Boss Audio Systems BR-900CD User Manual

Owner’s Manual
Thank you, and congratulations on your choice of the BOSS BR-900CD Digital Recording Studio.
• USING THE UNIT SAFELY (page 2–3)
• IMPORTANT NOTES (page 4–5)
These sections provide important information concerning the proper operation of the unit.
Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.
Printing Conventions in This Manual
• Text or numerals enclosed in square brackets [ ] indicate buttons.
[PLAY]
[REC]
PLAY button
REC button
• Reference such as (p. **) indicate pages in this manual to which you can refer.
Copyright © 2005 BOSS CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of BOSS CORPORATION.
USING THE UNIT SAFELY
Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.
* Material damage refers to damage or
other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.
001
• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.
..........................................................................................................
002c
• Do not open (or modify in any way) the unit or its AC adaptor.
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003
• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet.
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004
• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are
• Damp (e.g., baths, washrooms, on wet floors);
or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
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007
• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.
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008c
• Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor's body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.
..........................................................................................................
The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power­cord plug must be unplugged from the outlet.
009
• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!
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010
• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.
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011
• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.
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012c
• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet when:
• The AC adaptor or the power-supply cord has
been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been
spilled onto the unit; or
• The unit has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally or
exhibits a marked change in performance.
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2
013
• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.
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014
• Protect the unit from strong impact.
(Do not drop it!)
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015
• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.
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016
• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” sheet.
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019
• Batteries must never be recharged, heated, taken apart, or thrown into fire or water.
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023
• DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.
101b
• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.
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102d
• Always grasp only the output plug or the body of the AC adaptor when plugging into, or unplugging from, this unit or an outlet.
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103b
• Any accumulation of dust between the AC adaptor and the power outlet can result in poor insulation and lead to fire. Periodically wipe away such dust with a dry cloth. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time.
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104
• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.
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106
• Never climb on top of, nor place heavy objects on the unit.
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107d
• Never handle the AC adaptor body, or its output plugs, with wet hands when plugging into, or unplugging from, an outlet or this unit.
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108b
• Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.
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109b
• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet.
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110b
• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.
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111: Selection
• If used improperly, batteries may explode or leak and cause damage or injury. In the interest of safety, please read and observe the following precautions (p. 23).
• Carefully follow the installation instructions for
batteries, and make sure you observe the correct polarity.
• Avoid using new batteries together with used
ones. In addition, avoid mixing different types of batteries.
• Remove the batteries whenever the unit is to
remain unused for an extended period of time.
• If a battery has leaked, use a soft piece of cloth
or paper towel to wipe all remnants of the discharge from the battery compartment. Then install new batteries. To avoid inflammation of the skin, make sure that none of the battery discharge gets onto your hands or skin. Exercise the utmost caution so that none of the discharge gets near your eyes. Immediately rinse the affected area with running water if any of the discharge has entered the eyes.
• Never keep batteries together with metallic
objects such as ballpoint pens, necklaces, hairpins, etc.
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112
• Used batteries must be disposed of in compliance with whatever regulations for their safe disposal that may be observed in the region in which you live.
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118a
• Should you remove screws, keep them in a safe place out of children's reach, so there is no chance of them being swallowed accidentally.
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120
• Always turn the phantom power off when connecting any device other than condenser microphones that require phantom power. You risk causing damage if you mistakenly supply phantom power to dynamic microphones, audio playback devices, or other devices that don't require such power. Be sure to check the specifica-
tions of any microphone you intend to use by referring to the manual that came with it. (This instrument's phantom power: +48 V DC, 7 mA Max)
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3

IMPORTANT NOTES

291a
In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:
Power Supply: Use of Batteries
301
• Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).
302
• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.
303a
• The use of an AC adaptor is recommended as the unit’s power consumption is relatively high. Should you prefer to use batteries, please use the alkaline type.
304a
• When installing or replacing batteries, always turn off the power on this unit and disconnect any other devices you may have connected. This way, you can prevent malfunction and/or damage to speakers or other devices.
307
• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
Placement
351
• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.
352a
• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.
352b
• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.
354a
• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.
355b
• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.
402
• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
Repairs and Data
452
• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up on a memory card/computer, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.
Additional Precautions
551
• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory on a memory card / computer.
552
• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory or a memory card once it has been lost. Roland Corporation assumes no liability concerning such loss of data.
553
• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
554
• Never strike or apply strong pressure to the display.
556
• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.
558a
• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).
559a
• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
561
• Use only the specified expression pedal (Roland EV-5 or BOSS FV-300L; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.
562
• Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.
• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For infor­mation on cable specifications, contact the manufac­turer of the cable.
4
IMPORTANT NOTES
Handling CD-ROMs
801
• Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD-ROM discs may not be read properly. Keep your discs clean using a commercially available CD cleaner.
Before Using Memory Cards (CompactFlash)
Using Memory Cards
704
• Carefully insert the Memory card all the way in—until it is firmly in place.
705
• Never touch the terminals of the Memory card. Also, avoid getting the terminals dirty.
707
• This unit’s memory card slot accepts CompactFlash memory cards. Microdrive storage media by IBM are not compatible.
708
• CompactFlash cards are constructed using precision components; handle the cards carefully, paying particular note to the following.
• To prevent damage to the cards from static electricity, be sure to discharge any static electricity from your own body before handling the cards.
• Do not touch or allow metal to come into contact with the contact portion of the cards.
• Do not bend, drop, or subject cards to strong shock or vibration.
• Do not keep cards in direct sunlight, in closed vehicles, or other such locations (storage temperature: -25 to 85° C).
• Do not allow cards to become wet.
• Do not disassemble or modify the cards.
Copyright
851
• Unauthorized recording, distribution, sale, lending, public performance, broadcasting, or the like, in whole or in part, of a work (musical composition, video, broadcast, public performance, or the like) whose copyright is held by a third party is prohibited by law.
853
• Do not use this unit for purposes that could infringe on a copyright held by a third party. We assume no responsi­bility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit.
204
* Microsoft and Windows are registered trademarks of
Microsoft Corporation.
206e
* Screen shots in this documents are reprinted with
permission from Microsoft Corporation.
206j
* Windows® is known officially as: “Microsoft®
Windows® operating system.”
207
* Apple and Macintosh are registered trademark of Apple
Computer, Inc.
209
* MacOS is a trademark of Apple Computer, Inc.
220
* All product names mentioned in this document are trade-
marks or registered trademarks of their respective owners.
5

