Canon PIXMA MX532, REALIS SX7, REALIS WUX5000 PRO AV, IMAGEPROGRAF IPF815 MFP, IMAGEPROGRAF IPF710 User Manual
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OUTPUT
Canon innovation speaks directly to professionals’ needs and desires for better tools. Canon’s unsurpassed imaging
know-how and uncompromising quality standards have resulted in a wide range of tools that include not only the best
in image capture but also the cutting edge in image presentation. Whether projecting a business presentation or a
motion video, or creating gigantic photo prints for display, Canon has the perfect solution for the imaging professional.
Incorporating sophisticated Canon optics and a high-accuracy color management system, Canon REALiS projectors
display even the subtlest hues and color gradations with true-to-life accuracy and brilliant clarity. Canon imagePROGRAF
and PIXMA Pro printers are raising the bar in professional workflows, enabling the in-house output of everything from
proofs and customer deliverables to fine-art gallery prints and large-scale posters, quickly and simply. From idea to
presentation, professionals can count on Canon-to-Canon consistency and a streamlined workflow for stellar performance throughout the imaging process.
REALiS MULTIMEDIA LCOS PROJECTORS 131
REALiS WUX4000 D / REALiS WUX4000 . . . . . . 132
REALiS WUX10 Mark II D /
REALiS WUX10 Mark II
REALiS SX7 Mark II D / REALiS SX7 Mark II. . . . 134
REALiS SX80 Mark II D / REALiS SX80 Mark II . 135
REALiS SX60 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
REALiS SX800 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
REALiS X700. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
REALiS Technology . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
. . . . . . . . . . . . . . . . . . . . . . . 133
PROFESSIONAL PHOTO PRINTERS . . . . . . .144
imagePROGRAF iPF9100
Ryszard Horowitz . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Bruce Dorn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
imagePROGRAF iPF8300
Vincent Isola . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
imagePROGRAF iPF6350
Tyler Stableford. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
imagePROGRAF iPF6300
Parish Kohanim. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Stephen Eastwood . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
imagePROGRAF iPF5100
George Lepp. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Parker Pfister . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Sandy Puc’. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
PIXMA Pro9500 Mark II
Robert Farber . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Eddie Tapp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
PIXMA Pro9000 Mark II
Vincent Laforet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Michel Tcherevkoff. . . . . . . . . . . . . . . . . . . . . . . . . . . 186
imagePROGRAF Technology . . . . . . . . . . . . . . . . . . 188
PIXMA Pro Technology . . . . . . . . . . . . . . . . . . . . . . . 190
REALiS MULTIMEDIA
LCOS PROJECTORS
OU TP UT
131130
PROJECTORS
High Resolution and Exceptional
Detail for Large Venues
Widescreen Projection for
Corporate and Specialized Fields
• Native WUXGA (1920 x 1200) for high-resolution images with exceptional detail and clarity even in
large settings.
• 4000 Lumens, 1000:1 Contrast Ratio and HDMI Version 1.3 Deep Color for sharp, bright reproduction
of high-quality visuals and direct connection to HD devices.
• REALiS WUX4000 D features a DICOM Simulation Mode for viewing monochrome digital X-Rays, CAT
Scans and MRIs with accurate color and precise detail.*
• Three interchangeable Genuine Canon Lenses for clear, rich images to suit any situation.
• Motorized Lens Shift can be operated in both vertical and horizontal directions.
These high-performance WUXGA (1920 x 1200) resolution installation projectors are ideal for large venues: corporate board
and conference rooms, educational institutions, museums, galleries, photo studios, and houses of worship. REALiS WUX4000 D
features DICOM Simulation mode,* allowing it to faithfully project X-rays, CAT scans, and MRIs using the DICOM standard for
education applications. Both models employ Canon’s AISYS-enhanced LCOS technology and interchangeable Genuine Canon
lenses for spectacularly clear, rich images. An HDMI 1.3 Deep Color terminal projects high-quality digital images and uncompressed 1080p video, while a built-in network connection (RJ-45) offers remote network operation. With expanded color
space, advanced optics and 4000 lumens, sharp and brilliant projections reach every chair in the room.
*The WUX4000 D is not a diagnostic projector and should only be used for educational purposes. *The WUX10 Mark II D is not a diagnostic projector and should only be used for educational purposes.
• Native WUXGA (1920 x 1200)and 3200 Lumens for exceptional resolution and brightness, perfect
for presentations incorporating high-quality visuals.
• 1.5x Optical Powered Zoom Lens accommodates various venues and applications with faithful
reproduction.
• HDMI Version 1.3 Deep Color for direct connection to a full range of HD devices.
• Photo Image Mode allows on-site color adjustment to suit ambient lighting conditions.
