from left to right on the DV control panel,
you can: stop playing the DV tape, play the DV
tape, pause, rewind, and fast forward.
Rewind and fast forward each have three different
modes. Fast rewind or fast forward results if the
button is pressed while the recorder is stopped.
Viewable slow rewind or slow forward results if
the button is pressed while DV unit is playing.
Clicking the button while the DV unit is in pause
mode moves a single frame backward or forward.
The selection button "Mode" offers three options,
but for this exercise leave it set to "Normal".
With the button in the lower-left corner (arrows
facing each other) you have the option to move
the panel to the lower screen edge . With the
button on top of that you can reduce the panel
size to the functions for reinstating the larger
panel (the Record menu symbol) and for moving
the panel.
The four menu symbols in the lower right corner
take you to the Edit, Record/Edit, Video settings,
and to the Main menu screens.
Now wait until an scene you wish to load is
reached. Clicking the record symbol causes the
Prestige to begin recording.
As soon as recording begins, the current panel is
replaced with a smaller one that displays only the
elapsed recording time and a stop symbol. You
can see that Casablanca Prestige is actually recording because of the changing recording time.
Now record a few minutes of video, preferably
containing 4 or 5 different scenes. Then press the
stop symbol. Your rst recording is now stored on
the hard drive.
Now record a few more scenes. Do this as
described above. The recorded scenes are at
rst automatically titled with "S 1", "S 2", etc. To
change the name (e.g. to "vacation") click on this
eld immediately after recording to bring up the
keyboard where you can enter your text.
Stop the input device and then exit the "Record"
menu.
Editing
Now go to the Edit screen. Here you see the
Scene Bin in the lower half of the screen. The
Scene Bin contains a sequence of small pictures
("thumbnails") showing your recorded scenes.
Casablanca Prestige holds all created individual
scenes that are ready for editing in this bin. You
can see up to eleven entire scenes at one glance
in video mode. For more you must scroll the
horizontal slider below the scene bin to access
following scenes.
You can also use the arrow buttons to the right of
the slider to step through the scenes forward or
backward one by one, or to jump to the beginning
or end of the scene bin.
In case you have not already renamed the scenes
in the "Record" menu, then you again have the
chance here to give the scenes your own names. To
do this, position the desired scene in the center of
the panel so that is displayed larger than the rest
and the length of the scene can be seen displayed
directly above it. (Scroll through the scene bin
or click directly on the desired scene so that it is
moved directly to the middle "selected" position.)
Now click on the "Rename" button (below left) to
call up the keyboard.
Each scene can now be viewed or edited from this
menu as soon as it has been brought to the middle of the Scene bin. Once there it is the selected
scene, and it is slightly larger than the other scenes in the Scene Bin.
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Click on the play symbol next to the "Rename"
button to begin playing the video. Playback can
be halted at any time with the stop button, pause
button, or with the right trackball button.
Your video is now played from the hard drive.
(This lets you know that the footage has been
properly digitized.) If video and audio are
successfully played, then you know that the
Casablanca Prestige installation was successful,
the cables are correctly connected and the hard
drive is communicating properly.
Your recorded scenes will probably consist of
several different camera perspectives. In order to
be able to separately edit and arrange them, they
must rst be divided up into individual scenes.
Click on the menu item "Split" in the bottom
line of the Scene Bin menu. The rst frame of
the selected scene (in the center of the Scene Bin)
appears with the Split menu, which is displayed in
the lower third of the picture. The top line of this
menu displays the name of the scene (e.g. "vacation"). Next to that you see a time indicating the
length of the selected splitting position (initially
000.00:01).
Here you must nd the exact positions where
one shot ends and another begins – the so-called
scene changes. Press the "Split position" button
to obtain a new, narrower control panel. Now
you can scroll through the scene. Look for the
rst perspective change and scroll slowly to the
desired split position. Conrm this position by
clicking the left trackball button, which causes the
selection menu to be displayed again. There you
can adjust the split position by using the"<" and
">" keys to move forward or backward one frame
at a time.
To check that you have correctly selected the split
position, set the Split position at the last frame of
the rst take. Clicking on the ">" key will display
the rst frame of the next take, clicking on "<"
will display the previous one. After you have done
this, you can play the selected portion (by clicking
on the play button).
If you want to keep this scene, select "Use". If
you do not plan to use the selected portion of
video, click "Drop". If you have decided to use
part of the scene, the rest of the scene is given a
name with an additional sufx, (e.g. "vacation.1",
"vacation.2", etc.). Next to the scene name you
also see the duration of the scene using the
current Split position.
After you have completed this step, you still have
the rest of the non-edited raw footage. Continue
as above until you have Used or Dropped the rest
of the footage.
Now you can return to the Edit menu (click on
right button).
All takes marked as used are now displayed as
individual scenes ("vacation.1", "vacation.2" etc).
These split copies require no additional space on
the hard drive. The original scene ("vacation") is
still present.
You can now play the individual scenes. Simply
click on the scene. The scene will move to the
center of the scene bin and then becomes the
selected scene. The duration of the selected
scene is displayed above it. If you want to play
the selected scene simply click on the Play button
next to the "Rename" button.
Tip: At this point, if you select the original scene
"vacation” in the scene bin and click "Delete”, you
will regain space on the hard drive – equivalent to
the amount of footage that was dropped when the
scene was split up into pieces. This footage cannot
be recovered, so only do this if you need additional drive space. However, if all of the footage was
used, then deleting the original scene "vacation”
will have no benet.
Trimming scenes
Now that the raw footage has been divided up
into scenes, we can begin to trim them. Trimming
means that the beginning of the scene can be advanced or the end of the scene can be shortened.
The result should be a scene with proper In/Out
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points that make the scene start and stop when
you choose.
Clicking on "Trim" calls up the corresponding
Trim screen. In the background you see the rst
frame of your video. The trim panel is in the
foreground and covers one third of the picture.
The name of the scene appears in the upper
line, and next to that its length is displayed. For
this tutorial a time between 3 and 10 seconds is
suitable. (If the currently selected scene is shorter
than that, exit the Trim screen and select another
scene. If it is longer, trim the scene down to 10
seconds)
Now trim the In point, (the point at which
the scene will begin playing). Clicking on "IN"
replaces the displayed panel with a narrower
one, in which you can scroll with the trackball
and adjust the In point. Rolling the ball to the
right causes the scene to be shortened from the
beginning. Rolling to the left increases it again.
Clicking the left trackball button conrms your
setting and you are returned to the Trim menu.
There you can make a frame-by-frame adjustment
using the arrow keys "<" and ">" located below
the "IN" button.
You can adjust the Out point by clicking on
"OUT" and proceeding as explained above.
Rolling to the left shortens the scene from the
end and rolling to the right increases it again. The
arrow keys located below the "OUT" button are
also available for frame-by-frame adjustment.
At the top of the Trim panel you see the new scene
length next to its name. The time information for
the rst frame is displayed next to the "IN" button
– 000.00:14 means, for example, that the scene
has been shortened by fourteen frames. The time
information for the last frame appears next to the
"OUT" button.
Click on the right button to leave the Trim menu.
Select the next scene and trim it as explained above. Continue until all scenes have been trimmed.
You should now have a series of scenes in the
scene bin that are all free of bad properties (e.g.
blurred video, bad frames, scene breaks, etc.) and
each last from 3 to 10 seconds.
The Storyboard
Now the scenes are ready to be put into
proper sequence. Casablanca Prestige lets you
sequentiallly order the scenes in the storyboard.
It doesn‘t matter in what order they appear in the
Scene Bin.
Select the scene in the Scene Bin that you want
to be the rst scene in your video project. Click
on "Add" (in the upper screen area, below the
storyboard itself). The scene then appears in the
horizontal panel (the storyboard) directly in the
center.
The storyboard contains the nished video project (which right now only consists of 1 scene). Of
course, changes can be made to the storyboard at
any time.
Now select the second scene and click again on
"Add". You are asked whether the scene should be
added before or after the scene in the storyboard.
This question appears only when the rst scene is
the active scene in the storyboard (in the center,
with its length displayed above).
Normally, Casablanca Prestige will add a scene
after the active scene in the Storyboard. The query
in this case makes it possible to insert a scene in
front of the rst scene. For now, select "behind".
Now you already have two scenes in the
storyboard. Add the rest of the scenes in this
manner. When you are nished, all the scenes that
make up your video should be in the storyboard.
In the scene bin every scene that has been added
to the storyboard is indicated with a white point
in the upper right corner.
Now you can view the nished video in its "rough
draft” version. First you must make the rst scene
in the storyboard the active scene. There are four
ways to do this:
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(1) Click with the left button on the arrow button
"|<" beneath the storyboard. The rst scene of the
project is now the active scene in the center of the
storyboard.
(2) The slider under the storyboard is used to
scroll through the Storyboard scenes (using the
trackball). Move the slider all the way to the left.
(3) Using the "<" button you can move one scene
at a time toward the rst scene.
(4) You can also click directly on the desired
scene, causing it to be put in the center.
Clicking on the Play symbol below the storyboard
to the left causes the video to play from the
beginning of the active scene (in this case, the rst
scene). All scenes are played in the order you have
dened, from left to right through the storyboard.
If you want to change the sequence, (for example
move a scene from the end of the storyboard to
the beginning), select the scene in the Scene bin.
Now click in the storyboard on the scene after
which the selected scene is to appear. Click on
"Add". Finally, select the old scene in the storyboard and remove it by clicking on "Remove".
Step 5: Effects
Transition effects
The basic footage of your video is nished. Now
some effects can be added. Return to the Main
menu. Select Transitions. Alternatively, you can
simply click the menu symbol at the bottom right
of the Edit menu:
In the Transitions screen you see the storyboard
above in its usual place, but in the center you now
nd the active scene area now has room for two
scenes. Bring the two scenes that you would like to
connect with a transition into the center. Click on
the Play button below the storyboard to play the
last second of the rst scene and the rst second
of the second scene so that you can observe the
hard cut between the two scenes. Now select a
transition to be placed between the scenes. Casab-
lanca Prestige offers you many possibilities from
a simple crossfade to complex 3D effects.
Below left in the menu you nd a list of the
individual effects, where a maximum of 7 effects
are displayed at one time in the list; use the slider
to access the rest. Every effect is represented by a
name and a symbol. Simply click on the desired
effect to highlight it in gray.
For example, select the effect "Crossfade",
which causes the rst scene in the center of the
storyboard to change gently into the second.
In this case the effect is a real-time effect, so its
symbol, outlined in blue, is displayed immediately
between the two scenes in the storyboard after
you have clicked on "Add".
Now you can check the effect by clicking the Play
symbol. This plays one second of the video before
the effect, the effect itself, and one second after the
effect.
Note: Real-time effects may sometimes be
outlined in red and must then be created before
they can be viewed. The reason for this is the
Dual Stream Technology of the MPEG 2 decoder
in Casablanca Prestige. This means that effects
might have to be created that overlap, that are
very near to each other in time, or that are used
with video inserts.
Now select the next transition point in the
storyboard. To do this click on the ">" arrow
button or click directly on the next scene in the
storyboard. Now you can select another transition
effect, (for example the effect Bars). In the eld to
the right you have three options to change how
this transition performs: Type (Move or Over),
Direction (6 different directions, represented by
arrows), and Bars (2-200).
This time the effect symbol placed in the
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storyboard is outlined in red after a click on
"Add". This means that the effect has to be created
before it can be viewed.
However, you can preview the effect to decide if
you really want to use it. Click on the "Preview"
button below the storyboard. A screen will open
in which one second before the effect, the effect
itself, and one second after the effect is played.
For a few of the complex effects, the preview may
wobble a bit, because the number frames per
second is reduced. However, this will not occur in
the actual transition once created.
For some of the special effects (e.g. "Backward")
the preview may be slower than the nal
calculated effect. Of course, you can also choose
the other settings for type, direction, and number,
and observe these with the preview.
When you are satised with the effect, click on
the "Create" button below the storyboard to the
right. A screen opens so that you can follow the
creation (with a blue progress bar and actual
video preview).
After a few seconds the effect has been created.
The outline of the effect symbol in the storyboard
now appears blue instead of red. Now the effect
can be viewed by clicking on the Play symbol.
One second before the effect, the effect itself, and
one second after the effect is played.
If the effect appears to you to be too fast or too
slow, then you can change its speed by changing
its duration. The default setting is 1 second, but
you can click to the left above on the button displaying the effect duration. This opens a screen in
which you can set the effect duration exactly with
a slider. The effect must then be recreated.
Image Processing effects
After all transition effects have been inserted and
created (all symbols are outlined in blue), you
can move on to Image Processing effects. These
effects change an individual scene partially or over
its entire duration. Exit the Transitions screen
and go to the Image Processing screen by clicking
on the following menu symbol:
At rst glance everything looks just as it did in
the Transitions screen. But now you nd only
one active scene in the center of the storyboard,
exactly as in the Edit screen. This scene represents,
approximately, that portion of the storyboard to
which you want to apply the Image Processing
effect. When initially added to the scene, the effect
will last the duration of the entire scene. You may
make frame-accurate changes to the range of the
effect, if desired.
Image Processing effects modify a freely denable
section of the storyboard. For example, the entire
scene may be to be brightened. In the following
tutorial you will transform a scene in the storyboard into a moving charcoal drawing.
First, select a scene in the storyboard to which you
would like to add the effect. The scene should not
contain any transition effects.
Click on the effect list and scroll to the desired
effect (exactly as with transition effects). For this
tutorial select the effect Lineart. This effect causes
the video picture to appear as a black-and-white
drawing. In the eld to the right next to the selection list you can specify the desired Contrast with
values between 1 and 8. (The higher the contrast,
the stronger the difference between light and dark
portions of the scene.) Once you have done this,
click on "Add".
Now you can observe the scene with the inserted
effect by clicking on "Preview". It will now look
like a moving charcoal drawing!
Click on the duration display after the effect has
been added, and you will see a screen in which
you can specify the desired duration of the effect.
For more information see Reference 5.8 (Image
Processing effects).
If you like the effect, you can create it. Clicking on
the Play button below the storyboard causes the
exact length of the effect to be played.
Now exit this menu by clicking on the right track-
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ball button.
Step 6: Audio mixing
You now can begin audio mixing. Call up the
"Audio Record, Edit" screen. Here you will add
commentary and a piece of music to your short
lm. To do this you must connect a microphone
and an audio source (e.g. tape deck), Or you can
import a song directly from a CD.
Recording audio
In the Audio Record, Edit screen, the rst thing
you see is the Input selection button. Use it to
select the option "Microphone".
You should already be able to hear the mic audio
and see the swing in the dB level indicators (above
and to the left).
In principle audio recording works just like video
recording. This means that you start with your
music source, (e.g. a tape deck), or you speak your
commentary into a microphone.
To record this material on the hard drive you
must rst click on the red Record button at the
bottom right in the menu. The counter to the left
begins to count (just as when recording video)
and displays real time. Now speak a short commentary into the microphone, (e.g. "My rst
video with Casablanca").
Next, record some music of your choice into the
Casablanca Prestige machine. This can come
from any audio source than can be connected via
RCA cables.
Direct audio conversion from CD.
To quickly load in music from a cd, open the
DVD writer tray and put in a cd and close the
tray.
Go to the Audio Record, Edit screen and click
"New Sample" . In the New Sample menu select
the CD Audio option, and then click "OK".
You will now see the CD Audio menu. Click on
the "CD Contents" button, and a list of the songs
on the CD will appear to the left. Select the song
you wish to convert and click"OK". After a moment, the song will now appear in the list of audio
samples. It is a good idea to rename the sample at
this point.
You can hear the result of your audio recording by
clicking the Play button. With the Trim function
you can set precisely the beginning and end of the
audio sample. You may wish to split the recording
into individual parts by clicking on the Split
button.
Audio trimming works almost like video
trimming. Click on "Trim" and the following
menu appears:
You can click either the "IN" or "OUT" button
(depending on whether you want to shorten
the audio from the beginning or from the end)
and then scroll through the recording to set the
position of the In or Out point. Alternatively, you
can use the arrow buttons for trimming frame-byframe.
Clicking on the "|>" symbol plays the rst 3
seconds, clicking on the ">|" symbol plays the
last 3 seconds before the Out point. This makes
it much easier to nd the exact end of the audio,
because it is not necessary to play the entire piece
in order to check the Out point. This is especially
helpful when dealing with longer audio samples.
Now give your music sample and your
commentary sample a name. Simply click to the
left below on the gray rectangle with the default
name suggested by Casablanca Prestige (A1, A2,
CD Audio, CD Audio2 etc.) to bring up the onscreen keyboard with which you can change the
name of the sample.
To prevent confusion, we will wait until tutorial
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3 before discussing the many special functions of
this screen.
Now exit the recording menu and switch to the
"Audio Mix" screen.
Audio mixing
Here you see the storyboard again. Below it are six
horizontal bands: these are the audio tracks.
The top track contains the original audio that was
input with the video, (represented on its button to
the right with a camera symbol). The samples on
this track cannot be removed. However, if you do
not want to hear the original audio, it can always
be muted.
The commentary audio track (microphone
symbol), two tracks for background music
(music note symbols), and two effect tracks (fx1,
fx2) are at your disposal. You may use these ve
tracks as you wish – the names and symbols
(displayed on the right) are only there for your
orientation. However, be aware that some of the
tracks work differently than others.
If audio must be created, then you will see a color
control band (directly below the scenes, but
above the audio tracks). The band is either red or
blue (sized in sections corresponding to the length
of a scene in the storyboard). A red band means
"must be created", a blue band means the audio
has already been created, and it is ready to play.
Activate the commentary audio track by clicking
either on the microphone symbol or on the track
itself. The track turns from gray to blue when
selected.
Then click on the "Add" button and select the
commentary that you have spoken and named
from the audio list now displayed. Conrm with
"OK" and the commentary is now placed as a
light/dark blue band below the scene you have
selected in the storyboard, on the track you designated, (in this case, the commentary track). The
audio sample will be placed at the beginning of
the scene currently selected in the middle of the
storyboard. It can be moved using the "Range”
function (see below).
The light/dark blue in the audio sample represents
its volume level. Raising or lowering of the volume will change the ratio of light blue to dark blue.
This will also show fade-ins and fade-outs, once
they are added. (When the sample is no longer
the highlighted sample, these bands will appear
light/dark gray.)
Remember that all of the functions in this screen
affect only the highlighted audio sample. Only
one sample can be highlighted at any time.
In case you made a mistake and the commentary
should begin in the next scene, delete the audio
sample by clicking on "Remove".
If the audio does not yet have the desired length,
then it can be corrected with the "Range" button.
You can read more on this in tutorial 4.3 (audio
mixing, step 3).
You also see that the color band under the storyboard is now partially red, because the audio has
not yet been created. Click on "Create" to mix the
audio on the original track with the commentary. After creation you can check your results by
clicking on the Play button.
Do the same with your music recording, which
you will put onto the third track (the background
music track).
You can also change the audio volume in case
your commentary is too quiet and the music too
loud, (if you haven't already done so in the recording menu).
Select the audio sample you placed in the com-
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mentary audio track so that it is highlighted in
blue. Scroll the volume slider to the right so that
the displayed dB value to the right is increased.
Increase about 5 dB.
Then click the audio sample on the background
music audio track so that it is highlighted. Scroll
the volume slider to decrease the dB by –5.
Click "Create" and the overall soundtrack will
be created. With the above changes nished, the
commentary becomes louder and the music quieter so that the commentary can be heard more
clearly.
Clicking on the Play button plays the storyboard
from the active video scene with audio. The audio
level is displayed.
There are many more options in ne-tuning the
audio portion of your project but they will be
covered in subsequent tutorials. You can also read
more on audio mixing in the reference (Chapter
5).
Now you can exit the Audio mix screen.
Step 7: Finishing your rst video
So, now your rst video project is almost nished.
In the Main menu, click on "Finish".
If you have already created all the effects and
audio segments in the various submenus, then
only the function "Choose Range" and the button
"Record to VCR" can be clicked.
Otherwise the function "Create" is also available,
which we will discuss below.
Decide how you would like to output. If you
choose "Analog" and your effects have not been
completely created, then click on the button "Cre-
ate" and the Casablanca Prestige then takes care
of all the remaining necessary creation of effects/
audio. You can follow the progress in a preview
window that displays a blue progress bar and a list
of the effects as they are created.
