Boss Audio Systems BR-600 User Manual
Owner’s Manual
Thank you, and congratulations on your choice of the BOSS
BR-600
Before using this unit, carefully read the sections entitled:
• USING THE UNIT SAFELY (page 2–3)
• IMPORTANT NOTES (page 4–5)
These sections provide important information concerning the
proper operation of the unit.
Additionally, in order to feel assured that you have gained a good
grasp of every feature provided by your new unit, Owner’s manual
should be read in its entirety. The manual should be saved and kept
on hand as a convenient reference.
■
Printing Conventions in This Manual
•
Text or numerals enclosed in square brackets [ ] indicate buttons.
[PLAY]
[REC]
• Reference such as (p. **) indicate pages in this manual to which
you can refer.
Copyright © 2005 BOSS CORPORATION
All rights reserved. No part of this publication may be reproduced in any form
without the written permission of BOSS CORPORATION.
Digital Recorder.
PLAY button
REC button
USING THE UNIT SAFELY
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
001
• Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
.............................................................................................
002c
• Do not open (or modify in any way) the unit or
its AC adaptor.
.............................................................................................
003
• Do not attempt to repair the unit, or replace
parts within it (except when this manual
provides specific instructions directing you to
do so). Refer all servicing to your retailer, the nearest
Roland Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
.............................................................................................
004
• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or are
• Damp (e.g., baths, washrooms, on wet floors); or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of vibration.
.............................................................................................
007
• Make sure you always have the unit placed so it
is level and sure to remain stable. Never place it
on stands that could wobble, or on inclined
surfaces.
.............................................................................................
008b
•
Use only the specified AC adaptor (PSA series),
and make sure the line voltage at the installation
matches the input voltage specified on the AC
adaptor’s body. Other AC adaptors may use a different
polarity, or be designed for a different voltage, so their
use could result in damage, malfunction, or electric shock.
The symbol alerts the user to important instructions
or warnings. The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
009
• Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements
and short circuits. Damaged cords are fire and shock
hazards!
.............................................................................................
010
• This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for a long
period of time at a high volume level, or at a level that is
uncomfortable. If you experience any hearing loss or
ringing in the ears, you should immediately stop using
the unit, and consult an audiologist.
.............................................................................................
011
• Do not allow any objects (e.g., flammable
material, coins, pins); or liquids of any kind
(water, soft drinks, etc.) to penetrate the unit.
.............................................................................................
012c
• Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing
by your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
“Information” sheet when:
• The AC adaptor or the power-supply cord has been
damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been spilled
onto the unit; or
• The unit has been exposed to rain (or otherwise has
become wet); or
• The unit does not appear to operate normally or
exhibits a marked change in performance.
2
Rev0.10
013
• In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the safe
operation of the unit.
.............................................................................................
014
• Protect the unit from strong impact.
(Do not drop it!)
.............................................................................................
015
• Do not force the unit’s power-supply cord to
share an outlet with an unreasonable number of
other devices. Be especially careful when using
extension cords—the total power used by all devices
you have connected to the extension cord’s outlet must
never exceed the power rating (watts/amperes) for the
extension cord. Excessive loads can cause the insulation
on the cord to heat up and eventually melt through.
.............................................................................................
016
• Before using the unit in a foreign country,
consult with your retailer, the nearest Roland
Service Center, or an authorized Roland distributor, as
listed on the “Information” sheet.
.............................................................................................
019
• Batteries must never be recharged, heated, taken
apart, or thrown into fire or water.
101b
• The unit and the AC adaptor should be located
so their location or position does not interfere
with their proper ventilation.
.............................................................................................
102d
• Always grasp only the output plug or the body
of the AC adaptor when plugging into, or
unplugging from, this unit or an outlet.
.............................................................................................
103b
• At regular intervals, you should unplug the AC
adaptor and clean it by using a dry cloth to wipe
all dust and other accumulations away from its
prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain unused for
an extended period of time. Any accumulation of dust
between the power plug and the power outlet can result
in poor insulation and lead to fire.
.............................................................................................
104
• Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
.............................................................................................
106
• Never climb on top of, nor place heavy objects
on the unit.
.............................................................................................
107d
• Never handle the AC adaptor body, or its output
plugs, with wet hands when plugging into, or
unplugging from, an outlet or this unit.
108b
• Before moving the unit, disconnect the AC
adaptor and all cords coming from external
devices.
..............................................................................................
109b
• Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet.
..............................................................................................
110b
• Whenever you suspect the possibility of
lightning in your area, disconnect the AC
adaptor from the outlet.
..............................................................................................
111: Selection
• If used improperly, batteries may explode or
leak and cause damage or injury. In the interest
of safety, please read and observe the following
precautions (p.24 ).
1
• Carefully follow the installation instructions
for batteries, and make sure you observe the
correct polarity.
2
• Avoid using new batteries together with used ones.
In addition, avoid mixing different types of batteries.
3
• Remove the batteries whenever the unit is to remain
unused for an extended period of time.
5
• If a battery has leaked, use a soft piece of cloth or
paper towel to wipe all remnants of the discharge
from the battery compartment. Then install new
batteries. To avoid inflammation of the skin, make
sure that none of the battery discharge gets onto your
hands or skin. Exercise the utmost caution so that
none of the discharge gets near your eyes. Immediately rinse the affected area with running water if
any of the discharge has entered the eyes.
6
• Never keep batteries together with metallic objects
such as ballpoint pens, necklaces, hairpins, etc.
..............................................................................................
112
• Used batteries must be disposed of in
compliance with whatever regulations for their
safe disposal that may be observed in the region
in which you live.
..............................................................................................
118c
• Keep any screws you may remove and the
included cover in a safe place out of children’s
reach, so there is no chance of them being
swallowed accidentally.
3
Rev0.10
IMPORTANT NOTES
291a
In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:
Power Supply: Use of Batteries
301
• Do not connect this unit to same electrical outlet that is
being used by an electrical appliance that is controlled by an
inverter (such as a refrigerator, washing machine,
microwave oven, or air conditioner), or that contains a
motor. Depending on the way in which the electrical
appliance is used, power supply noise may cause this unit to
malfunction or may produce audible noise. If it is not
practical to use a separate electrical outlet, connect a power
supply noise filter between this unit and the electrical outlet.
302
• The AC adaptor will begin to generate heat after long
hours of consecutive use. This is normal, and is not a
cause for concern.
303a
• The use of an AC adaptor is recommended as the unit’s
power consumption is relatively high. Should you prefer
to use batteries, please use the alkaline type.
304a
• When installing or replacing batteries, always turn off the
power on this unit and disconnect any other devices you
may have connected. This way, you can prevent
malfunction and/or damage to speakers or other devices.
306b
• Batteries are supplied with the unit. The life of these
batteries may be limited, however, since their primary
purpose was to enable testing.