• WUX10 Mark II D features a DICOM Simulation Mode for viewing monochrome digital X-Rays, CAT
Scans and MRIs with accurate color and precise detail.*
High-performance widescreen projectors deliver razor-sharp image quality in WUXGA (1920 x 1200) resolution. LCOS and
Canon’s exclusive AISYS technology with improved light efficiency, uniformity, and expanded color space provide outstanding
color reproduction and exceptionally clear image quality. REALiS WUX10 Mark II D features DICOM Simulation mode,* allowing it
to faithfully project X-rays, CAT scans, and MRIs using the DICOM standard for education applications. Photo Mode allows
precise on-site color adjustments. Other features include an HDMI terminal (version 1.3 Deep Color) for projection of high-quality
digital images and uncompressed 1080p video that’s proportionally identical to the source material. Performance is fast, easy
and quiet, and a built-in network connection allows remote network operation.
133132
PROJECTORS
Outstanding Color Fidelity
for Demanding Designers,
Publishers and Photographers
Affordable, High-quality Projection
for Medical, Corporate and
Creative Applications
• Native SXGA+ (1400 x 1050) for crisp resolution and 4000 Lumens for brightness, clarity and
dimension.
• 1.7x Optical Powered Zoom Lens for clear, high-contrast, true-color images in small or large rooms.
• Adobe RGB Color Space support for images with accurate, uniform color at all stages of production.
• Photo Image Mode allows on-site color adjustment to suit ambient lighting conditions.
• SX7 Mark II D features a DICOM Simulation Mode for viewing monochrome digital X-Rays, CAT Scans
and MRIs with accurate color and precise detail.*
The exceptional color reproduction of these multimedia projectors ensures true-to-life high-definition images. Native SXGA+
resolution (1400 x 1050) and Adobe RGB Color Match System provide superior reproduction of source text, graphics and moving
images. Ultra-bright 4000 lumens, combined with the Canon AISYS-enhanced LCOS optical system technology, produce seamless
images with no gaps between pixels. Photo Mode setting allows precise adjustments to both the color temperature and color
level to suit the chosen venue. The AC lamp promotes color fidelity with enhanced red and green for more realistic tones. The
SX7 Mark II D features DICOM Simulation mode,* allowing it to faithfully project X-rays, CAT scans, and MRIs using the DICOM
standard for education applications.
*The SX7 Mark II D is not a diagnostic projector and should only be used for educational purposes. *The SX80 Mark II D is not a diagnostic projector and should only be used for educational purposes.
• SXGA+ (1400 x 1050) and 3000 Lumens for high-resolution, accurate display of widescreen material
and bright, true-to-life color.
• 1.5x Optical Powered Zoom Lens allows screen size to match venue.
• PC-free presentations from USB flash drives, PictBridge compatible cameras, HD satellite or cable
boxes, digital camcorders or Blu-Ray players.
• Photo Image Mode allows on-site color adjustment to suit ambient lighting conditions.
• SX80 Mark II D features a DICOM Simulation Mode for viewing monochrome digital X-Rays, CAT
Scans and MRIs with accurate color and precise detail.*
These affordable high-performance SXGA+ (1400 x 1050) projectors render even the finest details with excellent precision. Data
produced on a widescreen laptop is projected accurately, displaying the entire screen in its true proportions. Canon AISYSenhanced LCOS optical system technology delivers bright, sharp, true-color big-screen images without darkening the conference
room or classroom. 3000 lumens offer superior brightness and color balance, perfect for presentations incorporating high-quality
visuals. Project PC-free from a USB flash drive or PictBridge compatible camera, or display high-definition images or video from a
satellite or cable box, digital camcorder or Blu-Ray player. REALiS SX80 Mark II D features DICOM Simulation mode,* allowing it
to faithfully project X-rays, CAT scans, and MRIs using the DICOM standard for education purposes.
135134
PROJECTORS
High Quality, Flexile Multimedia
Projection for a Wide Range of
Applications
Affordable High-resolution
Display in a Lightweight,
Portable Projector
• SXGA+ (1400 x 1050) for crisp resolution and 720p HD video without compression.
• 2500 Lumens for bright, clear, high quality images.
• 2000:1 contrast ratio (in home cinema mode)
• 1.7x Ultra-Wide Powered Zoom Lens for a diagonal screen size range of 40" (at distance of 3.9')
to 300".
• Auto Setup for optimum focus, automatic input port detection, keystone correction and color
correction in seconds.
• Versatile connectivity from a wide range of input options including DVI-I input.
REALiS SX60 features Canon’s advanced AISYS technology with excellent light efficiency, uniformity, and expanded color space.
At 2500 ANSI lumens, this bright, ultra-portable SXGA+ projector delivers an exceptional level of image quality, making it ideal
for a wide variety of demanding professional applications. Its 1.7x Ultra-Wide Powered Zoom Lens with Autofocus offers great
flexibility in venue size, while super quiet (27dB) operation makes it perfect for classrooms and film screenings. The lightweight
SX60 is easy to use, carry and set up, and the DVI-I terminal allows projection of high quality video from satellite and digital
cable boxes, as well as DVD players.