Before Using CD-R/RW Discs

Two different types of recordable disc can be used with the
BR-900CD—namely, CD-R discs and CD-RW discs.
What is a CD-R disc?
CD-R (Compact Disc Recordable) is a CD to which data can
be written. It is not possible to erase or move the data that
has been written.
This type of disc should be used to create audio CDs that will
be played on standard CD players. Playback of CD-RW discs
will not be possible on this type of equipment. In addition,
even if you have created an audio CD using a CD-R disc,
playback will only be possible on players that support the
playback of recordable discs.
What is a CD-RW disc?
CD-RW (Compact Disc ReWritable) is a CD that can be
written and erased. As a result, this type of recordable disc
can be used again and again.
While you can create audio CDs using CD-RW discs, it will
not be possible to play these CDs on a standard CD player.
(You will, however, be able to play these discs using the BR-
900CD's CD-R/RW drive.)
Handling the CD-R/RW disc drive
When you use the CD-R/RW drive, you must use only the
supplied AC adaptor.
The CD-R/RW drive cannot be used while running on
battery power.
Install the unit on a solid, level surface in an area free from vibration. If the unit must be installed at an angle, be sure the installation does not exceed the permissible range.
Avoid using the unit immediately after it has been moved to a location with a level of humidity that is greatly different than its former location. Rapid changes in the environment can cause condensation to form inside the drive, which will adversely affect the operation of the drive and/or damage CD-R/RW discs. When the unit has been moved, allow it to become accustomed to the new environment (allow a few hours) before operating it.
Avoid using the CD-R/RW drive in locations with high temperatures. Failure to observe this precaution can result in the drive becoming unable to operate correctly or in write errors. In addition, this type of environment can also reduce the lifespan of the CD-R/RW drive.
Remove any disc from the drive before powering up or down.
To avoid the risk of malfunction and/or damage, insert only CD-R/RW discs into the disc drive. Never insert any other type of disc. Avoid getting paper clips, coins, or any other foreign objects inside the drive.
Do not touch the lens.
When the lens is dirty, clean the lens with a commercial lens blower.
If a write error occurs, carry out cleaning using a commercially available CD-RW drive lens cleaner.
* Note that some commercially available cleaners are intended
for CD-R drives, while others are intended for CD-RW drives.
Be sure to select a cleaner for CD-RW drives.
* Never use commercially available cleaner intended for
standard CD players. This type of cleaner cannot be used to
clean the BR-900CD's write lens.
* Even if the recommended type of CD-R/RW disc is used in a
perfectly normal CD-R/RW drive, the possibility of write
errors cannot be completely eliminated. Please be aware that
this type of problem can still occur as a result of variations in
CD-R/RW drives and CD-R/RW disc manufacturing
differences.
Handling
* In addition to the following precautions, please also read the
instructions provided with the CD-R/RW discs.
DO NOT play a CD-R/RW disc (CD-R/RW disc on which song data has been backed up) on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.
Upon handling the discs, please observe the following.
Do not touch the recorded surface of the disc.
Do not use in dusty areas.
Do not leave the disc in direct sunlight or an
enclosed vehicle.
Keep the disc in the case.
Compatibility of CD-R/RW discs and drives
Ensure that the recommended type of CD-R/RW discs are always used. Failure to observe this precaution can lead to an increase in the frequency of write errors.
Even when the recommended type of disc is used, there is still a possibility that write errors can occur. Please be aware that this type of problem can still result from variations in CD-R/RW drives and CD-R/RW disc manufacturing differences.
The usage of discs with printable labels is not recommended, even if these discs are of the recommended type. Certain storage conditions can cause discs with printable labels to warp, and write errors can occur as a result.
CD-R/RW discs
6

Notes When Using Mics

When you insert a CD-R/RW disc to built in CD-R/RW drive...
When you insert a CD-R/RW disc to built in CD-R/RW
drive, lock the CD-R/RW disc at correct position according
to “Insert a CD-R/RW disc” below. Please be careful to lock a
CD-R/RW disc correctly. Unless, it is possible that the disc
tray is stuck and unable to remove a CD-R/RW disc.
Inserting a CD-R/RW disc
1.
Press the eject button and open a disc tray.
2.
Pull out a disc tray.
3.
Locate the position of center hole of CD-R/RW disc at stopper of CD-R/RW drive.
4.
Press the CD-R/RW disc downward. The CD-R/RW disc will be locked by 3 clips of the stopper.
fig.CD set
Removing a CD-R/RW disc
1.
Hold the stopper downward and remove a CD-R/RW disc from outer rim.
fig.CD eject
If a disc tray does not open
If the power is turned off with the disc still in the drive (such
as due to a power failure), the disc tray cannot be opened by
pressing the eject button. In this case, you can insert a piece
of wire to force the tray open.
fig.Hole
Emergency eject hole
Make sure the BR-900CD’s power has been turned OFF
before attempting to use the emergency eject hole. If you
insert something while the power is on, the disc could get
damaged, or unexpected problems may occur.
* As a certain amount of force must be applied for insertion,
always confirm that the CD-R/RW disc has been correctly
inserted. Failure to properly and fully insert a disc can result
in an inability to carry out writing correctly.
5.
Press disc tray until it is locked in the BR-900CD.
Notes When Using Mics
Always be sure to switch the phantom power off except when connecting condenser mics requiring a phantom power supply.
Supplying phantom power to dynamic mics, audio playback equipment, and other devices that do not use phantom power may
cause damage to your equipment.
For mic specifications, please refer to the owner’s manual for whatever model of mic you are using.
* BR-900CD Phantom Power: +48 V DC, 7 mA Max.
Phantom power is supplied to the XLR connectors for MIC 1 and MIC 2 simultaneously. The phantom power cannot be switched
on or off for each connector individually.
If simultaneously using mics that require phantom power with those that don't, then connect any mic that does not need phantom
power to one of the 1/4” phone jacks. Phantom power is supplied only to the XLR connectors, not to the 1/4” phone jacks.
To connect mics to the 1/4” phone jacks, use a commercially available XLR-to-phone adapter cable or other form of adapter.
7