After the calculation is nished you may click on
"Choose Range" so that the Range menu is ope-
ned and – in case you don‘t want to record out the
entire storyboard – you can use the IN and OUT
buttons to specify the segment to be recorded.
Finally, click on the Play button next to the
"Analog" button. You are requested to switch the
video recorder to recording mode. Clicking on
"Ok" activates recording out.
If you want to record out to a DV device, choose
"DV" next to "Record to VCR”. After you have
created all effects (see above) – click on the
button "DV Recorder Controls" causing the
corresponding DV operating panel to appear.
The top row of buttons control the DV device,
the lower Play button makes the Prestige start
playing your video project and start the DV
device recording. Now select the desired position
on the DV tape before starting recording out with
a click on the lower "Play" button. No picture is
displayed while recording out!
Of course, you can also burn your nished video
onto DVD. Select the program "DVD Arabesk"
in the list in the lower-left screen and click to the
right on the option "Launch program". You are
now in the DVD menu. You can read the reference
section "5.6 Finish" to nd out how to use DVD
Arabesk.
So, this short tutorial is over. The examples that
follow, "Insert editing", "Audio mixing", and
"Titling 1 and 2", will explore some of the things
that we have only mentioned up to now.
4.2 Tutorial 2: Insert editing
Now that you have become familiar with basic
editing with Casablanca Prestige, you can
continue with more specialized tutorials.
What is the essence of modern music videos?
You hear a complete musical composition from
beginning to end. The camera is sometimes
focussed on the artist, but at other times you see
completely different scenes.
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The same situation occurs for lectures, interviews,
speeches at wedding celebrations, etc.
The exercises in this chapter assume that you are
somewhat familiar with the Casablanca Prestige
user interface. The instructions given are therefore
not as detailed as before.
You will create a music video such as those shown
by various television music channels. The main
function you will be using is Insert-editing, which
you will learn about here.
Step 1: Preparations
At rst you require the raw footage. You need a
fairly long scene, preferably a continuous one,
where the music is always synchronized with the
artist‘s lips. A singer friend of yours lmed with a
camcorder will sufce. A television news speaker
or commentator will also do.
The complete raw footage (your "background")
should ideally be 30 seconds long or longer.
Now you need some scenes that you will overlay
onto the background with Insert-editing.
Such scenes can contain much more than the
background video, (for example a sunset, a car
race, etc.).
Trim these Insert scenes so that each one is about
5 seconds in length. For three inserts you will
need at least 30 seconds of original video.
Step 2: Edit
Now go to the "Edit" menu. Put the background
scene from the scene bin into the storyboard with
"Add".
Select the rst short scene to insert from the scene
bin and click on the "Insert" button. You are now
in a time-setting menu in which you can freely
place the pictures (not the audio) of the insert
scene onto the background (the background video is displayed on the screen)
This menu is the same as the Range menu. At the
moment, the insert scene is positioned at the very
beginning of the background scene.
You will see that there are two functions here,
"Trim" and "Position".
"Trim" allows you to trim the scene being In-
serted. (This can also be done in the main Edit
screen).
"Position" lets you designate the start point where
the Insert scene will appear in the overall 30-second background scene.
You will let 3 seconds of the background scene
run before the rst insert scene appears. Set the
selection button in the panel above-left to "Posi-
tion" so that the option "Start" appears below it,
which you should now click.
With Start you can specify which frame of the
background will be the rst to be overlaid by the
Insert scene.
Scroll to 3 seconds (the time is displayed to the
right in the menu) and conrm with the left
trackball button. The "<” and ">” buttons below
Start allow frame-by-frame changes, if needed.
Click on the right trackball button in order to
return to the "Edit" menu.
Now look at the storyboard. There are now three
scenes in the storyboard – the one in the center
contains an Insert symbol. First the 2-3 seconds
background, then the insert scene, then the rest of
the background. The insert scene has been marked with the Insert symbol. The overall length of
the storyboard is still 30 seconds.
This division into two background scenes (which
would become one again if you were to remove
the insert scene from the storyboard) makes it
possible to overlay additional insert scenes onto
the same background.
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Play the storyboard from the rst scene. You will
see the background scene, then a hard cut to
the insert scene, and then the background scene
again. The audio from the background scene is
heard the entire time.
Now shift the Insert scene forward a little. Click
on the Insert scene in the storyboard and select
"Range" (to the right of the "Insert" button) so
that you are again in the time-setting menu and
the background scene is visible. Notice that you
once again have two modes to choose from:
"Trim” to shorten the Insert scene, or "Position”
to change its placement in the background scene.
Now click on Start and scroll forward (to about 4
seconds). You can now exit the menu.
Now you can begin with the second insert procedure. Click on the last scene in the storyboard
(last part of the background scene). Then click
in the scene bin on the second scene you wish to
insert and select "Insert" so that you are again in
the "Range" menu.
The default starting point is again the beginning
of the scene. If you do not Position it, the second
insert would then follow directly after the rst.
But this is not what you want. There should be
several seconds of background between the two
inserts. So you now click on "Position" then on
"Start" and now you move the beginning of the
insert to the right; 3 to 4 seconds is enough time.
Now exit the menu.
Five scenes can now be recognized in the storyboard in the "Edit" screen. The two inserts have
divided the background scene into the following
ve segments:
1. the background scene before the rst insert
2. the rst insert
3. the background scene between the rst and
second insert
4. the second insert
5. and nally the rest of the background scene
after the second insert.
Now you can add the third insert to the remaining
segment at the end of the storyboard. Use the procedure described above. Click on the last scene in
the storyboard, select the third insert scene in the
scene bin, then click on "Insert", and nally shift
the starting point appropriately.
The music video is now practically nished. The
draft version can be played. The background and
the insert segments alternate, and the music is
played in its entirety.
Step 3: Effects and nish
Now some transition effects will be added. This
is done the same as with the normal storyboard
created with "Add" (tutorial 1). Add some
transition or image processing effects to your
Insert scenes. Lip synchronization is not affected.
Then go to the "Finish" screen from the Main
menu and click on "Create", but only after you
have selected the type of recording out (DV
or analog). This saves you from being asked in
every menu whether you have already calculated
everything. To the left of this button you are
informed whether effects and audio in this menu
have been created or not.
Tips:
We would like to call your attention now to some
specic issues regarding transitions placed on
Insert scenes:
– Transitions reveal a part of background material
that was completely masked by the Insert. This is
used to prevent an immediate "hard" cut to the
next scene. You may want to use an insert clip to
"mask" a distorted (e.g. jittery) video segment.
But if so, consider that the insert clip should have
some extra length if you wish to use transition
effects.
– A transition between two insert scenes is not
possible, because the effects are always a transition
between background and insert.
– The duration of the effect is limited by the
duration of the insert scene.
Now your music video should be nished! It
will probably not be a candidate for "MTV", but
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you have learned the possibilities that the Insert
function offers you.
For example, you can show different camera
shots of a wedding ceremony without cutting off
the ow of the audio of the ceremony. You can
mask distorted segments, and you can achieve
picture-in-picture effects without affecting the
background audio. There are many possibilities
that you will certainly take advantage of in the
future.
4.3 Tutorial 3: Audio mixing
This exercise will acquaint you in detail with the
possibilities of audio mixing. This exercise assumes that you are already familiar with exercises 1
and 2.
The goal of this exercise is the perfect audio
mixing of a video with corrections to the original
sound, and with the addition of commentary and
background music.
Step 1: Preparations
You have already successfully made the various
connections according to section 2.3.
Now you need some video. This you can easily
create after having worked through the previous
exercises. The video should be 2 to 4 minutes
long. All effects should be calculated. One of the
most important principles of audio mixing is that
the video itself should be completely nished. Any
changes to the video material can destroy all the
work you put into audio mixing!
After completion of video and audio mixing, it is
still possible to add scenes to the beginning and
end of the storyboard, or to delete scenes. Depending on what you do you are given an appropriate
warning and you can then decide if you want to
go ahead with the action.
Insert scenes can be added without danger after
audio mixing, because they don't make any changes in timing or audio.
Step 2: Recording
In the audio section go to the Record, Edit screen.
At the above-right you can specify the input for
your audio source. You have the choice of Micro-
phone, Front, Rear, and DV.
If you connect a mono microphone keep in mind
to select the option Mono under Mode so that
you can still hear the sound in stereo.
You need some music to add to the video mentioned in step 1 (e.g. from a CD or from a music TV
channel), and you need several commentaries.
Important note: Don‘t record at maximum volume level (don‘t let the dB level indicator turn
red)! During audio mixing the volumes of the six
tracks are added together. When six maximum
signals are added overdriving may result. You can
compensate for this later by using volume reduction, but it is easier to take account of this during
initial recording.
Now record the audio segments and the commentaries. Give the segments names, as you have
already done in earlier exercises.
You will want to trim the music recording at the
beginning and the end because the starting times
of the music source (e.g. from radio) and of recording on Casablanca Prestige will almost certainly
not be exactly the same. Do this as described in
the rst tutorial.
Step 3: Placement and mixing
Afterward call up the menu "Audio mixing". Here
you will arrange and digitally mix the recorded
audio segments.
Select the rst scene in the storyboard so that it
appears in the center. Then select the third audio
track, (which is the rst music track), by clicking
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on either the musical-note symbol or directly on
the track itself. Now click on "Add", select the music piece from the audio sample list that appears,
and conrm with "OK".
In case the music piece is too long in spite of
trimming and the end of the audio track lies beyond the storyboard, simply shorten the end of the
audio scene: go back to the Record, Edit screen
and trim the music segment or trim it using the
Range function.
If you are not certain how long your storyboard
is altogether (including effects), then simply look
under "Storyboard length" in the Finish menu.
Shorten your music segment to the same length.
If the music piece is too short to ll the entire
storyboard, either select the scene in which the
music ends, or select the music directly, and then
click again on "Add". The audio recording is now
repeated starting exactly where the rst music
segment ends.
(Of course, it is also possible to replace music scenes. Simply click on the inserted music segment,
select "Remove" and add, as above, a different
piece of music.)
Now we can insert the commentaries. Click on
the second track (commentary track) to make it
active.
Now look for the scene in the storyboard where
you want to insert your commentary and put it in
the center. Click on "Add" and then select the rst
commentary sample in the audio list and conrm
with "OK". The commentary sample then appears
on the commentary track at the beginning of the
selected scene.
Now we come to the ne adjustments – to the
proper placing of the commentary sample.
At rst, play the video from the commentary
position (click the Play symbol to the left of the
storyboard scroll bar). You should see the video
and hear the commentary. You can also observe
the volume level displayed within the audio sample graphic.
Then click on "Range", select "Position", and shift
the Start point, so that the commentary begins
earlier or later. Scroll to the ideal position and
check again by replaying. When you are satised
with the commentary placement, return to the
menu Audio mix screen.
Now it is time for the rst creation! Click on the
commentary in the commentary track and then
select "Create". The system computes the audio
tracks affected by the commentary. When the
calculation is nished, replay the storyboard (Play
symbol to the left of the scroll bar).
Pay close attention to the volumes of commentary,
original sound, and background music in relation
to each other. It is highly likely that there is a
mismatch. Often the commentary is not loud
enough and is masked by the background music.
You can now match the volumes to obtain the
proper audio relationship.
At the moment the audio in the commentary
track is selected. The "Volume" slider applies to
the entire length of the highlighted audio sample.
You can set the volume lower (negative dB values)
or higher (positive dB values). After creation you
can immediately check the result. Within the
audio track you also see the volume displayed as a
2-tone-blue wave form.
It will often be necessary to lower the volume
of the background music and/or the original
audio in order to hear the commentary
sample. Here you want to correct the volume
of the "neighboring tracks" for the duration
of the highlighted sample. Click on the
commentary sample to highlight it. Then click
the "Correction" button and select the camera
symbol (representing the original audio track)
from the list. Now use the dB slider to the right
(NOT the Volume slider above) to correct the
original audio track's volume for the duration of
the commentary sample.
Next select the musical-note symbol in the "Cor-
rection" list and use the control to the right to
lower the volume by 10 dB. The music volume is
lowered by 10 dB during the commentary sample,
and and when the sample ends--so does its cor-
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rection to the other tracks. They will then return
to their original volume levels.
Use these controls until you have found your ideal
audio mix.
If you would like the volume change not to be
abrupt, but gradual so that it sounds as if you are
controlling the change by hand with an audio
mixer, click on the button "Fade" (while the commentary is active). In the following menu you see
two possible settings, Fade-in and Fade-out.
A fade-in value zero seconds means an abrupt
volume change. A value of one second means that
all volume changes take place gradually over the
course of one second. This applies to the volume
of the affected track (in this case the commentary
track) and also to its correction of all neighboring
tracks.
Set the values for both fade-in and fade-out to
one second. This achieves an smooth volume
transition. After the renewed creation you can
check the result.
The rst commentary sample is now complete.
Find the position for the second commentary and
repeat the above procedure.
After all commentaries have been mixed, you set
the volume of the original audio and the background music. Select the rst piece of background
music in the storyboard and play it. In case the
original audio cannot be heard and the background music is too loud, you can adjust the volumes using the volume control. You have already
learned earlier in this chapter how to do this.
Audio mixing is now nished. Play the entire lm
from the Finish screen. If necessary, you can make
further corrections.
With audio mixing it is even possible to remove
disturbing sounds, for example coughing on the
original source audio.
In the Record, Edit screen use the "New Sample"
button to create a "Silence" sample with a durati-
on of 1 second. In the Audio mix screen insert it
onto the fx1 track under the affected scene and
position it with Range (Position) until the point
in the scene with the disturbing sound is reached.
Click "Correction" and select the camera icon.
Then correct the orignal audio with the dB slider
to the right. Slide to the left until you reach "Muted". Then click "Create"
Now the original audio will be muted for second
and the cough will not be heard.
4.4 Tutorial 4: Titling 1
Casablanca Prestige provides high-performance
titling with which you can insert opening titles,
end credits, subtitles, etc. into your video project.
Again, you need an edited video to do this. This
can be a complete video lm project, but for this
exercise it is sufcient to have 3 or 4 scenes with a
length of about 10 seconds each.
Click on "Titling". This screen is very similar to
the "Image Processing" screen, because titling is a
similar task. A segment of the storyboard will be
modied, only in this case the modication is an
inserted text and not an effect.
As you have done when practicing image processing effects, select a scene in the storyboard for
your rst title. You can simply take the rst scene.
Step 1: Adding an Opening title
You will now insert an opening title to your video
project. This title will display the name of the
video on three xed text panels. From the Main
Menu, Click "Titling”. Once in the Titling menu,
select "Pages" and add this title effect onto the
storyboard.
Then click the "Enter/edit text" button in the
lower-left corner of the screen.
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Now you are in the actual text-entry menu. The
rst frame of the scene appears in the upperleft quarter of the screen. This screen serves as
orientation for text placement, font style, color
selection, and type size. Here you can immediately
check how your title looks over the selected scene,
because the title is automatically updated after
every adjustment.
Above the display screen you can see the selected
title type (in this case Pages) and the number of
pages (1/1).
You will see some pre-loaded text already displayed on the Titling display. Delete this text by placing the vertical bar (called cursor) after the last
word and pressing the delete key as many times as
necessary until all of the text is deleted, or click on
"Page options" and select "Delete box", so that the
panel with the default text is deleted, but another
is available for text entry.
First, select a font. Click on "Font style/size""to
bring up a selection window. The text Casablanca
II appears in the previously selected font. Select
the font Floyd for which you can then set the size.
Set the size to 150 and conrm your settings by
clicking on "OK". The selected font and type size
are displayed above-right in the menu.
The cursor over the display screen indicates the
current text position.
Use the keyboard to enter the text "Video title".
Remember, you can use the on-screen keyboard,
or the external Powerkey or USB keyboard.
You can then make additional adjustments by clicking "Color/Pattern". A screen appears in which
you can select a "Pattern", and whether the type
should appear "unicolor" or "textured". Select
"unicolor". Now you can bring up the color box
with the "Select: Color" button that can be found
further down. Use the color box to select a color
of your choice.
After you have conrmed your settings by clicking
"OK", you can add an outline by clicking on the
"Outline" button. Click on "enabled". Now under
"Select" you can specify the outline color, (for this
example: red). Conrm your settings with "OK".
Click on "Shadow" and you can set the option
"Strong" and then use the arrow to set the desired Direction (e.g. toward above-right). Click on
"Select" and you can set the desired shadow color
(e.g. black). Conrm with "OK".
The "Char/Line spaces” button brings up a submenu that allows you to designate the width of
the text characters (letters, numbers, etc.), the
space between them and the space between lines
of text. Use the sliders to make your desired adjustments.
By clicking "Line" you can set the type of text
alignment. You have the choice of left, centered,
and right. For this example it should be "cente-
red".
The "Add box” button allows you to add a new
box for text to any point on the screen. Click
"Add box” and you will see you now control a
new text box over the video frame. Align it so the
upper left corner of the box is in the position you
want, and then click on the left trackball button
and you will now be able to set the size of the box.
One more left click conrms your selection, and
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you can now enter text to the new text box.
The button "Page Options" call up a menu in
which you can specify "Move box", "Size Box",
"Delete box", and "Box background".
For the function "Box background" you have the
choice between transparent, unicolor, and textu-
red. Select "transparent". Now you must call up
the "Page options" menu again.
The selection button "Text" offers you the possi-
bility of setting the text on the page to top, cente-
red, or bottom. Select centered.
Now you can insert another page by clicking on
the ">" button at the top of the screen. You see
"2/2" displayed, which means that the second page
of a total of two pages is the one being displayed.
Enter the word "with" on this page. The settings
you have made for color, frame, position, etc. are
still valid.
Click again on the ">" button so that a third page
is inserted ("3/3") where you now insert the words
"Casablanca Prestige" as two lines.
Step 2: Archive titles
Now the text "Video title with Casablanca Prestige" is contained on the three pages of the scene.
You can save this text for future projects. Click
on "Archive" and then on "Save". A list appears
containing only the word "MacroSystem". This
demo text is a short, predened text that we have
provided you. Click on the gray rectangular name
eld (above the buttons "OK" and "Cancel"). The
keyboard appears and you can enter a name for
your title. Enter the name "exercise".
Using the archive you can save frequently used
standard text for future use in any project. Conrm the name change ("OK") and then the save
action ("OK"), after which the "Save text” menu
closes.
After you are nished, click "OK" in the Enter/edit
text screen. You are returned to the main titling
screen.
Here you can set the range, (the beginning and
end of text appearance). Click on the duration
value to the left of the Play button under the
storyboard. Currently, the title you have added is
visible during the entire scene with gradual transitions between the pages. Using the duration value
you can extend the text to other scenes or shorten
it (e.g. limit it to one second at the beginning or at
the end).
Now you can check your title by clicking on "Full
size". In the window that appears you can use
the control next to "Frame" to scroll through the
entire range of the title effect.
Finally, create the title so that you can view it in
the nished video.
Step 3: Adding credits
You can add an additional title later in the storyboard, e.g. as end credits or to explain a picture
scene.
Select in the storyboard a scene that does not
yet have a title symbol, and select the effect "V-
Scroll". This is a vertical scroll, (a text that moves
from bottom to top over the screen). You have
probably seen this frequently. Add this effect to
the scene in the storyboard.
Click on "Enter/Edit Text"; you are once again
in text-entry mode. In the screen to the aboveleft the text "Video title" appears, because that is
what you previously entered on the rst page. The
words "with Casablanca Prestige" are not displayed here, because they are not on the same page. To
see the other pages, use the ">" button above-right
to go to the next page.
The next page for a V-Scroll means that the next
page appears on the screen when the previous
page has scrolled off the screen at the top.
If you have created additional titles after "Video
title with Casablanca Prestige", then the most recently entered text appears in the window. In this
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case you must reactivate the stored text from the
text panel. Click on "Archive" and then on "Load"
and select the text "exercise" (see "Archive title").
After conrming with "OK" the text "Video title"
appears in the text window.
Change the text "Video title" to "End Credits". To
do this, move the cursor to the end of the text (after "title") and click on the left trackball button to
position the cursor there. Now press the delete key
(long arrow pointing to the left, to be found above
the new-line key) as many times as necessary to
delete the text. Then enter the text "End Credits".
