RAW Image Processing, Viewing and Editing Software
Digital Photo Professional
Ver. 3.6
Instruction Manual
O Content of this Instruction Manual
O DPP is used for Digital Photo Professional.
O In this manual, the windows used in the
examples are from Windows XP.
O ` indicates the selection procedure of the menu.
Example: [File] menu ` [Exit].
O Square brackets are used to indicate items such
as menu names, button names andwindow
names that appear on the computer screen.
O Text inside < > indicates a key on the keyboard.
O ** indicates a reference page.
Click to move to the relevant page.
O : Marks helpful information when a problem
arises.
O : Marks tips for using the software skillfully.
O : Marks information that should be read
before use.
O : Marks additional information you may find
helpful.
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O Switching BetweenPages
O Click on arrows on the bottom right of the screen.
: next page
: previous page
: return to a page you had previously
displayed
O Click on the chapter headings on the right side
of the screen to switch to the contents page of
that chapter. Also, click the item you want to
read about on the table of contents to move to
the relevant page.
O Help and Shortcut Keys
O For information about using DPP, refer to Help
from the [Help] menu.
O Refer to the [Troubleshooting] ` [Shortcut Key
List] in the Help for a list of shortcut keys which
are helpful for quick operation.
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COPY
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affiliated corporations and third party licensors under such laws.
Nothing contained in Paragraph 1 shall be construed to give Canon any ownership rights in any
images, graphics or textual material that you save in connection with the Software.
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HAVE READ THIS AGREEMENT, UNDERSTOOD IT, AND AGREE TO BE BOUND BY ITS
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ANY OTHER COMMUN
ICATIONS
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
1
Page 3
Introduction
What is a RAW Image?
What is RAW Development?
What Advantages Does a RAW Image Have?
RAW image data
Image processing conditions information
Digital Photo Professional (hereinafter, “DPP”) is high-performance RAW
image processing, viewing and editing software for EOS DIGITAL
cameras. It is often thought that RAW images are difficult to handle
compared with ordinary JPEG images, but using DPP, you can perform
advanced edits and print RAW images with ease.
RAW Images and Their Features
A RAW image is image data that has recorded output data of imaging
sensor. Because image processing does not occur inside the camera
when a photo is taken and the photo has been recorded in the special
form of “RAW image data + Image processing conditions information at
the time of shooting”, special software is needed to view or edit the
image.
* “RAW” means “in a natural condition” or “not processed or refined”.
RAW images are recorded in the format “RAW image data + Image
processing conditions information at the time of shooting”. When you
open an image in DPP, the image is instantly developed and you can
view the image as an image to which image processing conditions at the
time of shooting have been applied.
Even if you perform various adjustments to the image you have opened
(it undergoes automatic development processing each time), only the
image processing conditions (development conditions) change and the
“original image data itself” remains unaffected. Consequently, image
deterioration is not a problem and it is the perfect image data for users
who want to get creative with their images after they have been shot.
In DPP, the “Image processing conditions information” that can be
adjusted is called a “Recipe”.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
If described in terms of film, the concept of a RAW imageis a shot
image not yet developed (latent image).
With film, the image appears for the first time when it is developed. And
as for the RAW image too, you cannot view it as an image on your
computer unless you perform subsequent image signal processing.
Therefore, even though it is digital, this processing is called
“development” and with EOS DIGITAL is performed using DPP.
With DPP, you can view, edit and p rint RA W images without having to be
particularly conscious of the development processing.
COPY
Editing
JPEG/TIFF
5
Images
Reference
Index
2
Page 4
Main Features of DPP
Following are the main tasks you can perform with images you have
downloaded to your computer.
O View and organize RAW images
O Real-time adjustment of a RAW image
O Various image adjustments while maintaining the original image
O Freely apply a Picture Style
O View your image before and after adjustment in the same window
System Requirements
OS
Computer
CPU1.3GHz Pentium or higher*
RAMMinimum 1GB
Display
Windows Vista*
Windows XP Professional/Home Edition*
PC with one of the above OS preinstalled
* Upgraded machines not supported
Screen resolution: 1024 × 768 pixels or more
Color quality : Medium (16 bit) or more
1
3
Introduction
2
Contents at
a Glance
Basic
Operation
1
O Trim an image and change its size
O Correction of lens aberration
O Automatic/manual dust erasure processing
O Convert from a RAW image to a JPEG or
TIFF image and save
O Process large numbers of RAW images in batches
O Transfer the image to image editing software
O Print a RAW image
O View and organize JPEG and TIFF images
O Real-time adjustment of JPEG and TIFF
images
O Various image adjustments while maintaining the original image
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O Print JPEG and TIFF images
O Color management compatibility
O CMYK simulation for commercial printing
*1Compatible with 32-bit/64-bit systems for all versions except Starter
Edition (Also compatible with Service Pack 1)
2
*
Compatible with Service Pack 2/Service Pack 3
3
*
Core2 Duo or higher is recommended
Supported Images
This software supports the following image types.
Image typeExtension
RAW images*1 shot with EOS DIGITAL
RAW images
JPEG images
TIFF imagesExif-compatible TIFF images.TIF, .TIFF
1
*
Compatible with RAW images shot with EOS D6000 or EOS D2000
that have been converted to RAW images using the CR2 Converter
and have the “.CR2” extension.
For information on CR2 Converter, refer to Canon’s web site.
2
*
•
Only models where Digital Photo Professional is listed in the “Data Type”
item in the “S pecifica tions” section near the end of the Camer a User Guid e.
• Use the dedicated CameraWindow application to download images
from a PowerShot camera to a computer. See the Software Starter
Guide for details.
• q Registering Picture Styles to a camera, w Lens aberration
correction, e Automatic dust erasure processing and other EOS
DIGITAL specific functions cannot be used.
•
RAW imag es shot with the PowerShot Pro1 are also supported, but
they cannot be edited with the DPP R AW image adjustment function.
cameras, excluding EOS DCS1 and EOS DCS3
RAW images*
Exif 2.2 or 2.21-compatible JPEG images
2
shot with PowerShot cameras
.CR2
.TIF
.CRW
.JPG, .JPEG
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
3
Page 5
Contents at a Glance
Introduction
Downloading Images to Your Computer
O Download images by connecting your camera and
computer
O Download images using a card reader¿ p.9
¿ p.7
Viewing and Checking RAW Images
O Quickly enlarge parts of an image¿ p.11
O Sort images (check marks)¿ p.17, p.18
O Display an image shot simultaneously as a RAW
image and JPEG image as a single image
O Display the images in the th umbnail list display at high
resolution
O Check shooting information such as the shooting date ¿ p.10, p.21
¿ p.20
¿ p.21
Editing RAW Images (Adjusting)
O Adjust brightness/darkness
O Use automatic adjustment
O Change the Picture Style
O Sharpen the modulation and contrast of colors
(contrast)
O Make skin tone look healthier (color tone)¿ p.27
O Make the image colors more vivid (color saturation)¿ p.27
O Make an image sharp (sharpness)¿ p.29
O Adjust an image to make color tone more natural
(white balance)
O Change an image to black-and-white or sepia tones
(monochrome)
O Trim parts of an image (trimming)¿ p.35
O Specify an aspect ratio that matches the size of the
paper on which an image is to be printed
¿ p.12, p.24
¿ p.30
¿ p.24
¿ p.27
COPY
¿ p.25
¿ p.28
¿ p.35
O Erase dust shot with the image¿ p.63, p.65
O Erase unwanted parts of an image¿ p.67
O
Auto correct RAW ima ges with the Auto Lightin g Optimize r
Adjust brightness of shadows/highlights
O
O Reduce image noise¿ p.58
O Correct lens aberration¿ p.59
O Use a Picture Style file¿ p.55
O Edit efficiently¿ p.31
O Edit an image while comparing the image before and
after adjustment
O Synchronize multiple images¿ p.50
O Display an area beyond the set range as a warning
indicator (Highlight/Shadow warning)
O Restore an adjusted image to its condition at the time
of shooting
¿ p.57
¿ p.53
¿ p.49
¿ p.51
¿ p.39
Printing
O Print well on a Canon printer¿ p.39, p.70, p.71
O Faithfully reproduce the color of the subject
when printing
O Print with the shooting information¿ p.68
O Print a thumbnail list of images¿ p.69
O Approximate the color seen on screen wit h your
printing results
¿ p.39, p.70, p.71
¿ p.76
Conversion of Images
O Convert a RAW image to a JPEG image¿ p.38, p.82
O Edit in Photoshop¿ p.67, p.83
O Perform batch processing¿ p.82
O Edit (adjust) a JPEG image¿ p.86
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
4
Page 6
1
Basic Operation
The basic operational flow – from how to download to your computer
images shot with a camera to checking, editing, saving and printing a
downloaded RAW image – is explained here.
Introduction
Contents at
a Glance
Starting up DPP......................................................... 6
Main Window Display................................................... 6
Downloading an Image to Your Computer ................ 7
Downloading Images Using Your Card Reader............ 9
Viewing an Image.................................................... 10
View Images as Thumbnails in the Main Window...... 10
Changing the Size of Thumbnail Images................ 10
Enlarge and View an Image in the Edit Window......... 11
Enlarging and Viewing a Specific Area................... 11
Adjusting an Image.................................................. 12
About the Tool Palette................................................ 12
About Recipes............................................................ 12
Saving an Image...................................................... 13
¿ DPP starts up and the main window ([Folder] window) appears.
In the main window, you can use tabs to select either the [Folder]
window or the [Collection] window. The [Folder] window displays the
images in folders on your computer, wh ile the [Collection] window (p.33)
displays images selected randomly by the user from one or more folders
and gathered together.
Unless noted otherwise, the [Folder] window will be described as the
main window from this point on.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
COPY
Index
6
Page 8
Downloading an Image to Your Computer
EOS Utility
Connect the camera and computer with the cable provided and
download the images saved on the memory card inserted in the camera.
For downloading images, start up the camera software “EOS Utility”
from DPP and use.
Select the save destination for the images.
1
O Select the save destination in the folder area on the left of the
main window.
O When creating a folder, refer to p.45.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Start up EOS Utility.
2
O Select the [Tools] menu ` [Start EOS Utility].
¿ EOS Utility starts up.
Connect your camera and computer and turn the
3
camera on.
O Connect the camera and your computer with the interface cable
provided with the camera and turn the camera on.
O For detailed instructions on connecting your camera and
computer, refer to the “EOS Utility Instruction Manual” (PDF
electronic manual).
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¿ The capture window for EOS Utility appears.
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
7
Page 9
Click the [Main Window] button.
Click
4
Advantages of using EOS Utility to download images
Using EOS Utility to download images makes it easier to organize your
images as they are downloaded, sorted and saved into folders by date.
Introduction
Contents at
a Glance
¿ The main window for EOS Utility appears.
Download images.
5
O You cannot start up EOS Utility in the [Collection] window
(p.6, p.33).
O When EOS Utility has been started up from DPP, you cannot use
the following functions.
•Quick check window view (p.16)
•Trimming images (p.35, p.94)
•Dust erasure processing (copy stamp function)
(p.63 to p.67, p.96 to p.100)
•Batch change file names (rename function) (p.84)
•Printing with shooting information (p.68)
•Printing a thumbnail list (contact sheet printing) (p.69)
•Printing using Easy-PhotoPrint EX or Easy-PhotoPrint
(Plug-in printing) (p.39, p.42)
•Transferring images to Photoshop (p.67)
•Batch saving images (batch processing) (p.82)
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Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
¿ Downloading of images begins.
¿ The downloaded images are saved in the folder selected in step
1 and are displayed in the main window of DPP.
¿ The downloaded images are sorted by date into folders and
saved.
Index
8
Page 10
You can also download images to the computer using a third-party card
Downloading Images Using Your Card Reader
By selecting the memory card folder directly in DPP, the images in the
folder are displayed in DPP and you can check the shot images.
Checking before downloading images
O Copying to your computer may take time when there is a large
number of shot images saved in the memory card.
O For details on the [DCIM] folder structure and the file names of
shot images, refer to “Folder Structure and File Names in the
Memory Card” in the “EOS Utility Instruction Manual” (PDF
electronic manual).
reader.
Load the memory card into the card reader.
1
Open [My Computer] ` [EOS_DIGITAL] and drag the
2
[DCIM] folder to the [Desktop].
Display the images downloaded to your computer.
3
O In the [DCIM] folder copied to your desktop, select the folder
where the shot images are saved.
¿ Images in the folder are displayed in the main window of DPP.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
¿ The [DCIM] folder is downloaded to your computer.
O All images are saved in folder units inside the [DCIM] folder.
Reference
COPY
Index
9
Page 11
View Images as Thumbnails in the Main Window
Main window
Rotate selected image
Click to select the image
Display thumbnails of all the images inside the
folder selected in the folder area on the left
Images displayed with the [] icon are movie files and cannot be
played back in DPP. Please use “ZoomBrowser EX”, which is
compatible with EOS DIGITAL movie files.
O When aspect ratio information is attached to the shot image with
the EOS-1Ds Mark III or EOS-1D Mark III, the image is displayed
as a trimmed image (p.35, p.94).
O For a list of main window functions, refer to p.105.
Viewing an Image
Images downloaded to your computer are displayed as a thumbnails list
in the main window. You can double-click an image to open the edit
window and display the image at large size.
Changing the Size of Thumbnail Images
You can change the size of the thumbnail images displayed in the main
window and display them with shooting information attached.
Select the [View] menu ` desired item.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
¿ The display changes to the selected item.
COPY
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
10
Page 12
Enlarge and View an Image in the Edit Window
Double-click
Edit windowTool palette
O
By selecting the [View] menu ` [AF Point] in the edit window, you can
display the AF points selected in the camera at the time of shooting.
However, AF point s are not displayed for images which have had their
image size changed and then been converted and saved (p.38, p.113).
O For a list of edit window functions, refer to p.108.
Enlarging and Viewing a Specific Area
Double-click
Tool palette enlargement display position
Change the enlargement
display position by
dragging
Select the [View] menu ` [200% view] or [50% view].
To display an image in an enlargement ratio other than 100%
You can change the enlargement ratio when you double-click (p.74).
Double-click the area you want to enlarge.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
¿ The edit window appears.
¿ It may take time for the image to redraw itself.
O Click the [] in the upper right of the window to close the edit
window.
¿ The area you double-clicked is enlarged to 100% (actual pixel
size). If you wait for a while, it changes to a clearer display.
O Double-click again to revert to the full view.
O To change the display position, drag on the image or drag the
enlargement display position of the tool palette.
COPY
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
11
Page 13
Adjusting an Image
Reverts the image to
the original settings
Drag the slider left or
right
Tool palette
Select the [View] menu ` [Tool palette].
The tool palette does not display
About the Tool Palette
About Recipes
For a list of tool palette functions, refer to p.109.
You can perform a variety of image adjustments, such as adjusting the
brightness or changing the Picture Style of an image using the tool
palette of the edit window . You can easily restore an image to its original
settings with the [] button even if you have made the wrong
adjustment. Try out the various adjustments.
As an example, the procedure to adjust the brightness of an image is
explained here.
You can adjust images with the tool palette by switching between the
[RAW], [RGB] and [NR/Lens/ALO] tab sheets according to your editing
requirements.
Because adjustment made with the tool palette (it undergoes automatic
development processing each time) only changes the image processing
conditions, the “original image data itself” remains unaffected.
