R-TYPE LIVE
PRODUCTION
CONSOLE
The R-Type Live Production Console is
Cadac’s answer to touring sophistication,
contained within a cost-efficient and easily
re-configurable package. Comprising a new
lightweight monocoque design and a
slimmer module width, the R-Type is
designed for fast installation. The console
combines touring ruggedness with the
legendary Cadac audio quality and
reliability, providing comprehensive facilities
for both FOH and monitor mixing. A major
benefit for rental companies is the ability to
re-configure the console exactly to match
each tour’s specification and budget - using
Cadac’s unique “plug-anywhere” modules.
The R-Type joins an impressive line-up
of mixing consoles, with the Cadac name
having an unrivalled reputation for audio
performance, reliability and engineering
excellence. The company’s comprehensive
line-up of console designs highlights its
specialist focus on sound reinforcement and
location recording. It follows in the footsteps
of the J-Type and F-Type Live Production
Consoles, complemented by the M-Type
Monitor Board, set the standard for live
performance audio and monitor mixing.
Cadac consoles are no strangers to touring,
featuring regularly on international pop
tours as well as on touring theatrical
productions. The J-Type, F-Type and M-Type
consoles have proved the value of Cadac’s
configuration flexibility and sophisticated
facilities, and with the introduction of
the R-Type , Cadac is bringing a new quality
dimension to the touring scene.
TOURING FLEXIBILITY
With the R-Type, a single 24-slot frame can
be configured to handle a small venue or gig
easily - with larger consoles being assembled
out of multiples of the 24-way frame up to
any size required.
For example, an FOH console for an
awards production or multi-talent show
may require anywhere up to or even beyond
180-200 inputs. This is easily achievable
by adding additional frames of the required
style of inputs. As the standard frames are less
than 1m wide, they can be easily arranged in an
ergonomic form around the mix position.
A typical configuration using 3 of the
R-Type’s lightweight 24-slot frames provides
up to 51 inputs in any combination of mono
or stereo, a full output section plus dedicated
L-C-R Outputs and 16 DC Masters.
THE R-TYPE LIVE PR
AN EXCEPTIONAL PERFORMER
■ 57 electronically-balanced audio busses
Internal audio bussing is balanced and uses
ribbon cables with ‘floating’ connectors.
■ Any number of stereo or mono
input channels may be specified
There is no limit to the quantity of mono
and stereo inputs that can be fitted into an
R-Type console. They
can be fitted and
located as required for
the specific project.
■ 32 channel SENDS
Each of the input
channels - both mono
and stereo - provide
SENDS to 32 outputs,
the levels of which are
controlled by 16
dual concentric
potentiometers.
■ Left - Centre - Right
panning from
Channels
The R-Type console
has a dedicated L-C-R
Output module.
Each Input Channel
provides panning
for L-C-R, L-R or
Mono to Centre
with a separate
level control.
■ Left - Centre - Right
panning from Outputs
Each Output provides panning for L-C-R,
L-R or Mono to Centre without a separate
level control.
■ Stereo panning from each Input Channel or
Output to a dedicated stereo bus
A dedicated Stereo output is provided for
use as a recording or broadcast feed.
■ 16 Matrix Outputs
Every output has 8 dual concentric
potentiometers providing routing to 16 matrix
outputs respectively located at the top of
each output module.
■ Direct inject to all Output
and Matrix busses
■ 16 DC Masters (VCA
Masters)
All input channels can be
assigned to one, or more,
of the DC Masters. This
permits the simultaneous use
of traditional VCA Group
control and additionally
provides a simple and
convenient method of
setting up Group Masters.
■ 16 Mute Groups
All input channels and DC
Masters can be
selected - up to 16
Mute Groups.
■ 100 internal snapshot
memories in the CCM
Up to 100 (optionally 200)
complete console snapshots
of VCA assignment, Mute
Groups and other
programmable functions
can be recorded into the
Central Control Module’s
local memory for instant
cue recall.
■ PC control under SAM software
The full range of console automation
facilities provided within Cadac’s Sound
Automation Manager (SAM) for Windows
®
software can be accessed.
■ Motor faders available for all Input
channel faders and DC Master faders
R-TYPE CONSOLE FEATURES
■ Lightweight yet strong monocoque
frame design
Based on the proven J-Type chassis and
with a fully-loaded 24-slot frame
designed for an easy two-man lift, this
provides the essential elements of
lightness and strength.
■ Multiple frames for flexible
configuration
Frames are connected via resilient audio
and power umbilical cables, with all
interconnects designed to ensure a
swift load-in and load-out of the console.
■
Module width of just 35mm
(1.4 inches)
Slimline modules (just 35mm/1.4”) give
the R-Type a compact footprint - the
overall width of the console is less than
1 metre/under 36” wide, with Cadac’s
design using channel strips and fader
modules to achieve the slimline layout.
■
Cadac’s unique “plug anywhere”
modules
Any R-Type module may be positioned
in any frame, continuing the Cadac
tradition of giving users complete
flexibility to reconfigure the console
layout. Users have complete freedom
to mix and match mono and stereo
input channels, input and output
modules, and the control modules, for
the project in hand.
ODUCTION CONSOLE
FRAME
The R-Type is constructed from extruded
aluminium bearers, fixed to 4mm aluminium
end profiles. This allows multiple frames
to be positioned so that modules are
almost adjacent.
Internal audio bussing is balanced and uses
ribbon cables, with ‘floating’ connectors fitted
on to steel cradles. All power bussing is rated
at 40A per rail. Frame-mounted inputs include
diode-mixed power inlets, earth points and
headphone XLRs, as well as optional bus
expansion connectors. The frames are designed
to incorporate multiple cooling fans with a
5-speed control. The standard frame comprises
24 module positions. Other sizes can be
supplied to special order.
MODULES
Each module may be plugged into any position
in the console frame, by means of a top quality
two-part connector system, which is designed
as a mating pair to provide excellent
mechanical and electrical reliability. A rail
system is used to guide each module into its
correct position. The console design allows
modules to be removed or inserted without
powering down.
CONNECTORS
Audio connections will be determined by the
user’s specification and whether a patchbay is
required. XLR type connectors are standard for
all inputs and outputs.
1
⁄4" jack sockets are used
for insert sends and returns.
POWER SUPPLIES
Each R-Type console requires the following:
■ 18v for the audio electronics
■ +13v for LEDs, relays and logic circuits
■ +48v for phantom powering of microphones
The power supplies are suitable for rack-
mounting or flight cases, and are connected
via a heavy duty, shielded multicore cable
with military circular bayonet connectors at
each end. Each console may be powered by
two independent power supply systems,
operating simultaneously.
FINISH
All Cadac front panels are machined from
custom-designed 3mm aluminium extrusion,
which is stove enamelled, silk-screened and
lacquered. The silk-screened legend is designed
to withstand arduous operating conditions.
Custom-made flight cases are available for the
R-Type console, as required.
STANDARDS
The R-Type is designed to the following
standards: EN55103-1:1997,
EN55103-2:1997
and EN60065:1998
CADAC IS A REGISTERED TRADE MARK OF CADAC ELECTRONICS PLC.
photography courtesy of Phil Dent/Optimum Exposure and Diana Scrimgeour
GENERAL SPECIFICATION
Designed and Manufactured by:
Cadac Electronics Plc
One New Street,
Luton,
Bedfordshire,
England LU1 5DX
Telephone: +44 (0)1582 404202
Facsimile: +44 (0)1582 412799
Email: info@cadac-sound.com
Website: www.cadac-sound.com
862mm (34")
LITTLITES
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935mm
220mm
387mm
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