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Audio Mixing Console
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CADAC Electronics plc
One New Street
Luton
Bedfordshire
LU1 5DX
England
Tel +44 (0) 1582 404 20 2
Fax +44 (0) 1582 412 799
email: info@cadac- s ound.com
While e very effor t h as been take n to ensu re the accu racy o f th e con tents in t his m anual, CAD AC Audi o Mi xing Consol es are bei ng su bjec t to co nti nuous
development, hence the information in this manual may not reflect latest product updates.
© Copyright CADAC Electronics plc. 20 05.
Table of Cont ents iii
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2.1 The console ................ .... ............... .... ... ................ .... ............... .... . 2-1
2.2 The Modules ....... .... .... .... ... ................ ... ................ .... ... ................ . 2-1
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3.1 Setting up the touring console ...................................................... 3-1
3.2 Frame rear connections................................................................... 5
3.3 Connectin g Powe r Sup plies............... ... .... ................ ... ................ ... . 6
3.4 Connecting the console frames ..................................................... 13
3.5 Switching ON .. .... .... .... .... ............... .... ... ................ .... ............... .... .. 14
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4.1 Channel assignment ..................................................................... 4-1
4.2 Adding channels ........................................................................... 4-3
4.3 Using the SENDS .........................................................................4-4
4.4 How to use the L-C-R and L-R + C switches ................................ 4-5
4.5 How to use the Stereo bus and its output ..................................... 4-5
4.6 How to assign outputs................................................................... 4-5
4.7 How to SOLO a channel............................................................... 4-6
4.8 How to apply PFL and LISTEN ..................................................... 4-6
4.9 How to operate HOLD/CHANNEL PRIORITY/CLEAR & TALKBACK
TO LISTEN ................................................................................... 4-7
4.10 The CCM memory .............. .... ............... .... .... ............... .... ............. 4-8
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5.1 General overv i ew ............... .... .... .... .... ............... .... .... ............... .... . 5-1
5.2 Internal ............ .... .... .... ............... .... .... ............... .... ............... .... .... . 5-1
5.3 Sound Automation Manager (SAM).............................................. 5-2
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6.1 Functionality.................................................................................. 6-1
6.2 CCM front panel swi tc hes an d disp la ys ................ .... ... ................ . 6-1
6.3 Fader Control Module (FCM) ....................................................... 6-4
6.4 Configuring the console system.................................................... 6-6
6.5 Viewing and Changing DC and Mute Groups as signme nt of the fad-
ers............................................................................................... 6-10
6.6 CCM operations.......................................................................... 6-10
6.7 CCM rear panel connectors........................................................ 6-14
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7.1 Mono Input Channel 8241 - front panel ........................................7-2
7.2 Mono Input Channel 8241 - rear panel ......................................... 7-9
7.3 Mono Channel Fader 8245/8246 (motor fader) .......................... 7-10
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8.1 Stereo Input Channel 8231 - front panel....................................... 8-2
8.2 Stereo Input Channel 8231 - rear panel........................................ 8-9
8.3 Stereo Channel Fader 8235/8236 (motor fader)......................... 8-10
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9.1 Outputs and Matrix 8251 - front panel .......................................... 9-2
9.2 Output & Matrix 8251 - rear panel................................................. 9-9
9.3 DC Master fader 8255................................................................. 9-10
Revision R2005-2 R-Type
iv Table of Cont ents
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10.1 L-C-R Output 8261 - front panel ................................................. 10-2
10.2 L-C-R Output 8261 rear panel .................................................... 10-6
10.3 L-C-R Channel Fader 8265 ........................................................ 10-7
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11.1 Osc & Communications 8271 - front panel................................. 11-2
11.2 Osc & Communications 8271 - rear panel.................................. 11-8
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12.1 Listen & Stereo Output 8305 - front panel .................................. 12-2
12.2 Listen & Stereo Output 8305 - rear panel................................... 12-7
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R-Type Revision R2005-2
General Precautions v
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Do not place heavy objects on the control surface, expose it to s harp objects or handle the console in any way that may cause damage e.g. rough handling and/or
excessive vibration.
Do not subject the equipment to dirt, dus t, heat or vibration during oper ation or stor age. Never expose the console to rain or moisture in any form. Should the console
become wet, turn it off and disconnect from mains without further delay. The console
should be given suff icient time to dry out, before recommenc ing operation.
When cleaning the cons ole, never use chemicals, abra sive substances or sol vents.
The console control panels should be cleaned using a soft brush and a dry lint-free
cloth. For pe rsistent ma rk s, us e a sof t clo t h and is op r opyl alc oh ol. Switches and
potentiometers do NOT require cleaning or lubrication. For faders, see below.
Transport the cons ole in its purpose built flight-case; whilst at the sa me time taking
precautions to protect the co ntrol surf ace from any damage. Alway s make sure adequate manpower is available and correct lifting methods are taken when moving the
console.
Read the following before using the equipment
CAUTION
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DO NOT OPEN
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Keep these instructions for future reference. Follow all warnings in this manual and
those printed on the power supply units.