307
• Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/or damage to speakers or other devices.
Placement
351
• Using the unit near power amplifiers (or other
equipment containing large power transformers) may
induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the
source of interference.
352a
• This device may interfere with radio and television
reception. Do not use this device in the vicinity of such
receivers.
352b
• Noise may be produced if wireless communications
devices, such as cell phones, are operated in the vicinity
of this unit. Such noise could occur when receiving or
initiating a call, or while conversing. Should you
experience such problems, you should relocate such
wireless devices so they are at a greater distance from
this unit, or switch them off.
354a
• Do not expose the unit to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Excessive heat can deform or discolor the unit.
355b
• When moved from one location to another where the
temperature and/or humidity is very different, water
droplets (condensation) may form inside the unit.
Damage or malfunction may result if you attempt to use
the unit in this condition. Therefore, before using the
unit, you must allow it to stand for several hours, until
the condensation has completely evaporated.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry
cloth or one that has been slightly dampened with water.
To remove stubborn dirt, use a cloth impregnated with a
mild, non-abrasive detergent. Afterwards, be sure to
wipe the unit thoroughly with a soft, dry cloth.
402
• Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or
deformation.
Repairs and Data
452
• Please be aware that all data contained in the unit’s
memory may be lost when the unit is sent for repairs.
Important data should always be backed up on a
memory card/computer, or written down on paper
(when possible). During repairs, due care is taken to
avoid the loss of data. However, in certain cases (such as
when circuitry related to memory itself is out of order),
we regret that it may not be possible to restore the data,
and Roland assumes no liability concerning such loss of
data.
Additional Precautions
551
• Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the
improper operation of the unit. To protect yourself
against the risk of loosing important data, we
recommend that you periodically save a backup copy of
important data you have stored in the unit’s memory on
a memory card/computer.
552
• Unfortunately, it may be impossible to restore the
contents of data that was stored in the unit’s memory or
a memory card once it has been lost. Roland Corporation
assumes no liability concerning such loss of data.
553
• Use a reasonable amount of care when using the unit’s
buttons, dials, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
554
• Never strike or apply strong pressure to the display.
4
IMPORTANT NOTES
Rev0.10
556
• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you
will avoid causing shorts, or damage to the cable’s
internal elements.
558a
• To avoid disturbing your neighbors, try to keep the
unit’s volume at reasonable levels. You may prefer to
use headphones, so you do not need to be concerned
about those around you (especially when it is late at
night).
559a
• When you need to transport the unit, package it in the
box (including padding) that it came in, if possible.
Otherwise, you will need to use equivalent packaging
materials.
561
• Use only the specified expression pedal (EV-5, FV-500L,
FV-500H; sold separately). By connecting any other
expression pedals, you risk causing malfunction and/or
damage to the unit.
562
• Use a cable from Roland to make the connection. If using
some other make of connection cable, please note the
following precautions.
• Some connection cables contain resistors. Do not use
cables that incorporate resistors for connecting to this
unit. The use of such cables can cause the sound level
to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.
• To prevent damage to the cards from static
electricity, be sure to discharge any static electricity
from your own body before handling the cards.
• Do not touch or allow metal to come into contact
with the contact portion of the cards.
• Do not bend, drop, or subject cards to strong shock
or vibration.
• Do not keep cards in direct sunlight, in closed
vehicles, or other such locations (storage temperature: -25 to 85˚ C).
• Do not allow cards to become wet.
• Do not disassemble or modify the cards.
Copyright
851
• Unauthorized recording, distribution, sale, lending,
public performance, broadcasting, or the like, in whole
or in part, of a work (musical composition, video,
broadcast, public performance, or the like) whose
copyright is held by a third party is prohibited by law.
853
• Do not use this unit for purposes that could infringe on a
copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of
third-party copyrights arising through your use of this
unit.
Before Using Cards
(CompactFlash)
Using Memory Cards
704
• Carefully insert the Memory card all the way in—until it
is firmly in place.
fig.M512-Insert
705
• Never touch the terminals of the Memory card. Also,
avoid getting the terminals dirty.
707
• This unit’s memory card slot accepts CompactFlash
memory cards. Microdrive storage media are not
compatible.
708
• CompactFlash cards are constructed using precision
components; handle the cards carefully, paying
particular note to the following.
204
* Microsoft and Windows are registered trademarks
of Microsoft Corporation.
206e
* Screen shots in this documents are reprinted with
permission from Microsoft Corporation.
206j
* Windows® is known officially as: “Microsoft®
Windows® operating system.”
207
* Apple and Macintosh are registered trademarks of
Apple Computer, Inc.
209
* MacOS is a trademark of Apple Computer, Inc.
220
* All product names mentioned in this document
are trademarks or registered trademarks of their
respective owners.