Contents

USING THE UNIT SAFELY ...................2
IMPORTANT NOTES ..........................4
Before Using CD-R/RW Discs.............6
Notes When Using Mics ....................7
Introduction to the BR-900CD..........14
Features.......................................................................14
Memory Cards Supported by Your BR-900CD.....16
How to remove the card protector....................16
Panel Descriptions ..........................17
Front Panel..................................................................17
Rear Panel...................................................................22
Inserting Batteries...................................................... 23
Quick Start ............................ 25
Connecting Peripheral Devices ........26
Inserting a Memory Card.........................................27
Turning On / Off the BR-900CD ......28
Turning On the Power ..............................................28
Turning Off the Power..............................................28
Listening to a Demo Song ...............29
Selecting a song (Song Select) ............................29
Playing back a song .............................................29
Changing the current position...........................30
Recording/Playing Back a Song .....31
(1) Preparing the Memory Card ..............................31
(5) Using Insert Effects..............................................35
Switch effect patches ...........................................35
Recording without insert effects........................36
(6) Using the Rhythm................................................37
Playing the Rhythm.............................................37
Changing arrangements......................................37
Changing patterns ...............................................38
Changing the tempo of the arrangements or
patterns..................................................................38
Tapping to change the tempo of the
arrangements or patterns....................................38
(7) Basic Recording ....................................................39
Selecting the recording track..............................39
About the recording (REC) modes ....................39
Procedure ..............................................................40
(8) Playing Back Recorded Music............................41
Silencing the sound of specific tracks
(Track Mute) .........................................................41
(9) Overdubbing (Recording an additional performance while
listening to an existing performance) .....................41
(10) Adjusting the Sound for Each Track ...............42
Setting the positioning (pan) of the sound.......42
Adjusting the tone (Track EQ) ...........................43
Adding width to the sound (Loop Effect) ........43
(11) Bouncing (Putting multiple tracks together) ..... 45
(12) Turning Off the Power ......................................45
(13) Removing the Memory Card............................45
(2) Turning On the Power ........................................31
Formatting the memory card (Initialize)..........31
(3) Selecting the Song to Record..............................32
Recording a new song (Song New)...................32
(4) Connecting Instruments .....................................33
Choose which jack you will use to connect your
instrument.............................................................33
Press the INPUT SELECT button of the
instrument that you want to record ..................34
Turning on the internal microphone.................34
Adjusting the input sensitivity ..........................35
Adjusting the input level ....................................35
8
Section 1 Recording and Playback.. 47
Section 2 Editing ....................63
Recording.......................................48
Selecting the Recording Track .................................48
Changing V-Tracks....................................................49
Changing the Position of the Input Sound (Pan).......49
Recording Operations...............................................50
Repeating Playback (Repeat)..........51
Setting the Repeat Portion........................................51
Setting the Repeat Portion with Accurate Timing.....52
Re-recording Only a Mistake
(Punch-in/out) ................................53
Manually Punching In/Out.....................................53
Manually punching in and out using [REC] ........53
Manually punching in and out using
a foot switch..........................................................54
Auto Punching In and Out.......................................54
Specifying the area for auto punching in/out .....54
Erasing a registered auto punch in/out location ..... 55
How to record ......................................................55
Repeatedly Recording Over the Same Location
(Loop Recording).......................................................56
Setting the portion to be repeated .....................56
How to record ......................................................56
Canceling an Operation (Undo/Redo) ... 57
Reversing the Last Operation (Undo) ....................57
Canceling the Undo (Redo)......................................57
Putting Multiple Tracks Together
(Bounce).........................................58
Bouncing Directly to a CD-R/RW Disc
(Direct CD Bounce) ...................................................59
Registering Time (Locator) ..............64
Registering a Locator Point ......................................64
Moving to the Locator Point ....................................64
Deleting a Locator Point ...........................................64
Search for the Music’s Start and End
(Scrub/Preview) .............................65
Scrubbing to Find the Music Starting/Ending Point..... 65
Changing the Scrub Points.......................................66
Enabling Use of the Preview Function with [REW]
and [FF] .......................................................................66
Editing the Performance on a Track
(Track Editing) ................................67
Copying Data (Track Copy) .....................................67
Copying the repeated portion (AB)...................67
Copying by specifying the time (TME/MES)...... 68
Copying a complete track (ALL) .......................69
Moving Data (Track Move)......................................70
Moving the repeated portion (AB) ....................70
Moving by specifying the time (TME/MES)....... 71
Moving a complete track (ALL).........................72
Erasing Data (Track Erase).......................................73
Erasing the repeated portion (AB).....................73
Erasing by specifying the time (TME/MES)........ 74
Erasing a complete track (ALL) .........................75
Exchanging Data (Track Exchange) ........................76
Organizing the Songs You’ve
Recorded........................................77
Copying a Song (Song Copy)...................................77
Erasing Songs (Song Erase) ......................................77
Selecting the Input Source and Bouncing the
Recording to a CD-R/RW ........................................60
Loading Songs Created with the
BR-864/BR-532 ..............................61
Loading Songs Created with the BR-864................61
Loading Songs Created with the BR-532................61
Displaying the Song Information ....62
Displaying the Remaining Available Recording
Time.............................................................................62
Displaying the Memory Card Usage......................62
Saving Memory on the Memory Card
(Song Optimize).........................................................78
Naming Songs (Song Name)....................................78
Protecting a Song (Song Protect) .............................79
Saving the Current Settings to the Song (Song Save) .... 79
Creating a Master Tape / Disc ........80
Recording to a Cassette Tape Recorder
(Analog Connection) .................................................80
Recording to a Digital Recorder (Digital Connection)... 80
Disabling digital copying (Digital Copy Protect)..... 80
9
Section 3 Using Effects ........... 83
Using the Insert Effects ...................84
Effect Patches and Banks..........................................84
Editing Insert Effect Settings....................................85
Saving Insert Effects Settings (Write) .....................86
Changing How the Insert Effects are Used
According to the Mode .............................................87
Insert Effect Parameter Functions ....88
Algorithm List............................................................ 88
BANK: GUITAR ........................................................88
1. COSM GTR AMP.............................................88
2. ACOUSTIC SIM ...............................................88
3. BASS SIM ..........................................................89
4. COSM COMP GTR .......................................... 89
5. ACOUSTIC GTR ..............................................89
6. BASS MULTI ....................................................89
7. COSM BASS AMP ...........................................90
8. COSM COMP BSS............................................90
BANK: MIC ................................................................90
9. VOCAL MULTI................................................90
10. VOICE TRANS...............................................90
11. COSM COMP VCL ........................................ 91
BANK: LINE...............................................................91
12. STEREO MULTI.............................................91
13. LO-FI BOX.......................................................91
BANK: SIMUL ...........................................................92
14. VO+GT AMP ..................................................92
15. VO+AC.SIM....................................................92
16. VO+ACOUSTIC.............................................92
Parameter List ............................................................93
Acoustic Guitar Simulator..................................93
Acoustic Processor...............................................93
Bass Simulator ......................................................93
Chorus ...................................................................94
Compressor...........................................................94
COSM Comp (compressor)/Limiter.................94
De-esser .................................................................95
Defretter ................................................................95
Delay......................................................................95
Doubling................................................................95
Enhancer................................................................95
Equalizer................................................................96
Flanger...................................................................96
Foot Volume .........................................................96
Lo-Fi Box ...............................................................96
Noise Suppressor .................................................97
Octave ....................................................................97
Phaser.....................................................................97
Pitch Shifter...........................................................98
Preamp...................................................................98
Ring Modulator....................................................99
Slow Attack...........................................................99
Speaker Simulator..............................................100
Tremolo/Pan ......................................................100
Voice Transformer .............................................100
Wah ......................................................................101