• SXGA+ (1400 x 1050) for sharp resolution, precise detail and proportional representation of
widescreen data.
• 3000 Lumens for superior brightness and pure, high-contrast color reproduction.
• 1.5x Optical Powered Zoom Lens accommodates various venues and applications.
• Versatile connectivity to PC, DVD player, video camera and external audio equipment.
• Lightweight and compact: easy to carry and set up wherever it’s needed.
REALiS SX800 features high-resolution SXGA+ (1400 x 1050) that is ideal for displaying crisp video, photographs, fine text,
spreadsheets, CAD drawings, and engineering diagrams. The large display range reproduces even the smallest details with
sharp precision, while the exceptional brightness of 3000 lumens brings enriched color, clarity, and textural nuances to presentations. Canon’s proprietary AISYS-enhanced LCOS technology virtually eliminates the distracting “screen door” effect common
with LCD units, so intricate details and text as small as 7-point remain crisp and legible. The SX800 supports data produced on a
widescreen laptop, projecting the entire screen in its true proportions.
137136
PROJECTOR TECHNOLOGY
Customizable Color and
Maximum Brightness in an
Ultra-Portable Projector
X700
• XGA (1024 x 768) and 4000 Lumens for crisp resolution and easy viewing in any lighting conditions.
• 1.7x Ultra-Wide Powered Zoom Lens for a diagonal screen size range of 40" (at distance of 3.9')
to 300".
• DVI-I Input with HDCP (HD Ready) connectivity to project high-quality video from satellite and digital
cable boxes and DVD players without any reduction in image quality.
• Advanced Color Management for precise optimization of color display to projection type and
source material.
• Auto Setup for optimum focus, automatic input port detection, keystone correction and color
correction in seconds.
The sophisticated X700 is an LCOS XGA projector featuring advanced AISYS technology with improved light efficiency, uniformity,
and expanded color space. With 4000 ANSI lumens, projections are brightly visible regardless of ambient room lighting. A range
of audio inputs, variable audio outputs and an optional Network Operation feature make the X700 a highly versatile projector for
the classroom, boardroom or conference room. The 1.7x power zoom lens provides a wider diagonal screen size range that
adapts to practically any room, at the same time keeping peripheral image distortion to an absolute minimum. Canon’s highaccuracy Color Management System offer myriad options for fine tuning color.
Canon REALiS Technology
Goes to Work for Professionals
panels and equalizing light from the projection
lamp. This results in notable brightness, high
contrast and exceptional color reproduction.
AISYS Optical System
Designed for optimal performance at a minimal
size, the AISYS Optical Engine allows for compact, lightweight, cost-effective projectors.
Canon has continued to improve the optical
Technology Designed to
Meet Professional Demands
Canon has created the REALiS line of multimedia
projectors to meet the exacting demands of
professionals in fields ranging from medical
education to the fine arts. Used everywhere
from corporate boards and conference rooms
to classrooms, photo galleries, and houses of
worship, from the largest venues to the most
intimate spaces, REALiS projectors have the
technology professionals need built right in.
Incorporating LCOS (Liquid Crystal on Silicon)
technology, genuine Canon optics and Canon’s
high-accuracy color management system into
our patented AISYS (Aspectual Illumination
System) Optical Engine, Canon REALiS projectors are able to reproduce even the subtlest
hues and color gradations. High resolution,
bright illumination and quiet performance
deliver compelling presentations that get the
job done. For professional performance, trueto-life color reproduction and unmatched clarity,
there is no substitute for REALiS.
The LCOS Advantage
LCOS (Liquid Crystal On Silicon) Technology
delivers the highest standard in projector
image quality. Lattice-free, seamless photo
reproduction and smooth, film-like quality
video are projected with realistic colors and
intricate detail down to the smallest text.
Thanks to the fast response time of LCOS
panels, high definition video leaps off the
screen with impressive quality and integrity.
The advantages of LCOS are easy to see for
presenter and audience alike: images and
video with rich color, deep contrast and sharp
resolution.
Comparing Technologies
LCOS Projector (Three-Panel) LCD Projector (Three-Panel) DLP Projector (Single-Chip)
Light from the projector lamp is seperated into red, green and blue, and
then reflected from each of the three
LCOS panels. The separated light is
then recombined by the polarized
beam splitter. Since the light is reflecting from the LCOS panels, there is virtually no “screen door” effect.
Light from the projector lamp is separated into red, green and blue, then
passed through each of the three LCD
panels. The seperated light is then
recombined by a prism. The light passes through the LCD panels as small
dots, which tend to create a lattice-like
pattern on the screen.
elements incorporated into the AISYS optical
engine. The uniformity of light has been
enhanced to further optimize image quality,
and the Polarizing Beam Splitters (PBS) (integral parts of the color separation and recombination system) have been redesigned to achieve
more precise light control. REALiS projectors
set an entirely new standard in bright, beautiful, high-definition, high-contrast images.