The console must be installed following the guide lines in this manual. Never connect
power amplifier outputs directly to the console. Connectors and plugs must never be
used for any other purpose than for what they are intended.
Never use the power supply units without covers fitted. All service work must be carried out by qualified personnel only.
The power supply units must always be connected to correctly r ated mains p ower as
referred to in this manual and marked on the power supply units. The power supply
units must, at all times, be connected to the local mains power supply using the supplied po w er c or d. In c ase s w her e th e supp l ie d p lu g d oes not fi t , a qu al if i ed elec tr ic ia n
must be consulted.
The power cord must be routed in such a way that the risks of accidentally stepping
on it, stretching it or it being pinched, are minimized.
THIS EQUIPMENT MUST BE EARTHED !
In order to minimize risks of fire hazards and/or electric shock , the power supply unit
must ne v er be e x pos ed to moi st ur e or wa te r in any f orm; or b e us ed i n a damp or w et
environment. Never place liquid c ontainers, such as for instance coffee/t ea mugs, on
the power supply uni t, so as to avoid spillage into openings.
Ventilation slots on the power supply or the console must never be covered or in any
other way obstructed. Air flow required for safe operation may otherwise be
restricted. Where the console is to be operated in its flight-case, then this must be
located in such a way that it allows for proper ventilation.
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R-Type Revision R2005-2
Refer servicing to qualified technical personnel only.
vi General Precautions
Revision R2005-2 R-Type
Introduction vii
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CADAC would like to thank y ou for purchasing this R-Type console which will bring
many trouble-free years for you to enjoy.
The CADAC R-Type live production touring console is designed to be used as a
Front of House Board or as a Monitor Board. It offers a comprehensive range of features that vastly support and enh ance the job of the Sound Engineer and represents
the ul timate choice for the live touring environment as well as for theatres a nd fixed
installations. The R- Typ e mixing console is entirely modular and fully user configurable, at the same time offering legendary CADAC sound quality and reliability. The
compact light-weight design makes it easy to handle, thus allowing rapid load-in and
load- out for touring applications.
The standard R-Type frame si ze encompasses 24 positions of which a maximum of
16 ma y be bussed toge ther to give a total of 384 spaces where 3 63 may be dedicated mono or stereo inp ut channels. There are 16 pairs of sends for each input;
sends 1 to 8 may be switched between mono (16 sends) and stereo (8 sends).
Sends 9 to 12 and 13 to 16 may be configure d as 8 mono sends or 8 conventional
stereo groups receiving information from the main module pan pot. Direct routing can
be performed to matrices 13 to 16. In addition to a stereo bus, both channels also
incorporate a left, centre and right bus which may be used either as a stereo bus with
separate centre level or with full L-C-R panning. The mono channel has a level controlled direct output.
All modules can be upgraded to incorporate motorized faders.
The module width for the CADAC R-Type is only 35mm, contributing to a compact
footprint and a reduced overall width for improved ergonomics and feature accessibility.
This manual provides information on the installation of an R-Type console and
includes functional descriptions of the modules with enhanced automated functi ons.
Revision R2005-2 R-Type
viii Introduction
R-Type Revision R2005-2
The R-Type concept 1-1
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simply the best
for Rock’n’Roll
this is what they asked for...
and more.. .
CADAC is renowned world-wide for their state-of-the-art theatre consoles. The
CADAC sound and bui ld quality, along with extensive features and automation has
made the company a hou sehold name in t he theatres in London’s West End, Broadway in New York and most major theatres throughout the world. Manufacturing arguably the best mixing consoles in the world, however, also comes at a price.
For a long time, the traditio nal “rock’n’roll” touring sound and hire companies and engineers have been asking for the same quality at an affordable price, with specifications and features more suite d to general live perf ormances. We have now taken the
best p arts of the C ADAC etho s and designed them into a new console dedi cated to
the li ve touring, conference and event industry.
The R- Ty pe devel opment from a very early stage took into account the needs and requirem ents of t his i ndust ry , with use ful idea s and f e ed-bac k f rom the w orld’s top sou nd
compan ies . 24 slo t lig htwe ight mono -coq ue fr ames ca n be lo aded with i nput or out put
modul es in any order or configuration allowing for maximum fle xibility when configuring for a show or a tour. The sm aller module size and overall weight of the fr ames allows easily for a smaller crew set up and also with intelligent flight case design takes
up less truck space.
Add to this the knobs and switches part of the design. In brief, any number of mono
or ster e o inp ut mo dule s , a ma xi mum o f 32 au x or ( 16) g rou p o ut put s , an d a 16 ou tp ut
matrix. 16 mute group and 16 DC masters, plus an on-board 128 scene automation
snapsh ot/ sc en e me mo ry, plus th e c la ss ic CADAC soun d, r e liab il i ty and p er f o rman ce .
All this together makes us believe that, in designing the R-Type, we have now made
the ultimate touring c onsole.