Conrm your entered text with "OK". You are
now again in the main Titling menu. Now you
can use "Preview" to observe the effect.
If the text scrolls too slowly or too quickly, then
you can change the scroll speed accordingly. In
this case the text must travel the distance from
bottom to top – a longer running time means
more time for this and movement is slower.
To change the running time click again on the
duration value. Now create the title and play it.
Now that you have some experience in using
titling you can create additional titles using the
many available functions (e.g. several text panels,
different panel sizes, textured type). And the following exercise will provide you with even more
help.
(All of the remaining titling functions are explained in the reference, section 5.9.)
4.5 Tutorial 5: Titling 2
In this exercise you will create a title that extends
over ve text pages and is faded in and out.
You need a scene of about 15 seconds that has a
signicant border between the upper and lower
screen halves. (This means that the bottom half
contains the events of interest and the top half
should be a light background, such as the sky).
Enter the Titling menu, select the title effect
"In/Out Fading pages" and add it. Then click on
"Enter/Edit Text" to enter the text-entry menu.
There you see your video, but the most recently
entered text is visible. Delete this text as you learned in the previous exercise. If there are additional titled pages, delete them also by clicking on
the ">" button in the upper panel. Click "Page
Options" and then on the button "Delete Page".
Repeat this procedure until only one page is left.
Now enter the two words "You see" so that these
appear over the video. Then specify the Font/size.
Select the font "Lynn" with a size of 90.
Then select "textured" under "Color/Pattern".
The window "Select pattern" appears and you can
select, for example, the pattern "confetti" under
Product: Casablanca and Type: polychromatic.
In addition, set an "Alpha" value of 80% and close
the window by clicking on "OK".
Under "Outline" select "disabled" so that it is
deactivated, and under "Shadow" click on "disab-
led", because you don‘t use it in this exercise.
You can leave the Line setting set to "centered".
Call up the "Page Options" box and under "Text"
select the option "top".
Then add an additional page by clicking on the
">" button. (Don't carry out this step with the
button "Insert Page" because this causes the new
page to be inserted before the active page!)
Enter the words "the title effect" on the following
page; all previously made settings are automatically used.
Add another page and enter the words "In/out
fading pages" (with quote marks) as two lines.
The next inserted page contains only the word
"from", and the last (fth) page contains the text
"Casablanca Prestige" in two lines.
After you have created these ve pages, click on
"Archive" and save this titling, as you learned to
do in the previous exercise.
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Then exit the text-entry menu by clicking on
"OK". You are returned to the titling screen.
There you will see that there are further effect
options for the effect "In/Out Fading Pages".
For this title effect the options are Fade (indicates
when the title should appear)and Pause, (indicates the length of time between two pages.
Retain the default time of 1 second (000.01:00)
under Fade. For Pause, scroll all the way to the
left so that you see the time display 000.00:00.
Now create the new title.
Now you know how to use a professional titler
that you can vary in many ways and combine with
different backgrounds. The different effects can
serve you as opening titles, credits, or descriptive
text during the lm.
You can learn about additional titling functions in
the reference, section 5.9.
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Chapter 5: Reference
This part of the manual serves as a reference to
the individual menus of Casablanca Prestige.
Look here for information on individual functions or menu items you may be unsure about, as
well as additional features not explained in earlier
tutorials.
VIDEO
5.1 System settings
This menu is used to make general settings.
(1) Clicking on the "Install Product" button
displays a window that gives you two options. You
can use the "activate" function to activate software contained on the SmartMedia card. You do this
by rst selecting the desired software, after which
a window is displayed in which you then enter
(through the keyboard) the code obtained from
your dealer. The product is displayed in the corresponding selection menu and can now be used.
Software demo versions are installed by activating
the product without entering a code (see section
3.3 "Demo Software").
The "Hide" button prevents display of the product
and thus also prevents its use.
You can activate the software by telling your dealer the serial number of your Casablanca Prestige
(below left in this menu, item 5) so that you can
purchase the code for the software.
Another function in this window is the "i" button.
Clicking on this button displays additional information on the selected software (see section 3.3 "i
buttons").
(2) The "Trackball Speed" can be set here. There
are three possible speeds.
(3) The "Screen" button allows you to choose
between Video and three different VGA screen
resolutions. Video means that you can use
your TV to access the Casablanca Prestige user
interface.
The other three possibilities, (VGA 1, VGA 2, and
VGA 3), are used to connect a computer monitor
to be used as a second screen. You can read more
on this in the chapter 6 :"VGA mode". The system
is automatically restarted after being switched to
another mode.
(4) Normally the language is already set for the
English-language software version. If you already
have other English-language software (version for
Great Britain), then you have several languages to
choose from. Select the desired language and the
switch takes place immediately.
(5) This information eld displays the OS version
and the device serial number.
(6) Clicking on the menu symbol returns you to
the Main menu. Clicking the right trackball button does the same.
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5.2 Project settings
In this menu you make the settings for your
current or next project. This affects, for example,
the project name, image size, and audio quality.
(1) On the upper edge (the "Hard-drive" section)
you see the "Name" button. Clicking on the gray
name-eld brings up the keyboard with which
you can enter the desired name. You can also see
which hard drive is currently in the Casablanca
Prestige. This is otherwise not possible because
the label on the hard drive is not visible when the
hard drive has been inserted into the machine.
Below this the display, "Used Capacity" gives
information on the space used on the hard drive
(light gray), and on the total remaining time
(dark gray). A display for individual projects is
not possible because this display refers to the
entire hard drive.
(2) Clicking on the "Select" button brings up the
Select Project menu, in which you can select one
of ten different projects. After you press "OK",
the project you have selected is displayed next to
the selection button (e.g. "P 1"). If you want to
rename the project, click on "P 1" (or
"P 2", etc.). The on-screen keyboard appears so
that you can enter another project name.
Only the currently active project can be edited!
Exchanging video data between different projects
is possible using the Clipboard feature in the Edit
screen. You always have access to archived titles
and colors.
(3) Under "Image size" you have the choice
among Small, Normal, and Large. This setting
applies only when effects are applied.
We recommend using the default setting Normal.
This will usually prevent black margins from appearing when using effects.
The image size can be changed at anytime in the
current project. It takes effect only when applying
effects and titles.
For technically interested users: A video signal
conforming to the studio standard CCIR 601 enables the use of 720 samples and 576 picture lines.
The real resolution is even higher, but a video picture requires certain portions for synchronization
signals, videotext, timecodes, etc. The resolution
of 720 x 576 pixels is the maximum allowed area
for real video information.
But many video sources do not make use of this
resolution. This is true for camcorders, laserdiscs,
and even for studio devices. A much smaller
portion is often used in the assumption that most
televisions will not be able to render the entire
signal.
(4) The "Format" button provides two different
settings. In addition to the normal 4:3 format,
Casablanca Prestige offers a 16:9 mode:
The option means the 16:9 mode anamorphic
and contains 576 picture lines.
16:9 is set when starting the project.
This special mode works only if both camcorder
and TV conform to the 16:9 standard.
It might be necessary to manually switch the TV
monitor to 16:9. If the TV is not switched, then
Casablanca uses the standard display 4:3.
16:9 display is possible regardless of the format in
which the video source has been recorded.
Note: The 16:9 format is not available for NTSC
Casablanca machines.
(5) The Audio quality eld lets you choose
between the two levels DV 32 and DV 48, but you
cannot change between these two values within
a running project. You must make this selection
before you begin a project.
You should set the audio quality that you have
chosen for your camera, where
48 kHz (16 bits) = DV 48 and
32 kHz (12 bits) = DV 32.
Casablanca Prestige also records in digital audio.
For technically interested users: Audio will
require approximately 200 KB/second, but much
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more data may result when several tracks are
used.
(6) Clicking on "Delete" starts a new project after
a request for conrmation. All data (video and
audio, and all effects) within the currently active
project are deleted.
All project settings can now be reset. Project
settings are xed only after video recording or
creation has begun.
The following are not deleted:
– other edited projects
– scenes in the clipboard
– archived colors and titles
– effect modules, including those that have been
installed later
– installed fonts
– other supplementary programs
(7) The "Information" button gives information
on project name, storyboard length, scenes and
effects inserted into the storyboard, and on the
total number of existing scenes.
(8) This menu symbol returns you to the Main
menu, the same as clicking the right trackball
button.
5.3 Video settings
This screen allows you to correct the levels of the
incoming video signal (in terms of brightness,
contrast and saturation), and it is used for
selecting the video input.
These are settings that you can change at any
time when recording analog footage – even after
the project has been edited.
(1) You can specify here the brightness, contrast,
and color of the video material before recording.
This allows you to see the footage as it will be
digitized.
It is possible, of course, to use Image Processing
effects to make corrections to recorded video
material after input, but this involves rendering
time.
Note: The better the material has been recorded,
the better the result will be. Corrections after-thefact have their limits – a picture that is too dark
can never be as radiant as a picture digitized with
the correct lighting, even after using brightening
effects. Simply modify the settings until you have
attained the desired levels. When your source
material changes, e.g. when bad-weather pictures
appear, then you can simply readjust the settings.
(2) You can use "Input" to switch the video input
to CVBS (RCA) front, YC (S-video) front, CVBS
rear, YC rear, or DV. The unit will automatically
detect which I-link DV port you are using. It
is recommended that only one DV device be
connected to the Casablanca Prestige at any
time, or else errors may occur.
You can also add analog material, which is then
converted by Casablanca Prestige to DV data.
Digital and analog material can be combined in
the same project.
The DV input device is automatically recognized
and marked. After you have connected the DV
recorder, you see that the input, e.g. is titled with
"DV Sony". In this way you can determine quickly
that the connection has been made.
(3) This button allows you to move the Input
menu bar from the bottom of the screen to the
top, if needed. Click again to return to the bottom.
(4) In case you want to check your video material
and don't intend to change settings at the same
time, then you can use the button to reduce the
menu to a much smaller panel. In this reduced
menu only the buttons described under item (3)
and the button ("video settings" menu symbol) to
redisplay the entire menu are visible.
(5) Clicking on these menu symbols takes you to
the Recording menu or to the Main menu.
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5.4 Recording
This screen is used to record your video footage
from your camera or deck onto the Casablanca
Prestige .
(1) The red circle is used to start recording. During recording a click on the trackball right button
has the same effect as pressing the stop button in
the small display You can start and stop recording
to not waste drive space with unwanted video. If
you want to divide up your recorded video material, after recording proceed to the Edit screen.
You can nd more information in section "5.5
Editing" under splitting.
(2) The selection button "Mode" offers you three
possibilities. "Normal: means a normal recording.
The setting "Time" activates the "Time" slider (see
item (3)), with which you can set the recording
duration exactly. After this time, recording is automatically stopped.
The setting "Photo" is appropriate for single
pictures. Casablanca Prestige records about a
half second of material that is then extended as a
single image to the duration you have set (see (3)
"Time").
(3) The "Time" slider is activated by the modes
Time and Photo.
The Time mode allows setting the duration for
the still scene up to 100 minutes.
In Photo mode you can set the duration of the
still scene up to one minute.
You can always stop recording with the stop button, regardless of the time that has been set.
(4) When a new scene is recorded, the Casablanca
Prestige will automatically name it (S1, S2 etc.).
Its name is displayed under the record button.
Clicking on the name brings up the keyboard
which allows you to give scenes the name you
choose.
(5) This elds shows you how long the recorded
scene is.
(6) The eld Rem. shows you how much
time remains, meaning how much video can
still be recorded. This is not displayed during
recording; it is switched to a smaller display. This
amount is an estimate. The system calculates
the remaining time on the basis of the level of
detail of the material already recorded. The value
is not recalculated until the current recording
is nished. If the quality settings change, the
actual space may be slightly more or less than this
estimate.
(7) Just like the video settings, this menu is superimposed over the video. You can see the video
during recording and thus always decide whether
you want to digitize a sequence or not.
The symbol at the lower left with the two triangles
moves the panel to the upper edge. This is useful
if the panel happens to be covering important
parts of your material.
(8) If you don't need this menu during recording
(e.g. DV control) then you can minimize it with
this button to a much smaller panel. Then the
only buttons available are the buttons described
under (7) and the button to return the normal
size record menu.
(9) "DV control" is done with these ve buttons.
You can directly control the connected DV device
through the i-Link interface. Please note, however,
that not every DV device is compatible, but you
will nd that most of them are.
Seen from left to right, the buttons are used to:
stop the recorder, play, pause, rewind, and fast
forward.
Rewind and fast forward have three different
effects. Fast rewind or fast forward results if the
button is pressed while the recorder is in stop
mode. Slow rewind or slow forward results if the
button is pressed while the recorder is playing.
Clicking the button while the recorder is in
pause mode causes movement of a single frame
backward or forward.
(10) The four menu symbols bring you directly
to the Edit, Record/Edit, Video settings, and to
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the Main menu screens.
5.5 Editing
This screen is used for most of your editing
work, and for sequencing of trimmed scenes.
This is the most important menu in Casablanca
Prestige.
(1) Here you see the storyboard. This is a tool
that has been used since movies were invented. The idea is to clearly lay out all the scenes
of a production in order to more easily implement editing principles. A single frame, (the
rst pictures of a scene), are used as symbols
("thumbnails")to represent the scene.
A glimpse at the storyboard allows you to grasp
the whole story without having to review all of the
material. Traditionally, the storyboard was a large
board composed of hand-drawn pictures.
Casablanca Prestige uses an electronic
storyboard. Scenes are selected from the scene bin
(item (6)) and put into order on the storyboard,
located in the upper section of the screen. In the
storyboard the selected scene is in the center. The
selected scene length (duration) is displayed above
the scene to highlight it. Clicking on a scene in
the storyboard causes it to be moved to the center
(often referred to as the "selected" or "active"
scene).
Seven scenes can appear in the visible portion
of the storyboard. But there is no limit to the
number of scenes that may actually be present on
the storyboard. The storyboard can be scrolled to
the left or right. The starting point is to the left,
and scenes are played sequentially from left to
right.
(2) You can use the Play button to the left of the
slider to play the storyboard beginning with the
selected scene until the end of the storyboard (or
until you stop playing either by pressing the Stop
button which is now visible, or by clicking the
right trackball button.)
You also have a Pause button which you can use to
stop the playback until you press the Pause button
again (or press the Play button). The last frame
appearing before the Pause button was pressed
remains as a single picture on the monitor until
playback is resumed.
(3) To scroll through the storyboard click on the
slider below the storyboard and roll the ball on
the trackball to the right or left.
(4) The buttons next to the slider can be used to
move from one scene to the next in the storyboard one scene at a time.
(5) The buttons "|<" and ">|" move you to the
beginning or end of the storyboard.
(6) Recorded scenes appear automatically in the
Scene bin in the lower section of the screen. They
are represented as small thumbnails (the rst frame of the video scene). In video mode (not VGA)
up to eleven scenes can be viewed simultaneously
in the Scene bin. For more than eleven, the slider
(item 7) is then used to scroll to the desired scene.
Scenes from the scene bin that have been inserted
into the storyboard are indicated by a small white
point in the upper right corner of the scene.
(7) The slider below the scene bin is used to select
the scenes to be displayed. The buttons next to the
slider can also be used to move through the Scene
bin one scene at a time.
The buttons "|<" and ">|" are used to jump to the
beginning or the end of the scene bin. The "<"
and ">" buttons will move through the scene bin
one scene at a time.
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(8) The Playback button is to the left of the storyboard slider. This button is used to playback the
scene displayed in the center of the scene bin.
Stop and Pause buttons are also available.
(9) In case you have not yet renamed the scenes in
the Record screen, you again have the chance here
to give the scenes your own names. Simply select
the desired scene in the scene bin and then click
on "Rename" to bring up the on-screen keyboard.
If you have the PowerKey option, then you can
use this keyboard to clear the old name and enter
a new name.
(10) Many users require "overlapping" of certain
video sequences with other scenes without changing the original audio. Example: a music video
(see Chapter 4, Tutorial 2). A complete recording
of the singer is available. Certain portions of this
recording are to be substituted with other scenes,
but the view of the artist singing is to reappear
several times. The movement of the singer's lips
should always be synchronized with the music. This means that the original audio does not
change, even though scenes are changed.
Casablanca Prestige offers an easy way to do
this: With an Insert-edit, the selected scene in the
scene bin is overlaid onto the storyboard. Only
the video, not the audio of the scene is overlaid.
Clicking on "Insert" overlays the selected scene
in the storyboard with the selected scene from
the scene bin. The scene in the storyboard (background) is then partially or completely covered
with the insert scene (foreground). The background scene must, of course, be longer than the
foreground scene.
The range (start position, length) can be set freely
and changed at any time, even after the Insert is
placed. Every click on "Insert" leads automatically
to a Range menu.
In the Trim mode, you can adjust the Trim points
of the Insert scene.
Switch the mode to "Position”, and the starting
point, (preset to the rst frame of the insert), can
be moved throughout the background scene by
clicking the "Start" button. When you return to
the Edit screen, you will see that this causes the
"background scene" (the storyboard scene) to be
divided into a maximum of three parts:
1. the background scene before the insert
2. the Insert scene
3. the rest of the background scene after the insert
This division allows you to place any number of
insert sequences onto a single background scene.
Inserts are indicated in the storyboard by a symbol (two overlapping rectangles) in the upper
part of the scene in the storyboard and can be
Removed at any time. Overlapped background
sequences are automatically put back together.
(11) The "Range" button serves to modify
inserted scenes. These scenes can either be shifted
(Set the mode to "Position”, and then click
"Start”.) The Insert scene can also be re-trimmed
at the beginning or at the end (using the "IN/
OUT" buttons in Trim mode).
If the selected scene in the storyboard is not an
insert scene, then this button has no effect. For
Insert scenes the user is brought to the usual
Range menu. Here also you can display and
hide the audio wave form with the loudspeaker
symbols (section 3.3).
(12) Scenes are added to the storyboard from the
scene bin. The selected scene in the scene bin is
added to the storyboard by clicking the "Add"
button.
The added scene always appears after the currently selected scene in the storyboard.
There is one exception. When the very rst scene
is the current scene in the storyboard, the user
is asked by the system whether the scene to add
should be put In front or Behind the rst scene.
If you add the scene before the rst scene then
you will be asked – if there is audio on a music
track – whether the music track should be shifted
backward. Answering Yes causes all audio tracks
to be shifted, No causes the music tracks 1 and
2 (thus the sound tracks 3 and 4) to stay at their
time position, and this causes them to slip under
another previous scene.
When the scene has been inserted, the original in
the scene bin can be deleted or trimmed without
affecting the storyboard scene.
(13) The function "Remove" deletes the scene
located in the center of the storyboard from the
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storyboard. An "Insert" scene can also deleted,
and this uncovers the background. If you have
already created audio and the scene to be deleted
is affected, then you will receive a warning
message telling you that an audio sample will be
deleted.
(14) Clicking on "Replace" causes the selected
scene in the center of the storyboard to be
replaced by the active scene in the scene bin.
This can be a completely different scene, or the
same scene with different In and Out points.
(15) The "Search" button makes it possible
to nd the same scene in the scene bin that is
currently selected in the storyboard (assuming
it has not been deleted or renamed). After
clicking on "Search" the scene in the scene bin
is activated and can, for example, be trimmed
or split. (This cannot be done to a scene in the
storyboard). Finally, the scene in the storyboard
can be replaced with the newly trimmed scene.
If you have deleted the scene from the scene bin,
then after you click on "Search" the message "The
scene was not found. Should it be re-created?"
appears. If you then click on "Yes" and the scene
will again appear in the scene bin. This function
can be activated at any time, even after restart,
after which a deleted scene cannot normally be
re-created.
(16) "New" creates a scene whose duration
("Length") can be set up to 1 minute and whose
contents can be set from a selection list.
This is very interesting for leaders and trailers
(black video), but also for certain crossfade effects.
Clicking on this button causes a list of various
options to appear. The following new scenes are
available in the standard version:
e) Schwarz
Further effects are available on additional SmartMedia cards that you can obtain either as full or
demo versions from your dealer.