The AISYS Optical
Engine
Canon’s proprietary AISYS
Optical Engine enhances
image quality by maximizing
the performance of the LCOS
A constantly rotating color wheel
reflects red, green, blue, and white
image components off a micro-mirror
device to produce the projected image.
The three primary colors are sequentially displayed and synthesized in the
viewer’s brain to produce images perceived as full color.
139138
PROJECTOR TECHNOLOGY
Genuine Canon Optics
Canon’s REALiS Series lens configuration is a
six-group assembly with 12 elements and four
moving groups, featuring one UD lens and two
high-precision double-sided aspherical lenses.
The configuration not only delivers brilliant
UD lens
Two high-precision double-sided
aspherical lenses
clarity, but allows Canon to develop a WUXGA
LCOS projector with superb brightness and
image quality, in addition to flexible operational functions, all in a conveniently compact,
cost-effective package. In fact, newer notebook
PCs already support native WUXGA, an ideal
solution for today’s HD and Blu-Ray content.
Canon’s 1.5x Powered Zoom Lens has
been engineered to accommodate LCOS reflective LCD panels. And, with our new 10:0 lens
offset, REALiS projectors can now be pulled
back even further without the image hitting the
table or the ceiling. This minimizes the need
for keystone correction.
The 1.7 Powered Zoom Lens projects a
diagonal screen size range of 40" at a distance
of 3.9', and 100" at 9.8'. With a maximum
screen size of 300", REALiS projectors adapt to
virtually any size venue. The incorporation of a
dual-sided aspherical lens in the optical array
suppresses distortion and keeps peripheral
image distortion to an absolute minimum. This
enhanced resolution
allows accurate reproduction of even the most highly detailed images.
Optional Lenses
for a Variety of
Applications
The REALiS WUX4000
Series offers three interchangeable high resolution
lenses. All three lenses
have very low distortion,
making them ideal for installations requiring
multi-stacking, multi-screen resolution. In
addition to the standard
1.5x Zoom Lens, users can
choose a Long Focus Zoom
Lens or an Ultra Wide Angle
Lens to cover a wide range of
applications and situations.
All three lenses feature
advanced Canon aspherical
lens element technology,
which dramatically reduces
overall lens size while maintaining optical performance.
As a result, all three lenses
are similar in size and fit in
the same space on the
projector. This enables
rental and staging companies to ship REALiS
WUX 4000 Series projectors
pre-assembled with lens. Consultants will also
have an easier time designing cost-efficient
installations.
The T-WC070 0.7x Wide Angle Converter
Lens (compatible with only the SX7 Mark II D,
Canon Throw Distance
REALiS WUX4000 D, WUX4000 (1.5x Zoom Lens RS-ILO1ST)
Projection Image Size
Projection
Distance
REALiS WUX4000 D, WUX4000 (Long Focus Zoom Lens RS-IL02LZ)
Projection Image Size
Projection
Distance
REALiS WUX4000 D, WUX4000 (Ultra Wide Angle Lens RS-IL03WF)
Projection Image Size
Projection
Distance
40" 80" 100" 150" 200" 300"
1.3' 2.6' 3.2' 4.8' 6.4' 9.6'
Wide
1.9' 3.9' 4.8' 7.2' 9.6' 14.5'
Tele
40" 80" 100" 150" 200" 300"
Wide
1.9' 4.2' 4.7' 7.1' 9.5' 14.2'
3.2' 7.2' 8.0' 12.1' 16.1' 24.2'
Tele
40" 80" 100" 150" 200"
0.7' 1.6' 1.7' 2.6' 3.4' 5.2'
Fixed
1.5x Zoom Lens
RS-IL01ST
Ultra Wide Angle Lens
RS-IL03WF
Long Focus Zoom Lens
RS-IL02LZ
SX7 Mark II, SX60, and
X700 projectors) enables
the projected image size
to be enlarged without
Wide Angle Converter Lens
increasing the distance
between projector and screen. It is an excellent
problem solver for short-distance projection
situations, such as in meeting rooms, and for
rear-projection applications.
Motorized Lens Shift
Motorized lens shift, available on the
WUX4000 D and WUX4000 projectors, enables
the vertical and horizontal position of the
projected image to be adjusted using the
projector’s control panel or remote control.
Because the correction is performed by shifting
the lens, the image can be raised or lowered
and moved left or right without physically tilting
the projector. This benefits installers who may
have difficulty center-aligning the projector
with the screen because of unforeseen obstacles. Moreover, unlike certain digital correction
methods, lens shift does not degrade the
image, so the quality of projected content
remains uncompromised.
Proprietary Color
Management
Canon Color Management System (
CMS ensures accurate color reproduction for
an extended color space, while simultaneously
compensating for color variances due to lighting differences. The result is true HD-quality
color even in the toughest conditions.