Revision R2005-2 R-Type
1-2 The R-Type concept
R-Type Revision R2005-2
Syste m ov erv iew 2-1
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Mixing consoles consist of a number of input channels and output groups with associated faders, moni toring and control functions - organised in a way to allow the op erator to do the particular job that the console has been designed to achieve. When
module positions are fixed in relation to the frame structure, various operational compromises occur during the life of the console. The R-Type console system allows the
owner or operator to move any m odule into any frame position and to change the
numbe r of fr ame s ass oc ia te d wit h the syst em to inc rea se or decr ea se th e numb er of
input channels and output groups t o meet the needs of a particular project. The
number of inputs, output s, faders and control functions can be varied during the life
of the console, extending the system as work loads increase, and/or to change the
function of the console (for example, to change from FoH configuration to monitor
layout). Experience gained with our “J”, “F” and “M-Type” series consoles has shown
that this type of structure extends the useful life of the mixer by at least one order of
magnitude.
Each R-Ty pe frame has 24 module positions (slots) and there can be as many as 16
frames in any one console system. Each frame has provision f or main and bac k up
power supply inputs and any two adjacent frames have full audio bus and control
function interco nnection on a single multi-way bus loom. Digital control func tions are
automatically mapped on power-up.
The standardised frame wiring provides a total o f 55 balanced busses. Thus a fully
equip ped console syst em can have 32 sends - 16 of which can be switche d as 8
stereo sends for in-ear monitoring or stereo FX applications; 16 m atrix sends; simultaneous L-C-R and stereo outputs; stereo monitoring and PFL. Standard (and
optional motor) channel VCA faders can access up to 16 V CA master fade rs and 16
mute groups. Additional MIDI, EVENT and alpha-numeric display functions for master faders can be programmed and stored in 128 user memo ries (cues) associated
with the CCM.
Extended programmable functionality will be offered, using an external PC (via USB
ports on the CCM) running SAM, at a later date.
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Both mono and stereo modules are available. The modules have balanced insert
ports (send and return connectors); four band parametric EQ and high-pass filter selectable pre or post insert; balanced direct output - selectable pre or post fader.
Full details of the functionality offered on these mo dules is discuss ed in chapters 7
Mono Input Channel 8241 and 8 Stereo Input Channel 8231. Also see Appendix D.
Jumper to disable direct output m uting.
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Both mono and stereo VCA channel faders are available to control the input channels. Each fader has an input level meter (with dual input meters on the stereo) and
DC master/Mute group display.
Full details of the f unctionality offered on these modules is discussed in sections 7.3
Mono Channel Fader 8245/8246 (motor fader) and 8.3 Stereo Channel Fader 8235/
8236 (motor fader).
Revision R2005-2 R-Type
2-2 System overview
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Each of the output modules provides two identical OUTPUT channels, that can be
used as either a ’stereo pair’ or dual mono format, and additionally a 16-way level
controlled MATRIX output. The left section of the module controls the A send. The
right section of the module controls the B send.
Up to 16 output modu les may be specified per c onsole and can be placed anywhere
in the multi-frame console structure (they do not need to be placed adjacent to each
othe r, or even in the same frame). Visual monitoring of output levels is provided on
LED bar meters and audio monitoring is provided by pressing the required LISTEN
button on the Output (see 2.2.6 below).
The master faders of either the send group or the matrix level can be controlled from
a selected DC master fader by switching on the appropriate VCA and assignment.
Additionally an external signal may be mixed with either send output by using the
INJECT function. Pr e fader balanced insert ports are provided on all three outputs.
The module mix bus coding for the Output and Matrix is manually selectable using 8way and 4-way jumpers.
See chapter 9 Outputs and Matrix 8251 for details of the module functions and
appendix B. Jumpers to select Output and Matrix for mix bus coding.
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A maximum of 16 DC master f aders may be included in the console system. Each
master fad er must be mounted direc tl y be low an ou t p ut gr ou p mo dule, but outpu t
group/master fader combinations may be placed in any of the console system
frames, as suggested in 2.2.3 above. LED assignment displays are fitted to each
master fader. When the “VCA” swit ch is selected on a send or matrix sect ion of a
group module, the LED bar on the left side of the master fader directly below the
module indicates which of th e DC master faders has control of the sel ected group
module fader.
See section 9.3 DC Master fader 8255 for details of the fader module functions and
appendix C. Jumpers to select VCA Master for DC master bus coding.
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This module provides the amplifier s for the L-C-R outputs, together with master faders and output level metering. All three mast er faders may be put unde r VCA control
of a standard channel V CA fader, which must be located directly below the module.
An external sign al may be mixed with any of these outputs by using the INJECT function.
Audio monitoring of each output is accessed by pressing one, or all three LISTEN
but tons (see 2.2. 6 below).
Full details of the module functions are discussed in chapter 10 L-C-R Output 8261.
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The R-Type console offers the console operator the choice of two audio monitoring
functions. The LISTEN section is for local loudspeaker monitoring and the HEADPHONES section is for personal monitoring.