5
Rev0.10
Contents
IMPORTANT NOTES..............................4
Introduction to the BR-600 .................12
Features ...........................................................12
Memory Cards Supported by Your BR-600
Formatting the memory card (CompactFlash).......15
How to remove the card cover .................................15
.......15
Panel Descriptions .............................16
Top Panel......................................................... 16
Rear Panel........................................................22
Front Panel ......................................................23
Inserting Batteries ..........................................24
About the Play Screen ...................................25
Quick Start ......................... 27
Connecting Peripheral Devices ...........28
How to Use the Cord Hook..........................29
Using a Mic Converter Cable ....................... 30
Inserting the Memory Card..........................30
Turning On / Off the BR-600..............31
Turning On the Power...................................31
Turning Off the Power .................................. 31
Listening to a Demo Song ..................32
Selecting a demo song (Song Select) ...........32
Playing back a demo song ............................32
Moving the current position ............... 33
Fast Forwarding and Rewinding..............................33
Moving to the start of a play .....................................33
Moving to the end of a play ......................................33
Moving through a song using hours, minutes,
seconds, frames, or sub frames.................................33
Moving through a song in measures or beats ........33
Connecting Instruments......................34
Choose which jack you will use to connect your
instrument....................................................................34
Preparing Songs For Recording ..........35
Recording a new song (Song New).......................... 35
Selecting the Input .............................36
Turning on the onboard stereo microphone ...........36
Adjusting the input sensitivity..................................36
Adjusting the recording level....................................37
Displaying the Level Meter .......................................37
Using Insert Effects.............................38
Switch effect patches......................................38
Recording without insert effects...............................39
Using the Rhythm .............................. 40
What is the Rhythm? ..................................................40
Patterns and Arrangements.......................................40
Pattern Mode and Arrangement Mode ...................40
Playing Arrangements ...............................................41
Playing Patterns ..........................................................41
Changing arrangements.............................................42
Changing patterns.......................................................42
Changing the tempo of the arrangements
or patterns ....................................................................43
Tapping to change the tempo of the arrangements
or patterns ....................................................................43
Recording ..........................................44
Selecting the recording track.....................................44
About the recording (REC) modes ...........................45
Procedure .....................................................................46
Playing Back Recorded Music.............47
Silencing the sound of specific tracks
(Track Mute) ................................................................47
Recording an additional performance
while listening to an existing
performance (Overdubbing)...............48
Putting multiple tracks together
(Bounce) ........................................... 49
Adjusting the Sound for Each Track ...........49
Adjusting the Perception of Stereo for the Sound
(Pan) ..............................................................................49
Adjusting the tone (Track EQ) ..................................50
Adding Richness and Breadth to the Sound
(Loop Effect).................................................................50
Bouncing..........................................................52
6
Rev0.10
Section 1
Recording and Playback ..... 53
Recording .......................................... 54
Creating Songs for Recording ......................54
About data types......................................................... 54
Selecting the Recording Track...................... 55
Changing V-Tracks ........................................ 56
Adjusting the Perception of Stereo in the
Input Sounds (Pan) ........................................ 56
Recording Operations ...................................57
Repeating Playback (Repeat) .............58
Setting the Repeat Portion
with Accurate Timing................................... 59
Re-recording Only a Mistake
(Punch-in/out)...................................60
Manually Punching In/Out .........................60
Manually punching in and out using [REC]...........60
Manually punching in and out using a foot switch
Auto Punching In and Out ........................... 61
Specifying the area for auto punching in/out........ 61
Erasing a registered auto punch in/out location...62
How to record .............................................................62
Repeatedly Recording Over the Same
Location (Loop Recording)...........................63
Setting the portion to be repeated ............................63
How to record .............................................................63
Canceling an Operation (Undo/Redo)
Reversing the Last Operation (Undo) .........64
Canceling the Undo (Redo) ..........................64
Putting Multiple Tracks Together
(Bounce) ............................................ 65
Loading Songs Created with
the BR-900CD/BR-864/BR-532........... 67
Loading Songs Created with
the BR-900CD/BR-864................................... 67
Loading Songs Created with the BR-532
Displaying the Song Information........69
Displaying the Remaining Available
Recording Time .............................................. 69
Displaying the Memory Card Usage ..........69
.......61
...64
........68
Section 2 Editing.................. 71
Registering Time (Locator) .................. 72
Registering a Locator Point...........................72
Moving to the Locator Point.........................72
Deleting a Locator Point................................72
Search for the Music’s Start and End
(Scrub/Preview)................................. 73
Scrubbing to Find the Music Starting/
Ending Point ...................................................73
Changing the Scrub Points............................74
Enabling Use of the Preview Function with
[REW] and [FF]...............................................74
Editing the Performance on a Track
(Track Edit) ........................................75
Copying Data (Track Copy)..........................75
Copying by specifying the time (TME/MES).........75
Copying the repeated portion (AB)..........................77
Copying a complete track (ALL) ..............................78
Moving Data (Track Move) ..........................79
Moving by specifying the time (TME/MES) ..........79
Moving the repeated portion (AB) ...........................80
Moving a complete track (ALL)................................81
Erasing Data (Track Erase) ...........................82
Erasing by specifying the time (TME/MES)...........82
Erasing the repeated portion (AB)............................83
Erasing a complete track (ALL) ................................84
Exchanging Data (Track Exchange).............85
Organizing the Songs You’ve Recorded
Copying a Song (Song Copy) .......................86
Erasing Songs (Song Erase)...........................86
Saving Memory on the Memory Card
(Song Optimize)..............................................87
Naming a Song (Song Name).......................88
Protecting a Song (Song Protect)..................88
Saving the Current Settings to the Song
(Song Save)......................................................89
Creating a Master Tape/ Disc .............90
.86
7
Rev0.10
Section 3 Using Effects ........ 91
Using the Insert Effects.......................92
Effect Patches and Banks...............................92
Editing Insert Effect Settings ........................ 93
Saving Insert Effects Settings (Write)..........94
Changing the destination Insert Effects are
Connected .......................................................95
Insert Effect Parameter Functions .......96
Algorithm List ................................................96
BANK : GUITAR ............................................................... 96
1. COSM GTR AMP................................................... 96
2. ACOUSTIC SIM .....................................................96
3. BASS SIM ................................................................97
4. COSM COMP GTR................................................ 97
5. ACOUSTIC GTR .................................................... 97
6. BASS MULTI ..........................................................97
7. COSM BASS AMP ................................................. 98
8. COSM COMP BSS ................................................. 98
BANK : MIC .......................................................................98
9. VOCAL MULTI...................................................... 98
10. VOICE TRANS..................................................... 98
11. COSM COMP VCL ..............................................99
BANK : LINE .....................................................................99
12. STEREO MULTI ................................................... 99
13. LO-FI BOX ............................................................99
BANK : SIMUL................................................................ 100
14. VO+GT AMP ......................................................100
15. VO+AC.SIM........................................................ 100
16. VO+ACOUSTIC ................................................. 100
Parameter List............................................... 101
Acoustic Guitar Simulator ...................................... 101
Acoustic Processor................................................... 101
Bass Simulator ..........................................................101
Chorus ....................................................................... 102
Compressor............................................................... 102
COSM Comp (compressor)/Limiter..................... 102
De-esser ..................................................................... 103
Defretter ....................................................................103
Delay.......................................................................... 103
Doubling ...................................................................103
Enhancer ...................................................................104
Equalizer ................................................................... 104