Professional image-makers can rely on REALiS
projectors to deliver crucial color integrity.
REALiS WUX10 MARK II D, WUX10 MARK II
Projection Image Size
Projection
Distance
REALiS SX7 MARK II D, SX7 MARK II, SX60, X700
Projection Image Size
Projection
Distance
REALiS SX80 MARK II D, SX80 MARK II, SX800
300"
Projection Image Size
Projection
Distance
40" 80" 100" 150" 200" 300"
3.9' 7.9' 9.8' 14.8' 20.0' 29.9'
Wide
5.6' 11.5' 14.4' 22.0' 29.2' –
Tele
40" 80" 100" 150" 200" 300"
Wide
3.9' 7.9' 9.8' 14.8' 19.7' 29.5'
5.9' 11.5' 14.4' 21.7' 29.2' –
Tele
40" 80" 100" 150" 200" 300"
3.9' 7.9' 9.8' 14.8' 19.7' 29.9'
Wide
5.6' 11.5' 14.4' 21.7' 29.2' –
Tele
T-WC070
CMS
Rich Blacks
Precise control prevents the excess leakage of
light, producing rich, detailed gradations even
in the shadowed portions of images. Depth
and dimension are reproduced with all the
drama and realism of the source material.
Adobe RGB Color Match System
Proprietary color filters incorporated into the
AISYS optical system deliver exceptional accu-
SX7 Mark II / SX7 Mark II D Color Space
Adobe RGB support
Adobe RGB
sRGB
Image Modes
WUX4000 D
WUX10 Mark II D
WUX10 Mark II
SX80 Mark II D
SX80 Mark II
SX7 Mark II D
SX7 Mark II
PC
AV
WUX4000
SX60
SX800
X700
n Standard Prioritizes repro-
duction of white, closely matching the image characteristics of
the original
n Presentation Produces a
bright, high-contrast display
for ease of viewing text and
numerical data
Versatile Performance
n Movie Suitable for display-
ing theatrical content; image
quality emphasizes gradation
in dark areas
n Movie & Photo For display
of video and digital camera
images; clearly defines
dations and improvescolor
reproduction
n Vivid Photo Emphasizes the
vividness of colors. Suitable for
viewing in a somewhat darker
room.
n Adobe RGB n sRGB
n Photo/sRGB Reproduces
colors in the appropriate color
space for accurate projection
of content produced in specific
standardized formats
n Home Cinema Controls
brightness while enhancing
contrast to a ratio of 2000:1;
for display of theatrical content
in pitch-dark rooms
n Photo Image provides highly
precise color temperature and
gra-
AC Projector Lamp
color level adjustments and
clearly defined gradations
n DICOM Simulation is used
to produce high-resolution
images with twenty-one different levels of grayscale
gradation. Available on select
models only.
n User Setting 1-5 Users
can register up to 5 types of
combinations of settings of
image quality into memory for
future use.
n Dynamic Suitable for view-
ing visual software (moving
pictures) in a somewhat
brighter room.
n Video Suitable for view-
ing video taken with a video
camera and similar video in a
somewhat darker room.
n Cinema Suitable for ordinary visual software (video).
Mode allows viewers to easily
enjoy the atmosphere of a
movie theater in a dim room.
REALiS projectors feature AC lamps that boosts
the purity of projected reds and greens. AC lamps
The REALiS SX7 series supports Adobe RGB color space.
racy and detail in both Adobe RGB and sRGB
modes. This is ideal for professional photography, design, publishing, printing and fine art,
where color integrity is key.
Screen Aspect Modes
Canon REALiS projectors operate in
both 4:3 aspect
ratio and 16:9
aspect ratio to work
perfectly with either
16:9 Digital Image Shift
Before Shift
offer long life and are 15 percent brighter than DC
lamps. Moreover, AC lamps not only ensure more
vivid images, but also deliver better value.
Luminous spectrum of DC & AC lamps
screen format.
6-Axis Color Adjustments
)
REALiS projectors offer a 6-Axis Color
Adjustment function that allows both hue and
saturation adjustments independent of RGB
and CMYK color axes. This feature is ideal for
professionals with very demanding color
requirements.
Fine tune adjustments to color can be made with the color
adjustment function.
WUXGA models
display native
16:10 aspect ratio,
providing unaltered
display of high-res-
Digital Image Shift UP
olution 1920 x 1200
data and video content. The true proportions of the
source image are
Digital Image Shift DOWN
thus maintained on the screen, just as it would
appear on a computer monitor.
Dynamic Gamma
With Dynamic Gamma in operation, gamma is
automatically adjusted to optimum values.
This feature is vital for projecting rapidly moving images. Each frame is displayed with optimum contrast balance to prevent washed-out
whites and blocked-up blacks.
Image Modes
The numerous Image Modes on REALiS projectors can be used alone or in combination to
optimize the display. The modes enhance the
viewing experience based on the source
content, and also compensate for the lighting
conditions of the room.