Therefore, there are no problems with image deterioration that arise with
editing and you can readjust your images any number of times.
See Chapter 2 onwards for more detailed information on the various
functions of the tool palette.
In DPP, all the adjustment contents (image processing conditions
information) made with the tool palette is saved to an image as data
called a “Recipe” (p.79).
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
¿ The image brightness changes in real time according to the
amount of adjustments.
Reference
COPY
Index
12
Page 14
Saving an Image
Saving
If you perform the save operation described here, you can save all the
adjustment contents (recipe) made with the tool palette to the RAW
image.
Select the [File] menu ` [Save].
¿ Your adjustment contents (recipe) are saved to the image.
With DPP, you can perform the following types of saving according to
your requirements. For detailed information on each saving method,
refer to Chapter 2 onwards.
O Save (p.37)
Add adjustment contents (recipe) made with the tool p alette to a RA W
image and save.
O Save as (p.37)
Add adjustment contents (recipe) made with the tool p alette to a RA W
image and save as a separate RAW image. The original RAW image
remains unaffected.
O Add thumbnail to image and save*(p.21)
Create a new thumbnail image for the main window and save to each
image.
The quality of images in themain window improves and images
redraw themselves more quickly.
O Convert and save(p.38)
Convert adjusted RAW image to a JPEG or TIFF image and save.
The original RAW image remains unaffected.
O Batch process*(p.82)
Convert in batches adjusted multiple RAW images to JPEG or TIFF
images and save.
The original RAW images remain unaffected.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
* You can save these images in the main window.
COPY
Reference
Index
13
Page 15
Printing an Image
Printing
A confirmation dialog box for saving the images appears when you
try to exit DPP without saving the adjusted image. Click the [Yes to
all] button to save the adjustment contents (recipe) to all the images
adjusted.
You can print images with a printer. As an example, the procedure to
print one image on one sheet of paper is described here.
Exiting DPP
In the main window, select the [File] menu ` [Exit].
Introduction
Select the [File] menu ` [Print].
1
¿ The printer’s print settings dialog box appears.
Print.
2
O Specify the optimum settings for photograph printing in the
printer’s print settings dialog box and click the [OK] button.
¿ Printing begins.
¿ DPP exits.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
With DPP, you can perform the following types of printing according to
your requirements. For detailed information on each printing method,
refer to Chapter 2 onwards.
O Print one image (p.44)
O Print using a Canon inkjet printer (p.39, p.42)
O Print with a high-end Canon printer (p.70)
O Print with shooting information (p.68)
O Printing a thumbnail list (contact sheet printing) (p.69)
Reference
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Index
14
Page 16
2
Advanced Operation
Introduction
A more advanced operation – from efficiently checking images, to
various ways of editing an image, printing a RAW image using a Canon
printer and sorting images – is explained here.
When [AF Point] is checkmarked, you can display the AF points
selected in the camera at the time of shooting. However, AF points
are not displayed for images which have had their image size
changed and then been converted and saved (p.38, p.113).
You can enlarge images displayed as thumbnails in the main window
and efficiently check each image. You can attach check marks and sort
images into three groups.
Display the quick check window.
1
O Select the [Tools] menu ` [Start Quick check tool].
¿ The quick check window appears.
Click the [Next] or [Previous] button to switch
2
between images to be checked.
Double-click the area you want to enlarge.
3
¿ The area you double-clicked is enlarged to 50% view.
O Double-click again torevert to the full view.
O To change the display position, drag on the image.
O To exit, click the [OK] button.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
O All the images displayed in the main window can be checked in
the quick check window.
Reference
COPY
Index
16
Page 18
Convenient functions of the quick check window
Sorting Images
Check mark
Introduction
O To check only selected images
You can use the quick check window to check only selected images
by selecting the desired images from those displayed in the main
window and then performing step 1.
O Switch between images using the keyboard
You can also switch between images by pressing the <
key.
O Switch between screens using the keyboard
You can also switch between full screen display/normal screen
display by pressing the <Alt> + <Enter> keys.
O Operate using the menu
Each operation can also be performed with the menu which appears
when you right-click with the mouse on an image.
O The enlargement ratio when an image is enlarged is half (50%) of
the 100% (actual pixel size).
O You can change the enlargement ratio to 100%, when an image is
enlarged (p.74).
O For a list of quick check window functions, refer top.111.
> or <>
You can sort images by attaching three types of check marks for each
subject or theme.
Attach check marks for sorting.
¿ The selected check mark appears in the upper left of the window.
O Click the [Clear] button to remove the check marks.
COPY
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
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Page 19
Sorting Images in the Main Window
Check mark
Click on desired images while holding down the <Ctrl> key. To select
multiple consecutive images, click on the first image, and then click on
the last image while holding down the <Shift> key.
To select multiple images in the main window
Arranging Images in the Main Window
Y ou can so rt images by attaching three types of check marks in the main
window.
In the main window, select the images you want to
sort and attach a check mark for sorting.
¿ The selected check mark appears in the upper left of the image
frame.
O Click the [Clear check] button to remove the check marks.
You can arrange images in the order of the types of check marks you
have attached to images, or in the order of date and time at which the
images were shot. You can also freely arrange images by moving them
individually.
Arranging by Type
Select the [View] menu ` [Sort] ` desired item.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
COPY
¿ The images are arranged in the order according to the selected
item.
Reference
Index
18
Page 20
Sort itemDescription
When you assign check marks 1 to 3, the images are sorted as follows:
1 selected: 1J2J3
2 selected: 2J1J3
3 selected: 3J2J1
Check mark order
You can maintain the order of rearranged images even if you exit DPP
or select another folder in the folder area.
O Maintain order without changing image file names
You can use the [View settings] tab sheet in Preferences to maintain
the order of images without changing the image file names (p.74).
O Maintain order and change image file names
You can use the rename function to maintain the order of images and
change the image file names all at once in the order they were
rearranged (p.84).
Maintaining the order of rearranged images
Check mark1 Check mark3
Shooting Date/TimeImages are sorted by shooting date and time
File nameImages are sorted by file name in alphanumeric
Images with check marks take priority and are
sorted in number order.
from the earliest.
order (0 to 9 J A to Z).
Arranging Freely
Drag and drop the image to the desired location.
Introduction
Contents at
a Glance
Basic
Operation
1
RAW priorityImages are sorted in the following order: RAW
images J JPEG images J TIFF images.
COPY
¿ The image moves to the desired location.
O You can also select multiple images (p.18) and move them.
O The order of rearranged images is maintained until you exit DPP
or select another folder in the folder area.
O Select the [View] menu ` [Sort] ` [File name] to revert to the
order before the images were rearranged.
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
19
Page 21
You can display and handle a RAW image and JPEG image shot
Displaying a RAW Image and JPEG Image as a Single Image
simultaneously as a single image. In particular, you can halve the
number of images displayed in the main window and you can streamline
the checking of a large number of images shot simultaneously.
Select the [Tools] menu ` [Preferences].
1
RAW im ages with the extension “.CR2” can be displayed as a
single image
Images that can be displayed as a single image are images shot with a
camera that shoots RAW images with the extension “.CR2” and JPEG
images simultaneously . Images that have been simult aneously shot with
a camera that shoots RAW images with the extension “.CRW” or “.TIF”
cannot be displayed as a single image.
Introduction
Contents at
a Glance
Basic
Operation
1
Select the [View settings] tab sheet and checkmark
2
[Display only CR2 images for CR2 and JPEG files of
the same name].
When a single image is displayed
O Image displayed
The RAW image is displayed in all windows.
O Editedimage
The content which has been adjusted with any of DPP’ s functions (the
tool palette etc.) will be applied to the RAW image only.
However, if you have used thefollowing functions, the adjustments
will be applied to both the RAW image and the JPEG image.
• Deleting an image (p.45)
• Moving or copying an image (p.46)
• Checkmarks(p.17, p.18)
• Rotating an image (p.105, p.111, p.112)
• Attaching a thumbnail to an image and saving (p.21)
O Images added to the [Collection] window
When you add a RAW image and JPEG image displayed as a single
COPY
image to the [Collection] window , the single image is marked with the
[] mark. However, because the RAW and JPEG images are
actually added individually, the number of images shown on the
[Collection] tab sheet increases by 2 (p.106).
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
¿ The main window display updates and the simultaneously shot
RAW image and JPEG image are displayed as a single image
with the [] mark (p.107).
In step 2, if you uncheck [Display only CR2 images for CR2 and
JPEG files of the same name], the RAW image and JPEG image
are displayed as separate images.
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Introduction
Improving the Quality of an Image in the Main Window
The quality is improved for any RAW, JPEG or TIFF image. While the
image quality improves regardless of the thumbnail size (p.10), selecting
[Large thumbnail], with its larger display size, shows the improvement
more clearly than [Medium thumbnail] and [Small thumbnail].
The extent of the improvement in quality
O A large number of images may take some time to add.
O You can specify a presetting for JPEG images to improve the
quality of all main window thumbnails (p.72, p.73).
Checking Image Information
Create a new thumbnail image for the main window and save to each
image.
The quality of images in the main window improves and images redraw
themselves more quickly.
With all the images selected, select the [File] menu `
[Add thumbnail to image and save].
Select the image for which you want to check the
1
image information.
Select the [File] menu ` [Info].
2
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
COPY
Reference
¿ The image information window appears (p.22).
Index
21
Page 23
Select a tab sheet and check information.
[Shooting Information] tab sheet
[Metadata] tab sheet
O Switching displays
If a different image is selected in the main window when the image
information window is displayed, the image information for that image
will be displayed.
O Difference with the [Thumbnail with information]
Detailed shooting information for each image is displayed in the
image information window. However, if you want to only check the
main shooting information, you can check it for each image in
[Thumbnail with information] (p.10).
Convenient uses in the main window
3
O Shooting information is displayed in the [Shooting Information]
tab sheet, while IPTC* information appended to the image in
Photoshop CS3 after shooting is displayed in the [Metadata] tab
sheet. IPTC* information provides additional comments on
images, such as captions, credits and the shooting location. The
information is sorted into 5 different categories and can be
viewed by selecting [Description], [IPTC Contact], [IPTC Image],
[IPTC Content] or [IPTC S tatus] from th e list box in the [Metadata]
tab sheet.
* International Press Telecommunications Council (IPTC)
O The contents of the [Shooting Information] tab sheet will vary
dependingon thecamera model.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
COPY
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
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Page 24
Edit windowTool palette
O You can rotate an image in the [Adjustment] menu.
O You can adjust an image while comparing the image before and
after adjustment (p.49).
O You can synchronize multiple images and edit while comparing
them (p.50).
O Refer to p.108 for a list of edit window functions, and p.109 for a
list of tool palette functions.
About the RAW Tool Palette
Editing an Image
This section explains how to adjust an image using the tool palette in the
edit window.
You can easily restore an image to its original condition with the []
button even if you have made the wrong adjustment. T ry out the various
adjustments.
How to make adjustments using the [RAW] tool palette functions, and
how to adjust automatically with the [RGB] tool palette are explained in
this section.
You can adjust images with the tool palette by switching between the
[RAW], [RGB] and [NR/Lens/ALO] tab sheets according to your editing
requirements.
Adjustments similar to those that can be performed with the funct ions of
your camera can be performed using the functions of the [RAW] tool
palette. When the camera settings were incorrect during shooting, or
when the shooting result is not what you visualized, you can get closer
to what you envisaged with the [RAW] tool p alette which is similar to the
camera.
All functions other than[RGB] tool palette automatic adjustment, and
each function of the [NR/Lens/ALO] tool palette are explained in
Chapter 3.
Editing with the Tool Palette in the Main Window
By clicking the [Tool] button (p.105) in the toolbar on the main window,
the same tool palette that appears in the edit window is displayed and
you can edit images.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
¿ The image changes in real time according to adjustments
performed with the tool palette.
O To revert to the condition before the last operation performed on
the tool palette, select [Undo] in the [Edit] menu or press <Ctrl> +
<Z> keys.
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Editing
JPEG/TIFF
5
Images
Reference
Index
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Page 25
Introduction
Adjusting Brightness
Reverts the image to
the original settings
Enter a numerical value
Drag the slider left or right
The adjustment range is –2.0 to +2.0 (in 0.01-stop increments when
entering a value).
Changing a Picture Style
Reverts the image to
the original settings
Select
O Even if the RAW image is from a camera that does not have
Picture Style settings, you can still set a Picture Style as long as
the RAW image is compatible with DPP (p.3).
O You can retain the [Color tone], [Color saturation], [Contrast] and
[Sharpness] settings, even if you change the Picture Style (p.75).
The brightness of an image can be adjusted. Move the slider to the right
to make the image brighter and to the left to make the image darker.
If the image you shot is different to what you visualized, you can change
the Picture Style to get closer to what you envisaged.
Even if you have saved the image (p.37) with [Monochrome] (p.28)
selected, you can still change to another Picture Style at any point by
simply selecting a Picture Style other than [Monochrome].
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
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Index
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Page 26
Picture StyleDescription
Adjusting Color Tone by Changing White Balance
Reverts the image to
the original settings
Select
If the color tone of the image does not appear natural after changing the
whitebalance, adjust the white balance using click white balance (p.26).
To make further fine adjustments to color tone after adjusting the white
balance, you can use [Color tone] (p.27) to get closer to your
requirements.
The color tone does not become more natural even when the
white balance is changed
Tune with color tone
You cannot register the adjustment results as personal white
balance (p.81) when you have selected [Shot settings] from the list
box.
Refer to your camera’s Instruction Manual for details on each white
balance setting.
Introduction
Standard
Portrait
Landscape
Neutral
Faithful
Monochrome
(Picture Style file
registered in the
camera)
[Picture Style file
applied in DPP]
The image looks vivid.
Ordinarily, this setting is suitable for most images.
For nice skin tones.
Effective for close-ups of women and children. By
changing the [Color tone], you can adjust the skin
tone (p.27).
For vivid blues and greens.
Effective for making images of landscapes
impressive.
For natural colors and subdued images.
Effective for base images which are to undergo
adjustment.
When the subject is photographed under a color
temperature of 5200K, the color is adjusted
colorimetrically to match the subject’s color.
Effective for base images which are to undergo
adjustment.
For black and white images.
You can also adjust with [Filter effect] or [Toning
effect] (p.28).
Displayed when selecting an image shot with the
Picture Style file registered in the camera.
In the list, the name of the Picture Style fileis
displayed in ( ).
The name of the Picture Style file applied in DPP
is displayed in [ ].
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If the color tone of the photographed image does not appear natural,
change the white balance to make it appear natural. You can make the
color tone natural by setting the light source at the time of shooting an
image of, for example, pale-colored flowers.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
Picture Style File
A Picture Style file is an extended function file of Picture Style. Refer to
p.55 for how to use Picture Style files.
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Page 27
You can adjust white balance using a selected part of an image as the
Adjusting Color Tone Using Click White Balance
Click
The coordinates of the cursor position and
the RGB values (8-bit conversion)
ClickReverts the
image to the
original settings
When there are no white areas in your image, you can adjust the white
balance by clicking on a grey point of the image in step 2. This has the
same adjustment result as selecting a white point.
When there are no white areas in your image
The image is adjusted based on the average value of 5 × 5 pixel
range from the clicked point.
standard for white to make the image appear natural. Using click white
balance is effective when using it in part s of an imag e where white color
tone has changed under the influence of a light source.