Flanger .......................................................................104
Foot Volume ..............................................................104
Lo-Fi Box ...................................................................105
Noise Suppressor .....................................................106
Octave ........................................................................106
Phaser .........................................................................106
Pitch Shifter ...............................................................106
Preamp .......................................................................107
Ring Modulator ........................................................ 108
Slow Attack............................................................... 108
Speaker Simulator.....................................................108
Tremolo/Pan ............................................................109
Voice Transformer ...................................................109
Wah ............................................................................110
Mastering ........................................111
Mastering.......................................................111
Editing the Mastering Tool Kit Settings
.......113
Saving the Mastering Tool Kit Settings
(Write) ............................................................114
Mastering Tool Kit Parameter
Functions .........................................115
Algorithm ......................................................115
Parameter List...............................................115
Equalizer ....................................................................115
Bass Cut Filter........................................................... 116
Enhancer ....................................................................116
Input ...........................................................................116
Expander ................................................................... 116
Compressor ...............................................................117
Mixer ..........................................................................117
Limiter ....................................................................... 117
Output ........................................................................117
Using the Loop Effects ......................118
Selecting the Loop Effect.............................118
Adjusting How the Loop Effect is Applied
....119
Loop Effect Parameter Functions....... 120
Parameter List...............................................120
CHORUS/DELAY/DBLN (Doubling) .................120
REVERB..................................................................... 120
Using the Track EQ ..........................121
Setting the Track EQ ....................................121
Track EQ Parameter Functions..........122
Parameter List...............................................122
8
Rev0.10
Fixing the Pitch of Vocals
(Pitch Correction).............................123
The Pitch Correction....................................123
Makeup of the Pitch Correction.................123
Pitch Correction Patches ............................. 123
Precautions for Pitch Correction Usage....123
Using the Pitch Correction..........................124
Setting the Correction Method for Vocal Pitch
(Pitch Correction Edit)................................. 126
Saving the Pitch Correction Settings
(Write)...........................................................127
Making Detailed Settings for Pitch
Correction (Correction Event Map)........... 128
Section 4
Using The Rhythm ............. 131
About Rhythms................................132
About the Drum Pads..................................132
About the Drum Sounds (Drum Kits).......132
What Are Patterns and Arrangements?....133
What is a Pattern? .....................................................133
What is an Arrangement? ........................................134
About Pattern Mode and
Arrangement Mode......................................134
Playing the Drum Sounds.................135
Changing the Drum Sound
(Drum Kits) ..................................... 136
Selecting Drum Kits .............. 136
Creating Original Drum Kits
(Tone Load) .........................138
Loading Drum Sounds from
Audio Tracks.................................................138
Copying drum sounds from
other drum kits............................................140
Erasing drum sounds ..................................141
Changing the position (pan)
of the drum sounds......................................141
Playing Rhythm Patterns..................142
Changing the Tempo of a Pattern..............142
Using the TAP Button to Change
the Tempo of a Pattern ...............................142
Playing Rhythm Arrangements ........143
Changing the Tempo of an Arrangement
Using the TAP Button to Change
the Tempo of an Arrangement...................143
..143
Creating Original Patterns ...............144
Creating Patterns by Tapping the Drum Pads
(Realtime Recording)...............................................144
Inputting Drum Sounds One by One While
Confirming the Input Visually
(Step Recording).......................................................144
Importing SMFs.........................................................144
9
Rev0.10
Creating Patterns by Tapping the
Drum Pads
(Realtime Recording) ............ 145
Rehearsing Recordings................................ 146
Deleting Unneeded Drum Sounds ............ 147
Changing the Metronome Volume............ 147
I
nputting Sounds One by One While
Confirming the Input Visually
(Step Recording) .................. 148
Naming Patterns .............................151
Copying Patterns .............................152
Erasing Patterns ..............................153
Creating Original Arrangements ......154
Inserting Steps .............................................. 156
Erasing Steps................................................. 156
Naming Arrangements .................... 157
Copying Arrangements ....................158
Erasing Arrangements .....................159
Section 5 Using USB .......... 161
Before Using USB (Overview)...........162
How USB Can Be Used ...............................162
Compatible OS..............................................162
Composition of Data on Memory Cards
Connecting a Computer ..............................163
Notes on Using USB.....................................163
With Windows.................................164
Saving BR-600 Data to Computers
(Backup).........................................................164
Reading backup data back into the BR-600
from PC (Recover)........................................165
Saving BR-600 Track Data in WAV/AIFF
Format
(WAV/AIFF Export)...................................167
Resolving insufficient memory issues when
exporting WAV/AIFF..............................................169
Loading WAV/AIFF Files in BR-600 Tracks
(WAV/AIFF Import) ...................................170
Importing SMFs and Creating Patterns
Loading Drum Sounds from WAV/AIFF
Files (Tone Load)..........................................174
Using the BR-900CD/BR-864/
BR-532’s Data................................................176
With Macintosh................................ 178
Saving BR-600 Data to Computers
(Backup)........................................................178
Reading backup data back into the BR-600
from PC (Recover)........................................179
Saving BR-600 Track Data in WAV/AIFF
Format
(WAV/AIFF Export)...................................180
Resolving insufficient memory issues When
exporting WAV/AIFF..............................................181
Loading WAV/AIFF Files in BR-600 Tracks
(WAV/AIFF Import) ..................................182
Importing SMFs and Creating Patterns
Loading Drum Sounds from WAV/AIFF
Files (Tone Load)..........................................186
Using the BR-900CD /
BR-864 / BR-532’s Data ..............................188
....162
........172
.....184
10
Rev0.10
Section 6
Other Convenient Functions
Adjusting the Display Contrast .........190
Using a Foot Switch or
Expression Pedal ............................191
When Using an Expression Pedal.............. 191
When Using a Foot Switch..........................191
Tuning an Instrument (Tuner) ........... 192
Changing to the Tuner ................................192
Explanation of the indications
that appear while tuning .........................................192
Tuning............................................................192
Setting the Reference Pitch of the Tuner
Mixing the Output from an External
Audio Device with the Output from Your
BR-600 (Audio Sub Mix)...................194
Practicing Difficult Phrases
(Phrase Trainer) ..............................195
Slowing Down the Speed (Time Stretch)
Canceling the Center Sound
(Center Cancel)
Initializing the BR-600’s Settings ...... 197
Initializing All the BR-600’s Settings.........197
Initializing the System Settings..................197
Initializing the Effect Settings ....................198
Initializing the Rhythm Arrangements/
Patterns/Drum Kits.....................................198
Initializing the Memory Card.....................199
Conserving Battery Power
(Power Save) ..................................200
Deactivating the power save function...................200
Utility Parameter List .......................201
About the System Parameters ....................201
About the Sync Parameters ........................202
About the Scrub Parameters....................... 202
.............................................196
.. 189
....193
.....195
Section 7 Appendices ........203
Effect Patch List ................................204
Mastering Tool Kit Patch List ............207
Pitch Correction Patch List ................207
Arrangement / Pattern List ..............208
Preset Arrangement List .............................208
Preset Pattern List ........................................209
Parameter List .................................210
Troubleshooting...............................213
Problems with the Sound............................213
Problems with the Memory Card ..............214
Problems with USB ......................................214
Error Messages................................215
Specifications...................................218
Index...............................................220
11
Rev0.10
Introduction to the BR-600
Features
■
Simple operation
The BR-600 digital multitrack recorder has been designed to
provide the intuitive feel of a conventional music recorder,
making it simple to operate, even for beginners.
No matter what your experience, the BR-600 brings you the
excitement of digital recording, from recording of the
performance to the final mixdown, right from the day you
take it home.
■
Slender shape for easy
portability
With portability a priority in its design, the BR-600 features a
smaller than Letter size (183 x 257 mm (10-1/8 x 7-1/4 inches))
and is only 27 mm (1-1/8 inches) thick. It can also run on six
AA-size batteries(alkaline batteries recommended), meaning
you can put it into a guitar case pocket and take it with you,
enabling you to record wherever you go.