Fo r the LISTEN section, there are two output connectors (XLR) on the rear of the
module that are designed to feed the user’s choice of external power amplifiers and
louds pe ak e rs . T he ou tp ut l e v el is a dj us te d us ing th e 6 0mm f a der an d t he out p ut le v e l
is displayed on a pair of LED-meters. The source selection into the loudspeaker
monitoring are: PFL (from input channels), LISTEN (from output modules) and
EXTERNAL - which is provided as a convenient input to listen to an external source.
R-Type Revision R2005-2
Syste m ov erv iew 2-3
Each selection has an input trim to adjust the balance of the levels. The output can
be DIMmed or MUTEd using t he appr opriate switch.
The HEADPHONE section provides the same three source selections as the Listen
section. The monitoring level in the headphones is adjusted with the potentiometer
prov ided and can also be MUTEd.
Full details of the module functions are discussed in chapter 12 Listen & Stereo Out-
put 83 05
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The os cillator section contains a low distortion sine wav e oscillator, a pink noise generator, plus an additional input for an external oscillator - for testing and line-up purposes. The signal level meter can be switched to monitor each source. The oscillator
section can be routed to channels an d/or groups.
The communications section is equipped with a standard microphone amplifier with
phantom power and a high pass filter. The output of the microphone amplifier can be
routed to the TALK; LINE and REMOTE bus’, each of which is equipped with a send
le v el p ot en tio met er. The assoc ia t ed LE D me te r can b e switched to mo ni t or a n y o f th e
communication lin es.
The remote calling section also has a microphone amplifier with phantom power and
routing to the LISTEN and TALKBACK bus’. Additional visual signalling and monitoring ci rcuits is also included.
The CHECK button, at the top of the module, controls the console SOLO function.
Chapter 11 Osc & Communications 8271 has full details of all the module functions.
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The CCM and FCM form the control centre for the R-T ype console system. The CCM
handl es the memory and communication functions for the console and the FCM handles the fader programming facilities.
Additi on al l y, the CCM co nt a in s cont r ol f unc t io ns f o r: Mast er Mu t es (c ha nn el , o utpu t s,
matrix and LCR); send 1 to 8 stereo pairing; EVENT and MIDI programming; module
LED illumination control; Littlite illumination control; fan spee d control.
A QWER TY keyboard can be plugged into the rear panel for inpu tting of alpha
numeric information for use by master fader displays, and software programming
functions. An external computer can be connected to the system via a USB port.
The CCM /FCM combination can be placed in any frame in the console system, but
they must always be located together. Only one CCM and FCM are allowed in a single console system.
See chapter 6 Ce nt ra l Control Module 8281 and section 6.3 Fader Contro l Mo du le
(FCM) for a full description of how to use the CCM and FCM.
Revision R2005-2 R-Type
2-4 System overview
R-Type Revision R2005-2
Connecting the mixer frames 3-1
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Each c onsole frame s is shipped in a flight-case to pr ovide full protection against any
possible transit damage. The following procedure de scribes how to set up the console.
FIG 3-1. 8U case with front and
rear covers removed.
FIG 3- 2. Detail, showing the locating bars on base of consol e case.
1. Select the 8U case containing the power supplies and remove the front and rear
covers. If using an 8U drawer case, note that this has only a front cover. On both
types of cases the wheels fitted with brakes are at the front.
2. Note the locating bars on the base of the console case. These are the guides for
locating the console case securely onto the 8U PSU or drawers case.
Revision R2005-2 R-Type
3-2 Connecting the mixer frames
FIG 3-3. Alignment of
front of console with front
of PSU case.
3. Turn a console flight-case to align the front of the console, as indicated by the
name plates, with the front of the power supply or drawers case.
FIG 3-4. Console
case on its base.
4. Lay the console case onto its base.
R-Type Revision R2005-2
Connecting the mixer frames 3-3
FIG 3-5. Lifting the console
case onto the 8U ca se.
5. With one person at each corner, lift the console case, and centre the case by fitting the locating ba rs around the top of the 8U-case.
FIG 3-6. Removing the
wheels.
6. Unlock the latches and remove the wheels. NOTE: On a centre frame remove
both the wheels and the lid.
Revision R2005-2 R-Type
3-4 Connecting the mixer frames
FIG 3-7. Removing the case lid.
7. Unlock the latches and remove the lid by lifting vertically until clear of t he console.
FIG 3-8. Position
the frame.
8. Roll the frames into corre ct positions a nd join the console frames together using
the latches on the bottom of the case.
R-Type Revision R2005-2
FIG 3-9. Frames
ready for cabling together
3-5
FIG 3-10. R-Type
frame rear connections
9. Begin to cable together the frames. See sections 3.2 - 3.4 on pages 3-5 through
to 3-11 for instructions.
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BUS EXTENSION PSU 1 PSU 2 BUS EXTENSION
The connections on the R-Type console re ar frame include the following (from left to
right):
F rame to frame bus connection
■■■■
PSU 1
■■■■
PSU 2
■■■■
F rame to frame bus connection
■■■■
The use of these connect ors is describe d in 3.3.5 Main and extension frame power
connections, 3.4 Connecting the console frames and 3.5 S witching ON.