Photo Image Mode
To compensate for the effects of ambient light
on color projections, select REALiS projectors
offer different types of Photo Image Mode. The
mode allows precise adjustments in color temperature and color level, for faithful reproduction
of color on-site regardless of lighting conditions.
141140
PROJECTOR TECHNOLOGY
DICOM Simulation Mode
The DICOM Simulation Mode available in
select REALiS “D” projectors is ideal for those
in the medical education field. Images such
as X-rays, CAT scans and MRIs can be faithfully projected in a clear gray scale tone
similar to the DICOM (Digital Imaging and
Communications in Medicine) standard. 21
tone settings allow users to accommodate
various ambient lighting conditions.*
*REALiS “D” models are not diagnostic projectors and should
only be used for educational purposes.
Presenter-Friendly Use
Quiet Operation
Projectors generate heat, and typical cooling
mechanisms can be very distracting during
presentations. REALiS projectors, however, are
specifically engineered for noise prevention.
From the ventilation system to the cooling fan
to the layout of the optical array, the design of
each element contributes to the unit’s exceptionally quiet operation.
LED Input Illumination
When several image input devices are connected, an LED conveniently indicates which image
Auto Keystone: Off
Auto Keystone: Adjusted
signal is selected as the input. The LED illumination on the operation panel flashes to
indicate start-up, end of presentation and
various other commands.
Auto Screen Color: Off
Auto Screen Color: Corrected
Remote Control
Flexible remote control features enable presenters to highlight their points or pause the
presentation from anywhere in the room.
• Digital Zoom enlarges a selected single area
of the screen, e.g., specific data in a graph;
images can be enlarged up to 12x.
Resolution of
enlarged section
is reduced.
• Spot highlights
a portion of the
image on the
screen; the spotlight can be
made larger or
smaller or moved anywhere on the screen.
• Freeze freezes the current on-screen display
for pauses in the presentation such as
changing PC connections or checking the
subsequent image file.
Auto Focus: Before
Auto Focus: Adjusted
Auto Setup
These smart features make preparing for a presentation quick and easy. Just press the Auto
Setup button and within seconds the input
source is connected, distortion is corrected,
focus is sharpened and color is balanced.
• Auto Keystone automatically calculates the
angle of the projector and corrects for image
distortion: vertical (+/- 20°).
• Auto Input automatically detects and identi-
fies the image signal from the input terminal
and selects it for display.
• Auto Focus automatically measures the dis-
tance to the screen using an infrared sensor,
and focuses the projection in as little as one
second.
• Auto Screen Color automatically adjusts the
color balance according to the projection
surface’s color, e.g. a green chalkboard. (Not
part of the default settings.)
Guide Functions
All REALiS models display guide messages in
an on-screen window, providing setup tips and
helpful feedback on invalid operations.
Guide function display
Direct Power On
REALiS projectors can be switched on and off
from a central control terminal without the need
to touch the unit directly. This permits remote
operation when the unit is mounted overhead.
With the Direct Power setting on and power
introduced, the projector starts up automatically
and is ready to display in approx. 20 seconds.
Off and Go
REALiS projectors are equipped with a built-in
condenser that runs the cooling fan. This makes
it possible to simply unplug the projector,
pack it up and go immediately, while the unit
continues to cool down.
Outstanding Connectivity
and Compatibility
Network and Serial Capability
REALiS multimedia projectors provide both an
RJ-45 network port and an RS-232C serial port.
By plugging in an Ethernet cable into the projector’s RJ-45 network port, users can manage one
or several projectors locally and remotely from
any PC connected to a network. The RS232-C
serial port offers connectivity with industrystandard control systems, such as those by
AMX, Crestron, and Extron, simplifying installations with other devices. (The SX60 and the
X700 require an optional network adapter to
operate the projector from a networked PC.)
Flexible Compatibility
REALiS multimedia projectors are compatible
with a variety of image signals, including HDTV.
Audio Input & Output
Audio input source will switch automatically to
match the image signal source. Audio output
terminals permit connection to external audio
devices, making it easy to control sound levels
from the projector’s remote control unit.
PC-Free Presentations
Convenient built-in interfaces make it easy to
share media not resident on a PC. Connect a
USB memory stick directly into the projector, or
a PictBridge compatible digital camera via USB
Network Management Diagram Audio Input & Output Diagram
cable for PC-free presentation. (Only JPEG
images can be displayed using a USB memory
stick. Only the SX80 Series projectors support
PC-free presentation.)
Customer First
Kit Contents & Optional Accessories
REALiS projectors come with everything needed
to begin giving compelling presentations right
out of the box. To increase the performance
value of a REALiS projector even further, Canon
has developed several smart accessories.
“Triple P” Program
Canon’s Projector Protection
Program, also known as
“Triple P,” is a service program that provides a loaner
projector of equal or greater quality in the event
that a repair must be made.