1
¿ The color of the image is adjusted with the point you selected as
the standard for white.
O If you click on another point in the image, the white balance is
adjusted again.
O To finish click white balance, right-click with the mouse or click
the [] button again.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Click on a point that is to be the standard for white.
2
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Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
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Page 28
Introduction
Adjusting Contrast
Reverts the image to
the original settings
Drag the slider left or
right (9 steps)
Display the value of the setting
Use [Linear] when you will be adjusting separately using image editing
software that has advanced editing functions. Note that when [Linear] is
checkmarked, the image will become dim.
[Linear] - A function for advanced adjustment
The Auto Lighting Optimizer (p.57) will not function when [Linear] is
checkmarked.
Changing Color Tone and Color Saturation
Drag the sliders left or
right
Display the values of the settings
Reverts the image to
the original settings
The adjustment range is –4 to +4 (in 1-stop increments).
Modulation and degree of contrast can be adjusted. Move the slider to
the right to make contrast stronger and to the left to make contrast
weaker.
Skin tone and overall color saturation can be adjusted.
If Picture Style (p.24) is set to [Monochrome], [Color tone] and [Color
saturation] switch to [Filter effect] and [Toning effect] (p.28).
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
COPY
O Color tone:Mainly used for adjusting skin tones. Move the
slider to the right to make skin tones more
yellow, and to the left to make skin tones
redder.
O Color saturation: The overall color depth of the image is
adjusted with color saturation. Move the slider
to the right to make the color deeper, and to
the left to make the color weaker.
Reference
Index
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Page 29
Adjusting Monochrome
Reverts the image to
the original settings
Drag the sliders left or
right
Display the values of the settings
To emphasize the filter effect, set the [Contrast] slider closer to the right.
Increase the [Contrast] to emphasize the filter effect
When the Picture Style (p.24) is set to [Monochrome], you can create
monochrome photographs with effects similar to filtering and with the
look of a single-color photograph.
O Filter effect: Creates an image where the white of clouds and the
green of trees are emphasized in the same
monochrome photograph.
FilterExample of effect
Introduction
Contents at
a Glance
Select [Monochrome] in the [Picture Style] list box.
1
2
NoneOrdinary monochrome image without filter effect.
Yellow
Orange
Red
Green
O Toning effect:You can createa monochrome photograph to which a
Blue sky is reproduced more naturally and white
clouds emerge clearly.
Blue sky becomes somewhat darker. The
brightness of the setting sun increases further.
Blue sky becomes quite dark. Autumn leaves
become clear and bright.
Human skin tones and lips become softer. The
green leaves of trees become clear and bright.
single color has been added.
You can choose from [None], [Sepia], [Blue], [Purple]
and [Green].
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Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
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Adjusting Sharpness
Reverts the image to
the original settings
Drag the slider left or right
Display the value
of the setting
Sharpness is unnatural
Introduction
You can make the overall atmosphere of an image harder or softer.
Move the slider to the right to make an image harder and to the left to
make an image softer.
Adjust sharpness with the window view set to [100% view], [50% view]
or [200% view]. If the view is set to [Fit to window] (full view), the
sharpness may seem unnatural.
The adjustment range is 0 to 10 (in 1-stop increments).
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
COPY
Index
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Page 31
In order to make the image a desirable standard image, automatically
Automatically Adjusting Brightness and Color (Tone Curve Assist)
Reverts the tone curve
to the original settings
High
Standard
adjust the image tone curve (p.119). You can select the degree of
automatic adjustment from “Standard” and “High”.
Click on the [RGB] tab sheet and click the desired
automatic adjustment button.
O Standard:Standard automatic adjustment. Suitable for most
images.
O High:Use when the effect achieved in standard automatic
adjustment is not strong enough.
Images not suitable for automatic adjustment (tone curve
assist)
The result of automatic adjustment (tone curve assist) may not be as
expected with the following images:
• Images which have been shot with the proper exposure
• Images where the brightness is unbalanced
• Images which are too dark
• Images which have extreme backlighting
If you click the [] button, the tone curve as well as the [Hue] and
[Saturation] revert tothe default settings. Take care when adjusting
the [Hue] and [Saturation] individually (p.90).
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
COPY
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
¿ The tone curve changes as adjusted.
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Page 32
Editing Efficiently
Editing in the Edit Image Window
Click
Change the size
Edit image window
Select the image to be edited
The selected image is displayed as an enlargement
in the middle of the window
By selecting the [View] menu ` [AF Point] in the edit window or edit
image window, you can display the AF points selected in the
camera at the time of shooting. However, AF points are not
displayed for images which have had their image size changed and
then been converted and saved (
p.38, p.113
).
The thumbnail display and the edit window are combined and images can
be edited efficiently while quickly switching between images to be edited.
Images to be edited are selected beforehand in the main window.
Introduction
Edit the image.
3
Contents at
a Glance
In the main window, select the images you want to edit.
1
Switch to the edit image window.
2
¿ The main window switches to the edit image window.
¿ It may take time for the image to redraw itself.
COPY
O The same tool palette as in the edit window is displayed and you
can edit the image.
O To revert to the condition before the last operation performed on
the tool palette, select [Undo] in the [Edit] menu o r press <Ctrl> +
<Z> keys.
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
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Page 33
Double-click the area you want to enlarge.
Doubleclick
4
To display an image in an enlargement ratio other than 100%
Click the [50% view] or [200% view] on the toolbar.
O You can change the way the tool palette is displayed (p.75).
O You can change the enlargement ratio when you double-click
(p.74).
O With the edit image window, you can only select images from one
folder. To gather images from several folders for editing, refer to
“Gathering and Editing Images in the Collection Window” (p.33).
O For a list of edit image window functions, refer to p.112.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
¿ The area you double-clicked is enlarged to 100% (actual pixel
size). If you wait for a while, it changes to a clearer display.
O Double-click again to revert to the full view ([Fit to window]).
O To change the display position, drag on the image or drag the
enlargement display position (p.109) of the tool palette.
O To return to the main window, click the [Main window] button on
the toolbar.
COPY
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
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Introduction
Changing the Thumbnail Display Position to a Horizontal Position
Gathering and Editing Images in the Collection Window
Select the [View] menu ` [Change thumbnail
position].
O If you select [Change thumbnail position] again, the thumbnail
display reverts to the vertical position.
You can gather any randomly selected images together in the
[Collection] window for viewing, comparison and editing. You can gather
images from several folders as well as from only one folder , allowing you
to work with them efficiently.
Select images from the [Folder] window in the main
1
window, and select the [File] menu ` [Add to
collection].
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
COPY
¿ The selected images are added to the [Collection] window and the
number of selected images is shown on the [Collection] tab sheet.
O When you add RAW and JPEG images displayed as a single
image (p.20), the number of images shown on the [Collection]
tab sheet increases by 2.
O You can select several images and add them to the [Collection]
window.
O You can also add images to the [Collection] window by selecting
images, right-clicking with your mouse, and selecting [Add to
collection] from the menu that appears.
O You can add up to 1,000 images to the [Collection] window.
Reference
Index
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Page 35
Select the [Collection] tab sheet.
2
To remove images from the [Collection] window
Select the images to be removed in the [Collection] window and then
select [Remove from collection] in the [File] menu. (Y ou can also remove
images from the [Collection] window by selecting the images, rightclicking with the mouse, and selecting [Remove from collection] from the
menu that appears.)
Note that even if you remove an image from the [Collection] window, the
original image remains unaffected.
Introduction
Contents at
a Glance
Basic
Operation
1
¿ The selected images are displayed in the [Collection] window.
Check displayed images in the [Collection] window.
3
Edit the images.
4
O You can now edit the images displayed in the [Collection]
window.
O Images brought together in the [Collection] window are
retained until you exit DPP
When you exit DPP,the gathered images disappear from the
[Collection] window , but this removal from the [Collection] window
does not mean that theoriginal images themselves have been
deleted.
O Modifications to the image are applied to the original image
Modifications made to images added to the [Collection] window
are all applied to the original image.
You cannot use the following functions in the [Collection] window.
• Starting of EOS Utility (p.7), or synchronizing of folders with EOS
Utility
• Batch change the file name of images (p.84)
COPY
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
34
Page 36
Cancel
Select a
trimming
ratio
Drag the
trimming
range
Trimming window
[Free]:You can trim an image to
any size, regardless of
the selectable ratio.
[Custom]:You can trim an image at
the specified ratio.
Trimming an Image
You can trim only the part of an image you need, or change the
composition of an image where an image shot horizontally becomes
vertical.
Also, when aspect ratio information is attach ed to an image shot with the
EOS-1Ds Mark III or EOS-1D Mark III, the trimming range based on the
aspect ratio information is displayed.
Select the image to be trimmed.
1
Open the trimming window.
2
O Select the [Tools] menu ` [Start Trimming tool].
¿ The trimming window appears.
When the image has redrawn itself, select a ratio and
3
drag the trimming range.
O The trimming range can be moved by dragging.
O You can enlarge or reduce the size of the trimming range by
dragging the four corners of the trimming range.
O List of aspect ratios (width : height)
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
COPY
Click the [OK] button to return to the main window.
4
¿ The trimming range frame is displayed in the trimmed image
(p.107).
¿ When the trimmed image is displayed in an edit window or the
edit image window, it is displayed in its trimmed form.
Reference
Index
35
Page 37
Introduction
About trimmed images
O The trimmed range can be reverted to its original condition at
any time
A trimmed image is displayed or printed as a trimmed image.
However, since the image is not actually trimmed, you can always
revert to the original image by clicking the [Reset] button in the
trimming window or performing the “Re-Editing an Image” procedure
(p.39).
O Display of the trimmed image in each window
• Main window:The frame showing the trimming range is
displayed on the image (p.107).
• Edit window:The image is displayed in its trimmed condition.
• Edit image window: The thumbnail image is the same as the main
window display, and the enlarged image is the
same as the edit window display.
O Printing a trimmed image
You can print as a trimmed image by printing it in DPP.
O The image becomes a trimmed image when converted andsaved
The trimmed RAW image actually becomes a trimmed image when
converted to a JPEG or TIFF image and saved (p.38).
O Images that have aspect ratio set will be displayedas trimmed
images
When aspect ratio information is attached to an image shot with EOS1Ds Mark III or EOS-1D Mark III, the set trimming range based on the
aspect ratio information is displayed. However, since the image is not
actually trimmed, you can change the trimming range or revert to the
condition before trimming.
When reverting to the condition before trimming is performed based
on the aspect ratio information at the time of shooting, click the
[Reset] button. Also, if you want to cancel all the trimming range, click
the [Clear] button (p.114).
COPY
Convenient functions of the trimming window
O Switch between screens using the keyboard
You can also switch between full screen display/normal screen
display by pressing the <Alt> + <Enter> keys or the <F11> key.
O Operate using the menu
Each operation can also be performed with the menu which appears
when you right-click with the mouse on the image.
O Apply the trimmed range to another image
You can apply the trimmed range to another image by clicking the
[Copy] button to copy the trimmed range, displaying another image
and then clicking the [Paste] button.
To batch apply a copiedtrimming range to multiple images, select the
trimmed image and the multiple images to which you want to apply
thetrimmed range in the main window, and display the trimming
window. With the trimmed image displayed, click the [Copy] button
and then click the [Apply All] button. This will apply the trimming range
to all the images selected when the trimming window is displayed.
For a list of the trimming window functions, refer to p.114.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
36
Page 38
Applying Adjustment Contents to Other Images
The recipe (p.79) can be saved as a separate file from the image
and loaded and applied to another image (p.80).
Saving Editing Contents to a RAW Image
You can copy the image adjustment contents (recipe) adjusted with the
tool palette and apply it to other images.
You can efficiently adjust multiple images by adjusting one image and
applying the results of this to multiple images shot in similar shooting
environment.
Select the adjusted image and then select the [Edit]
1
menu ` [Copy recipe to clipboard].
¿ The recipe is copied.
Select the image to which the recipe is to be applied
2
and then select the [Edit] menu ` [Paste recipe].
¿ The recipe is applied to the image.
Saving Editing Results
All the contents (recipe) adjusted with the tool palette as well as the
trimmed (p.35) range information can be saved to a RAW image or to a
separate RAW image.
The adjustments made with the tool palette (p.52 to p.62) and the dust
erase processing explained in Chapter 3 (p.63 to p.67) can also be
saved in a RAW image.
Select the [File] menu ` desired item.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
COPY
¿ Your adjustments are saved to the image.
Editing
JPEG/TIFF
5
Images
Reference
Index
37
Page 39
Introduction
Saving as a JPEG or TIFF Image
Click and save
Select the save
destination
Enter a file name and
select an image type
DPP’s RAW image development processing technology is continually
being improved upon so that you can perform the latest image
processing more appropriately.
Meaning that, between two differing versions o f DPP, processing results
may differ very slightly even if with the same RAW image data, or the
results of significant editing of RAW image data with an attached recipe
may be different.
When you want to save the developing or editing results of the version
you are currently using as it is, it is recommended that you convert and
save images as JPEG image or TIFF images.
T o save the developing/editing re sult s for the version you are
currently using
O By saving as explained on this page, a trimmed image (p.35) or
dust-erased image explained in Chapter 3 (p.63 to p.67) actually
becomes a trimmed image or dust-erased image.
O You can reduce the noise characteristic of JPEG images which
occurs when you convert and save an image as a JPEG (p.72).
O You can batch convert and save multiple images (p.82).
O For a list of [Convert and save] window functions, refer to p.113.
To view, edit and print a RAW image with software other than DPP,
convert to a more versatile JPEG or TIFF image and save.
The image is saved as a separate image, so the RAW image remains
unaffected.
Select the image to be converted.
1
Select the [File] menu ` [Convert and save].
2
¿ The RAW image is converted to a JPEG or TIFF image which is
then saved as a new image in the specified save destination.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
¿ The [Convert and save] window appears.
Specify the necessary settings, and then click the
3
[Save] button.
O By default, the image is converted and saved to a JPEG image
with the highest image quality, without changing the image size.
Change the settings according to your requirements.
COPY
Reference
Index
38
Page 40
Re-Editing an Image
Printing Photographs with Canon Inkjet
Printers Compatible with Easy-PhotoPrint EX
Only the image processing conditions are changed in images adjusted
with the tool palette (p.23), so the “original image data itself” remains
unaffected.
Also, the trimming range information of a trimmed image (p.35) is simply
saved to the image.
For this reason, you can undo any adjustments saved (p.37) to the
image, trimming information, and revert to the condition when last
saved, or when the image was shot.
Select the image that is to be re-edited.
1
Select the [Adjustment] menu ` desired item.
2
Printing an Image
This section explains how to print high-resolution photographs easily
with Canon inkjet printers compatible with the Canon printing software,
Easy-PhotoPrint EX or Easy-PhotoPrint. It also explains how to print
photographs using other printers.
Proceed to the page for the printer you are using.
O Printing Photographs with Canon Inkjet Printers Compatible with
Easy-PhotoPrint EX (Same page)
O Printing Photographs with Canon Inkjet Printers Compatible with
Easy-PhotoPrint (p.42)
O Printing Photographs with a Printer other than Canon Inkjet Printers
(p.44)
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
¿ The image reverts to the conditions of the selected item.
You can perform the following types of photograph printing with Canon
inkjet printers compatible with Easy-PhotoPrint EX (hereinafter, “EPP
EX”) :
O Simple printing of RAW images
O Printing withfaithful colors
To perform this printing, it is necessary to first install EPP EX version 1.1
or later on your computer.