Revision R2005-2 R-Type
3-6
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The R-Type console is no rmally supplied with the model 8 400 Power Supply Unit.
Each 3U x 19” rack mount power unit supplies all 4 voltages required by the R-Type
console. A single 8400 PSU will power 3 fully loaded R-Type frames.
For console configurations with 4 or more frames, the 8019/8020 systems
NOTE:
must be used, see 3.3.7 Switch-Mode Power Supply Units (8019 & 8020).
Cadac consoles are designed to allow the use of two independent power supply systems in a redundant configuration – “main” and “backup”. Both power supply unit s
are used to power th e console system, so that under normal condit ions, the ‘load’ is
shared equally between the “main” and “backup” PSU. If a fault occurs in one of the
power units (causing it to ‘shut-down’), the remaining power unit will power the console (see fig. 3-11).
Designate one power supply unit as “PSU 1" and the other as “PSU 2". PSU 1 and
PSU 2 should be connect ed to the same
possible. In situations where it is necessary to provide a separate ‘feed’ to each PSU
syste m , make sure that the cable lengths are the s ame. This is to minimize any
induced a.c. power input noise by ensuring that the “EARTH IMPEDANCE” is the
same for both PSU-syst ems.
phase
and on the same ‘spur’, wherever
The a.c.-input connectors on each power supply unit have three conductors: ‘LIVE’
(brown), ‘NEUTRAL’ (blue) and ‘EARTH’ (yellow/green). For safety and electromagnetic compatibility considerations, it is essential that the ‘EAR TH’ conductor is connected on all PSUs
continuous circuit to the “zero-signal reference potential” point in the building. The
ZSRP po in t i n a b u ildi n g i s u sua ll y f o un d n ea r th e p la ce whe r e the a. c. ‘m ain s’ s up pl y
enters the building (often referred to as the “MAIN GROUND REFERENCE EARTH
ELECTRODE SYSTEM”). The basic concept for correct a.c. mains wiring distribution
is shown in figure 1-1. If you need further information about this complex subject,
please refer to “Grounding Systems and their Implementation” by Charles Atkinson
and Philip Giddins published in the AES Journal Vol. 43, No. 6 – June 199 5.
The g rounding schem e in CADAC consoles is designed to meet the rigorous EEC
Electromagnetic Compatibility
induced in the console frame(s) is directed to the “local” ZSRP, which is the metalwork of the power supply u nits. In o rder to take full advantage of the “RF noise immunity” capability of the CADAC system, PSU a.c. mains cables and the a.c. mains
supply EARTH conductor must be conn ected correctly.
BUILDING
N
L
the a.c. supply has an ‘EARTH’ conduc tor that has a
and
requirements (EMC Directive - 1996). Any RF noise
AREA
GND BAR
L
PSU1
N
AREA
GND BAR GND BAR
FIG 3-11. AC mains grou nding diagram (single phase 20 8-240V)
R-Type Revision R2005-2
AREA
L
PSU2
N
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CADAC power supply units are designed to run from a minimum of 208V up to a
maximum of 260V, 50/60Hz a.c. In many parts of the world, the normal single-phase
a.c. supply is 100-127V, this means that the CADAC power supply units must be connected across two of the phases in the three-phase a.c. supply, see 3.3.4 Connect-
ing to a 3-phase outlet
.
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CADAC 8400 switch-mode power supply units are designed to run from a minimum
of 208V up to a maximum of 260V a.c, 50/60Hz.
The 84 00 is rated thus +13V@9 2A, ±18V@44A an d 48V@5A. This is sufficient to
supply power to a 3 frame configuration, where 4 frames or more are used, the 8019/
8020 PSUs should be used, see 3.3.7 Switch-Mode Power Supply Units (8019 &
8020).
The a .c. input is connected to the PSU via a 3-core cable, CMA reference 3183TQ –
BASEC approved, rated at 20A.
3-7
;733#VZLWFK0PRGH#SRZHU#VXSSO\#XQLW
The 8400 unit is based on one POWER ONE RPMS-ETETGDGD1ETK Power block,
with additional circuitry as shown on CADAC drawing number C3.8397.
FIG 3-12. 8400 switch-mode power supply unit
NOTE:
Under no circumstance s, shou ld the 840 0 PSU be used
without a SAFETY EARTH connection. Failure to comply with
this instruction may result in personal injury and/or damage to
equipment.
Revision R2005-2 R-Type
3-8
61617 &RQQHFWLQJ#WR#D#60SKDVH#RXWOHW
Connection to a 3-phase outlet is required on sites where the syst em voltage
between any one of the phases and neutral is 100-127V and the voltage between
any two of the phases is 200-240V. Before c onnecting to an y 3-phase outlet, please
refer to a qualified electrician who understands your particular installation and the
local safety and wiring regulations. Under no circumstances should the 8400 switchmode power supply units be operated without the green/yellow safety earth conductor connected to the building safety earth conductor system. Each power unit is
equipped with an input supply filter whose reference ground conductor is the chassis. Failure to connect the green/yell ow safety earth conductor to the correct earth/
ground building reference is a safety and fire hazard.