■
Digital audio workstation
Equipped with V-Tracks
The BR-600 has eight audio recording tracks, which
provides for simultaneous recording on two tracks, or
simultaneous playback from eight tracks.
Moreover, each track incorporates eight virtual tracks,
called “V-Tracks,” for a total recording capability of 8 x 8 =
64 tracks! This increased versatility allows you to do things
such as record numerous takes of a guitar solo, which you
can later choose from when putting it all together.
Also, while playing back eight tracks, you can use the
bounce mode to bounce to a V-Track and perform stereo
bouncing without needing to erase any data.
What are V-Tracks?
Each track consists of eight virtual tracks, and you can
choose any one of these tracks for recording or
playback. This means that you can record to up to a
maximum of 64 tracks, and then select any eight of
them to play back. These virtual tracks that make up
the actual tracks are called “V-Tracks.”
All processes are fully digital
In addition to a digital mixer and digital recorder, the BR-
600 contains five digital effects processors.
It is possible to perform all steps needed for recording,
including editing, bouncing tracks, using effects, and
mixing down, entirely within the digital realm, so there is
no deterioration in the signal quality.
Using the USB connector also allows you to save the song
data you create to a computer.
Rhythm function
The “Rhythm function” makes it easy to capture phrases or
musical ideas that come to mind. Simply select an
appropriate Rhythm pattern, and set the tempo.
In addition to the internal preset Rhythm patterns already
provided, you can also create your own original Rhythm
patterns. By recording using the Rhythm function, editing
one measure at a time is greatly simplified.
“Section 4 Using The Rhythm” (p. 131)
V-Track1
V-Track2
V-Track3
V-Track4
V-Track5
V-Track6
V-Track7
V-Track8
A “Track Sheet” is provided at the rear of this manual
(p. 226), which you make copies of, and fill in when
recording music to V-Tracks.
12
Introduction to the BR-600
Rev0.10
Versatile digital effects processors
The BR-600 comes with five different types of effects
processors. These systems, including recording effects
(Insert effects), send/return (Loop Effects), tone adjustment
(Track EQ), vocal pitch correction (Pitch Correction), and
mastering effects (Mastering Tool Kit) can be used
independently for each application as needed. This enables
high-quality song production in a single device, with no
need to connect any external effects.
The BR-600 has many built-in simulations and effects,
including amp modeling with COSM for a wide variety of
insert effects. Many effects for vocal, keyboard, and guitar
tracks are also included for a vast array of applications.
The loop effects include spatial effects such as chorus and
reverb, which are vital for proper stereo mixdown.
The Track EQ is a built-in, two-band EQ whose utility is
most fully exhibited in making tone adjustments during
mixdown.
The Pitch Correction feature allows you to freely adjust the
pitch of vocals, assuring that you can obtain reliable, high-
quality performances.
The Mastering Tool Kit allows you add compression to
songs that have been mixed down and provides a variety of
other effects.
“Using the Insert Effects” (p. 92)
“Using the Loop Effects” (p. 118)
“Using the Track EQ” (p. 121)
“Fixing the Pitch of Vocals (Pitch Correction)”
(p. 123)
“Mastering” (p. 111)
Editing functions
With the BR-600, you can copy, move, and erase audio, and
perform many other editing operations that are only
possible with digital recorders. This means operations such
as copying and repeating a multiple-bar phrase, moving a
multiple-bar phrase to another track, and erasing the data of
a track, whole or in part, can be performed with ease.
Non-destructive editing
Being a digital recorder, the BR-600 offers non-destructive
editing. With non-destructive editing, after performing any
editing and recording operations, you can still return your
data to its previous state (undo and redo functions).
“Canceling an Operation (Undo/Redo)” (p. 64)
Quick movement to a point
You can assign a marker to any point in a track that you
wish (locator function). If you assign markers to locations
such as the end of the opening or the beginning of a solo,
you will be able to move instantly to the point where you
wish to begin listening.
“Registering Time (Locator)” (p. 72)
Equipped with chromatic tuner
(C1 to B6 sound range)
Your BR-600 is also equipped with a chromatic tuner so that
you can tune your guitar or bass while it is still connected to
the BR-600.
“Tuning an Instrument (Tuner)” (p. 192)
What is COSM (Composite Object
Sound Modeling)?
Technology that virtually reconstructs an actually
existing structure or material using a different means is
called “modeling” technology. COSM is proprietary
Roland technology that creates new sounds by
combining various sound modeling technologies.
■
Phrase Trainer function
When you play back a song you have recorded from the CD
player, you can slow down the tempo without changing the
pitch. Also, you can remove the sound you hear at the
center (such as vocals and guitar solo) from the song.
“Practicing Difficult Phrases (Phrase
Trainer)” (p. 195)
■
Includes USB port
Connecting your computer here allows you to exchange
data between the BR-600 and a computer.
13
Introduction to the BR-600
Rev0.10
■
Full complement of input
connectors (jacks)
Your BR-600 is equipped with the input jacks shown below.
GUITAR/BASS :
This high-impedance input jack allows you to directly
connect your guitar or bass (accepts 1/4” phone plugs).
MIC1 :
This jack allow a mic to be connected. This is TRS-type
microphone input connector. Connect your mic here if
recording vocals or narration.
MIC2 :
This jack allow a mic to be connected. This is TRS-type
microphone input connector. If recording using two mics,
with one mic connected to the MIC 1 input, connect the
second mic here.
LINE IN :
These jacks accept stereo input from keyboards, CD players,
and other devices at line level (Stereo miniature phone
type).
■
Onboard stereo mic
The BR-600 features an onboard stereo microphone, perfect
for situations such as when you want to quickly make an
impromptu recording of something your band is practicing.
* Connecting an external mic disables the onboard mic (p. 36).
* This mic is not a speaker. If you want to listen to sounds
from the BR-600, use headphones or connect LINE OUT to
an appropriate audio device.
■
Two-way power supply
allows you to record
anywhere
You can use the BR-600 powered by batteries (six size AA
dry cells x 6, alkaline batteries recommended) or with the
AC adaptor.
And, thanks to its an onboard stereo microphone, you can
make recordings anywhere and anytime you desire.
14
Introduction to the BR-600
Rev0.10
Memory Cards Supported by Your BR-600
The BR-600 uses CompactFlash cards as the storage media
for recording and playback.
The BR-600 uses 32 MB to 1 GB CompactFlash cards with a
3.3 V power supply.
For more on supported memory cards (CompactFlash) for
the BR-600, refer to “About Memory Cards” (separate
sheet).
■
Formatting the memory card (CompactFlash)
CompactFlash cards bought at a computer shop, or ones
previously used with a digital camera cannot be used as is
with the BR-600.
These CompactFlash cards must first be initialized for use
with the BR-600.
For more details regarding initializing, see p. 199.