You can select a new scene simply by clicking on it
or by activating the slider control.
a) Countdown
This new scene creates a countdown, the duration of which you can set. A countdown number
is shown each second. You can also specify the
numbers and background color with the help of
the color box.
b) Color bars
This scene creates a striped test image according
to the standard IRE 100 (for PAL) or IRE 92.5 (for
NTSC) with changeable duration. In professional
usage, it is normal to have a colorbar test image
several seconds before each video project.
c) Color
This option creates a one-color scene that is
mainly used as background for titling. Selecting
the option "Color" opens the color box so that
you may select the color.
d) Pattern
After you select this button, you see the "Select
pattern" button to the right. Click on this button
to open a screen in which you can select a pattern
from the Image Pool. More information on this
image pool can be found in section 3.3 of this
manual.
e) Black
This mode creates black video that can be used
as background for titles or combined with the
transition effect Crossfade for fading into and out
of a video.
Below the selection list you nd the "Preview"
button. This allows you to view a moving video
preview.
Clicking on the button "Full size" brings up another menu that again displays the effect options in
the area to the right.
In the left area you see the "Frame" slider under
the effect name. With this slider you can set the
point in time in the new scene you wish to see.
With "OK" the settings for the effect options in
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this menu are accepted and you are returned to
the "New scene" window. With "Cancel" you exit
the "Single image" menu without having made
any changes.
The arrow button serves to move the singleimage menu to the upper screen edge.
You also have the option to reduce the panel with
the button located above it.
To the right of the preview buttons is the scene
duration, which you can set for up to 1 minute.
Clicking on "OK" returns you to the Edit menu.
The new scene, (named after the effect chosen), is
now available in the Scene bin.
(17) In the "Special" menu you nd various special effects and all image processing effects.
Listing of all Image Processing effects under this
item has a special reason: multi-layering.
If you want to edit a scene with several Image
Processing effects then you must rst activate the
scene in the scene bin. Then select the Image Processing effect from the list in the "Special" menu,
(not in the Image Processing effects screen). The
Image Processing effects listed in the "Special”
menu are not applied to a scene in the storyboard,
instead a copy is made of the active scene in the
scene bin. The copy incorporates the effect, and its
name is supplemented with SP, SP 2, etc. You can
repeat this procedure at will.
(see also section 5.8 Image Processing effects,
item (10))
Some of the special effects (the ones listed in the
upper part of the list—above the line) are only
available here. These include: Backwards, Clip-
board, Copy, Jitter, Quick motion, Scene -->
audio Sample, Slow motion, and Still Scene.
These effects do not appear in the Image Processing screen.
Here, too, several effects have a "Full Size" preview
option. To the right you nd the effect options,
to the left you see the "Frame" button under the
effect name. You use this button to set the exact
frame of the scene you want to view.
The button "View" provides three options. With
"Original" you can view your original scene,
with "Effect" you can view your scene with the
special effect applied, and "Orig. + Effect" puts
the original scene on the left screen half and the
applied effect on the right half, so that you can
directly compare them.
You accept the settings you have made for the
effect options by clicking "OK" and you are
returned to the Special screen. Clicking "Cancel"
returns you from the full-size menu, but without
accepting any new settings you may have made.
The arrow buttons serve to move the single-
image menu to the upper screen edge.
– Backwards
Clicking on the button "Backwards" creates a
scene with the extension "RW" which has the
same length as the original, but runs backwards.
The audio is also run backward. You can mute the
audio in the "Audio Mix" screen if you don't want
to hear it.
– Clipboard
This is a function for temporary storage that
allows you to move scenes to tother projects. If
you click here, you see on the right of the window
the three buttons: "Clipboard -> Project",
"Scene -> Clipboard", and "Remove scene".
If you click on "Scene -> Clipboard", the
scene previously selected in the scene bin is
automatically inserted onto the clipboard.
If there is no active scene in the scene bin, the
message "No active scene!" is displayed.
If you want to load a scene from the clipboard,
then rst select the scene in the scene bin after
which the retrieved scene should be positioned.
Then click on "Special", then on "Clipboard" and
select "Clipboard -> Project". The "Get scene
from clipboard" menu is opened. There you can
select the desired scene, and exit the Special menu
(with "OK" or "Cancel"). You then see the inserted
Clipboard scene in the scene bin. The scene might
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have a new number if the scene or scene name is
already present in the scene bin.
If you click (in the clipboard) on the function
"Remove scene", the "Remove scene from
clipboard" menu is opened and you can select the
scene to be deleted from the clipboard. You only
have to click on "OK" and the scene is deleted.
Note: If you click on "Remove scene" you see
that in the window displayed the "OK" button is
disabled (appears in dark gray) and thus cannot
be clicked. This is a safety measure so that you
don't accidentally delete a scene. If you really want
to delete a scene, then click twice on the scene to
be deleted (even if it appears in gray) and then
click on the "OK" button that is now enabled.
The clipboard serves principally to store video
scenes temporarily in order to use then in other
projects. The clipboard can be accessed from any
project.
If you switch projects and use new project
settings, then the scenes already contained in the
clipboard are marked with an asterisk and may
not be usable. If you select one of these scenes in
order to insert it into the scene bin, the "These
scene properties do not conform to project
settings!" message appears.
Note: The scenes contained in the clipboard
are deleted when you turn off your Casablanca
Prestige.
– Copy
A scene can be copied as often as desired within
the "Edit" menu without requiring additional
space on the hard drive. Copying also requires no
time.
You can simply select one of the scenes by clicking
on it. The outline of this scene changes to blue.
Clicking on "Copy" creates a copy immediately.
The reason for copying is so that you can trim a
copy independently of the original.
For example, you can use several seconds of a long
take in the leader and then insert the complete
scene later at a different point in the storyboard.
Casablanca Prestige frequently creates copies automatically, (for example when splitting, inserting
into the storyboard, and when creating a special
effect (e.g. "slow motion").
The "Copy" button is therefore meant only for the
purpose described above.
The copy appears in the scene bin and receives the
name of the original scene extended with ".K", for
example "vacation.K".
– Jitter
Have no fear – Casablanca Prestige processes
your best and most detailed material without jitter. But sometimes a jitter or stroboscope effect is
desired to attain a change of pace or to give your
video an artistic note.
Simply pick a scene, select "Special", click on "Jit-
ter", then set the Still time
(still time 000.00:04 = one image remains as it is
for a length of time corresponding to four frames), and in Type" select between "Half frame"
and "Full frame". Now you have created a stroboscopic scene that has an extension "RU". The
option "Full Frame" has an improved picture
quality and is recommended for scenes with little
motion. For scenes with considerable motion the
option "Half Frame" is recommended.
Audio is not affected by Jitter and remains syn-
chronized.
A preview of this effect is not possible. If you click
on the "Preview" button, a white, crossed-out
circle appears.
– Quick motion
"Quick motion" works principally the same way
as slow motion, but creates a new scene that runs
faster than the original. Here you can specify a
speed-up factor between 2 and 10. Uneven values
are recommended in order to obtain full resolution. The new scene has the sufx "ZR". You calculate the length by dividing the time of the original
scene by the specied speed-up factor.
Here, too, a preview of this effect is not possible. If you click on the "Preview" button a white,
crossed-out circle appears indicating that preview
is not possible.
– Scene --> Sample
This function copies the original audio of the active scene contained in the scene bin to the audio
sample list of the audio menu. The new audio
sample is named the same as the video scene it
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was created from. In this way you can use the audio of one scene for other scenes. If you click on
the "Preview" button a white, crossed-out circle
appears meaning that preview is not possible.
– Slow motion
"Slow motion" creates a scene that is a copy of the
original but which runs more slowly. You can specify the delay factor with a slider. The higher the
delay factor, the slower the scene. A value of 2 (the
smallest possible value) creates a scene that runs
at only half the speed of the original. If the original scene was, for example, 4 seconds long, then
the scene in slow motion is 8 seconds long. To
calculate the length of what the new scene will be,
multiply the scene length with the delay factor).
The nished scene with the extension "ZL", can
be trimmed like any other scene and placed in the
storyboard. Effects can also be applied if needed.
Casablanca Prestige plays the scene more slowly
than the normal frame rate. Movement can be
jumpy. The extreme slow motion known from
sports transmissions is only possible with the use
of expensive special cameras that can lm at a
much higher frame rate per second.
A preview of this effect is not possible. If you click
on the "Preview" button a white, crossed-out circle appears indicating that preview is not possible.
– Still Scene
Frequently a still scene is required in a video. For
example, when introducing "actors". Casablanca
Prestige can quickly create such stills.
The selected scene in the Scene Bin is simply
frozen at its rst frame for the Length of time set
(up to 1 minute), using the slider to the right. Any
remaining part of the scene after the rst frame is
not used to create the still image.
If you want to have a specic still image that is not
the rst frame in the scene, then simply copy the
scene and trim it down to where the rst frame is
the desired one, then apply the Still Scene function. The created scene has the extension "SC".
Under Type you have the choice between Half
Frame and Full Frame, whereby Full Frame has
a better quality and is recommended for scenes
without too much motion. There is no audio for
still images.
The remaining effects in the Special menu are the
same as the Image Processing effects (The indivi-
dual Image Processing effects are explained in
chapter 5.8).
(18) In general, you will record scenes that have
more than one camera setting (take). These scenes
must usually be split up in order to make the video you intend. You can skip this step only if you
want to keep the complete footage as is without
transition effects.
Clicking on the "Split" button brings you to the
Split menu:
Splitting can be compared to cutting a roll of lm.
The lm is still on the roll. A segment of lm, (the
rst take in the scene selected in the scene bin), is
pulled out of the roll. This happens by clicking on
"Split position".
The trackball can be used to scroll through the
entire scene. Select the last frame of the rst take
and click on the left trackball button. Check
(and correct if necessary) with the arrow buttons
("<,>")that you have hit the exact split points.
The audio wave form (section 3.3) can help you.
You can turn if on and off with the loudspeaker
symbol. Audio "scrubbing" can help you with
splitting by allowing you to make splits according
to specic moments in the audio.
Now you have isolated the rst take. The segment
is highlighted in light blue. You can playback the
segment (and rename it, if desired). You must
now decide whether the segment is valuable
or can be deleted. Clicking on "Use" causes the
segment to be "cut" and placed into the scene bin,
where you can access it later. "Drop" skips the
segment and moves on to set the next the split
position in the scene.
Casablanca Prestige does not delete any video
material during this procedure. The individual
scenes are only copied ("Use") or not copied
("Drop"). The original scene with all takes
(the "lm roll") remains unchanged until it is
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intentionally deleted in the Edit menu.
After clicking on "Use" or "Drop" you continue to
work with the rest of the roll. Another strip must
be taken out and judged either as good ("Use")
or bad ("Drop"). The last scene is automatically
displayed as ".Rest" in the scene bin. This enables
you to easily interrupt your work and to continue
later with the ".Rest".
An additional function is splitting a scene in series
through the "Index" button. Click (in the splitting
menu) on the Play button so that you see the
"Index" button. While the video is running with
audio, each time you click on the "Index" button
a split position is set. Afterward the split segments
are positioned after the original scene in the scene
bin. This function serves to roughly split up a
scene before you begin with nal editing.
You also have the option to have splitting done
automatically. Click on the "Auto" button to cause
your footage to be automatically split. The video
scene that you have lmed most recently is split
up very quickly according to shot changes. (If there are no camera changes, no splits will be made.)
(19) Scenes must generally be trimmed before
they are suitable for production. Jittery and
blurred images can be removed down to the last
unsuitable frame.
Clicking on "Trim" brings up the trim menu.
Here you can do ne editing for each scene. You
can set the scene's In point (start, rst image) and
Out point (end, last image) anywhere you want.
This is similar to an analog cutting board, but
without any waiting time.
Clicking on "IN" displays a much smaller strip
that enables you to scroll through the scene and
set the new In point. The blue area shows how
much of the scene is still active, the gray area to
the left shows the "trimmed away" part.
The time display to the right of the blue bar shows
the length of the scene. Once you have found the
correct starting image, conrm by clicking on the
left button and the "Trim" menu appears again.
You proceed in the same manner with the Out
point. You can carry out ne editing by using the
arrow keys (below the "IN" and "OUT" buttons)
to step through the individual frames one at a
time. You can play the trimmed scene to check it
by clicking on the Play symbol (all the way to the
right).
You can display the audio wave form and use
audio scrubbing (section 3.3).
This procedure simplies the creation of clean
splits.
With the two buttons next to the time displays for
the start and end images you can play the rst and
last 3 seconds of the scene.
Note that segments of a scene removed by trimming can be reinstated at any time by repeated
trimming.
To the right and below you can directly activate the Edit screen and the Main menu with the
menu symbols.
(20) You can delete a scene at any time. Clicking
on the "Delete" button deletes the currently selected scene in the scene bin.
(21) In case you want to retrieve deleted scenes,
you can use the UnDo button (curved arrow)
to be found to the right of the "Delete" button.
With the UnDo button you can retrieve the last
ten most recently deleted scenes. Deleted scenes
are lost permanently when the system is restarted,
when switching between two projects, and when
there is no more space for recording (video or
audio).
This button can be used to reinstate scenes that
you deleted in the scene bin and now have removed from the storyboard.
Tip: You can use the "Delete" and UnDo func-
tions to easily sort scenes in the scene bin. Delete
the active scene, activate another scene, and then
click on UnDo. The scene removed from the scene
bin is now reinserted just after the activated scene.
(22) To the right below you see six menu symbols
for the following menus: Recording, Transition
effects, Image Processing effects, Titling, Audio
mix, and Main menu.
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5.6 Finish
In the Finish menu a completely nished project
is recorded out to a DV or video recorder, or
burned onto a DVD. You can nish creating all
video and audio.
(1) The counter at the upper right displays the
length of the storyboard, which is the total length
of your video project. The total length includes
not only the scenes you have taken from the scene
bin but also all additions such as color scenes,
black intro scenes, etc. You now know how much
storage capacity you will need for your output
media (VHS, DV, etc.).
(2) This eld indicates whether the effects and audio samples are "Created" or still "Unrendered".
Even if all effects except one have been calculated,
the display will show "Unrendered". If all effects
have been created, this button will be inactive.
(3) It is often easier to let all effects and audio mixing be created overnight or during work breaks.
You can use the "Create" button to carry out
pending calculations in order automatically. (This
is commonly referred to as Batch-Rendering.)
A display tells you which effect of the total is
currently being created and the light-blue progress bar shows the progress of the entire creation
process. Please note that this is an approximation
because the calculation times for different effects
may be different. Some effects (e.g. the 3D effects) need more calculation time for every frame
and this may lead to a certain imprecision in the
remaining time displayed.
Tip: If you turn off the machine while creation of
an effect is in progress, the calculation will be nished before the machine actually powers down.
(4) Clicking on the "Choose Range" button brings
up a menu in which you can specify a segment of
the storyboard (using the "IN" and "OUT" buttons and the arrow buttons) to be recorded out.
Here you can also use the wave form (section 3.3)
to help you in deciding on the segment.
(5) The Record to VCR function serves to record
your video project out to another device.
If you want to record your material on a VCR,
then select Analog and then click on the Play
button next to it. A message appears telling you to
switch your VCR to record mode.
After you have done that you click on "Ok". Your
video plays and is recorded out to the VCR.
If you want to record your material to DV, select
the option "DV" and use the DV Controls (6).
(6) If you would like to control your DV device
(camera, deck, etc.) from your Casablanca
Prestige, click on the button "DV Recorder
Controls". You can control your DV device using
the control panel now displayed.
When you are ready click the "Record to
VCR" button located below the control to start
recording of your footage on DV tape. This
process is not shown on the monitor.
We recommend putting a few seconds of empty
scene at the beginning of the storyboard. The recorder can then begin recording while the empty
scene is being played. This is also recommended
for the end of the storyboard – this avoids accidental recording the Casablanca Prestige user
interface.
The record-out function works only when all
effects and audio tracks have been completely
created (also read item (3): "Create").
(7) In the bottom area of the Finish screen you
see a window with a selection list in which the
program DVD Arabesk is listed.
(8) After you have created the complete video
project, you can click on the "Launch program"
button in the area to the right in order to run
DVD Arabesk. You will now see the DVD menu,
which is divided into two parts. The upper part is
for creating DVD projects, the lower part is used
to write to the DVD.
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(9) In the upper line you see the project name
that is later also used in the DVD menu. If you are
not satised with the name, exit the DVD Arabesk
menu, change the project name in Project Settings, and come back to the DVD menu.
(10) In the second line you can specify the
project's Image quality after transformation to
the DVD standard.
Three levels are available: Normal, High, and Ma-
ximum. Picture quality is determined by the data
transfer rate (compression factor). The higher the
picture quality, the more storage space is required.
High or maximum quality cause the DVD to ll
up faster than at normal quality.
The Normal quality corresponds to the quality
generally available on commercial DVDs.
The High picture quality corresponds to the minimal requirements for a playback device according to the DVD standard – this video should be
just as playable as with normal quality.
The Maximum quality level takes advantage of
everything the DVD standard has to offer. Not all
DVD players conform to this level. If your video
is jittery or even causes error messages, then this
could be the reason.
(11) The next thing to do is to set the audio quality with the "Audiomode" button.
Two levels are available, "uncompressed" and
"compressed". Compressed audio requires only a
fraction of the storage capacity, but sacrices a bit
of quality.
It is recommended to use uncompressed audio
when creating a music video.
Note for the technically interested: Uncompressed
audio is 16 bit PCM audio at 48 kHz. Compressed
audio is in MPEG format.
(12) This eld displays the Size requirements for
this project. The value is dependent on the quality
levels explained above and on the length of the
project.
If there is enough space on the DVD for the project with its given settings, the display will be less
than %100.
If the project will not t, the display will read
more than %100. In this case you must reduce
the storage requirements for the project by reducing video and/or audio quality, and/or you must
remove one or more projects.
(13) Here you can divide your project into chapters. The chapters can be directly accessed when
playing the DVD (usually via remote), which is a
great help, especially for long projects. Selecting
the "Edit Chapters" button opens a window in
which the individual scenes of storyboard are
displayed.
You see that the scenes are displayed, for example,
as:
Chapter 1 000.05:00 S1
A chapter must always be at the beginning of a
scene. Scroll through scenes listed in this window
and decide for which scenes a new chapter should
begin. Select the line with the desired scene and
click on the button "Start Chapter".
Numbering is done automatically by the system,
so in the example "Chapter 1" would be renamed
to "Chapter 2".
(Clicking on the button "Undo Chapter" causes
the selected chapter to be canceled).
A further menu function is the specication of
the reference scene. The rst frame of this scene
will later represent the project in the DVD menu.
You should pick it carefully!
Click on the button "Ref. picture" and the selected
scene is taken as reference scene. It is labeled with
an asterisk in the line.
(14) After these settings are made you can now
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click "Add Project".
A click on this button causes the conversion procedure to be carried out. The project is converted
and stored on the reserved section of the hard
drive.
The conversion procedure is what determines in
the end the picture quality of the nished DVD.
This process is speeded up considerably with the
help of a special hardware component. Because
of this, we have decided to offer you the highest
possible quality. The progress of the conversion is
shown by a progress bar and may, because of the
high quality, take some time.
Any pending creations are automatically carried
out before the project is added.
After you have created the project it appears in the
list in the lower function block.
(15) The button next to "DVD Name" can be
clicked to bring up the keyboard so that you can
enter a name of your choice.
(16) In this small window you are shown the
number of projects added (up to six), the total
running time, and the space used on the hard
drive (in percent).
(17) With a click on "Title Info" a screen appears
in which you can change the project title name. In
addition, you are shown the project runtime, its
picture quality, and its audio quality.
Six projects altogether can be written to a DVD.
The projects are allowed to have different settings.
(18) A click on "Remove Title" causes a conrma-
tion warning to be displayed. Clicking there on
"Ok" causes the selected title to be deleted.
(19) The background for the DVD menu can
now be set. The background can be monochrome
or colored. You can also use one of the supplied
pictures. Click on "Title-menu Background" so
that the image pool (with which you are already
familiar) appears (section 3.3) and you can select
a picture by clicking (in sequence) on the "Pro-
duct", "DVD Arabesk", "Type", "Pictures"buttons.
Patterns and pictures from supplemental programs you have paid for can also be used if the
programs are installed.