Mastering ....................................102
Editing the Mastering Tool Kit Settings ...............103
Saving the Mastering Tool Kit Settings (Write)....... 104
Mastering Tool Kit Parameter
Functions...................................... 105
Algorithm..................................................................105
Parameter List ..........................................................105
Equalizer..............................................................105
Bass Cut Filter.....................................................106
Enhancer..............................................................106
Input.....................................................................106
Expander .............................................................106
Compressor.........................................................107
Mixer....................................................................107
Limiter .................................................................107
Output .................................................................107
Using the Loop Effects/Track EQ ... 108
Selecting the Loop Effect ........................................108
Adjusting How the Loop Effect is Applied .........109
Setting the Track EQ................................................110
Loop Effect Parameter Functions ...111
Parameter List ..........................................................111
CHORUS/DELAY/DBLN (Doubling)...........111
REVERB...............................................................111
10
Track EQ Parameter Functions ......112
Parameter List ..........................................................112
Fixing the Pitch of Vocals
(Pitch Correction) ..........................113
The Pitch Correction ...............................................113
Makeup of the Pitch Correction ............................113
Pitch Correction Patches.........................................113
Precautions for Pitch Correction Usage ...............113
Using the Pitch Correction .....................................114
Setting the Correction Method for Vocal Pitch
(Pitch Correction Edit) ............................................115
Saving the Pitch Correction Settings (Write).......115
Creating Original Patterns............126
Note concerning creation of patterns..............126
Creating Patterns in Realtime Recording.............126
Rehearsing recordings.......................................128
Deleting unneeded drum sounds....................129
Changing the metronome volume...................129
Creating Patterns in Step Recording.....................130
Changing the velocity .......................................132
Deleting unneeded drum sounds....................132
Naming Patterns......................................................132
Copying Patterns .....................................................133
Erasing Patterns .......................................................133
Making Detailed Settings for Pitch Correction
(Correction Event Map) ..........................................116
Section 4 Using the Rhythm . 119
Using the Rhythm.........................120
About the Patterns...................................................120
Types of patterns................................................120
About the Arrangements........................................120
Types of arrangements......................................120
Switching the Rhythm Mode.................................121
Recording Rhythm Performances .........................121
Performing Arrangements and Patterns..............121
Selecting arrangements.....................................121
Performing arrangements.................................121
Selecting patterns...............................................122
Performing patterns...........................................122
Changing the tempo of the arrangements or
patterns................................................................ 122
Tapping to change the tempo of the
arrangements or patterns..................................122
Using the Drum Kits .....................134
Performing the Drums............................................134
Selecting Drum Kits.................................................134
Creating Original Drum Kits (Tone Load)...........135
Loading from the tracks....................................135
Copying drum sounds from other drum kits.... 137
Changing the position (pan) of the drum sounds.. 138
Creating Original Arrangements...123
Inserting a Step ........................................................124
Erasing a Step...........................................................124
Naming Arrangements...........................................124
Copying Arrangements ..........................................125
Erasing Arrangements ............................................125
11
Section 5
Using the CD-R/RW Drive..... 139
Creating Audio CD........................140
Precautions ...............................................................140
Setting the Time Between Songs (Pre-Gap).........140
Writing Songs to Discs............................................ 140
Viewing the Remaining Time for Recording on
Audio CDs ................................................................142
Playing Back Audio CDs ........................................142
Enabling Playback on CD Players (Finalize) .......143
Using the CD-R/RW Drive to Exchange
Data.............................................145
Saving Recorded Songs to CD-R/RW Discs
(Backup) ....................................................................145
Backing up a song to a CD-R/RW disc one at a
time (Song Backup)............................................145
Saving all of the songs on a memory card to
a CD-R/RW disc (All Backup).........................146
Section 6 Using MIDI ............155
MIDI Fundamentals ...................... 156
What is MIDI? ..........................................................156
MIDI Connectors .....................................................156
MIDI Channels.........................................................156
MIDI Implementation Charts ................................156
Synchronizing with MIDI Devices ..157
Using the Rhythm to Play an External MIDI Sound
Module ......................................................................157
Synchronizing Playback with a MIDI Sequencer.... 158
Synchronized playback with the BR-900CD
as the master .......................................................158
Setting the MTC offset.......................................159
Using MMC ..............................................................160
Operating MMC-compatible devices with the
BR-900CD ............................................................160
Section 7 Using USB .............161
Loading Saved Songs to a Memory Card (Recover).... 147
Loading saved songs to a memory card one at a
time (Song Recover)...........................................147
Loading all saved songs to a memory card
(All Recover).......................................................147
Copying and Writing Waveform Data.................148
Copying waveform data from a computer to the
audio tracks (WAV/AIFF Import) ..................148
Copying WAV/AIFF files as drum sounds
(Tone Load).........................................................149
Copying audio track waveform data to
computers (WAV/AIFF Export)......................150
Using SMF ................................................................151
Playing SMFs using external MIDI instruments
(SMF Player) .......................................................151
Loading drum patterns from the CD-R/RW drive
(SMF Import)........................................................ 152
Erasing Data from a CD-RW Disc (CD-RW Erase).... 153
Importing Songs from CDs to Audio
Tracks ..........................................154
Before Using USB (Overview) ....... 162
Compatible OS .........................................................162
Composition of Data on Memory Cards..............162
Connecting a Computer..........................................163
Notes on Using USB................................................163
With Windows .............................164
Backing Up the BR-900CD’s Data .........................164
Saving BR-900CD Track Data in WAV/AIFF Format
(WAV/AIFF Export) ...............................................165
Loading WAV/AIFF Files in BR-900CD Tracks
(WAV/AIFF Import)...............................................167
Importing SMFs and Creating Patterns................169
Loading Drum Sounds from WAV/AIFF Files
(Tone Load) ..............................................................171
Using the BR-864 / BR-532’s Data.........................173
With Macintosh ............................175
Backing Up the BR-900CD’s Data .........................175
Saving BR-900CD Track Data in WAV/AIFF Format
(WAV/AIFF Export) ...............................................176
Loading WAV/AIFF Files in BR-900CD Tracks
(WAV/AIFF Import)...............................................178
Importing SMFs and Creating Patterns................179
Loading Drum Sounds from WAV/AIFF Files
(Tone Load) ..............................................................181
Using the BR-864 / BR-532’s Data.........................183
12
Section 8 Other Convenient Functions . 185
Adjusting the Display Contrast......186
Using a Foot Switch or
Expression Pedal..........................187
When Using a Foot Switch.....................................187
When Using an Expression Pedal .........................187
Tuning an Instrument (Tuner)........188
Changing to the Tuner............................................188
Explanation of the indications that appear while
tuning...................................................................188
Tuning .......................................................................189
Setting the Reference Pitch of the Tuner..............189
Mixing the Output from an External MIDI Device with the Output from Your
BR-900CD (Audio Sub Mix) ...........190
Section 9 Appendices ...........201
Effect Patch List ............................202
Mastering Tool Kit Patch List......... 205
Pitch Correction Patch List............. 205
Arrangement / Pattern List...........206
Preset Arrangement List.........................................206
Preset Pattern List....................................................207
Parameter List.............................. 208
Troubleshooting ...........................211
Error Messages ............................ 213
MIDI Implementation.................... 216
MIDI Implementation Chart........... 219
Specifications ...............................220
Index ........................................... 222
Using Condenser Microphones
(Phantom Power) .........................191
Copying Difficult Songs
(Phrase Trainer)............................192
Slowing Down the Speed (Time Stretch) .............192
Canceling the Center Sound (Center Cancel)......192
Initializing the BR-900CD’s Settings .... 194
Initializing All the BR-900CD’s Settings ..............194
Initializing the System Settings .............................194
Initializing the Effect Settings................................195
Initializing the Rhythm Arrangements/Patterns/
Drum Kits .................................................................195
Initializing the Memory Card................................196
Conserving Battery Power
(Power Save)................................197
Deactivating the power save function ............197
Utility Parameter List ....................198
Track Sheet ..................................230
About the System Parameters ...............................198
About the Sync Parameters....................................198
About the Scrub Parameters ..................................199
13