COPY
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
39
Page 41
Select the image to be printed.
Select
Quality
Priority
Click to close the window
Click to
increase the
number of
sheets to be
printed
EPP EX
Click
1
Introduction
In [Print Quality], select [Quality Priority].
4
2
3
Start up EPP EX.
O Select the [File] menu ` [Plug-in printing] ` [Print with Easy-
PhotoPrint EX].
¿ EPP EX starts up.
In the EPP EX window, select the [File] menu `
[Preferences].
Specify the number of sheets to be printed, and then
5
click [Select Paper].
COPY
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
¿ The [Preferences] window appears.
Index
40
Page 42
Select the paper type, and then click the [Layout/
Select the
paper size
and type
Click
Click to print
Select the
layout
6
Print] button.
Additional information
O Print up to 1000 images at a time
You can print up to 1000 images selected in DPP at a time. When
printing more than 1000 images, divide the printing into several jobs.
O The printed image’s color is not what you expected
In the EPP EX window, select [Preferences] in the [File] menu and
then click the [Advanced] tab in the [Preferences] window to display
the [Advanced] tab sheet. In the [Advanced] tab sheet, select [Enable
ICC profile] in [Color correction for printing] and print using the
[Perceptual] setting (p.120).
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Specify the layout, and then click the [Print] button.
7
Printing with faithful colors
When the color space (p.120) is set to sRGB (p.67, p.76), this color
space is automatically transmitted from DPP to EPP EX, allowing you
to print with faithful colors.
DPP is also compatible for printing with Easy-PhotoPrint Pro (p.70).
COPY
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
¿ Printing begins.
41
Page 43
You can perform the following types of photograph printing with Canon
Printing Photographs with Canon Inkjet
Printers Compatible with Easy-PhotoPrint
Select
Quality
Priority
inkjet printers compatible with Easy-PhotoPrint (hereinafter, “EPP”):
O Simple printing of RAW images
O Printing with faithful colors
O High quality printing using the color reproduction range of Adobe RGB
and a Canon inkjet printer
To perform this printing, it is necessary to first install EPP version 3.6 or
later on your computer.
In the EPP window, select the [File] menu `
3
[Preferences].
¿ The [Preferences] window appears.
In [Print Quality], select [Quality Priority].
4
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Select the image to be printed.
1
Start up EPP.
2
O Select the [File] menu ` [Plug-in printing] ` [Print with Easy-
PhotoPrint].
COPY
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
¿ EPP starts up.
42
Page 44
Select the [Advanced] tab sheet and check that the
If checked,
click to
remove the
check mark
Click to
close the
window
Click
Click to
increase the
number of
sheets to be
printed
If checked, click to remove the check marks
Select the
paper type
Click
Click to print
Select the layout
5
EPP image compensation function is disabled.
O If not disabled, the operation of the EPP image compensation
function may prevent images being printed with faithful color
reproduction.
Specify the number of sheets to be printed, and then
6
click [Next].
Check that the image compensation function is
7
disabled, select the paper type and then click [Next].
Specify the layout, and then click [Print].
8
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
COPY
Index
¿ Printing begins.
43
Page 45
Additional information
Printing Photographs with a Printer other than Canon Inkjet Printers
Introduction
O Print up to 1000 images at a time
You can print up to 1000 images selected in DPP at a time. When
printing more than 1000 images, divide the printing into several jobs.
O The printed image’s color is not what you expected
Change the [Rendering intents when using Easy-PhotoPrint] (p.76) to
[Perceptual] (p.120) and print.
Advantages of printing using EPP
O Printing with faithful colors
When the color space (p.120) is set to sRGB or Adobe RGB (p.67,
p.76), this color space is automatically transmitted from DPP to EPP,
allowing you to print with faithful colors.
If you set Apple RGB, ColorMatch RGB or Wide Gamut RGB, the
image is printed with Adobe RGB color space.
O Printing with a wide color reproduction
When the color space (p.67, p.76) is set to Adobe RGB and theimage
is printed with Canon inkjet printer, the color reproduction area
widens, and green and blue in particular are reproduced vividly.
DPP is also compatible for printing with Easy-PhotoPrint Pro (p.70).
You can print one image on one sheet of paper.
Select the image to be printed.
1
Select the [File] menu ` [Print].
2
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
COPY
¿ The [Print] dialog box appears.
Set to photograph printing and print.
3
O Specify the optimum settings for photograph printing in the
¿ Printing begins.
Reference
Index
printer’s print settings dialog box and click the [OK] button.
44
Page 46
Organizing Images
Deleting an Unwanted Image
Creating a Folder for Saving Images
This section explains how to delete unwanted images, create folders for
saving images, move or copy images, etc., and organize your images.
Be aware that you cannot recover deleted images.
Select an unwanted image in the main window.
1
You can create a folder for sorting images.
In the folder area, select the location where the new
1
folder is to be created.
Introduction
Contents at
a Glance
Basic
Operation
1
Select the [File] menu ` [Delete].
2
¿ The [Confirm File Delete] dialog box appears.
Select the [File] menu ` [Create new folder].
2
COPY
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
Click the [Yes] button.
3
¿ The image is moved to the [Recycle Bin] and is deleted from DPP.
O The images are deleted completely from your computer when the
[Empty Recycle Bin] operation is performed on the [Recycle Bin]
on the desktop.
¿ The [Create new folder] dialog box appears.
Enter a folder name and click the [OK] button.
3
¿ The new folder is created in the folder selected in step 1.
45
Page 47
Introduction
Moving Images
Moving Images in Folders
You can move or copy images to a separate folder and sort by shooting
date or themes.
Drag the image to be moved or copied.
O To move: Drag the image and release when the image is in the
destination folder.
O To copy: Drag the image while holding down the <Ctrl> key and
release when the image is in the destination folder.
¿ The images are moved or copied to the destination folder.
You can move or copy folders that contain images, and sort the images
by folders.
Drag the folder to be moved or copied.
O To move: Drag the folder and release when the folder is in the
destination folder.
O To copy: Drag the folder while holding down the <Ctrl> key and
release when the folder is in the destination folder.
¿ The folders are moved or copied to the destination folder.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
COPY
Index
46
Page 48
You can register frequently used folders in bookmarks.
Registered folders appear by clicking the [Bookmark] menu.
Select the folder for which a bookmark is to be
1
registered.
Select the [Bookmark] menu ` [Add].
2
¿ The folder selected in step 1 is registered in the [Bookmark]
menu.
O Select a registered folder from the [Bookmark] menu to display
images in the selected folder in the main window.
Organizing Bookmarks
You can change a folder name or delete a folder registered in
[Bookmark].
Select the [Bookmark] menu ` [Organize].
¿ The [Sort bookmarks] window appears and you can change
folder names or delete folders.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
COPY
Reference
Index
47
Page 49
3
Advanced Image Editing and Printing
Introduction
Various preferences including advanced image adjustment, automatic
dust erasure processing, various printing functions for printing out work,
and color management are explained here, geared to the user who is
competent in the handling of third-party image editing software.
Adjusting While Comparing with the Original Image...
Changing How the Window is Split............................ 49
Adjusting by Comparing Multiple Images................. 50
Making Corrections.................................................... 61
About Shooting Distance Information Slider.............. 62
Correcting Multiple Images at a Time........................ 62
Index
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Page 50
Adjusting While Comparing with the Original Image
Images can also be displayed in the edit image window by the same
operation.
Changing How the Window is Split
You can display before and after versions of an adjusted image in the
same window and adjust while checking the adjustment results.
You can change the display of the image to a single image split in two.
In the edit window, select the [View] menu ` [Before/
1
after comparison].
¿ The image divides into a left and right window.
O The window on the right shows the image after editing.
Change the image display.
2
O Select the [View] menu ` [Change up/down/left/right] ` [Up/
down].
In the edit window, select the [View] menu ` [Display
mode] ` [Split single image].
¿ One image is divided and displayed on the left and right or top
and bottom.
O T o switch between top and bottom, and left and right, perform the
same operation as step 2 on the left page.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
¿ The layout of the two images changes to top and bottom.
O The bottom window shows the image after editing.
Reference
COPY
Index
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Page 51
Adjusting by Comparing Multiple Images
Synchronization only applies to the enlargement display position
and the enlargement ratio. Adjustments to the images are not
synchronized.
You can synchronize the display position of multiple edit windows and
adjust images while comparing them with each other.
In the edit window, display the multiple images to be
1
compared.
Align the images.
2
O Select the [Window] menu ` [Arrange vertically] or [Arrange
horizontally].
¿ The edit windows are aligned.
Select the [Window] menu ` [Synchronize].
Move the display position.
5
¿ If you move the enlargement display position in one of the edit
windows, the enlargement display position will also change in the
other edit windows.
O To cancel synchronization, select the [Window] menu `
[Synchronize] again.
3
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Enlarge the image.
4
O Enlarge and display any of the edit windows.
¿ The other edit windows will also be displayed in the same
position/enlargement ratio.
COPY
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
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Page 52
Displaying an Area Beyond the Set Range as a Warning Indicator (Highlight/Shadow Warning)
Y ou can also display the warning with the same operation in the edit
image window.
You can set up a warning indicator in both the highlighted part and the
shaded part, which is effective for checkin g the light and d ark areas and
preventing excessive adjustment of an image. Where the area on the
image has exceeded that set range, you can display the highlighted part
in red and the shaded part in blue.
Select the [Tools] menu ` [Preferences].
1
Select the [View settings] tab sheet.
Display the edit window.
5
Select the [View] menu ` [Highlight]. Similarly, select
6
[Shadow].
¿ On the opened image, if there is an area that exceeds the value
entered in step 3, the highlighted part of that area is displayed in
red and the shaded part is displayed in blue.
2
Enter the warning value for [Highlight] and [Shadow].
3
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Click the [OK] button to close the window.
4
COPY
Editing
JPEG/TIFF
5
Images
Reference
Index
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Page 53
Performing Advanced Editing
Adjusting White Balance with Color Temperature
Display the value of the
setting
Drag the slider left or right
The adjustment range is 2500 to 10000K (in 100K units).
Tuning White Balance with Color Wheel
Enter the values to set
Drag
To register adjustment results as personal white balance (p.81),
select a setting other than [Shot settings] from the [White balance
adjustment] list box, and then tune with the color wheel. You cannot
register the adjustment results as personal white balance when you
have selected [Shot settings] from the list box and have done any
tuning.
The adjustment range of color tone is 0 to 359 (1 unit in numerical
value input), and the adjustment range of color saturation is 0 to 255
(1 unit in numerical value input).
This section explains how to use the advanced adjustment function on
the tool palette in the edit window.
Adjustments made using the high-level functions of the [RAW] and
[RGB] tool palettes, as well as the functions of the [NR/Lens/ALO] tool
palette are explained in this section.
White balance can be adjusted by setting a numerical value for color
temperature.
Select [Color temperature] from the [White balance
1
adjustment] list box.
Set the color temperature.
2
White balance can be tuned by moving a cursor in the color direction
shown in the color wheel.
In the [RAW] tool palette, click the [Tune] button.
1
Tune by dragging a point.
2
O You can also fine-tune your adjustment by directly entering the
adjustment values.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
COPY
Editing
JPEG/TIFF
5
Images
Reference
Index
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Page 54
Introduction
Adjusting Dynamic Range
Move to the left or rignt
Input highlight points
Move to the left or right
Input shadow points
Move downwards
Output highlight points
Move upwards
Output shadow points
Adjusting Brightness of Shadows/Highlights
Drag the sliders left or
right
Dynamic range (width of gradation expression) from dark points to bright
points in an image can be adjusted.
You can adjust the brightness of shadows and highlights in an image.
By adjusting shadows and highlights in an image with a restricted
brightness, you can reduce the effects of clipping in shadows and
highlights.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
O The horizontal axis shows the input level and the vertical axis
shows the output level.
Reference
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Index
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You can adjust the brightness, contrast and color of a specific area by
Tone Curve Adjustment
Right-click with the
mouse inside the graph
to display the menu
Click to add a [] (point)
Adjust by dragging []
Adjusts each channel
Batch adjusts RGB
O The histogram display changes according to adjustment. You can
also fix the histogram display to the display before any
adjustments (p.75).
O The tone curve mode and interpolation method for a tone curve
can also be changed in [Preferences] (p.75).
changing the tone curve (p.119).
In the tool palette, select the [RGB] tab sheet.
1
Select the tone curve mode and interpolation
2
method.
Make adjustments.
3
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
COPY
O The horizontal axis shows the input level and the vertical axis
shows the output level.
O The maximum number of [] is 8.
O
To delete a [], either press the <Del> key or double-click on the [].
Editing
JPEG/TIFF
5
Images
Reference
Index
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Page 56
Example of a Tone Curve Operation
Makes medium tones brighterMakes medium tones darker
Makes tones harderMakes tones softer
Using a Picture Style File
The Picture Style files that you can apply to the ca mera are files with
the “.PF2” extension only. Furthermore, you cannot apply Picture
Style files with the extension “.PSE” to an image; however if such a
file is registered in the camera and the image is shot, the image will
display correctly.
Introduction
A Picture Style file is an extended function file of a Picture Style.
With DPP, you can apply to RAW images Picture Style files that you
have downloaded from Canon’s web site ef fective for various scenes or
Picture Style files created with “Picture Style Editor”. When using a
Picture Style file, save it to your computer beforehand.
Display the image to which the Picture Style file is to
1
be applied in the edit window
Select the [RAW] tab sheet in the tool palette, and
2
click the [Browse] button.
¿ The [Open] dialog box appears.
(p.11).
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Select a Picture Style file saved on your computer,
COPY
3
and click the [Open] button.
¿ The Picture Style file you selected is applied to an image.
O To apply a different Picture Style file, follow the procedure from
step 2 again.
Reference
Index
55
Page 57
Introduction
About the RGB Tool Palette
We recommend that as a general principle you edit RAW images using
the [RAW] tool palette. However, where the adjustment width with the
[RAW] tool palette is not wide enough and you wish to use the special
functions in the [RGB] tool palette, we recommend that you adjust your
images at the necessary lowest limit with the [RGB] tool palette after
having completed basic adjustment with the [RAW] tool palette.
Use the adjustment function of the [NR/Lens/ALO] tool palette (p.110)
when applying the Auto Lighting Optimizer (p.57), reducing noise (p.58)
or correcting aberration (p.59) after you have made any required
adjustments with the [RAW] and [RGB] tool palettes.
Using the tool palette
You can adjust images with the tool palette by switching between the
[RAW], [RGB] and [NR/Lens/ALO] tab sheets according to your editing
requirements.
The [RGB] tool palette functions are the same as ordinary image editing
software, such as tone curve adjustment that is explained here, with
which you can adjust RAW images.
However, because the adjustment width of the adjustment functions in
the [RGB] tool palette is wider than the [RAW] tool palette, the image
color may be saturated, or the image quality may deteriorate if you
adjust too much. Therefore we recommend for functions other than tone
curve adjustment and automatic adjustment (p.30), that you adjust
images using the same functions available in the [RAW] tool palette.
Refer to Chapter 5 for explanations on functions of the [RGB] tool
palette other than tone curve adjustment.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
COPY
Reference
Index
56
Page 58
Checkmark
Select from three levels:
Low/Standard/Strong
Using the Auto Lighting Optimizer
If the shooting result is dark or the contrast is low, you can use the Auto
Lighting Optimizer function to auto-correct the brightness and contrast,
and obtain a more pleasant image.