(20) Click on the button "Menu-Preview" and
you are in the menu that shows you the reference
pictures of the individual projects on the background you have selected.
(21) After you have completed all the previous
steps and have opened the DVD door of the
Casablanca Prestige, select the button "Write
DVD".
The DVD drawer will open. Insert a DVD-R or
DVD-RW so the system can begin writing.
A progress bar informs you of the progress.
Note: very short videos may require a
disproportionately long time because about 20%
of the storage space is written even when less
data is to be written. The writing time takes a
minimum 20 minutes in length.
The DVD writer's read/write light is lit during
writing. It can happen that Casablanca Prestige is
nished (the write window is closed) but the red
light is still lit. In this case wait unit the light has
gone out before removing the disc! Otherwise
the disc can be damaged.
When Casablanca Prestige has nished writing
and the read/write light has gone out , you can
remove the DVD and try playing it in a playback
device. Most new DVD players accept DVD-R
media.
(22) With DVD Arabesk you can make copies
from non-copy-protected DVDs.
Note: Some commercial DVDs are not copyprotected, even though the manufacturer
expressly prohibits copying. DVD Arabesk cannot
tell the difference between such a DVD and a
DVD that you have burned yourself. Technically
speaking, the DVD can be copied. But this may be
illegal! We accept no liability in such cases. When
in doubt, ask the manufacturer of the DVD!
To copy, the source DVD is copied to the DVD
hard-drive space and from there written to a DVD
R or RW. The result is a 100% copy without loss.
This function enables you to copy your own
DVDs, if you need further copies after deleting
the project from the hard drive. Changes are then
no longer possible. The copies made are 1:1.
Reading in a DVD requires reserved space on the
hard drive’s DVD partition. Any projects in this
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space must be deleted beforehand.
Copying takes into account all menus, chapter
information, etc. These setting don't have to be
repeated.
If you haven't deleted all existing data, then a
message appears after you click on "Read DVD".
If you conrm with "Ok", the project data will be
deleted after you have inserted the DVD.
Once you have read in a DVD, you can create as
many copies using DVD-R or RW as you wish.
(23) You also have the possibility of deleting a
DVD RW. Click on the button "Erase DVD". The
DVD drawer opens and you can insert a written
DVD-RW. After closing the drawer the DVD is
erased.
Note: With DVD Arabesk you can write both
DVD-R and DVD-RW media.
DVD-R media can only be written once and cannot be erased. Their advantage is that they work
without problems in most DVD players. DVDRWs, on the other hand, can be erased and rewritten, but they are more expensive and do not work
with all DVD players. A DVD-R can be written
twice as fast as a DVD-RW.
(24) With a click on the menu symbol in the
lower-right corner of the Finish menu you return
to the Main menu.
5.7 Transition effects
When your project has been completely arranged in the Edit screen, and you are pleased
with the results (but with hard cuts between the
scenes), then you can apply transition effects.
Transition effects are transformations from one
scene to the next. In traditional lm editing these transitions are known as A/B roll cuts.
You can carry out crossfades, wipe fades, and
color fades, but also trick transitions only possible in digital systems. The transition effects are
always inserted between two scenes in the storyboard. Some complex transition effects must
be created, but many are "real-time". Creation
can be time-consuming, depending on the effect
desired. For this reason it is possible to preview the effect in a small window. You can then
"batch-render" in the Finish menu (see 5.6, item
(3): "Create Storyboard").
(1) The "Transitions" screen shown above dis-
plays the storyboard you are already familiar with.
But here, two scenes instead of one are displayed
in the center.
You thus see two time displays in the upper panel.
You can now move the scenes meant for the transition to the middle.
A further difference is the Play button which in
this menu only plays the effect with 1 second
before and after, and not the entire storyboard. If
you have not already inserted an effect, clicking
on this button plays the last second of the rst
scene and the rst second of the second scene.
This enables you to view hard cuts even between
very long scenes.
The slider and the arrow buttons are used in the
same way as in the Edit menu.
(2) You can choose the desired transition effect in
the effect list by selecting directly or using the slider. Some of the effect symbols are marked in the
list with a blue ag in the upper-left corner. This
means that the effect is a real-time effect, which
normally does not have to be calculated. A red ag
identies a demo effect, (real-time or not), that
must be calculated and is played with a superimposed "demo" text. To purchase and unlock an
effect, contact your Casablanca Dealer.
(3) After you have selected an effect that has
further options, the effect options are displayed
in the eld to the right of the effect list. There you
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can, for example, dene colors and effect directions, and other parameters specic to the individual effects.
(4) You use the "Add" button to apply the selected
and dened effect between the scenes in the storyboard middle. The effect symbol then appears
between the two scenes with a blue (real-time) or
a red ag (must be created). The effect duration
corresponds to the duration that was last used.
This enables you to insert many effects with the
same duration between different scenes.
If you select an new transition effect although there already is one between the two scenes, then the
new effect replaces the old, without you having to
click again on "Add".
(5) A click on the "Remove" button removes the
added effect from the storyboard. If you would
like to replace the current effect with another,
then you can simply select the new effect and it
automatically replaces the current effect in the
storyboard. In this case you don't have to click on
the "Remove" button.
(6) With this button you can set the duration of
the effect.
This button is enabled after you have inserted
an effect between two scenes. The duration then
shown is 1 second (assuming that neither of the
two scenes lasts less than 1 second). Clicking on
this button displays a window in which you use a
slider to set the time exactly. Also provided are the
durations 1/2 sec, 1 sec and 2 sec, which you can
click directly, or use the slider to set the duration
to its maximum limit - the length of the shorter
of the 2 scenes used.
An effect between two normal scenes shortens the
total storyboard length by the running time of the
transition effect. An effect between a normal scene
(background) and an Insert scene (foreground)
does not shorten the length of the storyboard.
Transition effects may not overlap. For example,
if a scene is 5 seconds long then the total duration
of the two effects connecting this scene with the
previous scene and next scene cannot be longer
than 5 seconds. For effects where an insert scene
is present, the duration of the insert scene is the
maximum limit.
Audio is automatically cross-faded. This means
that the audio of the previous scene becomes
quieter and the audio of the next scene becomes
louder. If a scene's audio is too quiet or too
loud, then you should correct the volume when
dubbing (audio mix).
If an insert scene is involved with the effect, the
audio is not changed because Inserts do not affect
the original audio of the background scene.
(7) The "Preview" button can only be clicked
when the inserted effect is an effect that must
be created (indicated with red outline). A screen
opens in which the last second of the rst scene,
the effect, and the rst second of the following
scene are displayed, so that you can view the
transition and perhaps make further corrections
(concerning color, direction, time, etc.), before
you nally create the transition effect.
The duration of the preview is approximately that
of the nal version. The preview may be a little
"jittery" because it does not work at the normal
frame rate. This will not occur in the created
effect. For complex effects a certain wait time even
for preview may be necessary.
A preview does not require any hard-drive space.
(8) After you have added a transition effect and
perhaps dened its duration, you can click on
the "Full Size" button and bring up a further
preview menu. There you see the middle frame
of the transition effect. The video image is
superimposed by an operating panel in which
you can see the effect options (if available) on the
right side.
On the left side you see the button "Frame" below
the effect name. You can use this button to specify
the point in time of the transition effect you want
to see.
In this way you can observe the applied effect at
any point in time of the scene. The button does
not have to be conrmed – you can scroll slowly
through this part of the scene and view it at the
same time.
You can also change the effect options to directly
compare different colors or directions.
The settings made in this menu are conrmed
with "OK" and you are returned to the Edit menu.
With "Cancel" you leave the "Full Size" menu
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without saving any changes.
The arrow button serves to move the menu bar to
the upper screen edge.
(9) If the inserted effect shows a symbol outlined
in red, then it must be created. When you click
on the "Create" button a screen appears in which
the course of the effect can be seen as it is created.
After the creation is completed the symbol's
outline is blue.
Sometimes real-time effects are outlined in red
and must be created. The reason for this is the
"dual stream technology" of the MPEG-2 decoder
used by Casablanca Prestige. This means that
effects that overlap, are near to each other in
time, or are used with inserts, might have to be
calculated.
(10) You can use the multi-layering technique
with Casablanca Prestige. If you want to overlap several transition effects, you at rst add one
effect between two scenes and create it. Then you
create a single scene from the two scenes and the
inserted effect. To do this you click on the "Scene"
button so that a window appears in which you can
select the range for the new scene. The name of
the used transition effect appears next to "Name"
and is given as default name for the new scene. If
desired, you can enter another name by clicking
and using the keyboard that appears.
You also see the three options "Effect", "Effect +
scene(s)", and "Range". If you only want to convert the effect with the previously set range into
a new scene, then click on "Effect" and then on
"OK". This causes the effect to be converted into a
scene and to be put into the scene bin of the Edit
menu.
You can also let the length of the new scene extend beyond the range of the two previous scenes
(with inserted effect). In this case click on "Effect
+ scene(s)" and then on "OK". This causes the
scene to be created and to appear in the scene bin.
Alternatively, you can create the scene from the
entire length of or from a portion of the storyboard. Click on "Range" and conrm with "OK".
Use the IN and OUT points (in the now familiar
Range menu) to select the range of the new scene.
The wave form can help you to do this (section
3.3). The wave form can be displayed/hidden with
the loudspeaker symbol.
Then click on "OK" in the Range menu and the
scene is created and stored in the Edit menu.
Of course, you can also create a separate scene
from a portion of the storyboard in which there
is no effect. Simply select a point in the storyboard and click on "Scene". In the window that
is displayed only the function "Range" is enabled.
Specify a range and click on "OK". Then you can
view the new scene in the Edit menu.
(11) Clicking on the menu symbols brings you
directly to the Edit, Image Processing effects,
Titling, and to the Main menu screens.
Keep in mind: If you change a setting for an effect
that has already been created, change the duration, or even replace the effect with another, the
effect must then be created again. Be careful!
The transition effects in detail
The following transition effects belong to the
basic package on the SmartMedia card:
1. 3D Mosaic: The rst scene is divided into
small squares, the number of which you can set
in the effect options under "Number of Squares"
(between 1 and 15). The squares "y" out of the
picture and reveal the second scene.
2. 3D Stripes: The second scene is pushed into the
picture in the "Direction" you choose (from top
to bottom, or from bottom to top) with from 2 to
30 stripes ("Number of stripes").
3. Bars: The new picture either pushes ("Type"
"Push") the old with from 2 to 200 "Bars" out of
view or superimposes itself ("Type" "Inset"). Under "Direction" you have a choice of six. Two are
interlocked (come from two sides). Recommended duration: 0.5 to 2 seconds.
4. Blue box: With this effect you can remove
undesirable elements from a foreground scene
and place the remaining motif on another background. (This is also commonly called a "chromakey" effect) You are probably familiar with this
effect, it is used by weather forecasters on televisi-
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on. The speaker actually stands in front of a blue
wall and is projected onto the weather map.
The background scene can be any motif. The foreground scene, located in the storyboard directly
after the background scene, should show an object
(thing or person) in front of a single-colored
(blue is very suitable) background. You can choose any color, but avoid using pale colors, black, or
white.
With "Color Choice" you can set the largest
possible box that denes the color range of the
foreground scene to be masked.
In case the (blue) surface of the foreground scene
(because of illumination) is not completely single-colored, then you can use "Color span" to set
the range in percent that the color may deviate
from the selected box ("Color choice").
If you click "Include area", the foreground scene
appears, but with the help of a box you select here
the portion of the background scene to be used
for this effect. If you want to see your object in
front of the entire background, set the box to be
as large as possible.
The "Exclude Area" button species the portion
of the background that should remain in a single
color. If you don't want to use this portion in your
video material, then make the box smaller and
move it out of the picture.
Keep in mind before calculating to adjust the
running time of the effect to the duration of both
scenes by using the button "x s". Ideally, both scenes will be the same length.
5. Circle wipe: This real-time effect changes from
one scene to another with a circle containing
a scene and which becomes steadily larger or
smaller. The direction can be chosen with "Mode".
"In" means that the second scene overlays the rst
scene with a circle that begins in the center of the
screen and grows outward until only the second
scene is visible.
With "Out" the rst scene is in a circle covering
the screen but which then becomes steadily smaller until it disappears, having been replaced by
the second scene. The well-known end to cartoon
lms can be replicated by using the "Black" effect
from the "New scene" list and the mode "Out".
6. Color fade: With this real-time effect the rst
scene fades into a speciable color and from there
fades into the second scene. Such a fade is popular, for example, with edited interviews, where
a hard cut or other transition emphasizes the
participant's movement. The usual color box is
used here to set the "Color". For this effect black
or white is the usual choice.
7. Crossfade: This real-time effect is the classical
fade. Next to the hard cut, this is certainly the
most frequently used type of scene transition.
The rst scene is transformed gradually into
the second, whereby with increasing time the
rst scene becomes less and less visible and the
second more and more. As with all Casablanca
Prestige transition effects both scenes remain
in movement. Simply freezing a scene is not
attractive and is no longer supported by
Casablanca Prestige.
8. Double exposure: This real-time effect is the
classical double exposure as it has been used in
lm for the last hundred years, and leads to a very
atmospheric picture transition. In essence, it is
an extended fade. With "Mode" you can choose
between "Crossfade" (normal usage) and "Fade
In/Out" (recommended for inserts). The "Fade
time" (sum of fade-in and fade-out) can be set
for up to 12 seconds. Under "Mix" you can set the
proportion of the scenes involved up to 100%. If
the control for the mix proportion is set to 0%,
then the rst scene is shown in full. For 100% you
see only the second scene. With 50% both scenes
are shown with the same intensity. This is suitable
for normal transitions. Don't forget to specify
the duration of the effect with the corresponding
buttons. You will usually use the "x s" button
to set the duration to the maximum so that the
transition takes effect throughout the entire
double scene. For this case you should trim both
scenes to the same length beforehand.
9. Field changer: The scenes in this real-time
effect are alternated in half images with each
other so that a strobing effect ensues keeping both
scenes in movement.
10. Gate: With this real-time effect you can call up
the color box with the button "Color" in order to
specify which color the gate should have. The gate
closes from opposite sides of the screen over the
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rst scene. Under "Direction" you specify whether
the opposite sides are top and bottom, or left and
right. After the bars have met at screen center,
they reverse direction, moving out of the picture
and revealing the second scene.
11. Picture in picture: This is not really a true
transition effect. But Casablanca Prestige handles
it as an effect because it affects two scenes simultaneously. The rst of the two scenes lls the entire screen in the background. The second scene is
inset on it as a reduced image. The position of the
small image can be set in the effect options with
the button "Location". The buttons "Shadow" and
"Frame" are used to set a value from 0-50. The
frame color can be set with the color box through
the button "Frame Color". Avoid using very
strong colors, because this can lead to jaggedness
in the upper-right and lower-right corners. For
the picture-in-picture effect audio is not crossfaded, as is the case with all other effects in Casab-
lanca Prestige, but instead only the audio of the
rst scene (background video) is used. You can
change this default setting by using audio mixing.
12. Random lines: This real-time effect transforms the rst scene to the second by continuously covering the rst scene with randomly positioned lines from the second scene.
13. Rectangle wipe: This real-time effect changes from one scene to another with a rectangle
containing a scene and which becomes steadily
larger or smaller. Under "Position" you can set
the "Location" and "Size" of a rectangle where the
sides increase or decrease in proportion to each
other. The direction can be chosen with "Mode".
"In" means that the second scene overlays the rst
scene with a rectangle that begins in the center
of the screen and grows outward until only the
second scene is visible. With "Out" the rst scene
is in a rectangle covering the screen but which
then becomes steadily smaller until it disappears,
having been replaced by the second scene.
14. Scale: Under "Position" you can set the "Lo-
cation" and "Size" of a rectangle where the sides
always increase or decrease in proportion to each
other. If you choose the option "Grow" under
"Type", the second scene is zoomed into the rst
scene. The scene is scaled to t proportionately
into the rectangle and increases or decreases in
size according to the sides of the rectangle. If you
choose the option "Shrink" the opposite occurs.
The rst scene is in the rectangle covering the
screen and gradually becomes smaller until it
disappears, having been replaced by the second
scene.
15. Stripe fade: This real-time effect changes from
one scene to another by dividing the rst scene
into stripes which are then faded out while the second scene can already be seen in the background.
You can specify the number of "Stripes" from
2-32. Under "Mode" you can specify the direction
of the stripes (you have the choice between "Hori-
zontal" and "Vertical").
16. ZI Page turn: This effect lets the rst scene
fold over like a book page, revealing the second
scene. You can specify the "Direction", the direction of the "Fixed corners", and the "Quality".
Note: Since this manual was printed, the software
version may have been changed. The standard effects in your Casablanca Prestige may vary from
the ones listed here.
5.8 Image Processing effects
Apart from transition effects there are also the
Image Processing effects.
In contrast to transition effects, Image Processing effects are applied to entire scenes or segments of the storyboard. You can make a part
of your video brighter or invert it, or convert
it into a charcoal drawing or relief. These are
sometimes referred to as "lters" in old analog
editing systems. In the same way, for example,
as a yellow lter on a camera lens modies the
color of pictures taken, an Image Processing
effect is applied to a particular segment of the
storyboard.
In the Image Processing effects screen only one
scene is selected. The selected scene represents
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the approximate range for the intended effect.
You can process just one image, or an entire
scene, or in the extreme case the entire storyboard.
(1) The long-term effects menu displays the
familiar storyboard. You now bring the scene (to
which you would like to add effect) into the center
of the storyboard.
A difference to the storyboard from the "Edit"
menu is the Play button. In the Image Processing
effects screen the Play button does not play the
entire storyboard, only the selected scene in the
center. If an effect has been added, then the length
of the entire effect is played.
(2) You can select an effect in the effect list. Either
click on the effect directly so that it is highlighted
by the dark-gray bar, or use the slider or arrow
buttons in order to move the desired effect to the
correct position. If you do use the slider, then
after selecting the effect you must press the left
trackball button so that the light-blue bar again
changes to dark-blue.
(3) After you have chosen an effect that is available with further options, the corresponding effect
options are displayed in the eld to the right next
to the effect list. There you can dene, for example, the colors and intensity of the effect.
(4) With the "Add" button you can apply the
selected and congured effect to the scene located in the center. The effect symbol appears
in the scene outlined in red. If you select a new
long-term effect even though there is already
one in the scene, the new effect replaces the old,
without you having to click again on "Add". The
length of the newly inserted effect corresponds at
rst to the length of the actual scene, but can be
changed with the button located to the above-left
(item(6)).
(5) A click on the "Remove" button removes the
inserted effect from the storyboard. If you want
to replace the current effect with another, simply
select the new effect and it will replace the one in
the storyboard. In this case you don't have to click
on the "Remove" button.
(6) After you have inserted a scene the scene
length is displayed in this button (and thus the
maximum length of the effect). Click this button
so that the "Specify Range" menu opens and you
are given four selection options. You can let the
effect run "1 sec at beginning", "1 sec at end",
over the "complete scene", or over a speciable
"Range".
Choosing the function "Range" opens a Trim
menu, similar to "Trim" from the "Edit" menu,
in which you can set the applicable range for the
effect. The effect will begin at the In point (rst
frame of the scene), and end at the Out point (the
last frame). Some segments of the storyboard
cannot be selected. The reason is that other effects
are already dened. Overlapping between longterm effects and titling is not possible. (However,
you can do this by using the Special function in
the Edit screen to create new scenes with included
IP effects.)
When you have set the range of your choice,
return to the "Image Processing" screen (click on
the right button).
If you have extended the effect to other scenes,
then you will also see the effect symbol in these
scenes. (By choosing the option "complete scene"
you can remove the selected effect from the other
scenes.) The range that you just set is displayed in
this button.
(7) Clicking on the "Preview" button opens a
small screen in which the video plus the effect
runs. In this way you can judge and perhaps make
corrections (for color, intensity, time, etc.) to the
effect before creating it.
The running time of the preview will correspond
approximately to the time of the calculated effect.
The preview may be a little "jittery", because it
does not run at the normal frame rate. This will
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not occur in the created effect. A preview requires
no space on the hard-drive.
(8) After you have inserted an Image Processing
effect and perhaps specied its range, you can
click on "Full Size" to bring up an additional
menu. In the background you see the middle
frame of the entire segment for the inserted Image
Processing effect (if the effect is applied on the
entire scene, then you will see the middle frame of
the video scene).