• Free to any buyer within the 3-year new product limited warranty
• Canon Customer Support Center toll-free hotline: 1-800-828-4040
• Customer Service Hours: 8 a.m. to midnight,
Monday - Friday and 10 a.m. to 8 p.m.,
Saturday EST
• For next business day delivery of loaner
projector(s), a Customer Activation Form must
be received by Canon Customer Support
Center by 3 p.m. EST (Monday - Friday)
• Customer must provide a valid credit card as
security for the loaner unit
• Delivery not available on Saturday and Sunday
• Program available for products purchased and
utilized in the U.S.A. only
• Applies to Canon Multimedia Projectors only
• Loaner unit based on availability
• Program subject to change at any time without any given notice
Ease of Installation and Maintenance
With dimensions of 14.96" W x 16.92" D x
6.69" H and a weight of 18.7 lb., the REALiS
WUX4000 Series is easy to install in a wide
variety of applications. The projector has
been designed with intelligently located,
easily accessible consumable parts to
enhance both flexibility in mounting and ease
of maintenance. The projector’s lamp and filter
can be replaced from the back/side, and the
PS element can be replaced through the top
of the projector.
Removing/Replacing the WUX4000 PS Element
• Because of constant exposure to lamp heat, the optical block
of a projector breaks down in time.
• Replacing an LCD projector’s optical block could cost as
much as buying a new projector.
• Canon’s PS optical filter element can be changed by an
authorized service dealer or at a Canon service facility for a
fraction of the cost, restoring the color output of the projector to near-factory condition.
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OUTPUT
PHOTO PRINTERS
The Featured
Professionals
The Canon Total Imaging Solution:
The Professional’s Choice.
These professional photographers depend on Canon for their total imaging
solution from composition through final prints. Canon innovation speaks
directly to their needs and desires for better tools. Canon’s leadership in
imaging technologies and uncompromising quality standards have delivered a wide range of tools that include the EOS System of cameras, lenses
and a host of accessories. Today, the Canon system also addresses the
photo printing needs of today’s digital imaging professionals. Already
redefining output quality and performance in fine art and commercial
applications, Canon imagePROGRAF and PIXMA Pro inkjet printers are setting new standards in professional workflows. From individual vision to
print, professionals now count on Canon for the finest in image capture
and presentation.
ART
Ryszard
Horowitz
Explorer of Light
Capturing Fantasies
One of the youngest known survivors of Auschwitz, Poland-born
Ryszard Horowitz would grow up
to have his photography exhibited, published and collected
around the globe, and has been
awarded every major accolade
that can be bestowed on a photographer. Inspired by 19th-century “ghost photographers,”
Horowitz depends on Canon professional printers to seamlessly
produce his pioneering special
effect and multi-image photography, and to keep his signature
artistic style intact from initial
conception to final display.
PORTRAIT
Bruce Dorn
Explorer of Light
The Photo Impressionist
When illness temporarily forced
photographer Bruce Dorn to
experiment with other artistic
mediums, little did he know he
would go on to be simultaneously
recognized as a Canon Explorer of
Light, Corel Painter Master and
avid large format printer. Now a
respected mixed-media artist —
he won the venerable Kodak
Professional Innovators Award for
his digital mixed-media images —
and member of the Director’s
Guild of America, Dorn taps
Canon professional printers to
work in perfect sync with digital
painting software to render superlative works of art.
LANDSCAPE
Vincent
Vincent
Isola
Isola
Explorer of Light
The Total Canon Workflow
As owner and principle photographer for the California-based
Genesis Digital Learning Center
and Genesis Photography studio,
respected photographer Vincent
Isola includes powerful Canon
printers in his lab. Printers are an
integral part of the modern photographer’s workflow, and the
award-winning Isola, known
equally for his stark monochromatic work and lush, color-filled
images, depends on a completely
Canon-to-Canon system, from
camera through to printer, to
reproduce a scene faithfully and
professionally.
ADVERTISING
Tyler
Tyler
Stableford
Stableford
Explorer of Light
Any Subject, One Printer
Tyler Stableford is an adventure
photographer who captures images from coal mines deep inside the
Earth to F16s soaring over Colorado.
Equally adept at capturing the
emotional landscape of post-war
veterans or outdoor catalog shots
for companies like Gore-Tex, professional photographer Stableford
prints his portfolio in-house so as
to oversee the entire photographic
process, from image capture to
final print. The recipient of numerous photo awards, Stableford
uses Canon Large Format Inkjet
Printers and professional Canon
pigment ink technology to accurately capture the hyper-saturated
colors and deep shadows that
make his renowned images burst
from the page.