■
How to remove the card cover
To prevent theft of the memory card (CompactFlash), the
BR-600 is shipped from the factory with a card cover.
To remove the card cover, use the following procedure.
1
Turn over the BR-600.
2
Use a Phillips head screwdriver to remove the screws
on the bottom panel.
fig.00-020
3
Grasp the top and bottom of the card cover with your
fingers and pull the cover off in the direction
indicated in the figure.
fig.00-030
4
Attach the previously removed screws in the
positions shown in the figure to prevent loss.
5
Turn the BR-600 over, so it’s in its normal position.
• CompactFlash Type II cards are not compatible.
• CompactFlash cards are available at your nearest
computer or digital camera shop.
• When turning the unit upside-down, get a bunch
of newspapers or magazines, and place them
under the four corners or at both ends to prevent
damage to the buttons and controls. Also, you
should try to orient the unit so no buttons or
controls get damaged.
• When turning the unit upside-down, handle with
care to avoid dropping it, or allowing it to fall or
tip over.
• Should you remove the screws, make sure to put
them in a safe place out of children’s reach, so
there is no chance of them being swallowed
accidentally.
• CompactFlash and are trademarks of
SanDisk Corporation and licensed by
CompactFlash association.
• BOSS Corporation is an authorized licensee of the
CompactFlash™ and CF logo ( ) trademarks.
15
Rev0.10
Panel Descriptions
Top Panel
fig.00-050
1
7
6
Input section
1
GUITAR/BASS/MIC2 dial
This dial adjusts the input sensitivity for the GUITAR/
BASS and MIC2 inputs.
MIC1 dial
This dial adjusts the sensitivity for MIC1 and the onboard
stereo mic.
3
2
4
8
5
REC LEVEL (Recording Level) dial
Use this dial to adjust the volume of the input source for
recording.
* If you use the REC LEVEL dial to turn down the volume of
the input source during recording, the sound will be
recorded in the audio track at a low volume, so that noise
will be more apparent when you raise the volume of the
audio track for playback.
PEAK indicator
This indicator shows how strong the input level is at the
various input jacks (e.g., GUITAR/BASS, MIC2, and MIC1).
This indicator lights at a level -6 dB lower than where sound
distortion occurs. Adjust the input sensitivity with the
GUITAR/BASS/MIC2 dial so that this indicator lights only
occasionally, at those moments when you play your guitar
(or other instrument) at its loudest.
“Adjusting the input sensitivity” (p. 36)
16
If you want to lower the sound of the input source that you
are monitoring, lower the volume with the MASTER fader.
To change the volume of the music being played back, use the
TRACK fader for the respective tracks.
“Adjusting the recording level” (p. 37)
I
Try to record at the highest volume possible before the
sound begins to distort. This works to improve the
quality of the sound and reduce noise. When you want
to lower the volume used while checking the sound, use
the MASTER fader to lower the volume.
Panel Descriptions
Rev0.10
4
INPUT SELECT buttons
Use these buttons to select the input source (input jack) that
you wish to record. The selected button will light. You can
mute (silence) the input sound by pressing a button that is
lit.
“Selecting the Input” (p. 36)
[GUITAR]
For selecting either guitar or bass use of the GUITAR/BASS
jack, or the MIC2 jack.
[MIC]
This is used to select the MIC1 jack, used for external mics,
or the onboard stereo mic.
Connecting a mic to the MIC1 jack or MIC2 jack switches off
the onboard stereo mic.
[LINE]
This selects the LINE IN jack, used for CD players or other
portable audio players or other line-level devices.
SIMUL
By pressing [GUITAR] and [MIC] simultaneously, you can
record from both inputs at the same time.
* If the INPUT SELECT setting is changed, the insert effect
bank (p. 92) changes automatically.
TIME/VALUE dial
You can use this dial to shift the current position within a
song (e.g., fast forwarding and rewinding). It is also used to
change the values of the various function settings.
[PAD]
This enables the buttons used for playing the drum sounds
(the drum pads).
“Section 4 Using The Rhythm” (p. 131)
[EFFECTS]
Use this button to turn on and off the insert effects (p. 92) or
call up the screen for editing the various settings.
This button is used to make settings for the Mastering Tool Kit.
[PITCH CORRECTION]
Use this button to turn on and off the Pitch Correction. This
function adjusts the pitch of recorded vocals.
“Fixing the Pitch of Vocals (Pitch Correction)”
(p. 123)
2
[REC MODE (Recording Mode)]
This button is used for selecting the recording mode.
“Recording” (p. 44, p. 54)
“ Putting multiple tracks together (Bounce)”
(p. 49, p. 65)
“Mastering” (p. 111)
3
[EXIT]
Press this button to return to the previous screen or cancel
the last entry.
[ENTER]
Press this button to confirm a selection or a value being entered.
CURSOR buttons
Press these buttons to move the cursor within the screen.
[PAN/EQ/LOOP FX]
PAN
This calls up the screen for setting the panning (position) of
the sounds to be played back in each track and the input
sounds.(p. 49, p. 56)
EQ
This calls up the screen for editing the tone (low/high) for
each track (equalizer).(p. 50)
LOOP FX
This calls up the screen for setting the send level of each
track respective to the loop effects (p. 50, p. 118), setting the
various parameters, and more.(p. 120)
“Using the Loop Effects” (p. 118)
“Using the Track EQ” (p. 121)
17
Panel Descriptions
Rev0.10
[TUNER]
Use this button to turn on and off the tuner.
“Tuning an Instrument (Tuner)” (p. 192)
[RHYTHM ON/OFF]
This switches the Rhythm function on and off.
[ARRANGE]
This switches the Rhythm function to Arrange mode.
“Playing Rhythm Arrangements” (p. 143)
“Creating Original Arrangements” (p. 154)
[PATTERN]
This switches the Rhythm function to Pattern mode.
“Playing Rhythm Patterns” (p. 142)
“Creating Original Patterns” (p. 144)
[RHYTHM EDIT]
This calls up the screen for programming arrangements and
patterns.
[V-TRACK]
Use this button to call up the screen for selecting a V-Track.
“What are V-Tracks?” (p. 12)
“Changing V-Tracks” (p. 56)
[UTILITY]
This button calls up various functions offered by your BR-
600, such as track editing, song management, and memory
card operations.
[UNDO/REDO]
For undoing the last-performed recording or editing
operation and returning the data to its previous state. By
pressing this button once again, you can bring back the
canceled recording or re-execute the editing operation.
“Canceling an Operation (Undo/Redo)” (p. 64).
“Creating Patterns by Tapping the Drum Pads
(Realtime Recording)” (p. 145)
“Inputting Sounds One by One While
Confirming the Input Visually (Step
Recording)” (p. 148)
[PHRASE TRAINER]
Use this button to perform the settings for the phrase trainer
function.