Introduction to the BR-900CD

Features

Simple operation
The BR-900CD is designed to be operated as easily as a cassette tape recorder, even by beginners.
The BR-900CD allows anyone to readily enjoy the benefits of digital recording as soon as it’s taken out of the box. So, you’ll surely have listened to the demo songs, if not gone ahead and produced an entire audio CD, all on your first day with your new unit.
In addition, it comes equipped with a CD-R/RW drive, making it easy to keep recorded works stored on audio CDs.
Digital audio workstation
All processes are fully digital
In addition to a digital mixer and digital recorder, the BR­900CD contains five digital effects processors.
It is possible to perform all steps needed for recording, including editing, bouncing tracks, using effects, and mixing down, entirely within the digital realm, so there is no deterioration in the signal quality.
Using the USB connector also allows you to save the song data you create to a computer.
Equipped with V-Tracks
The BR-900CD has eight audio recording tracks, which provides for simultaneous recording on two tracks, or simultaneous playback from eight tracks.
Moreover, each track incorporates eight virtual tracks, called “V-Tracks,” for a total recording capability of 8 x 8 = 64 tracks! This increased versatility allows you to do things such as record numerous takes of a guitar solo, which you can later choose from when putting it all together. Also, while playing back eight tracks, you can use the bounce mode to bounce to a V-Track and perform stereo bouncing without needing to erase any data.
What are V-Tracks?
Each track consists of eight virtual tracks, and you can choose any one of these tracks for recording or playback. This means that you can record to up to a maximum of 64 tracks, and then select any eight of them to play back. These virtual tracks that make up the actual tracks are called “V-Tracks.”
fig.00-101
V-Track1 V-Track2 V-Track3 V-Track4 V-Track5 V-Track6 V-Track7 V-Track8
A “Track Sheet” is provided at the rear of this manual (p.
230), which you make copies of, and fill in when
recording music to V-Tracks.
Equipped with CD-R/RW Drive
The BR-900CD features a CD-R/RW drive capable of both reading and burning CD-R and CD-RW discs, making it easy to produce audio CDs of the performances you record.
In addition, you can back up performance data stored on memory cards to CD-R/RW discs for even more efficient and effective use of your memory cards.
When you use the CD-R/RW drive, you must use only the
supplied AC adaptor.
The CD-R/RW drive cannot be used while running on
battery power.
Rhythm function
The “Rhythm function” makes it easy to capture phrases or musical ideas that come to mind. Simply select an appropriate Rhythm pattern, and set the tempo.
In addition to the internal preset Rhythm patterns already provided, you can also create your own original Rhythm patterns. By recording using the Rhythm function, editing one measure at a time is greatly simplified.
“Section 4 Using the Rhythm” (p. 119)
Five versatile digital effects processors
The BR-900CD comes with five different types of effects processors. These systems, including recording effects (Insert effects), send/return (Loop Effects), tone adjustment (Track EQ), vocal pitch correction (Pitch Correction), and mastering effects (Mastering Tool Kit) can be used independently for each application as needed. This enables high-quality song production in a single device, with no need to connect any external effects.
The BR-900CD has many built-in simulations and effects, including amp modeling with COSM for a wide variety of insert effects. Many effects for vocal, keyboard, and guitar tracks are also included for a vast array of applications.
The loop effects include spatial effects such as chorus and reverb, which are vital for proper stereo mixdown.
The Track EQ is a built-in, two-band EQ whose utility is most fully exhibited in making tone adjustments during mixdown.
14
Introduction to the BR-900CD
The Pitch Correction feature allows you to freely adjust the pitch of vocals, assuring that you can obtain reliable, high­quality performances.
The Mastering Tool Kit allows you add compression to songs that have been mixed down and provides a variety of other effects.
“Using the Insert Effects” (p. 84)
“Using the Loop Effects/Track EQ” (p. 108)
“Fixing the Pitch of Vocals (Pitch Correction)” (p. 113)
“Mastering” (p. 102)
What is COSM (Composite Object Sound Modeling)?
Technology that virtually reconstructs an actually existing structure or material using a different means is called “modeling” technology. COSM is proprietary Roland technology that creates new sounds by combining various sound modeling technologies.
Editing functions
With the BR-900CD, you can perform editing operations such as copying, moving, and erasing, which cannot be done with multitrack recorders that use tapes. This means operations such as copying and repeating a multiple-bar phrase, moving a multiple-bar phrase to another track, and erasing the data of a track, whole or in part, can be performed with ease.
Non-destructive editing
Being a digital recorder, the BR-900CD offers non-destructive editing. With non-destructive editing, after performing any editing and recording operations, you can still return your data to its previous state (undo and redo functions).
“Canceling an Operation (Undo/Redo)” (p. 57)
Quick movement to a point
You can assign a marker to any point in a track that you wish (locator function). If you assign markers to locations such as the end of the opening or the beginning of a solo, you will be able to move instantly to the point where you wish to begin listening.
“Registering Time (Locator)” (p. 64)
Equipped with chromatic tuner (A0 to B6 sound range)
Your BR-900CD is also equipped with a chromatic tuner so that you can tune your guitar or bass while it is still connected to the BR-900CD (p. 188).
Phrase Trainer function
When you play back a song you have recorded from the CD player or the MD player, you can slow down the tempo without changing the pitch. Also, you can remove the sound you hear at the center (such as vocals and guitar solo) from the song. (p. 192)
Full complement of input connectors (jacks)
Your BR-900CD is equipped with the input jacks shown below.
GUITAR/BASS:
This high-impedance input jack allows you to directly connect your guitar or bass (accepts 1/4” phone plugs).
MIC1:
These jacks allow a mic to be connected. Both a TRS phone jack and an XLR jack are provided. Connect your mic here if recording vocals or narration.
A built-in microphone is also included, so you can perform recordings with the BR-900CD even when you don’t have a microphone connected.
* The built-in microphone can be turned on or off (p. 34).
* Phantom power can be supplied via the XLR connector ( p. 191).
MIC2:
This is XLR-type microphone input connector. If recording using two mics, with one mic connected to the MIC 1 input, connect the second mic here.
* Phantom power can be supplied via the XLR connector ( p. 191).
LINE:
These jacks accept stereo input from keyboards, CD players, and other devices at line level (RCA phono jacks).
The LINE OUT jacks (stereo RCA phono jacks) are also provided for output.
USB:
Connecting your computer here allows you to exchange data between the BR-900CD and a computer.
Two-way power supply allows you to record anywhere
You can use the BR-900CD powered by batteries (six size AA dry cells) or with the AC adaptor.
And, thanks to its built-in microphone, you can make recordings anywhere and anytime you desire.
15
Introduction to the BR-900CD

Memory Cards Supported by Your BR-900CD

The BR-900CD uses CompactFlash cards as the storage media for recording and playback.
The BR-900CD uses 32 MB to 1 GB CompactFlash cards with a 3.3 V power supply.
For more on supported memory cards (CompactFlash) for the BR-900CD, refer to “About Memory Cards” (separate sheet).
CompactFlash Type II cards are not compatible.
CompactFlash cards are available at your nearest computer
or digital camera shop.
Formatting the memory card (CompactFlash)
CompactFlash cards bought at a computer shop, or ones previously used with a digital camera cannot be used as is with the BR-900CD.
These CompactFlash cards must first be initialized for use with the BR-900CD.
For more details regarding initializing, see p. 31, p. 196.
234
* CompactFlash and are trademarks of SanDisk Corpo-
ration and licensed by CompactFlash association.
235
* BOSS Corporation is an authorized licensee of the
CompactFlash™ and CF logo ( ) trademarks.

How to remove the card protector

To prevent theft of the memory card (CompactFlash), the BR­900CD is shipped from the factory with a card protector.
fig.00-103
Card Protector
Card Cover
To remove the card protector, use the following procedure.
1. Make sure the card cover is closed, then the BR-900CD
over.
* When turning the unit upside-down, get a bunch of
newspapers or magazines, and place them under the four
corners or at both ends to prevent damage to the buttons and
controls. Also, you should try to orient the unit so no buttons
or controls get damaged.
* When turning the unit upside-down, handle with care to avoid
dropping it, or allowing it to fall or tip over.
2. Using a coin or
flathead screwdriver, unscrew and remove the coin screw from the bottom panel.
3. Pull out the card
cover in the direction indicated by the arrow.
4. To prevent loss of the
card protector after it is removed, place it as shown in the figure. Insert the card protector in the slot as indicated by the arrow.
16
5. Turn the BR-900CD
back over to its original position.
Should you remove the screws, make sure to put them in a
safe place out of children’s reach, so there is no chance of
them being swallowed accidentally.