An operating panel with effect options (to the
right, if there are any for the selected effect),
overlays the video.
To the left you see the button "Display" with three
available possibilities. With "Original" you can
view your original scene. With "Effect" you can
observe your scene with the applied effect. "Orig.
+ Effect" displays the original scene in the left
screen half and the applied effect in the right half.
In this way you can easily compare the original
with the applied effect.
Above the function "Display" you see the "Frame"
slider with which you can set the point in time of
the long-term effect that you want to view.
In this way you can view the inserted effect at any
point in time of the scene. The button does not
have to be conrmed, so that you can scroll slowly
through the scene and view the effect at the same
time.
Of course, you can change the effect options as
you wish and thus have the possibility of directly
comparing various colors and directions.
The effect options set in this menu are accepted
with "OK" and you are returned to the Edit menu.
With "Cancel" you exit the "Full Size" menu without changes.
The arrow button serves to move the Singleimage menu to the upper screen edge.
(9) When you click on the "Create" button a
window appears in which the effect can be viewed
as it is created. After completed calculation the
outline of the effect symbol is blue.
When you calculate an effect Casablanca Pres-
tige reads all individual images from the scene
in question and applies the effect to it. The result
is stored on the hard drive. This procedure takes
time and consumes hard-drive capacity.
When recording data you should always leave a
small amount of hard drive capacity in reserve.
Depending on how often effects are used, this
should be between 2% and 10% of the video
playing time.
Although it is theoretically possible to apply an
effect to the entire video material, it is usually not
meaningful to apply a general color or brightness
correction to all the footage. This would require
extensive hard-drive capacity and would take a
long time to be calculated. It is better to make
such corrections when recording from the video
input device using the sliders in the "Video set-
tings" screen.
(10) You can apply the multi-layering technique
with Casablanca Prestige. If you would like to
overlay several long-term effects, you at rst insert
an effect into a scene and create it. Then you convert the scene with the inserted effect into a separate scene. To do this click on the button "Scene".
A window appears in which you can select the
range for the new scene. The name of the effect
applied appears under "Name" as default name
for the new scene. You can change this name by
clicking on it and calling up the keyboard.
You also have the three options "Effect", "Effect +
Scene(s)", and "Range". In order to make a new
scene just from the effect with the previously set
range, click on "Effect" and then on "OK". The
effect is turned into a scene and put into the scene
bin of the Edit menu.
You can also adjust the length of the new scene
to the range of the previous scene (with inserted
effect). In this case click on "Effect + Scene(s)"
and then on "OK". The new scene is created and
appears in the scene bin.
Alternatively, you can create the new scene from
the entire length or a segment of the storyboard.
Click on "Range", conrm with "OK", and use the
IN and OUT points in the familiar Range menu
to select the range containing the new scene. The
wave form can be of help (section 3.3) and can be
toggled on/off with the loudspeaker symbol.
Then click in the Range menu on "OK" and the
scene is created and put into the Edit menu in the
Scene Bin.
Of course, you can create a separate scene from a
storyboard segment in which there is no effect.
Simply select a scene in the storyboard and click
on "Scene". In the window displayed only the
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function "Range" is active. Specify a new range
and click on "OK". Now you can view the new
scene in the Edit menu.
The multi-layering technique for Image Processing effects can also be applied by using the Edit
menu to activate a scene in the scene bin and then
clicking the "Special" button. All Image Processing effects are listed there. The effect you select
is not applied into the storyboard. Instead a copy
is made of the active scene in the scene bin with
the Image Processing effect added to it. The copy
is then identied with the extension "SP", "SP 2",
etc., as the case may be. You can carry out this
procedure any number of times.
(See section 5.5 Editing, item (21))
(11) Clicking on the menu symbols brings you
directly to the Edit, Transition effects, Titling,
and to the Main menu screens
.
Keep in mind: If you change a setting for an effect
that has already been calculated, or change the
duration, or even replace the effect with another,
the effect must then be re-created. Be careful!
The Image Processing effects in detail
The following Image Processing effects are available in the standard package:
1. Binarizer: The scene is divided into two colors
according to brightness. With "Color 0" you bring
up the color box in which you select a color that
replaces the darker areas. "Color 1" replaces the
brighter areas. The "Threshold" of the transition
from light to dark can be set from 0-100%. And
you can set "Transition" between the two colors
from 0-100% in order to prevent "edge shimmer".
2. Color depth: A very frequently seen effect can
be achieved with this. The number of colors in the
picture is reduced. The "Depth" can be set from
2-50. The "Transition" can be set from 0-100% in
order to prevent "edge shimmer".
Tip: Up to 16 million different shades of color can
appear in a video image. This allows uid transitions. For each color component (there are a total
of three color components) there are about 256
possible levels.
3. Color to Grey: Usually the video material is in
color. This effect can convert the video to blackand-white. If you want to convert long segments,
or perhaps even the entire video to black-andwhite, then you can set the color saturation in
the Video settings menu to 0% when initially
recording the material. This might save you long
calculation times.
4. Control Color: With this effect you can correct
the colors "Red", "Green", and "Blue" in the scene
(later adjustment). You can set the color from
0-200%, where 100% corresponds to the regular
color.
5. Control Image: With this effect you can change
"Brightness", "Contrast", "Saturation", and
"Gamma".
6. CVBS lter: This effect can be used to reduce
edge shimmer which sometimes arises when using
an CVBS (RCA) connection. This shimmer can
appear at very ne, high-contrast edges arises to
a much lesser extent or not at all when using a
SVHS connection. Using the lter causes a weak
blurring of the image. The lter should therefore
only be used when absolutely necessary.
You can set the "Strength" from 1-3.
Tip: With a CVBS connection the signals for
brightness and color, which are normally separate,
are mixed. This causes considerable loss in
the video bandwidth, especially for color. The
"CVBS lter" reduces the video bandwidth and
thus reduces the extent of the undesired effect
described above.
7. Doubler: This effect blurs the scene by
overlaying the image with itself so that a light
colored shadow appears.
8. Dynamic range: This effect is used to limit
the extent of brightness and contrast. This
makes possible interesting estrangement effects.
Experiment a little with the settings! The preview
offers a good approximation so that you don't
have to make time-intensive calculations. All
image information is retained under "Type".
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"Clip". The controls "Min" and "Max" are
used to change brightness and contrast. Under
"Compress", however, image information is
lost for areas brighter than maximum or darker
than minimum, which are set to maximum or
minimum, respectively. You lose the details in the
bright and dark areas. Other areas are unaffected.
9. Fade in: This effect helps you to fade in the
scene, e.g. at the beginning of your lm. Choose
the desired color with the effect options and see
how the color becomes less and less dominant
until the scene is completely revealed and the
color no longer visible. This effect fades in only
the picture material, not the audio!
10. Fade out: This effect helps you to fade out the
scene, e.g. at the end of your lm. Use the "Co-
lor" option to select the desired color to which
the scene is faded. At rst, the effect overlays your
scene very lightly with the color so that the scene
is still clearly visible. In the course of the effect the
color becomes more and more dominant until the
scene is completely overlaid and no longer visible.
This effect fades out only the picture material, not
the audio!
11. Flip: This effect ips the scene. If you set the
"Direction" to "Horizontal", then you see the
scene with the left and right halves exchanged. If
you set "Vertical", then the scene is seen upside-
down. The setting "Horizontal + Vertical" combi-
nes these two effects.
12. LineArt: With this effect the video is turned
into a sort of moving charcoal drawing. All edges
and sharp contours look like they have been redrawn with a charcoal pencil on a piece of white
paper. The "Contrast" control is used to set the
blackness of the lines from 1-8 depending on the
contrast of the original scene.
13. Mirror: A scene is mirrored. Under "Type" the
following directions can be given: "Horizontal
Left-Left", "Horizontal Right-Right", "Vertical
Top-Top", and "Vertical Bottom-Bottom". You
also have the possibility to mirror the two upper
or the two lower image halves, whereby you can
also specify which image half (left or right) should
be mirrored.
14. Mosaic: With this effect you make a mosaic
out of your scene. The scene is divided up into
individual squares that become larger. You specify
the "Size" of the squares from 2-200. You specify
the beginning and end points for the effect within
the scene with the "In" and "Out" points. Time
can be up to 10 seconds.
15. Negative: This is the negative effect known
from photography. It is often used for special
effects, but also has a practical application. With
the macro function of some video cameras it is
possible to lm a slide or a negative in full-screen
format. The Negative effect can then be used to
create a positive image for use in the video.
For this effect you also have (under "Type") the
choice between "Brightness" and "Brightness +
Color". There is an interesting effect for example,
if you invert the "Brightness". The video seems
like a negative, but the colors are correct.
16. NOP: You can ignore this effect. It is listed in
the regular effect list but doesn't do anything. This
function causes no change to your video material
but is used by MacroSystem technicians to help
nd software and hardware errors so that we can
help you with problems by telephone. NOP is an
abbreviation for "No OPeration".
17. Out of focus: With this effect you can make a
scene appear blurred. You can set the blur "In-
tensity" from 2-20. Under "In" and "Out" you set
the start and end points of the effect (up to 12
seconds).
18. Rectangle: A rectangle is inserted into your
video. You can set the "Position/Size" and the
"Color".
19. Relief: The video image is transformed into
a sort of 3-dimensional relief. It looks as if it has
been chiseled in stone – a single gray tone with
light and shadow at the edges. Edges appear where
the original has strongly contrasting edges. The
button "Direction" can be used to change the
illumination source in order to obtain different
effects. The arrow shows the direction in which
the light shines from.
20. Sharpen: Sometimes you may want to improve a blurred segment of a scene (e.g. old archive
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material). The degree of sharpness can be set from
1-8 with the "Strength" control. The preview does
not do full justice to the result, so you should
experiment beforehand with a shortened version
(Edit/Copy, Trim) of the scene you would like to
correct.
21. Solarize: The video is strongly altered with
this effect. The original colors are ignored and
new colors are created that are dependent on the
brightness. Black is replaced by blue, gray values
are converted to orange, yellow, green, cyan, and
even blue where the very brightest image areas
were. You can sometimes see similar images in TV
science programs or in crime movies as so-called
"heat images". Hard transitions may lead to shimmering edges, especially for VHS or when using
the CVBS connection.
The effect "CVBS lter" can be used to alleviate
this (before or after.)
You can set the "Saturation" from 0-100%. The
higher the percent number, the more color the
image has. For 0% you have a black-and-white
picture.
Tip: False colors are frequently used in science to
highlight small differences in brightness for the
human eye. The human eye can distinguish only
about 100 different levels of brightness, but about
100,000 different colors.
22. Spread: Here you create a "shimmering"
image. This is achieved by distributing the pixels
within a circle (which you set with "Step" 1-10)
containing the original pixel.
23. White balance: In case recording has led to
erroneous white matching resulting in white and
gray surfaces that look wrong but the color is OK,
you can specify the location and size of a rectangle
with the button "Reference Color". Then the co-
lor fault within the rectangle is averaged and the
deviations in the entire image are canceled out.
Note that only light color faults can be improved.
You can turn a red surface into a gray one, but the
effects on the rest of the image are extreme (color
distortion).
In the case that there is no colorless surface in the
image, then a color correction can only be done
with the effect "Control Color".
24. Zoom: A dened image area can be zoomed
in. Under "Position" you give the location and
size of the rectangle area. Under "Zoom In" and
"Zoom Out" you specify the start and end time of
the effect (up to 12 seconds).
5.9 Titling
Titling functions much the same as if it were an
Image Processing effect. Titling in Casablanca
Prestige is actually done as a picture-editing
effect. Instead of a "lter”, digital text is added to
your video.
Titling has two menus:
The settings in the "Titling" menu correspond
closely to those of the image processing
effects menu. You can read the corresponding
description there for information about functions
such as Insert, Delete, Range, Preview, Single
image, Calculate, and Scene.
After you have selected a desired title effect, and
perhaps set further Options in the eld to the
right of the effect list, you must rst Add the
effect into the storyboard. You can then enter
the Text Entry screen by clicking on the button
"Enter/edit Text" below the effect list.
(1) In the panel above you see the names of the
selected title effects and the number of pages (e.g.
1/3, 2/3, 3/3). To the right of the page numbers
you see two arrows with which you can move to
the previous ("<") or the following (">") page.
If no following page exists, then clicking on this
button causes a new page to be added after the
current one.
To the upper right you can see the name and the
size of the selected font.
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(2) In the upper-left part of the screen you see the
rst frame of your video scene.
This image serves as orientation for adding text.
This lets you immediately see how the text looks
overlaid on the particular scene you are editing.
(3)A click on the button "Font/size" opens a
window in which you have a choice of fonts and
many type sizes (10-500 points). The font can be
selected by clicking on its name or with the slider,
as you already know from the effect list.
In the list you may also see various symbols next
to the fonts.
Most of the supplied fonts are marked with an "A"
(this font contains all the usual Western European
characters).
A font marked with a happy face (there is one
supplied in the standard package) contains pictures and/or symbols instead of letters and punctuation.
Fonts marked with an "A+" also contain Eastern European characters. These fonts can be
purchased separately.
Fonts marked with an "A-" are not always complete or deviate from the norm. These fonts are not
sold, but can be obtained free of charge in appropriate instances.
Note: The Carolann font supplied with the standard package has two different forms for "s", in
addition to "ß". The "s" key on the keyboard is the
more frequently used long "s", that is something
like an "f" without the horizontal stroke. The
small, round "s" is mapped to the "#" key.
Font size is specied with the slider. The font and
size are displayed with the text "Casablanca II".
After conrming with "OK" the selected font and
type size are displayed to the right in the Text
entry menu.
(4) With the keyboard in the lower-left quarter
you can enter the text of your choice. It is also
possible to connect an external keyboard (e.g.
PowerKey option) to enter the text. Any adjustments you make to the settings will automatically
be applied to the next line of text entry.
If you want, you can enter the text later, but it is
recommended that you enter some letters now in
order to better judge the results later.
If you would like to format every line with its own
settings (e.g. font, size, color), then click on the
newline key after every line you enter and then
specify the desired format. Separate formatting
for individual words or letters in the same line is
not possible.
(5) Clicking on the button "Color/Pattern" opens
another window. Under "Pattern" you can decide
whether the text is to be "Unicolor" or "Textured".
If you select "Unicolor", then a screen appears in
which you can click on the "Color" button below
(the only button available) and then select a color
in the color box. If you have selected "Textured",
then you can click on the "Texture" button (the
only button available) to open the "Select pat-
tern" screen.
In this screen you can select a pattern of your
choice, just as described in section 3.3 under
"Image pool". The mode (positive/negative) and
alpha value can also be specied.
Clicking on "OK" in "Select pattern" conrms
your settings and you are returned to the "Color/
Pattern" menu.
In case you have used the alpha value to set a
light but visible opaqueness, a large arch appears
to the right in the Color/Pattern display box.
If you have selected "Textured" under "Pattern",
then you can choose the pattern with the "Select
Texture" button that is then displayed enlarged in
the right box.
(6) Clicking on the "Outline" button displays a
window in which you can decide if you want to
"enable" or "disable" the feature. If you select
"enable", click the "Color" button to call up the
color box. After deciding the desired color setting,
conrm with "OK".
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(7) Clicking on the "Shadow" button opens
a screen in which you at rst choose between
"disabled" and "strong" under Type. After you
have selected "strong" to activate the shadow, you
can use the button just below it to choose one of
8 possible directions for the shadow to fall. The
"Color" button activated once "strong" is selected.
Click on "OK" to conrm your settings.
(8) Clicking on the "Char/line spaces” button
opens a window in which the three functions
"Character width", "Character space", and "Line
spacing" are listed.
You can see that the setting lies between 50% and
200%, whereby 100% corresponds to the default
setting.
In the Enter/edit text screen, click anywhere in
the line of text to be edited. Then select the button
"Char/line spaces” and under "Character width"
enter the desired percent. Click on "OK" to observe the result. The letters have become wider
(> 100%) or narrower (< 100%), depending on
the percent given, and the entire line has become
either longer or shorter.
The individual words in a line cannot be formatted separately. The settings apply only to the
entire line.
The function "Character space" increases or
decreases the space between the letters. In the
Enter/edit text screen, click anywhere in the line
of text to be edited and select the button "Char/
line spaces” . Use the "Character space" slider to
enter the desired percent of the distance.
The line is stretched (> 100%) or narrowed (<
100%), depending on the percent value given.
The individual words in a line cannot be formatted separately. The settings apply only to the
entire line.
With the function "Line spacing" you can specify
the distance between the selected line and the
line below it. In the Enter/edit text screen, click
on the line that lies above the line to be changed.
Now select "Char/line spaces” and under "Line
spacing" change the default value (=100%) to
another value.
If your percent number is smaller, then the line
below moves closer to the selected line. If your
percent number is larger, then the line slides
farther away toward the bottom from the selected
line. The lines below the moved line are moved
along with it, but keep their respective distances.
You can also make several settings together in the
"Char/line spaces" window before clicking on
"OK". Note that the settings always apply to the
line selected beforehand!
The percent values you have set are retained. You
can view the settings and changes for the line you
have selected by activating the "Char/line spaces"
window. Here you can also modify the percent
values.
(If you have made changes but still see the default
values of 100% in the "Char/line spaces" screen,
then you have selected the wrong line before clicking on "Char/line spaces".)
(9) Under the selection button "Line" you can
specify the text alignment. Here you have the following choices: left, centered, and right.
(10) With the button "Add box" you can put an
additional text panel in the upper-left corner of
the video. You can then specify the panel position
by rolling with the trackball (without clicking!)
until the upper-left corner of the new text panel
is at the right position. Conrm the position with
the left trackball button and roll the trackball
again so that the text panel becomes smaller or
larger at the lower and right-hand edges. After
setting the right size, click again on the left trackball button.
When a text panel is hidden by others you can
make it visible either by resizing or moving the
overlying panel, or by clicking repeatedly the TAB
key on the keyboard (to the left of the letter q)
until the text panel you want appears.
(11) The button "Page Options" opens a window
with seven additional options:
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you want to make further settings.
– Clicking on "Insert Page" causes a new text page
to be inserted before the active page. The "Page
Options" window closes automatically and you
now see the newly inserted page displayed over
your video. Clicking on "Delete Page" causes the
page being displayed (active page) to be deleted.
The "Page Options" screen closes and the following page is displayed. If the very last page was
deleted, then the previous page is displayed.
(12) Clicking on "Delete Line" causes the line
containing the position marker to be deleted.
(13) A click on "Archive" opens a eld displaying
four buttons: "Load", "Save", "Delete", and "Can-
cel".
Clicking on "Load" displays a list of the previously saved titles. In this list you select a title, either
directly or with the slider, and conrm ("OK").
Clicking on "Save" displays the same list. Now you
have two possibilities:
1. You can click the gray rectangle below the list so
that the keyboard is displayed and you can assign
a name to the previously created title, followed by
clicking on "OK" within the keyboard and in the
text archive eld.
2. You can select a title from the list and then click
on the gray line which now contains the name of
the selected effect. Within the keyboard eld you
now overwrite this name with another of your
choice. The difference to the rst possibility is
that you overwrite not only the name, but also the
archived title, which is then irrevocably lost. Alternatively, you can select a title without clicking
on the yellow line. If you then conrm with "OK",
the selected title is replaced by the previously
created title, but retains its name. With the help
of archiving you can save your frequently used
standard text independently of projects and reuse
them at any time.
If you click on "Delete", a list of saved titles is
displayed in which you can now select the title to
be deleted and conrm with "OK".
A click on "Cancel" closes the menu without accepting any settings.
(14) With the "OK" button you conrm again all
– With "Move Box" you can change the position
of the existing text box. You drag it with the trackball and conrm the new position with the left
trackball button, opening the "Page options" win-
dow again. If you don't want to change anything
else here, conrm with "OK".
– After clicking "Size Box" you use the trackball to
resize the panel at the upper and right edges. After
xing the new size by clicking on the left trackball button, the "Page Options" window appears
again. If you don't want to change anything else
here, conrm with "OK".
– Clicking on "Delete Panel" causes the active
(outlined) panel to be deleted. The previously inserted panel now becomes the active panel. After
deleting the panel you must activate the "Page
Options" window again if you want to make
further settings.