When using the phrase trainer, you can turn on or off the
center cancel function (for removing vocals at the center), or
the time stretch function (for slowing down playback).
“Slowing Down the Speed (Time Stretch)” (p. 195)
“Canceling the Center Sound (Center Cancel)”
(p. 196)
18
Rev0.10
REC/PLAY section
5
AUTO PUNCH
This button is used to make settings for the automatic
punch in/out function.
[ON/OFF]
This turns the auto punch-in/out function on/off. When
this is on, the button will light.
“Specifying the area for auto punching in/out”
(p. 61)
Panel Descriptions
[ZERO]
Moves you to the time location 00:00:00-00.0.
“Moving the current position” (p. 33)
[REW]
The song will rewind while you hold down the button.
“Moving the current position” (p. 33)
[IN]
For setting the auto punch-in location. Press this button to set
the punch-in point. When set, the button will light. After the
punch-in location is set, you can press this button to
automatically move to the punch-in location.
* Press this button while holding down [ON/OFF] to clear the
set punch-in location.
“Erasing a registered auto punch in/out
location” (p. 62)
[OUT]
For setting the auto punch-out location. Press this button to
set the punch-out location at the current location in the
track. When set, the button will light. After the punch-out
location is set, you can press this button to automatically
move to the punch-out location.
* Press this button while holding down [ON/OFF] to clear the
set punch-out location.
“Erasing a registered auto punch in/out
location” (p. 62)
[LOCATOR]
Use this button to store any location that you desire. Then, by
pressing this button, you can automatically move to that location.
When a location is set, the button will light and you will jump to
the location each time this button is pressed.
* Press this button while holding down AUTO PUNCH [ON/
OFF] to clear the set location.
“Registering Time (Locator)” (p. 72)
[FF]
The song will fast-forward while you hold down the button.
“Moving the current position” (p. 33)
[REPEAT]
You can specify a region that you wish to hear, and hear it
repeatedly
This is convenient for making recordings involving repeated punch-
ins and punch-outs(p. 60) and for practicing and copying phrases.
“Repeating Playback (Repeat)” (p. 58)
[STOP]
Stops recording or playback of the song.
“Recording Operations” (p. 57)
[PLAY]
Plays back songs. When [REC] is pressed and flashing,
press [PLAY] to start recording. During recording or
playback, the indicator on the button lights in green.
“Listening to a Demo Song” (p. 32)
“Recording Operations” (p. 57)
[REC (Recording)]
This is the Recording button. In addition to the Recording
operation, it is also used for manual punch-in/out. While in
recording standby, the button flashes in red, and during
recording, it lights in red.
“Recording Operations” (p. 57)
“Manually Punching In/Out” (p. 60)
19
Panel Descriptions
Rev0.10
Track/Fader section
6
TRACK MIXER fader 1–4, 5/6–7/8
For controlling the volumes of each track during playback.
RHYTHM fader
Adjusts the volume of the Rhythm.
“Playing Arrangements” (p. 41)
“Playing Patterns” (p. 41)
MASTER fader
Controls the overall volume of the BR-600.
[TAP (TEMPO)]
By tapping this button, you can set the tempo for the
Rhythm.
“Tapping to change the tempo of the
arrangements or patterns” (p. 43)
[DELETE/MUTE]
You can mute the sound on a track by holding down this
button and pressing the REC TRACK button for that track.
Performing this same operation again cancels the mute.
“Listening to a Demo Song” (p. 32)
REC TRACK (Recording Track) buttons 1–4, 5/6–7/8
Use these buttons to select to which track you will record.
The button of the track selected will flash in red and then
light in red when recording begins. When recording is
finished, the button of the selected track will light
alternately in orange and green.
The relationship between the indicator and the track
conditions is given below.
Off :
This track contains no recorded data.
Green :
An audio track that contains recorded data.
Flashing in red :
The track is selected as the recording destination, and is in
recording standby.
Red :
This track currently being recorded.
While the sound is muted, the REC TRACK button for the
track flashes orange or green.
* If a recording track was muted, muting will be defeated
when recording ends.
“Silencing the sound of specific tracks (Track
Mute)” (p. 47)
During creation of Rhythm patterns, you can delete rhythm
sounds you have input by holding down this button and
pressing the Drum Pads.
“Deleting Unneeded Drum Sounds” (p. 147)
Lighting alternately in orange and green :
This track contains recorded data and is selected for
recording.
“Recording” (p. 54)
20
Panel Descriptions
Rev0.10
Display
7
fig.00-051
Information about items for which settings are available in
volume level and menu screens, parameter settings screens,
and other screens are displayed here.
If the screen is difficult to view, see “Adjusting the Display
Contrast” (p. 190).
1. MEASURE
Displays the current position within the song. Indicated
from left to right are the measure, beat, and clock.
2. TEMPO
The Rhythm tempo is indicated here.
MEMORY CARD slot
8
fig.00-052
Eject button
This slot is where memory cards (CompactFlash) are
inserted when you want to save data. You cannot record
unless you have a memory card inserted here.
Eject button
Press this button to eject the memory card.
“Inserting the Memory Card” (p. 30)
3. TIME
Displays the time of the current position of the song
(hours-minutes-seconds).
4. FRAME
This indicates the frame number showing the current
position in the song.
This is set to 30 frames per second (non-drop). This is one
type of what is called MTC (MIDI Time Codes).
The explanations in this manual include illustrations
that depict what should typically be shown by the
display. Note, however, that your unit may incorporate
a newer, enhanced version of the system (e.g., includes
newer sounds), so what you actually see in the display
may not always match what appears in the manual.
21
Panel Descriptions
Rev0.10
Rear Panel
10
9
8
1. MIC2 jack (TRS 1/4” phone type)
These jack allows a mic to be connected (p. 34).
* If the connection has been made to the GUITAR/BASS and
the MIC2 jacks, the MIC2 jack is given priority.
* Connecting a mic to MIC2 switches off the onboard stereo mic.
2. MIC1 jack (TRS 1/4” phone type)
These jacks allow a mic to be connected (p. 34).
* Connecting a mic to MIC1 switches off the onboard stereo mic.
The pin assignment for the MIC1 and the MIC2 jack is as
shown below.
3. LINE IN jack (Stereo mini type)
This input jack accepts analog audio signals (p. 34).
Connect the output of CD players or other portable audio
players or other audio equipment.
4. LINE OUT jack (RCA Pin type)
These jacks output analog audio signals. You can connect
external audio equipment (e.g. a stereo amp) to this jack, or
connect an CD recorder or other such device to this jack for
analog recording of the BR-600’s output (p. 90).
5. USB connector
This is the connector for connecting your computer to the
BR-600 with a USB cable (p. 162).
7
6
5
• When the foot switch is used, you can start/stop
playback, punch in/out, and more.