You can also change the settings of the image shot with the camera’s
Auto Lighting Optimizer function.
This function is compatible only with RAW images shot with EOS 5D
Mark II, EOS 50D, and EOS REBEL T1i/500D.
* ALO stands for Auto Lighting Optimizer.
Select the [NR/Lens/ALO] tab sheet from the tool
1
palette in the edit window or edit image window.
Checkmark the checkbox.
2
O For images shot with the camera’s Auto Lighting Optimizer
function, the checkbox is already checked.
Change the settings according to your preferences.
3
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
¿ Auto correction is applied to the image to match the settings.
O For images shot with the camera’s Auto Lighting Optimizer
function, the settings at the time of shooting are applied as the
default values.
O To cancel the Auto Lighting Optimizer, remove the check mark
from the checkbox.
COPY
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
57
Page 59
Drag the sliders right
O The noise reduction function does not work
Noise reductioncannot be applied when [Viewing and saving RAW
images] (p.72) is set to [High speed] in the [Preferences] window.
Select [High quality] to reduce noise.
O To check the noise reduction effect, enlarge the image and
display it
Because noise reduction effect is dif ficult to see in the [50% view] and
[Fit to window] displays, use [100% view] or [200% view] to check the
noise reduction.
Additional information
O You can set the default noise reduction beforehand, using
[Default noise reduction settings] in the [Tool palette] tab sheet in
Preferences (p.75).
• When [Apply camera settings] is selected, you can pre-set a
noise reduction level that suits the camera settings beforehand
as the default.
• When [Set as defaults] is selected, you can pre-set a preferred
default setting for the noise reduction level beforehand. This is
particularly useful for applying noise reduction to all the images
in a folder at once, such as batch noise reduction for images
with high ISO speeds.
However, for images with recipes attached, the noise level
recorded in the recipe will be applied.
O If [Luminance noise reduction] has been set, resolution may be
reduced along with reduction of noise.
O If [Chrominance noise reduction] has been set, color bleeding
may occur along with reduction of noise.
O For a list of tool palette functions, refer to p.110.
Reducing Noise
You can reduce noise that arises in RAW images shot at night or with a
high ISO speed.
NR is an abbreviation for “noise reduction”.
Select the [NR/Lens/ALO] tab sheet from the tool
1
palette in the edit window or edit image window.
Adjust an image.
2
Display the image in the [100% view] or [200% view].
4
¿ You can check the noise reduction effect.
O In the [50% view] or [Fit to window] display, it may be difficult to
check the noise reduction effect.
Introduction
Contents at
a Glance
Basic
Operation
1
O You ca n set a noise reduction level from within a range of 0 to 20.
The larger the setting, the larger the noise reduction effect.
Click the [Apply] button.
3
¿ Noise reduction is applied to the image and the image is
redisplayed.
COPY
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
58
Page 60
Correcting Lens Aberration
Compatible Cameras
Compatible Lenses
You can easily make corrections to drops in peripheral illumination,
distortions in the subject, and color blur which occur by the physical
characteristics of the lens or slightly remaining aberration.
Please note that you can only correct RAW images which have been
taken with the compatible cameras and lenses listed below. JPEG or
TIFF images cannot be corrected.
Ultra wide and wide lenses
EF 14mm f/2.8L USMEF 14mm f/2.8L II USM*
EF 20mm f/2.8 USMEF 24mm f/1.4L USM
EF 24mm f/1.4L II USM*
EF 28mm f/1.8 USMEF 28mm f/2.8
3
EF 24mm f/2.8
Introduction
Contents at
3
a Glance
Basic
Operation
1
EOS-1Ds Mark IIIEOS-1D Mark IIIEOS-1D Mark II N
EOS-1Ds Mark IIEOS-1D Mark IIEOS-1Ds
EOS-1DEOS 5D Mark IIEOS 5D*
EOS 50DEOS 40DEOS 30D*
EOS REBEL
T1i/500D
EOS DIGIT AL REBEL
XS/1000D
1
*
Requires firmware version 1.1.1
2
*
Requires firmware version 1.0.6
EOS DIGIT AL REBEL
XSi/450D
_
EOS DIGIT AL REBEL
XTi/400D DIGITAL
1
2
_
COPY
EF 35mm f/1.4L USMEF 35mm f/2
Standard and medium telephoto lenses
EF 50mm f/1.2L USM*
EF 50mm f/1.8EF 50mm f/1.8 II
EF 85mm f/1.2L USMEF 85mm f/1.2L II USM*
EF 85mm f/1.8 USMEF 100mm f/2 USM
EF 135mm f/2L USM
EF 200mm f/2L IS USM*
EF 200mm f/2.8L II USMEF 300mm f/2.8L IS USM
EF 300mm f/4L IS USMEF 400mm f/2.8L IS USM
EF 400mm f/5.6L USMEF 400mm f/4 DO IS USM
EF 500mm f/4L IS USMEF 600mm f/4L IS USM
EF 800mm f/5.6L IS USM*
4
Telephoto lenses
3
3
EF 50mm f/1.4 USM
EF 135mm f/2.8
(with Softfocus mechanism)
EF 200mm f/2.8L USM
5
_
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
Macro lenses
EF 50mm f/2.5 Compact Macro*
EF 180mm f/3.5L Macro USM
3
EF 100mm f/2.8 Macro USM
MP-E 65mm f/2.8 1-5x Macro
Photo*
3
59
Page 61
Zoom lenses
O You can also correct RAW images taken with the compatible lens
even when the extender is attached.
O You can also correct RAW images shot with EF 50mm f/2.5
Compact Macro fitted with Life Size Converter EF.
O The aberration correction function is not available for images shot
with combinations of camera/lens other than those given under
“Compatible Cameras” and “Compatible Lenses”. They are
therefore not displayed and cannot be used.
EF 16-35mm f/2.8L USMEF 16-35mm f/2.8L II USM*
EF 17-35mm f/2.8L USMEF 17-40mm f/4L USM
Introduction
EF-S lenses
3
EF-S 60mm f/2.8 Macro USMEF-S 10-22mm f/3.5-4.5 USM
EF-S 17-55mm f/2.8 IS USMEF-S 17-85mm f/4-5.6 IS USM
Contents at
a Glance
EF 20-35mm f/3.5-4.5 USMEF 24-70mm f/2.8L USM
EF 24-85mm f/3.5-4.5 USMEF 24-105mm f/4L IS USM
EF 28-70mm f/2.8L USMEF 28-90mm f/4-5.6 USM
EF 28-90mm f/4-5.6 II USMEF 28-90mm f/4-5.6
EF 28-90mm f/4-5.6 IIEF 28-90mm f/4-5.6 III
EF 28-105mm f/3.5-4.5 USMEF 28-105mm f/3.5-4.5 II USM
EF 28-105mm f/4-5.6 USMEF 28-105mm f/4-5.6
EF 28-135mm f/3.5-5.6 IS USMEF 28-200mm f/3.5-5.6
EF 28-200mm f/3.5-5.6 USMEF 28-300mm f/3.5-5.6L IS USM
EF 55-200mm f/4.5-5.6 II USMEF 55-200mm f/4-5.6 USM
EF 70-200mm f/2.8L USMEF 70-200mm f/4L USM
EF 70-200mm f/2.8L IS USMEF 70-200mm f/4L IS USM*
EF 70-300mm f/4-5.6 IS USM
EF 75-300mm f/4-5.6 II*
EF 75-300mm f/4-5.6 USMEF 75-300mm f/4-5.6 IIUSM
EF 75-300mm f/4-5.6 III USMEF 90-300mm f/4.5-5.6
3
EF 70-300mm f/4.5-5.6 DO IS USM
EF 75-300mm f/4-5.6 III*
Aberration correction will not apply to images shot with a combination
3 *4 *5
of lenses *
below.
* You cannot attach an EF-S lens to EOS 5D.
3
EOS 5D with firmware version 1.1.0 or earlier, EOS 30D with
*
firmware version 1.0.5 or earlier
4
*
EOS 5D with firmwareversion 1.1.0 or earlier, EOS 30D with
firmware version 1.0.4 or earlier
5
*
EOS 5D with firmware version 1.0.5 or earlier, EOS 30D with
firmware version 1.0.4 or earlier
and EOS 5D or EOS 30D with the firmware versions
3
3
EF-S 18-200mm f/3.5-5.6 IS*
_
3
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
EF 90-300mm f/4.5-5.6 USMEF 100-300mm f/4.5-5.6 USM
EF 100-400mm f/4.5-5.6L IS USM
_
Index
60
Page 62
You can make corrections to any of the four aberrations as below, either
Making Corrections
one at a time or simultaneously.
O Peripheral illumination
O Distortions
O Chromatic aberration (color fringing which occurs in the periphery of
an image)
O Color blur (blue or red color blur which sometimes occurs at the edge
of the highlighted area of an image)
In the tool palette, select the [NR/Lens/ALO] tab
1
sheet.
Click the [Tune] button.
2
Checkmark the items to be corrected.
3
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
¿ The [Lens aberration correction] window appears.
¿ The image is corrected and redisplayed.
O Check the results of corrections to peripheral illumination or
distortions in the full view.
O Check theresults of corrections to chromatic aberration and color
blur by clicking the area on the image you want to check. In the
top right of the window, the area is displayed at 200% in the
enlargement display section (p.115).
O You can lessen the degree of correction by moving the slider to
COPY
4
the left for the item you want to correct.
O You can re spectively correct red chromatic aberration with the [R]
slider of the [Chromatic aberration] or blue chromatic aberration
with the [B] slider.
Click the [OK] button.
¿ The [Lens aberration correction] window closes and the result of
the corrections is applied to the image in the edit window and the
image is redisplayed.
¿ The result of the settings of the [Lens aberration correction]
window is also displayed in the tool palette.
¿ In the main window, the [] mark is displayed on the image to
indicate the lens aberration corrections (p.107).
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
61
Page 63
O When correcting RAW images shot with the cameras in the table below ,
About Shooting Distance Information Slider
Correcting Multiple Images at a Time
if shooting distance information has been saved to the image, the slider
is set automatically according to this shooting distance information.
However , if no shooting dist a nce information is saved to the image, the
slider is set automatically to the right end at infinity position. If the
image’s shooting distance is not infinite, you can minute ly adju st the
distance by operating the slider while looking at the screen.
EOS-1Ds Mark IIIEOS-1D Mark IIIEOS 5D Mark II
EOS 50DEOS 40D
EOS DIGITAL REBEL
XSi/450D
O When correcting RAW images shot with the cameras in the table
below, it is set automatically to the right end at infinity position. You
can then minutely adjust the distance by operating the slider while
looking at the screen if the shooting distance is not infinite.
EOS-1D Mark II N
EOS-1Ds
EOS 30D
O For RAW images shot with MP-E 65mm f/2.8 1-5x Macro Photo or EF
50mm f/2.5 Compact Macro with Life Size Converter EF, the slider
indicator changes to [Magnification factor].
O [Shooting distance information] slider is applied to all the correction
items with check marks.
EOS DIGITAL REBEL
XS/1000D
EOS-1Ds Mark II
EOS-1D
EOS DIGITAL REBEL
XTi/400D DIGITAL
EOS REBEL
T1i/500D
_
EOS-1D Mark II
EOS 5D
_
COPY
correction procedures (p.61) when tool palette is displayed, you can
apply the same corrections to all the images selected in the main
window.
Also, you can apply same corrections by copying the recipe of the
corrected image and pasting it onto the multiple images (p.37).
Additional information
O Some noise appeared in the periphery of an image after
correcting [Peripheral illumination]
You can reduce the noise by using luminance and/or chromatic noise
reduction of the noise reduction function (p.58). However, if you had
applied high amount of [Peripheral illumination] correction to the
images that have beenshot at night or with a high ISO speed, the
noise might not be reduced.
O Theimage appears with less resolution after correcting
[Distortion]
You can make the image similar to the one before correction by
applying more sharpness with the sharpness adjusting function
(p.29).
O The colors of the image became weaker after correcting [Color
blur]
You can make the image similar to the one before correction by
adjusting the color tone (p.27) and/or the color saturation (p.90) to
make the color deeper.
O The result of [Color blur] correction cannot be detected
[Color blur] correction is effective for correcting blue or red color blur
which occurs at the edge of the highlighted area of an image. If
conditions do not match, correction cannot be made.
The periphery of the image may be truncated when [Distortion]
correction is made.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
Select multiple images to correct in the main window. Display tool
palette by selecting [View] menu ` [Tool palette]. If you perform
For a list of the [Lens aberration correction] window functions, refer
to p.115.
62
Page 64
Performing Automatic Dust Erasure Processing
Compatible Cameras
O The dust-erased image can be reverted to its original condition
at any time
A dust-erased image is displayed or printed as a dust-erased image.
However, since the dust on the image is not actually erased, you can
always revert to the original image by clicking the [Undo] button in the
copy stamp window or performing the “Re-Editing an Image”
procedure (p.39).
O Check dust erasure in the copy stamp window
Check dust erasure in the copy stamp window. Images before dust
erasure are displayed in other windows and you will be unable to
check them.
O Printingdust-erased images
You can print as a dust-erased image by printing it in DPP.
O The [Apply Dust Delete Data] button cannot be clicked
Even with an image that has Dust Delete Data attached to it in the
camera, if there is no dust to remove by DPP from the image, the
[Apply Dust Delete Data] button will be disabled.
O To erase dust spots that cannot be erased with the automatic
dust erasure processing
In automatic dust erasure processing, dust spots are erased based on
information relating to dust saved in the Dust Delete Data. However,
there may be cases where you will not be able to erase dust spots
depending on the type of dust. If this occurs, erase those dust spots
using the repair function (p.65) or the copy stamp function (p.67).
O The image becomes a dust-erased image when converted and
saved
The dust-erased RAW image actually becomes a dust-erased image
when converted to a JPEG or TIFF image and saved (p.38).
Additional information
The Dust Delete Data that is appended to images shot with the camera
that can attach this data, can be used to automatically erase dust spots.
Click the [OK] button to return to the main window.
4
¿ The [] mark (p.107) is displayed on an image from which dust
spots have been erased.
Introduction
Contents at
a Glance
EOS-1Ds Mark IIIEOS-1D Mark IIIEOS 5D Mark II
EOS 50DEOS 40DEOS REBEL T1i/500D
EOS DIGIT AL REBEL
XSi/450D
In the main window, select an image appended with
1
Dust Delete Data.
Select the [Tools] menu ` [Start Stamp tool].
2
¿ The copy stamp window appears.
When the image has redrawn itself, click the [Apply
3
Dust Delete Data] button.
¿ Dust spots are erased in a single operation.
EOS DIGIT AL REBEL
XTi/400D DIGITAL
EOS DIGIT AL REBEL
XS/1000D
COPY
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
63
Page 65
Useful functions of the copy stamp window
Automatic Dust Erasure Processing in the Main Window
Introduction
O Checking the dust erased spots
After step 3, you can display and check in detail the erased dust spots
one by one by pressing the <Shift> + <F> keys. (Press the <Shift> +
<B> keys to return to the previous dust spot.)
O Canceling a specified erased dust spot only
After step 3, you can press the <Shift> + <F> keys or the <Shift> +
<B> keys to display the erased dust spot, and then press the <Shift>
+ <Del> keys to cancel only the erased dust spot displayed.