– The option "Box Background" displays another screen in which under "Pattern" you have
the choice among "transparent", "unicolor", and
"textured". The "transparent" setting has no
further options. If you would like to have a "unicolor" panel background, then you can call up the
color box under "Color". If you decide for "textu-
red", then you can choose a pattern under "Textu-
re". After conrming your settings with "OK", you
must activate the "Page Options" screen again if
you want to make further settings.
– With the selection button "Text" you have the
choice of placing your text (already entered or yet
to be entered) at the positions "top", "center", or
"bottom" in the text panel. After selection, you
must activate the "Page Options" screen again if
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the "Movement" can be set up to 12 seconds.
5.Pages: All document pages are displayed in
sequence. Display is done without fading and
pauses. The display time is such so that the entire
scene is affected.
6. Through fading pages: All document pages
are crossfaded one after another in sequence. The
speed can be set from 0-12 seconds in "Fade".
7. V-Scroll: The text scrolls from the bottom to
the top through the picture. The scroll speed
depends on the scene length and the text length.
The text scrolls at a speed so that it scrolls entirely
over the screen within the duration of the scene.
Several pages can be inserted.
AUDIO
You should begin audio mixing after you have
completely edited the video. Effects and titling
should already be nished. Editing video or
adding effects after audio mixing has been done
can undo the ne tuned audio soundtrack you
have already edited!
When you edit video in Casablanca Prestige you
also change the audio. Transition effects in the
video are also applied to the audio. This section
is concerned with audio mixing which involves
adding additional audio tracks overlaying or
replacing the original audio.
Audio mixing is done according to the same
principles as video editing:
1. Recording of the raw audio data
2. Splitting of the audio in additional separate
samples (if desired)
3. Trimming of the samples - meaning removing
undesired segments
4. Special processing of the audio sample or a
portion thereof
5. Addition of these samples into the storyboard
6. Setting the volumes of the original audio,
commentaries, and background music in relation
to each other, (even with fade-in and fade-outs).
settings made and are returned to the "Titling"
menu.
(15) With "Cancel" you exit the Text-entry menu
without accepting any settings made for the "Tit-
ling" menu.
In the "Titling" menu you can then insert the title
effect and calculate it, or set the range beforehand,
as is done with the "Image processing” effects
screen.
The title effects in detail
The title effects can be selected in the effect list.
This list contains several effect options. For
many of them additional attributes can be modied, as will be shown in the following:
1. Fading V-Scroll: The text scrolls from the
bottom to the top through the picture. The scroll
speed depends on the scene length and the text
length (the text scrolls fast enough so that it
moves entirely over the screen within the duration
of the scene). The title enters the screen in a transparent state, becomes clear (solid) in the center of
the screen, and again more and more transparent
as it scrolls out of view. You can set the height
"Fading height" of this fade-in and fade-out from
10-200 pixels.
2. Horizontal Scroller: The text moves across
the screen from right to left at the bottom of the
screen. In the Text-entry menu you can enter as
many letters as you wish for the text. There is a
slider below the video you can use to move the
text further.
3. In/out fading pages: All pages are faded in and
out in sequence. The "Fade" indicates when the
title should be faded in (up to 12 seconds) and the
"Pause" indicates the duration between two pages.
4. Moving pages: The direction in which the title
is scrolled (over one or more pages) into ("into")
or out of ("out of") the page is specied here. Any
one of eight directions can be given. In addition,
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7. Creation (if required) of the entire audio
soundtrack (six stereo tracks are mixed together
to create your soundtrack)
8. The last thing to do is recording out to tape,
and your video is nished!
5.10 Audio recording / editing
In this menu you can record your audio material
by clicking on the red recording button.
In addition, you can split, trim, and rename
these recordings.
(1) The volume display serves to adjust the decibel (dB)level. Try to set the level as high as possible in order to achieve the best audio quality, but
do not overdrive it (stay out of the red!) You can
change the level by clicking on the db slider below
it. The sound becomes quieter (up to -30 dB) or
louder (up to 20 dB), depending on whether you
move the slider toward the left or right.
Flashing blue means there are no problems. Flashing yellow means possible overdriving during
audio mixing (if several loud segments are combined). Flashing red means overdriving.
(2) Here you see the audio input. You can choose between "Microphone", "Front", "Rear", and
"DV". If you have connected a DV input device,
Casablanca Prestige will automatically recognize
it and list it behind the input, e.g. "DV (Sony)".
Remember to only connect one DV device at any
time.
(3) For mode you have the choice between
"Mono" and "Stereo". If you have connected a
mono microphone, be sure to set "Mono".
(4) This eld indicates the "Remaining capacity"
of the audio partition. This depends on the selected quality (the better the quality, the shorter the
remaining time).
(5) The Audio list contains all the audio segments
you have recorded with automatically assigned
labels (A 1, A 2, etc.), with the length for each
sample appearing to the right of its name. If you
have inserted an audio segment in one of the
sound tracks of the menu "Audio mix", then this
audio segment is marked with a small, white point
next to the length.
(6) The button "New Sample" can create a "Si-
lent" segment, a completely silent audio segment,
with which you, for example, can cover up sound
distortions in a scene. You can also create a "Sine
wave sound" whose "Frequency" (440 HZ or 1
kHz) and "Volume" (-20 to 0 dB) you can spe-
cify. There might be a slight crackling noise at the
beginning and/or end of the sine tone, but this
cannot be entirely avoided during playback.
Direct audio conversion from CD.
Open the DVD writer tray and put in an audio
CD and close the tray.
Click the "CD Audio" button to quickly load in
music from a CD. You will now see the CD Audio
menu. Click on the "CD Contents" button, and a
list of the songs on the CD will appear to the left.
Select the song you wish to convert and click"OK".
After a moment, the song will now appear in the
list of audio samples. It is a good idea to rename
the sample at this point.
(7) "Special" gives you the possibility to apply
many special effects to the audio. Many of these
effects are possible only when applied to stereo
sound. For these functions Casablanca Prestige
creates a new sample with the desired effects
added. This means the original sound is retained
and can be used again. The following special functions are available in the basic package:
– Clipboard
You can store the audio sample in a clipboard.
Clicking on "Clipboard" causes three buttons to
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appear which have the same functions as in the
Video Clipboard menu: "Clipboard -> Project",
"Audio sample-> Clipboard", and "Delete audio
sample".
Note: If you click on "Delete audio sample" you
will see that the "OK" button in the window
appearing is disabled (gray) and cannot be activated. This is a safety measure so that you won't
accidentally delete an audio sample. If you really
want to delete an audio sample, then click rst on
the audio sample to be deleted (even if it is already shown in gray) and then on the "OK" button
(which is now enabled).
The audio samples are stored in the audio-samples list and can be inserted into an audio track in
the "Audio mix/Dubbing" menu.
Audio samples that you have put into the clipboard are marked as such in the audio-samples
list.
If there is no audio sample in the audio-sample
list, then the message ("No current audio samp-
le!" is displayed.
The clipboard serves mainly to store audio samples so that they can be used in other projects. The
clipboard can be accessed from any project.
Audio samples in the clipboard are lost when Cas-
ablanca Prestige is turned off.
– Copy audio sample
Clicking on the "Copy" button creates an identical copy of the the previously clicked sample in
the audio-samples list to the right. This function
is useful when you want to use both the original material and a modied version. The copy
appears in the audio-samples list with the same
name as the original, but is identied with the
sufx ".K" (e.g. "A1.K").
– Copy channel
As you can see under "Mode", this function copies
either the left channel to the right or vice versa.
– Exchange channels
This function is used to exchange the left and
right channels.
– Mono
A stereo signal is switched to mono.
– Mute
Under "Mute" you can turn off the sound for one
or both of the channels.
– NOP
This is a dummy operation used only by MacroSystem technicians for internal debugging.
– Sample -> Scene
Clicking on the "Sample --> Scene" button creates
a black video scene from your audio segment.
This can be used in video editing (e.g. insert).
This function can make audio editing much easier. Read more in section 4.3.
– Volume
The audio "Volume" for the selected audio sample
can be increased or reduced in the range from -20
to 6 dB.
– Volume LR
You can adapt both channels ("Left" and "Right")
of an audio segment in the range from -20 to 6
dB.
– Width
The distance between the loudspeakers is
articially increased. This is done with negative
channel crosstalk. You can set the "Width" from
0-175%.
(8) With the "Split" button you enter the Split
menu in which you can divide up audio segments
just like video scenes.
To the upper-right you nd the name of the audio
sample with its name plus the extension ".1", or
".2", etc. (e.g. "A 1.1", "A 1.2"). You can click in
this eld to call up the on-screen keyboard in
order to rename the sample.
With a click on the button "Split position"
you can divide up the audio sample. Below the
button you see the graphical representation of
the portion to be split in the panel. In addition,
the wave form and audio scrubbing (cannot be
switched off in this menu; see also section 3.3)
show you the active position of the audio sample.
The buttons "Use" and "Drop" have the same
function as in the "Split" menu for video material,
and the other buttons as well. Once you have split
up your audio sample, you will see in the audiosamples list that copies have been made and that
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the original audio segment is still available.
(9) Using the "Trim" function you can remove
undesirable portions from the beginning and the
end of the edited audio samples. Coughing and
throat-clearing in commentaries, and the remains
of neighboring CD titles can be edited out of your
soundtrack with in this way. You already know the
"Trim" function from video editing and it works
for audio in exactly the same way. Wave form and
audio scrubbing (section 3.3) cannot be switched
off in this menu
(10) The "Delete" button removes the selected
audio sample.
(11) The "Undo" button restores an audio sample
that has been deleted. You can reinstate the ten
most recently deleted audio samples. Deleted
scenes cannot be reactivated after the system is
restarted.
(12) The name of the audio sample currently selected in the audio-sample list appears automatically in the name eld. You can modify the name
in the same way as for video scenes. Click in the
name eld to bring up the on-screen keyboard.
The neighboring eld displays the duration of the
selected audio sample.
(13) The Record button here begins recording a
new audio sample. The stop/play buttons control
the functions for the sample currently highlighted
in gray in the audio-sample list.
(14) By clicking on one of the menu symbols you
directly enter the menus Record, Audio mix, or
Main menu.
5.11 Audio mixing/dubbing
Here you can arrange the recorded commentaries
and the background sound on the storyboard, and
make nd adjustments to the volumes of all six
audio tracks. Audio mixing is in principle similar
to video editing.
On the upper part of the screen you see the
storyboard containing your video scenes. Below
that you see six gray, horizontal bands – the audio
tracks.
The differences between the audio tracks are explained as follows:
Audio segments from the original audio material,
the commentary track, and the effect tracks are
assigned to the scene(s) lying above in the storyboard. The audio doesn't change or move when
scenes are edited that occur prior to, or after, the
audio segment. Audio segments that overlap scenes being modied must be deleted (after a conrmation request from the system). This basically
means that the audio for these three tracks stay
"connected” to the scenes above them.
Audio samples on the music tracks are not tied to
the scene, but instead they retain their position as
seen from the beginning point of the storyboard.
Changing the video before or during the audio
sample causes shifting, but this is usually not critical for background music.
Because of this varying behavior, the tracks tied to
the video material are useful for commentary and
sound effect dubbing.
The music track is intended for background
music and similar audio. Of course, it is possible
to use the track in ways completely different from
the original intention.
The following procedure is an example of proper
Audio mixing:
1. Select the desired audio track by either activating the corresponding button or clicking on the
track itself. The track is then highlighted in blue.
2. Go to the scene in the storyboard where the
audio sample should approximately begin.
3. Click on the "Add" button and select an audio
sample from the list displayed.
4. The sample now appears in the selected track
exactly at the beginning of the active scene in the
storyboard.
5. If you wish to exactly specify the beginning
point, then select "Range". You enter the Range
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menu, in which you can do the following with the
audio:
a) Trim mode allows you to edit the "In" and
"Out" points.
b) Position mode allows you to change the point
at which the Insert scene begins.
6. Return to the Audio mix menu and click on
"Create".
7. Click on the Play symbol. You now hear the au-
dio in the mixed version with the sound from the
other scenes. The video material affected is played
and you see a volume level indicator.
8. If one of the involved sounds is too loud or too
quiet, then click on it so that it is highlighted in
blue. Use the "Volume" slider to change its vo-
lume. The volume is shown in light blue in the
background of the audio sample. After creation
you can playback the segment and continue to
make corrections, if needed.
9. If you want to emphasize a particular audio
sample by making the neighboring tracks more
quiet, then click on the sample to emphasize it
and it will be highlighted in blue. Using the "Cor-
rection" button and db slider you can change the
volume of each of the other 5 tracks—effective
for the duration of the highlighted sample. The
volume of the other tracks before and after the
selected sample remains unchanged.
10. If you want fading for certain samples, click
on the corresponding audio sample so that it is
highlighted in dark blue. Click on "Fade" to bring
up a window in which you can specify the duration of fade-in and fade-out by clicking and scrolling the appropriate fader.
11. Add the other audio segments.
12. Create the audio. The colored control band
directly below the storyboard should not contain
any red.
(1) The storyboard and how it works is known to
you from other menus. You can use the slider to
scroll quickly scene-by-scene through the storyboard.
With the arrow (<,>) buttons you can scroll by
scene through the video or from one audio sample to another (on the same track) when there are
several audio samples below a single video scene.
The audio samples of the currently active audio
track are selected. This function is very helpful
when there are very many audio samples belonging to one video scene, because these are displayed very quickly during normal playback.
You can choose the desired audio track by directly
clicking on it or clicking the corresponding
symbol at the right-side of the screen.
(2) This "Color control strip" directly below the
storyboard displays if the audio for a section of
the storyboard has been created or not.
(red = not created) (blue = created, ready to play)
(3) With the playback button to the left of the
storyboard's scroll bar you can play the scene
currently centered in the lm panel and hear the
audio from the highlighted sample. The other
tracks can be heard if they have been created.
If the other tracks have not been created, then
only the currently selected audio track is heard
when played. This saves rendering time when, for
example, you only want to check the positioning
of the commentary in relation to the video.
During playback a dB level display is shown so
that you can check for any overdriving.
The playback button at the bottom of the screen
only plays the currently active audio sample.
Of course, only audio is played because there
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is no video. During playback a level display is
shown here too so that you can check for any
overdriving.
The name of the audio sample to be played can be
seen to the left of the play symbol and the counter.
A click on Stop or on the right trackball button
stops playback.
(4) If you click on the "Add" button a window
appears in which you nd the Audio-samples
list. There you can specify the audio sample of
your choice either by clicking on its name or with
the help of the slider. The audio samples already inserted are marked with a point next to its
duration. Below the samples there is a play button
so that you can listen to the selected audio sample
before actually adding it.
Conrming with "OK" causes the "Add" window
to close and the selected audio sample is inserted
into the active audio track.
The audio sample is placed directly at the beginning of the active scene located at the center of the
storyboard. You can change this position by using
the "Range" button (see item (6)).
If there is already an audio sample at the current
position in the selected audio track, then the
"Add" function puts the sample after the material already there. Because audio samples may
not overlap, this will work only if there is enough
room after the already existing material to accept
the new audio sample.
If you insert an audio sample at the end of the
storyboard, then (assuming it is shorter than
the last scene) it is automatically trimmed to the
length of the scene. After clicking on the audio
sample you can see the new duration to the below-left.
If the more scenes are then added to the storyboard, then the audio sample is again trimmed
(out to its original length).
(5) The "Delete" button removes the active audio
sample. This does not work with the original
track, because only audio samples from the additional tracks may be removed. Keep in mind that
a re-creation may be necessary after removing a
sample.
(6) The "Range" function serves to set the position of the sample, or Trim its In and Out points
for an audio sample. The "Range" button is
enabled when you click on and activate an audio
sample.
You enter a Trim menu that is very similar to the
Trim menu for video scenes. If the sample is too
long, then you can edit it at the beginning and
the end. Do this by selecting the function "Trim"
and then selecting the "IN" or "OUT" button. The
audio is displayed in wave form (section 3.3).
After setting the selection button to "Position",
you can shift the entire audio sample by using
the "Start" button. You can check your work by
clicking "Play”.
The new position is graphically displayed when
you return to the "Audio mix" menu.
(7) Casablanca Prestige can playback several audio tracks simultaneously only if they have been
created beforehand (click on "Create").
Portions that have not been created are indicated
by red highlighting in the control-bar over the
audio tracks. In general, when one audio sample
is created, the other ve tracks are mixed to create
the complete soundtrack for that section.
(8) Clicking on the button "Fading" opens a
menu in which you can set the "Fade-in" and
"Fade-out" of the currently active audio sample. The sound becomes quieter or louder in the
course of the set transition time (which cannot
be longer than the duration of the audio sample
itself) and attains its normal volume at the end of
the transition time.
For example, if you want to fade-in a commentary, then you could set 1 second fade time, so that a
harsh cut-in of the sound is avoided.
If you want to fade-out an audio sample, the
sound at the end of the sample becomes steadily
quieter during the transition time and is mute at
the end.
Fade-in and fade-out times affect all volume
changes. They affect also any volume changes
made for neighboring tracks. For example, while
commentary is faded-in, the background music
is faded back to the set value. You will notice that
the volume level is displayed graphically within
the audio samples.
(9) You can use the button "Volume" to change
the volume of the active video scene. You can
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make the scene quieter (negative dB values), mute
the scene (slider all the way to the left), or increase
the volume (positive values up to 30 dB).
You can use this control, for example, to prevent a
quiet audio segment from being drowned out by
loud audio (e.g. music on the background track).
You see a change in volume in the light-blue
bands within the audio samples. If the volume is
reduced, then the strip at the lower edge of the
audio sample is shifted. The longer the audio
sample, the more clearly you see its course.
(10) The button "Correction" is used to change
the volume of an audio segment during the entire
length of the selected audio sample. The change is
shown by blue highlighting in the audio segment.
After selecting an audio sample (e.g. music) in
one of your music tracks, click on the "Correc-
tion" button. A selection list containing all six
audio tracks is displayed. From this list select
the track (e.g. original audio track) in which the
audio sample is located for which you want to
change the volume. To the right of the list there is
a slider that you scroll to the left to make quieter,
or to the right to make louder. This causes the
sound to be changed in the selected (under "Cor-
rection") track for the entire length of the active
audio sample.
An example: You are using three audio tracks.
The original audio is in the rst track and its
length is the length of the storyboard. There is a
music composition in the third track that begins
sometime during the original tone and also ends
at sometime while the original is still running.
Select the music. Then click on the "Correction"
button. You now see the selection list of all audio
tracks. Select the original audio track in this list
and reduce the volume with the control next to
"Correction" until "Mute" appears. Now you do
not hear the original audio during the music. You
can hear the music without any interruption by
the original audio.
There is a commentary in the second track. The
commentary begins in the middle of the music
and doesn't end until some time after the music
is over. Select the commentary. Reduce the music
volume during the entire commentary duration
by clicking on "Correction", selecting the music
track, and reducing the volume with the control
to the right.
The original audio that was muted during the
music must now be kept off for the remaining
time of the commentary.
Create a new audio sample, namely "Silence". Set
the length with time to spare. Insert it after the
music and trim it using the "Range" button to the
position in the video where the commentary ends.
In case you can't nd the video position using
the material, then you might have to calculate the
correct position.
The volume control for the track in which the audio sample is activated is disabled under "Correc-
tion", because volume changes to itself are with
the "Volume" slider.
(11) By clicking on one of the menu symbols you
directly enter the menus Record/Edit or Main
menu.
5.12 Shutdown (OFF)
This button turns off the Casablanca Prestige.
Clicking it does exactly the same as pushing the
manual switch on the front of the Casablanca
Prestige.
The power-down procedure saves all settings, so
that after turning on the machine later you can
continue your project where you left off. The project is saved and then the system is shut down.
You can then turn on the machine only by using
the manual switch on the front of the unit.
We warn against shutting down the machine by
pulling the power plug or cutting power to the
machine!
You should always turn off your Casablanca
Prestige with the "Off” button or the front switch.
Data loss may otherwise occur!
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Chapter 6: VGA Mode
Please read this chapter carefully if you have
connected a VGA (computer) monitor to your
Casablanca Prestige in addition to your TV
monitor.