1. Connect the LIVE (Brown) conductor on the “system 1” 8400 unit to the phase 1
(L1, RED) terminal on the 3-phase power outlet connec tor.
2. Connect the NEUTRAL (Blue) conductor on the “system 1” 8400 unit.
3. Connect the EARTH (Yellow/Green) conductor on the “system 1” 8400 unit to the
SAFETY EARTH (Yellow/Green) terminal on the 3-phase power outlet connector.
4. Repeat 1-3 fo r the “system 2” power units.
3+$6(#4#+/4/#5(',
3+$6(#5#+/5/#<(//2:,
3+$6(#6#+/ 6/#%/8(,
6$)(7<#($57+
<(//2:2* 5((1
FIG 3-13. Connecting to a 3-phase outlet
(100-127V/200-240 system voltages)
/5
6$)(7<#($57+
/4
/LYH
1HXWUDO
(DUWK
/LYH
1HXWUDO
(DUWK
;733
;733
NOTE:
Connection between two phases in a 3-phase outlet should under no
circumstances be carried out where the single-phase voltage (the voltage
between one of the phases and neutral) exceeds 127V. The installation
should be carried out by a qualified electrician who understands your particular installation and the local safety and wiring regulations.
R-Type Revision R2005-2
61618 0DLQ#DQG#H[WHQVLRQ#IUDPH#SRZHU#FRQQHFWLRQV
See fig 1-4 below for schematics of the frames power connections.
3-9
12
FIG 3-1 4. Power connect ions
61619 5HPRWH#VWDUW#RI#;733#368
PSU SYSTEM 1
“4;9
.469/#7;9
1. Connect a PSU cable between the “SYSTEM 1" rack and the “PSU SYSTEM 1"
connector on the MAIN FRAME.
2. Connect a PSU cable between the “SYSTEM 2" rack and the “PSU SYSTEM 2"
connector on the MAIN FRAME.
3. Connect a PSU cable between the “SYSTEM 1" rack and the “PSU SYSTEM 1"
connector on the EXTENSION FRAME 1.
4. Connect a PSU cable between the “SYSTEM 2" rack and the “PSU SYSTEM 2"
connector on the EXTENSION FRAME 1.
5. Repeat procedures 3 and 4 for EXTENSION FRAME 2 (a 3 frame console).
The 8400 also provide a 4th output connecto r fo r linking a 4th frame into the sy stem.
PSU SYSTEM 2
“4;9
.469/#7;9
Each 8400 switch-mode power supply provides the follo wing outputs: 13v, ±18v and
48v. Each PSU is fitted with a front p anel mounted 9-way 'D-type’ connector labelled
‘Connections for Remote Start’. If a remote start facility is used, Power Failur e and
Over-Temperature LEDs may also be fitted with the remote start switches if required.
Fig 3-15 shows the circuit for starting up a “system” with a single switch. This has
proved to be the most popular method of connecting the remote start facility. This circuit can easily be extended to provide a single switch remote four all four PSUs if
required. If muliple switches are to be used, see fig 3-14.
NOTE:
The remote start switch must be a ‘momentary’ type. You can use 3 separate sin-
■■■■
gle pole switches for each Power Supply to turn on 13v,±18v and 48v outputs of the
PSU alternatively use one single pole for the whole lot.
The remote switch(es) must be mounted on a metal panel.
■■■■
Use shielded cable for the remote switch wiring.
■■■■
Revision R2005-2 R-Type
3-10
The 9-way ‘D-typ e’ free plug must have a conductive shell. This is to ensure that
■■■■
the cable shield connects directly to the PSU unit chassis.
Connect the cable shield to the met al panel where the remote start switch(es)
■■■■
are mounted.
FIG 3-15. Remote start with multiple switches
Great care must be taken with the wiring of the switch(es) to ensure that no short-circuit s can occur betwe en any two power supply units.
FIG 3-16. Remote start with a single switch
R-Type Revision R2005-2
6161: 6ZLWFK00RGH#3RZHU#6XSSO\#8QLWV#+;34<#)#;353,
Where a console comprises 4 or more frames, the power su pplies 8019 & 8020
MUST be used. CADAC 8019 and 8020 switch-mode power supply units are
designed to run from a minimum of 208V up to a maximum of 260V a.c, 50/60Hz.
The 80 19 “18 V ” uni t is r a te d at 10 0A per r a il an d the 8 020 “1 3V” un it is rat ed at 100A.
;34<#´4;9µ#)#;353#´469µ#VZLWFK0PRGH#SRZHU#VXSSO\#XQLW
The 80 19 ±18v unit and the 8020 +13v/48v unit are based on two PowerOne PSUs
each with additional circuitry as shown on CADAC drawings C3.8393 (8019) and
C3.8392 (8020).
The a.c. inputs are connected to the PSU s via two 3-core cables, CMA reference
3183TQ – BASEC approved, rated at 20A.