O Switch between full screen display/normal screen display using
shortcut keys
You can also switch between full screen display/normal screen
display by pressing the <Alt> + <Enter> keys.
O Applying the dust erasure result to another image
You can apply dust erasure to the same place in another image by
clicking the [Copy] button to copy the dust erasure results and then
displaying the other image to which you want to apply the results and
clicking the [Paste] button.
For a list of the copy stamp window functions, refer to p.116.
In the main window, you can also automatically erase dust spots in
multiple images appended with Dust Delete Data.
Select multiple images appended with Dust Delete
Data, and then select the [Adjustment] menu `
[Apply Dust Delete Data].
¿ Dust spots in all the selected images are erased in a single
operation.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
COPY
Reference
Index
64
Page 66
Manually Erasing Dust (Repair Function)
Doubleclick
Click
You can erase dust spots in an image by selecting them one by one.
In the main window, select the image you want to
1
erase dust spots.
Select the [Tools] menu ` [Start Stamp tool].
2
¿ The copy stamp window appears.
When the image has redrawn itself, double-click the
3
point from where dust is to be erased.
Place the dust spot to be erased within the [] and
5
click.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
¿ The display changes to 100% view.
O The display position can be changed by dragging.
Click the button that matches the dust spot to be
4
erased.
O If the dust spot is dark in color, click the [] button, and if
the dust spot is light in color, click the [] button.
O When you move the cursor over the image, the dust erasure
range appears as [].
¿ The dust spot within the [] is erased.
O Click on another part of the image to continue erasing dust spots
in the image.
O To erase dust in another part of the image, either right-click with
the mouse, or click the button clicked in step 4 again to cancel dust
erasure processing and perform the operation again from step 3.
O When the dust spot cannot be erased, [] is displayed.
COPY
Click the [OK] button to return to the main window.
6
¿ The [] mark (p.107) is displayed on an image from which dust
spots have been erased.
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
65
Page 67
Introduction
Additional information
O Click several times when dust spots are not erased completely
Where unwanted dust spots are not erased even after performing
step 5 once, they may be erased completely when you click several
times.
O Mainly spots of dust can be erased with the repair function
Spots of dust can be erased with the repair function. You may be
unable to erase lines of dust. In this case, use the copy stamp
function (p.67).
O The dust-erased image can be reverted to its original condition
at any time
A dust-erased image is displayed or printed as a dust-erased image.
However, since the dust on the image is not actually erased, you can
always revert to the original image by clicking the [Undo] button in the
copy stamp window or performing the “Re-Editing an Image”
procedure (p.39).
O Check dust erasure in the copy stamp window
Check dust erasure in the copy stamp window. Images before dust
erasure are displayed in other windows and you will be unable to
check them.
O Printing dust-erased images
You can print as a dust-erased image by printing it in DPP.
O The image becomes a dust-erased image when converted and
saved
The dust-erased RAW image actually becomes a dust-erased image
when converted to a JPEG or TIFF image and saved (p.38).
COPY
Useful functions of the copy stamp window
O Checking the dust erased spots
After step 3, you can display and check in detail the erased dust spots
one by one by pressing the <Shift> + <F> keys. (Press the <Shift> +
<B> keys to return to the previous dust spot.)
O Canceling a specified erased dust spot only
After step 3, you can press the <Shift> + <F> keys or the <Shift> +
<B> keys to display the erased dust spot, and then press the <Shift>
+ <Del> keys to cancel only the erased dust spot displayed.
O Switch between full screen display/normal screen display using
shortcut keys
You can also switch between full screen display/normal screen
displayby pressing the <Alt> + <Enter> keys.
O Applying the dust erasure result to another image
You can apply dust erasure to the same place in another image by
clicking the [Copy] button to copy the dust erasure results and then
displaying the other image to which you want to apply the results and
clicking the [Paste] button.
For a list of the copy stamp window functions, refer to p.116.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
66
Page 68
You can correct an image by pasting a section copied from another part
Erasing Unwanted Parts of an Image (Copy Stamp Function)
of the image to an unwanted part of the image.
Follow steps 1 to 3 in “Manually Erasing Dust (Repair
1
Function)”
Specify the section to be copied.
2
O Click on the section that is to be the copy source while holding
down the <Alt> key.
O To change the section that is to be the copy source, perform the
operation above again.
O To fix the position of the copy source, checkmark [Fix Copy
Source position].
Correct the image.
3
O Click or drag on the section you want to correct on the image. [+]
in the window indicates the copy source and [] indicates the
copy destination.
¿ The copied image is pasted in the position to which it was
dragged.
O For [Pen type], you can select from [Brush] (the pasted image’s
borders simulate a brush) and [Pencil] (the pasted image’s
borders are sharp).
Click the [OK] button to return to the main window.
4
¿ The [] mark (p.107) is displayed on a corrected image.
(p.65).
COPY
Transferring a RAW Image to Photoshop
A RAW image can be converted to a TIFF image (16bit) a nd transferred
to Photoshop.
Select the [Tools] menu ` [Transfer to Photoshop].
¿ Photoshop starts up and the transferred image is displayed.
A single image can be transferred at a time
Only one image can be transferred at a time. To send multiple images at
a time, refer to p.83.
O Compatible versions of Photoshop are 7.0 or later.
O Transferred images are automatically converted to TIFF images
(16bit) to which anICC profile (p.119) is added. The ICC profile
contains informationabout [Preferences] (p.76) or work color
space set for each image as described below and the appropriate
color information is relayed to Photoshop.
O When you exit Photoshop, only the original RAW image remains,
and the transferred imagewill disappear. Saving the transferred
image as a separate image in Photoshop is highly recommended.
Setting Work Color Space
A different work color space (p.120) from the default settings (p.76) can
be set for each image.
Select the [Adjustment] menu ` [Work color space] `
color space to be set.
A color space set individually does not chang e even when the
default setting is changed
Introduction
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and Printing
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If you set an image with a color space different to the default setting and
then subsequently change the default color space setting (p.76), this
default setting will not be applied and the individually set color space will
remain.
The color space of a RAW image can be changed freely as
many times as required
Since only the image processing conditions information changes, the
color space of a RAW image can be changed at any time.
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Printing with Shooting Information
Print preview
Switches the settings tab sheet
You can freely lay out one image on one sheet of paper and print
together with titles and shooting information, etc.
Select one image to be printed.
1
To maintain the settings
The settings of each tab sheet in step 3 are memorized when the [Apply]
button is clicked (excluding the contents of the [Text] tab sheet). The
settings can be applied to another image when printing.
Introduction
Contents at
a Glance
Select the [File] menu ` [Print with detailed setting].
2
Specify the required settings for printing, and then
3
click the [Print] button.
O You can set printer profiles (p.76).
O If CMYK simulation has been set, the image is printed in the set
colors (p.76).
COPY
Basic
Operation
1
Advanced
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2
Advanced
Image Editing
3
and Printing
Processing
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4
of Images
Editing
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5
Images
Reference
O The image can be moved by dragging.
O Drag the four corners of the image to change the size.
O For the shooting information, click [] on the [Text] tab sheet
and select the necessary items in the window that is displayed.
Index
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Printing a Thumbnail List (Contact Sheet Printing)
Print preview
Switches the settings tab sheet
You can print rows of multiple images on one sheet of paper.
To maintain the settings
Introduction
Select images to be printed in a thumbnail list.
1
Select the [File] menu ` [Contact Sheet Prints].
2
Specify the required settings for printing, and then
3
click the [Print] button.
The settings of each tab sheet in step 3 are memorized when the [Apply]
button is clicked (excluding the contents of the [Text] tab sheet). The
settings can be applied to another image when printing.
O You can set printer profiles (p.76).
O If CMYK simulation has been set, the image is printed in the set
colors (p.76).
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
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of Images
Editing
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5
Images
Reference
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Printing RAW Images on a High-End Canon Printer
Printing with a High-End Canon Inkjet Printer
Additional information
Introduction
For high-end Canon inkjet printers that are compatible with the printing
software Easy-PhotoPrint Pro, you can print with DPP by a simple
operation that has the following features:
O Simple printing of RAW images
O Printing in faithful colors
O High quality printing using a wide color space of Adobe RGB, etc. and
the wide color reproduction range of a high-end Canon inkjet printer
To print with DPP, first install Easy-PhotoPrint Pro version 1.3 or later on
your computer.
Select the [File] menu ` [Plug-in printing] ` [Print
1
with Easy-PhotoPrint Pro].
¿ Easy-PhotoPrint Pro starts up.
Specify the required settings for printing, and then
2
print.
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O Print up to 1000 images at a time
You can print up to 1000 images selected in DPP at a time. When
printing more than 1000 images, divide the printing into several jobs.
O Function set in DPP that is not applied to printing
Specified CMYK simulation (p.76) is not applied.
O The printed image’s color is not what you expected
In the Easy-PhotoPrint Pro window, click the [Color Adjustment]
button to display the [Color Management] tab sheet. In the tab sheet,
make each of the settings [Enable ICC Profile] for [Color Mode],
[Auto] for [Printer Profile], and [Perceptual] (p.120) for [Rendering
Intent] and print.
Advantages of printingwith Easy-PhotoPrint Pro
O Printing with faithful colors
When a color space is set (p.67, p.76), it is automatically transmitted
from DPP to Easy-PhotoPrint Pro, allowing you to print with faithful
colors.
O Printing with a wide color reproduction
When the color space setting (p.67, p.76) is set to a color space wider
than sRGB (such as Adobe RGB), the image is printed with a wider
color gamut than an image that has an sRGB color space, with green
and blue in particular being reproduced vividly.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
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of Images
Editing
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Printing with a Large-Format Canon Printer
Advantages of printing with imagePROGRAF Print Plug-In
Introduction
You can use DPP to print with the DPP-compatible Canon large-format
imagePROGRAF printer. To print with DPP, first install imagePROGRAF
Print Plug-In for Digital Photo Professional on your computer.
Select the [File] menu ` [Plug-in printing] ` Plug-In
1
for the printer you use.
¿ The Plug-In starts up.
Specify the required settings for photograph
2
printing, and then print.
Additional information
O A single image can be printed at a time
You can print a single image selected in DPP at a time. When printing
multiple images, perform printing for each image individually.
O Functions set in DPP that are not applied to printing
Specified output resolution (p.72) and CMYK simulation (p.76) are not
applied.
O Printing with faithful colors
When a color space is set (p.67, p.76), it is automatically transmitted
from DPP to the Plug-In, allowing you to print with faithful colors.
O Printing with a wide color reproduction
When the color space setting (p.67, p.76) is set to a color space wider
than sRGB (such as Adobe RGB), the color reproduction range of the
imagePROGRAF printer is fully utilized and the image is printed with
a wider color gamut than an image that has an sRGB color space,
with green and blue in particular being reproduced vividly.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
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Editing
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Specifying Preferences
General Settings
You can change the various functions of DPP in the Preferences
window. Check the contents of each window and set.
Also, depending on the item, a detailed explanation may be available,
so refer to each window.
Select the [Tools] menu ` [Preferences].
1
¿ The [Preferences] window appears.
Select the tab sheet, specify the settings, and then
2
click the [OK] button.
You can specify the folder that opens when DPP is started up, image
quality of displayed and saved RAW images, etc.
Introduction
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Basic
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1
Advanced
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2
Advanced
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and Printing
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of Images
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Editing
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O Viewing and saving RAW images
You can select from two types of image quality for displaying/saving
RAW images: high image quality with false color reduction processing
and noise reduction function (p.58) used, or high speed without false
color processing and noise reduction function used.
[High quality]
O False color reduction processing is automatically applied, and the
image can be displayed/saved as a false color reduced-high quality
image. Furthermore, you can use the noise reduction function (p.58)
to reduce the luminance noise and chrominance noise.
O Because the effects of the false color reduction processing and noise
reduction function are difficult to see in the [50% view] or [Fit to
window] display of the edit window and edit image window, use
[100% view] or [200% view] to check.
O We recommend that you normally set [High quality] for a balance
between image quality and display speed.
[View images at high speed (moiré reduction off)] of [High quality]
O If you checkmark [View images at high speed (moiré reduction off)],
when the image is displayed in the edit window or the edit image
window, false color reduction processing is not applied.
O As the [View images at high speed (moiré reduction off)] setting is the
same as [High quality] other than for display of the image, the image
undergoes false color reduction processing when it is saved and the
noise reduction function is also available.
COPY
[High speed]
O Since false color reduction processing is not applied, the display
speed of a RAW image in the edit window or the edit image window in
the [100% view] or [200% view] enlargement display, and the time it
takes to save a RAW image is less than in [High quality].
O You cannot use the noise reduction function (p.58).
O Depending on the image, it may be displayed/saved with false color
or noise being noticeable.
What is the difference between the [High quality] and [High
speed] displays?
The display image quality of [High quality] and [High speed] is the same
except whenthe image is displayed in the [100% view] or [200% view]
enlargement display in the edit window or the edit image window.
JPEG image quality
O
[Remove block noise and mosquito noise]
O You can improve the quality of a JPEG image by reducing the noise
that is likely to occur when RAW images are converted to JPEG
images and saved (p.38, p.82).
This setting is also effective for JPEG images that have been saved
with a different name.
[Display thumbnails at high quality]
O You can have the thumbnails for JPEG images automatically displayed
at high quality. If you checkmark [Display thumbnails at high quality],
all subsequent JPEG image thumbnails imported into DPP will be
displayed at high quality.
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The extent of the improvement in noise reduction
The higher the JPEG image’s compression rate, the more noise is
reduced. When the compression rate is low , the effect of noise reduction
is negligible.
Default value of output resolution
O
You can set the resolution for RAW images converted and saved as
JPEG or TIFF images (p.38, p.82).
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You can specify settings relating to the display.
View Settings
O Sort order in main window
You can set the order of images which have been rearranged in the
main window to be maintained or not maintained (p.19).
If you checkmark the checkbox, the order of the rearranged images is
maintained even if you exit DPP or select another folder in the folder
area.
If you remove the check mark, the order of the rearranged images is not
maintained and reverts to the previous order when you exit DPP or
select another folder in the folder area.
O
Highlight/shadow warning
Highlighted/shaded areas that exceed the set range can be displayed
on the image as warning indicators (p.51).
Introduction
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You can specify settings for the tool palette.
Tool Palette
O Modified Picture Style settings
You can select whether the [Color tone], [Color saturation], [Contrast]
and [Sharpness] settings will be changed or retained, when you change
the Picture Style.
O If you checkmark the checkbox, the [Color tone], [Color saturation],
[Contrast] and [Sharpness] settings will be changed to match the
camera’s preset settings, when you change the Picture Style.
O If you remove the check mark, the [Color tone], [Color saturation],
[Contrast] and [Sharpness] settings will be retained, even if you
change the Picture Style.
Default noise reduction settings
O
You can set a default beforehand for the noise reduction level.
RAW Images
• When [Apply camera settings] is selected, you can pre-set a noise
reduction level that suits the camera settings beforehand as the
default.
• When [Set as defaults] is selected, you can pre-set a preferred
default setting for the noise reduction level beforehand.
JPEG/TIFF Images
• You can set a desired default noise reduction level beforehand.