BEAUTY
Parish
Kohanim
Explorer of Light
The Dance of Colors
Known for his elegantly subtle,
brilliantly colored images, the
Iran-born, Atlanta-based Parish
Kohanim’s masterful use of hues
and tonalities bespeaks of his
passion for the vibrant beauty of
life. Advertising agencies, design
firms, and Fortune 500 companies, IBM, AT&T, Coca-Cola,
DeBeers and more dot his
resume, and he collaborated with
Cirque du Soleil for his book,
Luminosa. Canon professional
printers, able to print on a wide
range of mediums, from gloss to
canvas, lend fine-art polish to his
fantastical work.
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OUTPUT
BEAUTY
Stephen
Stephen
Eastwood
Eastwood
Explorer of Light
Images Made to Amaze
Model turned self-taught photographer, Stephen Eastwood does
much of his client proofing on
Canon imagePROGRAF printers.
Ranging from Graphic Arts
Printers, MFP Imaging Systems,
and general-use printing, Canon
state-of-the-art large format printers use the LUCIA EX ink set for
long-lived, practically grainless
results with smooth gradations.
They produce the lusciously highend fashion, haute couture-styled
glamour images for which
Eastwood is known, rendering
accurate highlights, shadow and
color for maximum impact.
NATURE
George Lepp
George Lepp
Explorer of Light
The Right Tools for the Job
Professional photographer and
avid large format printer, George
Lepp considers his Canon imagePROGRAF printers as much a part
of his creative process as his
camera. The new Canon printers
offer a full range of creative tools
to render any photographic vision
at the highest possible quality,
including software that offers fine
control over contrast and image
detail to create standout images.
With work spanning huge, multiimage panoramic nature shots to
intimate, soft-focus portraits,
Lepp taps the creative range of
Canon image tools to exactly
manifest his mind’s eye.
WEDDING/PORTRAIT
Parker
Pfister
Explorer of Light
Finding the Soul of the
Image
One of the country’s most highly
regarded wedding photographers,
award-winning Parker Pfister —
known in the industry as
“Parker J”— shoots with a finished
product already pictured in his
mind, and favors a relaxed, vintage look. Constantly evolving
with new hardware, software and
style, the North Carolina-based
Pfister relies on a myriad of
Canon professional printing technologies to render images that
have not only eye appeal, but
also their own personality and
the soul he strives to catch.
PORTRAIT
Sandy Puc’
Explorer of Light
Timesaving Technology
In addition to being an Explorer of
Light, Sandy Puc’ also currently
serves on the Board of Directors
of the Professional Photographers
of America. Assisting photographers through her educational
website, Sam’s World University,
and overseeing her own studio,
Puc’ values the timesaving
aspects of Canon professional
printers to make her workflow
smooth and efficient. Easy integration into standing operating
systems is just one example of
the dedication to professionalism
Canon pursues.
BEAUTY
Robert
Farber
Explorer of Light
Creating a Digital Darkroom
Canon professional printers
allowed Robert Farber, who has
been exhibited in Japan, Europe,
as well as the United States, to
directly control his workflow by
producing gallery-grade photos
on-site in his studio. For Farber,
fine art limited prints have been a
refreshing turn on his investment:
Meticulous droplet placement
technology and fade-resistant
Canon LUCIA pigment ink accurately reproduce the subtleties of
shadowing and gradation of
colors, so Farber, founder of
Photoworkshop.com, one of the
most visited educational photography sites on the Internet, can
realize his artistic goals from start
to finish.
BEAUTY
Eddie Tapp
Explorer of Light
The Technology
Professionals Rely On
A tireless educator for professional
photographers and a prominent
figure in the world of digital imaging, Eddie Tapp, a Photoshop Hall
of Fame member, is widely recognized as an authority on workflow
and digital color management.
Observing that many labs have
switched over to wide format
Canon printers for their outstanding quality and high speed printing performance, Tapp also notes
that he has never had to replace
the heads or had any issues with
clogging on his Canon printers.
PHOTOJOURNALISM
Vincent
Vincent
Laforet
Laforet
Explorer of Light
Quality Prints on Demand
Vincent Laforet, a three-time winner at the prestigious 2010
Cannes Lions International
Advertising Festival, is a director
and Pulitzer-Prize-winning photographer known for is forwardthinking approach to image making and storytelling. At first
averse to inkjets, Laforet found
that Canon professional inkjet
printers can not only produce
high-quality prints of darkroom
grade or better, but produce them
quickly for waiting clients. That
Canon technology can produce
fine art, limited edition prints has
only furthered Laforet’s presence
in the industry.
SMALL PRODUCT
Michel
Michel
Tcherevkoff
Tcherevkoff
Explorer of Light
Images on the Large Scale
With a career spanning more than
thirty years, Michel Tcherevkoff
taps Canon professional large format imagePROGRAF printers to
reproduce his playful, signature
images to sizes 40 inches by 80
inches and up, with rich color and
smooth gradients. With Ink reservoirs, which allow the printer to
continue a job while ink cartridges are switched out, and LUCIA
archival inks designed to last for
at for least 100 years, Canon professional printing technology is
designed to make workflow
seamlessly easy.
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