3-11
FIG 3-17. 8019 PSU
FIG 3-18. 8020 PSU
5HSOD FLQJ#D#SRZHU#VXSSO\#XQLW
If replacing a switch-mode pow er supply unit is required, please note the following:
Make sure that the power supply system’s power switches are in the position
■■■■
OFF and disconnected from the mains.
The work should only be carried out by a suitably qualified electrician.
■■■■
Be careful to observe correct polarity w hen connecting the new PSU.
■■■■
Note that a console m ust never have one voltage withou t the ot her, for ex ample
■■■■
+18V must never be fed into the console without -18V.
When switching the power supply system back ON after replacement has taken
place, make sure that both LEDs on the front of the PSU-system come on. If only
one LED comes on, let go of the ON push-button immediately. Failure to do so may
lead to fire hazard and major damage to the console.
Revision R2005-2 R-Type
3-12
6161; 5HPRWH#VWDUW#RI#;34<2;353#368
Each 8019/8020 switch-mode power supply provides the following outputs: 13v,
±18v and 48v. Each PSU is fitted with a front panel mounted 9-way 'D-ty pe’ connector labelled ‘Connections for Remote Start’. If a remote start facility is used, Power
Failure and Over-Temperature LEDs may also be fitted with the remote start
switches if required.
Fig 3-17 and 3-18 shows the circuit for starting up a “sys tem” with a single switch.
This has proved to be the most popular method of connecting the remote start facility. This circuit can easily be extended to provide a single switch remote for all four
PSUs if required.
NOTE:
The remote start s witch must be a ‘momentary’ type. You can use 3 separate sin-
■■■■
gle pole switche s for each Power Supply to turn on 13v,±18v and 48v outputs of the
PSU al ternatively use one single pole for the w hole lot.
The remote switch(es) must be mounted on a metal panel.
■■■■
Use shielded cable for the remote switch wiring.
■■■■
The 9-way ‘D-typ e’ free plug must have a conductive shell. This is to ensure that
■■■■
the cable shield connects directly to the PSU unit chassis.
Connect the cable shield to the metal panel where the remote start switch(es) are
mounted.
VIEW FROM SOLDER
CUP/TAG SIDE
FIG 3-19. Remote start of 8019 power supply
VIEW FROM SOLDER
CUP/TAG SIDE
5
9
4
8
3
7
2
6
1
“START” MOMENTARY PUSH BUTTON
18V
300R
OVER
TEMPERATURE
300R
POWER FAILURE
5
9
4
8
3
7
2
6
1
“START” MOMENTARY PUSH BUTTON
13V
300R
OVER
TEMPERATURE
300R
POWER FAILURE
IG 3-20. Remote start of 8020 power supply
R-Type Revision R2005-2
617 &RQQHFWLQ J#WKH#FRQVROH#IUDPHV
61714 )UDPH#WR#IUDPH#EXV#FDEOH
FIG 3-21. Audio Bus connections.
3-13
When linking frames, plug the frame to frame bus cable as shown in the diagram
below.
61715 (DUWK/#39/#*1'#DQG#)UDPH#&RQQHFWLRQV
FIG 3-22. 8400 PSU system.
See also Appendix A. Important information regarding EMC .
Figure 3-20 shows the rear panel of the power suppl y units in a single PSU syst em.
A 0V stud is provided on the back of the PSU for grounding external equipment.
In addition to the terminal on the back of the PSUs, there is an
rear of each console frame. This c onnection is included for connecting external
equipment.
connection on the
0v
Revision R2005-2 R-Type
3-14
618 6ZLWFKLQJ#21
61814 6\VWHP#SRZHU0XS#SURFHGXUH
CADAC consoles are designed t o work continu ously with two power supply systems
- ‘main’ and ‘backu p’. The ‘main’ power supply un it is designated ‘System 1’. The
‘backup’ power supply unit is designated ‘System 2’
On each power supply, turn all AC input switches to the ON-position.
Start th e PSUs (in one PSU system) simultaneously, by press ing and holding the
START-buttons until yo u hear the relay click. The CCM will cycle through its self-test
routines and any Master Mut e switches pr eviously selected will be set ON, thus protecting external equipment from possible DC pulses when the ±1 8V PSUs are
started.
Repeat for PSU system 2. If you cannot start the PSUs simultaneously, start the 13V/
48V first. However, do NOT operate the console for long periods without all power
lines on.
61815 3RZHULQJ0XS#VHTXHQFH#RI#3&V
Always use the following pr ocedure:
Power-up cons ol e
■■■■
Select PC1 on the CCM and power up the first computer. Wait until the PC1
■■■■
computer has complet ed its boot-up routine, then...
Switch to PC2 on the CCM and power-up the second computer and wait until it
■■■■
has completed its boot-up routine.
Once both computers have booted correctly, they should allow the keyboard and
monitor to be switched back and forth without problems.
If the overall cable length for the keyboard and monitor are very long (greater than
5m), it may be necessary to use a keyboard and a monitor booster unit to retain keyboard reliability and a clean monitor display.