Panel Descriptions

Front Panel

5
11
1
10
9
2
13
3
1
Input section
SENS knob
Use this knob to adjust the sensitivity at the input jacks (e.g.,
GUITAR/BASS, MIC1, MIC2, and LINE).
PEAK indicator
This indicator shows how strong the input level is at the
various input jacks (e.g., GUITAR/BASS, MIC1, and MIC2).
This indicator lights at a level -6 dB lower than where sound
distortion occurs. Adjust the input sensitivity with the SENS knob
so that this indicator lights only occasionally, at those moments
when you play your guitar (or other instrument) at its loudest.
INPUT SELECT buttons
Use these buttons to select the input source (input jack) that
you wish to record. The indicator of the selected button will
light. You can mute (silence) the input sound by pressing a
button that is lit.
[GUITAR/BASS/MIC2]
For selecting either guitar or bass use of the GUITAR/BASS
jack, or the MIC 2 jack.
[MIC]
For selecting either the MIC1 jack, or the internal
microphone.
* You can turn on and off the internal microphone. (p. 34)
6
8 7
4
12
[LINE]
For selecting the LINE jack (stereo) for the line inputs, such
as keyboards or CD players.
SIMUL
By pressing [GUITAR/BASS/MIC2] and [MIC]
simultaneously, you can record from both inputs at the same
time.
* If the INPUT SELECT setting is changed, the insert effect
bank (p. 35, p. 84) changes automatically.
INPUT LEVEL knob
Use this knob to adjust the volume of the input source for
recording.
* If you use the INPUT LEVEL knob to turn down the volume
of the input source during recording, the sound will be recorded in the audio track at a low volume, so that noise will be more apparent when you raise the volume of the audio track for playback.If you want to lower the sound of the input source that you are monitoring, lower the volume with the MASTER fader. To change the volume of the music being played back, use the TRACK fader for the respective tracks.
[TUNER]
Use this button to turn on and off the tuner (p. 188).
This allows you to tune your instrument connected to the
GUITAR/BASS jack.
17
Panel Descriptions
4
2
[EFFECTS]
Use this button to turn on and off the insert effects (p. 35, p.
84) or call up the screen for editing the various settings.
This button is used to make settings for the Mastering Tool
Kit.
3
REC/PLAY section
AUTO PUNCH
This button is used to make settings for the automatic punch
in/out function.
[ON/OFF]
This turns the auto punch-in/out function on/off. When this
is on, the button indicator will light.
[IN]
For setting the auto punch-in location. Press this button to set
the punch-in point. When set, the indicator on this button
will light. After the punch-in location is set, you can press
this button to automatically move to the punch-in location.
* Press this button while holding down [ON/OFF] to clear the
set punch-in location.
[OUT]
For setting the auto punch-out location. Press this button to
set the punch-out location at the current location in the track.
When set, the indicator on this button will light. After the
punch-out location is set, you can press this button to
automatically move to the punch-out location.
* Press this button while holding down [ON/OFF] to clear the
set punch-out location.
[FF]
The song will fast-forward while you hold down the button.
[REPEAT]
You can specify a region that you wish to hear, and hear it
repeatedly (p. 51).
This feature is useful if you want to repeatedly play back the
recording between the punch-in and out locations (p. 53)
until you are satisfied or use the phrase trainer (p. 192) to try
to copy a difficult phrase recorded from a CD or the like.
[STOP]
Stops recording or playback of the song.
[PLAY]
Plays back songs. When [REC] is pressed and the REC
indicator is flashing, press [PLAY] to start recording. During
recording or playback, the indicator on the button lights in
green.
[REC (Recording)]
This is the Record button. In addition to the Recording
operation, it is also used for manual punch-in/out. While in
recording standby, the indicator on this button flashes in red,
and during recording, it lights in red.
Track/Fader section
TRACK MIXER fader 1–6, 7/8
For controlling the volumes of each track during playback.
* Hereafter, the TRACK MIXER faders shall be referred to as
the “TRACK faders.”
RHYTHM fader
Adjusts the volume of the Rhythm.
[LOCATOR]
Use this button to store any location that you desire. Then, by
pressing this button, you can automatically move to that
location.
When a location is set, the indicator on this button will light
and you will jump to the location each time this button is
pressed.
* Press this button while holding down AUTO PUNCH [ON/
OFF] to clear the set location.
[ZERO]
Moves you to the time location 00:00:000.0.
[REW]
The song will rewind while you hold down the button.
18
MASTER fader
Controls the overall volume of the BR-900CD.
[V-TRACK]
Use this button to call up the screen for selecting a V-Track.
“What are V-Tracks?” (p. 14)
“Changing V-Tracks” (p. 49)
REC TRACK (Recording Track) buttons 1–6, 7/8
Use these buttons to select to which track you will record.
The button of the track selected will flash in red and then
light in red when recording begins. When recording is
finished, the button of the selected track will light alternately
in orange and green.
Panel Descriptions
678
The relationship between the indicator and the track
conditions is given below.
Off:
This track contains no recorded data.
Green:
An audio track that contains recorded data.
Flashing in red:
The track is selected as the recording destination, and is in
recording standby.
Red:
This track currently being recorded.
Lighting alternately in orange and green:
This track contains recorded data and is selected for recording.
During creation of Rhythm patterns (p. 126), a rhythm
instrument is assigned to each button.
[TAP (TEMPO)]
By tapping this button, you can set the tempo for the
Rhythm.
[DELETE/MUTE]
By holding down this button and pressing a REC TRACK
button whose indicator is lit in green and orange alternating
or green, you can mute that track during playback,
regardless of the position of its TRACK fader (p. 41).
When you repeat the same action, muting will be defeated.
While muted, the REC TRACK button of that track will flash
in green and orange alternating.
* If a recording track was muted, muting will be defeated when
recording ends.
[UNDO/REDO]
For undoing the last-performed recording or editing
operation and returning the data to its previous state. By
pressing this button once again, you can bring back the
canceled recording or re-execute the editing operation (p. 57).
[
EXIT/NO]
Press this button to return to the previous screen or cancel
the last entry.
[
ENTER/YES]
Press this button to confirm a selection or a value being entered.
CURSOR buttons
Press these buttons to move the cursor within the screen.
[CD-R/RW]
The BR-900CD uses this drive unit to read from, write to, and
play CD-R/RW discs.
Rhythm section
Here you can make settings for the Rhythm function.
[ARRANGE/PATTERN/OFF]
Pressed to cycle the Rhythm function through the available selections: Arrangement Pattern Off.
[EDIT]
This calls up the screen for programming arrangements and
patterns.
[RHYTHM PAD]
This button switches the TRACK button functions to Rhythm input.
During creation of Rhythm patterns (p. 126), you can delete
rhythm sounds you have input by holding down this button
and pressing the REC TRACK button.
5
TIME/VALUE dial
You can use this dial to shift the current position within a
song (e.g., fast forwarding and rewinding). It is also used to
change the values of the various function settings.
[UTILITY]
This button calls up various functions offered by your BR-
900CD, such as track editing, song management, and
memory card operations.
“Section 4 Using the Rhythm” (p. 119)
[PHRASE TRAINER]
Use this button to perform the settings for the phrase trainer
function.
When using the phrase trainer, you can turn on or off the
center cancel function (for removing vocals at the center), or
the time stretch function (for slowing down playback).
“Canceling the Center Sound (Center Cancel)” (p. 192)
“Slowing Down the Speed (Time Stretch)” (p. 192)
19
Panel Descriptions
12
13
9
[PAN/EQ]
Pressed to access a screen where you can set the pan (left/
right location of the sound) for the playback of each track or
for the input sound (p. 42, p. 49).
This, also, adjusts the tone (Low, High) for each track (p. 42,
p. 110).
[
LOOP EFFECTS]
Use this button to call up the screen for setting the send level
of each track respective to the loop effects (p. 43, p. 108),
switching between reverb and chorus, setting the various
parameters, and more.
“Using the Loop Effects/Track EQ” (p. 108)
“Loop Effect Parameter Functions” (p. 111)
[PITCH CORRECTION]
Use this button to turn on and off the Pitch Correction. This
function adjusts the pitch of recorded vocals.
“Using the Pitch Correction” (p. 114)
MIC (Internal microphone)
This microphone can be used for recording with the BR-
900CD.
“Press the INPUT SELECT button of the instrument that you
want to record” (p. 34)
“Turning on the internal microphone” (p. 34)
Headphones jack ( )
Headphones (sold separately) are connected here. When
headphones are connected, the same output as that from
LINE OUT can be heard from the headphones.
* The headphone volume is adjusted with the MASTER fader.
MEMORY CARD slot
fig.00-202
Eject button
10
[REC MODE (Recording Mode)]
This button is used for selecting the recording mode.
Basic recording (p. 39, p. 48)
Bounce (Putting multiple tracks together) (p. 45, p. 58)
“Mastering” (p. 102)
11
MEMORY CARD indicator
This indicator will light up whenever data is being read from
or written to a memory card.
Never turn off the power while the indicator is lit. This may
corrupt the data on the memory card, possibly rendering the
card unusable.
This slot is where memory cards (CompactFlash) are inserted
when you want to save data. You cannot record unless you
have a memory card inserted here.
Eject button
Press this button to eject the memory card.
20
Panel Descriptions
CD-R/RW drive
1
2
3 4
Before you use the CD-R/RW drive, it is important that you first of all read “Before Using CD-R/RW Discs” (p. 6).
1. Disc tray
Place the CD-R/RW discs on this tray.
2. Access indicator
This indicator will light up whenever data is being read from or written to a CD-R/RW disc.
3. EJECT button
Press this button to eject a CD-R/RW disc from the drive unit. Note that it will only be possible to eject the CD-R/RW disc while the BR-900CD is powered up.
If excessive force is used to extract a disc, you risk causing
damage to the drive.
4. Emergency eject hole
This hole is used when the disc tray must be opened in an emergency.
It must not, therefore, be used on a regular basis and should be treated as a last resort only when the disc cannot be ejected in any other way (p. 7).
Display
fig.00-203d
1 2
3
5
Displays the menu screen, parameter setting screen, or other
information, depending on the type of settings being made.
If the screen is difficult to view, see “Adjusting the Display
Contrast” (p. 186).
1. MEAS (MEASURE)
Displays the current position within the song. Indicated from
left to right are the measure, beat, and clock.
2. TEMPO
The Rhythm tempo is indicated here.
3. TIME
Displays the time of the current position of the song (hours-
minutes-seconds).
6
4
4. FRAME
Displays the frame number of the current position of the
song.
At the factory settings, one second is set to 30 frames (non-
drop). This is one type of a specification known as MTC
(MIDI Time Code), and when you use the BR-900CD to play
in synchronization with another MIDI device, you will need
to set both devices to the same MTC type.
“Synchronizing Playback with a MIDI Sequencer” (p. 158)
5. REC MODE
The recording mode is indicated here.
6. Level Meter
During play mode, the volume levels of instruments being
input, and volume levels of each track are displayed.
The levels displayed are the levels after the adjustments are
made with the INPUT LEVEL knob and TRACK fader (i.e.,
post fader). You can select the level meter to display each
type of level being set.
21
Panel Descriptions