For images not having a recipe attached, the default set here for noise
reduction level is applied. However, if you want to apply settings to
images in the opened folder, you need to re-o pen the folder after making
COPY
settings here. For images with a recipe attached, the noise level
recorded in the recipe remains as it is and the default for noise reduction
level set here is not applied.
Introduction
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and Printing
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O Default settings of RGB tool palette
You cannot apply changes to the settings until you re-open the folder.
Changes are not applied to the edited image
Even if the default setting is changed, the new default setting is not
applied to edited (i.e., adjusted using the tool palette, trimmed, dusterased) images. Change each one individually.
Advantages of setting a noise reduction default
In instances where the same level of noise occurs in several images,
such as images shot with high ISO speed, setting an appropriate default
noise reduction setting enables you to apply a batch noise reduction
default to all the images displayed in DPP (excluding images with a
recipe attached). This eliminates the need to apply noise reduction to
each individual image. And, since you always shoot with the same
conditions, it is also useful when you want to set the same noise
reduction level for all shot images.
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You can specify settings relating to color management, such as settings
Color Management
for work color space, conditions for color matching, etc.
O Default settings of Work color space
You can select from five types of color space (p.120) that is applied as a
default setting in RAW images. Color space that ha s been set is applied
as the color space when a RAW image is converted and saved (p.38,
p.82) or printed (p.39, p.42, p.44, p.68 to p.71).
O If you have changed the setting, and you restart DPP, the new setting
is applied as the default setting color space.
O You can check color space that has been set in an image in the edit
window (p.108) and the edit image window (p.112).
Changes are notapplied to the edited image
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Even if the default setting is changed, the new default setting is not
applied to edited (i.e., adjusted using the tool palette, trimmed, dusterased) images. Change each one individually.
You can set a color space that is different from the default settings
for each image (p.67).
O
Display setting (color setting of the monitor)
Where a profile (p.119) is attached to the monitor you are using, you can
display an image in more faithful colors by setting the profile.
O If you select [Use the OS settings], the color profile set in Windows
COPY
will also be applied in DPP.
If you are using multiple monitors, only the profile of the primary
monitor is applied to DPP.
O Select the [Monitor profile], click the [Browse] button and in the dialog
box that appears, select a profile for your monitor.
Precise coloring with a third-party monitor color reader
Advanced
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and Printing
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If you use a profile created using a third-party monitor color reader,
images can be displayed in even more precise colors.
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O Setting of printing profile (color setting of the printer)
Where a profile (p.119) is attached to the printer you are using to print
images, you can print an image and simulate the colors displayed on
screen by setting the profile. The profile that has been set is applied to
all printing (p.44, p.68, p.69) except for printing using a Canon inkjet
printer (p.39, p.42) or linked printing (p.70, p.71).
The adjustment function of the printer driver should not be
used
Even if you set a printer profile, if you use the color adjustment function
of the printer driver, the image may print in colors different from those
displayed on screen.
Automatic settings for printing using EPP EX, EPP, and
linked printing
If you are printing using a Canon inkjet printer (p.39, p.42) or using
linked printing (p.70, p.71), a profile is set automatically even when the
[Printing profile] setting is not performed. This allows you to print faithful
colors easily.
O Setting of CMYK simulation profile
You can select the color when printing in the CMYK environment of a
printing machine, etc. from four types of profiles (p.120) and perform
simulation on screen.
O When CMYK simulation has been set, [CMYK] appears (p.105, p.106,
p.108, p.112) in the bottom of the main window, edit window and edit
image window, and colors can be checked.
O To temporarily cancel CMYK simulation, press the <Ctrl> + <Y> keys.
O
Rendering intents when using Easy-PhotoPrint
You can set a rendering intent (matching method) (p.120) for printing
using Easy-PhotoPrint (p.42).
O The rendering intent is ordinarily set to [Relative Colorimetric].
O When colors with [Relative Colorimetric] are not satisfactory, set to
[Perceptual].
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
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Reference
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4
Useful Functions for Processing Large Numbers of RAW Images
Introduction
Introduction
For users shooting a large amount of RAW images, the convenient
function of batch processing large amounts of RAW images is explained
here.
Batch Transfer Images to Image Editing Software.. 83
Batch Change the File Name of Images.................. 84
Changing the File Name of Images in the Order in the
Main Window..............................................................
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84
Basic
Basic
Operation
Operation
1
1
Advanced
Advanced
Operation
Operation
2
2
Advanced
Advanced
Image Editing
Image Editing
3
3
and Printing
and Printing
Processing
Processing
Large Numbers
Large Nu mbers
4
4
of Images
of Images
Editing
Editing
JPEG/TIFF
JPEG/TIFF
5
5
Images
Images
Reference
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Utilizing Adjustment Contents (Recipe)
Contents adjusted using the tool
palette can be handled
individually as a recicpe file
(extension “.vrd”).
RAW image data
Image processing conditions information
The adjustment contents of JPEG or TIFF images (p.86) can be
saved as a recipe file (extension “.vrd”) and loaded and applied to
another image in the same way as with RAW images.
All the adjustment contents (recipe) made using the tool palette can be
saved as an individual recipe file (extension “.vrd”) and loaded and
applied to another image.
You can edit images efficiently by selecting and adjusting one image
from images shot with the same shooting environment and batch
applying the adjustment results to a large number of images.
O Recipe data includes tool palette contents
Recipe data includes adjustments made with the tool palette ([RAW],
[RGB] and [NR/Lens/ALO]). For this reason, other editing content
such as trimming or dust-erasure (copy stamp) is not included in the
recipe data.
O Recipes adjusted with the [RAW] tool palette can only be applied
to RAW images
Adjustments in the [RAW] tool palette, which can only be made for
RAW images, are not applied to a JPEG or TIFF image even if they
are pasted.
Additional information
Introduction
Contents at
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1
Advanced
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2
Advanced
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and Printing
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of Images
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Introduction
Saving Recipes as a File
Loading and Pasting Recipes
Copying a Recipe and Applying to Another Image
Select an edited image, and then select the [Edit]
1
menu ` [Save recipe in file].
¿ The [Save recipe in file] dialog box appears.
Select the destination folder, enter a file name, and
2
then click the [Save] button.
Check the contents of a recipe file by pasting to an image
When you do not know the contents of a recipe file, paste it to an image
and check the settings in the tool palette. When only a few settings are
adjusted, we recommend you use a file name that describes the
contents or that you separately record the adjustments as text
information.
Select the image to which a recipe is to be applied,
1
and then select the [Edit] menu ` [Read and paste
recipe from file].
¿ The [Open] dialog box appears.
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Select a recipe and click the [Open] button.
2
¿ The recipe is applied to the image.
You can copy a recipe of an edited image and then apply it to another
image.
Select the image from which a recipe is to be copied
1
and then select the [Edit] menu ` [Copy recipe to
clipboard].
¿ The recipe is copied.
Select the image to which the recipe is to be applied
2
and then select the [Edit] menu ` [Paste recipe to
selected image].
¿ The recipe is appliedto the image.
Contents at
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Basic
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1
Advanced
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2
Advanced
Image Editing
3
and Printing
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Batch Apply White Balance to Images (Personal White Balance)
Registering Personal White Balance
1 In step 3, click the [Export] button to write as a file.
2 Copy the file to another computer.
3 In DPP on the other computer, display the window of step 3.
4 Click the [Import] button and in the window that appears, select the
copied file.
To use the registered personal white balance on another
computer
Applying Personal White Balance
The white balance adjustments made to a RA W image shot in a sp ecific
shooting environment can be registered as personal white balance. You
can then perform efficient white balance adjustment by applying this
personal white balance to a large number of RAW images shot in the
same shooting environment.
Adjust the white balance (p.25, p.26, p.52).
1
O To adjust white balance, select a setting other than [Shot
settings] from the [White balance adjustment] list box (p.25). You
will be unable to register the adjustments if you select [Shot
settings].
In the [RAW] tool palette, click the [Register] button.
2
¿ The [Register personal white balance] dialog box appears.
In the main window, select the image to which white
1
balance is to be applied.
Click the [Tool] button on the toolbar.
2
¿ The tool palette appears.
Click the personal white balance number button that
3
is to be applied.
Introduction
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Basic
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1
Advanced
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2
Advanced
Image Editing
3
and Printing
Select the button number to be registered from the
3
list and click the [OK] button.
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¿ Personal white balance is applied to all the selected images.
Processing
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Page 83
Batch Save as JPEG or TIFF Images (Batch Processing)
In the [Batch settings] window, you cannot perform [Save] or [Save As]
(p.37, p.100) to edited RAW images.
DPP’s RAW image development processing technology is continually
being improved upon so that you can perform the latest image
processing more appropriately.
Meaning that, between two differing versions of DPP, processing results
may differ very slightly even if with the same RAW image data, or the
resultsof significant editing of RAW image dat a with an attached recipe
may be different.
When you want to save the developing or editing results of the version
you are currently using as it is, it is recommended that you convert and
save images as JPEG image or TIFF images.
O While saving is being performed, you can continue working in
another window
Since the saving function operates independently in the background,
you can continue with an operation in another window such as the
main window or the edit window during the saving process.
O To convert all images and save, do not select an image in the
main window
If you do not perform step 1 and perform step 2 with no image
selected in the main window, all the images displayed in the main
window will be converted and saved.
[Save] cannot be performed
T o save the developing/editing results for the version you are currently using
Skillful batch saving
O If you have selected [New file name] in [File name], [Sequence
number] has to be set.
O By saving as explained on this page, a trimmed image (p.35,
p.94) or dust-erased image (p.63 to p.67, p.96 to p.100) actually
becomes a trimmed image or dust-erased image.
O For a list of [Batch settings] window functions, refer to p.117.
You can batch convert and save edited RAW images to highly versatile
JPEG or TIFF images.
The images are saved as separate images, so the RA W images remain
unaffected.
In the main window, select multiple images to be
1
converted.
Click the [Batch process] button on the toolbar
2
¿ The [Batch settings] window appears.
Specify the required settings, and then click the
3
[Execute] button.
(p.105).
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In the processing dialog box, click the [Exit] button.
4
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¿ The processing dialog box appears and saving begins.
¿ When all the images are saved, the [Exit] button appears in the
processing dialog box.
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Batch Transfer Images to Image Editing Software
You can transfer multiple images to image editing software. Unlike
[Transferring a RAW Image to Photoshop] (p.67), you transfer images
that have first been converted and saved as a seperate image, so the
transferred image will not disappear after exiting the destination
software. The software used here as an example is Adobe Photoshop
CS.
In the main window, select multiple images to be
1
transferred.
Select Photoshop CS.
5
O In the [Open] dialog box, select a Photoshop CS file or a shortcut
and click the [Open] button.
¿ The [Open] dialog box closes and [Image transfer settings] in the
[Batch settings] window is set to Photoshop CS.
Checkmark [Open image using software].
6
Introduction
Contents at
a Glance
Basic
Operation
1
Click the [Batch process] button on the toolbar
2
¿ The [Batch settings] window appears.
Perform settings required for transferring (e.g. file
3
format).
Click the [Browse] button.
4
(p.105)
.
Click the [Execute]button.
7
¿ The processing dialog box appears and batch transfer begins.
¿ When the first image has been transferred, Photoshop CS starts
up and transferred images are displayed in transferred order.
COPY
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
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¿ The [Open] dialog box appears.
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Batch Change the File Name of Images
If a file name in red text has appeared in [Modified File Name], the file
name has been duplicated. Changes cannot be made if even one file
name has been duplicated. Change the settings so that duplication does
not occur.
Changes cannot be made when the file name is duplicated
The name of the movie files cannot be changed in DPP.
O You cannot start up the rename tool from the [Collection] window
(p.33, p.106).
O For a list of the rename window functions, refer to p.118.
Changing the File Name of Images in the Order in the Main Window
In the main window, select multiple images of which
1
the file names are to be changed.
Select the [Tools] menu ` [Start Rename tool].
2
¿ The rename window appears.
Introduction
Contents at
a Glance
Specify the required settings (p.118) and click the
3
[Execute] button.
¿ Processing begins and the file names are changed.
When you change the order of the images in the main window (p.19),
you can change in one operation the names of the files for the images,
in the order they were rearranged.
Change the order of the images in the main window
1
(p.19).
In the main window, select multiple images of which
2
the file names are tobe changed.
Select the [Tools] menu ` [Start Rename tool].
3
Select [Fit to main window].
4
COPY
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Specify the required settings (p.118).
5
O To copy an image, checkmark [Copy Rename].
Click the [Execute] button.
6
¿ The file names are changed and the order in the main window is
maintained.
Index
84
Page 86
5
Editing JPEG and TIFF Images
DPP is software mainly aimed for advanced RAW image editing, but it
also has JPEG and TIFF image editing functions. Here, the editing and
saving of JPEG and TIFF images are explained.
Introduction
Contents at
a Glance
Editing JPEG and TIFF Images............................... 86
About the RGB Tool Palette....................................... 86
Automatically Adjusting Brightness and Color (Tone
Re-Editing an Image.............................................. 101
85
Page 87
Editing JPEG and TIFF Images
Contents adjusted using the tool
palette can be handled
individually as a recicpe file
(extension “.vrd”) (p.79, p.101).
Image processing conditions information
JPEG, TIFF image data
About the RGB Tool Palette
With DPP, you can adjust JPEG and TIFF images in the same way as
RAW images using the [RGB] and [NR/Lens/ALO] tool palettes.
Because adjustment made with the tool palette (recipe) only changes
the image processing conditions, the “original image data itself” remains
unaffected. Therefore, there are no problems with image deterioration
that arise with editing and you can readjust your images any number of
times.
With the functions in the [RGB] tool palette, you can adjust JPEG and
TIFF images with the same functions as ordinary image editing
software.
However, because the adjustment width of the adjustment functions in
the [RGB] tool palette is wider than the [RAW] tool palette, the image
color may be saturated, or the image quality may deteriorate if you
adjust too much. Therefore, take care not to adjust your images to an
excessive degree.
You can adjust RAW images with the functions in the [RGB] tool palette.
However, for functions other than tone curve adjustment (p.91) and
automatic adjustment (p.87), we recommend adjusting RAW images
using the same functions available in the [RAW] tool palette.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
In DPP all the adjustments (image processing conditions information)
made with the tool palette can be saved in the image as data called a
“recipe” (p.100), or can be saved, downloaded and applied to other
images as a separate recipe file (extension “.vrd”) (p.79, p.101).
COPY
Editing
JPEG/TIFF
5
Images
Reference
Index
86
Page 88
In order to make the image a desirable standard image, automatically
Automatically Adjusting Brightness and Color (Tone Curve Assist)
Reverts the tone curve
to the original settings
High
Standard
adjust the image tone curve (p.119). You can select the degree of
automatic adjustment from “Standard” and “High”.
Click the desired automatic adjustment button.
O Standard: Standard automatic adjustment. Suitable for most
images.
O High:Use when the effect achieved in standard automatic
adjustment is not strong enough.
Images not suitable for automatic adjustment (tone curve
assist)
The result of automatic adjustment (tone curve assist) may not be as
expected with the following images:
• Images which have been shot with the proper exposure
• Images where the brightness is unbalanced
• Images which are too dark
• Images which have extreme backlighting
If you click the [] button, the tone curve as well as the [Hue]
and [Saturation] revert to the default settings. Take care when
adjusting the [Hue] and [Saturation] individually (p.90).
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
¿ The tone curve changes as adjusted.
COPY
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
87
Page 89
The brightness and contrast of an image can be adjusted.