• When an expression pedal is used, you can control the
depth of insert effects with your foot.
7. POWER switch
This is the power switch. It turns the power of the BR-600
on/off (p. 31).
8. DC IN (AC Adaptor) jack
Connect an AC adaptor (PSA series; sold separately) to this jack.
You must use only the PSA series AC adaptor (p. 28).
You can purchase a PSA adaptor at musical instrument
retailers.
9. Cord Hook
Wrap the cable around this hook so that the AC adaptor
cable is not pulled out accidentally (p. 29).
• You must use only the PSA series AC adaptor.
Use of any other adaptor may cause overheating
or malfunctions.
• If the AC adaptor is disconnected during
operation, your important recorded data may be
lost.
4
“Using a Foot Switch or Expression Pedal” (p.
191)
3
1
2
6. FOOT SW/EXP PEDAL jack
This is an input jack for connecting a separately sold foot
switch (BOSS FS-5U, Roland DP-2) or expression pedal
(Roland EV-5, BOSS FV-500L/FV-500H).
22
10. Security Slot ( )
http://www.kensington.com/
Rev0.10
Front Panel
fig.00-090
Panel Descriptions
3
1. GUITAR / BASS jack
High-impedance input jack to directly connect your guitar
or bass.(p. 34)
2. MIC1 L / R (onboard stereo microphone L / R)
This microphone can be used for recording with the BR-600.
“Selecting the Input” (p. 36)
“Turning on the onboard stereo microphone” (p. 36)
* This mic is not a speaker. If you want to listen to sounds
from the BR-600, use headphones or connect LINE OUT to
an appropriate audio device.
3. Headphones jack
Headphones (sold separately) are connected here. When
headphones are connected, the same output as that from
LINE OUT can be heard from the headphones.
1
2
The headphone volume is adjusted with the MASTER
fader.
23
Panel Descriptions
Rev0.10
Inserting Batteries
1
Make sure that the power of the BR-600 is turned off.
2
Turn over the BR-600.
3
Slide the battery cover in the direction indicated by
the arrow and remove.
4
Being careful not to reverse the polarity (+/-), insert
six AA dry-cell batteries into the battery
compartment.
fig.00-100
• When turning the unit upside-down, get a bunch
of newspapers or magazines, and place them
under the four corners or at both ends to prevent
damage to the buttons and controls. Also, you
should try to orient the unit so no buttons or
controls get damaged.
• When turning the unit upside-down, handle with
care to avoid dropping it, or allowing it to fall or
tip over.
• BOSS recommends using longer-life alkaline
batteries.
• Do not mix new batteries with partially used
batteries, and do not mix batteries of differing
types.
• Do not use rechargeable batteries.
• When the battery power becomes low, “Battery
Low!” appears in the display. When this message
appears, replace the existing batteries with new
ones as soon as possible.
• Continuous battery life varies according to usage
conditions and the type of battery used. It is also
affected by the CompactFlash type and capacity.
24
5
Replace the battery cover.
Rev0.10
About the Play Screen
The Play screen is the most fundamental screen of the BR-
600, and is the first screen that appears when the BR-600 is
turned on (see below).
fig.00-242
Play Screen
Unless special note is made otherwise, the screen content
referred to in the procedures described in this manual is
that of the Play screen.
Panel Descriptions
25
MEMO
Rev0.10
26
Quick
Start
Quick Start
27
Rev0.10
Connecting Peripheral Devices
Make connections as shown in the diagram below. When making any connections, make sure that all devices are turned off.
fig.00-110
Front Panel
Rear Panel
AC Adaptor
(PSA series)
Stereo Headphone
Electric Guitar
or
Electric Bass
CD Player etc.
28
Foot Switch
(FS-5U etc.)
Expression Pedal
(Roland EV-5 etc.)
Computer
Audio Set etc.
Mic
Connecting Peripheral Devices
Rev0.10
How to Use the Cord Hook
• To prevent malfunction and/or damage to
speakers or other devices, always turn down the
volume, and turn off the power on all devices
before making any connections.
• Feedback could be produced depending on the
location of microphones relative to speakers.
This can be remedied by:
1. Changing the orientation of the microphone(s).
2. Relocating microphone(s) at a greater distance
from speakers.
3. Lower the volume.
• The MIC1 and MIC2 jack are TRS phone type
jacks that are compatible with balanced input.
The pin assignment for the MIC1 and MIC2 jack
are as shown below. Before making any
connections, make sure that this pin assignment is
compatible with that of all your other devices.
fig.00-120
The bottom of the BR-600 features a groove (cord hook) for
securing the AC adaptor (PSA series) cord.
To prevent the inadvertent disruption of power to your unit
(should the plug be pulled out accidentally), and to avoid
applying undue stress to the AC adaptor jack, anchor the
power cord using the cord hook.
Cord Hook
Cord thickness and shape may differ according to the AC
adaptor used.
Set the cord as shown in Figure A or B below to secure the
cord.
A)
Quick Start
• When using the FS-5U foot switch (sold
separately), set the polarity switch as shown
below. If the polarity switch is not set correctly,
the foot switch may not operate properly.
fig.00-130
Polarity Switch
• You can also use an FS-6 (sold separately) for the
foot switch. If using an FS-6, connect to only one
of the FS-6’s jacks, either the A or B jack.
Additionally, set the polarity switch to “FS-5U.”
The A&B jack cannot be used.
• If using an expression pedal (Roland EV-5, BOSS
FV-500L/FV-500H), set the MIN volume level to
“0.”
B)
• Do not use undue force to insert the cord in the groove.
Doing so may cause the cord to break.
• Turning the BR-600 over upon a desktop or table
may cause scratching of the BR-600 or the surface
of the desk or table. Be sure to carry out this
procedure on a soft surface or with a cloth or other
soft material laid on top of the desk or table.
29
Connecting Peripheral Devices
Rev0.10
Using a Mic Converter Cable
If your mic cable has an XLR connector, you can connect the
mic using the converter cable included with the BR-600. The
following describes how to connect the mic using this cable.
fig.00-111
Converter Cable
Mic
Inserting the Memory Card
Insert the memory card (CompactFlash) with the card label
facing upward.
fig.00-112
• Carefully insert the memory card all the way
in-–until it is firmly in place. Also, do not use
undue force to insert the memory card.
• Do not touch the contacts of the memory card or
allow them to become dirty.
• Before inserting the memory card, be sure to first
turn off the BR-600. If a memory card is inserted
when the power is turned on, the data in the
memory card may be destroyed, or the memory
card may become unusable.
30
• The pin assignment for the XLR connector is
shown below. Before making any connections,
make sure that this pin assignment is compatible
with that of all your other devices.
fig.00-120
• As the BR-600 does not feature any phantom
power supply, note that no sound will be
produced with condenser mics and other mics
requiring phantom power.
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