Rear Panel

fig.00-204
13
14
12
11 10
89
1. GUITAR/BASS jack
High-impedance input jack to directly connect your guitar or
bass.
2. MIC2 jack (XLR types)
These jack allows a mic to be connected. XLR jack is
provided.
The BR-900CD can supply phantom power to a condenser
microphone connected to this connector (p. 191).
* If the connection has been made to the GUITAR/BASS and the
MIC2 jacks, the GUITAR/BASS jack is given priority.
3. MIC1 jacks (TRS/XLR types)
These jacks allow a mic to be connected. Both standard TRS
jacks (p. 26) and XLR jacks are provided.
The BR-900CD can supply phantom power to a condenser
microphone connected to this connector (p. 191).
* If microphones are connected to both jacks, the TRS jack is
given priority.
7
456
3 1
2
8. FOOT SW/EXP PEDAL jack
This is an input jack for connecting a separately sold foot
switch (BOSS FS-5U, Roland DP-2) or expression pedal
(BOSS Roland EV-5, BOSS FV-300L).
By using this FOOT SW jack, you can start/stop playback,
punch in/out, and more.
When an expression pedal is used, you can control the depth
of insert effects with your foot.
“Using a Foot Switch or Expression Pedal” (p. 187)
9. MIDI OUT connector
Connector for sending MIDI data.Connect it to the MIDI IN
connector of an external MIDI device (rhythm machine or
sound module).
10. POWER switch
This is the power switch. It turns the power of the BR-900CD
on/off.
4. LINE IN jacks
These are input jacks for analog audio signals.These jacks are
used to connect CD players and other audio devices and
keyboards, rhythm machines, and other external sound
modules.
5. LINE OUT jacks
These are output jacks for the analog audio signal. You can
connect tape recorders, or other recording devices to record
the output analog signal from the BR-900CD.
6. DIGITAL OUT connector
Optical connector for outputting digital audio signals. The
same sound that is output from LINE OUT is also output
from DIGITAL OUT. You can connect a DAT recorder or CD
recorder to this connector and make digital recordings of the
BR-900CD’s output.
7. USB connector
This is the connector for connecting your computer to the BR-
900CD with a USB cable.
11. DC IN (AC Adaptor) jack
Connect the supplied AC adaptor (PSC-series) to this jack.
You must use only the PSC-series AC adaptor. Use of any
other adaptor may cause overheating or malfunctions.
12. Cord Hook
Wrap the cable around this hook so that the AC adaptor
cable is not pulled out accidentally.
* If the AC adaptor is disconnected during operation, your
important recorded data may be lost.
13. Security Slot ( )
http://www.kensington.com/
22
Panel Descriptions

Inserting Batteries

Depending on the circumstances of a particular setup,
you may experience a discomforting sensation, or
perceive that the surface feels gritty to the touch when
you touch this device, microphones connected to it, or
the metal portions of other objects, such as guitars.
This is due to an infinitesimal electrical charge, which is
absolutely harmless. However, if you are concerned
about this, connect the ground terminal (rear panel: see
14
figure ) with an external ground. When the unit is
grounded, a slight hum may occur, depending on the
particulars of your installation.
If you are unsure of the connection method, contact the
nearest Roland Service Center, or an authorized Roland
distributor, as listed on the “Information” sheet.
Unsuitable places for connection
• Water pipes (may result in shock or electrocution)
• Gas pipes (may result in fire or explosion)
• Telephone-line ground or lightning rod (may be
dangerous in the event of lightning)
1. Make sure that the power of the BR-900CD is turned
off.
2. Remove the battery cover on the rear panel.
* When turning the unit upside-down, get a bunch of
newspapers or magazines, and place them under the four
corners or at both ends to prevent damage to the buttons and
controls. Also, you should try to orient the unit so no buttons
or controls get damaged.
* When turning the unit upside-down, handle with care to avoid
dropping it, or allowing it to fall or tip over.
3. Being careful not to reverse the polarity (+/-), insert six
AA dry-cell batteries into the battery compartment.
* BOSS recommends using longer-life alkaline batteries.
* Do not mix new batteries with partially used batteries, and do
not mix batteries of differing types.
* Do not use rechargeable batteries.
4. Close the battery cover.
fig.00-205
When the battery power becomes low, “Battery Low!”
appears in the display. When this message appears, replace
the existing batteries with new ones as soon as possible.
23
MEMO
24
Quick
Start
25