You can use the VGA monitor to work in twomonitor mode. This means that you see the user
interface on the computer monitor and your
video material on the TV monitor.
This setup is xed. You cannot view your video
material on the computer monitor! Working
with just the VGA monitor without the TV monitor is not possible!
You see differences between Video mode and VGA
1-3 in the following menus:
Video settings: In this menu you see only
the operating panel for making settings on
the computer monitor. Your video material is
displayed on the TV monitor.
Recording: The operating panel for recording is
shown on the VGA monitor. You see the recorded
video on the TV monitor.
Editing: When you play the storyboard from
this menu, the playback duration is displayed on
the VGA monitor on top of the Edit menu. Your
video is shown on the TV monitor without any
menu overlays.
Splitting: If you click on this button, then the
Split menu appears on top of the Edit menu. On
the TV monitor you see the actual video. Now you
can use the Split menu to cut your video scene
while you observe the exact playback on the TV
monitor.
Trim: This menu is displayed on top of the Edit
menu, just like the Split menu. Here, too, you
observe your video on the TV monitor.
Transition effects: If you playback the storyboard
from this menu in order to view an inserted effect,
then the Transition-effects menu is overlaid by the
play indicator on the VGA monitor. Your video is
displayed on the TV monitor without any overlaid
controls.
Image Processing effects: Just as with transition
effects, the playback display is shown in the Longterm effects menu and the video shown separately.
The button „Screen“ offers the following four
settings options:
Which mode you choose to select will depend
on your existing equipment, and your personal
editing style.
Video mode:
Both the user interface and your video material
are shown on the TV monitor. Eleven scenes are
shown in the scene bin. You see seven effects in
the effects list, and in the storyboard you see seven
scenes at a glance (without having to scroll).
VGA 1 (800 x 600, 60 Hz):
The user interface is rendered on the computer
monitor at a resolution of 800 x 600. This means
that the entire rendering is smaller than in video
mode and that more scenes in the scene bin, and
more entries in the effects list can be displayed.
The setting 60 Hz means that the screen image
is repeated 60 times per second. The higher the
Hertz frequency, the higher the image repetition
rate and the less the picture ickers.
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VGA 2 (800 x 600, 75 Hz):
If your VGA monitor supports this setting then
you can also use it with Casablanca Prestige.
The only difference to the setting above is the
frequency. The picture ickers less.
VGA 3 (1024 x 768, 70 Hz):
This setting also enables rendering of more scenes
and entries. In addition, icker is as little as with
VGA 2.
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Chapter 7:
Tips & Error Handling
This collection "Tips and Error Handling" will
continue to grow. We are always happy to receive
your ideas and suggestions! In the following
pages you will nd some of the most frequently
occurring problems and tips for handling them.
Please become familiar with the following tips
and help on errors. If you can't nd the solution
to your problem here, then contact your dealer.
He or she will gladly answer your questions
concerning operation of your Casablanca
Prestige. The MacroSystem hotline can only help
you with technical problems.
More support information can be found at:
www.macrosystem.de (Europe)
www.casablanca.tv (North America)
SWITCHING ON THE MACHINE
Problem: Every time the machine is turned on the
installation query appears.
Solution: After successful installation you must
remove the SmartMedia card from the machine
(and store in a safe place). The system then starts
and displays the Main menu of the user interface.
CONNECTION OPTIONS
Problem: Can I connect other input devices?
Solution: Yes. You can connect most types of USB
mice and trackballs that are available on the market. You can also use USB keyboards (PowerKey
Option) or the Twister input device.
TRACKBALL
Problem: The trackball makes a grinding sound
and/or cursor movement is jumpy or works only
in one direction.
Solution: The trackball is probably dirty. Carefully
remove the ball and clean it.
PICTURE AND SOUND
Problem: There is no video picture when I am
trying to input from my VCR or camera. When I
bring up the "Video settings" menu I see the menu
but the screen is otherwise black.
Solution: Check to be sure that:
– you have connected and activated the video input device. Are all the cables connected properly?
– you have activated the correct input.
– the video input device is actually sending a
signal, meaning that it is playing a cassette with
recorded material.
Problem: During titling letters appear correctly
on the screen but after being recorded out or even
during transfer "jaggedness" and "bleeding" are
seen.
Solution: This is a problem to colors being too
"hot", meaning that they are over-saturated.
Casablanca Prestige can create colors that can only
be processed by professional video machines and
that lead to distortions when using VHS, SVHS,
or even DV devices. In such a case simply reduce
the color saturation and brightness (section 3.3,
Color box). You will retain almost the same color
shade but can record it without distortion.
Problem: There is no picture when I record from
the video input device. The message "No video
signal" appears.
Solution: Read the corresponding information in
section 2.4.
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79
Problem: When recording the video material I
hear no sound.
Solution: Set the correct input in menu "Audio
recording/editing" so that the volume level is
visible. Read the information in section 4.3, step 2
(recording).
Problem: The audio is distorted.
Solution: Before recording, set the volume level
so that overdriving (red appears in level display)
does not occur.
Problem: The volume keeps changing when I play
my storyboard.
Solution: Take care when dubbing that the volume of a track is not affected unintentionally by
the settings for other tracks.
Problem:
My video is off to the side.
I can't see part of the menu.
Solution: The screen position depends on the
monitor used. Screen positioning is congured
according to the studio norm. It is possible that
the display area is different for some non-professional monitors. Unfortunately, a simple solution
to this is not possible. If you only use the monitor for Casablanca Prestige, then it might make
sense to have the monitor congured specially
for Casablanca Prestige. In this case, contact your
Casablanca Dealer.
Problem: The camera supplies a picture that has
too much of a blue tone.
Solution: Use the long-term effect "White balance" or "Control Color". If you wish to use other
Image Processing effects in the same portion of
the video, then select these from the "Special"
menu so that new scenes are created which contain the additional effects. You can also use the
multi-layering technique through the "Scene"
button.
Problem: The television picture is unsteady and
ickers strongly.
Solution: Reduce the contrast on your TV, which
is usually set too high at the factory. You might
also want to use a 100 Hz monitor.
OPERATING CASABLANCA PRESTIGE
Problem: I want to exit the Text-entry menu for
titling and the DVD Arabesk menu but clicking
on the right trackball button doesn't work.
Solution: If you want to exit the Text-entry menu
in order to enter the titling menu, you must click
on "OK" (to save your settings) or "Cancel". If the
right trackball button could be used to cancel,
then you might unintentionally lose the text you
entered.
For the DVD Arabesk menu you must click on the
symbol for the Finish menu.
Problem: The screen cursor won't move, or it can
be moved but not used to do anything.
Solution: Your Casablanca Prestige has "crashed".
This is probably not a major problem. Press the
switch on the front side and hold it down for
about 4-5 seconds until the greeting message
appears.
Problem: Creating individual effects is taking too
long!
Solution: Create the effects in the "Finish" screen
(click "Create"). This will create all remaining
effects and audio.
Problem: I have a lot of scenes in the Scene bin
and am having trouble nding the scenes that I
am looking for.
Solution: Be sure to rename the scenes in chapters
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and sections when splitting or recording. You can
also sort the scenes in the scene bin. To do this,
delete a scene, select another, and then click on
the Undo button, causing the deleted scene to be
reinserted just after the selected scene.
Problem: Sometimes I can't insert a transition
effect.
Solution: Transition effects cannot overlap! If an
effect has already been assigned to an entire scene
(can happen with very short scenes), then it is not
possible to insert another effect.
Problem: I have already recorded a lot of material
and would like to know how many more minutes
I can record.
Solution: The remaining time (available space for
video) is displayed in the "Recording" menu.
Problem: I've nished a project and would like to
start another. How do I start?
Solution: If you want to keep your video material
on the Casablanca Prestige, then you can start a
new project in menu "Project settings". Otherwise
you can choose the option "Delete", which after
a conrmation request will delete all the data of
your current project.
Problem: I can't nd my project data!
Solution: Check the System settings screen.
Perhaps you have activated the wrong project by
accident.
ERROR MESSAGES
Problem: The crossed-out SmartMedia card symbol appears on the screen.
Solution: This symbol means that you should
insert the installation SmartMedia card, because
the card currently in the drive is invalid.
Problem: The ambulance symbol and a number
code appear on the screen.
Solution: This symbol indicates a serious error
(e.g. defective hardware). In this case, contact
your Casablanca Prestige dealer.
TURNING OFF
Problem: The machine won't turn all the way off
-- the red light always lit.
Solution: The machine is in stand-by mode
meaning that the red light is always on. This
mode of operation saves electricity if you use the
machine often. If you don't plan on using your
Casablanca Prestige for an extended period of
time, then you should pull the power plug (after
having turned off the machine).
Problem: Is data lost if I pull the power plug for
an extended period of time?
Solution: No, your data is stored on the internal
hard drive. However, before pulling the plug
you should power-down the machine correctly
by pressing the power switch on the front of
the machine or by clicking on the "OFF" button
in the Main Menu screen. This also applies to
all other cables. Never disconnect a cable from
your Casablanca Prestige while the machine is
operating!
Problem: The machine does not turn off right
away. It takes awhile.
Solution: This is normal behavior for your Casablanca Prestige. Before the machine is actually
turned off the current project is automatically
saved, and this can last several seconds. Only then
does the machine actually turn off. Even if the
shutdown program receives no message from the
machine, it will turn the machine off, but only
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after several seconds.
Problem: I have a problem not contained in this
list.
Solution: If you have access to the Internet, check
out the following Web site:
http://www.macrosystem.de (Germany)
http://www.casablanca.tv (North America)
Here you will nd an updated list of FAQs (Frequently Asked Questions) that may help you. You
can also call your dealer, or call our hotline if you
have technical questions.
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Chapter 8: Technical Data
SYSTEM
Processor:
Celeron
Software:
already installed on SmartMedia card
SmartMedia:
max.128 MByte storage capacity
Graphics:
Integrated graphics displayed on monitor/TV,
VGA output for optional two-monitor operation
DVD drive:
DVD Arabesk (internal)
Storage:
Completely integrated memory
RECORDING
Principle:
DV direct, Dual Stream Playback, real-time effects
Data transfer rate (plus audio):
3.6 MB/sec
Data storage:
80 GB internal removable drive
Recording time:
About 5 hours (This can vary slightly, depending
on the footage being used.)
VIDEO
Television standard:
PAL-B/G 50 Hz or NTSC-M 60 Hz
Chip set:
C-Cube Codec
Front inputs:
CVBS (RCA), Y/C (S-video), i-Link DV
Rear inputs:
CVBS(RCA), Y/C (S-video), i-Link DV
Rear outputs:
SCART (CVBS, RGB -Europe only), CVBS (RCA),
Y/C (S-video), i-Link DV
AUDIO
Front inputs:
microphone, L and R stereo RCA
Rear inputs:
L and R stereo RCA
Rear outputs:
SCART (Europe only), L and R stereo RCA
External ports:
2 x i-Link IN/OUT
L and R stereo RCA (rear) IN/OUT
L and R stereo RCA (front) IN
CVBS (RCA) (rear) IN/OUT
CVBS (RCA) (front) IN
SVHS (rear) IN/OUT
SVHS (front) IN
SCART (TV) CVBS (RCA), RGB, Audio
VGA (monitor)
3 x USB (trackball, keyboard, etc.)
Ethernet
Physical properties
Dimensions:
Width: 435 mm x Height:120 mm x Depth:390
mm
Weight: Approx. 9kg
Color: Silver
Casing: Metal
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Copyrights
The operating system VxWorks ® is used in license
from Wind River Systems, Inc.
For the IEEE 1394 interface (Firewire®, MiniDV®)
a Firewire Stack from Intoto, Inc. is used.
The module for converting graphics data in PNG
format is the PNG Reference Library.
The versions 0.97 - 1.0.5 are copyright © 1998,
1999 Glenn Randers-Pehrson.
For JPEG conversion the library of the
Independent JPEG Group is used, copyright ©
1991 - 1998, Thomas G. Lane.
GLIBC and other supplemental programs are
used according to the license conditions of the
Free Software Foundation. Detailed information
can be found at the www.macrosystem.de web
site.
The FreeType Engine is used to render Truetype
character fonts.
Character fonts are used in license from enStep
Incorporated.
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Index
This index comprises every important term of
this manual, so that you can look up the pages
explaining the term you are looking for and everything important in connection with it.
If there are the abbreviations T, IP or TR behind
the terms this means that these are effects in the
titling (T), image processing (IP) or transitions
screen (TR).
VIDEO
3D Mosaic (TR) 58, 64
3D Stripes (TR) 58
16:9 42
A
Activation 14, 20
Add
-box 67
-page 40, 67
-project (DVD) 55
Alpha (color bars / text) 17, 40, 67
ALT-Key (keyboard) 18
Analog (Finish) 13, 32 40
Archive
color display 17
Titling 38
Audio
DVD 54
quality 42, 54
Auto (Split) 51
B
Backwards (Special) 48
Bars (TR) 26, 48, 58
Binarizer (IP) 62
Black (New Scene) 47
Black and White (IP) 62
Bluebox (TR) 58
Box background 38, 70
Brightness (color display) 13
Brightness (video Input) 22, 43
Buttons / Icons 15
C
centered (Titling) 38, 67, 73
Circle wipe 59
Click 15
Clipboard (Special) 42, 49, 70
Coal drawing/Line art(IP) 64
Code 20
Color (New Scene) 49
Color bar (New Scene) 49
Color bars 48
Color corrections (IP) 63
Color depth (IP) 63
Color wipe (TR) 58
Color / Pattern 40, 69
Connections 8
Contents of the box 7
Contrast (video input) 22, 28, 61
Copy 63, 71
Copy (Special) 49
Countdown (New Scene) 48
Create 26, 53, 58
Cursor 18, 38
CVBS 20, 21
CVBS lter (IP) 63
CVBS in front 43
CVBS on the back 43
D
Delete / Remove 25, 46, 57, 62
Delete / Cancel 41, 52
Delete box 38, 68
Delete Line (Titling) 68
Delete page 38, 68
Delete title (DVD) 55
Delete-Key (keyboard) 16, 33
Demo-Software 20
Demo-Version 19
Direction (Titling) 57
Display (Full Size) 48, 61
Double click 15
Double exposure (TR) 58
Doubler (IP) 63
Drive 13
Drop (Split) 24, 71
DV (input) 43, 70
DV 32/48 42
DV-(Recorder-) Control 31
DV-port 23, 43
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DVD
-Arabesk 53
-erase DVD 55
-read DVD 55
-write DVD 54
DVD name 54
Dynamic range (IP) 63
E
Edit 18, 42
Edit section (DVD) 53
Effect list 25
Effect options 26
Effect symbol 26
End titles 37
Enter / edit text 37, 63
Escape key 15
F
Fade in (IP) 63
Fade In Lines (T) 69
Fade In Pages (T) 69
Fade out (IP) 64
Fading pages 69
Field changer (TR) 59
Finish Screen 53
Flip (IP) 64
Focusing (IP) 62
Font Style / Size 38, 41, 66
Format 42
Frame by frame 49, 61
H
Hard disk 14, 16 38
Help functions 79
Hertz 77
Hide (Installation) 37
I
Icons / Buttons 10
I.P. Effects Screen 27, 61
i-button 41
i-Link 23
Imagepool 48, 54
IN/OUT (Range) 13, 61
IN/OUT (Trim) 13, 16, 61, 63
Information 21, 43,
Information window 41
Insert 18, 46
Insert section 27
Install project 18, 20, 41
Installation 24
J
Jitter (Special) 48
K
Keyboard 15, 69
Keyboard, external 15
L
Language 40
Length of effect 26, 57, 63
Length of storyboard 53
Line (Titling) 38, 35, 67
Load (Archive) 48, 68
M
Main screen 17, 52
Memory requirements (DVD)53
Menu symbols 18, 45
Mirror (IP) 64
Mode (Record) 18, 45
Mosaic (IP) 64
Mouse 15
Move box 38, 68
Moving pages 68
Multilayering 49
N
Name (hard disk) 42
Name eld 16, 72
Negative (IP) 64
New Scene 44
nonlinear 13
NOP (IP) 64
O
OFF 76
Out of focus (IP) 64
Outline (Titling) 37, 65
P
Page Options 37, 68
Pages (T) 37, 69
Picture in picture (TR) 59
Picture quality (DVD) 51
Play 22, 53, 57
Play (Finish) 57
Position (Insert) 46
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Power supply 14
Preview 24, 57, 62
Project Settings 42
R
Random lines 60
Range 36, 46, 62
Range (Record) 43
Raw material 31
Real time effects 26
Recording 23, 47
Rectangle (IP) 64
Rectangle wipe (TR) 59
Registration 7
Relief (IP) 64
Remain. approx. (Record) 44
Rename 46
Replace 47
Return-Key (keyboard) 18
S
Sample (Titling) 48
Saturation 17, 63, 65
Save (Archive) 39
Scale (TR) 60
SCART 23
Scene 58, 62
Scene> audio track (Special) 50
Scene bin 23, 43
Screen (System Settings) 41
Screen pointer 14
Scroll text (T) 39, 68
Search 47
Select Project 42
Selection button 16
Selection key 15
Selection: Color (Titling) 38
Serial number 41
Set up 8
Shadow (Titling) 33, 38, 66
Shift-Key (keyboard) 16
Shipping box 7
Size box 38, 68
S-Key (keyboard) 16
Slider / scroll bars 16, 42
Slow-Motion (Special) 49
SmartMedia-Card 10
SmartMedia-Symbol 10
Solarize (IP) 64
Sorting scenes 52
Special 49, 52, 63
Special characters (keyboard) 14
Sphere 15
Split 24, 51
Split (automatically) 51
Split Position 24, 51
Spread (IP) 64
Start (Range) 46, 74
Still picture (Special) 49
Storyboard 25, 41, 57, 62
Stripe Fade (TR) 60
SVHS 17, 62
SVHS in front (Input) 43
SVHS on the back (Input) 43
System Settings 19, 41
T
TAB-Key 15
Technical data 83
Text 38, 65, 67
Text boxes 38, 65, 67
Text menu 37, 80
Timecode 43
Tips 17, 25, 33, 53, 63
Title Info (DVD) 55
Title menu (DVD) 55
Title effects 55, 69
Titling Screen 37, 38, 64
Track list 70, 73
Trackball 14
Trackball Speed 42
Transition (TR) 58
Transitions Screen 27, 58
Transparent 38, 68
Trim 24, 61, 74
Turn on 21, 22
TV/Video Screen 7
U
UnDo 52, 69
Unicolor (Titling) 66
Update service 7
Used hard disk capacity 42, 70
User interface 15
V
VGA 75
Video 17, 37
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Video input 22, 43, 62
Video recorder symbols 17
Video Settings 22, 43
W
Wave form 18, 47, 51
Welcome message 5
White balance (IP) 64, 78
Y
YC 5
Z
Zoom (IP) 64
AUDIO
A
Audio mix 13, 28, 68
Audio tracks 29, 68
Audio-Mix Screen 13, 25, 36
C
Clipboard (Special) 70
Commentary track 36, 72, 75
Copy audio tracks (Special) 70
Copy channel (Special) 70
Correction 72, 74
Create 29, 34, 74
D
Delete / Remove 22, 39, 40
DV/i-Link 7, 23, 43, 45
F
Fade in (track aperture) 63
Fade out (track aperture) 63
I
In front (Input) 43
IN/OUT (Range) 24, 37, 47, 53
IN/OUT (Trim) 32
Input 8, 33
L
Level controls 35, 70
M
Microphone 35, 70
Mono (Special) 35
Mute (New Sample) 70
Mute (Special) 70
N
Name eld 71
New Sample 35, 70
NOP (Special) 70
O
Original audio 36, 70
P
Play 73
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R
Range 36, 39
Record, Edit 36, 69
Remain. capacity 70
Remove / Delete 46, 49, 56
S
Sinewave sound(New Sample)70
Special 70
Split 25, 71
Split Position 71
Start (Range) 74
Stereo 70
Storyboard 35, 73
Swap (Special) 71
T
Track list 71
Trim 35, 71
Trim meter 73
U
Undo 72
V
Volume 35, 72
Volume (Special) 72
Volume LR (Special) 72
W
Wave form 46, 74
Width (Special) 71
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