Adjusting Brightness and Contrast
Drag the sliders left or
right
Enter numerical values
The adjustment range is –100 to +100 (in 1-stop increments when
entering a value).
O Brightness: Move the slider to the right to make an image
brighter and to the left to make an image darker.
O Contrast:Used to adjust modulation and degree of contrast
of color. Move the slider to the right to make
contrast of an image stronger and to the left to
make contrast weaker.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
COPY
Index
88
Page 90
You can adjust white balance using a selected part of an image as the
Adjusting Color Tone Using Click White Balance
The coordinates of the cursor position and
the RGB values (8-bit conversion)
When there are no white areas in your image, you can adjust the white
balance by clicking on a grey point of the image in step 2. This has the
same adjustment result as selecting a white point.
When there are no white areas in your image
O The image is adjusted based on the average value of 5 × 5 pixel
range from the clicked point.
O The histogram display changes according to adjustment. You can
also fix the histogram display to the display before any
adjustments (p.75).
standard for white to make the image appear natural. Using click white
balance is effective when using it in part s of an imag e where white color
tone has changed under the influence of a light source.
Click the [] button.
1
Click on a point that is to be the standard for white.
2
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
COPY
¿ The color ofthe image is adjusted with the point you selected as
the standard for white.
O If you click on another point in the image, the white balance is
adjusted again.
O To finish click white balance, right-click with the mouse or click
the [] button again.
Editing
JPEG/TIFF
5
Images
Reference
Index
89
Page 91
You can adjust hue (tone) and saturation and make the overall
Adjusting Hue, Saturation and Sharpness
Enter numerical values
Drag the sliders left or right
Adjust sharpness with the window view set to [100% view], [50% view]
or [200% view]. If the view is set to [Fit to window] (full view), the
sharpness will seem unnatural.
Sharpness is unnatural
The adjustment range is –30 to 30 for hue, 0 to 200 for saturation,
and 0 to 500 for sharpness (in 1-stop increments when entering a
value).
atmosphere of an image harder or softer.
O Hue:Move the slider to the right to make color tones
more yellow, and to the left to make color tones
redder.
O Saturation: Move the slider to the right to make the color
deeper, and to the left to make the color weaker.
O Sharpness: Move the slider to the right to make an image
harder, and to the left to make an image softer.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
COPY
Reference
Index
90
Page 92
You can adjust the brightness, contrast and color of a specific area by
Tone Curve Adjustment
Right-click with the
mouse inside the graph
to display the menu
Click to add a [] (point)
Adjust by dragging []
Adjusts each channel
Batch adjusts RGB
O The histogram display changes according to adjustment. You can
also fix the histogram display to the display before any
adjustments (p.75).
O The tone curve mode and interpolation method for a tone curve
can also be changed in [Preferences] (p.75).
changing the tone curve (p.119).
Select the tone curve mode and interpolation
1
method.
Make adjustments.
2
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
COPY
O The horizontal axis shows the input level and the vertical axis
shows the output level.
O The maximum number of [] is 8.
O
To delete a [], either press the <Del> key or double-click on the [].
Reference
Index
91
Page 93
Dynamic range (width of gradation expression) from dark points to bright
Adjusting Dynamic Range
Move to the
left
Input highlight
points
Reverts the
image to the
original
settings
Move to the
right
Input shadow
points
Output
highlight point
numerical
value
Move downwards
Output highlight points
Output shadow
point numerical
value
Move upwards
Output shadow points
Input shadow
point numerical
value
Input highlight
point numerical
value
points in an image can be adjusted.
O The setting range of shadow points is 0 to 247 (in 1-stop
increments when entering a value).
O The setting range of highlight points is 8 to 255 (in 1-stop
increments when entering a value).
O The histogram display changes according to adjustment. Y ou can
also fix the histogram display to the display before any
adjustments (p.75).
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
COPY
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
O The horizontal axis shows the input level and the vertical axis shows
the output level.
92
Page 94
Reducing Noise
Drag the sliders right
Because noise reduction effect is difficult to see in the [50% view] and
[Fit to window] displays, use [100% view] or [200% view] to check the
noise reduction.
To check the noise reduction effect, enlarge the image and
display it
O If [Luminance noise reduction] has been set, resolution may be
reduced along with reduction of noise.
O If [Chrominance noise reduction] has been set, color bleeding
may occur along with reduction of noise.
O You can set the batch processing settings for noise reduction
beforehand, using [Default noise reduction settings] in the [Tool
palette] tab sheet in Preferences (p.75). This is particularly useful
for applying noise reduction to all the images in a folder at once,
such as batch noise reduction for images with high ISO speeds.
However, where images have a recipe attached, the noise level
recorded in the recipe is applied.
O For a list of tool palette functions, refer to p.110.
You can reduce noise that arises in JPEG and TIFF images that have
been shot at night or with a high ISO speed.
Select the [NR/Lens/ALO] tab sheet from the tool
1
palette in the edit window or edit image window.
Adjust an image.
2
Click the [Apply] button.
3
¿ Noise reduction is applied to the image and the image is
redisplayed.
Display the image in the [100% view] or [200% view].
4
¿ You can check the noise reduction effect.
O In the [50% view] or [Fit to window] display, it may be difficult to
check the noise reduction effect.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
O You ca n set a noise reduction level from within a range of 0 to 20.
The larger the setting, the larger the noise reduction effect.
COPY
Editing
JPEG/TIFF
5
Images
Reference
Index
93
Page 95
Trimming an Image
Cancel
Select a
trimming
ratio
Drag the
trimming
range
You can trim only the part of an image you need, or change the
composition of an image where an image shot horizontally becomes
vertical.
Also, when aspect ratio information is attached to an image shot with
EOS-1Ds Mark III or EOS-1D Mark III, the trimming range based on the
aspect ratio information is displayed.
Select the image to be trimmed.
1
O List of aspect ratios (width : height)
Introduction
Contents at
a Glance
Basic
Operation
1
Select the [Tools] menu ` [Start Trimming tool].
2
¿ The trimming window appears.
When the image has redrawn itself, select a ratio and
3
drag the trimming range.
O The trimming range can be moved by dragging.
O You can enlarge or reduce the size of the trimming range by
dragging the four corners of the trimming range.
[Free]:You can trim an image to any size, regardless of the
selectableratio.
[Custom]:You can triman image at the specified ratio.
Click the [OK] button to return to the main window.
4
¿ The trimming range frame is displayed in the trimmed image
(p.107).
¿ When the trimmed image is displayed in an edit window or the
edit image window, it is displayed in its trimmed form.
COPY
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
94
Page 96
Introduction
About trimmed images
O The trimmed range can be reverted to its original condition at
any time
A trimmed image is displayed or printed as a trimmed image.
However, since the image is not actually trimmed, you can always
revert to the original image by clicking the [Reset] button in the
trimming window or performing the “Re-Editing an Image” procedure
(p.101).
O Display of the trimmed image in each window
• Main window:The frame showing the trimming range is
displayed on the image (p.107).
• Edit window:The image is displayed in its trimmed condition.
• Edit image window: The thumbnail image is the same as the main
window display, and the enlarged image is the
same as the edit window display.
O Printing a trimmed image
You can print as a trimmed image by printing it in DPP.
O The image becomes a trimmed image when saved as a separate
image
The trimmed JPEG or TIFF image actually becomes a trimmed image
when saved as a separate image (p.101).
O Images that have aspect ratio set will be displayed as trimmed
images
When aspect ratio information is attached to an image shot with EOS1Ds Mark III or EOS-1D Mark III, the set trimming range based on the
aspect ratio information is displayed. However, since the imageisnot
actually trimmed, you can change the trimming range or revert to the
condition before trimming.
When reverting to the condition before trimming is performed based
on the aspect ratio information at the time of shooting, click the
[Reset] button. Also, if you want to cancel all the trimming range, click
the [Clear] button (p.114).
COPY
Convenient functions of the trimming window
O Switch between screens using the keyboard
You can also switch between full screen display/normal screen
display by pressing the <Alt> + <Enter> keys or the <F11> key.
O Operate using the menu
Each operation can also be performed with the menu which appears
when you right-click with the mouse on the image.
O Apply the trimmed range to another image
You can apply the trimmed range to another image by clicking the
[Copy] button to copy the trimmed range, displaying another image
and then clicking the [Paste] button.
To batch apply a copiedtrimming range to multiple images, select the
trimmed image and the multiple images to which you want to apply
thetrimmed range in the main window, and display the trimming
window. With the trimmed image displayed, click the [Copy] button
and then click the [Apply All] button. This will apply the trimming range
to all the images selected when the trimming window is displayed.
For a list of the trimming window functions, refer to p.114.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
95
Page 97
Performing Automatic Dust Erasure Processing
Compatible Cameras
O The dust-erased image can be reverted to its original condition
at any time
A dust-erased image is displayed or printed as a dust-erased image.
However, since the dust on the image is not actually erased, you can
always revert to the original image by clicking the [Undo] button in the
copy stamp window or performing the “Re-Editing an Image”
procedure (p.101).
O Check dust erasure in the copy stamp window
Check dust erasure in the copy stamp window. Images before dust
erasure are displayed in other windows and you will be unable to
check them.
O Printingdust-erased images
You can print as a dust-erased image by printing it in DPP.
O The [Apply Dust Delete Data] button cannot be clicked
Even with an image that has Dust Delete Data attached to it in the
camera, if there is no dust to remove by DPP from the image, the
[Apply Dust Delete Data] button will be disabled.
O To erase dust spots that cannot be erased with the automatic
dust erasure processing
In automatic dust erasure processing, dust spots are erased based on
information relating to dust saved in the Dust Delete Data. However,
there may be cases where you will not be able to erase dust spots
depending on the type of dust. If this occurs, erase those dust spots
using the repair function (p.98) or the copy stamp function (p.100).
O The image becomes a dust-erased image when saved as a
separate image
The dust-erased JPEG or TIFF image actually becomes a dusterased image when saved as a separate image (p.101).
Additional Information
The Dust Delete Data that is appended to images shot with the camera
that can attach this data, can be used to automatically erase dust spots.
Click the [OK] button to return to the main window.
4
¿ The [] mark (p.107) is displayed on an image from which dust
spots have been erased.
Introduction
Contents at
a Glance
EOS-1Ds Mark IIIEOS-1D Mark IIIEOS 5D Mark II
EOS 50DEOS 40DEOS REBEL T1i/500D
EOS DIGIT AL REBEL
XSi/450D
In the main window, select an image appended with
1
Dust Delete Data.
Select the [Tools] menu ` [Start Stamp tool].
2
¿ The copy stamp window appears.
When the image has redrawn itself, click the [Apply
3
Dust Delete Data] button.
¿ Dust spots are erased in a single operation.
EOS DIGIT AL REBEL
XTi/400D DIGITAL
EOS DIGIT AL REBEL
XS/1000D
COPY
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
96
Page 98
Useful functions of the copy stamp window
Automatic Dust Erasure Processing in the Main Window
Introduction
O Checking the dust erased spots
After step 3, you can display and check in detail the erased dust spots
one by one by pressing the <Shift> + <F> keys. (Press the <Shift> +
<B> keys to return to the previous dust spot.)
O Canceling a specified erased dust spot only
After step 3, you can press the <Shift> + <F> keys or the <Shift> +
<B> keys to display the erased dust spot, and then press the <Shift>
+ <Del> keys to cancel only the erased dust spot displayed.
O Switch between full screen display/normal screen display using
shortcut keys
You can also switch between full screen display/normal screen
display by pressing the <Alt> + <Enter> keys.
O Applying the dust erasure result to another image
You can apply dust erasure to the same place in another image by
clicking the [Copy] button to copy the dust erasure results and then
displaying the other image to which you want to apply the results and
clicking the [Paste] button.
For a list of the copy stamp window functions, refer to p.116.
In the main window, you can also automatically erase dust spots in
multiple images appended with Dust Delete Data.
Select multiple images appended with Dust Delete
Data, and then select the [Adjustment] menu `
[Apply Dust Delete Data].
¿ Dust spots in all the selected images are erased in a single
operation.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
COPY
Reference
Index
97
Page 99
Manually Erasing Dust (Repair Function)
Doubleclick
Click
You can erase dust spots in an image by selecting them one by one.
In the main window, select the image you want to
1
erase dust spots.
Select the [Tools] menu ` [Start Stamp tool].
2
¿ The copy stamp window appears.
When the image has redrawn itself, double-click the
3
point from where dust is to be erased.
Place the dust spot to be erased within the [] and
5
click.
Introduction
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
¿ The display changes to 100% view.
O The display position can be changed by dragging.
Click the button that matches the dust spots to be
4
erased.
O If the dust spot is dark in color, click the [] button, and if
the dust spot is light in color, click the [] button.
O When you move the cursor over the image, the dust erasure
range appears as [].
¿ The dust spot within the [] is erased.
O Click on another part of the image to continue erasing dust spots
in the image.
O To erase dust in another part of the image, either right-click with
the mouse, or click the button clicked in step 4 again to cancel dust
erasure processing and perform the operation again from step 3.
O When the dust spot cannot be erased, [] is displayed.
COPY
Click the [OK] button to return to the main window.
6
¿ The [] mark (p.107) is displayed on an image from which dust
spots have been erased.
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
98
Page 100
Introduction
Additional information
O Click several times when dust spots are not erased completely
Where unwanted dust spots are not erased even after performing
step 5 once, they may be erased completely when you click several
times.
O Mainly spots of dust can be erased with the repair function
Spots of dust can be erased with the repair function. You may be
unable to erase lines of dust. In this case, use the copy stamp
function (p.100).
O The dust-erased image can be reverted to its original condition
at any time
A dust-erased image is displayed or printed as a dust-erased image.
However, since the dust on the image is not actually erased, you can
always revert to the original image by clicking the [Undo] button in the
copy stamp window or performing the “Re-Editing an Image”
procedure (p.101).
O Check dust erasure in the copy stamp window
Check dust erasure in the copy stamp window. Images before dust
erasure are displayed in other windows and you will be unable to
check them.
O Printing dust-erased images
You can print as a dust-erased image by printing it in DPP.
O The image becomes a dust-erased image when savedas a
separate image
The dust-erased JPEG or TIFF image actually becomes a dusterased image when saved as a separate image (p.101).
COPY
Useful functions of the copy stamp window
O Checking the dust erased spots
After step 3, you can display and check in detail the erased dust spots
one by one by pressing the <Shift> + <F> keys. (Press the <Shift> +
<B> keys to return to the previous dust spot.)
O Canceling a specified erased dust spot only
After step 3, you can press the <Shift> + <F> keys or the <Shift> +
<B> keys to display the erased dust spot, and then press the <Shift>
+ <Del> keys to cancel only the erased dust spot displayed.
O Switch between full screen display/normal screen display using
shortcut keys
You can also switch between full screen display/normal screen
displayby pressing the <Alt> + <Enter> keys.
O Applying the dust erasure result to another image
You can apply dust erasure to the same place in another image by
clicking the [Copy] button to copy the dust erasure results and then
displaying the other image to which you want to apply the results and
clicking the [Paste] button.
For a list of the copy stamp window functions, refer to p.116.
Contents at
a Glance
Basic
Operation
1
Advanced
Operation
2
Advanced
Image Editing
3
and Printing
Processing
Large Nu mbers
4
of Images
Editing
JPEG/TIFF
5
Images
Reference
Index
99
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