Connecting Peripheral Devices

Make connections as shown in the diagram below. When making any connections, make sure that all devices are turned off.
fig.00-301
Rhythm Machine etc.
AC Adaptor
(PSC-series)
Foot Switch
(FS-5U etc.)
CD Recorder etc.
Audio Set etc.
Mic
CD Player etc.
Electric Guitar
or
Electric Bass
Expression Pedal
(Roland EV-5 etc.)
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the
power on all devices before making any connections.
To prevent the inadvertent disruption of power to your
unit (should the plug be pulled out accidentally), and to
avoid applying undue stress to the AC adaptor jack,
anchor the power cord using the cord hook, as shown in
the illustration.
fig.00-302
Keyboard etc.
Feedback could be produced depending on the location
of microphones relative to speakers. This can be
remedied by:
1. Changing the orientation of the microphone(s).
2. Relocating microphone(s) at a greater distance from
speakers.
3. Lower the volume.
* Two types of MIC inputs are included, TRS phone type jacks
compatible with balanced input, and XLR type connectors. The pin assignment for the MIC jack is as shown below. Before making any connections, make sure that this pin assignment is compatible with that of all your other devices.
fig.00-303
26
* When using the FS-5U foot switch (sold separately), set the
polarity switch as shown below. If the polarity switch is not set correctly, the foot switch may not operate properly.
fig.00-304
Polarity Switch
* You can also use an FS-6 (optional) for the foot switch. If
using an FS-6, connect to only one of the FS-6's jacks, either the A or B jack. Additionally, set the polarity switch to “FS­5U.” The A&B jack cannot be used.
* If using an expression pedal (EV-5 or FV-300L), set the MIN
volume level to “0.”

Inserting a Memory Card

Connecting Peripheral Devices
Insert the memory card (CompactFlash) with the gold-
colored contacts facing downward (the side without contacts
should be facing upward).
* Carefully insert the memory card all the way in-until it is
firmly in place.
* Do not touch the contacts of the memory card or allow them to
become dirty.
fig.00-305
Before inserting the memory card, be sure to first turn off the
BR-900CD. If a memory card is inserted when the power is
turned on, the data in the memory card may be destroyed, or
the memory card may become unusable.
Quick Start
27

Turning On / Off the BR-900CD

Turning On the Power

Once the connections have been completed, turn on power to
your various devices in the order specified. By turning on
devices in the wrong order, you risk causing malfunction
and/or damage to speakers and other devices.
1. Before you turn the power on, make sure of the
following points.
Are all external devices connected properly?
Is the volume on the BR-900CD and all other devices
completely lowered?
Is the memory card inserted?
* The BR-900CD is shipped with a memory card already
inserted in the slot.
2. Lower the MASTER fader on the BR-900CD.
fig.00-306

Turning Off the Power

1. Make sure that playback of the song is stopped.
Always make sure that the recorder is stopped before
turning off the power to the BR-900CD. Turning off the
power while recording or playback is in progress may result
in the deletion of (song) data, mixer settings, and/or effect
patch data.
2. Turn off the power to each device in the reverse order
used for powering up.
3. Turn the BR-900CD’s POWER switch off.
Play Screen
The Play screen is the most fundamental screen of the
BR-900CD, and is the first screen that appears when the
BR-900CD is turned on (see below).
fig.00-308d
3. Turn on the devices connected to the input jacks (i.e.,
GUITAR/BASS, MIC 1, MIC 2, or LINE IN).
4. Turn on the POWER switch located on the rear panel.
fig.00-307
* Always make sure to have the volume level turned down before
switching on power. Even with the volume all the way down, you may still hear some sound when the power is switched on, but this is normal, and does not indicate a malfunction.
* This unit is equipped with a protection circuit. A brief interval
(a few seconds) after power up is required before the unit will operate normally.
5. Turn on the device connected to the output jack (i.e.,
LINE OUT or DIGITAL OUT).
If you are using the AC adaptor, make sure that the AC
adaptor does not become unplugged during operation. If the
AC adaptor becomes unplugged accidentally, the recorded
data may become damaged.
28

Listening to a Demo Song

Selecting a song (Song Select)

Upon power-up, the song that was selected before the power
was turned off is selected, and the data of that song is loaded.
As soon as the data has been loaded, the Play screen appears
in the display.
To listen to a demo song, follow the procedure given below.
fig.00-312
1
3
2,4
2
If you have changed the recording or editing
Since the BR-900CD automatically updates the recorded data
and operation content if the recording or editing have been
changed, you do not need to perform any special operations
for saving.
During updating, “Keep power on!” appears in the upper
line of the display, while the lower line shows what is being
processed.
* If you try to record or edit data using a protected demo song,
“Protected!” appears.

Playing back a song

1. Move the TRACK faders 1–6, 7/8 and the RHYTHM
fader to the positions shown in the figure below, and
lower the MASTER fader.
fig.00-315
1. Press [UTILITY].
2. Press CURSOR [ ] [ ] to move the cursor to “SEL,”
and press [ENTER].
The Song Select screen appears.
fig.00-313d
3. Turn the TIME/VALUE dial to select “01: SOLOBANG.”
Title Composer Copyright
SOLOBANG! Yutaka Nakano
4. Press [ENTER].
Copyright © 2005
BOSS Corporation
Quick Start
2. Press [PLAY].
fig.00-316
The song starts. Slowly increase the MASTER fader and
adjust the volume to the desired level.
Use of the demo song supplied with this product for any
purpose other than private, personal enjoyment without the
permission of the copyright holder is prohibited by law.
Additionally, this data must not be copied, nor used in a
secondary copyrighted work without the permission of the
copyright holder.
By adjusting the TRACK faders, you can listen to the
individual sounds recorded to each track one at a time or
listen to them at the balance you desire.
Press [FF] to fast-forward the song and press [REW] to
rewind the song. Press [ZERO] to move to the time
location 00:00:00-00.0.
29
Listening to a Demo Song
In addition to the procedures given above, you can also
change your current position in the song using the
procedures given below.

Changing the current position

Elapsed time display
The value given at “TIME” in the display shows the elapsed
time into the song using MTC (MIDI time codes) and is
expressed as follows: hours-minutes-seconds-frames-sub
frames.
The time code specifications can differ depending on the
device. To synchronize operation with another device using
MTC, you will first need to match the time code
specifications of both devices. At the factory settings, one
second is set to 30 frames (non-drop) (p. 158).
Moving to the start of a play
To move to the time where the first sound of a song is
recorded, press and hold [STOP] and press [REW].
Each V-Track of the selected track is checked and you move
to the time of the first recorded sound for the song.
Press [ZERO] to move to the time location 00:00:00-00.0.
Moving through a song using hours, minutes, seconds, frames, or sub frames
Press [ ] [ ] to move the cursor to hours, minutes,
seconds, frames, or sub-frames display, and turn the TIME/
VALUE dial to change the current time in the song.
Moving through a song in measures or beats
The current position’s measure– beat–clock are displayed at
the location “MEAS” (measure) in the display.
* For the demo songs, a Arrangement (p. 37, p. 120) has already
been created and it is set so that measure, beat, clock, and song is properly synchronized.
Press [ ] [ ] to move the cursor to “measure” or “beat”
display, and turn the TIME/VALUE dial to change the
current measure or beat in the song.
* You cannot move the cursor to Clock (cannot be altered).
Moving to the end of a play
To move to the time where the last sound of a song is
recorded, press and hold [STOP] and press [FF].
Each V-Track of the selected track is checked and you move
to the time of the last recorded sound for the song.
fig.00-317
TIME
[
ZERO
Section of the song recorded
[
STOP
] + [
]
REW
]
[
STOP
23:59:59-29.900:00:00-00.0
] + [FF]
30
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