61816 6\VWHP#SRZHU0GRZQ#SURFHGXUH
1. On the CCM, press all Master Mute switches to the ON (down) position.
2. Cl os e down the SAM soft w ar e o n ea ch PC , sh ut dow n Wind o w s® and s w itc h t he
computers off.
3. Switch off the AC mains supply to PSU system 1.
4. Switch off the AC mains supply to PSU system 2.
R-Type Revision R2005-2
How to use the R-T y pe 4-1
7 +RZ#WR#XVH#WKH#507\SH
This se ction of the manual provides instructions and information on how to use the
R-Type and may be seen as a pra c tical guide as to how specific procedures are carried out.
The very nature of the R-Type is such that its flexibility allows for several ways to
achieve the same end result. To avoid confusion, this means that in this section you
will learn how to carry out certain procedures to achieve a desired outcome. This
does not, however, imply that the same outcome cannot b e achieved by taking a different route.
In order to assist you in the most effective way to quickl y become familiar with the
operation of the R-Type, we recommend that you initially follow the directions given
belo w and as you gain experience you may well f ind that alternative routes suit your
work practice better.
The directions given assume that the power supplies are in position ON, the buttons
fo r 13V, 18V and 48V ar e pressed and th at the console is in its default condition.
Preferably, the CCM memory should be cleared and finally, the display on the CCM
should read ‘Welcome to the R-Type’.
714 &KDQQHO#DVVLJ QP HQW
71414 +RZ#WR#DVVLJQ#DQ#,23#FKDQQHO#WR#D#'�DVWHU
Press the DC button on the FCM
■■■■
The DC LED in the array of LEDs on the channel fader modules w ill illumina te, indicating that DC assignment can start.
Press the SET button on the FCM
■■■■
The DC and SET buttons will start to flash and the SET buttons on all channels will
illuminate.
Using the numerical buttons on the FCM, select the DC Master to which you
■■■■
want to assign the input channel.
On the chosen input channel, press the SET button once. The LED associated
■■■■
with the DC Master will then illuminate.
Press SET on the FCM to take the FCM out of assignment mode.
■■■■
71415 +RZ#WR#DVVLJQ#D#QXPEHU#RI#,23#FKDQQHOV#WR#D#'�DVWHU
Press the DC button on the FCM
■■■■
The DC LED in the array of LEDs on the channel fader modules w ill illumina te, indicating that DC assignment can start.
Press the SET button on the FCM
■■■■
The DC and SET buttons will start to flash and the SET buttons on all channels will
illuminate.
Using the numerical buttons on the FCM, select the DC Master to which you
■■■■
want to assign the group of input channels.
On the chosen input channels, press t he SET button once. T he LED associated
■■■■
with the DC Master will then illuminate.
Press SET on the FCM to take the FCM out of assignment mode.
■■■■
The A & B outputs and matrix output on each O/P module use the same DC
NOTE:
assignment. Each output or matrix output can be controlled only when its VCA switch
is in position ON.
Revision R2005-2 R-Type
4-2 How to use the R-Type
71416 +RZ#WR#DVVLJQ#DQ#,23#FKDQQHO#WR#D#087(#JURXS
Press the MG button on the FCM.
■■■■
The MG LED in the array of LEDs on the channel fader module s will illuminate, indicating that M UTE group assignment can start.
Press the SET button on the FCM.
■■■■
The MG and SET buttons will start to flash and the SET buttons on all channels will
illuminate.
Using the numerical buttons on the FCM, select the MUTE group to which you
■■■■
want to assign the input channel.
On the chosen input channel, press the SET button once. The LED associated
■■■■
with the MUTE group will then illuminate.
Press the SET button on the FCM to take the FCM out of assignment mode.
■■■■
To mute or unmute the selected MUTE group, press the corresponding numerical
button on the FCM. (Make sure the FCM is not in assignment mode.)
NOTE:
To avoid muting the direct output when hard-muting an
input channel, the m otherboard contai ns a link that has to be repositioned - see App D.
71417 +RZ#WR#DVVLJQ#D#QXPEHU#RI#,23#FKDQQHOV#WR#D#087(#JURXS
Press the MG button on the FCM.
■■■■
The MG LED in the array of LEDs on the channel fader modules in the group will illuminat e, indicating that MUTE grou p assignment can s tart.
Press the SET button on the FCM.
■■■■
The MG and SET buttons will start to flash and the SET buttons on all channels will
illuminate.
Using the numerical buttons on the FCM, select the MUTE group to which you
■■■■
want to assign the group of input channels.
On the chosen input channels, press t he SET button once. T he LED associated
■■■■
with the MUTE group will then illuminate.
Press the SET button on the FCM to take the FCM out of assignment mode.
■■■■
To mute or unmute the selected MUTE group, press the corresponding numerical
button on the FCM. (Make sure the MUTE group is not in assignment mode.)
Outpu ts and D C mas te r s ca nn ot be par t of MU TE groups.
NOTE:
R-Type Revision R2005-2
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